A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Harrington near Whitehaven Cumberland.
Drawn & Engraved by Will.m Daniell.
Published by Messers. Longman & Co. Paternoster Row & W. Daniell, 9 Cleveland St. Fitzroy Square, London, April 1, 1816.
Coloured aquatint. 230 x 300mm (9 x 11¾"). On Whatman paper watermarked 1818.
Harrington is on the Cumbrian coast south of Workington and north of Whitehaven. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177. From the collection of Cecil Bisshopp Harmsworth, 1st Baron Harmsworth.
[Ref: 9630] £120.00 (£144.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Messers. Longman & Co. Paternoster Row & W. Daniell, 9 Cleveland St. Fitzroy Square, London, April 1, 1816.
Coloured aquatint. 230 x 300mm (9 x 11¾"). On Whatman paper watermarked 1818.
Harrington is on the Cumbrian coast south of Workington and north of Whitehaven. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177. From the collection of Cecil Bisshopp Harmsworth, 1st Baron Harmsworth.
[Ref: 9630] £120.00 (£144.00 incl.VAT)
Harrington near Whitehaven Cumberland.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. April, 1, 1816.
Aquatint with fine original hand colour. On watermarked paper, 'J. Whatman. 1815'. 230 x 300mm (9 x 12"). Large margins, uncut.
A coastal view at Harrington, seen from a hillside, with the harbour beyond and two plateaus in the distance. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36122] £180.00 (£216.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. April, 1, 1816.
Aquatint with fine original hand colour. On watermarked paper, 'J. Whatman. 1815'. 230 x 300mm (9 x 12"). Large margins, uncut.
A coastal view at Harrington, seen from a hillside, with the harbour beyond and two plateaus in the distance. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36122] £180.00 (£216.00 incl.VAT)
Keswick Lake, from Friar's Crag. Evening.
Drawn & Engraved by W. Westall, A.RA.
Published by Ackermann & Co. 96 Strand 1835. Price 3s 6d
Aquatint, platemark 215 x 485mm (8½ x 19"), with large margins. Repairs in margin on right.
A fine panorama from a set of Lake District views engraved by William Westall (1781-1850) from his own drawings. Westall was a versatile artist who embraced a variety of media and travelled widely: between 1801 and 1805 he was abroad, having signed up as landscape draughtsman on Flinders' voyage to New Holland (Australia) but also spending extended periods of time in China and India on his way back to England.
[Ref: 46750] £450.00
Drawn & Engraved by W. Westall, A.RA.
Published by Ackermann & Co. 96 Strand 1835. Price 3s 6d
Aquatint, platemark 215 x 485mm (8½ x 19"), with large margins. Repairs in margin on right.
A fine panorama from a set of Lake District views engraved by William Westall (1781-1850) from his own drawings. Westall was a versatile artist who embraced a variety of media and travelled widely: between 1801 and 1805 he was abroad, having signed up as landscape draughtsman on Flinders' voyage to New Holland (Australia) but also spending extended periods of time in China and India on his way back to England.
[Ref: 46750] £450.00
A View of the Town and Vale of Keswick, in Cumberland, from the Side of Castle-head Cragge. To Captain William Crosby of Carlisle, this Plate is inscribed by his most obliged humble Serv.t Will.m Bellers
Painted after Nature by Will.m Bellers 1758. Mess.rs Peak & Toms sculp. Finished by J. Mason
Published 17 Jan.y 1774, by John Boydell, Engraver, in Cheapside, and Rob.t Sayers, Map & Printseller, in Fleet Street.
Engraving, platemark 195 x 320mm (7¾ x 12½").
One of a series of plates of Cumberland after landscape painter William Bellers (1749-73, fl.) whose work consisted largely of Lake District views, which helped direct fashionable taste towards the area in connection with the popular picturesque landscape of the 18th century.
[Ref: 38647] £140.00 (£168.00 incl.VAT)
Painted after Nature by Will.m Bellers 1758. Mess.rs Peak & Toms sculp. Finished by J. Mason
Published 17 Jan.y 1774, by John Boydell, Engraver, in Cheapside, and Rob.t Sayers, Map & Printseller, in Fleet Street.
