Grosvenor Prints

Barham Rectory - Suffolk. The Residence of the Rev.d W. Kirby.
Drawn from Nature & on Stone by E.A.B.
[n.d., c.1830].
Lithograph. Sheet size: 225 x 157mm. (8¾ x 6¼"). Slight tear off image on right.
The Suffolk home of William Kirby (1759 - 1850), botanist and entomologist; President of the Ipswich Museum. For Kirby's portrait see Ref: 4014.
[Ref: 31400] £75.00 (£90.00 incl.VAT)

Barham Parsonage. The Residence of the Revd. Wm. Kirby MA, FRS, LS, &c. &c.
Mrs. Lathbury delin. 1828. W. Day lithog, 17 Gate Street.
[n.d., c.1830.]
Lithograph on india paper, very rare, image 175 x 320mm. 7 x 12½". Wide margins slightly soiled.
The Suffolk home of William Kirby (1759 - 1850), botanist and entomologist; President of the Ipswich Museum. For Kirby's portrait see Ref: 4014.
For Kirby's portrait see item Ref: 4014.
[Ref: 22306] £160.00 (£192.00 incl.VAT)

Dome House, Bognor. The Residence of Mrs. Wilsonn formerly occupied by Her Royal Highness the Princess Charlotte.
Printed by C. Hullmandel.
[n.d. c.1845.]
Rare lithograph. 152 x 209mm. 6 x 8¼".
The Dome House, which Sir Richard Hotham built shortly before his death in 1799 in the hope of attracting King George III to stay there. The King did not stay, but in 1808 his granddaughter the young Princess Charlotte stayed and remained for two years, supporting with her money and patronage the Jubilee School for poor children, founded in 1810.
[Ref: 24129] £65.00 (£78.00 incl.VAT)

A View of the Old Eastgate Bridge, (Bury Saint Edmunds.)
From a Drawing, (by Permission) By the late Lady Blake. A. Friedel, lith. 252, Tottenham Court R.d London.
Published by T.C. Newby, Angel Hill. [n.d. c.1820.]
Tinted lithograph, rare. Sheet 285 x 381mm. 11¼ x 15". Creasing, repaired tear into upper edge.
A view of East Gate Bridge, Bury St Edmunds, Suffolk. Lithographed by Adam Friedel, whose output also includeda series of Greek Revolutionary portraits, and decorative prints from Dutch Golden Age paintings.
[Ref: 27654] £120.00 (£144.00 incl.VAT)

The Tomb Of Lord Bardolf. This Tomb is in Dennington Church in ye County of Suffolk, & was erected to ye Memory of Willm. Lord Bardolf, Chamberlain to K. Hen.6. who by his Will, bearing Date Dec.1:1438, bequeath'd his Body to be buried in this place. To Sr. John Rouse Bart. This Plate is Inscrib'd, by his most Obedient abd Humble Servt. Jos:a Kirby.
Drawn after ye Tomb by Jos:a Kirby, & Publish'd by him March 25: 1748. Engrav'd by J. Wood.
Engraving. 245 x 315mm (9½ x 12¼"). Some foxing. Crease into lower part of image at right.
Sir William Phelip (1383 - 1441) of Dennington, Suffolk, and Erpingham, Norfolk. He served at Agincourt, was captain of Harfleur 1421 - 1422, treasurer of the household to Henry V, and chamberlain to Henry VI, and on 13 Nov. 1437 was created Baron Bardolf. On his death in 1441 the peerage became extinct. Rare.
[Ref: 7524] £160.00 (£192.00 incl.VAT)

[Dover.]
Frank H. Mason [pencil.]
[n.d., c.1930.]
Drypoint, signed in pencil by the artist, Fine Art Trade Guild blind stamps. 140 x 230mm (5½ x 9") very large margins. In original mount. Mint.
Dover from the sea, castle atop the cliff, shipping in the foreground. By Frank Henry Mason (1875-1965), an artist best known for his maritime, shipping, coastal and harbour paintings and as a creator of art deco travel and British railway posters. From 1900 onwards he exhibited at the RA, and was awarded R.I. in 1929.
[Ref: 49249] £160.00 (£192.00 incl.VAT)

Frontispiece to M.r Constable's English Landscape. East Bergholt, Suffolk. ''Hic locus ætatis nostræ primoerdia novit...''
Painted by John Constable R.A. Engraved by David Lucas.
London, Published by M.r Constable, 35 Charlotte S.t Fitzroy Square 1831.
Mezzotint. 240 x 235mm (9½ x 9¼"), with large margins.
A view of the village of East Bergholt in Suffolk. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832.
Wedmore 1. Shirley: 27. Osbert Barnard: I of IV.
[Ref: 50866] £230.00 (£276.00 incl.VAT)

