A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Bedruthan Steps, near S.t Colomb, (from Diggory Island). Proof.
Published by W. Polkinhorn [n.d., c.1840].
Colour tinted lithograph, a proof on chine collé, on printed backing card as normal. Sheet 335 x 440mm (13¼ x 17¼"). A little scuffing.
A rare, separate-issue view of Bedruthan beach, with the sea stacks known as the 'Bedruthan Steps', said to be a giant's shortcut across the bay. There is no record of Polkinhorn as a publisher, but a 'W. Polkinhorn' owned the Red Lion Commercial Inn at St Columb in 1859.
[Ref: 58717] £180.00 (£216.00 incl.VAT)
Published by W. Polkinhorn [n.d., c.1840].
Colour tinted lithograph, a proof on chine collé, on printed backing card as normal. Sheet 335 x 440mm (13¼ x 17¼"). A little scuffing.
A rare, separate-issue view of Bedruthan beach, with the sea stacks known as the 'Bedruthan Steps', said to be a giant's shortcut across the bay. There is no record of Polkinhorn as a publisher, but a 'W. Polkinhorn' owned the Red Lion Commercial Inn at St Columb in 1859.
[Ref: 58717] £180.00 (£216.00 incl.VAT)
Boscastle Pier, on the coast of Cornwall.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins.
A view of Boscastle Pier. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47135] £150.00 (£180.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins.
A view of Boscastle Pier. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47135] £150.00 (£180.00 incl.VAT)
![This view of Botallack [Mine, in the parish of St. Just, in Penwith,] Cornwall.](jpegs/39381.jpg)
This view of Botallack [Mine, in the parish of St. Just, in Penwith,] Cornwall.
Drawn by Phillip Mitchell_T.Picken lith. [Facsimile signature of Phillip Mitchell below.]
[Day & Haghe] lith.rs to the Queen. [n.d., c.1840.]
Lithograph. Printed area: 290 x 400mm (11½ x 15¾"). Unexamined out of frame. Damage to lithograph including some loss in title area.
An extremely rare view of the Botallack Mine, west Cornwall, with the fully operational mine on the right, showing figures working from the bottom of the scene, to the top. A system of winches stretch across the cliff, connecting the engine houses. A secondary, smaller view of the mine, published by Rock & Co., is below. For a larger version of this print, see item ref: 32949.
[Ref: 39381] £280.00 (£336.00 incl.VAT)
Drawn by Phillip Mitchell_T.Picken lith. [Facsimile signature of Phillip Mitchell below.]
[Day & Haghe] lith.rs to the Queen. [n.d., c.1840.]
Lithograph. Printed area: 290 x 400mm (11½ x 15¾"). Unexamined out of frame. Damage to lithograph including some loss in title area.
An extremely rare view of the Botallack Mine, west Cornwall, with the fully operational mine on the right, showing figures working from the bottom of the scene, to the top. A system of winches stretch across the cliff, connecting the engine houses. A secondary, smaller view of the mine, published by Rock & Co., is below. For a larger version of this print, see item ref: 32949.
[Ref: 39381] £280.00 (£336.00 incl.VAT)
Caerhays Castle, Cornwall.
Weld Taylor, Litho. Sketched by Dr. H.H. Drake, St. Austell.
Printed by C. Moody, 257 High Holborn, London. [n.d., c.1840.]
Tinted lithograph, sheet 420 x 650mm. 16½ x 25½". Surface soiled.
A fine prospect of Caerhays Castle near St. Austell, Cornwall, a Grade I Listed Building built by the famous architect, John Nash, for the Trevanion family. Building work started in 1807 and was completed by 1810. The Trevanions must have been stretched by the construction cost of Caerhays since, by 1825, they had taken out a mortgage (incumbrance) with The Bank of England for £20,000. Further mortgages accumulated along with their gambling debts and, by 1842, the Trevanion family fled to Bruges and their estates were acquired by their creditors.
[Ref: 12957] £240.00 (£288.00 incl.VAT)
Weld Taylor, Litho. Sketched by Dr. H.H. Drake, St. Austell.
Printed by C. Moody, 257 High Holborn, London. [n.d., c.1840.]
Tinted lithograph, sheet 420 x 650mm. 16½ x 25½". Surface soiled.
A fine prospect of Caerhays Castle near St. Austell, Cornwall, a Grade I Listed Building built by the famous architect, John Nash, for the Trevanion family. Building work started in 1807 and was completed by 1810. The Trevanions must have been stretched by the construction cost of Caerhays since, by 1825, they had taken out a mortgage (incumbrance) with The Bank of England for £20,000. Further mortgages accumulated along with their gambling debts and, by 1842, the Trevanion family fled to Bruges and their estates were acquired by their creditors.
[Ref: 12957] £240.00 (£288.00 incl.VAT)
View on the River Camel, Cornwall.
Drawn & Etched by Rowlandson.
[London: Thomas Tegg, n.d., 1822.]
Coloured etching. 185 x 235mm (7¼ x 9¼"), with very large margins.
A view of the River Camel on Bodmin Moor. From Rowlandson's 'Sketches from Nature': The plate was first published in 1812 by Rowlandson in a fortnightly series: it was not published in a book until 1822.
Abbey 33.
[Ref: 61107] £130.00 (£156.00 incl.VAT)
Drawn & Etched by Rowlandson.
[London: Thomas Tegg, n.d., 1822.]
Coloured etching. 185 x 235mm (7¼ x 9¼"), with very large margins.
A view of the River Camel on Bodmin Moor. From Rowlandson's 'Sketches from Nature': The plate was first published in 1812 by Rowlandson in a fortnightly series: it was not published in a book until 1822.
Abbey 33.
[Ref: 61107] £130.00 (£156.00 incl.VAT)
![Down along "Newlynn" [in pencil].](jpegs/62621.jpg)
Down along "Newlynn" [in pencil].
W Travis Jackson [in pencil].
[n.d., c.1930.]
Etching signed by the artsit, 175 x 125mm (7 x 5"), with very large margins.
A view the old quay in Cornwall.
[Ref: 62621] £70.00 (£84.00 incl.VAT)
W Travis Jackson [in pencil].
[n.d., c.1930.]
Etching signed by the artsit, 175 x 125mm (7 x 5"), with very large margins.
A view the old quay in Cornwall.
[Ref: 62621] £70.00 (£84.00 incl.VAT)
Cornwall. Railways. 6.
[James Reynolds, London 1863]
Hand coloured engraving, sheet 185 x 240mm ( 7¼ x 9½"). Folded as issued, time staining along fold.
From 'Reynolds's Geological Atlas of Great Britain'. A map of the railways showing ones under constuction and stations.
[Ref: 56926] £40.00
[James Reynolds, London 1863]
Hand coloured engraving, sheet 185 x 240mm ( 7¼ x 9½"). Folded as issued, time staining along fold.
From 'Reynolds's Geological Atlas of Great Britain'. A map of the railways showing ones under constuction and stations.
[Ref: 56926] £40.00
East Looe and West Looe.
Drawn by J. Farington R.A. Engraved by W. Woolnoth.
London, Published May 1. 1813, by T. Cadell & W. Davies, Strand.
Engraving with very large margins. Plate 222 x 299mm (8¾ x 11¾"). Small pinholes in image area.
A view or Looe, the small coastal town and fishing port in Cornwall. Looe is divided in two by the River Looe, East Looe and West Looe, connected only by the arched bridge, this was replaced by a newer seven-arched bridge in 1853. Plate 19 from 'Britannia Depicta: a Series of Views (with brief Descriptions) of the most interesting and picturesque Objects in Great Britain...' by Joseph Farington.
[Ref: 34724] £75.00 (£90.00 incl.VAT)
Drawn by J. Farington R.A. Engraved by W. Woolnoth.
