A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Rev.d Joshua Webb.
Wageman, fecit 1820.
Published as the Act directs by W. Williams, Amen Corner, Paternoster Row.
Mezzotint. 305 x 205mm (12 x 8"). Repairs, messy.
A rare print.
[Ref: 49529] £65.00 (£78.00 incl.VAT)
Wageman, fecit 1820.
Published as the Act directs by W. Williams, Amen Corner, Paternoster Row.
Mezzotint. 305 x 205mm (12 x 8"). Repairs, messy.
A rare print.
[Ref: 49529] £65.00 (£78.00 incl.VAT)
Mary Webb.
[n.d., c.1930.]
Woodcut. Printed area 150 x 100mm (5 x 4"); large margins. Mounted.
A stark image of a woman's head peering through foliage. A pencil annotation on the mount reads 'Gone to Earth', a novel by Webb made into a film by Michael Powell and Emeric Pressburger in 1950. Mary Webb (1881-1927) was a novelist whose works, described as 'loam and lovechild' romances, were parodied by Stella Gibbons's 1932 novel 'Cold Comfort Farm'.
[Ref: 39938] £130.00 (£156.00 incl.VAT)
[n.d., c.1930.]
Woodcut. Printed area 150 x 100mm (5 x 4"); large margins. Mounted.
A stark image of a woman's head peering through foliage. A pencil annotation on the mount reads 'Gone to Earth', a novel by Webb made into a film by Michael Powell and Emeric Pressburger in 1950. Mary Webb (1881-1927) was a novelist whose works, described as 'loam and lovechild' romances, were parodied by Stella Gibbons's 1932 novel 'Cold Comfort Farm'.
[Ref: 39938] £130.00 (£156.00 incl.VAT)
Mary Webb.
[n.d., c.1930.]
Woodcut on green paper. Printed area 150 x 100mm (5 x 4") very large margins. Uncut.
A stark image of a woman's head peering through foliage. A pencil annotation on another example reads 'Gone to Earth', a novel by Webb made into a film by Michael Powell and Emeric Pressburger in 1950. Mary Webb (1881-1927) was a novelist whose works, described as 'loam and lovechild' romances, were parodied by Stella Gibbons's 1932 novel 'Cold Comfort Farm'.
[Ref: 39942] £150.00 (£180.00 incl.VAT)
[n.d., c.1930.]
Woodcut on green paper. Printed area 150 x 100mm (5 x 4") very large margins. Uncut.
A stark image of a woman's head peering through foliage. A pencil annotation on another example reads 'Gone to Earth', a novel by Webb made into a film by Michael Powell and Emeric Pressburger in 1950. Mary Webb (1881-1927) was a novelist whose works, described as 'loam and lovechild' romances, were parodied by Stella Gibbons's 1932 novel 'Cold Comfort Farm'.
[Ref: 39942] £150.00 (£180.00 incl.VAT)
![[Matthew Webb.] Dedicated to Captain Webb. The Channel Quadrilles by J. Pridham.](jpegs/51174.jpg)
[Matthew Webb.] Dedicated to Captain Webb. The Channel Quadrilles by J. Pridham.
H.C. Maguire Lith.
London: Brewer & Co. 14 & 15, Poultry, Cheapside, [...] [n.d., c.1875.]
Trimmed, losing part of the publisher's address.
A music cover of a song celebrating the first person to swim unassisted across the English Channel, Captain Matthew Webb, in August 1875. It shows him with his support boat, swimming under moonlight.
[Ref: 51174] £180.00 (£216.00 incl.VAT)
H.C. Maguire Lith.
London: Brewer & Co. 14 & 15, Poultry, Cheapside, [...] [n.d., c.1875.]
Trimmed, losing part of the publisher's address.
A music cover of a song celebrating the first person to swim unassisted across the English Channel, Captain Matthew Webb, in August 1875. It shows him with his support boat, swimming under moonlight.
[Ref: 51174] £180.00 (£216.00 incl.VAT)
A Toopapaoo of a Chief, with a Priest making his offering to the Morai, in Huoheine.
J. Webber fecit, R. A.
London Pub.d April 1. 1809 by Boydell & Comp.y No. 90 Cheapside.
Repairs to sheet top left.
A landscape with a man sitting cross-legged in the right foreground, making an offering which is spread on a fringed table, next to tall, narrow carvings stuck vertically in the ground in the right background. A large tupapau can be seen in the centre, below which are three small boulders and a tent with a woven roof to left. John Webber was the official artist on Cook's final voyage through the Pacific; his drawings formed the basis for printed illustrations to the account of 'A Voyage to the Pacific', published in 1784.
Vide Cook's last Voy. Vol. II. Ch. VI.
[Ref: 31815] £320.00
J. Webber fecit, R. A.
London Pub.d April 1. 1809 by Boydell & Comp.y No. 90 Cheapside.
Repairs to sheet top left.
A landscape with a man sitting cross-legged in the right foreground, making an offering which is spread on a fringed table, next to tall, narrow carvings stuck vertically in the ground in the right background. A large tupapau can be seen in the centre, below which are three small boulders and a tent with a woven roof to left. John Webber was the official artist on Cook's final voyage through the Pacific; his drawings formed the basis for printed illustrations to the account of 'A Voyage to the Pacific', published in 1784.
Vide Cook's last Voy. Vol. II. Ch. VI.
[Ref: 31815] £320.00
Wakeiadooa, Chief of Oheitepeha, lying in state.
J. Webber fecit.
London Pub.d April 1. 1809 by Boydell & Comp.y No. 90 Cheapside.
Pin hole in printed area.
A scene depicting the Chief of Oheitepeha, lying in state. His shrouded body lays with a canopy above it, below a larger thatched canopy. A man, to the right, can be seen laying an offering at the feet of the body. Other offerings of fruit are shown on two small tables, one to either side. John Webber was the official artist on Cook's final voyage through the Pacific; his drawings formed the basis for printed illustrations to the account of 'A Voyage to the Pacific', published in 1784.
Vide Cook's last Voyage Vol II. Chap. I page 47.
[Ref: 31819] £360.00
J. Webber fecit.
London Pub.d April 1. 1809 by Boydell & Comp.y No. 90 Cheapside.
Pin hole in printed area.
