A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
The Right Hon.ble Will.m Pitt.
[Engraved by Charles Turner? after Sir Thomas Lawrence?]
Cambridge, Publish'd Feb.y 28, 1814, by W.D. Jones, at his Repository of Arts, Market Hill.
Mezzotint, top edge of inscription area uncleaned. 510 x 355mm (20 x 14").
Three quarter portrait of William Pitt the younger, dressed in a dark jacket, hand resting on a table. Whitman cites an example with a pencil annotation, ''Plate destroyed only 6 impressions taken off''. He questions the attribution to Turner. It also differs from the similar Lawrence portrait in the Royal Collection at Windsor.
Whitman 434. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66494] £320.00
[Engraved by Charles Turner? after Sir Thomas Lawrence?]
Cambridge, Publish'd Feb.y 28, 1814, by W.D. Jones, at his Repository of Arts, Market Hill.
Mezzotint, top edge of inscription area uncleaned. 510 x 355mm (20 x 14").
Three quarter portrait of William Pitt the younger, dressed in a dark jacket, hand resting on a table. Whitman cites an example with a pencil annotation, ''Plate destroyed only 6 impressions taken off''. He questions the attribution to Turner. It also differs from the similar Lawrence portrait in the Royal Collection at Windsor.
Whitman 434. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66494] £320.00
The Right Honourable William Pitt, Chancellor of the Exchequer, first Lord of the Treasury etc.
Painted by Ant: Hickel. Engraved by J.G. Huck.
[n.d., c.1793.]
Rare mezzotint. 495 x 385mm (19½ x 15¼"). Thread margin at bottom, small tear in right margin.
A three-quarter portrait of William Pitt the Younger (1759-1806), seated at a desk with papers and books.
Ex: Collection of The Hon. C. Lennox-Boyd, his state ii of ii.
[Ref: 66650] £420.00
Painted by Ant: Hickel. Engraved by J.G. Huck.
[n.d., c.1793.]
Rare mezzotint. 495 x 385mm (19½ x 15¼"). Thread margin at bottom, small tear in right margin.
A three-quarter portrait of William Pitt the Younger (1759-1806), seated at a desk with papers and books.
Ex: Collection of The Hon. C. Lennox-Boyd, his state ii of ii.
[Ref: 66650] £420.00
![[John Playford.]](jpegs/67031.jpg)
[John Playford.] Johannis Playford Effigies.
F.H.Van Hove Sculp.
[n.d., c.1690.]
Engraving. 140 x 95mm (5½ x 3¾"). Trimmed and backed onto album paper. Some time staining. Small margins.
Portrait of John Playford (1623 - 1686), London bookseller, publisher, minor composer and member of the Stationers' Company. He published books on music theory, instruction books for several instruments and psalters with tunes for singing in churches. Frontispiece to Playford's 'A Brief Introduction to the Skill of Music'.
[Ref: 67031] £140.00 (£168.00 incl.VAT)
F.H.Van Hove Sculp.
[n.d., c.1690.]
Engraving. 140 x 95mm (5½ x 3¾"). Trimmed and backed onto album paper. Some time staining. Small margins.
Portrait of John Playford (1623 - 1686), London bookseller, publisher, minor composer and member of the Stationers' Company. He published books on music theory, instruction books for several instruments and psalters with tunes for singing in churches. Frontispiece to Playford's 'A Brief Introduction to the Skill of Music'.
[Ref: 67031] £140.00 (£168.00 incl.VAT)
Political Hits N.o 19. A Well Stocked Nursery; Or The Promised Of Twelve Years' Growth. "Comic Events Cast Their Shadows Before."
Printed by W. Kohler, Denmark S.t.
London: W. Spooner, 377, Strand. [n.d. c.1850]
Rare lithograph, sheet 305 x 400mm (12 x 15¾").
A scene in a chaotic nursery. A man enters the door holding a note (presumably the Prime Minister at the time). Queen Victoria (1819-1901) tends to three small children saying, "Her M-j-y promises a Stock as numerous as her Royal Grandmother Ch-tte gave to a delightful Nation." While Prince Albert (1819-61) is on all fours giving Albert Edward Prince of Wales (1841–1910) a donkey ride who shouts, "Come, dear Papa you know a great French King used to let his sons ride on his back - and I am nothing like so heavy as I shall be in a few more years when our dear kind friend John Bull will have to bear me!"
[Ref: 66786] £160.00 (£192.00 incl.VAT)
Printed by W. Kohler, Denmark S.t.
London: W. Spooner, 377, Strand. [n.d. c.1850]
Rare lithograph, sheet 305 x 400mm (12 x 15¾").
A scene in a chaotic nursery. A man enters the door holding a note (presumably the Prime Minister at the time). Queen Victoria (1819-1901) tends to three small children saying, "Her M-j-y promises a Stock as numerous as her Royal Grandmother Ch-tte gave to a delightful Nation." While Prince Albert (1819-61) is on all fours giving Albert Edward Prince of Wales (1841–1910) a donkey ride who shouts, "Come, dear Papa you know a great French King used to let his sons ride on his back - and I am nothing like so heavy as I shall be in a few more years when our dear kind friend John Bull will have to bear me!"
[Ref: 66786] £160.00 (£192.00 incl.VAT)
Political Hits N.o 45. The New Regulation Infantry Hat; Or Prince Albert's Own.
Printed by W. Kohler, 22, Denmark S.t.
London: Published by W. Spooner, 377, Strand. [n.d. c.1844]
Rare lithograph, sheet 295 x 440mm (11½ x 17¼"), large margins.
Satire on the invention of the Albert Shako. Prince Albert (1819-61) stands with Queen Victoria (1819-1901) and the Duke of Wellington (1769-1852) showing off the his new hat design on the 11th Hussars. The infant Prince of Wales marches in front of the line of infantrymen.
[Ref: 66783] £160.00 (£192.00 incl.VAT)
Printed by W. Kohler, 22, Denmark S.t.
London: Published by W. Spooner, 377, Strand. [n.d. c.1844]
Rare lithograph, sheet 295 x 440mm (11½ x 17¼"), large margins.
Satire on the invention of the Albert Shako. Prince Albert (1819-61) stands with Queen Victoria (1819-1901) and the Duke of Wellington (1769-1852) showing off the his new hat design on the 11th Hussars. The infant Prince of Wales marches in front of the line of infantrymen.
[Ref: 66783] £160.00 (£192.00 incl.VAT)
Pompei. Maison de Diomede.
Dessine d'apres nature et lith par Ph Benoist. Imp Lemercier a Paris.
[c.1850.] Paris, Bulla Editeur 18, rue Tiquetonne et (Mon.Aumont) Francois Delarue, Succ rue JJ Rousseau, 10.
Coloured lithograph. Sheet 375 x 290mm (14¾ x 11½").
A view of the Villa of Diomedes, an ancient Roman villa near Pompeii, Italy. The villa is located just outside the city walls of Pompei, at the Via dei Sepolcri to the Gate of Herculaneum. It was excavated by Francesco La Vega from 1771 to 1774 and named after Marcus Arrius Diomedes, whose grave is opposite the entrance to the villa, though it is not clear that it was his villa
[Ref: 66692] £90.00 (£108.00 incl.VAT)
Dessine d'apres nature et lith par Ph Benoist. Imp Lemercier a Paris.
[c.1850.] Paris, Bulla Editeur 18, rue Tiquetonne et (Mon.Aumont) Francois Delarue, Succ rue JJ Rousseau, 10.
Coloured lithograph. Sheet 375 x 290mm (14¾ x 11½").
A view of the Villa of Diomedes, an ancient Roman villa near Pompeii, Italy. The villa is located just outside the city walls of Pompei, at the Via dei Sepolcri to the Gate of Herculaneum. It was excavated by Francesco La Vega from 1771 to 1774 and named after Marcus Arrius Diomedes, whose grave is opposite the entrance to the villa, though it is not clear that it was his villa
[Ref: 66692] £90.00 (£108.00 incl.VAT)
Over Population.