London, Published May 1. 1813, by T. Cadell & W. Davies, Strand.
Engraving with very large margins. Plate 222 x 299mm (8¾ x 11¾"). Small pinholes in image area.
A view or Looe, the small coastal town and fishing port in Cornwall. Looe is divided in two by the River Looe, East Looe and West Looe, connected only by the arched bridge, this was replaced by a newer seven-arched bridge in 1853. Plate 19 from 'Britannia Depicta: a Series of Views (with brief Descriptions) of the most interesting and picturesque Objects in Great Britain...' by Joseph Farington.
[Ref: 34724] £75.00 (£90.00 incl.VAT)
Falmouth, Cornwall.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Paper tone.
A view of the town and Harbour of Falmouth. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47134] £140.00 (£168.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Paper tone.
A view of the town and Harbour of Falmouth. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47134] £140.00 (£168.00 incl.VAT)
Pump Court, Upton Slip, Falmouth.
Claude H. Rowbotham. [signed in pencil.]
Etching. Plate: 85 x 60mm (3¼ x 2¼''), very large margins. Mint.
A view of a street in Falmouth. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49331] £45.00 (£54.00 incl.VAT)
Claude H. Rowbotham. [signed in pencil.]
Etching. Plate: 85 x 60mm (3¼ x 2¼''), very large margins. Mint.
A view of a street in Falmouth. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49331] £45.00 (£54.00 incl.VAT)
Views of Falmouth.
Published by Rock & Co. London. [c.1870.]
Attractive souvenir booklet of 12 steel engraved views on six leaves, 8vo, complete; original printed card wrappers, embossed upper cover. Binding scuffed and rubbed; some spotting to plates.
No text save captions; all views numbered and dated.
[Ref: 21317] £140.00 view all images for this item
Published by Rock & Co. London. [c.1870.]
Attractive souvenir booklet of 12 steel engraved views on six leaves, 8vo, complete; original printed card wrappers, embossed upper cover. Binding scuffed and rubbed; some spotting to plates.
No text save captions; all views numbered and dated.
[Ref: 21317] £140.00 view all images for this item
To Her Most Gracious Majesty, Queen Victoria, This Engraving commemorated of Her Majesty's visit to the Port of Falmouth on the 1st September 1843, is, by Her Majesty's gracious permission, humbly dedicated, by Her most obedient and devoted Servant, James G. Philip.
A. Picken lith. [after James George Philip]. Day & Haghe Lith.rs to the Queen.
Published by Philip & Evans, Bristol, _ Ackermann & Co London. [n.d., c.1843.]
Rare tinted lithograph with hand colour. Framed, window 360 x 510mm (14¼ x 20"). Some slight abrasions in sky. Unexamined out of frame.
A record of Victoria's first visit to Falmouth, with sail and steamers, with the queen in a white ship's longboat, being rowed ashore. James George Philip (1816-85).
[Ref: 52035] £480.00
A. Picken lith. [after James George Philip]. Day & Haghe Lith.rs to the Queen.
Published by Philip & Evans, Bristol, _ Ackermann & Co London. [n.d., c.1843.]
Rare tinted lithograph with hand colour. Framed, window 360 x 510mm (14¼ x 20"). Some slight abrasions in sky. Unexamined out of frame.
A record of Victoria's first visit to Falmouth, with sail and steamers, with the queen in a white ship's longboat, being rowed ashore. James George Philip (1816-85).
[Ref: 52035] £480.00
![[Falmouth.]](jpegs/39879.jpg)
[Falmouth.]
E. Duncan pinx. T.A. Prior, sculp.
[n.d., c.1860s.]
Steel engraving on india. Plate: 445 x 255mm (17½ x 10"), with very large margins.
Falmouth Harbour, Cornwall. A figure looks through a telescope in the foreground, ships in the water.
[Ref: 39879] £180.00 (£216.00 incl.VAT)
E. Duncan pinx. T.A. Prior, sculp.
[n.d., c.1860s.]
Steel engraving on india. Plate: 445 x 255mm (17½ x 10"), with very large margins.
Falmouth Harbour, Cornwall. A figure looks through a telescope in the foreground, ships in the water.
[Ref: 39879] £180.00 (£216.00 incl.VAT)
View of the Town and Harbour of Falmouth, and Pendennis Castle, Cornwall. Engraved from a Picture by W. Daniell, R.A.
London, Published by W. Daniell, Russell Place, Fitzroy Square, & M.r Lake, Bookseller, Falmouth, June 1, 1826.
Fine & scarce aquatint, printed in colours and hand finished, mounted. 400 x 460mm (15¾ x 18"). Laid on card, remains of paper mount over edge of plate.
A large, separate-issue view of Falmouth, much larger than the plate of the town in Daniell's famous 'A Voyage Round Great Britain'. It is taken from the head of the harbour, with Falmouth on the right and Pendennis Castle on a promontary in the centre. As usual with Daniell's aquatints, he has taken the easy option of adding any etched or engraved lines, not even in the rigging of the ships.
[Ref: 60649] £850.00
London, Published by W. Daniell, Russell Place, Fitzroy Square, & M.r Lake, Bookseller, Falmouth, June 1, 1826.
Fine & scarce aquatint, printed in colours and hand finished, mounted. 400 x 460mm (15¾ x 18"). Laid on card, remains of paper mount over edge of plate.
A large, separate-issue view of Falmouth, much larger than the plate of the town in Daniell's famous 'A Voyage Round Great Britain'. It is taken from the head of the harbour, with Falmouth on the right and Pendennis Castle on a promontary in the centre. As usual with Daniell's aquatints, he has taken the easy option of adding any etched or engraved lines, not even in the rigging of the ships.
[Ref: 60649] £850.00
![Falmouth Bay [in pencil].](jpegs/54239.jpg)
Falmouth Bay [in pencil].
Claude H. Rowbotham. [signed in pencil.]
[n.d., c.1910.]
Aquatint, printed in colours. 95 x 65mm (3¾ x 2½"), with large margins. Glue damage in margins.
Figures under trees above the bay. Claude Hamilton Rowbotham (1864-1949), a watercolour painter of landscapes and coastal scenes, both in England and on the Continent, known for his use of bright colours.
[Ref: 54239] £55.00 (£66.00 incl.VAT)
Claude H. Rowbotham. [signed in pencil.]
[n.d., c.1910.]
Aquatint, printed in colours. 95 x 65mm (3¾ x 2½"), with large margins. Glue damage in margins.
Figures under trees above the bay. Claude Hamilton Rowbotham (1864-1949), a watercolour painter of landscapes and coastal scenes, both in England and on the Continent, known for his use of bright colours.
[Ref: 54239] £55.00 (£66.00 incl.VAT)
A Flushing Slipway.
Claude H. Rowbotham. [signed in pencil.]
Etching. Plate: 100 x 70mm (4 x 2¾''), very large margins. Mint.
The view in the town of Flushing in Cornwall. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49338] £40.00 (£48.00 incl.VAT)
Claude H. Rowbotham. [signed in pencil.]
Etching. Plate: 100 x 70mm (4 x 2¾''), very large margins. Mint.
The view in the town of Flushing in Cornwall. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49338] £40.00 (£48.00 incl.VAT)
A Garden of Flowers. Flushing.
Claude H. Rowbotham. [signed in pencil.]
Etching. Plate: 100 x 70mm (4 x 2¾''), very large margins. Mint.
A view of a garden in the seaside town of Flushing, a young woman stands by gate. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49330] £65.00 (£78.00 incl.VAT)
Claude H. Rowbotham. [signed in pencil.]
Etching. Plate: 100 x 70mm (4 x 2¾''), very large margins. Mint.