A scene depicting the Chief of Oheitepeha, lying in state. His shrouded body lays with a canopy above it, below a larger thatched canopy. A man, to the right, can be seen laying an offering at the feet of the body. Other offerings of fruit are shown on two small tables, one to either side. John Webber was the official artist on Cook's final voyage through the Pacific; his drawings formed the basis for printed illustrations to the account of 'A Voyage to the Pacific', published in 1784.
Vide Cook's last Voyage Vol II. Chap. I page 47.
[Ref: 31819] £360.00
![[John Webster.]](jpegs/24075.jpg)
[John Webster.] Saepe suas laudes Marti persolvimus & me Passa fuit vatem Cypris amica Suum. Mercurii, Webstere, decus plaelustre, Cameonis Hos etiam Vultus da placuise meis. Vendis, emis permulta fagax mercator. at inter Commoda, mercanti Stat tibi salvus honor. Si falluntur opes alys, aut fallere norunt, Gloria non falli aut fallere prima tua est.
Cor. Jo. pinx. T. Matham Sculp. C. Barlaeus.
[n.d. c.1660.]
Sir John Webster, Bt (d.1675.) was the Commisary for Russia at the Hague.
See NPG: D27225.
[Ref: 24075] £220.00 (£264.00 incl.VAT)
Cor. Jo. pinx. T. Matham Sculp. C. Barlaeus.
[n.d. c.1660.]
Sir John Webster, Bt (d.1675.) was the Commisary for Russia at the Hague.
See NPG: D27225.
[Ref: 24075] £220.00 (£264.00 incl.VAT)
Georgius Rodolphus Weckherlin. Natus 14 Sept: 1584 Denatus 13 Feb: 1653 AEt 69 Ano AEt. 50.
Mytins Pinxit. W. Faithorne fec.
Trimmed and glued to backing sheet.
George Rudolph Weckerlin (1584-1653), Latin Secretary to Charles I, after a portrait by Daniel Mijtens I (1590-1647), leading artist at the court of Charles I for much of the 1620s and 1630s. Engraving by William Faithorne (c.1620-91), printmaker who was apprenticed to the printseller William Peake, with whom he served in the royalist army during the civil war. At the Restoration Faithorne was appointed engraver in copper to the king, doubtless as reward for his devotion to the Stuart cause. The finest native British engraver born before the eighteenth century, Faithorne was highly esteemed by Pepys (who recorded many visits to his shop) while enthusiasts such as Horace Walpole ensured his posthumous reputation, which led to fine proofs of his work fetching extraordinary prices in the late Georgian period.
Fagan p.66.
[Ref: 42240] £160.00 (£192.00 incl.VAT)
Mytins Pinxit. W. Faithorne fec.
Trimmed and glued to backing sheet.
George Rudolph Weckerlin (1584-1653), Latin Secretary to Charles I, after a portrait by Daniel Mijtens I (1590-1647), leading artist at the court of Charles I for much of the 1620s and 1630s. Engraving by William Faithorne (c.1620-91), printmaker who was apprenticed to the printseller William Peake, with whom he served in the royalist army during the civil war. At the Restoration Faithorne was appointed engraver in copper to the king, doubtless as reward for his devotion to the Stuart cause. The finest native British engraver born before the eighteenth century, Faithorne was highly esteemed by Pepys (who recorded many visits to his shop) while enthusiasts such as Horace Walpole ensured his posthumous reputation, which led to fine proofs of his work fetching extraordinary prices in the late Georgian period.
Fagan p.66.
[Ref: 42240] £160.00 (£192.00 incl.VAT)
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![[Wedded.]](jpegs/33140.jpg)
[Wedded.]
Painted by Frederick Leighton P.R.A. Engraved by G. H.Every.
Published, London 25th March, 1900 by The Fine Art Society Ltd., 148 New Bond Street.
Margins slightly grubby with some light foxing.
A Greek bride and bridegroom standing together under an archway at the top of a stair, her head leaning back on his shoulder, as he lifts her hand to his lips. After British artist Frederick Leighton (1830 - 1896), associated with the Pre-Raphaelite movement.
Ex: Collection of Thomas Agnew.
[Ref: 33140] £280.00 (£336.00 incl.VAT)
Painted by Frederick Leighton P.R.A. Engraved by G. H.Every.
Published, London 25th March, 1900 by The Fine Art Society Ltd., 148 New Bond Street.
Margins slightly grubby with some light foxing.
A Greek bride and bridegroom standing together under an archway at the top of a stair, her head leaning back on his shoulder, as he lifts her hand to his lips. After British artist Frederick Leighton (1830 - 1896), associated with the Pre-Raphaelite movement.
Ex: Collection of Thomas Agnew.
[Ref: 33140] £280.00 (£336.00 incl.VAT)
![[Alexander Wedderburn] Lord Loughborough.](jpegs/36513.jpg)
[Alexander Wedderburn] Lord Loughborough. Lord High Chancellor of Great Britain.
Dighton del.
London: Printed for Bowles & Carver / No. 69 St Paul's Church Yard [n.d., c.1780]
Glued to backing sheet at corners.
Alexander Wedderburn, first Earl of Rosslyn (1733-1805), lord chancellor. Born in Scotland, Wedderburn struggled to establish himself in the 1750s (a time of English mistrust of ambitious Scots), but by 1764 he was made king's counsel. In 1780, around the time this print was made, he became chief justice of the court of common pleas and a peer as Baron Loughborough, going on to become lord chancellor in 1793 where he opposed catholic emancipation. While Wedderburn has not been viewed kindly by many historians, he was a valued public speaker and competent judge.
Ex Collection of the Late Hon. C. Lennox-Boyd; CS: Page 1763.
[Ref: 36513] £180.00 (£216.00 incl.VAT)
Dighton del.
London: Printed for Bowles & Carver / No. 69 St Paul's Church Yard [n.d., c.1780]
Glued to backing sheet at corners.
Alexander Wedderburn, first Earl of Rosslyn (1733-1805), lord chancellor. Born in Scotland, Wedderburn struggled to establish himself in the 1750s (a time of English mistrust of ambitious Scots), but by 1764 he was made king's counsel. In 1780, around the time this print was made, he became chief justice of the court of common pleas and a peer as Baron Loughborough, going on to become lord chancellor in 1793 where he opposed catholic emancipation. While Wedderburn has not been viewed kindly by many historians, he was a valued public speaker and competent judge.