Engraving, platemark 195 x 320mm (7¾ x 12½").
One of a series of plates of Cumberland after landscape painter William Bellers (1749-73, fl.) whose work consisted largely of Lake District views, which helped direct fashionable taste towards the area in connection with the popular picturesque landscape of the 18th century.
[Ref: 38647] £140.00 (£168.00 incl.VAT)
Mary Port, Cumberland.
Drawn & Engraved by Will.m Daniell.
Published by Messrs. Longman & Co., Paternoster Row & W.Daniell, 9 Cleveland Street, Fitzroy Square, London, May 1, 1816.
Hand coloured aquatint with large margins. Platemark: 230 x 290mm (9 x 11¼").
A scene depicting a ship approaching the entrance of the harbour at Maryport, Cumberland, with others seen inside. Two figures are sailing in a small boat in the foreground at the right with buildings on a plateau in the background at left. Plate 48 From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'. William Daniell's 'A Voyage Round Great Britain' was the most ambitious of the many topographical publications produced in England during the early nineteenth century and its plates are a highpoint in the history of aquatint engraving.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 33886] £120.00 (£144.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Messrs. Longman & Co., Paternoster Row & W.Daniell, 9 Cleveland Street, Fitzroy Square, London, May 1, 1816.
Hand coloured aquatint with large margins. Platemark: 230 x 290mm (9 x 11¼").
A scene depicting a ship approaching the entrance of the harbour at Maryport, Cumberland, with others seen inside. Two figures are sailing in a small boat in the foreground at the right with buildings on a plateau in the background at left. Plate 48 From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'. William Daniell's 'A Voyage Round Great Britain' was the most ambitious of the many topographical publications produced in England during the early nineteenth century and its plates are a highpoint in the history of aquatint engraving.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 33886] £120.00 (£144.00 incl.VAT)
Mary Port, Cumberland.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. May, 1, 1816.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A ship approaching the entrance of the harbour at Maryport, with others seen inside. Two figures are seen sailing in a small boat in the foreground to the right. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36121] £160.00 (£192.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. May, 1, 1816.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A ship approaching the entrance of the harbour at Maryport, with others seen inside. Two figures are seen sailing in a small boat in the foreground to the right. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36121] £160.00 (£192.00 incl.VAT)
The College; - Windermere.
L. Aspland Del.t W. Banks. sc. Edin.r
Rare engraving, sheet 105 x 130mm (4¼ x 5¼"). Cut within plate mark and glued to backing sheet.
A school yard scene depicting boys playing cricket. The school appears to be what is known as the Old College, Windermere built for the Rev Addison by Abraham Pattinson who opened it as St. Mary's College in September 1853. In 1855 the college was bought by Benjamin Irving and George Hale Puckle of Nine Oaks. They became joint headmasters and renamed the establishment.
[Ref: 56003] £95.00 (£114.00 incl.VAT)
L. Aspland Del.t W. Banks. sc. Edin.r
Rare engraving, sheet 105 x 130mm (4¼ x 5¼"). Cut within plate mark and glued to backing sheet.
A school yard scene depicting boys playing cricket. The school appears to be what is known as the Old College, Windermere built for the Rev Addison by Abraham Pattinson who opened it as St. Mary's College in September 1853. In 1855 the college was bought by Benjamin Irving and George Hale Puckle of Nine Oaks. They became joint headmasters and renamed the establishment.
[Ref: 56003] £95.00 (£114.00 incl.VAT)
Interior of St Bees Clerical College Hall. The profits from the sale of this print to be appropriated to the St Bees College Missionary Association.
F.B.A. Student of St Bees Del.t. G.F. Braff Lith.
Printed by H. Fores Spur Street London. [n.d., c.1840.]
Rare tinted lithograph. Printed area 210 x 260mm (8¼ x 10¼"), with large margins.
The main lecture room of St Bees Theological College, formerly the chancel of St Bees Priory, which had been roofless since the Dissolution. Founded in 1816, St Bees was the first independent theological college to be established for the training of Church of England ordinands. Initially a success, training over 2,600 clergy for the ministry, numbers tailed away until the college was shut in 1895. The lecture room is now a parish hall and the rehearsal room for the Priory choir.