A view of a garden in the seaside town of Flushing, a young woman stands by gate. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49330] £65.00 (£78.00 incl.VAT)
Fowey.
Drawn by J. Farington, R.A. Engraved by F.R. Hay.
London Published May 1. 1813, by T. Cadell & W. Davies, Strand.
Engraving with very large margins. Plate 249 x 316mm (9¾ x 12½"). Uncut; small pinholes in image area.
Fowey, the small town and cargo port at the mouth of the River Fowey in south Cornwall. Plate 7 from 'Britannia Depicta: a Series of Views (with brief Descriptions) of the most interesting and picturesque Objects in Great Britain...', by Joseph Farington.
[Ref: 34726] £80.00 (£96.00 incl.VAT)
Drawn by J. Farington, R.A. Engraved by F.R. Hay.
London Published May 1. 1813, by T. Cadell & W. Davies, Strand.
Engraving with very large margins. Plate 249 x 316mm (9¾ x 12½"). Uncut; small pinholes in image area.
Fowey, the small town and cargo port at the mouth of the River Fowey in south Cornwall. Plate 7 from 'Britannia Depicta: a Series of Views (with brief Descriptions) of the most interesting and picturesque Objects in Great Britain...', by Joseph Farington.
[Ref: 34726] £80.00 (£96.00 incl.VAT)
Fowey Castle, Cornwall.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"), with large margins. Marking.
A view of the Fowey blockhouse with St Catherine's Castle in the distance. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47137] £220.00 (£264.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"), with large margins. Marking.
A view of the Fowey blockhouse with St Catherine's Castle in the distance. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47137] £220.00 (£264.00 incl.VAT)
Gorran haven, Cornwall.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London. May, 20, 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Slight crease on right margin.
A view of the harbour in the fishing village of Gorran haven in Cornwall. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 49202] £160.00 (£192.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London. May, 20, 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Slight crease on right margin.
A view of the harbour in the fishing village of Gorran haven in Cornwall. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 49202] £160.00 (£192.00 incl.VAT)
Helford Creek
Claude H. Rowbotham. [signed in pencil.]
[n.d., c.1910.]
Aquatint, printed in colours. 70 x 105mm (2¾ x 4¼"), with large margins. Glue damage in margins.
Cottages and a wooden bridge, Claude Hamilton Rowbotham (1864-1949), a watercolour painter of landscapes and coastal scenes, both in England and on the Continent, known for his use of bright colours.
[Ref: 54238] £55.00 (£66.00 incl.VAT)
Claude H. Rowbotham. [signed in pencil.]
[n.d., c.1910.]
Aquatint, printed in colours. 70 x 105mm (2¾ x 4¼"), with large margins. Glue damage in margins.
Cottages and a wooden bridge, Claude Hamilton Rowbotham (1864-1949), a watercolour painter of landscapes and coastal scenes, both in England and on the Continent, known for his use of bright colours.
[Ref: 54238] £55.00 (£66.00 incl.VAT)
The Seat of M. Mitchell, Esq.r Hengar, Cornwall.
Drawn & Etched by Rowlandson. Stadler Aquatinta.
London, Pub. Sept. 1 1809, by T. Tegg, 111 Cheapside.
Coloured aquatint with etching. Sheet 185 x 235mm (7¼ x 9¼"), watermarked 1809. Trimmed within plate. Taped in mount.
A harvest scene at Hengar House, home of Matthew Mitchell, a banker, a friend and patron of Rowlandson. From the subscription issue of Rowlandson's 'Sketches from Nature', issued fortnightly and not published as a book until 1822.
This edition not in Abbey, but see 33-7 for the edition of 1822. Ex.Collection Sarah Baynton-Williams.
[Ref: 58149] £230.00 (£276.00 incl.VAT)
Drawn & Etched by Rowlandson. Stadler Aquatinta.
London, Pub. Sept. 1 1809, by T. Tegg, 111 Cheapside.
Coloured aquatint with etching. Sheet 185 x 235mm (7¼ x 9¼"), watermarked 1809. Trimmed within plate. Taped in mount.
A harvest scene at Hengar House, home of Matthew Mitchell, a banker, a friend and patron of Rowlandson. From the subscription issue of Rowlandson's 'Sketches from Nature', issued fortnightly and not published as a book until 1822.
This edition not in Abbey, but see 33-7 for the edition of 1822. Ex.Collection Sarah Baynton-Williams.
[Ref: 58149] £230.00 (£276.00 incl.VAT)
The Land's End. With the Longship's Lighthouse.
W. Walton lithog. Printed by C. Hullmandel.
Sketched and Published by J. Tonkin, Penzance, 1841.
Very rare lithograph, with hand colour. Sheet 230 x 295mm (9 x 11¾"), with large margins. Paper toned.
A view of Land's End from the north.
Not in Abbey.
[Ref: 53407] £130.00 (£156.00 incl.VAT)
W. Walton lithog. Printed by C. Hullmandel.
Sketched and Published by J. Tonkin, Penzance, 1841.
Very rare lithograph, with hand colour. Sheet 230 x 295mm (9 x 11¾"), with large margins. Paper toned.
A view of Land's End from the north.
Not in Abbey.
[Ref: 53407] £130.00 (£156.00 incl.VAT)
The long ships light house, off the lands end, Cornwall.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Jan.y, 1, 1814.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins. Stain to lower left corner.
A small boat with two figures sailing at sea, tilting to left in stormy weather, near a lighthouse on top of a rock at the right. A rocky shoreline can be seen in the distance. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 37607] £160.00 (£192.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Jan.y, 1, 1814.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins. Stain to lower left corner.
A small boat with two figures sailing at sea, tilting to left in stormy weather, near a lighthouse on top of a rock at the right. A rocky shoreline can be seen in the distance. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 37607] £160.00 (£192.00 incl.VAT)
The Longships Light-House, off the Lands End, Cornwall. Engraved from the Picture, in the possession of John Woolmore Esq.r Deputy Master of the Corporation of Trinity House, to whom this Place is respectfully inscribed, by his much obliged friend W.m Daniell.
Painted & Engraved by Will.m Daniell R.A.
London, Published W. Daniell, Russell Place, Fitzroy Square, & Mess.rs Hurst, Robinson & C.º Pall Mall, Dec. 15, 1825.
Aquatint, printed on chine collé. 395 x 565mm (15½ x 22¼"). Damage to chine collé at top, wormholes in unprinted area on right, spotting in title. Small margins chipped.
A view of the lighthouse on Longships Reef, designed by Samuel Wyatt and operating from 1795, in stormy seas with a ship nearing the rocks on the left. Daniell first published William Daniell first published a view of this lighthouse in his 's 'A Voyage Round Great Britain' in 1814. This scene is mech larger and uncoloured.
[Ref: 67204] £550.00 (£660.00 incl.VAT)
Painted & Engraved by Will.m Daniell R.A.
London, Published W. Daniell, Russell Place, Fitzroy Square, & Mess.rs Hurst, Robinson & C.º Pall Mall, Dec. 15, 1825.
Aquatint, printed on chine collé. 395 x 565mm (15½ x 22¼"). Damage to chine collé at top, wormholes in unprinted area on right, spotting in title. Small margins chipped.
A view of the lighthouse on Longships Reef, designed by Samuel Wyatt and operating from 1795, in stormy seas with a ship nearing the rocks on the left. Daniell first published William Daniell first published a view of this lighthouse in his 's 'A Voyage Round Great Britain' in 1814. This scene is mech larger and uncoloured.
[Ref: 67204] £550.00 (£660.00 incl.VAT)
A View Of The Southern Part Of Castle Treryn, with the Machinery erected for the purpose of replacing the Logan Rock.