Ex Collection of the Late Hon. C. Lennox-Boyd; CS: Page 1763.
[Ref: 36513] £180.00 (£216.00 incl.VAT)
![[Alexander Wedderburn] Alexander Lord Loughborough.](jpegs/64392.jpg)
[Alexander Wedderburn] Alexander Lord Loughborough.
Engraved by J. Kennerley from a Picture by W. Owen.
Published as the Act directs, July 1804, by J. Kennerley. 1 Carey Street, Chancery Lane.
Stipple. 280 x 230mm (11 x 9"), with large margins. Foxing in left margin, old ink collecetor's number.
Alexander Wedderburn (1733-1805), first Earl of Rosslyn, in his Lord Chancellor's wig and robes.
[Ref: 64392] £130.00 (£156.00 incl.VAT)
Engraved by J. Kennerley from a Picture by W. Owen.
Published as the Act directs, July 1804, by J. Kennerley. 1 Carey Street, Chancery Lane.
Stipple. 280 x 230mm (11 x 9"), with large margins. Foxing in left margin, old ink collecetor's number.
Alexander Wedderburn (1733-1805), first Earl of Rosslyn, in his Lord Chancellor's wig and robes.
[Ref: 64392] £130.00 (£156.00 incl.VAT)
De Bruiloft van Cloris en Roosje. Les Noces de Clorus et Rosette.
[n.d., c.1760.]
A scene at a wedding in which the newly married couple dance together while the guests look on. A plate from a series of 31 engravings published between 1754-1764 after paintings, drawings and pastels by Cornelius Troost made between (1738-1748).
[Ref: 42667] £390.00
[n.d., c.1760.]
A scene at a wedding in which the newly married couple dance together while the guests look on. A plate from a series of 31 engravings published between 1754-1764 after paintings, drawings and pastels by Cornelius Troost made between (1738-1748).
[Ref: 42667] £390.00
The Wedding. Minister, Will thou take this woman for thy wedded wife? Clown. Yeas, sure, I wool, I cum.d a Purpose.
Published & For Sale at No.111 Nassau St. N. York. [n.d., c.1830.]
Staining and tears in edges.
A comic scene in a church showing a wedding of a simple couple. Published in New York.
[Ref: 50949] £180.00 (£216.00 incl.VAT)
Published & For Sale at No.111 Nassau St. N. York. [n.d., c.1830.]
Staining and tears in edges.
A comic scene in a church showing a wedding of a simple couple. Published in New York.
[Ref: 50949] £180.00 (£216.00 incl.VAT)
Welsh Wedding, Running Away With the Bride.
J.C. Rowland Del. J. McGathey, Lith. Paradise S.t Liverpool.
Published by T. Catherall, Eastgate Row, Chester. June 1st
Rare tinted lithograph with hand colour. Sheet 280 x 380mm (11 x 15"), with very large margins.
A bride and groom symbolically 'abscond' from a village, 'chased' by well-wishers. The bride wears a the traditional stovetop hat.
[Ref: 55947] £260.00 (£312.00 incl.VAT)
J.C. Rowland Del. J. McGathey, Lith. Paradise S.t Liverpool.
Published by T. Catherall, Eastgate Row, Chester. June 1st
Rare tinted lithograph with hand colour. Sheet 280 x 380mm (11 x 15"), with very large margins.
A bride and groom symbolically 'abscond' from a village, 'chased' by well-wishers. The bride wears a the traditional stovetop hat.
[Ref: 55947] £260.00 (£312.00 incl.VAT)
The Wedding.
Published 1st. August 1799 by R.Ackermann 101 Strand for Dr. I.no Trusler.
Coloured aquatint, prepared as a transparency with watercolour on the reverse. Image 305 x 230mm. 12 x 9", on paper watermarked 1794. Soiling in margins.
[Ref: 19853] £220.00 (£264.00 incl.VAT)
Published 1st. August 1799 by R.Ackermann 101 Strand for Dr. I.no Trusler.
Coloured aquatint, prepared as a transparency with watercolour on the reverse. Image 305 x 230mm. 12 x 9", on paper watermarked 1794. Soiling in margins.
[Ref: 19853] £220.00 (£264.00 incl.VAT)
Wedding Day.
London Pubd by A. Sharpe [c.1820's].
Small pin hole.
[Ref: 40580] £95.00 (£114.00 incl.VAT)
London Pubd by A. Sharpe [c.1820's].
Small pin hole.
[Ref: 40580] £95.00 (£114.00 incl.VAT)
'Fallow Deer' Wedgwood, Etruria England.
Engraving for Wedgwood Pottery.
c. 1910.
Engraving 275mm diameter. Laid on old mount.
Charming rural scene with two fallow deer in foreground. Stamped. As per Title.
[Ref: 405] £280.00 (£336.00 incl.VAT)
Engraving for Wedgwood Pottery.
c. 1910.
Engraving 275mm diameter. Laid on old mount.
Charming rural scene with two fallow deer in foreground. Stamped. As per Title.
[Ref: 405] £280.00 (£336.00 incl.VAT)
Wedgwood & Byerley. York Street. St. James's Square. For No.2 of R. Ackermann's Repository of Arts.
Published Feby. 1809, at 101, Strand, London.
Trimmed into image on three sides, mounted in album paper.
The interior of the 'Wedgwood and Byerley' London showrooms at York Street, St James's Square, showing figures looking at chinaware laid out on tables and on view in display cases. A plate from the 'Repository of Arts' periodical, published from 1809-1829. The formal title of the publication was 'Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics': it discussed and illustrated day to day life, and influenced English taste in fashion, architecture and literature.
[Ref: 58198] £120.00 (£144.00 incl.VAT)
Published Feby. 1809, at 101, Strand, London.
Trimmed into image on three sides, mounted in album paper.
The interior of the 'Wedgwood and Byerley' London showrooms at York Street, St James's Square, showing figures looking at chinaware laid out on tables and on view in display cases. A plate from the 'Repository of Arts' periodical, published from 1809-1829. The formal title of the publication was 'Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics': it discussed and illustrated day to day life, and influenced English taste in fashion, architecture and literature.
[Ref: 58198] £120.00 (£144.00 incl.VAT)
Josiah Wedgwood, Esq.re F.R.S & S.A.
Painted by Sir Joshua Reynolds. Engraved by S. W. Reynolds 15 Holland St, Kensington.
