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[Edward Mascall]
[Edward Mascall] Effigies Edvardi Mascall Pictoris sculpta ab Exemplari propria manu depicto
James Gammon sculpsit [c.1653-70]
Engraving, scarce, platemark 205 x 135mm (8 x 5¼")
Edward Mascall (c.1650, fl.), little-known painter, after a self-portrait. The engraver James Gammon, active between 1653 and 1670 produced few works, most of which were copies of better-known engravings.
O'D 1
[Ref: 46382]   £260.00  
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In Masham Market.
In Masham Market.
J. Ibbetson fc.
June 1816.
Etching. Plate: 150 x 220mm (6 x 8¾"), with very large margins. Printers creases. Uncut.
A scene in Masham Market in Yorkshire showing various figures in conversation, one figure pulls at one of his pigs by the hind legs. From a series of 'Etchings of Figures in Eight Plates' by landscape artist Julius Caesar Ibbetson (1759-1817).
[Ref: 46434]   £260.00  
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[Four Views in Mauritius]
[Four Views in Mauritius] No. 1 Habitation of Mr. Piston (now called La Folie) near the Mountain and Pit, at the Mauritius [...]; No. 2 View taken from the Top of the Canal; La Tamarinier; Le Ravinal on Herbe du Voyageur
Thuillier del.t [1819-27] Lith. de Engelmann [all text in ms below prints]
Four lithographs, dimensions 155 x 205mm (6 x 8") to 325 x 240mm (12¾ x 9½"). All trimmed to image and glued to album sheets. Very rare.
Four views in Mauritius after drawings by Pierre Amand François Thuillier (b.1782), possibly published in 1847, when other lithographs after his drawings in Mauritius appeared.
[Ref: 45692]   £290.00   view all images for this item
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[Maximilian III, archduke of Austria]
[Maximilian III, archduke of Austria] Maximilianus Archidux Austriae.
P.P. Rubens pinx. Vorsterm Cu privileg
Franciscus vanden Wyngaerde excud. Antu. [c.1650]
Engraving, sheet 160 x 140mm (6¼ x 5½"). Trimmed to platemark; damage to lower corners.
Maximilian III, Archduke of Austria and Grand Master of the Teutonic Order (1558-1618), son of Holy Roman Emperor Maximilian II. Engraved after a portrait by Rubens (now lost) by Lucas Vorsterman, the finest engraver in the Rubens school, who also worked with Van Dyck.
[Ref: 46364]   £75.00   (£90.00 incl.VAT)
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Mazatlan.
Mazatlan.
Bayard Taylor
Lith. of Saroy & Major, N.Y. [c.1855]
Tinted lithograph, printed area 105 x 155mm (4 x 6").
The city of Mazatlan on the western coast of Mexico, in the state of Sinaloa. By or after Bayard Taylor (1825-78), American polymath who in 1850 published a two-volume collection of travel essays about Mexico, 'El Dorado; or, Adventures in the Path of Empire'.
[Ref: 45594]   £130.00   (£156.00 incl.VAT)
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E: Méhul.
E: Méhul. Membre de l'Institute.
Dess. au Physionotrace et Gravé par Quenedey rue neuve-des-petits-champs no.15 à Paris 1808.
Se vend chez Quenedey rue neuve-des-Petits-Champs No 15 à Paris / Dép. à la Bib. Imp.
Aquatint. 245 x 190mm (9½ x 7½"). Some minor staining.
Étienne Nicolas Méhul (1763-1817), composer influential in the development of French opera. A physionotrace is an instrument designed to trace a person's profile, invented by a Frenchman named Gilles-Louis Chrétien in 178384. Chrétien's device transmitted the tracing of the silhouette, whilst crucially also including details such as clothing, to an engraving needle via an eyepiece. Enabling the production of multiple and therefore cheap copies, the physionotrace represented a precursor to photography in making portraiture a mass phenomenon.
[Ref: 46257]   £190.00   (£228.00 incl.VAT)
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Fitzroy Gardens (1863).
Fitzroy Gardens (1863).
F. Cogné drawn & lith. Printed by Ch. Trodel.
[Melborne, Charles Trodel, 1863-4.]