Tonkin, Delin: Vibert, Lithog:
Penzance, Published by Vibert & Tonkin November 16, 1824.
Lithograph, sheet 435 x 590mm. 17 x 23¼".
The Logan Rock is an eighty ton granite boulder perched on the edge of a headland overlooking the Atlantic ocean one mile south of the Cornish village of Treen. It an example of a logan or rocking stone, being finely balanced due to the actions of weathering. Plate 5 (numbered upper right) from a set of six illustrating the events of 1824: in April Lieutenant Hugh Goldsmith (nephew of the famous poet Oliver Goldsmith) and ten or twelve of his crew of the cutter HMS Nimble rocked the huge granite boulder armed with bars and levers until it fell from its cliff-top perch. Goldsmith was apparently motivated to disprove the claim of Dr. Borlase, who wrote in 'Antiquities of Cornwall' in 1754 that "...the extremities of [the Rock's] base are at such a distance from each other, and so well secured by their nearness to the stone which it stretches itself upon, that it is morally impossible that any lever, or indeed force, however applied in a mechanical way, can remove it from its present situation". The displacement of the rock upset the local residents considerably, since Logan Rock had been used to draw tourists to the area. The Lords of the Admiralty were persuaded to lend Lieutenant Goldsmith the required apparatus for replacing it. The Admiralty sent thirteen capstans with blocks and chains from the dock yard at Plymouth, and contributed £25 towards expenses. After months of effort, at 4.20pm on Tuesday, the 2nd of November, 1824, in front of thousands of spectators and with the help of more than sixty men and block and tackle, the Logan Rock was finally repositioned and returned to "rocking condition". However, it apparently no longer vibrates or "logs" as easily as it did before the incident. On J. Whatman watermarked paper 1824.
Abbey Scenery: 106.
[Ref: 13522] £220.00 (£264.00 incl.VAT)
Tonkin, Delin: Vibert, Lithog:
Penzance, Published by Vibert & Tonkin November 16, 1824.
Lithograph, sheet 435 x 590mm. 17 x 23¼".
The Logan Rock is an eighty ton granite boulder perched on the edge of a headland overlooking the Atlantic ocean one mile south of the Cornish village of Treen. It an example of a logan or rocking stone, being finely balanced due to the actions of weathering. Plate 5 (numbered upper right) from a set of six illustrating the events of 1824: in April Lieutenant Hugh Goldsmith (nephew of the famous poet Oliver Goldsmith) and ten or twelve of his crew of the cutter HMS Nimble rocked the huge granite boulder armed with bars and levers until it fell from its cliff-top perch. Goldsmith was apparently motivated to disprove the claim of Dr. Borlase, who wrote in 'Antiquities of Cornwall' in 1754 that "...the extremities of [the Rock's] base are at such a distance from each other, and so well secured by their nearness to the stone which it stretches itself upon, that it is morally impossible that any lever, or indeed force, however applied in a mechanical way, can remove it from its present situation". The displacement of the rock upset the local residents considerably, since Logan Rock had been used to draw tourists to the area. The Lords of the Admiralty were persuaded to lend Lieutenant Goldsmith the required apparatus for replacing it. The Admiralty sent thirteen capstans with blocks and chains from the dock yard at Plymouth, and contributed £25 towards expenses. After months of effort, at 4.20pm on Tuesday, the 2nd of November, 1824, in front of thousands of spectators and with the help of more than sixty men and block and tackle, the Logan Rock was finally repositioned and returned to "rocking condition". However, it apparently no longer vibrates or "logs" as easily as it did before the incident. On J. Whatman watermarked paper 1824.
Abbey Scenery: 106.
[Ref: 13522] £220.00 (£264.00 incl.VAT)
A View Of The Celebrated Logan Rock near the Land's End with the Machinery erected for the purpose of replacing it.
Tonkin. delin: Vibert, lithog:
Penzance. Published by Tonkin & Vibert. Novembr. 16 1824.
Original hand coloured lithograph, sheet 425 x 555mm. 16¾ x 21¾". Two horizontal creases.
The Logan Rock is an eighty ton granite boulder perched on the edge of a headland overlooking the Atlantic ocean one mile south of the Cornish village of Treen. It an example of a logan or rocking stone, being finely balanced due to the actions of weathering. Plate 4 (numbered upper right) from a set of six illustrating the events of 1824: in April Lieutenant Hugh Goldsmith (nephew of the famous poet Oliver Goldsmith) and ten or twelve of his crew of the cutter HMS Nimble rocked the huge granite boulder armed with bars and levers until it fell from its cliff-top perch. Goldsmith was apparently motivated to disprove the claim of Dr. Borlase, who wrote in 'Antiquities of Cornwall' in 1754 that "...the extremities of [the Rock's] base are at such a distance from each other, and so well secured by their nearness to the stone which it stretches itself upon, that it is morally impossible that any lever, or indeed force, however applied in a mechanical way, can remove it from its present situation". The displacement of the rock upset the local residents considerably, since Logan Rock had been used to draw tourists to the area. The Lords of the Admiralty were persuaded to lend Lieutenant Goldsmith the required apparatus for replacing it. The Admiralty sent thirteen capstans with blocks and chains from the dock yard at Plymouth, and contributed £25 towards expenses. After months of effort, at 4.20pm on Tuesday, the 2nd of November, 1824, in front of thousands of spectators and with the help of more than sixty men and block and tackle, the Logan Rock was finally repositioned and returned to "rocking condition". However, it apparently no longer vibrates or "logs" as easily as it did before the incident.
Abbey Scenery: 106.
[Ref: 13521] £260.00 (£312.00 incl.VAT)
Tonkin. delin: Vibert, lithog:
Penzance. Published by Tonkin & Vibert. Novembr. 16 1824.
Original hand coloured lithograph, sheet 425 x 555mm. 16¾ x 21¾". Two horizontal creases.
The Logan Rock is an eighty ton granite boulder perched on the edge of a headland overlooking the Atlantic ocean one mile south of the Cornish village of Treen. It an example of a logan or rocking stone, being finely balanced due to the actions of weathering. Plate 4 (numbered upper right) from a set of six illustrating the events of 1824: in April Lieutenant Hugh Goldsmith (nephew of the famous poet Oliver Goldsmith) and ten or twelve of his crew of the cutter HMS Nimble rocked the huge granite boulder armed with bars and levers until it fell from its cliff-top perch. Goldsmith was apparently motivated to disprove the claim of Dr. Borlase, who wrote in 'Antiquities of Cornwall' in 1754 that "...the extremities of [the Rock's] base are at such a distance from each other, and so well secured by their nearness to the stone which it stretches itself upon, that it is morally impossible that any lever, or indeed force, however applied in a mechanical way, can remove it from its present situation". The displacement of the rock upset the local residents considerably, since Logan Rock had been used to draw tourists to the area. The Lords of the Admiralty were persuaded to lend Lieutenant Goldsmith the required apparatus for replacing it. The Admiralty sent thirteen capstans with blocks and chains from the dock yard at Plymouth, and contributed £25 towards expenses. After months of effort, at 4.20pm on Tuesday, the 2nd of November, 1824, in front of thousands of spectators and with the help of more than sixty men and block and tackle, the Logan Rock was finally repositioned and returned to "rocking condition". However, it apparently no longer vibrates or "logs" as easily as it did before the incident.
Abbey Scenery: 106.
[Ref: 13521] £260.00 (£312.00 incl.VAT)
A View Of The Celebrated Logan Rock (near the Land's End) with the Machinery erected for the purpose of replacing it.
Tonkin. delin: Vibert, lithog:
Penzance. Published by Tonkin & Vibert. Novembr. 16 1824.
Lithograph, sheet 330 x 495mm. 13 x 19½". Two horizontal creases.