Published May 1st. 1841 by R. Sheppard, Repository of Arts, Newcastle Under Lyme.
Trimmed within plate.
A portrait of potter and entrepreneur Josiah Wedgwood (1730-1795).
Not in Hamilton.
[Ref: 47748] £160.00 (£192.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engraved by S. W. Reynolds 15 Holland St, Kensington.
Published May 1st. 1841 by R. Sheppard, Repository of Arts, Newcastle Under Lyme.
Trimmed within plate.
A portrait of potter and entrepreneur Josiah Wedgwood (1730-1795).
Not in Hamilton.
[Ref: 47748] £160.00 (£192.00 incl.VAT)
Josiah Wedgwood Esq.r. Done from an original Picture Painted in Enamel as large as Life.
George stubbs pinx.t. Geo: Townly Stubbs sculp.t. Engraver to His R.H. the Prince of Wales.
[n.d., c.1795].
Trimmed within plate. Repaired vertical crease through print on right side.
A half portrait in roundel of Josiah Wedgwood (1730-1795) after George Stubbs' miniature portrait. Wedgwood was a highly successful potter who is often credited with the industrialisation of the manufacture of ceramics. Possibly from the enamel in the Wedgwood Museum.
CLB: 97 I of II.
[Ref: 35353] £140.00 (£168.00 incl.VAT)
George stubbs pinx.t. Geo: Townly Stubbs sculp.t. Engraver to His R.H. the Prince of Wales.
[n.d., c.1795].
Trimmed within plate. Repaired vertical crease through print on right side.
A half portrait in roundel of Josiah Wedgwood (1730-1795) after George Stubbs' miniature portrait. Wedgwood was a highly successful potter who is often credited with the industrialisation of the manufacture of ceramics. Possibly from the enamel in the Wedgwood Museum.
CLB: 97 I of II.
[Ref: 35353] £140.00 (£168.00 incl.VAT)
Josiah Wedgwood.
Engraved by W. Holl [after George Stubbs.]
William Mackenzie, London, Edinburgh & Glasgow.
Trimmed, slight foxing.
A half-length portrait of Josiah Wedgwood (1730-95], patron of the artist, George Stubbs.
[Ref: 43400] £130.00 (£156.00 incl.VAT)
Engraved by W. Holl [after George Stubbs.]
William Mackenzie, London, Edinburgh & Glasgow.
Trimmed, slight foxing.
A half-length portrait of Josiah Wedgwood (1730-95], patron of the artist, George Stubbs.
[Ref: 43400] £130.00 (£156.00 incl.VAT)
Josiah Wedgwood.
Engraved by W. Holl [after George Stubbs.]
William Mackenzie, London, Edinburgh & Glasgow.
Trimmed to platemark.
A half-length portrait of Josiah Wedgwood (1730-95], patron of the artist, George Stubbs.
[Ref: 43401] £130.00 (£156.00 incl.VAT)
Engraved by W. Holl [after George Stubbs.]
William Mackenzie, London, Edinburgh & Glasgow.
Trimmed to platemark.
A half-length portrait of Josiah Wedgwood (1730-95], patron of the artist, George Stubbs.
[Ref: 43401] £130.00 (£156.00 incl.VAT)
Josiah Wedgwood Esq.r. Done from an original Picture Painted in Enamel as large as Life.
George Stubbs pinx.t. Geo: Townly Stubbs sculp.t Engraver to His R.H. the Prince of Wales.
London, Published Feb.y 10. 1795, by Geo:Townly Stubbs, No.86 High Street, Marybone.
Stipple . Sheet 225 x 175mm (9 x 7"). Trimmed to plate.
A half-length portrait of Josiah Wedgwood (1730-95], patron of the artist, George Stubbs. Wedgwood first commissioned Stubbs to paint himself and his wife in 1780 and the artist painted in oil a family picture with nine figures, four being on horseback, also a large portrait in enamel on earthenware; both these works are now in the possession of Mr. Godfrey Wedgwood. This print was published by George Townly Stubbs within three months of Wedgwood's death in 1795 as a memorial, probably taken from the enamel in his father's studio.
Lennox-Boyd: 97, II of II.
[Ref: 53124] £260.00 (£312.00 incl.VAT)
George Stubbs pinx.t. Geo: Townly Stubbs sculp.t Engraver to His R.H. the Prince of Wales.
London, Published Feb.y 10. 1795, by Geo:Townly Stubbs, No.86 High Street, Marybone.
Stipple . Sheet 225 x 175mm (9 x 7"). Trimmed to plate.
A half-length portrait of Josiah Wedgwood (1730-95], patron of the artist, George Stubbs. Wedgwood first commissioned Stubbs to paint himself and his wife in 1780 and the artist painted in oil a family picture with nine figures, four being on horseback, also a large portrait in enamel on earthenware; both these works are now in the possession of Mr. Godfrey Wedgwood. This print was published by George Townly Stubbs within three months of Wedgwood's death in 1795 as a memorial, probably taken from the enamel in his father's studio.
Lennox-Boyd: 97, II of II.
[Ref: 53124] £260.00 (£312.00 incl.VAT)
The Three Graces.
Painted by W.Weekes.
Published by Richard C. Hall & Co. 72 Dean Street, London. W. Copyright Registered. Entered According to Act of Congress, 1898 by Richard C. Hall & Co. in the Office of the Library of Congress.
Photogravure. 460 x 365mm.
A Pug, Fox Terrier, and Spaniel.
[Ref: 6497] £280.00 (£336.00 incl.VAT)
Painted by W.Weekes.
Published by Richard C. Hall & Co. 72 Dean Street, London. W. Copyright Registered. Entered According to Act of Congress, 1898 by Richard C. Hall & Co. in the Office of the Library of Congress.
Photogravure. 460 x 365mm.
A Pug, Fox Terrier, and Spaniel.
[Ref: 6497] £280.00 (£336.00 incl.VAT)
Weep, Thaly Weep!
F. Bartolozzi sculp. 1778.
[London: George Kearsely, 1778.]
Cut.
Thalia, Music of comedy and idyllic poetry, seated on rocks looking at the medallion, with a portrait head in profile, and weeping. To the right, Samuel Foote being led to a boat by Mercury and in the foreground, a head buring in the ground. Title-page to 'An Elegy on the Death of Samuel Foote, Esq.' by Boschereccio.