Tinted lithograph with early hand colour. Printed area 320 x 375mm (11½ x 13¾") large margins.
Fitzroy Gardens, named after Sir Charles Augustus FitzRoy, governor of New South Wales, were made a public garden in 1848. From 'The Melbourne Album Containing a Series of Views of Melbourne & Country Districts'. Francois Cogné (1829 - 1883), a French artist, worked in Australia from 1856 to 1864.
Wantrup 262: 'The single most outstanding example of the urban topographical plate book produced in Australia'.
[Ref: 46163]   £360.00  
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[Melpomene distributing gifts]
[Melpomene distributing gifts] Melpomene distribuant ses dons
[after Charles Eisen]
a Paris chez Basan [c.1760]
Engraving, platemark 160 x 95mm (6¼ x 3¾") large margins.
Mythological scene after a design by Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established. These also included editions of Lucretius, Ovid, Tacitus, Virgil, Boccaccio, Ariosto, La Fontaine and Erasmus.
[Ref: 46491]   £110.00   (£132.00 incl.VAT)
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Melville Castle, Scotland.
Melville Castle, Scotland.
J.R. Hamble.
[n.d., c.1812.]
Aquatint, printed in colours and hand finished, rare. 315 x 410mm (12½ x 16"). Tear just entering plate repaired.
Melville Castle, near Dalkeith, Midlothian, showing the original tower house just prior to its demoliton for replacement by the current building, designed 1786-91 by James Playfair for Henry Dundas, 1st Viscount Melville. The castle is now a luxury hotel and wedding venue.
[Ref: 46332]   £290.00  
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The Menai.
The Menai.
Drawn by T.C. Dibdin, from an original Sketch by N. Beardmore, C.E. On Stone by W. Gauci.
[n.d., c.1840.]
Tinted lithograph, rare. Sheet: 285 x 380mm (11 x 15"). Trimmed to image.
A view of the Menai suspension bridge, built to span the Menai Strait between Anglesey and the mainland of Wales. The bridge was completed by Thomas Telford in 1826.
[Ref: 45794]   £140.00   (£168.00 incl.VAT)
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Menai Bridge.
Menai Bridge.
H. Hughes, del. G. Childs, lith.
M & N hanhart, lith, Printers. Published by W. Shone, Bangor. [n.d., c.1830.]
Lithograph, printed on india. Printed area: 220 x 280mm (8¾ x 11") very large margins.
A view of the Menai Suspension Bridge, built by Thomas Telford in 1826, which spans from Anglesey and Wales.
[Ref: 45955]   £140.00   (£168.00 incl.VAT)
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The Menai Bridge. (Over the Menai Straits).
The Menai Bridge. (Over the Menai Straits). Forming the Roads of Communication between Carnarvonshire and the Island of Anglesey.
J.C. Napper del.t and Lith.
Printed and Published by W. Pritchard._ Carnarvon. [n.d. c., 1830.]
Lithograph. Printed area: 220 x 260mm (8¾ x 10¼") very large margins.
A view of the Menai Bridge, built by Thomas Telford in 1826, between Angelsey and Wales.
[Ref: 45965]   £140.00   (£168.00 incl.VAT)
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Menai Bridge.
Menai Bridge.
W. Crane.
[n.d., c.1830.]
Lithograph, rare. Sheet: 240 x 340mm (9½ x 13½") large margins.
A view of the Menai Bridge, built by Thomas Telford in 1826, between Angelsey and Wales.
[Ref: 45968]   £140.00   (£168.00 incl.VAT)
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Entrance of the Menai Bridge. From the Carnavon Shore.
Entrance of the Menai Bridge. From the Carnavon Shore.
Drawn and Printed by W. Crane Chester.
[n.d., c.1830.]
Lithograph. Printed area: 205 x 250mm (8 x 10"). Large dusty margins.
A view of the Menai suspension bridge, built to span the Menai Strait between Anglesey and the mainland of Wales. The bridge was completed by Thomas Telford in 1826. The view looks across the bridge, showing the entrance with one figure on horseback walking onto the bridge on the left while figures exit the bridge on the right.
[Ref: 46077]   £95.00   (£114.00 incl.VAT)
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Entrance of the Menai Bridge.