George Cruikshank.
[n.d., c.1851.]
Etching. Sheet 155 x 95mm (6 x 3¾"). Trimmed and backed onto album paper.
A satirical scene depicting overpopulated streets in London. Masses of people can be seen crowded, sitting on rooftops and on streets which float along the river on top of boats with street names such as 'Boat Street'. On top of the bridge named 'New Bridge Street, are streets and buildings. Above the bridge are 'Balloon Buildings' and below are 'Suspended Villas', demonstrating the mass overpopulation.
[Ref: 66860] £160.00 (£192.00 incl.VAT)
George Cruikshank.
[n.d., c.1851.]
Etching. Sheet 155 x 95mm (6 x 3¾"). Trimmed and backed onto album paper.
A satirical scene depicting overpopulated streets in London. Masses of people can be seen crowded, sitting on rooftops and on streets which float along the river on top of boats with street names such as 'Boat Street'. On top of the bridge named 'New Bridge Street, are streets and buildings. Above the bridge are 'Balloon Buildings' and below are 'Suspended Villas', demonstrating the mass overpopulation.
[Ref: 66860] £160.00 (£192.00 incl.VAT)
Wales.
Drawn by R.K. Porter. Engraved by W. Barnard.
Pub.d March 12 1800 by W. Barnard, No. 1 Fitzroy Street, Fitzroy Square London.
Mezzotint with hand colour. Sheet 435 x 395mm (17 x 15½"). Trimmed, spotted and scuffed.
A young girl knits outside a cottage, sitting on an upturned basket, watched by a cat. Behind, in a mountainous landscape, are two goats. One of a set of four allegories of the four nations that became the United Kingdom later in the month of publication. The title is hidden within the cartouche at bottom.
Ex Collection of the Hon. Christopher Lennox Boyd.
[Ref: 66626] £280.00 (£336.00 incl.VAT)
Drawn by R.K. Porter. Engraved by W. Barnard.
Pub.d March 12 1800 by W. Barnard, No. 1 Fitzroy Street, Fitzroy Square London.
Mezzotint with hand colour. Sheet 435 x 395mm (17 x 15½"). Trimmed, spotted and scuffed.
A young girl knits outside a cottage, sitting on an upturned basket, watched by a cat. Behind, in a mountainous landscape, are two goats. One of a set of four allegories of the four nations that became the United Kingdom later in the month of publication. The title is hidden within the cartouche at bottom.
Ex Collection of the Hon. Christopher Lennox Boyd.
[Ref: 66626] £280.00 (£336.00 incl.VAT)
Mrs Sarah Porter Queen of the Touters at Tunbridge Wells.
Vander Smissen Pinxit. [engraved by William Pether.]
[n.d., c.1750.]
Scarce mezzotint, 335 x 250mm (13¼ x 10"), with large margins. Tears to edges of margins.
An oval portrait of an old woman, ledger with 'Ladies' Subscriptions', quill and ink. When Richard ‘Beau’ Nash became Master of Ceremonies at Tunbridge Wells Assembly Rooms in 1735, he employed Sarah Porter to assist in touting or enlisting subscribers. She would greet visitors at the door of the ballroom is if she knew them, enquiring after a relative, before asking them to pay a subscription: if they refused, she would shadow them around the room, ledger and quill in hand, until they gave in and paid up. However rude people became Sarah never responded in kind. She continued in the role until 1762.
CS 27.
[Ref: 66887] £260.00 (£312.00 incl.VAT)
Vander Smissen Pinxit. [engraved by William Pether.]
[n.d., c.1750.]
Scarce mezzotint, 335 x 250mm (13¼ x 10"), with large margins. Tears to edges of margins.
An oval portrait of an old woman, ledger with 'Ladies' Subscriptions', quill and ink. When Richard ‘Beau’ Nash became Master of Ceremonies at Tunbridge Wells Assembly Rooms in 1735, he employed Sarah Porter to assist in touting or enlisting subscribers. She would greet visitors at the door of the ballroom is if she knew them, enquiring after a relative, before asking them to pay a subscription: if they refused, she would shadow them around the room, ledger and quill in hand, until they gave in and paid up. However rude people became Sarah never responded in kind. She continued in the role until 1762.
CS 27.
[Ref: 66887] £260.00 (£312.00 incl.VAT)
The Right Revd. Beilby Porteus, D.D. Lord Bishop of London. From an Original Picture in the Possession of Thomas Porteus Esq.e. Proof.
Painted by J. Hopner Esq.re R.A. Engraved by S.W. Reynolds, Bayswater.
[n.d., c.1820.]
Small margins.
A half length portrait of Beilby Porteus (1731-1809), in wig, dark coat and hat. Chaplain to King George III (1769), Bishop of Chester (1777) & Bishop of London (1787 until his death). He was the first Anglican in a position of authority to seriously challenge the Church's position on slavery.
Not in Whitman. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66951] £180.00 (£216.00 incl.VAT)
Painted by J. Hopner Esq.re R.A. Engraved by S.W. Reynolds, Bayswater.
[n.d., c.1820.]
Small margins.
A half length portrait of Beilby Porteus (1731-1809), in wig, dark coat and hat. Chaplain to King George III (1769), Bishop of Chester (1777) & Bishop of London (1787 until his death). He was the first Anglican in a position of authority to seriously challenge the Church's position on slavery.
Not in Whitman. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66951] £180.00 (£216.00 incl.VAT)
His Excellency Peter John Potemkin Ambass.or Extraordinary from the Czar of Moscovy to his Ma.tie of great Brittain. 1682.
G. Kneller pinx. AB [Abraham Blooteling] fe:
[n.d., c.1682.]
Scarce mezzotint, fine impression. Sheet 190 x 140mm (7½ x 5½"). Trimmed to platemark.
A portrait of Russian diplomat Pyotr Ivanovich Potemkin (1617-1700) who served as ambassador in Europe for Tsars Alexis I and Feodor III.
CS p.69.
[Ref: 66811] £380.00
G. Kneller pinx. AB [Abraham Blooteling] fe:
[n.d., c.1682.]
Scarce mezzotint, fine impression. Sheet 190 x 140mm (7½ x 5½"). Trimmed to platemark.
A portrait of Russian diplomat Pyotr Ivanovich Potemkin (1617-1700) who served as ambassador in Europe for Tsars Alexis I and Feodor III.
CS p.69.
[Ref: 66811] £380.00
![[Randall's Park, Leatherhead] S.E. View of the Mansion.](jpegs/66886.jpg)
[Randall's Park, Leatherhead] S.E. View of the Mansion.
[n.d., c.1830.]
Lithograph. Sheet 135 x 210mm (5¼ x 8¼"). Trimmed, old ink mss.
A view of a house in Leatherhead, once the seat of Nathaniel Bland, and said to be the inspiration for 'Randalls' in Jane Austen's 'Emma'.
[Ref: 66886] £160.00 (£192.00 incl.VAT)
[n.d., c.1830.]
Lithograph. Sheet 135 x 210mm (5¼ x 8¼"). Trimmed, old ink mss.
A view of a house in Leatherhead, once the seat of Nathaniel Bland, and said to be the inspiration for 'Randalls' in Jane Austen's 'Emma'.
[Ref: 66886] £160.00 (£192.00 incl.VAT)
The British Rolla I have only to say my Lords, that I am perfectly Satisfied with whatever destination my Sovereign has been graciously pleased to allot me, and that were His Majesty to call upon to serve in the Ranks as a private, I would in that subordinate station unsheath my Sword with the same chearfull alacrity and ardent Zeal as if I were call'd to the Command of the most Numerous and Gallant Army. Vide, a noble Earl's speech in the House of Lords June 20th 1803.
