Grosvenor Prints

Drawing the Retorts at the Great Gas Light Establishment, Brick Lane. Monthly Mag. 350.
W. Read Sculp.t.
London Pub.d by Sir Rich.d Phillips & Co. Feb.y 1. 1821.
Aquatint. Sheet 185 x 220mm (7¼ x 8¾"). Folds as usual, trimmed close.
The dramatic moment when coke was raked out of the ovens. Published in the Monthly Magazine.
[Ref: 63961] £140.00 (£168.00 incl.VAT)

Drawing the Retorts at the Great Gas Light Establishment, Brick Lane.
W. Read Sculp.t.
London Pub.d by Sir Rich.d Phillips & Co. Feb.y 1. 1821.
Aquatint, printed in colours. Sheet 200 x 240mm (8 x 9½") Folds as normal and damage of edges of paper.
The dramatic moment when coke was raked out of the ovens. Frontispiece for One Thousand Experiments in Chemistry', Colin MacKenzie 1822.
Ex Norman Blackburn Collection.
[Ref: 56698] £220.00 (£264.00 incl.VAT)

Drawing the Retorts at the Great Gas Light Establishment, Brick Lane. Monthly Mag. 350.
W. Read Sculp.t.
London Pub.d by Sir Rich.d Phillips & Co. Feb.y 1. 1821.
Aquatint. Sheet 205 x 245mm (8 x 9¾") Folds as usual, staining top right.
The dramatic moment when coke was raked out of the ovens. This was the frontispiece to the February 1821 edition of The Monthly Magazine.
[Ref: 63960] £160.00 (£192.00 incl.VAT)

Ploughing.
[n.d., c.1850.]
Coloured lithograph. Sheet 115 x 195mm, 4½ x 7¾". Trimmed, laid on album paper.
An educational image showing a pair of horses dragging plough.
[Ref: 16439] £50.00 (£60.00 incl.VAT)

[Labourage nivernais, also called Le Sombrage (Ploughing in Nevers, also called The First Dressing).]
Rosa Bonheur [scratched in plate lower right.]
[n.d., c.1920.]
Colour printed mezzotint, 295 x 530mm. 11½ x 20¾".
Two teams of Charolais-Nivernais oxen pulling heavy ploughs in the Nivernais landscape of France. After Rosa Bonheur's (1822 - 1899) oil dated 1849. The French State commissioned the painting from Bonheur in 1848 for the Musée de Lyon, but decided to keep it in Paris, at the Musée du Luxembourg. When the artist died it was put in the Louvre and is now part of the Musée d'Orsay collection.
[Ref: 9449] £240.00 (£288.00 incl.VAT)

a Potter Working.
[n.d. c.1850.]
Hand-coloured lithograph. 203 x 146mm. 8 x 5¾".
Inside a potters; a man sat moulding with his hand inside a large pot, moistening the outside with wet cloth.
[Ref: 23408] £45.00 (£54.00 incl.VAT)

The Potter.
[n.d., c.1810.]
Engraving. Sheet: 150 x 90mm (6 x 3½'').
A potter working in his workshop with two apprentices spinning the potters wheel.
[Ref: 50490] £60.00 (£72.00 incl.VAT)

Pottery and Leather Dressing. Pl. 1.
Drawn & Etch'd by W.H. Pyne.
Pub. by Pyne. London, Pub.d Novem.r 1802 by Pyne & Nattes.
Aquatint. 295 x 230mm (11¾ x 9") very large margins.
Vignette scenes of pottery making and leather dressing from Pyne's ‘Microcosm: or, a picturesque delineation of the arts, agriculture, manufacturers, &c. of Great Britain…'. William Henry Pyne was an English writer, painter and illustrator. He trained at a drawing academy in London. He first exhibited at the Royal Academy in 1790. He specialized in picturesque settings including groups of people rendered in pen, ink and watercolour. Pyne was one of the founders of Royal Watercolour Society in 1804.
[Ref: 62455] £160.00 (£192.00 incl.VAT)

Marchand de Volailles. Bruxelles.
Madou fc. Déposé. Lithog: de Burggraaff.
[n.d. c.1820.]
Hand coloured lithograph. 246 x 190mm. 9¾ x 7½". Trimmed and laid on album sheet.
Scene in Brussels: a poultrer standing in a market place with a duck and rabbit laid out over his wicker basket. Behind him is another basket and his ass. In the backgroud are other vendors.
[Ref: 16220] £45.00 (£54.00 incl.VAT)