The Logan Rock is an eighty ton granite boulder perched on the edge of a headland overlooking the Atlantic ocean one mile south of the Cornish village of Treen. It an example of a logan or rocking stone, being finely balanced due to the actions of weathering. Plate 4 (numbered upper right) from a set of six illustrating the events of 1824: in April Lieutenant Hugh Goldsmith (nephew of the famous poet Oliver Goldsmith) and ten or twelve of his crew of the cutter HMS Nimble rocked the huge granite boulder armed with bars and levers until it fell from its cliff-top perch. Goldsmith was apparently motivated to disprove the claim of Dr. Borlase, who wrote in 'Antiquities of Cornwall' in 1754 that "...the extremities of [the Rock's] base are at such a distance from each other, and so well secured by their nearness to the stone which it stretches itself upon, that it is morally impossible that any lever, or indeed force, however applied in a mechanical way, can remove it from its present situation". The displacement of the rock upset the local residents considerably, since Logan Rock had been used to draw tourists to the area. The Lords of the Admiralty were persuaded to lend Lieutenant Goldsmith the required apparatus for replacing it. The Admiralty sent thirteen capstans with blocks and chains from the dock yard at Plymouth, and contributed £25 towards expenses. After months of effort, at 4.20pm on Tuesday, the 2nd of November, 1824, in front of thousands of spectators and with the help of more than sixty men and block and tackle, the Logan Rock was finally repositioned and returned to "rocking condition". However, it apparently no longer vibrates or "logs" as easily as it did before the incident.
Abbey Scenery: 106.
[Ref: 13520] £120.00 (£144.00 incl.VAT)
Tonkin. delin: Vibert, lithog:
Penzance. Published by Tonkin & Vibert. Novembr. 16 1824.
Lithograph, sheet 330 x 495mm. 13 x 19½". Two horizontal creases.
The Logan Rock is an eighty ton granite boulder perched on the edge of a headland overlooking the Atlantic ocean one mile south of the Cornish village of Treen. It an example of a logan or rocking stone, being finely balanced due to the actions of weathering. Plate 4 (numbered upper right) from a set of six illustrating the events of 1824: in April Lieutenant Hugh Goldsmith (nephew of the famous poet Oliver Goldsmith) and ten or twelve of his crew of the cutter HMS Nimble rocked the huge granite boulder armed with bars and levers until it fell from its cliff-top perch. Goldsmith was apparently motivated to disprove the claim of Dr. Borlase, who wrote in 'Antiquities of Cornwall' in 1754 that "...the extremities of [the Rock's] base are at such a distance from each other, and so well secured by their nearness to the stone which it stretches itself upon, that it is morally impossible that any lever, or indeed force, however applied in a mechanical way, can remove it from its present situation". The displacement of the rock upset the local residents considerably, since Logan Rock had been used to draw tourists to the area. The Lords of the Admiralty were persuaded to lend Lieutenant Goldsmith the required apparatus for replacing it. The Admiralty sent thirteen capstans with blocks and chains from the dock yard at Plymouth, and contributed £25 towards expenses. After months of effort, at 4.20pm on Tuesday, the 2nd of November, 1824, in front of thousands of spectators and with the help of more than sixty men and block and tackle, the Logan Rock was finally repositioned and returned to "rocking condition". However, it apparently no longer vibrates or "logs" as easily as it did before the incident.
Abbey Scenery: 106.
[Ref: 13520] £120.00 (£144.00 incl.VAT)
A View Of The Celebrated Logan Rock near the Land's End in Cornwall, taken after the Rock was displaced on the 8th of April, 1824.
J. Tonkin, delin. Vibert. lithog:
Penzance Pubs. by Vibert & Tonkin August 8th. 1824.
Lithograph, sheet 350 x 485mm. 13¾ x 19". Horizontal crease.
The Logan Rock is an eighty ton granite boulder perched on the edge of a headland overlooking the Atlantic ocean one mile south of the Cornish village of Treen. It an example of a logan or rocking stone, being finely balanced due to the actions of weathering. Plate 2 (numbered upper right) from a set of six illustrating the events of 1824: in April Lieutenant Hugh Goldsmith (nephew of the famous poet Oliver Goldsmith) and ten or twelve of his crew of the cutter HMS Nimble rocked the huge granite boulder armed with bars and levers until it fell from its cliff-top perch. Goldsmith was apparently motivated to disprove the claim of Dr. Borlase, who wrote in 'Antiquities of Cornwall' in 1754 that "...the extremities of [the Rock's] base are at such a distance from each other, and so well secured by their nearness to the stone which it stretches itself upon, that it is morally impossible that any lever, or indeed force, however applied in a mechanical way, can remove it from its present situation". The displacement of the rock upset the local residents considerably, since Logan Rock had been used to draw tourists to the area. The Lords of the Admiralty were persuaded to lend Lieutenant Goldsmith the required apparatus for replacing it. The Admiralty sent thirteen capstans with blocks and chains from the dock yard at Plymouth, and contributed £25 towards expenses. After months of effort, at 4.20pm on Tuesday, the 2nd of November, 1824, in front of thousands of spectators and with the help of more than sixty men and block and tackle, the Logan Rock was finally repositioned and returned to "rocking condition". However, it apparently no longer vibrates or "logs" as easily as it did before the incident.
Abbey Scenery: 106.
[Ref: 13519] £130.00 (£156.00 incl.VAT)
J. Tonkin, delin. Vibert. lithog:
Penzance Pubs. by Vibert & Tonkin August 8th. 1824.
Lithograph, sheet 350 x 485mm. 13¾ x 19". Horizontal crease.
The Logan Rock is an eighty ton granite boulder perched on the edge of a headland overlooking the Atlantic ocean one mile south of the Cornish village of Treen. It an example of a logan or rocking stone, being finely balanced due to the actions of weathering. Plate 2 (numbered upper right) from a set of six illustrating the events of 1824: in April Lieutenant Hugh Goldsmith (nephew of the famous poet Oliver Goldsmith) and ten or twelve of his crew of the cutter HMS Nimble rocked the huge granite boulder armed with bars and levers until it fell from its cliff-top perch. Goldsmith was apparently motivated to disprove the claim of Dr. Borlase, who wrote in 'Antiquities of Cornwall' in 1754 that "...the extremities of [the Rock's] base are at such a distance from each other, and so well secured by their nearness to the stone which it stretches itself upon, that it is morally impossible that any lever, or indeed force, however applied in a mechanical way, can remove it from its present situation". The displacement of the rock upset the local residents considerably, since Logan Rock had been used to draw tourists to the area. The Lords of the Admiralty were persuaded to lend Lieutenant Goldsmith the required apparatus for replacing it. The Admiralty sent thirteen capstans with blocks and chains from the dock yard at Plymouth, and contributed £25 towards expenses. After months of effort, at 4.20pm on Tuesday, the 2nd of November, 1824, in front of thousands of spectators and with the help of more than sixty men and block and tackle, the Logan Rock was finally repositioned and returned to "rocking condition". However, it apparently no longer vibrates or "logs" as easily as it did before the incident.
Abbey Scenery: 106.
[Ref: 13519] £130.00 (£156.00 incl.VAT)
The Celebrated Logan Rock near the Land's End in Cornwall.
J. Tonkin delin: J.P. Vibert. Lithog:
Penzance. Published by Vibert & Tonkin Sep: 27. 1824.
Lithograph, sheet 345 x 470mm. 13½ x 18½". Horizontal crease.