[Ref: 40685] £120.00 (£144.00 incl.VAT)
F.B.A. Student of St Bees Del.t. G.F. Braff Lith.
Printed by H. Fores Spur Street London. [n.d., c.1840.]
Rare tinted lithograph. Printed area 210 x 260mm (8¼ x 10¼"), with large margins.
The main lecture room of St Bees Theological College, formerly the chancel of St Bees Priory, which had been roofless since the Dissolution. Founded in 1816, St Bees was the first independent theological college to be established for the training of Church of England ordinands. Initially a success, training over 2,600 clergy for the ministry, numbers tailed away until the college was shut in 1895. The lecture room is now a parish hall and the rehearsal room for the Priory choir.
[Ref: 40685] £120.00 (£144.00 incl.VAT)
Swarthmore Hall, near Ulverstone. Residence of George Fox.
On stoneby Geo. Lehman. P. S. Duval, Lith. Phil.e.
[n.d., c.1830].
Lithograph with letterpress, scarce with very large margins. Sheet size: 435 x 330mm (17 x 13").
Swarthmoor Hall is a mansion in Swarthmoor, in the Furness area of Cumbria in North West England. It was the home of Thomas and Margaret Fell, the latter an important player in the founding of the Religious Society of Friends (Quaker) movement in the 17th century. Founder of the Quaker movement, George Fox (1624 - 1691) visited the Hall in 1652 when Thomas Fell was travelling as a judge. However, Fox had an audience with Margaret Fell who became interested in his new doctrines. When Thomas Fell returned home, he was persuaded by his wife and some others to listen to Fox, who successfully appealed to his pro-Parliamentary sentiments. Thomas Fell was never totally convinced by Fox's religious teachings, but he did allow his home to be used as a meeting house for the early Friends. They did so until 1691 when a meeting house was built nearby. A speech made by Fox in Kingston-Upon-Thames in 1686, outlining his ideas, is printed below the image. After the death of her husband Margaret Fell married George Fox, who between touring the world with his ideas, would live at Swarthmore.
[Ref: 33601] £290.00 (£348.00 incl.VAT)
On stoneby Geo. Lehman. P. S. Duval, Lith. Phil.e.
[n.d., c.1830].
Lithograph with letterpress, scarce with very large margins. Sheet size: 435 x 330mm (17 x 13").
Swarthmoor Hall is a mansion in Swarthmoor, in the Furness area of Cumbria in North West England. It was the home of Thomas and Margaret Fell, the latter an important player in the founding of the Religious Society of Friends (Quaker) movement in the 17th century. Founder of the Quaker movement, George Fox (1624 - 1691) visited the Hall in 1652 when Thomas Fell was travelling as a judge. However, Fox had an audience with Margaret Fell who became interested in his new doctrines. When Thomas Fell returned home, he was persuaded by his wife and some others to listen to Fox, who successfully appealed to his pro-Parliamentary sentiments. Thomas Fell was never totally convinced by Fox's religious teachings, but he did allow his home to be used as a meeting house for the early Friends. They did so until 1691 when a meeting house was built nearby. A speech made by Fox in Kingston-Upon-Thames in 1686, outlining his ideas, is printed below the image. After the death of her husband Margaret Fell married George Fox, who between touring the world with his ideas, would live at Swarthmore.
[Ref: 33601] £290.00 (£348.00 incl.VAT)
![Parlour. Swarthmore Hall. [&] The Hall. Swarthmore Hall. [&] Swarthmore Hall.](jpegs/33616.jpg)
Parlour. Swarthmore Hall. [&] The Hall. Swarthmore Hall. [&] Swarthmore Hall.
T.M.
Lithographs, very sarce. 180 x 130mm (7 x 5"). [&] 195 x 165mm (7¾ x 6½"). [&] 215 x 150mm (8½ x 6"). Laid on an album sheet. Some staining and slight damage to edges.