Entrance of the Menai Bridge. From the Carnarvon Shore.
Drawn and Printed by W. Crane_Chester.
[n.d., c.1830.]
Lithograph. Sheet: 170 x 240mm (6¾ x 9½") very large margins. Foxing.
A view of the entrance to Thomas Telford's Menai Suspension Bridge, built in 1826 to span the Menai Strait between Anglesey and Wales.
[Ref: 46149]   £70.00   (£84.00 incl.VAT)
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Entrance of the Menai Bridge. From the Carnavon Shore.
Entrance of the Menai Bridge. From the Carnavon Shore.
Drawn and Printed by W. Crane Chester.
[n.d., c.1830.]
Lithograph. Printed area: 205 x 250mm (8 x 10"). Foxing in very large margins.
A view of the Menai suspension bridge, built to span the Menai Strait between Anglesey and the mainland of Wales. The bridge was completed by Thomas Telford in 1826. The view looks across the bridge, showing the entrance with one figure on horseback walking onto the bridge on the left while figures exit the bridge on the right.
[Ref: 45796]   £120.00   (£144.00 incl.VAT)
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The Menai Bridge. Carnarvonshire.
The Menai Bridge. Carnarvonshire.
S. Leith, Lithographer Edin.r.
Published by B. F. Lloyd & Co. for J.W. Ambrose, Bangor.
Lithograph, printed on india. Sheet: 235 x 300mm (9 x 12"). Stains and marking, tear in bottom edge into india. India paper lifting slightly.
A view of the Menai suspension bridge, built to span the Menai Strait between Anglesey and the mainland of Wales. The bridge was completed by Thomas Telford in 1826.
[Ref: 45797]   £95.00   (£114.00 incl.VAT)
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The Suspension Bridge over the Menai, Looking towards Beaumaris.
The Suspension Bridge over the Menai, Looking towards Beaumaris.
J. Fagan, del et lith.
Day & Son, Lith.rs to The Queen. [n.d., c.1840.]
Tinted lithograph. Printed area 180 x 310mm (7 x 12¼"). Foxing in margin.
The Menai Suspension Bridge, linking mainland Wales and Anglesey, was built by Thomas Telford and completed in 1826
[Ref: 46409]   £130.00   (£156.00 incl.VAT)
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[Menai Suspension Bridge.]
[Menai Suspension Bridge.]
[n.d., c.1820.]
Pencil sketch. Sheet: 215 x 335mm (8½ x 13¼").
A pencil sketch of the Menai Strait during the construction of the Menai Suspension Bridge. The bridge was built by Thomas Telford and completed in 1826, it was designed to link Wales and Anglesey
[Ref: 45970]   £110.00   (£132.00 incl.VAT)
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The Tlaxpana Fountain, Avenue of San Cosme.
The Tlaxpana Fountain, Avenue of San Cosme. México Y Sus Alrededores.
C. Castro y J. Campillo del. y lito. México, Litog. de Decaen, Portal del Coliseo Viejo.
Propiedad del editor. [n.d., c.1856.]
Tinted lithograph. Sheet: 295 x 430mm (11¾ x 17"). Repaired tear in right edge.
A view of the Tlaxpana Fountain in Mexico city. A plate from 'Mexico y Sus Alrededores. Coleccion de Monumentos, Trajes y Paisajes Dibujados al Natural y Lithografiados por los Artistas Mexicanos', published in Mexico City in 1855-1856 and primarily the work of Mexican artist Casimiro Castro. Title in English, Spanish and French.
[Ref: 46670]   £260.00  
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The Bucareli Promenade.
The Bucareli Promenade. México Y Sus Alrededores.
C. Castro y J. Campillo del. y lito. México, Litog. de Decaen, Portal del Coliseo Viejo.
Propiedad del editor. [n.d., c.1856.]
Tinted lithograph. Sheet: 295 x 430mm (11¾ x 17").
A view of the Paseo de Bucareli in Mexico City. A plate from 'Mexico y Sus Alrededores. Coleccion de Monumentos, Trajes y Paisajes Dibujados al Natural y Lithografiados por los Artistas Mexicanos', published in Mexico City in 1855-1856 and primarily the work of Mexican artist Casimiro Castro. Title in English, Spanish and French.
