A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Prospect of ye Inner part of Tangier with the upper Castle from South-East.
W. Hollar delineavit et scul.
[Published by John Overton, 1673] [But later]
Etching, sheet 125 x 220mm (5 x 8½"). Trimmed.
One of series of views in Tangier (modern Morocco) by Wenceslaus Hollar (1607-77). Tangier came into English possession as part of Catherine of Braganza's dowry when she married Charles II in 1662, although attempts to develop it strategically and commercially were unsuccessful. In 1688 Hollar, in his capacity of 'Scenographus Regus', went there as part of a mission sent to deal with problems with hostile natives. Hollar made some sketches of the fortifications, published in 1673. The fortifications shown were demolished in 1684 when the English government abandoned Tangier. Some of Hollar's drawings of Tangier are in the British Museum.
Pennington 1192 ii/ii.
[Ref: 68288] £190.00 (£228.00 incl.VAT)
W. Hollar delineavit et scul.
[Published by John Overton, 1673] [But later]
Etching, sheet 125 x 220mm (5 x 8½"). Trimmed.
One of series of views in Tangier (modern Morocco) by Wenceslaus Hollar (1607-77). Tangier came into English possession as part of Catherine of Braganza's dowry when she married Charles II in 1662, although attempts to develop it strategically and commercially were unsuccessful. In 1688 Hollar, in his capacity of 'Scenographus Regus', went there as part of a mission sent to deal with problems with hostile natives. Hollar made some sketches of the fortifications, published in 1673. The fortifications shown were demolished in 1684 when the English government abandoned Tangier. Some of Hollar's drawings of Tangier are in the British Museum.
Pennington 1192 ii/ii.
[Ref: 68288] £190.00 (£228.00 incl.VAT)
Prospect of ye lower part of Tangier from the hill West of White-hall.
W. Hollar delin.
[Published by John Overton, 1673.]
Etching, sheet 125 x 215mm (5 x 8½"). On 17th century watermarked paper. Collector's stamp of G.A. Cardew, 'G.A.C.' Trimmed to platemark.
One of series of views in Tangier (modern Morocco) by Wenceslaus Hollar (1607-77). Tangier came into English possession as part of Catherine of Braganza's dowry when she married Charles II in 1662, although attempts to develop it strategically and commercially were unsuccessful. In 1688 Hollar, in his capacity of 'Scenographus Regus', went there as part of a mission sent to deal with problems with hostile natives. Hollar made some sketches of the fortifications, published in 1673. The fortifications shown were demolished in 1684 when the English government abandoned Tangier. Some of Hollar's drawings of Tangier are in the British Museum.
Pennington 1190 i/ii. Lugt: L.1134.
[Ref: 68287] £360.00
W. Hollar delin.
[Published by John Overton, 1673.]
Etching, sheet 125 x 215mm (5 x 8½"). On 17th century watermarked paper. Collector's stamp of G.A. Cardew, 'G.A.C.' Trimmed to platemark.
One of series of views in Tangier (modern Morocco) by Wenceslaus Hollar (1607-77). Tangier came into English possession as part of Catherine of Braganza's dowry when she married Charles II in 1662, although attempts to develop it strategically and commercially were unsuccessful. In 1688 Hollar, in his capacity of 'Scenographus Regus', went there as part of a mission sent to deal with problems with hostile natives. Hollar made some sketches of the fortifications, published in 1673. The fortifications shown were demolished in 1684 when the English government abandoned Tangier. Some of Hollar's drawings of Tangier are in the British Museum.
Pennington 1190 i/ii. Lugt: L.1134.
[Ref: 68287] £360.00
![[Classical collonade and courtyard after David Teniers.]](jpegs/68278.jpg)
[Classical collonade and courtyard after David Teniers.]
Æsheimer inv. W Hollar fecit.
F. van den Wyngarde exc. [n.d., c.1650.]
Etching, 17th century watermark. Sheet 225 x 165mm (8¾ x 6½"). Trimmed within plate, mounted on album paper. light creasing.