De Vesme: 811; iv/iv.
[Ref: 20515] £220.00 (£264.00 incl.VAT)
F. Bartolozzi sculp. 1778.
[London: George Kearsely, 1778.]
Cut.
Thalia, Music of comedy and idyllic poetry, seated on rocks looking at the medallion, with a portrait head in profile, and weeping. To the right, Samuel Foote being led to a boat by Mercury and in the foreground, a head buring in the ground. Title-page to 'An Elegy on the Death of Samuel Foote, Esq.' by Boschereccio.
De Vesme: 811; iv/iv.
[Ref: 20515] £220.00 (£264.00 incl.VAT)
Weeping & Joy.
[after John Collier.]
Pub. June 4 1816, by Edw.d Orme, London [but c.1825].
Satirical portraits of two men, one with a pint of beer. From 'The Passions, Humourously Delineated. By Tim Bobbin', actually John Collier (1708-86), the self-styled 'Lancashire Hogarth'. Originally published in 1773, this set is described by George as 'tidied up copies'.
See: Ref: 50271
[Ref: 41826] £130.00 (£156.00 incl.VAT)
[after John Collier.]
Pub. June 4 1816, by Edw.d Orme, London [but c.1825].
Satirical portraits of two men, one with a pint of beer. From 'The Passions, Humourously Delineated. By Tim Bobbin', actually John Collier (1708-86), the self-styled 'Lancashire Hogarth'. Originally published in 1773, this set is described by George as 'tidied up copies'.
See: Ref: 50271
[Ref: 41826] £130.00 (£156.00 incl.VAT)
Weeping Willow.
Pub, July 1. 1814, by W.H. Pyne, Cecil Street, Strand.
Soft ground etching in sepia, image 245 x 320mm. Trimmed into plate lower left, ink stains upper left (outside image).
The artist is John Robert Cozens (1752 - 1797), son of Alexander Cozens (1717 - 1786), the drawing master and landscape-painter in water-colours. From the 1814 edition of his 'Series of 13 Trees' first published in 1789.
[Ref: 8010] £230.00 (£276.00 incl.VAT)
Pub, July 1. 1814, by W.H. Pyne, Cecil Street, Strand.
Soft ground etching in sepia, image 245 x 320mm. Trimmed into plate lower left, ink stains upper left (outside image).
The artist is John Robert Cozens (1752 - 1797), son of Alexander Cozens (1717 - 1786), the drawing master and landscape-painter in water-colours. From the 1814 edition of his 'Series of 13 Trees' first published in 1789.
[Ref: 8010] £230.00 (£276.00 incl.VAT)
Vera Effigies Iohannis Weever Aetatis Suaw 55. Anno 1631. Lancashire gave him breath, And Cambridge educaton. His studies are of Death. Of Heaven his meditation.
T.Cecill sculp.
[n.d. 1632.]
Trimmed to image on three sides, mounted in album paper.
Portrait of John Weever (c.1575-1632), poet and antiquarian, wearing an embroidered cap and lace ruff, half-length in an oval, with hand on a skull next to two books. This was used as the frontispiece to his 'Ancient Funeral Monuments Within the United Monarchie of Great Britaine, Ireland, and The Islands Adjacent'.
[Ref: 56274] £130.00 (£156.00 incl.VAT)
T.Cecill sculp.
[n.d. 1632.]
Trimmed to image on three sides, mounted in album paper.
Portrait of John Weever (c.1575-1632), poet and antiquarian, wearing an embroidered cap and lace ruff, half-length in an oval, with hand on a skull next to two books. This was used as the frontispiece to his 'Ancient Funeral Monuments Within the United Monarchie of Great Britaine, Ireland, and The Islands Adjacent'.
[Ref: 56274] £130.00 (£156.00 incl.VAT)
Vera Effigies Iohannis Weever Aetatis Suaw 55. Anno 1631. Lancashire gave him breath, And Cambridge educaton. His studies are of Death. Of Heaven his meditation.
I. Taylor sculp.
[n.d. 1800.]
Trimmed to image on three sides, mounted in album paper at edges.
Portrait of John Weever (c.1575-1632), poet and antiquarian, wearing an embroidered cap and lace ruff, half-length in an oval, with hand on a skull next to two books. A reversed copy of the frontispiece engraved by Cecill for his 'Ancient Funeral Monuments Within the United Monarchie of Great Britaine, Ireland, and The Islands Adjacent', originally published 1632.
[Ref: 59853] £65.00 (£78.00 incl.VAT)
I. Taylor sculp.
[n.d. 1800.]
Trimmed to image on three sides, mounted in album paper at edges.
Portrait of John Weever (c.1575-1632), poet and antiquarian, wearing an embroidered cap and lace ruff, half-length in an oval, with hand on a skull next to two books. A reversed copy of the frontispiece engraved by Cecill for his 'Ancient Funeral Monuments Within the United Monarchie of Great Britaine, Ireland, and The Islands Adjacent', originally published 1632.
[Ref: 59853] £65.00 (£78.00 incl.VAT)
![[Weimaraner.]](jpegs/47929.jpg)
[Weimaraner.]
Henry Wilkinson.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 47929] £230.00 (£276.00 incl.VAT)
Henry Wilkinson.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 47929] £230.00 (£276.00 incl.VAT)
![[Johan Wilhelm Weinmann]](jpegs/58811.jpg)
[Johan Wilhelm Weinmann]
Hirschman pinx. J. Jac. Haid sculps. Aug. Vind.
[n.d., c.1737]
Thread margin lower right.
Johan Wilhelm Weinmann (1683-1741), German apothecary and botanist, aged 54 so dating the portrait to 1737. Weinmann established a botanical garden in Regensburg and published botanical works, most notably the eight-volume florilegium 'Phytanthoza iconographia' (1737-45), illustrated with fine mezzotint plates. Engraving by Johann Jakob Haid (1704-67), one of the engravers employed on the florilegium, after a portrait by Johann Leonhard Hirschmann (1672-1750), artist and printmaker who studied in the studio of Sir Godfrey Kneller as a young man.
Wellcome 3142.
[Ref: 58811] £360.00
Hirschman pinx. J. Jac. Haid sculps. Aug. Vind.
[n.d., c.1737]
Thread margin lower right.