[Ref: 46672]   £290.00  
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Cathedral of Mexico.
Cathedral of Mexico. México Y Sus Alrededores.
C. Castro y J. Campillo del. y lito. México, Litog. de Decaen, Portal del Coliseo Viejo.
Propiedad del editor. [n.d., c.1856.]
Tinted lithograph. Sheet: 295 x 430mm (11¾ x 17").
A view of the Metropolitan Cathedral in Mexico City built between 1573-1813. A plate from 'Mexico y Sus Alrededores. Coleccion de Monumentos, Trajes y Paisajes Dibujados al Natural y Lithografiados por los Artistas Mexicanos', published in Mexico City in 1855-1856 and primarily the work of Mexican artist Casimiro Castro. Title in English, Spanish and French.
[Ref: 46673]   £280.00  
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G. Meyerbeer.
G. Meyerbeer.
Kriehuber 847. Gebr. bei J. Höfelich.
Eignethum und Verlag von Pietro Machetti qm. Carlo in Wein. Kais. König. Hof-Kunst und Musikalienhandlunig. Paris bei Brandus & C.ie. London bei Cramer, Beale & C.ie. Mailand bei Joh. Ricordi. [n.d., c.1847.]
Lithograph. Sheet: 620 x 445mm (24½ x 17½") very large margins.
A seated portrait of German composer Giacomo Meyerbeer (1791-1864) one of the most successful theatrical composers of the nineteenth century.
[Ref: 46496]   £420.00  
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[Frontispiece to the 'Miscellanea Curiosa' (Decuria II, Annus VII]
[Frontispiece to the 'Miscellanea Curiosa' (Decuria II, Annus VII]
[c.1689]
Engraving, rare, sheet 185 x 145mm (7¼ x 5¾"). Trimmed to platemark; glued to backing sheet.
Frontispiece to a volume of the 'Miscellanea Curiosa' published by the German learned society Academia Natarae Curiosorum (which became known by its present name, the Leopoldina, around the time this print was published). The Miscellanea Curiosa was one of the earliest scientific journals and had a particular focus on medicine and other aspects of natural philosophy.
[Ref: 46518]   £260.00  
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[Miser counting money- illustration to Erasmus' 'In Praise of Folly'?]
[Miser counting money- illustration to Erasmus' 'In Praise of Folly'?]
C. Eisen Inv. Gravé à l'eau forte par N. Lemire, et retouché au burin par A. Pincio. [c.1760]
Engraving, platemark 135 x 85mm (5¼ x 3¼") large margins. 'Eloge de la Folie' in ms lower left.
Book illustration after Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established. These also included editions of Lucretius, Ovid, Tacitus, Virgil, Boccaccio, Ariosto, La Fontaine and Erasmus.
[Ref: 46497]   £160.00   (£192.00 incl.VAT)
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View on the Upper Mitta Mitta.
View on the Upper Mitta Mitta.
From an Oil Painting by E.von Guerrard, the Property of F. Kawerau Esq.r.
Published by Charles Troedel, Melbourne Album Office, 73 Collins St, East. [c.1864.]
Tinted lithograph with early hand colour. Printed area 320 x 375mm (11½ x 13¾") large margins.
A view of the Mitta Mitta River, a tributary of the Murray, near its headwaters in the Victorian Alps. An aborigine is spear-fishing. The Austrian artist Eugene von Guérard (1811-1901) arrived in Australia in 1852 to try his fortune in the goldfields. While failing as a miner he made sketches of the fields, and found he could make a living as a painter. By the early 1860s von Guérard was recognised as the foremost landscape artist in the colonies and in 1870 he was appointed as the first Master of the School of Painting at the National Gallery of Victoria. He returned to Europe in 1882, lost his fortune in the Australian Bank Crash of 1893, and lived in poverty until his death in London in 1901. From 'The Melbourne Album Containing a Series of Views of Melbourne & Country Districts'.
Wantrup 262: 'The single most outstanding example of the urban topographical plate book produced in Australia'.
[Ref: 46164]   £240.00  
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The Modern Janus or the true reason why the Christian Religion suffers more from its pretended friends, then real Enemies.
