A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Les Douceurs de l'Automne.
Gravé par P. C. Canot d'apres le dessein original de même grandeur, inventé et dessiné par Jean Pillement.
London Publish.d according to Act of Parliament December y.e 26 1759.
Etching, very fine impression, 430 x 530mm (17 x 21"), with large margins. Slightly scuffed, repaired tear on top margins, wormholes.
Autumn landscape with a man pouring a glass of wine to a companion while another is drawing wine from a barrel in the foreground, beyond some men seated around a table under a vine arbour. A tavern is visible in the background on the left. From a series of four plates after Jean Pillement, engraved by Canot, Mason and Woolett and representing the different seasons.
IFF 24.
[Ref: 59606] £360.00
Gravé par P. C. Canot d'apres le dessein original de même grandeur, inventé et dessiné par Jean Pillement.
London Publish.d according to Act of Parliament December y.e 26 1759.
Etching, very fine impression, 430 x 530mm (17 x 21"), with large margins. Slightly scuffed, repaired tear on top margins, wormholes.
Autumn landscape with a man pouring a glass of wine to a companion while another is drawing wine from a barrel in the foreground, beyond some men seated around a table under a vine arbour. A tavern is visible in the background on the left. From a series of four plates after Jean Pillement, engraved by Canot, Mason and Woolett and representing the different seasons.
IFF 24.
[Ref: 59606] £360.00
![[15 scenes set against French-style chateaux, gardens, grottos and fountains after Jean Lepautre.]](jpegs/59633.jpg)
[15 scenes set against French-style chateaux, gardens, grottos and fountains after Jean Lepautre.]
[Sold by Sam.l Sympson at his Print Shop in Catherine Street Strand] [n.d., c.1730.]
Set of 15 etchings, numbered in top margin in old ink mss, some have 18th century watermark. Each plate c. 220 x 305mm (8¾ x 12"). Paper toned; Pl. 7 with hole in image; Pl. 11 trimmed close to plate top right.
A collection of untitled plates etched by Jean Lepautre (1618-82), bought and republished by Samuel Sympson (fl. 1720-d.1751) in London. Although the focus of the plates is French-style architecture and garden designs, the subjects include at least one biblical subject: plate 1 is the baby Moses being presented to Pharaoh's daughter (BM 1929,0523.15). Probably issued as a guide for garden designers and architects. The BM records an advertisment in 'The Craftsman' (29 May 1732) offering for sale a volume of '164 different designs of the celebrated Master Le Potre', stating that 'The said Mr Sympson having purchased the plates from France, the prints will be sold at a very low rate'. Sympson moved from Catherine Street to Maiden Lane in 1732.
[Ref: 59633] £850.00 view all images for this item
[Sold by Sam.l Sympson at his Print Shop in Catherine Street Strand] [n.d., c.1730.]
Set of 15 etchings, numbered in top margin in old ink mss, some have 18th century watermark. Each plate c. 220 x 305mm (8¾ x 12"). Paper toned; Pl. 7 with hole in image; Pl. 11 trimmed close to plate top right.
A collection of untitled plates etched by Jean Lepautre (1618-82), bought and republished by Samuel Sympson (fl. 1720-d.1751) in London. Although the focus of the plates is French-style architecture and garden designs, the subjects include at least one biblical subject: plate 1 is the baby Moses being presented to Pharaoh's daughter (BM 1929,0523.15). Probably issued as a guide for garden designers and architects. The BM records an advertisment in 'The Craftsman' (29 May 1732) offering for sale a volume of '164 different designs of the celebrated Master Le Potre', stating that 'The said Mr Sympson having purchased the plates from France, the prints will be sold at a very low rate'. Sympson moved from Catherine Street to Maiden Lane in 1732.
[Ref: 59633] £850.00 view all images for this item
![[Still-life.]](jpegs/59547.jpg)
[Still-life.]
J. Baptiste Monnoyer.
[n.d. c.1691.]
Very fine mezzotint, 265 x 185mm (10½ x 7¼"), with very large margins. Proof before artist's signature was completed. Trimmed to plate, glued on album sheet at edges. Repaired tear on right edge. Slight crease on right bottom.