The Logan Rock is an eighty ton granite boulder perched on the edge of a headland overlooking the Atlantic ocean one mile south of the Cornish village of Treen. It an example of a logan or rocking stone, being finely balanced due to the actions of weathering. The first plate from a set of six illustrating the events of 1824: in April Lieutenant Hugh Goldsmith (nephew of the famous poet Oliver Goldsmith) and ten or twelve of his crew of the cutter HMS Nimble rocked the huge granite boulder armed with bars and levers until it fell from its cliff-top perch. Goldsmith was apparently motivated to disprove the claim of Dr. Borlase, who wrote in 'Antiquities of Cornwall' in 1754 that "...the extremities of [the Rock's] base are at such a distance from each other, and so well secured by their nearness to the stone which it stretches itself upon, that it is morally impossible that any lever, or indeed force, however applied in a mechanical way, can remove it from its present situation". The displacement of the rock upset the local residents considerably, since Logan Rock had been used to draw tourists to the area. The Lords of the Admiralty were persuaded to lend Lieutenant Goldsmith the required apparatus for replacing it. The Admiralty sent thirteen capstans with blocks and chains from the dock yard at Plymouth, and contributed £25 towards expenses. After months of effort, at 4.20pm on Tuesday, the 2nd of November, 1824, in front of thousands of spectators and with the help of more than sixty men and block and tackle, the Logan Rock was finally repositioned and returned to "rocking condition". However, it apparently no longer vibrates or "logs" as easily as it did before the incident.
Abbey Scenery: 106.
[Ref: 13518] £130.00 (£156.00 incl.VAT)
J. Tonkin delin: J.P. Vibert. Lithog:
Penzance. Published by Vibert & Tonkin Sep: 27. 1824.
Lithograph, sheet 345 x 470mm. 13½ x 18½". Horizontal crease.
The Logan Rock is an eighty ton granite boulder perched on the edge of a headland overlooking the Atlantic ocean one mile south of the Cornish village of Treen. It an example of a logan or rocking stone, being finely balanced due to the actions of weathering. The first plate from a set of six illustrating the events of 1824: in April Lieutenant Hugh Goldsmith (nephew of the famous poet Oliver Goldsmith) and ten or twelve of his crew of the cutter HMS Nimble rocked the huge granite boulder armed with bars and levers until it fell from its cliff-top perch. Goldsmith was apparently motivated to disprove the claim of Dr. Borlase, who wrote in 'Antiquities of Cornwall' in 1754 that "...the extremities of [the Rock's] base are at such a distance from each other, and so well secured by their nearness to the stone which it stretches itself upon, that it is morally impossible that any lever, or indeed force, however applied in a mechanical way, can remove it from its present situation". The displacement of the rock upset the local residents considerably, since Logan Rock had been used to draw tourists to the area. The Lords of the Admiralty were persuaded to lend Lieutenant Goldsmith the required apparatus for replacing it. The Admiralty sent thirteen capstans with blocks and chains from the dock yard at Plymouth, and contributed £25 towards expenses. After months of effort, at 4.20pm on Tuesday, the 2nd of November, 1824, in front of thousands of spectators and with the help of more than sixty men and block and tackle, the Logan Rock was finally repositioned and returned to "rocking condition". However, it apparently no longer vibrates or "logs" as easily as it did before the incident.
Abbey Scenery: 106.
[Ref: 13518] £130.00 (£156.00 incl.VAT)
![[East Looe and West Looe.]](jpegs/34725.jpg)
[East Looe and West Looe.]
[Drawn by J. Farington R.A. Engraved by W. Woolnoth.]
[London, Published May 1. 1813, by T. Cadell & W. Davies, Strand.]
Unfinished proof before all letters. Engraving with very large margins. Plate 229 x 280mm (9 x 11"). Small pinholes in image area.
A view or Looe, the small coastal town and fishing port in Cornwall. Looe is divided in two by the River Looe, East Looe and West Looe, connected only by the arched bridge, this was replaced by a newer seven-arched bridge in 1853. Plate 19 from 'Britannia Depicta: a Series of Views (with brief Descriptions) of the most interesting and picturesque Objects in Great Britain...' by Joseph Farington.
[Ref: 34725] £75.00 (£90.00 incl.VAT)
[Drawn by J. Farington R.A. Engraved by W. Woolnoth.]
[London, Published May 1. 1813, by T. Cadell & W. Davies, Strand.]
Unfinished proof before all letters. Engraving with very large margins. Plate 229 x 280mm (9 x 11"). Small pinholes in image area.
A view or Looe, the small coastal town and fishing port in Cornwall. Looe is divided in two by the River Looe, East Looe and West Looe, connected only by the arched bridge, this was replaced by a newer seven-arched bridge in 1853. Plate 19 from 'Britannia Depicta: a Series of Views (with brief Descriptions) of the most interesting and picturesque Objects in Great Britain...' by Joseph Farington.
[Ref: 34725] £75.00 (£90.00 incl.VAT)
Port-looe, Cornwall.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with original hand colour. 230 x 300mm (9 x 12"), with large margins. Laid on card as usual.
A view of the port town of Looe. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47278] £180.00 (£216.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with original hand colour. 230 x 300mm (9 x 12"), with large margins. Laid on card as usual.
A view of the port town of Looe. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47278] £180.00 (£216.00 incl.VAT)
Mevagissy, Cornwall.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with hand colour.Plate: 230 x 300mm (9 x 12"), with large margins. On card as usual
A view of the town of Mevagissey. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47279] £180.00 (£216.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with hand colour.Plate: 230 x 300mm (9 x 12"), with large margins. On card as usual
A view of the town of Mevagissey. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47279] £180.00 (£216.00 incl.VAT)
A View of Plymouth Fort and St Nicholas's Island, from Mount Edgcumbe.
G. Lambert & Scott pinx.t. C.W. Bampflyde delin. J. Mason sculp.t.
London, Printed for Rob.t Wilkinson, Cornhill, Rob.t Sayer & Bennett Fleet Street, Carington Bowles, S.t Paul's Ch.chy.d & John Boydell, Cheapside [n.d., c.1780].
Engraving. 390 x 630mm (15½ x 24¾"), with large margins. Repaired tears in inscription area, creasing.
A view of Plymouth Harbour painted by George Lambert & Samuel Scott, engraved by James Mason from an intermediary sketch by Coplestone Warre Bampfylde and first published in 1755 in the series 'Five views of and from Mount Edgcumbe, Plymouth'.
[Ref: 57679] £350.00
G. Lambert & Scott pinx.t. C.W. Bampflyde delin. J. Mason sculp.t.
London, Printed for Rob.t Wilkinson, Cornhill, Rob.t Sayer & Bennett Fleet Street, Carington Bowles, S.t Paul's Ch.chy.d & John Boydell, Cheapside [n.d., c.1780].
Engraving. 390 x 630mm (15½ x 24¾"), with large margins. Repaired tears in inscription area, creasing.
A view of Plymouth Harbour painted by George Lambert & Samuel Scott, engraved by James Mason from an intermediary sketch by Coplestone Warre Bampfylde and first published in 1755 in the series 'Five views of and from Mount Edgcumbe, Plymouth'.
[Ref: 57679] £350.00
A View of Mount Edgcumbe.
G. Lambert & Scott pinx.t. C.W. Bampflyde delin. Canot sculp.t.
London, Printed for Rob.t Sayer & Bennett, in Fleet Street, Rob.t Wilkinson in Cornhill, John Boydell in Cheapside, & Carington Bowles in St Pauls Church Yard. [n.d., c.1780.]
Engraving. 365 x 565mm (14¼ x 22¼"), on thick paper, large margins. Slight surface soiling, edges chipped.
A view of Mount Edgcumbe, Cornwall, with ships and longboats. The plate was engraved by Pierre Charles Canot from an intermediary sketch by Coplestone Warre Bampfylde and published in the series 'Five views of and from Mount Edgcumbe, Plymouth', first issued 1755.