Although Pennington calls this plate 'Healing the cripples' after Elsheimer, the BM has traced a drawing by David Teniers the Elder in the Metropolitan Museum of Art.
Pennington: 114, iii of iii; BM 2005,U.178.
[Ref: 68278] £140.00 (£168.00 incl.VAT)
Æsheimer inv. W Hollar fecit.
F. van den Wyngarde exc. [n.d., c.1650.]
Etching, 17th century watermark. Sheet 225 x 165mm (8¾ x 6½"). Trimmed within plate, mounted on album paper. light creasing.
Although Pennington calls this plate 'Healing the cripples' after Elsheimer, the BM has traced a drawing by David Teniers the Elder in the Metropolitan Museum of Art.
Pennington: 114, iii of iii; BM 2005,U.178.
[Ref: 68278] £140.00 (£168.00 incl.VAT)
View of the Road by Saorgio to the Passage of the Col de Tende.
Drawn by Mary Countess Harcourt, Engraved by J. Hibbert, jun. Bath.
Fine & rare aquatint, printed in sepia. 365 x 480mm (14 x 19"), with very large margins. Laid on board. Edges of board chipped, print not affected.
View of a town on cliffs, seen from below, a winding road and river at left in the foreground. 1809-33. Department of Alpes-Maritimes region of Provence-Alpes-Cote d'Azur, while Col de Tende is a high mountain pass in the Alps, on the border of France and Italy. Mary, Countess Harcourt (1749 - 1833) Wife of William Harcourt, 3rd Earl Harcourt, and amateur painter.
[Ref: 68308] £380.00
Drawn by Mary Countess Harcourt, Engraved by J. Hibbert, jun. Bath.
Fine & rare aquatint, printed in sepia. 365 x 480mm (14 x 19"), with very large margins. Laid on board. Edges of board chipped, print not affected.
View of a town on cliffs, seen from below, a winding road and river at left in the foreground. 1809-33. Department of Alpes-Maritimes region of Provence-Alpes-Cote d'Azur, while Col de Tende is a high mountain pass in the Alps, on the border of France and Italy. Mary, Countess Harcourt (1749 - 1833) Wife of William Harcourt, 3rd Earl Harcourt, and amateur painter.
[Ref: 68308] £380.00
![[Tothill Fields]](jpegs/68291.jpg)
[Tothill Fields]
[Abraham Aubry after Wenceslaus Hollar, c.1644]
Etching, sheet 90 x 165mm (3½ x 6½"). Trimmed to image and glued to backing sheet.
View across Tothill Fields towards Westminster Abbey (marked 'S. Peter in westminster'), with Parliament buildings to the right and the old St. Paul's Cathedral (destroyed by the 1666 fire) in background. Copy by Abraham Aubry of an etching by Wenceslaus Hollar (1607-77), whose etching was originally issued as part of a set of four English views (the other three were of central London and Windsor). Born in Bohemia, Hollar spent around 32 of his 52 years as a professional artist working in England. An outstanding draughtsman and topographical etcher, Hollar's work was enormously varied and has done much to inform the way that 17th century London is visualised.
Pennington 913 (copy)
[Ref: 68291] £90.00 (£108.00 incl.VAT)
[Abraham Aubry after Wenceslaus Hollar, c.1644]
Etching, sheet 90 x 165mm (3½ x 6½"). Trimmed to image and glued to backing sheet.
View across Tothill Fields towards Westminster Abbey (marked 'S. Peter in westminster'), with Parliament buildings to the right and the old St. Paul's Cathedral (destroyed by the 1666 fire) in background. Copy by Abraham Aubry of an etching by Wenceslaus Hollar (1607-77), whose etching was originally issued as part of a set of four English views (the other three were of central London and Windsor). Born in Bohemia, Hollar spent around 32 of his 52 years as a professional artist working in England. An outstanding draughtsman and topographical etcher, Hollar's work was enormously varied and has done much to inform the way that 17th century London is visualised.