[Charles Williams]
Pub.d June 27.th 1803 by S W Fores N.o 50 Piccadilly. Folios of Caracatures lent out for the Evening.'
Hand coloured etching, sheet 350 x 250mm (13¾ x 9¾"). On paper watermarked, 'J Ruse.' Trimmed within plate. Two printers creases. Some light staining.
Satire on Moira's speech. Lord Moira (Rawdon) (1754-1816) , dressed as Rolla from Sheridan’s Pizarro (1799), stands in profile with his right arm outstretched and left hand resting on a short sheathed sword. His costume, a short fringed tunic with bare muscular limbs, clashes with his whiskers and small pigtail. Two bench corners suggest the setting is the House of Lords. Joseph Ruse was a 19th century paper maker at the Upper Tovil Mill in Kent, England.
BM Satires 10020.
[Ref: 66828] £280.00 (£336.00 incl.VAT)
[Charles Williams]
Pub.d June 27.th 1803 by S W Fores N.o 50 Piccadilly. Folios of Caracatures lent out for the Evening.'
Hand coloured etching, sheet 350 x 250mm (13¾ x 9¾"). On paper watermarked, 'J Ruse.' Trimmed within plate. Two printers creases. Some light staining.
Satire on Moira's speech. Lord Moira (Rawdon) (1754-1816) , dressed as Rolla from Sheridan’s Pizarro (1799), stands in profile with his right arm outstretched and left hand resting on a short sheathed sword. His costume, a short fringed tunic with bare muscular limbs, clashes with his whiskers and small pigtail. Two bench corners suggest the setting is the House of Lords. Joseph Ruse was a 19th century paper maker at the Upper Tovil Mill in Kent, England.
BM Satires 10020.
[Ref: 66828] £280.00 (£336.00 incl.VAT)
't Orgineele Schildery is in de Collectie van Heer Ketelar.
Rembrandt pinx. P. Louw fec.
te Amsterdam by P. Fouquet Junior [n.d. c. 1760]
Rare mezzotint. 315 x 215mm (12¼ x 8¼"). Thread margins.
Head and shoulders portrait of a bearded man wearing a turban.
Charrington 101 i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66468] £280.00 (£336.00 incl.VAT)
Rembrandt pinx. P. Louw fec.
te Amsterdam by P. Fouquet Junior [n.d. c. 1760]
Rare mezzotint. 315 x 215mm (12¼ x 8¼"). Thread margins.
Head and shoulders portrait of a bearded man wearing a turban.
Charrington 101 i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66468] £280.00 (£336.00 incl.VAT)
Le Retour du Matelot.
[after Louis Philippe Boitard.]
[n.d. c.1750.]
Rare engraving, 18th century watermark. 285 x 220mm (11¼ x 8¾"). Trimmed within plate, losing verse at bottom, bottom right corner torn and taped.
A sailor of the Royal Navy returns from sea, awash with prize money. He is richly dressed and gives his love gifts of money and a watch. Behind is a wagon with the Royal Standard and 'N.º 25' on the canvas. A pair to 'Adieux du Matelot'. The scene is probably referring to the return of Admiral Anson from his voyage around the world (1740-4). The siver captured from the Spanish treasure ship filled 30 wagons; each ordinary seaman received about £300 prize money, equivalent to 20 years' wages. Engraved after Louis Philippe Boitard, a French-born printmaker based in London and frequently considered one of the finest satirists of his day.
Provenance Cornwell House.
[Ref: 66744] £320.00
[after Louis Philippe Boitard.]
[n.d. c.1750.]
Rare engraving, 18th century watermark. 285 x 220mm (11¼ x 8¾"). Trimmed within plate, losing verse at bottom, bottom right corner torn and taped.
A sailor of the Royal Navy returns from sea, awash with prize money. He is richly dressed and gives his love gifts of money and a watch. Behind is a wagon with the Royal Standard and 'N.º 25' on the canvas. A pair to 'Adieux du Matelot'. The scene is probably referring to the return of Admiral Anson from his voyage around the world (1740-4). The siver captured from the Spanish treasure ship filled 30 wagons; each ordinary seaman received about £300 prize money, equivalent to 20 years' wages. Engraved after Louis Philippe Boitard, a French-born printmaker based in London and frequently considered one of the finest satirists of his day.
Provenance Cornwell House.
[Ref: 66744] £320.00
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
David Roberts R.A.
Drawn on Stone From Life by C. Baugniet, Lonodn 1844.
Day & Haghe Lith.rs to the Queen.
Lithograph on india, sheet 575 x 440mm (22¾ x 17¼"), very large margins. Some light surface dirt and foxing.
Three-quarter length portrait of David Roberts (1796-1864) holding his sketchbook whilst sat on an ancient Egyptian ruin. Frontispiece to 'The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia,' with lithographs by Louis Haghe (1806 -85) of Roberts's watercolor sketches, first published by F.G. Moon by subscription between 1842 and 1849.
[Ref: 66824] £200.00 (£240.00 incl.VAT)
Drawn on Stone From Life by C. Baugniet, Lonodn 1844.
Day & Haghe Lith.rs to the Queen.
Lithograph on india, sheet 575 x 440mm (22¾ x 17¼"), very large margins. Some light surface dirt and foxing.
Three-quarter length portrait of David Roberts (1796-1864) holding his sketchbook whilst sat on an ancient Egyptian ruin. Frontispiece to 'The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia,' with lithographs by Louis Haghe (1806 -85) of Roberts's watercolor sketches, first published by F.G. Moon by subscription between 1842 and 1849.
[Ref: 66824] £200.00 (£240.00 incl.VAT)
![[William Prowting Roberts] W.P. Roberts, Esq.r.](jpegs/66688.jpg)
[William Prowting Roberts] W.P. Roberts, Esq.r. Attorney General to the Miners Association of Great Britain.
[n.d., c.1843.]
Rare stipple engraving on steel, 290 x 180mm (11½ x 7"). Cut.
Seated portrait of William Prowting Roberts (1806-71), a Chartist whose legal work for coal miners in the 1840s earned him the nickname of the ''attorney-general''. He also helped Karl Marx in his legal affairs.
[Ref: 66688] £95.00 (£114.00 incl.VAT)
[n.d., c.1843.]
Rare stipple engraving on steel, 290 x 180mm (11½ x 7"). Cut.
Seated portrait of William Prowting Roberts (1806-71), a Chartist whose legal work for coal miners in the 1840s earned him the nickname of the ''attorney-general''. He also helped Karl Marx in his legal affairs.
[Ref: 66688] £95.00 (£114.00 incl.VAT)
![[Still life with lobster & cat.]](jpegs/66757.jpg)
[Still life with lobster & cat.]
[Robert] Robinson fecit et Ex.
[n.d., c.1690.]
Rare & scarce mezzotint. 230 x 185mm (9 x 7¼"), large margins.
A fine untitled still-life with a lobster, fish, oysters, a bowl of fruit and a prowling cat.
Provenance Cornwell House.
[Ref: 66757] £580.00
[Robert] Robinson fecit et Ex.
[n.d., c.1690.]
Rare & scarce mezzotint. 230 x 185mm (9 x 7¼"), large margins.
A fine untitled still-life with a lobster, fish, oysters, a bowl of fruit and a prowling cat.
Provenance Cornwell House.
[Ref: 66757] £580.00
![[Rosaspina's Drawing School.]](jpegs/66680.jpg)
[Rosaspina's Drawing School.]
G. Giani dis. G. Tomba inc.
[n.d., c.1800.]
Scarce engraving with etching. 320 x 425mm (12½ x 16¾"). Repaired tear top left, surface soiling.
