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Somerset Place.
Somerset Place.
Publish'd June 15. 1796. by T. Malton.
Fine coloured aquatint with etching, sheet 295 x 380mm (11½ x 15").
View on the River Thames; Somerset House on the left; St Paul's in the background to the right of centre, with Blackfrairs Bridge on the right; naked figures swimming off barges moored in foreground; illustration to Malton's 'Picturesque Tour'.
[Ref: 59025]   £320.00  
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A Perspective View of y.e Royal Palace of Somerset next y.e River.
A Perspective View of y.e Royal Palace of Somerset next y.e River. Vue du Palais Royal de Somerset du Coste de la Riviere.
J. Maurer, delin et Sculp, London.
London Printed for R. Wilkinson N.o 58 Cornhill. & Bowles & Carver, 69 S.t Paul's Church Yard. According to Act of Parliament 1742.
Framed scarce & fine engraving with etching and wonderful hand colour. Plate 255 x 425mm (10 x 16¾"), with margins. Unexamined out of frame.
View of the gardens and terrace at Somerset House; on the right the River Thames looking towards St Paul's and the City of London, on the left Somerset House. Elegantly dressed people stroll through the gardens.
[Ref: 58936]   £780.00  
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The Song of the Redeemed Lord. [&] The Believer's Support in the Faithfullness of God.
The Song of the Redeemed Lord. [&] The Believer's Support in the Faithfullness of God.
[T. Adams]
[n.d., c.1800.]
Two letterpress hymn sheets, laid on album paper with an engraving of 'Antient Lyres'. Album sheet 330 x 170mm (13 x 6¾"). Sheets trimmed.
[Ref: 58958]   £260.00   (£312.00 incl.VAT) view all images for this item
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A View Of The Southwark Bridge. N.º 1. [&]
A View Of The Southwark Bridge. N.º 1. [&] A View Of The Southwark Bridge. N.º 2.
Aquatinted by W. Bennett. Coloured from the Original Drawing by W.H. Timms
London Published Feb.y 1819, by F. Nash, No.12 Howland Street, Fitzroy Square.
Scarce & fine pair of coloured etchings with beautiful aquatint colour. Frames 575 x 685mm (22½ x 27"). Unexamined outside of frame. Some time staining and foxing.
Two views of Southwark Bridge one under construction from the South Bank, with St Paul's central in the distance on the opposite shore, beyond the bridge; to left a number of boats docked and a horse and carriage waiting on the quay; to right boats on the water and one of the bridge finished.
[Ref: 58966]   £1,600.00  
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The Temptation of St Anthony.
The Temptation of St Anthony. From a Picture by E. Hemskirk in the possession of Mr Ibbett, Maidenhead Court, Aldersgate Street.
EHK. Drawn by S.A. Hart. Printed by S. Voles.
Published by S. Voles, No. 3 S.t Michael's Alley, Cornhill.
Rare lithograph. Sheet 280 x 300mm (11 x 12¾"). Top right corner reinstated with mss. fill, tears in inscription area repaired, creases, narrow margins.
An adaptation of one of several paintings of the Temptation of St Anthony by Egbert van Heemskerck (1634-1704). He sits at a table in a cave reading, harrassed by a multitude of grotesque demons. Dinosaurs and other reptile creatures depicted. Anthony the Great (251-356), a Christian monk from Egypt, tried to hide in a cave to escape the demons that plagued him; however they gathered there and beat him to death. After being pulled from the cave by his servant he came back to life; he demands to go back in to face them, and a bright light sent by God drives them away.
[Ref: 58837]   £480.00  
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South West View Of St. Martins Church
South West View Of St. Martins Church
Publish'd May 16.th 1795. by T. Malton.
Fine coloured aquatint with etching, sheet 400 x 310mm (15¾ x 12¼").
View looking across the south front of the church of St Martin-in-the-Fields, from the street; figures on pavement to the right, a cart on street in front of steps leading up to entrance to the church; illustration in Malton's 'Picturesque Tour'.
[Ref: 59014]   £220.00   (£264.00 incl.VAT)
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S.t Paul's From Ludgate Hill.
S.t Paul's From Ludgate Hill.
Published Aug.st 21.st 1797. by T. Malton.
Fine coloured aquatint with etching, sheet 420 x 310mm (16½ x 12¼").
View of part of the west front and dome of the cathedral; the street fairly busy with carriages and pedestrians; illustration to Malton's 'Picturesque Tour'.