Pennington 913 (copy)
[Ref: 68291] £90.00 (£108.00 incl.VAT)
Mad.me Jetty Treffz as Arline.
J. Brandard Delt et Lith. M. & H. Hanhard Lith Printers.
[n.d., c.1850.]
Chromolithograph. Framed, sight size 335 x 235mm (13¼ x 9¼ x 8¾"), mounted around title. Some spotting, unexamined out of frame.
A full-length portrait of Austrian mezzo-soprano tenor Henrietta "Jetty" Treffz (1818-78) as Arline in 'The Bohemian Girl', by Irish composer Michael William Balfe.
[Ref: 68500] £240.00 (£288.00 incl.VAT)
J. Brandard Delt et Lith. M. & H. Hanhard Lith Printers.
[n.d., c.1850.]
Chromolithograph. Framed, sight size 335 x 235mm (13¼ x 9¼ x 8¾"), mounted around title. Some spotting, unexamined out of frame.
A full-length portrait of Austrian mezzo-soprano tenor Henrietta "Jetty" Treffz (1818-78) as Arline in 'The Bohemian Girl', by Irish composer Michael William Balfe.
[Ref: 68500] £240.00 (£288.00 incl.VAT)
Tunbridge Wells humbly Dedicated to Thomas Pellet M.D.
T. Badslade Delin. I Kip Sculp.
[London: D. Midwinter, 1719.]
Engraving, very fine impression, 18th century watermark. 350 x 430mm (13¾ x 17"), with very large margins. Central crease as normal as issued.
A detailed bird's-eye view engraved by Johannes Kip after Thomas Badeslade for John Harris's 'History of Kent in Five Parts'. The houses are named in the image, with the wells in the centre of the plate. The title is on a scroll at the top of the plate, along with Pellet's armorial. Thomas Pellet was elected a fellow of the Royal College of Physicians in 1716 and served as President 1735-9. William Hogarth painted his portrait about that time, which is now in the Tate Gallery.
[Ref: 68282] £260.00 (£312.00 incl.VAT)
T. Badslade Delin. I Kip Sculp.
[London: D. Midwinter, 1719.]
Engraving, very fine impression, 18th century watermark. 350 x 430mm (13¾ x 17"), with very large margins. Central crease as normal as issued.
A detailed bird's-eye view engraved by Johannes Kip after Thomas Badeslade for John Harris's 'History of Kent in Five Parts'. The houses are named in the image, with the wells in the centre of the plate. The title is on a scroll at the top of the plate, along with Pellet's armorial. Thomas Pellet was elected a fellow of the Royal College of Physicians in 1716 and served as President 1735-9. William Hogarth painted his portrait about that time, which is now in the Tate Gallery.
[Ref: 68282] £260.00 (£312.00 incl.VAT)
Francis L.d B.pp of Ely.
W. Vincent fe.
[n.d., c.1690.]
Rare mezzotint. Sheet 150 x 115mm (6 x 4½"). Trimmed within plate, mounted in album paper at edges.
A half-length portrait in oval of Francis Turner (1637-1700), Bishop of Ely from 1684-90, when he was deposed for refusing to take the oath of allegiance to William III.
CS 12. Sharp 654.
[Ref: 68523] £190.00 (£228.00 incl.VAT)
W. Vincent fe.
[n.d., c.1690.]
Rare mezzotint. Sheet 150 x 115mm (6 x 4½"). Trimmed within plate, mounted in album paper at edges.
A half-length portrait in oval of Francis Turner (1637-1700), Bishop of Ely from 1684-90, when he was deposed for refusing to take the oath of allegiance to William III.
CS 12. Sharp 654.
[Ref: 68523] £190.00 (£228.00 incl.VAT)
The Union Club Masquerade.
[Charles Williams.]
Pubd June 7.th 1802 by SWFores 50 Piccadilly. Folios of Caracatures lent out for the Evening.