An interior of the Accademia di Belle Arti in Bologna, with a class of students sketching seated around a table lit by lamps. Francesco Rosaspina (1762-1841) sits at the end of the table, with women only allowed to watch. The walls are filled with prints and drawings. The print was also published in 1811 by Johann Friedrich Frauenholz, with the title ''Rosapina's Zeichnungsschule''.
[Ref: 66680] £360.00
G. Giani dis. G. Tomba inc.
[n.d., c.1800.]
Scarce engraving with etching. 320 x 425mm (12½ x 16¾"). Repaired tear top left, surface soiling.
An interior of the Accademia di Belle Arti in Bologna, with a class of students sketching seated around a table lit by lamps. Francesco Rosaspina (1762-1841) sits at the end of the table, with women only allowed to watch. The walls are filled with prints and drawings. The print was also published in 1811 by Johann Friedrich Frauenholz, with the title ''Rosapina's Zeichnungsschule''.
[Ref: 66680] £360.00
Effigies Alexandri Rossaei. Anno aetatis 63.
[Engraved by P. Lombart].
[n.d. c.1653].
Engraving. Sheet 85 x 150mm (3¼ x 6"). Trimmed and backed onto album paper. Stained.
Alexander Ross (1591 - 1654) writer of many books, in English and Latin, on miscellaneous subjects including theology, history and philosophy, and of verse. From the frontispiece to his 'Pansebeia, or a View of all Religions in the World' of 1653. He is probably shown in his library at Bramshill in Hampshire, where he died.
[Ref: 67011] £60.00 (£72.00 incl.VAT)
[Engraved by P. Lombart].
[n.d. c.1653].
Engraving. Sheet 85 x 150mm (3¼ x 6"). Trimmed and backed onto album paper. Stained.
Alexander Ross (1591 - 1654) writer of many books, in English and Latin, on miscellaneous subjects including theology, history and philosophy, and of verse. From the frontispiece to his 'Pansebeia, or a View of all Religions in the World' of 1653. He is probably shown in his library at Bramshill in Hampshire, where he died.
[Ref: 67011] £60.00 (£72.00 incl.VAT)
![[Nathan Mayer Rothschild.]](jpegs/66954.jpg)
[Nathan Mayer Rothschild.]
Private Plate. Excudit June 1, 1837, by W.m Walker, 64, Margaret Street, Cavendish Square, London.
Rare mezzotint proof. 380 x 295mm (15 x 11½"). Trimmed into plate at bottom, narrow margins elsewhere.
Nathan Mayer Rothschild (1777-1836), founder of the merchant bank, N.M. Rothschild. Jewish interest.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66954] £390.00
Private Plate. Excudit June 1, 1837, by W.m Walker, 64, Margaret Street, Cavendish Square, London.
Rare mezzotint proof. 380 x 295mm (15 x 11½"). Trimmed into plate at bottom, narrow margins elsewhere.
Nathan Mayer Rothschild (1777-1836), founder of the merchant bank, N.M. Rothschild. Jewish interest.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66954] £390.00
![[Nathan Mayer Rothschild.] N. Rothschild [facsimile signature]](jpegs/66955.jpg)
[Nathan Mayer Rothschild.] N. Rothschild [facsimile signature]
Private Plate. Excudit June 1, 1837, by W.m Walker, 64, Margaret Street, Cavendish Square, London.
Rare mezzotint. 380 x 295mm (15 x 11½"). Trimmed into plate at bottom, narrow margins elsewhere.
Nathan Mayer Rothschild (1777-1836), founder of the merchant bank, N.M. Rothschild. Jewish interest.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66955] £490.00
Private Plate. Excudit June 1, 1837, by W.m Walker, 64, Margaret Street, Cavendish Square, London.
Rare mezzotint. 380 x 295mm (15 x 11½"). Trimmed into plate at bottom, narrow margins elsewhere.
Nathan Mayer Rothschild (1777-1836), founder of the merchant bank, N.M. Rothschild. Jewish interest.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66955] £490.00
The Royal Family. King William/ Queen Mary/ Prince George of Denmark/ Princess Anne of Denmark.
E.Cooper excudit. B.Lens Fecit.
[n.d., c.1700.]
Rare & fine mezzotint. 205 x 170mm (8 x 6¾"). Trimmed close to platemark, small margins.
Portraits of William III (1650-1702), reigned 1689-1702., Mary II (1662-1694), reigned with William III 1689-94, Prince George of Denmark (1653-1708), Consort of Queen Anne; son of King Frederick III of Denmark and Norway and Sophie Amalie of Brunswick-Lüneburg and Princess Anne of Denmark, later Queen Anne (1665-1714), reigned 1702-14.
CS 17.
[Ref: 66880] £280.00 (£336.00 incl.VAT)
E.Cooper excudit. B.Lens Fecit.
[n.d., c.1700.]
Rare & fine mezzotint. 205 x 170mm (8 x 6¾"). Trimmed close to platemark, small margins.
Portraits of William III (1650-1702), reigned 1689-1702., Mary II (1662-1694), reigned with William III 1689-94, Prince George of Denmark (1653-1708), Consort of Queen Anne; son of King Frederick III of Denmark and Norway and Sophie Amalie of Brunswick-Lüneburg and Princess Anne of Denmark, later Queen Anne (1665-1714), reigned 1702-14.
CS 17.
[Ref: 66880] £280.00 (£336.00 incl.VAT)
![[One of the sons of Peter Paul Rubens.]](jpegs/66888.jpg)
[One of the sons of Peter Paul Rubens.]
A. Blotelingh fecit et ex. [after Peter Paul Rubens]
[n.d., c.1680.]
Rare engraving, 17th century watermark. Sheet 270 x 210mm (10¾ x 8¼"). Trimmed.
A bust portrait of a young boy, wearing a black cap with feathers. The BM states it is after a drawing in their collection (1994,0514.40), once described as a portrait of William II of Orange by van Dyck, but now attributed to Rubens. Theories of the identity include Frans, Albert & Nikolaus Rubens, and Charles, Duke of Beaufort.
BM P,5.106.
[Ref: 66888] £160.00 (£192.00 incl.VAT)
A. Blotelingh fecit et ex. [after Peter Paul Rubens]
[n.d., c.1680.]
Rare engraving, 17th century watermark. Sheet 270 x 210mm (10¾ x 8¼"). Trimmed.
A bust portrait of a young boy, wearing a black cap with feathers. The BM states it is after a drawing in their collection (1994,0514.40), once described as a portrait of William II of Orange by van Dyck, but now attributed to Rubens. Theories of the identity include Frans, Albert & Nikolaus Rubens, and Charles, Duke of Beaufort.
BM P,5.106.
[Ref: 66888] £160.00 (£192.00 incl.VAT)
![[One of the sons of Peter Paul Rubens.]](jpegs/66892.jpg)
[One of the sons of Peter Paul Rubens.]
A. Blotelingh f. et ex. [after Peter Paul Rubens]
[n.d., c.1680.]
Rare engraving, 17th century watermark. Sheet 270 x 210mm (10¾ x 8¼"). Trimmed.
A bust portrait of a young boy, wearing a black cap. Theories of the identity include Albert & Nikolaus Rubens, and Charles, Duke of Beaufort.
BM 1917,1208.481.
[Ref: 66892] £190.00 (£228.00 incl.VAT)
A. Blotelingh f. et ex. [after Peter Paul Rubens]
[n.d., c.1680.]
Rare engraving, 17th century watermark. Sheet 270 x 210mm (10¾ x 8¼"). Trimmed.
A bust portrait of a young boy, wearing a black cap. Theories of the identity include Albert & Nikolaus Rubens, and Charles, Duke of Beaufort.
BM 1917,1208.481.
[Ref: 66892] £190.00 (£228.00 incl.VAT)
Excellentis: Dns: D: Petrus Paulus Rubenius...