The Modern Janus or the true reason why the Christian Religion suffers more from its pretended friends, then real Enemies.
J.R.C fecit.
Pub.d Dec.r 1819 by S.W. Fores 50 Piccadilly.
Hand-coloured etching. Plate: 245 x 350mm (9¾ x 13¾"). Laid on album sheet.
A satirical print showing Rev. C. Wicksted Ethelston shown twice, on the left he is shown in clerical dress while on the right he is shown as a clerical magistrate. The satire relates to the fact that on 7 July Sidmouth, the Home Secretary, sent a circular to the Lord-Lieutenants of counties in which disturbances had occurred calling upon them to adopt all measures necessary for the preservation of order, to place themselves in communication with the magistrates, and to keep the yeomanry in readiness.
BM Satire 13282.
[Ref: 46686]   £160.00   (£192.00 incl.VAT)
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Le Mont blanc
Le Mont blanc Vu du Sommet du grand Saleve.
S. Morel M.d d'estampes à Genève.
Imp. Lemercier, Paris [c.1850]
Tinted lithograph, printed area 105 x 120mm (4 x 4¾").
Mont blanc seen from the Salève. Probably published in 'Chamonix et Ses Environs', one of Morel's 'Souvenirs de la Suisse' series, which contained 23 tinted lithographic views by Morel, Mottu, Linck and others.
[Ref: 46116]   £110.00   (£132.00 incl.VAT)
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Le grand quai et le Pont du mont blanc à Genève
Le grand quai et le Pont du mont blanc à Genève
Briquet et fils à Genève. A.d Cuvillier lith.
[n.d., c.1850.]
Lithograph printed in colour, printed area 105 x 120mm (4 x 4¾") large margins.
View of Geneva, Switzerland from the north, with the Ile Rousseau on the right and the Pont du Mont-Blanc crossing the Rhone.
[Ref: 46110]   £120.00   (£144.00 incl.VAT)
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Le Mont Cassin.
Le Mont Cassin.
Dessiné sur les lieux par Mr. de la Salle.
A Paris Chez le Sr. de Fer dans l'Isle du Palais a la Sphere Royale avec privil. du Roy. 1705.
A rare engraving. Plate: 240 x 335mm (9½ x 13¼") with very large margins.
An early eighteenth century view of the abbey of St Benedict of Nursia at Monte Cassino in Italy in which the mountains, roads, buildings and nearby towns are labelled. The print is taken from a drawing made on the spot by a Mr. de la Salle. A description in French below the image describes the terrain, towns, villages and details of the abbey.
[Ref: 46295]   £280.00  
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The method of mixing Clay for Bricks. The particular manner of Killing Bullocks. And the Female Missionary House appointed by the French for their reception neare Monte Video.
The method of mixing Clay for Bricks. The particular manner of Killing Bullocks. And the Female Missionary House appointed by the French for their reception neare Monte Video.
[n.d., c.1800.]
Engraving. Plate: 110 x 175mm (4¼ x 7") large margins.
A view in South America showing the use of horses for making clay, the manner in which cows are killed for beef and a missionary house. An illustration from 'A visible display of divine providence' by William Gregory which tells the tale of the ill fated missionary ship Duff which got captured by a French privateer and then the Portuguese.
[Ref: 46308]   £70.00   (£84.00 incl.VAT)
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Montreal, Canada
Montreal, Canada
Rock & Co., London [c.1850]
Steel engraving, sheet 120 x 185mm (4¾ x 7½").
View of Montreal from the busy Saint Lawrence river.
[Ref: 46018]   £65.00   (£78.00 incl.VAT)
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Morning. [&] Evening.
Morning. [&] Evening. From a picture in the possession of Frederick Perkins Esq. Gems of Art _ Plate 22 [& 22]..
Painted by Richard Wilson, R.A. Engraved by S.W. Reynolds, Engraver to the King.
[London. Published Dec 1. 1823: by W.B. Cooke, 9 Soho Square.]
Pair of mezzotints on steel. Each 210 x 275mm (8¼ x 10¾) very large margins. Some spotting.
A pair of Romanesque landscapes from 'Gems of Art: Forming a Choice Collection Engraved from Pictures of Acknowledged Excellence, Beauty, & Variety, Painted by Esteemed Masters of All Ages and Countries'.