Frontispiece to M.r Constable's English Landscape. East Bergholt, Suffolk. ''Hic locus ætatis nostræ primoerdia novit...''
Painted by John Constable R.A. Engraved by David Lucas.
London, Published by M.r Constable, 35 Charlotte S.t Fitzroy Square 1831.
Mezzotint. Plate: 240 x 235mm (9½ x 9¼") very large margins on 3 sides. Overall foxing. Cut to platemark at bottom.
A view of the village of East Bergholt in Suffolk. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832. In 1843 Charles Robert Leslie published his 'Memoirs of John Constable Esq. R.A'. He obtained directly from the Constable family 186 sets of 22 images of the Various Subjects of Landscape in return for 30 copies of his book. This mezzotint is one of those; "see Tate John Constable, David Lucas".
Wedmore 1. Shirley: 27. Osbert Barnard: I of IV.
[Ref: 44383] £180.00 (£216.00 incl.VAT)

[Eye Town Hall.] To Sir Edward Herrison, Bar.t, M.P., The Mayor, & Town Council of the Borough of Eye, This View of the Town Hall and Corn Exchange, is respectfully dedicated by their obedient Servant, Edward Buckton Lamb, Arch.t 1856.
E.B. Lamb Arch.t del. F. Bedford lith. Day & Son, Lith.rs to The Queen.
Tinted lithograph. Printed area 230 x 265mm (9¼ x 10½") Tear through inscription. Dusty in margins.
A rare view of Eye Town Hall, designed by Edward Buckton Lamb, a ‘'Rogue Gothic Revivalist'’ of the mid-Victorian period, described by Pevsner as 'the most original though certainly not the most accomplished architect of his day'. Among his works are St Luke's Chapel in Brompton Hospital and alterations to Hughenden Manor for Benjamin Disraeli.
[Ref: 39780] £130.00 (£156.00 incl.VAT)

Martello Place Felixtow[e].
1845.
Watercolour in sepia tones. Sheet size: 265 x 360mm (10½ x 14"). Glued to backing sheet at corners. Small tear in lower right corner. Lower left corner chipped.
A fine and highly detailed watercolour view of Martello Place, Felixstowe, Suffolk, with surrounding gardens. The high level of skill and accuracy of the painting would suggest that it was made by an architect.
[Ref: 37748] £220.00 (£264.00 incl.VAT)

Sir. R. Hartlands Villa. Felixtow[e].
1845.
Watercolour in sepia tones. Sheet size: 255 x 360mm (10 x 14"). Glued to backing sheet in corners.
A fine watercolour view of Ridley House, Felixtowe. In the early 1840's Sir Robert and Lady Harland acquired a Georgian farmhouse by the sea at Old Felixstowe. It was then largely rebuilt in the Italianate style in 1843 by Sir Robert. Twenty years later it was bought by Lady Login who occasionally let it to friends for short periods. The most interesting of these was a short let to Edward Fitzgerald the poet who lived in nearby Woodbridge. The high level of skill and accuracy of the painting would suggest that it was made by an architect.
[Ref: 37744] £240.00 (£288.00 incl.VAT)

Felixtow[e]. Verandah Houses burnt down Nov.r 7th 1845.
1845.
Watercolour in sepia tones. Sheet size: 265 x 360mm (10½ x 14"). Glued to backing sheet at corners. Lower left corner chipped.
A fine watercolour view of Felixstowe, between the River Orwell and River Deben on the North Sea coast of Suffolk, England. Steam and sailing vessels can be seen on the water in the background to the right, as well as figures beside beach huts by the water below. A large row of houses with verendas facing the sea, are in the centre of the image. According to the annotation below the image, these houses were destroyed in a fire, the same year that this painting was made. The high level of skill and accuracy of the painting would suggest that it was made by an architect.
[Ref: 37750] £190.00 (£228.00 incl.VAT)

Stanford channel floating light, Lowestoft Roads, Suffolk.
W. Rushmer del.t & lith.
Published by W. Rushmer, London Road, Lowestoft.
Lithograph, 100 x 115mm. 4 x 4½". Laid on album sheet
'Stanford Float exhibits two lights upon a yard athwart ships which appear steady or in motion, according to the state of the weather. The lights are visible at a distance of two or three leagues, according to the clearness of the atmosphere. They serve as a direction for the Stanford Channel. In the day, a flag is hoisted at the mast-head; and during foggy weather and snow-showers, a bell is tolled night and day' ('The British Pharos' by Alan Stevenson, 1831).
[Ref: 11281] £75.00 (£90.00 incl.VAT)