W. Hollar fecit.
F. van den Wyngarde ex: [n.d., c.1650.]
Etching. Sheet 245 x 180mm (9¾ x 7"). Trimmed into image, nick in bottom edge.
A self-portrait of Peter Paul Rubens, aged 50; wearing wide-brimmed hat and slashed doublet; in an oval ornamental frame.
Pennington 1498, second state, with 'mus' of 'Excellentis:mus' removed.
[Ref: 66812] £260.00 (£312.00 incl.VAT)
W. Hollar fecit.
F. van den Wyngarde ex: [n.d., c.1650.]
Etching. Sheet 245 x 180mm (9¾ x 7"). Trimmed into image, nick in bottom edge.
A self-portrait of Peter Paul Rubens, aged 50; wearing wide-brimmed hat and slashed doublet; in an oval ornamental frame.
Pennington 1498, second state, with 'mus' of 'Excellentis:mus' removed.
[Ref: 66812] £260.00 (£312.00 incl.VAT)
Dr. William Ruddiman. Late Physician to His Highness the Nauasunt Wallayah of the Carnatic, and in the Service of the East India Company on the Coromandel Coast.
Engrav'd by Anth.y Cardon.
Printed by J. Smart, 1807.
Rare stipple engraving. Sheet 230 x 125mm (9 x 5"). Trimmed and pasted into album paper.
Portrait of William Ruddiman, Physician to Mohammad Ali Wallajah (1717-1795), Eighth Nawab of the Carnatic, whose residence Chepauk Palace in Madras (Chennai) was hospitable to many men of learning and British visitors. An Indian landscape appears in the background.
[Ref: 66793] £130.00 (£156.00 incl.VAT)
Engrav'd by Anth.y Cardon.
Printed by J. Smart, 1807.
Rare stipple engraving. Sheet 230 x 125mm (9 x 5"). Trimmed and pasted into album paper.
Portrait of William Ruddiman, Physician to Mohammad Ali Wallajah (1717-1795), Eighth Nawab of the Carnatic, whose residence Chepauk Palace in Madras (Chennai) was hospitable to many men of learning and British visitors. An Indian landscape appears in the background.
[Ref: 66793] £130.00 (£156.00 incl.VAT)
![Diaboli Partus Superba. La Superbe germeau du Diable. Hoovaerdÿe des Duyvels broersel. [Pride of the Devils Offspring]](jpegs/66768.jpg)
Diaboli Partus Superba. La Superbe germeau du Diable. Hoovaerdÿe des Duyvels broersel. [Pride of the Devils Offspring]
M. de Vos invent.
Joan Galle excud [n.d., c.1610].
Engraving. 205 x 290mm (8 x 7½"), large margins Right corners of margin missing
A satire of the pride of woman, based around the fashion of ruffs. A woman sits on a chair, her wide, ruffed collar being starched by a devilish figure with a beehive on its head, watched by an elegantly dressed gentleman. Two other monstrosities sit starching collars that they hang on sticks on the wall. In the doorway stands Death in the form of a skeleton with a scythe. Explanatory texts are placed within the image and captioned with two four-line captions in French and Dutch.
Provenance Cornwell House
[Ref: 66768] £480.00
M. de Vos invent.
Joan Galle excud [n.d., c.1610].
Engraving. 205 x 290mm (8 x 7½"), large margins Right corners of margin missing
A satire of the pride of woman, based around the fashion of ruffs. A woman sits on a chair, her wide, ruffed collar being starched by a devilish figure with a beehive on its head, watched by an elegantly dressed gentleman. Two other monstrosities sit starching collars that they hang on sticks on the wall. In the doorway stands Death in the form of a skeleton with a scythe. Explanatory texts are placed within the image and captioned with two four-line captions in French and Dutch.
Provenance Cornwell House
[Ref: 66768] £480.00
Rugby School as it appear'd in the Year 1809, Is by Permission respectfully dedicated to the Honorable the Trustees By their much obliged and Obedient Servant E. Pretty.
Drawn & Etch'd by E. Pretty. Aquatinted by R. Reeve.
Rugby, Published by E. Pretty, Drawing Master, June 1811.
Etching with aquatint. 280 x 490mm (11 x 19¼"). Foxed, creased.
The school with cricketers in the foreground, by Edward Pretty (1792-1865).
[Ref: 66614] £480.00
Drawn & Etch'd by E. Pretty. Aquatinted by R. Reeve.
Rugby, Published by E. Pretty, Drawing Master, June 1811.
Etching with aquatint. 280 x 490mm (11 x 19¼"). Foxed, creased.
The school with cricketers in the foreground, by Edward Pretty (1792-1865).
[Ref: 66614] £480.00
![[Rustic Scene]](jpegs/67020.jpg)
[Rustic Scene]
[Print possibly made by Robert Robinson]
[n.d. c.1690]
Mezzotint, 180 x 220mm (7¼ x 9). On laid watermarked paper, large margins.
A rural landscape with what seems to be an inn on the left and a watermill central right. In the foreground a peasant farmer with a cow, sheep and a goat.
Provenance: Cornwell House.
[Ref: 67020] £390.00
[Print possibly made by Robert Robinson]
[n.d. c.1690]
Mezzotint, 180 x 220mm (7¼ x 9). On laid watermarked paper, large margins.
A rural landscape with what seems to be an inn on the left and a watermill central right. In the foreground a peasant farmer with a cow, sheep and a goat.
Provenance: Cornwell House.
[Ref: 67020] £390.00
Sack, Cloth and Ashes. A Sketch from Life, taken while the Friar was Stealing a Nap. 192
Finucane delin.t.
Published 7th. August 1797, by Laurie & Whittle, 53 Fleet Street. London.
Hand-coloured engraving, 250 x 200mm (9¾ x 8"), with large margins.
A satirical portrait of a large friar, fast asleep, holding a mug in one hand and a pipe in the other, quite content, far from the debased figure of a man the title 'Sack, Cloth and Ashes' would suggest.
Not in BM.
[Ref: 66872] £260.00 (£312.00 incl.VAT)
Finucane delin.t.
Published 7th. August 1797, by Laurie & Whittle, 53 Fleet Street. London.
Hand-coloured engraving, 250 x 200mm (9¾ x 8"), with large margins.
A satirical portrait of a large friar, fast asleep, holding a mug in one hand and a pipe in the other, quite content, far from the debased figure of a man the title 'Sack, Cloth and Ashes' would suggest.
Not in BM.
[Ref: 66872] £260.00 (£312.00 incl.VAT)
The Sailor's Farewell.
Boitard Inv.t. J.Booth, Sculp.
[n.d., c.1750.]
Engraving, 18th century watermark. Sheet 285 x 220mm (11¼ x 8¾"). Trimmed close to printed border, losing verse and publication lien underneath image.
A sailor embraces his love before joining his shipmates on route to the warship at anchor. A pair to 'The Sailor's Return', which shows him awash with prize money. The two scenes probably relate to Admiral Anson's circumnavigation (1740-4). The siver captured from a Spanish treasure ship filled 30 wagons; each ordinary seaman received about £300 prize money, equivalent to 20 years' wages.
Provenance Cornwell House
[Ref: 66745] £320.00
Boitard Inv.t. J.Booth, Sculp.
[n.d., c.1750.]
Engraving, 18th century watermark. Sheet 285 x 220mm (11¼ x 8¾"). Trimmed close to printed border, losing verse and publication lien underneath image.
A sailor embraces his love before joining his shipmates on route to the warship at anchor. A pair to 'The Sailor's Return', which shows him awash with prize money. The two scenes probably relate to Admiral Anson's circumnavigation (1740-4). The siver captured from a Spanish treasure ship filled 30 wagons; each ordinary seaman received about £300 prize money, equivalent to 20 years' wages.
Provenance Cornwell House
[Ref: 66745] £320.00
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
Chapel Royal Savoy.
Howard Penton.