[The Preemer Boy]
Geo. Walker Del. Engraved by R. & D. Havell.
Publish'd by Robinson & Son, Leeds, Jan.y 1. 1814.
Hand coloured aquatint. Sheet size: 255 x 350mm (10 x 13¾"), with sheet of letterpress. Trimmed inside platemark.
A boy sitting on a flagstone floor, using a metal toothed comb to remove the flocks of wool from the teasels discarded by the two croppers working on a bench behind. From George Walker’s 'The costume of Yorkshire' published in 1814, containing forty-one coloured aquatint plates based upon the author’s original drawings of social and economic scenes in Yorkshire.
[Ref: 54262] £130.00 (£156.00 incl.VAT)

Wenn ich mir da was aussuchen durfte.
Schoeller del. Zechmayer sc.
Hand-coloured etching, rare. Sheet: 255 x 200mm (10 x 8"). Trimmed. Vertical central crease as normal.
A street scene showing two window displays. The first, to the left, shows a well dressed crowd of figures, men women and children, inspecting various prints on display. In the centre, a figure stands in the doorway of his shop, looking to the left at two children and a gentlemen who are viewing food on display in the window which they cannot afford.
[Ref: 37486] £220.00 (£264.00 incl.VAT)

Printer.
[n.d., c.1850.]
Coloured wood engraving. Sheet 135 x 225mm, 5½ x 9". Trimmed, laid on album paper.
An educational image showing a pair of printers at work at their press.
[Ref: 16432] £140.00 (£168.00 incl.VAT)

Letter Press Printer.
London, Publish'd by Tabart & Co. Aug 12 1804.
Engraving, with 4 sheets of letterpress. Sheet: 150 x 90mm (6 x 3½''). Slight foxing.
A scene showing a printer working a printing press.
[Ref: 51145] £80.00 (£96.00 incl.VAT)

The Printer-Devil. (Le Diable de l'Imprimerie.]
Lith. Rigo Freres 1, Richer, 7.
Desesserts Editeur. [Paris, 1841.]
Lithograph, rare. Sheet 220 x 140mm (8¾ x 5½").
A boy inking a printing plate. Plate 21 from 'Les Enfans peints par eux-mêmes, sujets de composition, donnés a ses Élèves' by Alexandre de Saillet (1811-1866). Each picture was to illustrate a story about child labour written by pupils at de Saillet's boarding school.
[Ref: 36863] £140.00 (£168.00 incl.VAT)

The Printer-Devil. (Le Diable de l'Imprimerie.]
Lith. Rigo Freres 1, Richer, 7.
Desesserts Editeur. [Paris, 1841.]
Lithograph, rare. Sheet 220 x 140mm (8¾ x 5½"). Slight foxing.
A boy drying a printing plate. Plate 20 from 'Les Enfans peints par eux-mêmes, sujets de composition, donnés a ses Élèves' by Alexandre de Saillet (1811-1866). Each picture was to illustrate a story about child labour written by pupils at de Saillet's boarding school.
[Ref: 36864] £140.00 (£168.00 incl.VAT)

The Printers letter Case, & composing stick.
Hulett sculp.
[n.d., c.1755.]
Etching and engraving, image 55 x 105mm. 2¼ x 4". Staining to lower paper edge.
A book illustration.
[Ref: 9671] £45.00 (£54.00 incl.VAT)

[Lithographer.]
D. Levy fec.
[n.d, c.1800.]
Etching. Sheet size: 230 x 185mm (9 x 7¼").
An interior view depicting a lithographer in his studio. He is sat at a desk in front of a large window, with his tools in front of him. He appears to be copying the image, which rests on some books, onto a large stone. There is an image of a church or cathedral on the wall behind him.
[Ref: 35777] £130.00 (£156.00 incl.VAT)

Fig.1 The Printing Press. Fig. 2 The Letter Case for the Roman. Fig. 3 Composing Stick.
W.H. Toms Sculp.
Printed for J. Hinton. at the Kings Arms S.t Pauls Church Yard. 1747.
Engraving. 165 x 125mm (6½ x 5"). Folds.
A diagram of a printing press, a plate from the Universal Magazine, an early periodical, published monthly from 1747-1814.
[Ref: 62382] £65.00 (£78.00 incl.VAT)