[A View Near Hadley in Suffolk'] Drawn after Nature. No 2.
Tho.s Gainsborough del.t. John Boydell sculp.t.
Published by J. Boydell Engraver in Cheapside London [n.d., c.1790].
Engraving, very faint 18th century watermark. 255 x 350mm (10 x 13¾"), with large margins. Repaired tears in edges.
A view of rural Suffolk, one of a set of four originally published as 'Four Landskips Engrav'd by John Boydell' in 1747, but this example from Boydell's 'Collection of Views of England and Wales', issued to celebrated his becoming Lord Mayor of London.
[Ref: 59631] £140.00 (£168.00 incl.VAT)

The Front of Helmingham Hall in the County of Suffolk, the Seat of the R.t Hon.ble The Earl of Dysart, To whom this plate is most humbly Inscrib'd By his Lordships most Obedient most humble Servants Geo. Forster, H.y Chappelle J. Wilcox.
R. Parr Sculp.
[London, c.1739.]
Engraving. Two sheets conjoined, total, 465 x 580mm (18¼ x 22¾"). Tear entering plate taped, wide margins with wear.
Elevation of Helmingham Hall, with the bridge over the 60ft moat. It has been owned by the Tollemache family since 1480.
[Ref: 49820] £420.00

A Dell, Helmingham Park, Suffolk.
Painted by John Constable, R.A. Engraved by David Lucas
London Published by M.r Constable 35 Charlotte St Fitzroy Square 1830
Fine mezzotint. Plate: 180 x 225mm (7 x 8¾"), with very large margins. Slight mount burn.
A view of a dell in the park of Helmingham Hall in Suffolk. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832. They worked very closely together with Constable often hand touching up the prints himself.
Wedmore 9. Shirley: 12: II of V.
[Ref: 58188] £260.00 (£312.00 incl.VAT)

A View of Stoke Bridge, Ipswich.
Drawn & Engraved by C. Pyke, Drawing Master, Ipswich.
Publish'd July 1st 1801.
Scarce coloured etching. 320 x 425mm (12½ x 16¾"), watermarked '1794'. Trimmed to plate at top.
A view of Stoke Bridge, over the River Orwell in Ipswich, two windmills on the hills behind. From a set of four views of Ipswich by Charles Pyke (1770-1846?), locally published.
[Ref: 54741] £480.00

[A View near Ipswich in Suffolk] Drawn after Nature. No 1.
Tho.s Gainsborough del.t. John Boydell sculp.t.
Published by J. Boydell Engraver in Cheapside London [n.d., c.1789].
Engraving, 1789 watermark. 255 x 350mm (10 x 13¾"), with large margins. Repaired tears in edges.
A distant view of Ipswich, with harvesters and hunters. It was originally published as 'Four Landskips Engrav'd by John Boydell' in 1747, but this example from Boydell's 'Collection of Views of England and Wales', issued to celebrated his becoming Lord Mayor of London.
[Ref: 59630] £160.00 (£192.00 incl.VAT)

Orwell Lodge, Ipswich.
1844.
Watercolour in sepia tones. Sheet size: 265 x 365mm (10¼ x 14¼"). Glued to backing sheet in corners.
A fine watercolour showing Orwell Lodge, Ipswich, the former seat of Joseph Burch Smyth. The high level of skill and accuracy of the painting would suggest that it was made by an architect.
[Ref: 37741] £220.00 (£264.00 incl.VAT)

Stoke bridge, Ipswich.
1845
Watercolour in sepia tones. Sheet size: 255 x 360mm (10 x 14"). Glued to backing sheet in corners.
A fine watercolour showing Stoke Bridge, Ipswich, crossing over the point at which the River Gipping becomes the River Orwell. Masts of a number of boats can be seen behind the bridge, with various buildingss including a church in the background to the left. There are records of a bridge existing on the site from the late 13th Century. The high level of skill and accuracy of the painting would suggest that it was made by an architect.
[Ref: 37742] £220.00 (£264.00 incl.VAT)