[n.d., 1904.
Zincograph. Sheet 170 x 245mm (6¾ x 9¾"). Tipped onto album paper.
From the book ''Westminster Abbey and Parish Churches'', by Richard Howard Penton (1882-1960).
[Ref: 66714] £160.00 (£192.00 incl.VAT)
Howard Penton.
[n.d., 1904.
Zincograph. Sheet 170 x 245mm (6¾ x 9¾"). Tipped onto album paper.
From the book ''Westminster Abbey and Parish Churches'', by Richard Howard Penton (1882-1960).
[Ref: 66714] £160.00 (£192.00 incl.VAT)
![[Untitled schoolroom scene.]](jpegs/67004.jpg)
[Untitled schoolroom scene.] This Scene but shews us, how we first began; / How practise the same Lesson up to Man, / From earliest Date some stand ye Buts of Laught.r / Anf the School Blockhead is a Dunce hereafter...
Ph. Mercier inv.t et pinx.t. J. Faber fecit 1739.
Publish'd according to Act of Parliament 1739.
Scarce mezzotint. 280 x 330mm (11 x 13"). Trimmed to plate.
The interior of a boy's school, the master pulling a boy's ear, holding a whip in right hand, as other boys point and laugh. A pair with a scene of a girl's school.
CS 411. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67004] £280.00 (£336.00 incl.VAT)
Ph. Mercier inv.t et pinx.t. J. Faber fecit 1739.
Publish'd according to Act of Parliament 1739.
Scarce mezzotint. 280 x 330mm (11 x 13"). Trimmed to plate.
The interior of a boy's school, the master pulling a boy's ear, holding a whip in right hand, as other boys point and laugh. A pair with a scene of a girl's school.
CS 411. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67004] £280.00 (£336.00 incl.VAT)
Her Grace the Duchess of Buccleuch & Queensberry, the Right Honb.le the Earl of Dalkeith, and the Right Honb.le Lord Henry Scott. Proof
Painted by F. Grant Esq.re. A.R.A. Engraved by S.W. Reynolds.
London: Published Oct.r 24th. 1850, by Paul & Dominic Colnaghi & Co. 13 & 14, Pall Mall East _ Publishers to her Majesty.
Mezzotint, proof on chine collé. 440 x 320mm (17¼ x 12½"), 'Printsellers Association' blind stamp, very large margins. Foxing in margins.
A portrait of Charlotte Anne, Duchess of Buccleuch and Queensberry, with her children, William Henry Montagu Douglas Scott, 6th Duke of Buccleuch and 8th Duke of Queensberry (1831 - 1914), and Lord Henry Scott (1832 - 1905), in a landscape setting.
PSA: Artist's Proof: 100; L.P. 100. Whitman 476, ii of ii.
[Ref: 66610] £190.00 (£228.00 incl.VAT)
Painted by F. Grant Esq.re. A.R.A. Engraved by S.W. Reynolds.
London: Published Oct.r 24th. 1850, by Paul & Dominic Colnaghi & Co. 13 & 14, Pall Mall East _ Publishers to her Majesty.
Mezzotint, proof on chine collé. 440 x 320mm (17¼ x 12½"), 'Printsellers Association' blind stamp, very large margins. Foxing in margins.
A portrait of Charlotte Anne, Duchess of Buccleuch and Queensberry, with her children, William Henry Montagu Douglas Scott, 6th Duke of Buccleuch and 8th Duke of Queensberry (1831 - 1914), and Lord Henry Scott (1832 - 1905), in a landscape setting.
PSA: Artist's Proof: 100; L.P. 100. Whitman 476, ii of ii.
[Ref: 66610] £190.00 (£228.00 incl.VAT)
![[Her Grace the Duchess of Buccleuch & Queensberry, the Right Honb.le the Earl of Dalkeith, and the Right Honb.le Lord Henry Scott.]](jpegs/66608.jpg)
[Her Grace the Duchess of Buccleuch & Queensberry, the Right Honb.le the Earl of Dalkeith, and the Right Honb.le Lord Henry Scott.]
Painted by F. Grant Esq.re. A.R.A. Engraved by S.W. Reynolds.
London: Published Oct.r 24th. 1850, by Paul & Dominic Colnaghi & Co. 13 & 14, Pall Mall East _ Publishers to her Majesty.
Mezzotint, proof before title on chine collé. 440 x 320mm (17¼ x 12½"), with large margins; 'Printsellers Association' blind stamp. Foxing in margins.
A portrait of Charlotte Anne, Duchess of Buccleuch and Queensberry, with her children, William Henry Montagu Douglas Scott, 6th Duke of Buccleuch and 8th Duke of Queensberry (1831 - 1914), and Lord Henry Scott (1832 - 1905), in a landscape setting. Engraved by S. W. Reynolds junior.
PSA: Artist's Proof: 100; L.P. 100. Whitman 476, i of ii.
[Ref: 66608] £190.00 (£228.00 incl.VAT)
Painted by F. Grant Esq.re. A.R.A. Engraved by S.W. Reynolds.
London: Published Oct.r 24th. 1850, by Paul & Dominic Colnaghi & Co. 13 & 14, Pall Mall East _ Publishers to her Majesty.
Mezzotint, proof before title on chine collé. 440 x 320mm (17¼ x 12½"), with large margins; 'Printsellers Association' blind stamp. Foxing in margins.
A portrait of Charlotte Anne, Duchess of Buccleuch and Queensberry, with her children, William Henry Montagu Douglas Scott, 6th Duke of Buccleuch and 8th Duke of Queensberry (1831 - 1914), and Lord Henry Scott (1832 - 1905), in a landscape setting. Engraved by S. W. Reynolds junior.
PSA: Artist's Proof: 100; L.P. 100. Whitman 476, i of ii.
[Ref: 66608] £190.00 (£228.00 incl.VAT)
![[John Scott, Earl of Eldon] Retirement. Minerva's favourite Bird!!!](jpegs/66923.jpg)
[John Scott, Earl of Eldon] Retirement. Minerva's favourite Bird!!!
[Paul Pry] Esq.
Pub April 1829 by T McLean 26 Haymarket.
Finely hand-coloured etching, sheet 340 x 240mm (13½ x 9½"). Trimmed to plate. Slight damage.
A wonderful caricature of Eldon as a hawk-like owl in a hollow of a tree. Eldon led the opposition to Catholic Relief and this image encapsulates his futile, last-ditch resistance shortly before the Relief Bill was passed.
BM Satires: 15739.
[Ref: 66923] £230.00 (£276.00 incl.VAT)
[Paul Pry] Esq.
Pub April 1829 by T McLean 26 Haymarket.
Finely hand-coloured etching, sheet 340 x 240mm (13½ x 9½"). Trimmed to plate. Slight damage.
A wonderful caricature of Eldon as a hawk-like owl in a hollow of a tree. Eldon led the opposition to Catholic Relief and this image encapsulates his futile, last-ditch resistance shortly before the Relief Bill was passed.
BM Satires: 15739.
[Ref: 66923] £230.00 (£276.00 incl.VAT)
![[Sir Walter Scott.] N.º 1.](jpegs/66881.jpg)
[Sir Walter Scott.] N.º 1.
WN 1817 [Drawn and etched by William Nicholson].
[1818]
Fine etching on chine collé. 285 x 220mm (11¼ x 8¾"), with large margins. Foxing.
A portrait of Sir Walter Scott (1771-1832), seated in Abbotsford House, with weapons behind. He leans on a walking stick, with his dog, Maida, looking up at him. From Nicholson's 'Portraits of Distinguished Living Characters of Scotland'.
[Ref: 66881] £240.00 (£288.00 incl.VAT)
WN 1817 [Drawn and etched by William Nicholson].
[1818]
Fine etching on chine collé. 285 x 220mm (11¼ x 8¾"), with large margins. Foxing.