[Two Cambridge Printsellers]
T. Orde ft 1768.
Etching, sheet 220 x 185mm (8¾ x 7¼").
Etching by Thomas Orde-Powlett (1746-1807), politician also known for his etched caricatures (mostly of Cambridge celebrities) which were published by his drawing-master, the well-known printmaker James Bretherton. An impression of the print in the British Museum is inscribed 'Mrs. Hammond Printseller & D. Randal Printman at Cambridge'.
[Ref: 41705] £180.00 (£216.00 incl.VAT)

[Naples] Sampognaro che fa ballare i pupi.
[Naples, c.1831.]
Coloured lithograph. Sheet 145 x 110mm (5¾ x 4¼"). Faint stains.
A man playing a Zampogna (Italian bagpipes) makes punchinello and 'Judy' dolls dance with a string tied to his knee. From 'Scene Populari di Napoli'.
[Ref: 62673] £130.00 (£156.00 incl.VAT)

Marchande de Chiffons. Chapeaux a vendre, des vieux Chapeaux. avez vous des vieux Chiffons a vendre? v'la la Marchande de Chiffons. No. 28.
Carle Vernet. S. lith de Delpech.
[Paris, n.d., c.1820.]
Coloured lithograph with very large margins. Printed area 300 x 140mm (11¾ x 5½").
A woman buying selling old hats and rags, with several hats on her head. One of a series, 'Cris de Paris', depicting Parisian street vendors, lithographed by François Séraphin Delpech (1778-1825) after Antoine Charles Horace (Carle) Vernet (1758-1836).
[Ref: 33226] £70.00 (£84.00 incl.VAT)

The Rat-Catcher. To James Sherriff, Esqr...[dedication.]
Painted by C. Hancock. Engraved by W. Raddon.
London, Published March 12, 1838, For The Proprietor, By Ackermann & Co. Strand.
Engraving on india laid paper, 245 x 305mm. 9¾ x 12".
The quarry has evidently gone to ground. Four terriers and their master surround a hole in the ground. After Charles Hancock (1802 - 1877).
[Ref: 12361] £130.00 (£156.00 incl.VAT)

La Mort aux Rats.
C. Vischer inv. F. Basan Exc.
[n.d., c.17y0.]
Engraving. Sheet 370 x 320mm (14½ x 12½"). Trimmed within plate on all sides, into inscription area at bottom.
A reversed engraving of Cornelis Visscher's 'Rat Catcher of Paris'.
[Ref: 44978] £230.00 (£276.00 incl.VAT)

Strohlchneider. Coupeur de paille. [Straw cutter/bailer.]
Gezeichnet v. C. Brand Prof. Gestochen v. [?] Mark?
[n.d., 1810.]
Etching, sheet 335 x 245mm. 13¼ x 9¾". Trimmed within plate.
Plate to a set of 'Cries of Vienna', after Christian Hilfgott Brand (1694 - 1756), who seems to have been a drawing master at the Vienna Academy.
[Ref: 11577] £170.00 (£204.00 incl.VAT)

The Rat Catcher.
C. Visches [Cornelis Visscher] Invt. On Stone by F. Sexton.
London, Printed & Published 1837 by A. Friedel, 252, Tottenham Court Road.
Lithograph. Printed area 310 x 210mm (12¼ x 8¼") with very large margins.
After Cornelis Visscher (1629-58). Adam Friedel (1780- death date unknown) was a Danish artist, printmaker and publisher who, after serving in the Napoleonic wars, voluntarily joined the Greek army at the start of the Greek War of Independence, fashioning himself as Danish nobility. He was exposed by a real noble who proved his backstory to be a lie. After spending a year in Egypt he took refuge in London in 1824 where he opened a lithographer's shop. Between 1825 and 1826 Friedel printed and published, both in Paris and London, twenty-four lithographs with portraits of politicians and prominent military figures of the Greek War of Independence. He had drawn the portraits himself, in most cases from nature, while J. Bouvier coloured and lithographed these images. The series was a success and he was awarded for his contributions to the Greek Struggle for Independence with two decorations. For health reasons he travelled around a lot. He travelled to Smyrna and taught at a Greek school. He stayed at the Ottoman Capital during the Crimean War and painted several portraits of various politicians. In 1865 he asked for a pension for his services to Greece however little is known about what happened to him after that and his place and date of death is unknown.
[Ref: 52139] £120.00 (£144.00 incl.VAT)