Johan Wilhelm Weinmann (1683-1741), German apothecary and botanist, aged 54 so dating the portrait to 1737. Weinmann established a botanical garden in Regensburg and published botanical works, most notably the eight-volume florilegium 'Phytanthoza iconographia' (1737-45), illustrated with fine mezzotint plates. Engraving by Johann Jakob Haid (1704-67), one of the engravers employed on the florilegium, after a portrait by Johann Leonhard Hirschmann (1672-1750), artist and printmaker who studied in the studio of Sir Godfrey Kneller as a young man.
Wellcome 3142.
[Ref: 58811] £360.00
![[Frontispiece to Franz Edmund Weirotter's 'Zweite Folge von Gegenden und Bruchstuecken Alter Gebaeude']](jpegs/41400.jpg)
[Frontispiece to Franz Edmund Weirotter's 'Zweite Folge von Gegenden und Bruchstuecken Alter Gebaeude']
Nach der Natur gezeichnet in Welschland und in Kupfer geaetzet von F.E. Weirotter
In Wien zu finden in der K.K. Zeichnung und Kupferstecherakademie [c.1767]
Small loss in margins top right.
Title-page to one of several sets of volumes of etchings of Italian ruins by Austrian artist Franz Edmund Weirotter (1733-71). Weirotter visited Rome in 1763-4 where he met artist Henry Fuseli and the great writer on art Johann Joachim Winckelmann, and published his Italian views after he was appointed professor of landscape drawing at the Vienna Akademie in 1767.
[Ref: 41400] £95.00 (£114.00 incl.VAT)
Nach der Natur gezeichnet in Welschland und in Kupfer geaetzet von F.E. Weirotter
In Wien zu finden in der K.K. Zeichnung und Kupferstecherakademie [c.1767]
Small loss in margins top right.
Title-page to one of several sets of volumes of etchings of Italian ruins by Austrian artist Franz Edmund Weirotter (1733-71). Weirotter visited Rome in 1763-4 where he met artist Henry Fuseli and the great writer on art Johann Joachim Winckelmann, and published his Italian views after he was appointed professor of landscape drawing at the Vienna Akademie in 1767.
[Ref: 41400] £95.00 (£114.00 incl.VAT)
Le Major Weiss.
[n.d., c.1800.]
Trimmed, on album paper.
U.S. Interest. Oval portrait of Franz-Rudolf von Weiss, a French soldier and political theorist, possibly a frontispiece to his "Principes philosophiques, politiques et moraux".
[Ref: 18446] £85.00 (£102.00 incl.VAT)
[n.d., c.1800.]
Trimmed, on album paper.
U.S. Interest. Oval portrait of Franz-Rudolf von Weiss, a French soldier and political theorist, possibly a frontispiece to his "Principes philosophiques, politiques et moraux".
[Ref: 18446] £85.00 (£102.00 incl.VAT)
Weissenfeld een Hartoglyke Stad aen de rivier de Saal, drie 'uren van Leipzich. Weissenfeldia, 'urbs nobilis, distans tria milliaria a Lipsia sedes Du'cis.
Pet Schenk. Amsteld C.P.
[n.d. c.1702.]
Weissenfels, in Germany, situated on the river Saale. A hunting group on horses with dogs in the near right foreground; fishers on the shore by the bridge, and canoes and a raft on the river. The Neu-Augustusburg Castle to the left. Plate to Schenk's 'Hecatompolis' (1702), which included one hundred profile views of cities throughout the world.
[Ref: 24907] £220.00 (£264.00 incl.VAT)
Pet Schenk. Amsteld C.P.
[n.d. c.1702.]
Weissenfels, in Germany, situated on the river Saale. A hunting group on horses with dogs in the near right foreground; fishers on the shore by the bridge, and canoes and a raft on the river. The Neu-Augustusburg Castle to the left. Plate to Schenk's 'Hecatompolis' (1702), which included one hundred profile views of cities throughout the world.
[Ref: 24907] £220.00 (£264.00 incl.VAT)
Justice Welch From an Original Sketch by Hogarth in the Collection of Sam.l Ireland 1781 The portrait was began & finished within an hour by which a Considerable bet was Won
S.I. sculp
London, Publish'd May 1st 1788, by Molton & Co. 132 Pall Mall
Etching, sheet 175 x 125mm (7 x 5"). Trimmed
Saunders Welch (1711-84), grocer and magistrate. Originally a greengrocer (in the sense of a wholesale rather than retail business), Welch became a magistrate through his friend, the novelist and magistrate Henry Fielding, who before his death, asked that his salary be split between his half-brother Henry and Welch, who became the two leading metropolitan magistrates. His social circle included Hogarth (after whose sketch this print was made by Samuel Ireland), Samuel Johnson, and Welch's son-in-law, the sculptor Joseph Nollekens.
[Ref: 43103] £230.00 (£276.00 incl.VAT)
S.I. sculp
London, Publish'd May 1st 1788, by Molton & Co. 132 Pall Mall
Etching, sheet 175 x 125mm (7 x 5"). Trimmed
Saunders Welch (1711-84), grocer and magistrate. Originally a greengrocer (in the sense of a wholesale rather than retail business), Welch became a magistrate through his friend, the novelist and magistrate Henry Fielding, who before his death, asked that his salary be split between his half-brother Henry and Welch, who became the two leading metropolitan magistrates. His social circle included Hogarth (after whose sketch this print was made by Samuel Ireland), Samuel Johnson, and Welch's son-in-law, the sculptor Joseph Nollekens.
[Ref: 43103] £230.00 (£276.00 incl.VAT)
J.E. Schenau Pinx. Cl. Duflos sculp.
Very large margins.
'The Welcome Return': a soldier enters his home to be greeted by his children and dog. His wife breaks off suckling her baby to reach for him.
[Ref: 38106] £280.00 (£336.00 incl.VAT)
A Welcome Visitor at Christmas. For the History of this Jovial Personage See the "Book of Christmas".
W. Spooner 250 Regent Street. [n.d., c.1837.]
A scene showing a figure made up of traditional Christmas food such as Christmas pudding, turkey, wine and ham standing in the middle of a tabel while cards, a jug and glasses play around him. The title makes reference to 'The Book of Christmas' 1837 by Thomas K. Hervey, which explained the customs and traditions of the Christmas season and was also published by W. Spooner.