A portrait of Sir Walter Scott (1771-1832), seated in Abbotsford House, with weapons behind. He leans on a walking stick, with his dog, Maida, looking up at him. From Nicholson's 'Portraits of Distinguished Living Characters of Scotland'.
[Ref: 66881] £240.00 (£288.00 incl.VAT)
![Winter's Morning. [&] Summer's Evening.](jpegs/66659.jpg)
Winter's Morning. [&] Summer's Evening.
C. Cranmer pinx.t. W. Barnard sculp.t.
London: Publish'd Feb.y 1.st 1803, by W. Barnard, N.º 1 Fitzroy Square.
Pair of very fine coloured mezzotints, printed in colours. 480 x 615mm (19 x 23¾"), with large margins Some restoration, spotting and staining.
In 'Winter' a large family have breakfast in a cottage; in 'Summer' the family sit outside enjoying the weather, the children eating as the man smokes a pipe.
[Ref: 66659] £680.00 view all images for this item
C. Cranmer pinx.t. W. Barnard sculp.t.
London: Publish'd Feb.y 1.st 1803, by W. Barnard, N.º 1 Fitzroy Square.
Pair of very fine coloured mezzotints, printed in colours. 480 x 615mm (19 x 23¾"), with large margins Some restoration, spotting and staining.
In 'Winter' a large family have breakfast in a cottage; in 'Summer' the family sit outside enjoying the weather, the children eating as the man smokes a pipe.
[Ref: 66659] £680.00 view all images for this item
Sebastianus de Eerste, Konig van Portugael en Algarbe, etc.
[Benjamin Picart?]
[n.d., c.1728.]
Engraving. 265 x 185mm (10½ x 7¼"). Bottom left corner damaged, laid on album paper.
A half-length portrait in oval of Sebastian I (1554-78), king of Portugal. He died in battle, aged 24, leading a crusade against Morocco and his body never found.
[Ref: 66737] £60.00 (£72.00 incl.VAT)
[Benjamin Picart?]
[n.d., c.1728.]
Engraving. 265 x 185mm (10½ x 7¼"). Bottom left corner damaged, laid on album paper.
A half-length portrait in oval of Sebastian I (1554-78), king of Portugal. He died in battle, aged 24, leading a crusade against Morocco and his body never found.
[Ref: 66737] £60.00 (£72.00 incl.VAT)
![[India] Storming of Seringapatam.](jpegs/66914.jpg)
[India] Storming of Seringapatam.
[After Isaac Robert Cruikshank.] Radcliffe sculp.
[n.d., c.1812.]
Very rare etching. Sheet 200 x 130mm (8 x 5"). Trimmed and backed onto album paper. Some cockling and time-damage.
An illustration from Clarke's 'Life of Wellington', depicting the siege of Seringapatam (5 April 4 May 1799) was the final confrontation of the Fourth Anglo-Mysore War between the British East India Company and the Kingdom of Mysore. Two officers standing at left beside a flag-bearer, as troops storm through a large archway at right with Indian soldiers lined along the top of the walls.
[Ref: 66914] £160.00 (£192.00 incl.VAT)
[After Isaac Robert Cruikshank.] Radcliffe sculp.
[n.d., c.1812.]
Very rare etching. Sheet 200 x 130mm (8 x 5"). Trimmed and backed onto album paper. Some cockling and time-damage.
An illustration from Clarke's 'Life of Wellington', depicting the siege of Seringapatam (5 April 4 May 1799) was the final confrontation of the Fourth Anglo-Mysore War between the British East India Company and the Kingdom of Mysore. Two officers standing at left beside a flag-bearer, as troops storm through a large archway at right with Indian soldiers lined along the top of the walls.
[Ref: 66914] £160.00 (£192.00 incl.VAT)
![[India] Seventy Third Regiment. Storming of Seringapatam 4th May 1799.](jpegs/66852.jpg)
[India] Seventy Third Regiment. Storming of Seringapatam 4th May 1799. For Cannon's Military Records.
[after Captain Alexander Allan.]
[London: Parker, Furnivall, & Parker, 1851.]
Lithograph with fine hand colour. Framed. Sight size 120 x 185mm (4¾ x 7¼"). Mounted over left edge, unexamined out of frame.
The 73rd (Highland) Regiment of Foot shown as part of the storming party at the siege of Seringapatam, during the Fourth Anglo-Mysore War. A copy of the aquatint by Cardon and Schiavonetti (1802), published in the ''Historical Record of the Seventy-Third Regiment: containing an account of the formation of the Regiment from the period of its being raised as the Second Battalion of the Forty-Second Highlanders in 1780 and of its subsequent services to 1851'.'
[Ref: 66852] £190.00 (£228.00 incl.VAT)
[after Captain Alexander Allan.]
[London: Parker, Furnivall, & Parker, 1851.]
Lithograph with fine hand colour. Framed. Sight size 120 x 185mm (4¾ x 7¼"). Mounted over left edge, unexamined out of frame.
The 73rd (Highland) Regiment of Foot shown as part of the storming party at the siege of Seringapatam, during the Fourth Anglo-Mysore War. A copy of the aquatint by Cardon and Schiavonetti (1802), published in the ''Historical Record of the Seventy-Third Regiment: containing an account of the formation of the Regiment from the period of its being raised as the Second Battalion of the Forty-Second Highlanders in 1780 and of its subsequent services to 1851'.'
[Ref: 66852] £190.00 (£228.00 incl.VAT)
![[India] The Death of Tippoo Saib at the taking of Seringapatam.](jpegs/66921.jpg)
[India] The Death of Tippoo Saib at the taking of Seringapatam.
H.Richter delin. Amb:se W.Warren Sculp.
Published as the Act directs March 20, 1802 by J.Stratford No.112, Holborn Hill.
Engraving. 210 x 165mm (8¼ x 6½"). Some time-staining.
A scene depicting a soldier grabbing the fallen Tippoo Saib (1751-99) by the strap around his chest with rifle in hand, as he attempts to raise his sword in defense, soldiers storming through arch behind.
[Ref: 66921] £80.00 (£96.00 incl.VAT)
H.Richter delin. Amb:se W.Warren Sculp.
Published as the Act directs March 20, 1802 by J.Stratford No.112, Holborn Hill.
Engraving. 210 x 165mm (8¼ x 6½"). Some time-staining.
A scene depicting a soldier grabbing the fallen Tippoo Saib (1751-99) by the strap around his chest with rifle in hand, as he attempts to raise his sword in defense, soldiers storming through arch behind.
[Ref: 66921] £80.00 (£96.00 incl.VAT)
![[India] Britain's Triumph._](jpegs/66922.jpg)
[India] Britain's Triumph._ The two Sons of Tipoo Sultan delivered as Hostages to Earl Cornwallis.
Publish'd Oct.r. 18 1792 by J.Johnson St Pauls Church Yard.
Rare engraving. Sheet 180 x 115mm (7 x 4½"). Trimmed. Some damage to lower right corner.
A scene depicting the two sons of Tipu Sultan being handed over to Lord Cornwallis as hostages at the termination of the war in the East Indies in 1792.
[Ref: 66922] £120.00 (£144.00 incl.VAT)
Publish'd Oct.r. 18 1792 by J.Johnson St Pauls Church Yard.
Rare engraving. Sheet 180 x 115mm (7 x 4½"). Trimmed. Some damage to lower right corner.
A scene depicting the two sons of Tipu Sultan being handed over to Lord Cornwallis as hostages at the termination of the war in the East Indies in 1792.
[Ref: 66922] £120.00 (£144.00 incl.VAT)
![[Georgiana Seymour, Duchess of Somerset] The Queen of the Tournament.](jpegs/66953.jpg)
[Georgiana Seymour, Duchess of Somerset] The Queen of the Tournament.
Edw.d Corbould. T.W. Huffam.