Ipswich. From the Cliff.
on Stone by L. Haghe, from a Sketch by The Rev.d R. Cobbold.
W. Day lithog. 17 Gate St.t
Lithograph. 305 x 425mm. 12 x 16¾". Tears, creasing and slight staining to margins.
A view across the bay in Ipswich, Suffolk, looking towards the town; fishing in the foreground with a steam boat, yachting and rowing; people swimming to the left.
[Ref: 27656] £160.00 (£192.00 incl.VAT)

The South-West Prospect of Ipswich, in the County of Suffolk.
Sam.l & Nath.l Buck delin. et sculp. Publish'd according to Act of Parliament Jan. 7.th 1741 Garden Court No.1 Middle Temple London.
Engraving. Plate: 305 x 805mm (12 x 31¾"). Central fold as issued, old ink mss. plate number. Slight offsetting in top title.
A detailed prospect of Ipswich, with a descriptive text below and a key to the right. From the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales'; an early printing, before the addition of a plate number top right.
[Ref: 46943] £450.00

[Ipswich] The ceremony of laying the first Stone of the Lock to the Wet Dock Ipswich.
Drawn from sketches made on the spot by Henry Davy, June 26 & 27 1839 & Etched & Published by him in Globe Street, Ipswich, July 10, 1839.
Etching. 175 x 260mm (7 x 10¼"). Small margins.
[Ref: 51439] £120.00 (£144.00 incl.VAT)

Lavenham [pencil.]
M. Douglas. [pencil signature.]
[n.d., c.1920.]
Etching. 225 x 150mm, 9 x 6".
The C15th church of Lavenham in Suffolk, paid for by wool-wealth, with the highest church tower in England at 141 ft (43 m).
[Ref: 11649] £60.00 (£72.00 incl.VAT)

Lowestoff, Suffolk.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. July, 1, 1822.
Aquatint with fine original hand colour. On watermarked paper, 'J. Whatman. 1821'. 230 x 300mm (9 x 12"). Mint, with large margins, uncut.
A view of Lowestoft from a hillside. A lighthouse is on a hilltop in the middle ground in the centre, with the town on the coast to the left. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36145] £190.00 (£228.00 incl.VAT)

[Lowestoft.]
Frank H. Mason [pencil].
[n.d., c.1920.]
Etching, signed by the artist, blindstamps in margin. 140 x 230mm, with very large margins. Mint.
A fishing ketch in Lowestoft Harbour. Frank H. Mason (1876 - 1965) was a cadet on HMS Conway. Having served in the Royal Navy in the First World War, Mason became a war artist, with several such images held at the Imperial War Museum. Between the wars he became a full-time artist, working as an illustrator, a poster artist for railway companies, and supplying posters and postcards for shipping companies. From 1900 onwards he exhibited at the RA, and was awarded R.I. in 1929. Mason illustrated the book North Sea Fishers and Fighters in 1911, and was a 'significant artist of marine and coastal scenes, as well as an illustrator of shipping books'.
[Ref: 61057] £180.00 (£216.00 incl.VAT)

Lowestoft. Original Etching by Frank H. Mason, R.B.A. Edition linited to 175 impressions. Plate to be destroyed.
Frank H. Mason [pencil.]
[London: Alfred Bell & Co., n.d., c.1935.]
Drypoint, signed in pencil by the artist. 140 x 230mm (5½ x 9"), very large margins, publisher's blind stamps. In original mount with printed label with title as above, with publisher's 'Minerva's Head' & 'A B C' logo. Mint.
By Frank Henry Mason (1875-1965), an artist best known for his maritime, shipping, coastal and harbour paintings and as a creator of art deco travel and British railway posters. From 1900 onwards he exhibited at the RA, and was awarded R.I. in 1929.
[Ref: 49159] £160.00 (£192.00 incl.VAT)

Lowestoff, Suffolk.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London, July 1. 1822.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins.
A view of the coastal town of Lowestoft showing the lighthouse upon the hill. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47141] £230.00 (£276.00 incl.VAT)

View of Lowestoft Harbour. Respectfully dedicated to the Inhabitants of Lowestoft, By their obedient Servant, The Publisher.
W. Rushmer, Delt. & Lith.
Published by W. Rushmer, Bookseller &c. London Road, Lowestoft. [n.d. c.1837.]
Tinted lithograph. 280 x 376mm. 11 x 14¾". Some nicks and toning along lower edge.
Lowestoft Harbour, Suffolk. The original inner harbour was built by the Lowestoft and Norwich Navigation Company and was constructed in 1837. The development of the harbour led to a rapid growth in the fishing industry and associated engineering and ship building companies such as Brooke Marine, Richard and Boulton and Paul. Large scale ship building, which included the building of vessels for the Royal Navy, continued into the 1980s.
[Ref: 25619] £170.00 (£204.00 incl.VAT)