[Ref: 57358] £350.00 (£420.00 incl.VAT)
G. Lambert & Scott pinx.t. C.W. Bampflyde delin. Canot sculp.t.
London, Printed for Rob.t Sayer & Bennett, in Fleet Street, Rob.t Wilkinson in Cornhill, John Boydell in Cheapside, & Carington Bowles in St Pauls Church Yard. [n.d., c.1780.]
Engraving. 365 x 565mm (14¼ x 22¼"), on thick paper, large margins. Slight surface soiling, edges chipped.
A view of Mount Edgcumbe, Cornwall, with ships and longboats. The plate was engraved by Pierre Charles Canot from an intermediary sketch by Coplestone Warre Bampfylde and published in the series 'Five views of and from Mount Edgcumbe, Plymouth', first issued 1755.
[Ref: 57358] £350.00 (£420.00 incl.VAT)
A View of Mount Edgcumbe.
G. Lambert & Scott pinx.t. C.W. Bampflyde delin. Canot sculp.t.
London, Printed for Rob.t Sayer & Bennett, in Fleet Street, Rob.t Wilkinson in Cornhill, John Boydell in Cheapside, & Carington Bowles in St Pauls Church Yard. [n.d., c.1780.]
Engraving. 365 x 565mm (14¼ x 22¼"), on thick paper. Cut inside image. Damaged. Slight surface soiling.
A view of Mount Edgcumbe, Cornwall, painted by George Lambert & Samuel Scott from Plymouth Sound. In the foreground are British ships and longboats. The plate was engraved by Pierre Charles Canot from an intermediary sketch by Coplestone Warre Bampfylde and published in the series 'Five views of and from Mount Edgcumbe, Plymouth', originally issued 1755.
[Ref: 38814] £260.00 (£312.00 incl.VAT)
G. Lambert & Scott pinx.t. C.W. Bampflyde delin. Canot sculp.t.
London, Printed for Rob.t Sayer & Bennett, in Fleet Street, Rob.t Wilkinson in Cornhill, John Boydell in Cheapside, & Carington Bowles in St Pauls Church Yard. [n.d., c.1780.]
Engraving. 365 x 565mm (14¼ x 22¼"), on thick paper. Cut inside image. Damaged. Slight surface soiling.
A view of Mount Edgcumbe, Cornwall, painted by George Lambert & Samuel Scott from Plymouth Sound. In the foreground are British ships and longboats. The plate was engraved by Pierre Charles Canot from an intermediary sketch by Coplestone Warre Bampfylde and published in the series 'Five views of and from Mount Edgcumbe, Plymouth', originally issued 1755.
[Ref: 38814] £260.00 (£312.00 incl.VAT)
![[View of Mount Edgcumbe taken from the Rope House Plymouth Dock]](jpegs/27844.jpg)
[View of Mount Edgcumbe taken from the Rope House Plymouth Dock] To the Rt. H.ble George Edgcumbe. Earl of Mount Edgcumbe, Visc.t Valletort. This view of Mount Edgcumbe, taken from the Rope House Plymouth Dock, is dedicated by his Lordship's most obeient humble serv.t, Carles Tomkins.
Painted by W. Tomkins. Engraved by C. Tomkins.
London. Published May 1st 1790, by C. Tomkins, No. 20 Haymarket.
Stipple engraving, scarce. Printed area: 345 x 345mm. 13.5" x 13.5". Slight creasing.
Mount Edgcumbe House is the former home of the Earls of Mount Edgcumbe.
[Ref: 27844] £260.00 (£312.00 incl.VAT)
Painted by W. Tomkins. Engraved by C. Tomkins.
London. Published May 1st 1790, by C. Tomkins, No. 20 Haymarket.
Stipple engraving, scarce. Printed area: 345 x 345mm. 13.5" x 13.5". Slight creasing.
Mount Edgcumbe House is the former home of the Earls of Mount Edgcumbe.
[Ref: 27844] £260.00 (£312.00 incl.VAT)
Mount Edgcumbe near Plymouth in Devonshire. the Seat of Richard Edgcumbe Esq.r
T. Badeslade Delin. W.H. Toms Sculp.t [c.1740]
Engraving, sheet 440 x 580mm (17¼ x 22¾"). Large margins on 3 sides. Small images at bottom. Creases.
A view of Mount Edgcumbe House and Gardens on the Tamar estuary on the borders of Devon and Cornwall, built by the landowner and MP Sir Richard Edgcumbe (1499-1562). This print was produced while the estate was owned by Richard Edgumbe, first Baron Edgcumbe (bap.1680-d.1758), politician reckoned by Horace Walpole to be 'one of the honestest and steadiest men in the world'. Engraved by W.H. Toms after Thomas Badeslade. The two men also collaborated on Badeslade's 'Chorographia', the first genuine pocket-sized atlas of the eighteenth century.
For later coloured impression see ref. 24016. Ex Collection Duke of Westminster.
[Ref: 38497] £550.00
T. Badeslade Delin. W.H. Toms Sculp.t [c.1740]
Engraving, sheet 440 x 580mm (17¼ x 22¾"). Large margins on 3 sides. Small images at bottom. Creases.
A view of Mount Edgcumbe House and Gardens on the Tamar estuary on the borders of Devon and Cornwall, built by the landowner and MP Sir Richard Edgcumbe (1499-1562). This print was produced while the estate was owned by Richard Edgumbe, first Baron Edgcumbe (bap.1680-d.1758), politician reckoned by Horace Walpole to be 'one of the honestest and steadiest men in the world'. Engraved by W.H. Toms after Thomas Badeslade. The two men also collaborated on Badeslade's 'Chorographia', the first genuine pocket-sized atlas of the eighteenth century.
For later coloured impression see ref. 24016. Ex Collection Duke of Westminster.
[Ref: 38497] £550.00
Mullyan Cove, Cornwall.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins. Mount burn.
A view of Mullian Cove near Porth Mellin, west of the Lizard Peninsula. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47133] £220.00 (£264.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins. Mount burn.
A view of Mullian Cove near Porth Mellin, west of the Lizard Peninsula. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47133] £220.00 (£264.00 incl.VAT)
Penzance, Cornwall.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"), with large margins.
A view of the port town of Penzance. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47144] £240.00 (£288.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"), with large margins.
A view of the port town of Penzance. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47144] £240.00 (£288.00 incl.VAT)
Polkerris, Cornwall.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins.
A view of the fishing village of Polkerris. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47136] £230.00 (£276.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins.
A view of the fishing village of Polkerris. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47136] £230.00 (£276.00 incl.VAT)
The entrance to Portreath, Cornwall.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Feb.y, 1, 1814.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins.
A view at Portreath, Cornwall, with a man seated on a wall in the foreground and another beside him, watching a ship at sea, tilting to the left near the entrance to a narrow harbour. A group of figures can be seen standing on a jetty to the left. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 37608] £190.00 (£228.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Feb.y, 1, 1814.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins.
A view at Portreath, Cornwall, with a man seated on a wall in the foreground and another beside him, watching a ship at sea, tilting to the left near the entrance to a narrow harbour. A group of figures can be seen standing on a jetty to the left. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 37608] £190.00 (£228.00 incl.VAT)
Port wrinkle, Cornwall.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with fine original hand colour, J. Whatman Turkey Mill 1823 watermark. 230 x 300mm (9 x 12"), with large margins.
A view of the small fishing village of Portwrinkle. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47138] £230.00 (£276.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with fine original hand colour, J. Whatman Turkey Mill 1823 watermark. 230 x 300mm (9 x 12"), with large margins.
A view of the small fishing village of Portwrinkle. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47138] £230.00 (£276.00 incl.VAT)
Everdingen.
[Etched by Thomas Rowlandson.]