[Ref: 59004]   £320.00  
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S.t Pauls Cathedral.
S.t Pauls Cathedral. Plate 53.
[by Thomas Malton]
[Published May 22nd 1797 by T. Malton.]
Aquatint with hand colour. Sheet 295 x 395mm (11¾ x 15½"). Trimmed within plate, losing publication line.
A view of the interior of St Paul's Cathedral, taken from under the cupola. Plate 53 of Malton's 'Picturesque Tour'.
[Ref: 58705]   £160.00   (£192.00 incl.VAT)
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South Front of St. Pauls.
South Front of St. Pauls.
Published Jan.y 1.st 1798. by T. Malton.
Coloured aquatint with etching, sheet 395 x 310mm (15½ x 12¼"). Tape marks.
View looking across the south front of St Paul's Cathedral with carriages in front.
[Ref: 59012]   £220.00   (£264.00 incl.VAT)
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North West View Of S.t Pauls
North West View Of S.t Pauls
Published Nov.r 30 1799 by T. Malton.
Coloured aquatint with etching, sheet 280 x 400mm (11 x 15¾"). Small red stain near publication line, sky blotchy colour.
View of St Pauls Cathedral from the north west, figures stroll past in the foreground.
[Ref: 59022]   £240.00   (£288.00 incl.VAT)
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St Thomas's Hospital [pencil].
St Thomas's Hospital [pencil].
Etched by C. Stanley Pollitt [pencil].
[n.d., c.1930.]
Rare etching, titled and signed by the artist. 200 x 260mm (8 x 10¼").
A view of the buildings of St Thomas' Hospital from the Thames, with a steam ferry passing. Queen Victoria laid the foundation stone in 1868 and opened the new buildings in 1871.
[Ref: 58767]   £180.00   (£216.00 incl.VAT)
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Fingal's Cave, Staffa.
Fingal's Cave, Staffa.
In Lithotint by C. Hullmandel from a Sketch by C.W.
C. Hullmandel's Patent [n.d., c.1840].
Fine lithograph. Printed area 340 x 235mm (13¼ x 9¼"), with large margins.
Two sightseers watching the sea flow through the cave.
[Ref: 58725]   £260.00   (£312.00 incl.VAT)
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The Right Hon.ble William L.d Harrington,
The Right Hon.ble William L.d Harrington, His Majtys. Principal Secretary of State & one of his Maj.tys. most Hon.ble Privy Council &c.
I. Fayram pinxt. I Faber fecit.
Sold by I Faber at the Green Door in Craven Buildings, Drury Lane.
Rare mezzotint, fine impression, print 360 x 250mm (14¼ x 10"). Trimmed to plate and glued to album sheet.
Three-quarter length portrait of diplomatist, politician and lord lieutenant of Ireland, William Stanhope, 1st Earl of Harrington (c.1683-1756). He wears a shoulder-length wig, lace cravat and a coat with large cuffs, heavily embroidered with large swirls of foliage, right hand tucked inside, left hand on the corner of a table against which he leans, view from a window in the background to right.
CS 181.
[Ref: 58877]   £260.00   (£312.00 incl.VAT)
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[Toestand der Engelsche Natie]
[Toestand der Engelsche Natie]
[n.d. c.1780]
Engraving, plate 215 x 285mm (8½ x 11¼"), very large margins. A little bit of surface dirt.
A Dutch satire on the defensive alliance against Britain, title translates to 'State of the English Nation'. A cow representing the commerce of Great Britain has its horns cut off by an American, assisted by other nations. The ship is inscribed "Eagle" and the town "Philadelphia". A rare & unusual image of Americana
BM Satires 5726
[Ref: 58918]   £850.00  
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Castor et Pollux.
Castor et Pollux. Ces deux statues de marbre representent deux enfans Jumeaux, dont la Déesse Latonne, qui avoiteu commerce avec Jupiter, accoucha dans l'Isle de Delos, où elle ses toit refugiée pour eviter la colere de Junon, qui pour se vanger l'avoit banni de dessus la terre. Ces deux statues antiques de marbre sont placées dans la Vigne Ludovise à Rome, elles ont été copiées par un sculpteur francois, pour estre placées à Versailles. 65.
Elles sont designées et gravées par S. Thomassin graveur du Roy 1724.
Engraving, 375 x 240mm (14½ x 9½"), with small margins. Scuffed, stains and creases going into the image and inscription area.