Whitman 463 & 464, but this state, with different plate numbers and lacking the publication line, not listed.
[Ref: 46350]   £65.00   (£78.00 incl.VAT) view all images for this item
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[Mountaineer and turkish dog on the St Bernard Pass]
[Mountaineer and turkish dog on the St Bernard Pass] Le Maronier et le chien turc du grand St. Bernard à la déciyverte
Publié p.r J.P. Lamy à Basle, Berne, Lausanne, Genève. [c.1830]
Aquatint printed in black and sepia, platemark 180 x 200mm (7 x 8") very large margins.
[Ref: 46109]   £110.00   (£132.00 incl.VAT)
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Within the Trunk of this Venerable Oak (according to Welch tradition) the body of Howel Sele, a Powerful Chieftain, residing at Nannau, in Merionethshire, was immured, by order of his rival Owen Glyndwr.-See Pennant, Vol.I. p.348.
Within the Trunk of this Venerable Oak (according to Welch tradition) the body of Howel Sele, a Powerful Chieftain, residing at Nannau, in Merionethshire, was immured, by order of his rival Owen Glyndwr.-See Pennant, Vol.I. p.348. See Pennant, Vol.I. p.348. The Original Sketch from which this etching is made, was drawn from nature on the 27th. Day of July, 1813, by Sir Richard Colt Hoare, Bart. And on the same night, this aged tree fell to the ground. It was situated within the kitchen garden walls of Sir Robert Williams Vaughan, Bart. At Nannau, near Dolgelle.
G. Cuitt 1817.
Engraving with large margins, etching on india with separate title plate Image plate 330 x 265mm (13 x 10½") very large margins, title 75 x 265mm (3 x 10½").
The Nannau Oak in Merionethshire (now Gwynedd). According to legend, Howel Sele, Lord of Nannau, attempted to kill his cousin, Owen Glyndwr. Saved by armour under his clothes, Owen had Howel killed and secretly hidden in the hollow of the oak, where his skeleton was found forty years later. The tree had a bad reputation and was known as 'The Hollow Oak of the Demons' (Derwen Ceubren yr Ellyll). According to Pennant it was 400 years old and twenty-eight feet in circumference. A sundial with an inscription marks the spot it once stood at Nannau House.
[Ref: 46407]   £240.00  
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Nap nearly Nab'd or a Retreating Jump Just in Time,
Nap nearly Nab'd or a Retreating Jump Just in Time, Never did trusty squire with knight or knight with squire, e'er jump more right. Plate 7. vide Bonys Russian Campaign.
[Charles Williams.]
Pub.d June 1813 by Tho.s Tegg No. 11 Cheapside_ Price One sh.r col.d.
Hand-coloured etching. Plate: 240 x 350mm (9½ x 13¾") large margins. Slight staining on left bottom.
A satirical scene from a series relating to Napoleon and the Russian Campaign. Napoleon is depicted leaping from a window of a farm house, behind him a French general prepares to jump while in the distance a group of Russian cossacks arrive on horseback.
BM Satire 12058.
[Ref: 46614]   £260.00  
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Esta table del Nacimiento, que pintó en Roma el Caballero Mengs,
Esta table del Nacimiento, que pintó en Roma el Caballero Mengs, y está en el Real Palacio de Madrid, tiene de alto ocho pies de rey y seis de ancho.
Ant. Raph. Mengs pinxit. Raphael Morghen sculp. Romae.
[n.d., 1780.]
Engraving, fine. 600 x 410mm (23½ x 16") large margins Mounted on album paper at edges.
The Nativity, with the shepherds approaching Mary and Jesus.
[Ref: 46267]   £290.00  
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[Battle of Navarino.]
[Battle of Navarino.] Plate 4.
Published by Colnaghi & Son, Pall Mall East, January 18th 1828.
Lithograph. Sheet: 280 x 410mm (11 x 16"). Slight foxing and tear to top edge.