[London: J. Rowlandson, c.1813.]
Coloured etching. 165 x 175mm (6½ x 7"), with large margins. Taped in mount.
Two carts on a truck before a church and distant hills. From Rowlandson's 'Views in Cornwall'. Abbey is uncertain whether 'Everdingen' is the title or the artist.
Abbey 105-7.
[Ref: 58146] £160.00 (£192.00 incl.VAT)
[Etched by Thomas Rowlandson.]
[London: J. Rowlandson, c.1813.]
Coloured etching. 165 x 175mm (6½ x 7"), with large margins. Taped in mount.
Two carts on a truck before a church and distant hills. From Rowlandson's 'Views in Cornwall'. Abbey is uncertain whether 'Everdingen' is the title or the artist.
Abbey 105-7.
[Ref: 58146] £160.00 (£192.00 incl.VAT)
![[Village with stream, bridge and stepping stones, near Helston?]](jpegs/58148.jpg)
[Village with stream, bridge and stepping stones, near Helston?]
[Etched by Thomas Rowlandson.]
[London: J. Rowlandson, c.1813.]
Coloured etching. 170 x 255mm (6¾ x 10"), with large margins. Slight mount burn. Taped in mount.
From Rowlandson's 'Views in Cornwall', without an identified location.
Abbey 105-9.
[Ref: 58148] £220.00 (£264.00 incl.VAT)
[Etched by Thomas Rowlandson.]
[London: J. Rowlandson, c.1813.]
Coloured etching. 170 x 255mm (6¾ x 10"), with large margins. Slight mount burn. Taped in mount.
From Rowlandson's 'Views in Cornwall', without an identified location.
Abbey 105-9.
[Ref: 58148] £220.00 (£264.00 incl.VAT)
![[Estuary with ship and ruined forts, St Maws?]](jpegs/58147.jpg)
[Estuary with ship and ruined forts, St Maws?]
[Etched by Thomas Rowlandson.]
[London: J. Rowlandson, c.1813.]
Coloured etching. 170 x 255mm (6¾ x 10"), with large margins. Notch in edge of margin on left. Taped in mount.
From Rowlandson's 'Views in Cornwall', without an identified location.
Abbey 105-13.
[Ref: 58147] £220.00 (£264.00 incl.VAT)
[Etched by Thomas Rowlandson.]
[London: J. Rowlandson, c.1813.]
Coloured etching. 170 x 255mm (6¾ x 10"), with large margins. Notch in edge of margin on left. Taped in mount.
From Rowlandson's 'Views in Cornwall', without an identified location.
Abbey 105-13.
[Ref: 58147] £220.00 (£264.00 incl.VAT)
The Royal Albert Bridge. Saltash.
R.T. Pentreath del.t.
Pub.d by H. Besley. Directory Office, South Street, Exeter. [n.d., c.1865.]
Hand coloured engraving. Printed area. 130 x 180mm (5 x 7").
An illustration from 'The illustrated handbook of Plymouth, Devonport, and Stonehouse', by W. H. Luke, 1865, depicting the Cornwall Railway, which crosses the river Tamer on its way from Plymouth into Cornwall.
[Ref: 39377] £70.00 (£84.00 incl.VAT)
R.T. Pentreath del.t.
Pub.d by H. Besley. Directory Office, South Street, Exeter. [n.d., c.1865.]
Hand coloured engraving. Printed area. 130 x 180mm (5 x 7").
An illustration from 'The illustrated handbook of Plymouth, Devonport, and Stonehouse', by W. H. Luke, 1865, depicting the Cornwall Railway, which crosses the river Tamer on its way from Plymouth into Cornwall.
[Ref: 39377] £70.00 (£84.00 incl.VAT)
Royal Albert Bridge, Saltash The above Engraving of the "Royal Albert Bridge," across the River Tamar at Saltash, represents a wrought-iron structure, 2,200 feet, or nearly half-a-mile, in length [...]
Printed and Published by W. Wood, 52, Fore Street, (opposite the Banks) Devonport.
Wood-engraving with hand-colouring, sheet 225 x 300mm (9 x 11¾").
The Royal Albert Bridge, which crosses the Tamar at Saltash in Cornwall. Isambard Kingdom Brunel (1806-59) was chief engineer and designer of the bridge, which replaced the ferry across the river to carry the new railway line linking Cornwall to the rest of England. The bridge opened shortly before Brunel's death in 1859, and this print, with its detailed information about the bridge, was one of several published shortly after it opened.
[Ref: 43614] £180.00 (£216.00 incl.VAT)
Printed and Published by W. Wood, 52, Fore Street, (opposite the Banks) Devonport.
Wood-engraving with hand-colouring, sheet 225 x 300mm (9 x 11¾").
The Royal Albert Bridge, which crosses the Tamar at Saltash in Cornwall. Isambard Kingdom Brunel (1806-59) was chief engineer and designer of the bridge, which replaced the ferry across the river to carry the new railway line linking Cornwall to the rest of England. The bridge opened shortly before Brunel's death in 1859, and this print, with its detailed information about the bridge, was one of several published shortly after it opened.
[Ref: 43614] £180.00 (£216.00 incl.VAT)
Royal Albert Bridge, Saltash The above Engraving of the "Royal Albert Bridge," across the River Tamar at Saltash, represents a wrought-iron structure, 2,200 feet, or nearly half-a-mile, in length [...]
Sketched by Mr. Hake; Engraved and Published by W. Wood, 52 Fore Street, Devonport.
Wood-engraving with hand-colouring, sheet 155 x 230mm (6 x 9"). Small margins.
The Royal Albert Bridge, which crosses the Tamar at Saltash in Cornwall. Isambard Kingdom Brunel (1806-59) was chief engineer and designer of the bridge, which replaced the ferry across the river to carry the new railway line linking Cornwall to the rest of England. The bridge opened shortly before Brunel's death in 1859, and this print, with its detailed information about the bridge, was probably made to coincide with its opening.
[Ref: 41172] £110.00 (£132.00 incl.VAT)
Sketched by Mr. Hake; Engraved and Published by W. Wood, 52 Fore Street, Devonport.
Wood-engraving with hand-colouring, sheet 155 x 230mm (6 x 9"). Small margins.
The Royal Albert Bridge, which crosses the Tamar at Saltash in Cornwall. Isambard Kingdom Brunel (1806-59) was chief engineer and designer of the bridge, which replaced the ferry across the river to carry the new railway line linking Cornwall to the rest of England. The bridge opened shortly before Brunel's death in 1859, and this print, with its detailed information about the bridge, was probably made to coincide with its opening.
[Ref: 41172] £110.00 (£132.00 incl.VAT)
The Fish Quay (St Ives). Original Dry Point Etching by Sam Garratt. Edition Limited to 300 Artist's Proofs. Plate to be Destroyed.
Sam Garratt [pencil signature.]
Raphael Tuck & Sons, Ltd. Publishers to their Majesties. [n.d., c.1920.]
Drypoint etching, signed by the artist, publisher's blind stamps. 200 x 175mm (8 x 7") very large margins. In original mount with publisher's title label, as above. Mint.
A horse and cart loading barrels, surrounded by seagulls, by Sam Garratt (1864-1946).
[Ref: 49168] £140.00 (£168.00 incl.VAT)
Sam Garratt [pencil signature.]
Raphael Tuck & Sons, Ltd. Publishers to their Majesties. [n.d., c.1920.]
Drypoint etching, signed by the artist, publisher's blind stamps. 200 x 175mm (8 x 7") very large margins. In original mount with publisher's title label, as above. Mint.
A horse and cart loading barrels, surrounded by seagulls, by Sam Garratt (1864-1946).
[Ref: 49168] £140.00 (£168.00 incl.VAT)