La mort aux rats.
[n.d. c.1790.]
Engraving, very rare. Plate 326 x 210mm. 12¾ x 8¼". Some light mount staining.
A tradesman selling rat traps and bellows to blow poison.
[Ref: 26660] £190.00 (£228.00 incl.VAT)

Vende pasta per i Sorci.
[Annibale Carracci.]
[n.d. c.1646.]
Etching. Plate 274 x 171mm. 10¾ x 6¾".
A seller of rat poison, walking holding a bowl of poison and a flag with four rats.
Original drawing held in the Louvre, Paris.
[Ref: 26659] £140.00 (£168.00 incl.VAT)

Gipsy & Rat-Catcher.
J.G.S. [J. Spurgeon]
[n.d., c.1800.]
Etching. Plate: 130 x 95mm (5 x 3 ¾''), with very large margins.
A scene showing the meeting between a rat-catcher carrying his staff and an old woman on a road.
[Ref: 48219] £50.00 (£60.00 incl.VAT)

Rat-Catcher.
Pubd. Jany. 1796 by G. Thompson No.50, Old Bailey, & I. Evans No.41 Long Lane Wt. Smithf.d
Stipple, printed in red. 142 x 114mm. 5½ x 4½". Trimmed.
A rat-catcher and his dog; to the right a woman looks on.
In the Wellcome Library Collection: 38229i
[Ref: 26667] £95.00 (£114.00 incl.VAT)

[A rat-catcher.]
I.G Wagner del: CH* sculps:
C.A. Grossmann exc: A.V. NoVI. [Augsburg, n.d., c.1790.]
A rare attractive soft ground etching printed in red ink, on watermarked laid paper. 235 x 180mm, 9¼ x 7".
The man holds his trap and some food bait (cheese?) in the other hand, with rats crawling about his person; his faithful dog lower left. After Johann Georg Wagner (German, 1744 - 1766); from a series.
[Ref: 19421] £220.00 (£264.00 incl.VAT)

[Ratcatcher] Achetez de ma mort aux Rats / Et défaites vous de vos Chats, / Qui partout font tant de ravage / Et vous cause trop dommage [...]
Gravé par Meheux
A Paris Chez Audran, rue St Jacques aux 2 Pilliers d'Or. [c.1700]
Rare mezzotint & fine, sheet 390 x 260mm (15¼ x 10¼"). Trimmed to plate; creased.
A ratcatcher advertises his services with a rhyme explaining his efficiency and his superiority to reliance on cats. Scarce early mezzotint by Jacques Meheux.
[Ref: 43743] £320.00

Le Md. de Couteaux et Peignes. [Blade/razor and comb seller.]
[Anon.]
[Paris, n.d., c.1775.]
Etching printed in red, laid paper, very scarce, 175 x 120mm. 7 x 4¾".
Four lines of verse below title; numbered '42' upper right. After Edme Bouchardon (1698-1762) famous series "Etudes dans le bas peuple prises ou les cris de Paris" Bouchardon executed drawings of Paris street merchants, Cris de Paris, that were widely distributed as engravings; some figures were reproduced in porcelain by the Meissen porcelain manufactory.
[Ref: 22949] £160.00 (£192.00 incl.VAT)

Marchand de Rubans. Bruxelles.
J.J. Eeckhout fc. Déposé. Lith: de Burggraaff.
[n.d. c.1820.]
Hand coloured lithograph. 241 x 190mm. 9½ x 7½". Trimmed and laid on album sheet.
Scene in Brussels: a lady in the market with a make-shift stand to sell her ribbons.
[Ref: 16222] £45.00 (£54.00 incl.VAT)

Kastenweiss. Femme aux marons. [Roast chestnuts seller.]
Gezeichnet v. C. Brand Prof. Gestochen v. Frid. Brand.
[n.d., 1810.]
Etching, sheet 335 x 245mm. 13¼ x 9¾". Trimmed within plate.
Plate to a set of 'Cries of Vienna', after Christian Hilfgott Brand (1694 - 1756), who seems to have been a drawing master at the Vienna Academy. Engraved by Friedrich August Brand (1735 - 1806), son of Christian, brother of Johann Christian Brand, and by 1783 himself a professor at the Vienna Academy.
[Ref: 11584] £170.00 (£204.00 incl.VAT)