A Mill.
Painted by John Constable R.A. Engraved by David Lucas.
London, Published by M.r Constable, 35 Charlotte S.t Fitzroy Square 1830.
Mezzotint. Plate: 180 x 255mm (7 x 10"), with very large margins. Slight foxing.
A view of a watermill. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832. In 1843 Charles Robert Leslie published his 'Memoirs of John Constable Esq. R.A'. He obtained directly from the Constable family 186 sets of 22 images of the Various Subjects of Landscape in return for 30 copies of his book. This mezzotint is one of those; "see Tate John Constable, David Lucas".
Wedmore 17. Shirley: 5. Osbert Barnard: I of V.
[Ref: 44384] £230.00 (£276.00 incl.VAT)

[Original sketch for Dugdales' England & Wales.] Petworth House, Sussex. Seat of the Earl of Egremont.
[Thomas Hosmer Shepherd]
[n.d., c.1838.]
Colour wash sketch. Sheet 135 x 190mm (5¼ x 7½"). Mounted on album paper at corners.
A view of the west façade of Petworth House, facing the lake. This is the original sketch for the engraving published in ''Curiosities of Great Britain: England and Wales Delineated'', by Thomas Dugdale, published by John Tallis in parts from 1838.
[Ref: 60265] £250.00 (£300.00 incl.VAT)

Thomas Clarkson. Playford Hall. Aug. 31. 1846, aged 87. Thomas Clarkson penned the original Autograph, (of which the above is a perfect facsimile, obtained by the Anastatic Press) in ink pre-pared for the purpose; about 4 weeks before his death, which took place on the 26th of the 9th month, 1846, in his 87th year. The windows immediately opposite the gate are these of his usual sitting room, the two above them of that where he ended his mortal career. WDS.
W.m Dillwyn Sims [facsilimile within plate].
Ipswich Anastatic Press. [n.d., c.1846.]
Lithograph. Sheet size: 275 x 385mm (10¾ x 15¼"), with very large margins.
A view of Playford Hall, Suffolk, with abolitionist Thomas Clarkson (1760 - 1846), walking towards the gates. Clarkson was founding member of The Society for Effecting the Abolition of the Slave Trade (also known as the Society for the Abolition of the Slave Trade) and helped achieve passage of the Slave Trade Act of 1807, which ended British trade in slaves. Clarkson rented Playford Hall in around 1813 and lived there until his death in 1846.
[Ref: 62208] £110.00 (£132.00 incl.VAT)

River Stour Suffolk.
Painted by John Constable R.A. Engraved by David Lucas.
London, Pub.d by M.r Constable, 35 Charlotte S.t Fitzroy Square 1831.
Mezzotint. Plate: 220 x 175mm (8½ x 7"), with very large margins. Slight foxing.
A countryside view showing figures on boats in the River Stour. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832. In 1843 Charles Robert Leslie published his 'Memoirs of John Constable Esq. R.A'. He obtained directly from the Constable family 186 sets of 22 images of the Various Subjects of Landscape in return for 30 copies of his book. This mezzotint is one of those; "see Tate John Constable, David Lucas".
Wedmore 5. Shirley: 19. Osbert Barnard: II of VI.
[Ref: 44392] £230.00 (£276.00 incl.VAT)

Shrubland Hall, Suffolk. The Seat Of Sir Wm. Middleton, Bart. To whom, by permission, this Print is respectfully dedicated.
C.J. Greenwood, Delt. E.H. Buckler Lith.
Published by W. Munro, Ipswich Street, Stowmarket. [n.d., c.1850.]
Sepia tinted lithograph heightened in white, image 240 x 335mm. 9½ x 13¼". Trimmed to printed border and glued to album page.
Shrubland Hall near Ipswich, Suffolk, was owned by Sir William F F Middleton, Baronet (1837; fl.). It is now a health farm. For a series of Suffolk country houses.
[Ref: 12928] £180.00 (£216.00 incl.VAT)

The Southwest Prospect of Southwold. To the Hon.ble Edw: Vernon Esq.r This Plate is Dedicated by his most humble Servant, Thos. Gardner.
[n.d., c.1750.]
Engraving. Sheet: 130 x 290mm (5 x 11½''). Trimmed with small tear centre top.
A view of the town of Southwold on the Suffolk coast with a key below.
[Ref: 50112] £120.00 (£144.00 incl.VAT)