[Ref: 41367] £390.00
W. Spooner 250 Regent Street. [n.d., c.1837.]
A scene showing a figure made up of traditional Christmas food such as Christmas pudding, turkey, wine and ham standing in the middle of a tabel while cards, a jug and glasses play around him. The title makes reference to 'The Book of Christmas' 1837 by Thomas K. Hervey, which explained the customs and traditions of the Christmas season and was also published by W. Spooner.
[Ref: 41367] £390.00
La Battalla De Baylen y Rendicion de el General Dupont al Exercito Espanol Patriotico al Mando de los Generales Castanos y Reding Pieza Historica y Militar para el Piano Forte, accompanamineto de Violin y Bazo Dedicada a la Lunta Suprema de Sevilla. Los Generales Castoanos y Teding sus Valietes Officales y Soldados y a to dos los Patriotas Espanoles por Peter Weldon.
Engraved title sheet for a composition and arrangement. "Verse la Proclama de la Junta Suprema de Sevilla del 29de Mayo e 1808.
Engraving 315 x 210mm. Trimmed to plate.
'THE BATTLE OF BAYLEN' - And surrender of General Dupont to the Patriotic Spanish Army under the Command of Generals Castonos and Reding and Historical and Military Piece for the Piano Forte with an accompaniment for the Violin & Bass Dedicated to the Supreme Junta of Seville Generals Castanos & Reding their Brave Officers & Soldiers and to all Spanish Patriots. By Peter Weldon.
[Ref: 6504] £180.00 (£216.00 incl.VAT)
Engraved title sheet for a composition and arrangement. "Verse la Proclama de la Junta Suprema de Sevilla del 29de Mayo e 1808.
Engraving 315 x 210mm. Trimmed to plate.
'THE BATTLE OF BAYLEN' - And surrender of General Dupont to the Patriotic Spanish Army under the Command of Generals Castonos and Reding and Historical and Military Piece for the Piano Forte with an accompaniment for the Violin & Bass Dedicated to the Supreme Junta of Seville Generals Castanos & Reding their Brave Officers & Soldiers and to all Spanish Patriots. By Peter Weldon.
[Ref: 6504] £180.00 (£216.00 incl.VAT)
Well! I Can't Help It. 400.
[after Robert Dighton]
Printed for & Sold by Bowles & Carver / No. 69 St Pauls Church Yard, London. [n.d., c.1796]
Man making a 'horns' sign with his right hand. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; BM Satires 8918.
[Ref: 32365] £120.00 (£144.00 incl.VAT)
[after Robert Dighton]
Printed for & Sold by Bowles & Carver / No. 69 St Pauls Church Yard, London. [n.d., c.1796]
Man making a 'horns' sign with his right hand. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; BM Satires 8918.
[Ref: 32365] £120.00 (£144.00 incl.VAT)
Well! I Can't Help It. 400
[after Robert Dighton]
Printed for & Sold by Bowles & Carver / No. 69 St Pauls Church Yard, London. [n.d., c.1796]
Trimmed to image; late impression.
Man making a 'horns' sign with his right hand. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; BM Satires 8918.
[Ref: 32366] £120.00 (£144.00 incl.VAT)
[after Robert Dighton]
Printed for & Sold by Bowles & Carver / No. 69 St Pauls Church Yard, London. [n.d., c.1796]
Trimmed to image; late impression.
Man making a 'horns' sign with his right hand. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; BM Satires 8918.
[Ref: 32366] £120.00 (£144.00 incl.VAT)
Well! I Can't Help It. 400
[after Robert Dighton]
Printed for & Sold by Carington Bowles, No. 69 St Pauls Church Yard, London. Published as the Act directs, 1 Dec.r 1792.
Man making a 'horns' sign with his right hand. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; BM Satires 8918.
[Ref: 63430] £180.00 (£216.00 incl.VAT)
[after Robert Dighton]
Printed for & Sold by Carington Bowles, No. 69 St Pauls Church Yard, London. Published as the Act directs, 1 Dec.r 1792.
Man making a 'horns' sign with his right hand. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; BM Satires 8918.
[Ref: 63430] £180.00 (£216.00 incl.VAT)
Welladay! is this my Son Tom!
Drawn from an Original Drawing by Grimm.
Published as the Act directs, June 25.th 1773.
Coloured mezzotint. 355 x 255mm (14 x 10"). Very small margins, tear and some scuffing in title area.
A country squire visiting town recoils at seeing his macaroni son with huge wig topped by a small tricorn hat, and carrying a tasselled cane and sword.
[Ref: 63423] £290.00
Drawn from an Original Drawing by Grimm.
Published as the Act directs, June 25.th 1773.
Coloured mezzotint. 355 x 255mm (14 x 10"). Very small margins, tear and some scuffing in title area.
A country squire visiting town recoils at seeing his macaroni son with huge wig topped by a small tricorn hat, and carrying a tasselled cane and sword.
[Ref: 63423] £290.00
![[The Most Noble Arthur Marquis of Wellington. K.B. &c.]](jpegs/18917.jpg)
[The Most Noble Arthur Marquis of Wellington. K.B. &c.]
[Pelegrina pinxt. E. Bocquet Sculpt.]
[London. Pub. June 4. 1813, & may be had at Mess. Fricker & Henderson's Plate Glass Warehouse No. 80 New Bond Street, near Oxford Street, & at Mr. Asperne's No.32 Cornhill, & no where else in London.]
Portrait of Arthur Wellesley (1769-1852), 1st Duke of Wellington, in uniform
[Ref: 18917] £110.00 (£132.00 incl.VAT)
[Pelegrina pinxt. E. Bocquet Sculpt.]
[London. Pub. June 4. 1813, & may be had at Mess. Fricker & Henderson's Plate Glass Warehouse No. 80 New Bond Street, near Oxford Street, & at Mr. Asperne's No.32 Cornhill, & no where else in London.]
Portrait of Arthur Wellesley (1769-1852), 1st Duke of Wellington, in uniform
[Ref: 18917] £110.00 (£132.00 incl.VAT)
Wellington. War. Peace. Royal Album No.14.
Alfred Carlile, Lithographer. London.
[n.d. c.1845.]
Slight creasing to lower left.
[Ref: 27762] £110.00 (£132.00 incl.VAT)
Alfred Carlile, Lithographer. London.
[n.d. c.1845.]