Table-top still-life with roses and other flowers in a wide, rounded glass vase.
Wessely 482. Nagler 500. Collector's stamp of Frederick Augustus II of Saxony.
[Ref: 59547] £420.00
J. Baptiste Monnoyer.
[n.d. c.1691.]
Very fine mezzotint, 265 x 185mm (10½ x 7¼"), with very large margins. Proof before artist's signature was completed. Trimmed to plate, glued on album sheet at edges. Repaired tear on right edge. Slight crease on right bottom.
Table-top still-life with roses and other flowers in a wide, rounded glass vase.
Wessely 482. Nagler 500. Collector's stamp of Frederick Augustus II of Saxony.
[Ref: 59547] £420.00
Les Amusements Du Printems.
Gravé par James Mason d'apres le dessin original de même grandeur inventé et dessiné par Jean Pillement.
London. Publishd according to Act of Parliament Dec:r 26: 1757.
Etching, 435 x 520mm (17¼ x 20½"), with large margins. Nicks and creases on right margins.
River landscape with two men bringing flowers and a birdcage to some women seated on the river bank in the foreground, beyond a rowing boat, and a few figures on the opposite bank. From a series of four plates after Jean Pillement, engraved by Canot, Mason and Woolett and representing the different seasons.
See Ref: 59606 & 38964
[Ref: 59607] £380.00
Gravé par James Mason d'apres le dessin original de même grandeur inventé et dessiné par Jean Pillement.
London. Publishd according to Act of Parliament Dec:r 26: 1757.
Etching, 435 x 520mm (17¼ x 20½"), with large margins. Nicks and creases on right margins.
River landscape with two men bringing flowers and a birdcage to some women seated on the river bank in the foreground, beyond a rowing boat, and a few figures on the opposite bank. From a series of four plates after Jean Pillement, engraved by Canot, Mason and Woolett and representing the different seasons.
See Ref: 59606 & 38964
[Ref: 59607] £380.00
![[Vespertina Quies.]](jpegs/59622.jpg)
[Vespertina Quies.]
[Etched by Émile Boilvin after Edward Burne-Jones]
Copyright 1897 by Mess.rs Arthur Tooth & Son, Publishers, 5 & 6 Haymarket, London, 295. Fifth Avenue New York, & Mess.rs Stiefbold & Co Berlin, Printed by Mess.rs A. Salmon & Ardail, Paris.
Etching on vellum, signed by Boilvin in pencil. Limited edition of 275 signed proofs. Printed area 395 x 255mm (15½ x 10"), with very large margins. Ink stamp in image corner bottom left.
'Evening Quiet': a woman leans against a balustrade, pensively playing with a ring on her finger, a pose reminiscent of Italian Renaissance portraits. We believe this is a pre publication proof as it does not have the Printsellers' Stamp. It comes from a collection of Solvin proofs (Paris) The model for the oil (pained 1893 and now in the Tate, N05176) is belived to be Elizabeth Keene.
[Ref: 59622] £1,500.00
[Etched by Émile Boilvin after Edward Burne-Jones]
Copyright 1897 by Mess.rs Arthur Tooth & Son, Publishers, 5 & 6 Haymarket, London, 295. Fifth Avenue New York, & Mess.rs Stiefbold & Co Berlin, Printed by Mess.rs A. Salmon & Ardail, Paris.
Etching on vellum, signed by Boilvin in pencil. Limited edition of 275 signed proofs. Printed area 395 x 255mm (15½ x 10"), with very large margins. Ink stamp in image corner bottom left.
'Evening Quiet': a woman leans against a balustrade, pensively playing with a ring on her finger, a pose reminiscent of Italian Renaissance portraits. We believe this is a pre publication proof as it does not have the Printsellers' Stamp. It comes from a collection of Solvin proofs (Paris) The model for the oil (pained 1893 and now in the Tate, N05176) is belived to be Elizabeth Keene.
[Ref: 59622] £1,500.00