Stoke by Neyland, Suffolk.
Painted by John Constable R.A. Engraved by David Lucas.
London, Pub.d by M.r Constable, 35 Charlotte S.t Fitzroy Square 1830.
Mezzotint. Plate: 250 x 180mm (9¾ x 7"), with very large margins. Slight foxing.
A view of Stoke-by-Nayland in Suffolk. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832. In 1843 Charles Robert Leslie published his 'Memoirs of John Constable Esq. R.A'. He obtained directly from the Constable family 186 sets of 22 images of the Various Subjects of Landscape in return for 30 copies of his book. This mezzotint is one of those; "see Tate John Constable, David Lucas".
Wedmore 16. Shirley: 9. Osbert Barnard: I of V.
[Ref: 44389] £230.00 (£276.00 incl.VAT)

A Lock in Stour Suffolk.
Painted by John Constable R.A. Engraved by David Lucas.
London, Pub. by M.r Constable, 35 Charlotte S.t Fitzroy Square 1831.
Mezzotint. Plate: 210 x 180mm (8 x 7"), with very large margins. Foxing mainly in margins.
A view of a lock on the River Stour in Suffolk. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832. In 1843 Charles Robert Leslie published his 'Memoirs of John Constable Esq. R.A'. He obtained directly from the Constable family 186 sets of 22 images of the Various Subjects of Landscape in return for 30 copies of his book. This mezzotint is one of those; "see Tate John Constable, David Lucas".
Wedmore 13. Shirley: 20. Osbert Barnard: I of VI.
[Ref: 44375] £230.00 (£276.00 incl.VAT)

[A View near Sudbury in Suffolk] Drawn after Nature. No 3.
Tho.s Gainsborough del.t. John Boydell sculp.t.
Published by J. Boydell Engraver in Cheapside London 1747 [but 1790].
Engraving, very faint 18th century watermark. 255 x 350mm (10 x 13¾"), with large margins.
A view of rural Suffolk, one of a set of four originally published as 'Four Landskips Engrav'd by John Boydell' in 1747, but this example from Boydell's 'Collection of Views of England and Wales', issued to celebrated his becoming Lord Mayor of London.
[Ref: 59629] £65.00 (£78.00 incl.VAT)

Suffolk. Railways. 27.
[James Reynolds, London 1863]
Hand coloured engraving, sheet 185 x 240mm ( 7¼ x 9½"). Folded as issued, time staining along fold.
From 'Reynolds's Geological Atlas of Great Britain'. A map of the railways showing ones under constuction and stations.
[Ref: 56922] £40.00

Highlands. East Bergholt Suffolk.
1851.
Watercolour in sepia tones. Sheet size: 300 x 410mm (12 x 16"). Glued to backing sheet in corners.
A fine watercolour showing Highlands House, in the village of East Bergholt in the Babergh District of Suffolk, England, just north of the Essex border. The house is sitiuated within large grounds, in which two archery targets can be seen on either side. East Bergholt is the birthplace of painter John Constable (1776 - 1837). The high level of skill and accuracy of the painting would suggest that it was made by an architect.
[Ref: 37757] £220.00 (£264.00 incl.VAT)

River Orwell. Woolverstone House.
1843.
Watercolour in sepia tones. Sheet size: 255 x 360mm (10 x 14"). Glued to backing sheet in corners. Extreme right corner detached.
A fine watercolour depicting the River Orwell, with a steam boat travelling on the right and a sailing vessel in the centre. Woolverstone Hall can be seen in the middle gound. The house was built in 1776 for William Berners, a property developer from London who had gradually been acquiring extensive landholdings on the Shotley peninsula. The back of the house overlooks the River Orwell at a picturesque curve and from the sides of the house there are views both down and upstream towards Ipswich. The high level of skill and accuracy of the painting would suggest that it was made by an architect.
[Ref: 37743] £220.00 (£264.00 incl.VAT)

Worlingworth Hall. The Property of the Hon.ble John Henniker. [&] View of Worlingwort Church, from Worlingworth Hall. Dedicated to the Right Hon.ble Lord Henniker, Patron.
Lithographed by G.E. Madeley, 3, Wellington St. Strand.
[n.d. c.1850.]
Lithograph. Sheet 345 x 254mm (13½ x 10"). Rare.
A view of Worlingworth Hall, the former medieval manor house dating back to the 13th century; and a view of St Mary's Church; Suffolk.
[Ref: 31074] £70.00 (£84.00 incl.VAT)

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