A statue of Caster and Pollux, by Antoine Coysevox (1640-1720), offering a sacrifice to Persephone. The statue, based on the 1st century AD original located in the Villa Ludovisi in Rome, was commissioned for the Parterre de Latone of Versailles in 1685.
[Ref: 58977]   £140.00   (£168.00 incl.VAT)
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Steamed Out, or the Starving Stage-Coachman and Boys.
Steamed Out, or the Starving Stage-Coachman and Boys.
George Cruikshank.
[London: David Bogue, 1847.]
Etching. Sheet 105 x 165mm (4¼ x 6½"). Trimmed within plate.
A portly but broken-down coach driver, heading an assortment of thin post boys and others, begs from a well-dressed family at a window. Behind a locomotive crosses a viaduct. Railway interest. From 'The Comic Almanack'.
[Ref: 58728]   £95.00   (£114.00 incl.VAT)
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George Stevenson, Esq.re.
George Stevenson, Esq.re. To the Proprietors of the Liverpool & Manchester Rail Road, this Portrait is respectfully inscribed By their obedient and humble Servant Moses Haughton.
Moses Haughton del.t. Engelmann, Graf, Coindet & Co. lithog.
London: Published by M. Haughton, 51 Great Marlborough St. [n.d. c.1820]
Scarce lithograph sheet 370 x 270mm (14½ x 10½"). Tapped into mount.Some surface dirt and very light foxing.
Half-legth seated portrait of English civil & mechanical engineer "Father of Railways", George Stephenson (1781 – 1848), he holds a picture of a train in his left hand. He wears a waistcoat, cravat and double breasted jacket.
[Ref: 58919]   £260.00   (£312.00 incl.VAT)
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[Portrait of Prince Henry]
[Portrait of Prince Henry]
William Hole Sculp:
[n.d. c.1612]
Engraving, 17th century watermark, plate 195 x 125mm (7¾ x 5"), with large margins. Stains in margins. Wormhole that turns into a tear just enters plate in top left corner.
Full length portrait of Henry Frederick Stuart, Prince of Wales (1594-1612), wearing armour and sword, and holding a pike; beside him, a plumed helmet.
[Ref: 58978]   £280.00   (£336.00 incl.VAT)
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The Submissive Admirer. Set by Mr Handel.
The Submissive Admirer. Set by Mr Handel. To the R.t Hon.ble the Earl Cowper, These Four Plates are humbly inscrib'd.
[Etched by George Bickham.]
[n.d., c.1737-9.]
Etched music sheet. 325 x 200mm (12¾ x 8"). Narrow margins top and bottom, original binding folds,
A music sheet with a headpiece of a courting couple. From George Bickham's 'The Musical Entertainer'.
[Ref: 58701]   £260.00   (£312.00 incl.VAT)
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Vue de Château d'Unspunnen et de ses environs.
Vue de Château d'Unspunnen et de ses environs.
[After Gabriel Lory le père][Engraver Johann Hurlimann].
[n.d. c.1822.]
Hand coloured aquatint, pt J. Whatman watermark, sheet 250 x 330mm (9¾ x 13"). Trimmed within platemark. Some creases and spots on image.
A landscape view of the ruins of Unspunnen Castle and its surroundings, in the canton of Bern in Switzerland. The scene depicts a valley with snowy peaks in the distance, the Unspunnen Castle on the right and some houses and cows in the middle ground. A group of three figures resting in the left foreground.
[Ref: 58903]   £320.00  
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A Man of Cape Dieman in New Holland.
A Man of Cape Dieman in New Holland.
Prior del.t. A.W. Warren sculp.
[London: J. Debrett, 1800.]
Engraving. 210 x 165mm (8¼ x 6½"). Trimmed to plate on two sides, narrow margins elsewhere.
A profile of an Aboriginal man, copied from the plate after Jean Piron. From the English edition of Jacques Labillardière's ''An Account of A Voyage in search of La Perouse... Under the Command of Rear-Admiral Bruni d'Entrecasteaux'', an expedition that crossed the South Pacific, visiting Australia, New Zealand and the East Indies between 1791-3.
[Ref: 58734]   £130.00  
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Mary Theresa
Mary Theresa by y.e Grace of God Queen of Hungary & Bohemia, Archdutchess of Austria, &c &c
C.Valo Pinx. J. Frank fecit.
Sold by T. Millward at the Dial and 3 Crowns in Fleet Street 1741. Prince 2 shillings.