Plate 4 of George Philip Reinagle's series of 12 plates 'Illustrations of the Battle of Navarin' 1828. Beneath the image the various ships are listed including Genoa, Capitana Bey's Ship, Asia, Hind, and Mocharem Bey's Ship. The Battle of Navarino was a naval battle fought during the Greek War of Independence between the allied forces of France, Russia and the United Kingdom and the Ottoman Empire.
[Ref: 46431]   £190.00   (£228.00 incl.VAT)
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[Battle of Navarino.]
[Battle of Navarino.] Plate 5.
Printed by C. Hullmandel.
Published by Colnaghi & Son, Pall Mall East, January 18th 1828.
Lithograph. Sheet: 280 x 410mm (11 x 16"). Slight foxing and tears in edges. Small hole in plate.
Plate 5 of George Philip Reinagle's series of 12 plates 'Illustrations of the Battle of Navarin' 1828. Beneath the image the various ships are listed including Turkish, Genoa under Commodore Bathurst. The Battle of Navarino was a naval battle fought during the Greek War of Independence between the allied forces of France, Russia and the United Kingdom and the Ottoman Empire.
[Ref: 46432]   £190.00   (£228.00 incl.VAT)
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[Battle of Navarino.]
[Battle of Navarino.] Plate 2.
Printed by C. Hullmandel.
Published by Colnaghi & Son, Pall Mall East, January 18th 1828.
Lithograph. Sheet: 280 x 410mm (11 x 16"). Slight foxing.
Plate 2 of George Philip Reinagle's series of 12 plates 'Illustrations of the Battle of Navarin' 1828. Beneath the image the various ships are listed including Dartmouth, Scipion, Rose and Brisk. The Battle of Navarino was a naval battle fought during the Greek War of Independence between the allied forces of France, Russia and the United Kingdom and the Ottoman Empire.
[Ref: 46433]   £230.00  
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Manning the Navy [&] Ancient Modes of Manning the Navy
Manning the Navy [&] Ancient Modes of Manning the Navy Engraved for the Carlton House Magazine.
[Published by W. & J. Stratford (?), 1794]
Two engravings, each platemark approx. 180 x 115mm (6¾ x 4¼"). Small margins.
Two prints published in the 'Carlton House Magazine', reissuing (in two parts) a print first published in the 'Attic Miscellany' in 1790 (see BM Satires 7753), showing a press-gang at work on Tower Hill (the Tower of London and ships on the Thames can be seen in the background). Press warrants were issued in May 1790 on account of naval preparations against Spain.
BM Satires 8447 (Manning the Navy); 8501 (Ancient Modes).
[Ref: 45863]   £110.00   (£132.00 incl.VAT)
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Negumbo.
Negumbo.
[John & Awnsham Churchill.]
[Henry Lintot & John Osborne, 1744.]
Engraving. Plate: 290 x 365mm (11½ x 14½"), very large margins. Vertical folds as normal, repaired tear in bottom edge into plate.
A plan of the town of Negumbo on the west coast of Sri Lanka, showing the fortifications and harbour. From 'A Collection of Voyages and Travels' by John and Awnsham Churchill having been used previously in Philip Baldaeus's 'Description of Malabar and Coromandel and also the Island of Ceylon' in 1672.
[Ref: 46288]   £240.00  
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Louise Neumann.
Louise Neumann. K.K. Hofschaupielerin.
Kriehuber. Gedr. bei Joh. Höfelich.
Eignethum und Verlag von Pietro Machetti qm. Carlo in Wein. Kais. König. Hof-Kunst und Musikalienhandlunig.
Lithograph, printed on india. Sheet: 570 x 365mm (22½ x 14½") very large margins.
A half-length, seated portrait of Austrian actress Louise Neumann (1818-1905).
[Ref: 46494]   £280.00  
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A New Mode, of Presenting Two Addresses at once.
A New Mode, of Presenting Two Addresses at once. When Scenes of Affliction, of Sorrow and Pain, / Affect our dear Relatives, Neighbours, or Friends [...]
[by Charles Williams]
Pub.d Feb.y 1818 by S.W. Fores No 50 Piccadilly
Etching with hand-colouring, platemark 250 x 350mm (9¾ x 13¾") large margins. Paper watermarked '1816'.