Slight creasing to lower left.
[Ref: 27762] £110.00 (£132.00 incl.VAT)
![Wellington [facsimile signature.]](jpegs/17948.jpg)
Wellington [facsimile signature.] Woburn Abbey July 28 1841 London.
A. Maurin [within image, lower right]. Imp. Lemercier, Benard et Cie [within image, lower left].
Published by A.H. & C.E. Baily Printsellers to her Majesty. No 1 Freemans Court & 83 Cornhill.
This portrait of Arthur Wellesley, 1st Duke of Wellington (1769-1852), Field Marshal and Prime Minister in later years. He sits in contemplation, surrounded by military memorabilia.
In the BM.
[Ref: 17948] £140.00 (£168.00 incl.VAT)
A. Maurin [within image, lower right]. Imp. Lemercier, Benard et Cie [within image, lower left].
Published by A.H. & C.E. Baily Printsellers to her Majesty. No 1 Freemans Court & 83 Cornhill.
This portrait of Arthur Wellesley, 1st Duke of Wellington (1769-1852), Field Marshal and Prime Minister in later years. He sits in contemplation, surrounded by military memorabilia.
In the BM.
[Ref: 17948] £140.00 (£168.00 incl.VAT)
'W' Hyde Park MDCCCXLIII. W. Anniversary of Salamanca.
Sketched and litho: by J.G.
Published by J.Izzard, 46, Upper Brook Strt.
Lithograph. 381 x 278mm.
The Duke of Wellington on horseback from behind, in uniform.
[Ref: 3407] £120.00 (£144.00 incl.VAT)
Sketched and litho: by J.G.
Published by J.Izzard, 46, Upper Brook Strt.
Lithograph. 381 x 278mm.
The Duke of Wellington on horseback from behind, in uniform.
[Ref: 3407] £120.00 (£144.00 incl.VAT)
Arthur Duke Of Wellington Field Marshall &c.&c.
Engd. by W.H. Lizars Edinr.
[n.d., c.1815.]
Stipple engraving with hand coloured aquatint, sheet 260 x 195mm. Trimmed to plate, into printed area.
A portrait of Arthur Wellesley (1769 - 1852), 1st Duke of Wellington, in uniform in later years.
[Ref: 7933] £220.00 (£264.00 incl.VAT)
Engd. by W.H. Lizars Edinr.
[n.d., c.1815.]
Stipple engraving with hand coloured aquatint, sheet 260 x 195mm. Trimmed to plate, into printed area.
A portrait of Arthur Wellesley (1769 - 1852), 1st Duke of Wellington, in uniform in later years.
[Ref: 7933] £220.00 (£264.00 incl.VAT)
The Most Noble Arthur Marquis of Wellington. K.B. &c. Proof.
Pelegrina pinxt. E. Bocquet Sculpt.
London. Pub. June 4. 1813, & may be had at Mess. Fricker & Henderson's Plate Glass Warehouse No. 80 New Bond Street, near Oxford Street, & at Mr. Asperne's No. 32 Cornhill, & no where else in London.
Stipple. Plate 250 x 195mm. Sheet 431 x 294mm. Rare. Small tear to the bottom right-hand corner of the sheet.
Half-length portrait of Arthur Wellesley (1769-1852), 1st Duke of Wellington, in uniform.
[Ref: 12651] £75.00 (£90.00 incl.VAT)
Pelegrina pinxt. E. Bocquet Sculpt.
London. Pub. June 4. 1813, & may be had at Mess. Fricker & Henderson's Plate Glass Warehouse No. 80 New Bond Street, near Oxford Street, & at Mr. Asperne's No. 32 Cornhill, & no where else in London.
Stipple. Plate 250 x 195mm. Sheet 431 x 294mm. Rare. Small tear to the bottom right-hand corner of the sheet.
Half-length portrait of Arthur Wellesley (1769-1852), 1st Duke of Wellington, in uniform.
[Ref: 12651] £75.00 (£90.00 incl.VAT)
Wellington. Waterloo June 18, 1815.
Modelled by Hry. Weigall. Bates, patent Anaglyptograph. Engraved by Freebairn.
Printed by Mc Queen. Proof. London. Published by Henry Moseley, No.4, St.James's Street, June 18th.1838, being the 23rd Anniversary of the Battle of Waterloo.
Rare engraving. Plate 509 x 358mm. 20 x 14". Some spotting.
An illustration of the medal awarded to the soldiers present at the three battles, Ligny, Quatre Bras and Waterloo, with a portrait of Arthur Wellesley (1769-1852), 1st Duke of Wellington.
[Ref: 14594] £220.00 (£264.00 incl.VAT)
Modelled by Hry. Weigall. Bates, patent Anaglyptograph. Engraved by Freebairn.
Printed by Mc Queen. Proof. London. Published by Henry Moseley, No.4, St.James's Street, June 18th.1838, being the 23rd Anniversary of the Battle of Waterloo.
Rare engraving. Plate 509 x 358mm. 20 x 14". Some spotting.
An illustration of the medal awarded to the soldiers present at the three battles, Ligny, Quatre Bras and Waterloo, with a portrait of Arthur Wellesley (1769-1852), 1st Duke of Wellington.
[Ref: 14594] £220.00 (£264.00 incl.VAT)
R. Ackermann's Costumed of the British Army. Field Marshall His Grace The Duke of Wellington, K.G. G.C.B. G.C. H. &c. &c. &c. At the Grand Review in Windsor Great Park on the 5th June, 1844.
H. DeDaubrawa pinxt. J. Harris sculpt.
London Published June 2nd 1845. by Rudolph Ackermann at his Eclipse Sporting Gallery, 101 Regent Street.
Coloured aquatint. 385 x 290mm. Creasing outside the plate mark
Arthur Wellesley (1769 - 1852), 1st Duke of Wellington, in uniform, on horseback.
[Ref: 1709] £230.00 (£276.00 incl.VAT)
H. DeDaubrawa pinxt. J. Harris sculpt.
London Published June 2nd 1845. by Rudolph Ackermann at his Eclipse Sporting Gallery, 101 Regent Street.
Coloured aquatint. 385 x 290mm. Creasing outside the plate mark
Arthur Wellesley (1769 - 1852), 1st Duke of Wellington, in uniform, on horseback.
[Ref: 1709] £230.00 (£276.00 incl.VAT)