[The Rosary Maker.]
[Nuremberg: Johann Christoph Weigel. 1699.]
Engraving. Plate: 85 x 135mm (3¼ x 5¼"). Slight staining.
A scene in the workshop of a rosary maker, lots of moulds for beads litter the floor and rosarys hang in the window. An illustration from 'Etwas für Alle...' by Abraham à Santa Clara (1644-1709).
[Ref: 38916] £120.00 (£144.00 incl.VAT)

[Saddler] Sellier. Sattler.
[after Jean-Frédéric Wentzel] Lith. C. Fasoli et Ohlman à Stras.sbg.
[n.d., c.1845.]
Lithograph with fine hand colour heightened with gum arabic, rare with large margins. Printed area 200 x 250mm (8 x 9¾").
The interior of a saddler's, although through the door two men are working on a coach.
[Ref: 36606] £120.00 (£144.00 incl.VAT)

[Sailmakers.]
[After Jan Van Vliet.]
[Published by Gaspard Duchange?] [n.d. c.1750.]
Etching. 210 x 165mm. 8¼ x 6½". Trimmed to the image.
Sailmakers: two seated male figures holding sewing needles working on a large piece of cloth; various instruments suspended from nails on the back wall. This is one from a series of twenty-two plates (plus title) after Jan van Vliet, published by Gaspard Duchange, with French captions.
See BM: S.6198 [in reverse].
[Ref: 19914] £85.00 (£102.00 incl.VAT)

Marchande de Saucisses. du lard et des saucisses.No. 56.
Carle Vernet. S. lith de Delpech.
[Paris, n.d., c.1820.]
Coloured lithograph with very large margins. Printed area 300 x 140mm (11¾ x 5½").
A woman selling hot sausages, cooking them on a stove on a tray strapped to her waist, a bread basket at her feet. One of a series, 'Cris de Paris', depicting Parisian street vendors, lithographed by François Séraphin Delpech (1778-1825) after Antoine Charles Horace (Carle) Vernet (1758-1836).
[Ref: 33229] £70.00 (£84.00 incl.VAT)

Frontispiece. Young Man's Companion Or Book Of Knowledge.
London, Thomas Kelly [1837].
Engraving, sheet 215 x 115mm. 8½ x 4½". Some staining/spoiling.
Students in a library gather around a globe as a teacher explains geographical theory with the aid of a compass. The image also features brushes, easels and canvasses.
Frontispiece to Thomas Bartlett's ( 1789 - 1864) 'The Young Man’s Companion or, Book of Knowledge ... to which is prefixed, a brief history of the progress of knowledge ... Illustrated by engravings.'
British Library system number: 000216349.
[Ref: 9520] £30.00 (£36.00 incl.VAT)

Marchande de Moules. Provinces méridionales.
J. Madou fc. Lith. de Vanden Burggraaff, rue Royale. No.68.
[n.d. c.1820.]
Hand coloured lithograph. 241 x 190mm. 9½ x 7½". Trimmed and laid on album sheet.
Mussel merchants, probably in Holland: three dogs chained to a cart with muzzles and wooden collars. On the cart is a large basket of mussels, which the and his mother are selling as they walk around the market place.
[Ref: 16214] £60.00 (£72.00 incl.VAT)

[Seamstresses] Les Brodeuses.
Designed & Drawn on Stone by J.J. Chalon.
London. Published by Rodwell & Martin New Bond St. Aug. 1 1820. Printed by Hullmandel.
Lithograph with very fine hand-colouring, printed area 235 x 165mm (9¼ x 6½"), with wide margins.
Seamstresses at work in an open window. From the 'Costumes of Paris', a series of 24 plates by Swiss painter John James Chalon (1778-1854).
Abbey 108. See Ref: 54857
[Ref: 54514] £160.00 (£192.00 incl.VAT)

[Seller of pleasures] La Marchande de plaisirs. Jeunesse qui courez à ces friands Plaisirs / Vous pouvez les gouter sans en craindre l'usage [...]
F. Eisen pinx. P.L. Cor Excu.
Se Vend AParis chez Cor Graveur Quay des Augustins du coté du Pont neuf [c.1762].
Engraving, platemark 390 x 280mm (15¼ x 11"). Trimmed to platemark; glued to album sheet at corners.
Scene in trompe l'oeil border with a young streetseller; verses below explaining how unlike pleasures encountered in later life, these are not followed by repenting. Engraved after François Eisen (c.1695-1778), painter who specialised in such genre pictures in a light-hearted Flemish manner.
[Ref: 44960] £650.00