Fine & scarce mezzotint, print 360 x 250mm (13¼ x 10"). Trimmed within plate and glued to album sheet.
Full body portrait of Queen Maria Theresa (1717-1780), sitting, hair in curls dressed with pearls, wearing earring, pearl necklace, dress with short sleeves, and robe; fluted pillar and curtain on the left; curtain on the right. Plate reduced and altered from one by R.Williams of Barbara Duchess of Cleveland. The names Valo and Frank are evidently fictitious.
CS: 13.IV. Layard 32.
[Ref: 58795]   £290.00   (£348.00 incl.VAT)
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The White Lily with Variegated-leaves.
The White Lily with Variegated-leaves.
Henderson pinx.t. Stadler sculp.t.
London Published Aug.t 1, 1800, by Dr. Thornton.
Fine aquatint, printed in colours and hand-finished. 540 x 400mm, 21¼ x 16", with large margins.
Madonna Lily (Lilium candidum), native of the Middle East, from Dr Robert John Thornton's 'Temple of Flora' 1799-1807, considered by many to be the greatest English colour-plate flower book, and the first series of flower prints to show the plant within a habitat. Here the plant is growing under the shadow of trees, with a clearing behind with a Grecian temple. Thornton (1768-1837) was an English physician and botanical writer. At Trinity College, Cambridge he turned away from the church towards medicine, having been inspired by the works of Linnaeus and Thomas Martyn's lectures. He went on to work at Guy's Hospital, London, where he later lectured in medical botany. He took some time off to travel abroad, which is when he began his ambitious work, the 'Temple of Flora', for which he produced a total of 33 coloured plates. His original plan was to publish seventy folio-size plates, however the lack of public interest spelled disaster and Thornton died in poverty.
Dunthorne: p. 249, state i of iv.
[Ref: 58696]   £850.00  
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[The Four Times of Day.]
[The Four Times of Day.] M. 9. Le Matin. [&] M 10. Le Midi. [&] M 11. Le Soir. [&] M 12. La Nuit.
Huquier ex.
[A Paris chez Huquier rue des Mathurins à côté de celle de Sorbonne C.P.R.] [n.d., c.1760.]
Set of four rare etchings. 165 x 115mm (6½ x 4½"), large margins. Mint.
Four rococo designs, each representing times of day, engraved and published by Gabriel Huquier (1695-1772).
[Ref: 58933]   £600.00   view all images for this item
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Without Perjury May be Sold by the Snuff Maker & Tobacconist According to Act of Parliament: 10lb of Snuff And 24lb of Tobacco. H & P. in Amity.
Without Perjury May be Sold by the Snuff Maker & Tobacconist According to Act of Parliament: 10lb of Snuff And 24lb of Tobacco. H & P. in Amity.
[n.d., c.1750.]
Extremely rare engraving. Sheet 185 x 135mm (7¼ x 5¼"). Trimmed to image.
An advert for a tobacconist with shopkeeper with scales and a customer taking a pinch of snuff, before a rococo design containing biblical quotes.
[Ref: 58952]   £420.00  
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Tom Jones' Marriage Settlement.
Tom Jones' Marriage Settlement.
June 17th, 1875.
Letterpress, sheet 200 x 130mm (18 x 5"). Creases where previously folded.
A lewd poem/songsheet/marriage vows.
[Ref: 58968]   £95.00   (£114.00 incl.VAT)
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[A Tour to Foreign Parts.]
[A Tour to Foreign Parts.]
[After Henry W. Bunbury.][Engraved by Thomas Rowlandson.]
[n.d. c.1807.]
Watercolour with etching lines, sheet 240 x 310 mm (9½ x 12¼"). Laid on card. Some stains, creases and tears on edges.
A satire on Grand Tourists, in which a young English gentleman arrives with his tutor and servant to an inn in France and he is promptly welcomed by the innkeeper holding out a menu. Out of the window of the inn, a cook chases away three cats with long tails with a carving knife in hand. To the rear of the group, another cook prepares to butcher a cock.
[Ref: 59108]   £360.00  
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The Great Court Of The Tower.
The Great Court Of The Tower. Plate 78.
Published May 22.nd 1799, by T. Malton.
Fine coloured aquatint with etching, sheet 310 x 420mm (12¼ x 16½").