Two interior and one exterior view of Swarthmore Hall in Cumbria. Home to Thomas and Margaret Fell, it was visited by George Fox (1624-1691) founder of the Quaker movement, in 1652. Though Thomas Fell was not at home, Fox was entertained by Margaret Fell who became interested in his ideas. On Thomas Fell's return he too became a supporter of the movement and Swarthmore Hall became a meeting place for early memebers of the Religious Society of Friends. After the death of her husband Margaret Fell married George Fox, who between touring the world with his ideas, would live at Swarthmore.
[Ref: 33616] £160.00 (£192.00 incl.VAT)
T.M.
Lithographs, very sarce. 180 x 130mm (7 x 5"). [&] 195 x 165mm (7¾ x 6½"). [&] 215 x 150mm (8½ x 6"). Laid on an album sheet. Some staining and slight damage to edges.
Two interior and one exterior view of Swarthmore Hall in Cumbria. Home to Thomas and Margaret Fell, it was visited by George Fox (1624-1691) founder of the Quaker movement, in 1652. Though Thomas Fell was not at home, Fox was entertained by Margaret Fell who became interested in his ideas. On Thomas Fell's return he too became a supporter of the movement and Swarthmore Hall became a meeting place for early memebers of the Religious Society of Friends. After the death of her husband Margaret Fell married George Fox, who between touring the world with his ideas, would live at Swarthmore.
[Ref: 33616] £160.00 (£192.00 incl.VAT)
![[Ullswater] To Sir John Call, Bar.t, This View of Ullswater Lake,](jpegs/53581.jpg)
[Ullswater] To Sir John Call, Bar.t, This View of Ullswater Lake, is with the greatest respect inscribed by his muchg obliged & obedient Serv.t W.m Burgess.
Drawn from Nature by W.m Burgess. Engraved by F. Jukes.
Publish'd as the Act directs by W.m Burgess Drawing Master Michaels Grove Brompton.
Aquatint. 470 x 540mm (18½ x 21¼"). Small tear entering inscription area, wear to margins. Paper slighlty cocked.
A man on horseback talks to a herdsman with two cows, with the lake and distant mountains. One of a series of eight views after drawings made by William Burgess in 1792, published firstly by the artist 1793-4 and then re-published by Jukes, in 1796.
[Ref: 53581] £320.00
Drawn from Nature by W.m Burgess. Engraved by F. Jukes.
Publish'd as the Act directs by W.m Burgess Drawing Master Michaels Grove Brompton.
Aquatint. 470 x 540mm (18½ x 21¼"). Small tear entering inscription area, wear to margins. Paper slighlty cocked.
A man on horseback talks to a herdsman with two cows, with the lake and distant mountains. One of a series of eight views after drawings made by William Burgess in 1792, published firstly by the artist 1793-4 and then re-published by Jukes, in 1796.
[Ref: 53581] £320.00
Whitehaven, Cumberland.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. April, 1, 1816.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut. Slight offsetting.
A view of the small town and port of Whitehaven, with men and women conversing on a bridge to the right and a ship leaving the harbour along the side of a jetty at the centre. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36123] £140.00 (£168.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. April, 1, 1816.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut. Slight offsetting.
A view of the small town and port of Whitehaven, with men and women conversing on a bridge to the right and a ship leaving the harbour along the side of a jetty at the centre. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36123] £140.00 (£168.00 incl.VAT)
Whitehaven, Cumberland.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs. Longman & C.o. Paternoster Row & W. Daniell 9 Cleveland S.t. Fitzroy Square, London, April 1, 1816.
Coloured aquatint with large margins. Plate: 300 x 230mm (12" x 9").
Fine harbour scene with ships, several groups of figures standing talking on the pier, a ship exits the harbour. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 33888] £120.00 (£144.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs. Longman & C.o. Paternoster Row & W. Daniell 9 Cleveland S.t. Fitzroy Square, London, April 1, 1816.
Coloured aquatint with large margins. Plate: 300 x 230mm (12" x 9").
Fine harbour scene with ships, several groups of figures standing talking on the pier, a ship exits the harbour. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 33888] £120.00 (£144.00 incl.VAT)