London, S. Hollyer 34, Penton Place, Pentonville [n.d., c.1840].
Mezzotint. Sheet 370 x 280mm (14½ x 11"). Trimmed within plate, surface wear at edges, publication line indistinct.
A portrait of Georgiana Seymour (1809-1884), grand-daughter of Richard Brinsley Sheridan and wife of the Duke of Somerset, in medieval dress, leaning from a box with a winner's wreath in her hand. She was crowned 'Queen of Beauty' at the Eglinton Tournament, a re-enactment of a medieval tournament staged by Archibald William Montgomerie, the 13th Earl of Eglinton.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66953] £190.00 (£228.00 incl.VAT)
Edw.d Corbould. T.W. Huffam.
London, S. Hollyer 34, Penton Place, Pentonville [n.d., c.1840].
Mezzotint. Sheet 370 x 280mm (14½ x 11"). Trimmed within plate, surface wear at edges, publication line indistinct.
A portrait of Georgiana Seymour (1809-1884), grand-daughter of Richard Brinsley Sheridan and wife of the Duke of Somerset, in medieval dress, leaning from a box with a winner's wreath in her hand. She was crowned 'Queen of Beauty' at the Eglinton Tournament, a re-enactment of a medieval tournament staged by Archibald William Montgomerie, the 13th Earl of Eglinton.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66953] £190.00 (£228.00 incl.VAT)
William Seymour, Marquis of Hertford.
[After Anthony van Dyck]
Published by W. Scott. [n.d. c.1835]
Mezzotint, 355 x 230mm (14 x 9"), 3 large margins. Top margin trimmed to plate. Tear in left margin repaired with tape.
Full-length portrait of William Seymour, 2nd Duke of Somerset (1588-1660), standing to the right, turning his gaze toward the viewer, holding a staff before him in his left hand, while his right elbow rests on a draped ledge; he is dressed in armour with a medallion and a plain square collar, with tents and soldiers visible in the background. Seymour was a royalist commander in Civil War. William Scott (fl.1835), primarily a portrait painter, however also published prints after his work.
[Ref: 67013] £240.00 (£288.00 incl.VAT)
[After Anthony van Dyck]
Published by W. Scott. [n.d. c.1835]
Mezzotint, 355 x 230mm (14 x 9"), 3 large margins. Top margin trimmed to plate. Tear in left margin repaired with tape.
Full-length portrait of William Seymour, 2nd Duke of Somerset (1588-1660), standing to the right, turning his gaze toward the viewer, holding a staff before him in his left hand, while his right elbow rests on a draped ledge; he is dressed in armour with a medallion and a plain square collar, with tents and soldiers visible in the background. Seymour was a royalist commander in Civil War. William Scott (fl.1835), primarily a portrait painter, however also published prints after his work.
[Ref: 67013] £240.00 (£288.00 incl.VAT)
![[India] [Shah Jahan.]](jpegs/66927.jpg)
[India] [Shah Jahan.] Habit of the Great Mogul when he walks abroad.
[n.d., c.1690.]
Engraving. 170 x 110mm (6¾ x 4¼"). Trimmed on right margin.
A scene depicting Shah Jahan I (1592 - 1666), also called Shah Jahan the Magnificent, the Emperor of Hindustan from 1628 until his deposition in 1658. As the fifth Mughal emperor, his reign marked the zenith of Mughal architectural and cultural achievements.
[Ref: 66927] £80.00 (£96.00 incl.VAT)
[n.d., c.1690.]
Engraving. 170 x 110mm (6¾ x 4¼"). Trimmed on right margin.
A scene depicting Shah Jahan I (1592 - 1666), also called Shah Jahan the Magnificent, the Emperor of Hindustan from 1628 until his deposition in 1658. As the fifth Mughal emperor, his reign marked the zenith of Mughal architectural and cultural achievements.
[Ref: 66927] £80.00 (£96.00 incl.VAT)
Shepherdess. As harmless as a Turtle of the Woods, As opining Flowers untainted yet n.th Winds, Fair as the Summer Beauty of the Field, The Pride of Nature, and the Joy of Sense.
Hen.y Pickering pinx.t. John Faber fecit.
Printed for Rob.t Sayer, at the Golden Buck, opposite Fetter Lane, Fleet Street.
Mezzotint, plate 355 x 250mm (14 x 9¾") Trimmed and pasted to backing sheet.
Three-quarter length, seated portrait of a young lady. She holds the end of a garland of flowers up in her right hand, the other end resting under left hand in her lap, a crook across her lap and a lamb at her feet to left. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.), the other known as 'Chloe in the Country'.
Ex collection of the Hon. Christopher Lennox-Boyd.Chaloner Smith 417a, ii of ii.
[Ref: 66999] £180.00 (£216.00 incl.VAT)
Hen.y Pickering pinx.t. John Faber fecit.
Printed for Rob.t Sayer, at the Golden Buck, opposite Fetter Lane, Fleet Street.
Mezzotint, plate 355 x 250mm (14 x 9¾") Trimmed and pasted to backing sheet.
Three-quarter length, seated portrait of a young lady. She holds the end of a garland of flowers up in her right hand, the other end resting under left hand in her lap, a crook across her lap and a lamb at her feet to left. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.), the other known as 'Chloe in the Country'.
Ex collection of the Hon. Christopher Lennox-Boyd.Chaloner Smith 417a, ii of ii.
[Ref: 66999] £180.00 (£216.00 incl.VAT)
![[Chloe in the County.]](jpegs/67000.jpg)
[Chloe in the County.]
Hen.y Pickering pinx.t. John Faber fecit.
Price 2 Shill.s Sold by Faber at the Golden Head in Bloomsbury Square [n.d., c.1740].
Mezzotint. 355 x 255mm (14 x 9¾"). Small margins.
A portrait of a young woman, seated, three-quarter length, looking away to left. She is wearing loops of pearls with a cloak draped over her left arm which lies on her lap. She holds a shepherd's crook in her right hand. A dog sits at her feet looking up at her. Livestock can be seen in the background to the right. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.).
CS: 417b, i of ii.
[Ref: 67000] £280.00 (£336.00 incl.VAT)
Hen.y Pickering pinx.t. John Faber fecit.
Price 2 Shill.s Sold by Faber at the Golden Head in Bloomsbury Square [n.d., c.1740].
Mezzotint. 355 x 255mm (14 x 9¾"). Small margins.
A portrait of a young woman, seated, three-quarter length, looking away to left. She is wearing loops of pearls with a cloak draped over her left arm which lies on her lap. She holds a shepherd's crook in her right hand. A dog sits at her feet looking up at her. Livestock can be seen in the background to the right. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.).
CS: 417b, i of ii.
[Ref: 67000] £280.00 (£336.00 incl.VAT)
Ship Wreck. Le Naufrage.
J. Vernet Pinx.t. Rob.t Sayer Excudit. S. Paul [pseudonym of Samuel de Wilde] Sculp.
Printed for Rob.t Sayer, Printseller No. 53, Fleet Street London, Published as the Act directs, 10 May, 1770.
Rare mezzotint. 550 x 465mm (21¾ x 18¼"). Worm holes, surface scratches. Small margins.
A ship crashes against rocks in an Italianate harbour on a stormy night, with rescuers struggling to pull survivors from the sea.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66654] £350.00
J. Vernet Pinx.t. Rob.t Sayer Excudit. S. Paul [pseudonym of Samuel de Wilde] Sculp.
Printed for Rob.t Sayer, Printseller No. 53, Fleet Street London, Published as the Act directs, 10 May, 1770.
Rare mezzotint. 550 x 465mm (21¾ x 18¼"). Worm holes, surface scratches. Small margins.
A ship crashes against rocks in an Italianate harbour on a stormy night, with rescuers struggling to pull survivors from the sea.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66654] £350.00