View of the north east front of the White Tower, from the Great Court, the Tower partly obscured by a large tree in foreground to right, a woman and child below tree, elegantly dressed figures on the left; illustration to Malton's 'Picturesque Tour'.
[Ref: 59008]   £240.00   (£288.00 incl.VAT)
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Ever Memorable Battle Off Cape Trafalgar: 21 October 1805.
Ever Memorable Battle Off Cape Trafalgar: 21 October 1805.
[Published 12th December 1805 by Robert Laurie and James Whittle, No 53 Fleet Street, London.]
Hand coloured aquatint with engraving. Sheet 280 x 420mm (11 x 16½"). Trimmed to printed border on three sides, into image at top, laid on album paper with some of the original letterpress pasted on reverse, including half the publication line.
A scarce broadsheet plan of the Battle of Trafalgar, published less than two months after the event, showing the two columns of Royal Navy ships charging into the side of the French line. A sketch map illustrates the position of the battle against the coasts of Spain and Africa, markign Cadiz. Between the British columns is a vignette scene of Admiral Nelson collapsing on the quarterdeck of H.M.S. Victory, having been hit by a French musket ball.
[Ref: 59092]   £550.00  
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Uxbridge House.
Uxbridge House.
Published May 15.th 1800. by T. Malton.
Fine coloured aquatint with etching, sheet 395 x 305mm (15½ x 12"). Tape marks.
View of Uxbridge House in Burlington Gardens, Piccadilly; fashionably dressed figures on pavements on street, a carriage entering street beyond the house; illustration to Malton's 'Picturesque Tour'.
[Ref: 59016]   £190.00   (£228.00 incl.VAT)
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The Hon.ble Edward Vernon Esq.r: Vice Admiral of the Blue,
The Hon.ble Edward Vernon Esq.r: Vice Admiral of the Blue, And Comander in Chief of all HIs Majestie's Ships in the West-Indies. To the R.t Hon.ble Lord Mayor, the Court of Aldermen, & y.e Common Council of y.e City of London this Plate is humbly dedicated by their most obedient Serv.t John Faber.
T Bardwell pinxit. J. Faber fecit 1740.
Sold by Faber at the Golden Head in Bloomsbury Square.
Rare mezzotint, fine impression, print 355 x 250mm (14 x 9¾"). Trimmed within plate and glued to album sheet.
Three-quarter length portrait of Admiral Edward Vernon (1684-1757) wearing a sword, long coat, cravat and long dark wig, pointing to left with right hand, holding a long telescope in right hand.
CS 363.
[Ref: 58816]   £260.00   (£312.00 incl.VAT)
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Spooner's Transformations No 5. The Royal Rose of England.
Spooner's Transformations No 5. The Royal Rose of England. ''The expectancy and rose of the fair State". Shakespeare.
London William Spooner, 377 Strand, June 1st 1835.
Lithograph with hand colour, prepared as a transformation print, mounted on card with title underneath. Card 285 x 230mm (11¼ x 9").
A view of a rose Windsor Castle changes when the card is held up to the light, with Victoria on a throne who appears in the petals.
[Ref: 58960]   £260.00   (£312.00 incl.VAT)
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[Visit of Louis Philippe of France to Windsor Castle, 1844.]
[Visit of Louis Philippe of France to Windsor Castle, 1844.] Park's New Characters.
[n.d., c.1844.]
Rare coloured lithograph. Sheet 180 x 210mm (7 x 8¼"). Laid on album paper with other scraps, creased and stained.
A popular print depicting Victoria and King Louis Philippe sitting together on thrones, both wearing crowns, watched by Prince Albert. Louis-Philippe's week-long stay at Windsor in 1844 was the first meeting of the monarchs of Britain and France on English soil in half a millenia.
[Ref: 58832]   £140.00   (£168.00 incl.VAT)
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Prince Albert driving his favorites.
Prince Albert driving his favorites.
Dean & Co, Threadneedle Street.
[n.d., c.1843.]
Hand coloured lithograph with overlay. Sheet 190 x 265mm (7½ x 10½"). Vertical folding crease in the middle.
Prince Albert drives a closed-top carriage with two horses and a view of Windsor Castle in the background. Raising the flap reveals Queen Victoria seated with three of her children, Victoria, Princess Royal, King Edward VII, and Princess Alice. A Regency amusement.
See Ref: 58833, 58831 & 59033
[Ref: 58855]   £280.00   (£336.00 incl.VAT) view all images for this item
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[Vienna] Ansicht des Platzes und der Kirche von S.t Peter.