Kuchentrager. Pourvoyeur de cuisine. [Seller of kitchen supplies.]
Gezeichnet v. C. Brand Prof. Gestochen v. Joh Seigel.
[n.d., 1810.]
Etching, sheet 335 x 245mm. 13¼ x 9¾". Trimmed within plate.
Plate to a set of 'Cries of Vienna', after Christian Hilfgott Brand (1694 - 1756), who seems to have been a drawing master at the Vienna Academy.
[Ref: 11587] £170.00 (£204.00 incl.VAT)

Stubenmadgen. Servante. [Maid servant.]
Gezeichnet v. C. Brand Prof. Gestochen v. [?] Mark?
[n.d., 1810.]
Etching, sheet 335 x 250mm. 13¼ x 9¾". Trimmed within plate. Foxing. Tear in title area.
Plate to a set of 'Cries of Vienna', after Christian Hilfgott Brand (1694 - 1756), who seems to have been a drawing master at the Vienna Academy.
[Ref: 11581] £170.00 (£204.00 incl.VAT)

Der Todfengraber.
[Nuremberg: Johann Christoph Weigel. 1699.]
Engraving. Plate: 85 x 135mm (3¼ x 5¼"). Large margins.
A scene in which a sexton removes the bones from a large comunal grave to make way for new bodies, a barrow of bones rests beside him. An illustration from 'Etwas für Alle...' by Abraham à Santa Clara (1644-1709).
[Ref: 38911] £120.00 (£144.00 incl.VAT)

Sheep Shearing.
[n.d. c.1845.]
Hand-coloured lithograph. 115 x 134mm. 4½ x 5¼". Trimmed, laid on album sheet.
Farmers in the stable shearing their flock for the summer.
[Ref: 19384] £45.00 (£54.00 incl.VAT)

Sheep Shearing, &c.
Drawn & Etch'd by W.H. Pyne.
London, Pub.d Sep.r 1804 by Pyne & Nattes.
Aquatint. 290 x 225mm (11¼ x 8¾"), large margins.
Vignette scenes of sheep shearing, from Pyne's ‘Microcosm: or, a picturesque delineation of the arts, agriculture, manufacturers, &c. of Great Britain…'. William Henry Pyne was an English writer, painter and illustrator. He trained at a drawing academy in London. He first exhibited at the Royal Academy in 1790. He specialized in picturesque settings including groups of people rendered in pen, ink and watercolour. Pyne was one of the founders of Royal Watercolour Society in 1804.
[Ref: 62458] £140.00 (£168.00 incl.VAT)

Lavage des moutns au moyen de l'appareil de Bigg, en usage sur la ferme de Meudon, appartenant à J. A. P. M.gr. Le Prince Napoléon.
O. de Penne Pinx.t. Imp. Zanote, rue des Boulangers, 13 Paris.
Journal d'Agriculture pratique publié sous la directions de M.r. Barral.
Chromolithograph. Sheet: 260 x 195mm (10¼ x 7¾").
A view in a French farmyard in which the farmhands use a new machine for cleaning sheep by dipping the sheep, held in a cage, into a tub of water.
[Ref: 40330] £60.00 (£72.00 incl.VAT)

[Sheffield Cuttler] Plate 39.
Geo. Walker Del.t. Engraved by R. Havell.
Publish'd by Robinson & Son, Leeds, June 1. 1814.
Hand coloured aquatint. 290 x 380mm (11½ x 15"), watermarked 'J Whatman 1811'.
Four men standing at benches, hammering cutlery into shape. From George Walker’s 'The costume of Yorkshire' published in 1814, containing forty-one coloured aquatint plates based upon the author’s original drawings of social and economic scenes in Yorkshire.
[Ref: 54264] £140.00 (£168.00 incl.VAT)

[Shepherdess and Cattle.]
Printed & Sold by Thos. Bakewell next the Horn Tavern, Fleet Street [n.d., c.1737-42]
Mezzotint, platemark 175 x 125mm (7 x 5"). Thread margins; small nick inside platemark lower left.
[Ref: 37662] £75.00 (£90.00 incl.VAT)

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