Satire on Queen Charlotte's response to the death of Princess Charlotte Augusta of Wales in 1817. Queen Charlotte (right) was in Bath at the time, and received the address of the Bath Corporation (to which she attends here with avid attention) at almost the same time as news of Princess Charlotte's death. A messenger (centre) delivers both pieces of news, Queen Charlotte taking the former and Princess Charlotte's husband Leopold I of Belgium responding to the latter. Etching by Charles Williams (1797 - 1830, fl.), prolific etcher of satires from his own designs and those of other artists (especially Woodward). Almost all his plates are anonymous and little work has been done to establish for certain which prints he made. As a result Williams is little-known in comparison with contemporaries such as Rowlandson and Gillray in spite of the comparable quality of some of his work.
BM Satires 12984.
[Ref: 46559]   £230.00  
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A Nice Lady or An Incomparable !!!!
A Nice Lady or An Incomparable !!!!
Cruikshank fec.t.
Pub.d Oct.r 20.th 1813 by S.W. Fores 50 Picadilly.
Hand-coloured etching. Sheet: 345 x 220mm (13½ x 8½"). Trimmed to image. Sky area bit messy.
A comic portrait of a grotesque woman, each element of her outfit is labelled her dress is predominantly made up of fish and food. Behind her is a sign saying 'Beware of Men Traps'.
BM Satire 13057.
[Ref: 46611]   £240.00  
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The Night Mayor_or Magistratical Vigilance.
The Night Mayor_or Magistratical Vigilance.
Pub.d Nov.r 9.th 1816 by Thos. Tegg 111 Cheapside.
Hand-coloured etching. Watermark 1816. Plate: 245 x 350mm (9¾ x 13¾"). Large margins on 3 sides.
A satirical scene set in a cellar, the Mayor, Sir Matthew Wood, followed by two constables descend the stairs to the alarm of many of the occupants of the room. A watchman, who hasn't noticed the constables lifts his glass of gin in a toast.
BM Satire 12816.
[Ref: 46612]   £280.00  
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A Machine Used for Watering the Land's in Noria.
A Machine Used for Watering the Land's in Noria.
Drawn on Stone by N. Chater & Co.
Printed & Published by N. Chater & Co. 33 Fleet Street, Aug.t 1. 1823.
Lithograph, printed on india. Printed area: 155 x 220mm (6 x 8¾"). Marking.
A view of a machine driven by a horse, while two women collect water in jugs and a man quenches his thirst.
[Ref: 46075]   £75.00   (£90.00 incl.VAT)
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A View of Northfleet, in the County of Kent.
A View of Northfleet, in the County of Kent.
Printed for Carrington Bowles, Map & Printseller, No.69 in S.t Pauls Church Yard, London. Publish'd 2.d March, 1773.
Engraving. Sheet:175 x 275mm (7 x 10¾"). Trimmed.
A view of Northfleet on the river Thames.
[Ref: 45939]   £130.00   (£156.00 incl.VAT)
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Norwich Castle.
Norwich Castle. South Front in Length 95 feet, West Front in Length 90 feet, Height to top of Battlement 69 feet [...]
Drawn by D. Hodgson. On Stone by M. Gauci.
Published by John Stacy, Old Haymarket Norwich & Charles Tilt, 86 Fleet Street London. Printed by Graf & Soret [c/1840]
Lithograph, printed area 235 x 270mm (9¼ x 10½") very large margins. Uncut.
Busy view of Norwich Castle, with horse-and-carts in foreground. Lithograph after a drawing by David Hodgson (1798-1864), Norwich printmaker and painter of architecture and landscapes.
[Ref: 45865]   £180.00   (£216.00 incl.VAT)
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The Great Hall of the Polytechnic Exhibition, Norwich.
The Great Hall of the Polytechnic Exhibition, Norwich. Subscribers Proof.
Norwich: Published January 21, 1841, by Joseph Dallinger Sen.r Engraver, &c. 16, Davey Place.
Engraving on india, rare, platemark 260 x 310mm (10¼ x 12¼"). Very large margins.
View of the central gallery of the 1840 Polytechnic Exhibition in Norwich, including machinery (the publisher of this print Joseph Dallinger is represented), flags, and miniature trains and boats.
[Ref: 45866]   £160.00   (£192.00 incl.VAT)
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