[Vienna] Ansicht des Platzes und der Kirche von S.t Peter. Vue de la Place et de L'Eglise de S. Pierre.
dessiné et gravé d'apres nature par C. Shütz.
Cum Priv. S.C.M. [Vienna: Artaria c.1805.]
Etching with fine hand colour. 335 x 440mm (13¼ x 17¼").
A view of the Peterskirche, a Baroque Roman Catholic parish church, built 1701-33. It is now run by Opus Dei.
[Ref: 58738]   £330.00  
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[Vienna] Der Hohemarkt.
[Vienna] Der Hohemarkt. Vue du Haut Marché.
Nach der Natur gezeichnet und gestochen von C. Shütz.
Wein, bey Artaria u. Comp. [n.d., c.1793.]
Etching with fine hand colour. Sheet 415 x 425mm (12½ x 16¾"). Trimmed within plate, glue stains at corners, repaired tear top left. Central crease.
A view of Hoher Markt Square, Vienna, with the 'Vermählungsbrunnen' (The Marriage Fountain), a baroque, white marble temple based on a drawing by Joseph Emanuel Fischer von Erlach, consecrated 1732.
[Ref: 58739]   £320.00  
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Lieutenant General Wade
Lieutenant General Wade Commander in Chief of all his Majties. Forces in Scotland.
J. Vanderbank Pinx. A. Vanhaecken et fecit.
[n.d. c.1736]
Very scarce mezzotint, print 320 x 400mm (12½ x 15¾"). Trimmed within publication line and glued to album sheet. Some creases, surface dirt and abrasions.
Three-quarter length portrait of Lieutenant General George Wade (1673-1748). He stands with his right hand on a cannon, left hand propping baton on a rock beside his helmet, wearing armour and long white wig. In the background mounted troops and a stone bridge can be seen in the mountainous landscape. The original drawing by Alexander van Haecken is in the Scottish National Portrait Gallery. Wade was a british army officer and commander-in-chief. Famous for building roads, the 'military ways' through Scotland. Commander-in-Chief of the troops sent into Scotland against the Jacobites in 1745, for a short time, until relieved by the more dynamic Cumberland, after which he retired. Marshal Wade's House, built for George Wade, in Bath is a fantastic example of 18th-century urban architecture in the Palladian style.
CS 18. BM 1902.1011.6039. NAM 2007-03-18-1.
[Ref: 58861]   £360.00  
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The Honorable S.r Charles Wager K.t.
The Honorable S.r Charles Wager K.t. Vice Admiral of y.e Red Squadron of his Majesty's Fleet, & one of y.e Commissioners for executing the Office of Lord High Amiral of Great Britain.
J. Ellis pinx. 1726. G. White fecit.
[n.d. c.1726]
Rare mezzotint, print 355 x 250mm (14 x 9¾"). A lettered state before addition of Overton address. Trimmed within plate and glued to album sheet. Central crease.
Three-quarter length portrait of Admiral Sir Charles Wager (1666-1743) standing almost in profile to left with right hand resting on baton, head turned to face front, left hand on hilt of sword; wearing plain undress uniform and long wig. Ships rocking on waves can be seen to the right.
CS 51.II. See also our references 12452 & 39882 (not same image).
[Ref: 58808]   £230.00   (£276.00 incl.VAT)
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[Warrens Jet Blacking] With Warrens, 30, Strand, the Boot so bright / The Cat alarm'd prepares her shade to fight.
[Warrens Jet Blacking] With Warrens, 30, Strand, the Boot so bright / The Cat alarm'd prepares her shade to fight. Presented to his Musical Friends by Robert Warren. Air The King God Bless him.
[n.d., c.1825.]
Engraved music sheet, printed on both sides. 280 x 205mm (11 x 8"). Loss of print lower left, taped over plate on reverse. Damaged.
An early advertising jingle, with a vignette of a cat taking fright from its own reflection in the back of a highly-polished boot. Rare Dickens item. There were two rival firms in London called 'Warren’s Blacking', formed by two brothers who had fallen out, Jonathan & Thomas. This music sheet was published by Thomas's son, Robert. Jonathan's rival firm is best known for employing a 12-year-old Charles Dickens while his father was in debtor's prison in 1824. He earned six shillings a week pasting labels on pots of boot blacking, in a building near Hungerford stairs, infested with rats.
[Ref: 58840]   £260.00   (£312.00 incl.VAT)
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View of Waterloo Bridge.
View of Waterloo Bridge. From the East End of Somerset House Terrace.
J.H Shepherd Del.t. J.C. Stadler Sculp.e.
London. Published April 12.th 1818, at R. Ackermann's Repository of Arts, 101 Strand.
Etching with beautiful aquatint colour. Frame 575 x 685mm (22½ x 27"). Unexamined outside of frame. Some time staining.
View of the River Thames, with Somerset House Terrace on the right, a large barge surrounded by smaller boats on the river to the left, Waterloo Bridge beyond and Westminster Abbey in the distance.
[Ref: 58964]   £480.00  
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[Johan Wilhelm Weinmann]
[Johan Wilhelm Weinmann] Joannes Guilielmus Weinmannus Dicasterij Ratisbonensis Assessor et Pharmacopola, natus Gardelegiæ MDCLXXXIII. d. XIII Mart. ætat LIV.
Hirschman pinx. J. Jac. Haid sculps. Aug. Vind.
[n.d., c.1737]
Mezzotint printed in blue. 320 x 200mm (12½ x 8"), large margins on 3 sides. Thread margin lower right.
Johan Wilhelm Weinmann (1683-1741), German apothecary and botanist, aged 54 so dating the portrait to 1737. Weinmann established a botanical garden in Regensburg and published botanical works, most notably the eight-volume florilegium 'Phytanthoza iconographia' (1737-45), illustrated with fine mezzotint plates. Engraving by Johann Jakob Haid (1704-67), one of the engravers employed on the florilegium, after a portrait by Johann Leonhard Hirschmann (1672-1750), artist and printmaker who studied in the studio of Sir Godfrey Kneller as a young man.
Wellcome 3142.
[Ref: 58811]   £360.00  
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[Portrait of Richard Colley Wellesley, Marquess Wellesley]
[Portrait of Richard Colley Wellesley, Marquess Wellesley]
[After Sir Thomas Lawrence]
[n.d. c.1846]
Fine mezzotint, plate 390 x 305mm (15½ x 12"), with very large margins. Proof before letters.
Seated half-length portrait of Anglo-Irish politician and colonial administrator Richard Colley Wellesley, Marquess Wellesley (1760-1842) to front, wearing garter star partly obscured by his lapel and ribbon with medal around his neck, his left hand just visible, curtain behind. He first made his name as fifth Governor-General of India between 1798 and 1805. He later served as Foreign Secretary in the British Cabinet and as Lord Lieutenant of Ireland. In 1799, his forces invaded Mysore and defeated Tipu, the Sultan of Mysore, in a major battle. He also initiated the Second Anglo-Maratha War.
[Ref: 59034]   £260.00   (£312.00 incl.VAT)
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Joannes Wenceslaus Comes a Gallas &c.
Joannes Wenceslaus Comes a Gallas &c.
G. Kneller S.R.Imp & Angl. Eques Aur. pinx. 1707. I. Smith fec.
[n.d. c.1707.]
Rare mezzotint, fine impression, print 345 x 250mm (13½ x 9¾"). Trimmed and glued to album sheet. Abrasions to right edge.
Half-length portrait of Johann Wenzel, Count of Gallas (1669-1719), in an oval. Looking towards the viewer, wearing a wig, collar, armour, and cloak. Coat of arms below. Wenzel was the ambassador to England and Rome for the emperors Joseph and Charles VI of Austria.
CS 94.
[Ref: 58869]   £190.00   (£228.00 incl.VAT)
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[Eighty Seven Years have I sojourned on this Earth, Endeavouring to do Good. John Wesley.]
[Eighty Seven Years have I sojourned on this Earth, Endeavouring to do Good. John Wesley.] 1. James Hamilton, M.D. / 2. Rev.d John Wesley, M.A. / 3, Rev.d Joseph Cole. / As they were seen walking on the Street at Edinburg, in the year 1790 taken by an original genius, who was expert in sketching with great correctness, the figure of every eminent person that appeared publicly in that City
Engraved by Consitt & Goodwill, Hull.
[n.d., c.1800.]
Rare etching with engraving. 190 x 130mm (7½ x 5"). Trimmed into plate top and bottom, losing surtitle, paper toned
A group portait of James Hamilton, John Wesley and Joseph Cole, walking arm in arm along a pavement, all dressed in black frockcoats and breeches with tricornes over their bob-wigs.
[Ref: 58836]   £130.00   (£156.00 incl.VAT)
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Deans Yard
Deans Yard
Publish'd Jan: 30. 1793. by T. Malton.
Fine coloured aquatint with etching, sheet 310 x 420mm (12¼ x 16½").
View of the south front of the Jerusalem Chamber, Westminster Abbey behind, from Deans Yard; illustration to Malton's 'Picturesque Tour'.
[Ref: 59000]   £220.00   (£264.00 incl.VAT)
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Henry VII. Chapel.
Henry VII. Chapel.
Publish'd Aug: 21.st 1793. [T. Malton.]
Fine coloured aquatint with etching, sheet 395 x 310mm (15½ x 12¼"). Tape marks.
Interior of the Henry VII Chapel in Westminster Abbey; looking through an arch into the main space of the chapel, with fan vaulting; a man gestures up towards the impressive architecture addressing a group of figures; illustration in Malton's 'Picturesque Tour'.
[Ref: 59013]   £140.00   (£168.00 incl.VAT)
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Melbourne House, White-Hall.
Melbourne House, White-Hall.
Publish'd Jan.y 18.th 1797. by T. Malton.
Coloured aquatint with etching, sheet 280 x 400mm (11 x 15¾"). Tape marks.
View down a street in Whitehall, with Melbourne House on the left, pedestrians passing below the portico, a man writing on a piece of parchment on the pavement in foreground to left, carriages on street to right; illustration to Malton's 'Picturesque Tour'.
[Ref: 59020]   £180.00   (£216.00 incl.VAT)
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Whitelaw's Patent Vegetable Vapour Baths.
Whitelaw's Patent Vegetable Vapour Baths. J. Shores, 41, Dock-Street Hull. [...] It is well known that Capt. Parry, in his last Northern Expedition, took one of these Baths with him, and that those of his crew, and those only who availed themselves of its use, could bear the severity of the extreme cold [...]
[n.d., c.1825.]
Letterpress advert. Sheet 180 x 110mm (7 x 4¼"). Laid on album paper.
Charles Whitlaw, a Scottish horticulturist, emigrated to North America in 1794 and spent about two decades collecting botanical specimens, some of which are preserved in the herbarium at the National Botanic Gardens, Glasnevin, Dublin. On returning to Britain, he was proposed for election as a Fellow of The Linnean Society of London, but was black-balled. He established ''patent medicated vapour baths'' in which he employed various North American plants with reputed medicinal properties. Claiming to be able to cure diseases such as scrofula, Whitlaw outraged the medical establishment and he was branded a charlatan and a quack.
[Ref: 58760]   £45.00   (£54.00 incl.VAT)
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David Wilkie, ESQ. R.A.
David Wilkie, ESQ. R.A.
Engraved by H. Meyer, from an original Drawing by J. Jackson.
Published July 1. 1815, By T. Cadell & W. Davies, Strand, London.
Stipple engraving 380 x 330mm (15 x 13"), J. Whatman 1813 watermarked paper; with large margins top and bottom, left and right decent margins.
Bust portrait of Sir David Wilkie (1785-1841). A Scottish painter. He was a pioneering genre painter and an original portraitist, and his scenes of Scottish peasant life won him much attention when he moved from Edinburgh to London in 1805. He was the friend of B.R. Haydon with whom he visited France in 1814. He was patronised by the Prince Regent and was made painter to King William IV, who later knighted him in 1836. His death on his return from India in 1841 was commemorated by Turner's painting, Burial at Sea.
[Ref: 59031]   £140.00   (£168.00 incl.VAT)
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His Royal Highness William Duke of Cumberland &c.
His Royal Highness William Duke of Cumberland &c. Born, April 1721 and Died, Oct.r 1765, Aged 45.
D.M. Pinx.t. J. Faber Fecit 1753.
Mezzotint, print 325 x 225mm (12¾ x 8¾"). Trimmed and glued to album sheet. Scuffed on the right side, crease in inscription area.
Half-length portrait of Prince William Augustus, Duke of Cumberland (1721-1765), in an oval. Looking towards the viewer, wearing his armour with a sash diagonally from the left shoulder. Prince William Augustus was the third son of King George II. He was known as 'butcher Cumberland' for his harsh suppression of the Jacobite Rebellion in 1746.
CS 105.II. State with 'Cumberland' printed in a different script.
[Ref: 58876]   £190.00   (£228.00 incl.VAT)
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