Fine coloured etching, 18th century watermark. 280 x 380mm (11 x 15"). Trimmed into plate top and bottom, small tears taped.
A burlesque of the magnificent masquerade given by the Union Club in honour of the Peace of Amiens, centred on the Prince of Wales dress as Henry VIII, Mrs Fitzherbert as Anne Boleyn and William Pitt the younger as 'Fame, with two trumpets. On the left is the Duke of Norfolk, believed to be a crypto-Catholic who had conformed in order to sit in Parliament, as a fat monk with rosary and scourge hanging from his girdle.
BM Satire 9871, with extensive description. See [Ref: 54438] for one with different colouring.
[Ref: 68514] £320.00
[Charles Williams.]
Pubd June 7.th 1802 by SWFores 50 Piccadilly. Folios of Caracatures lent out for the Evening.
Fine coloured etching, 18th century watermark. 280 x 380mm (11 x 15"). Trimmed into plate top and bottom, small tears taped.
A burlesque of the magnificent masquerade given by the Union Club in honour of the Peace of Amiens, centred on the Prince of Wales dress as Henry VIII, Mrs Fitzherbert as Anne Boleyn and William Pitt the younger as 'Fame, with two trumpets. On the left is the Duke of Norfolk, believed to be a crypto-Catholic who had conformed in order to sit in Parliament, as a fat monk with rosary and scourge hanging from his girdle.
BM Satire 9871, with extensive description. See [Ref: 54438] for one with different colouring.
[Ref: 68514] £320.00
![[Vauxhall Bridge] This Plate exhibiting a Picturesque Elevation of the Iron Bridge Erected over the Thames at Vauxhall,](jpegs/68446.jpg)
[Vauxhall Bridge] This Plate exhibiting a Picturesque Elevation of the Iron Bridge Erected over the Thames at Vauxhall, under the Direction of James Walker, Engineer, & compleated A.D. 1816, Is respectfully Dedicated to the Vauxhall Bridge Company, by their very Obedient & humble Servant, Sam.l Cossart.
Sam.l Cossart del. J.s Basire, sculp.
Published as the Act directs, Nov.r 1, 1816.
Engraving. 295 x 620mm (11¾ x 24½"). Trimmed and edges backed onto album paper at edges. Fold down right side.
The first Vauxhall Bridge, opened as a toll bridge in 1816, replaced 1906. A scale bar is drawn on a raft of timber lower right.
See [Ref: 56685] for one with colour.
[Ref: 68446] £280.00 (£336.00 incl.VAT)
Sam.l Cossart del. J.s Basire, sculp.
Published as the Act directs, Nov.r 1, 1816.
Engraving. 295 x 620mm (11¾ x 24½"). Trimmed and edges backed onto album paper at edges. Fold down right side.
The first Vauxhall Bridge, opened as a toll bridge in 1816, replaced 1906. A scale bar is drawn on a raft of timber lower right.
See [Ref: 56685] for one with colour.
[Ref: 68446] £280.00 (£336.00 incl.VAT)
Mad.me Viardot Garcia. Mad.lle Alboni. Caso equal giammai scommetto. Act. 1. Sc. 9. Scene from ''Les Huguenots''.
J. Brandard Del et Lith.
M. & N. Hanhart, Chromo Lith [n.d., c.1850].
Chromolithograph. Framed, sight size 310 x 235mm (12 x 9¼") Unexamined out of frame.
A full-length double portrait of French soprano Pauline Viardot (1821-1910) as Valentine, and Italian contralto Maria Anna Marzia (Marietta) Alboni (1826-94) as the male page Urbain, in Giacomo Meyerbeer's grand opera.
[Ref: 68255] £190.00 (£228.00 incl.VAT)
J. Brandard Del et Lith.
M. & N. Hanhart, Chromo Lith [n.d., c.1850].
Chromolithograph. Framed, sight size 310 x 235mm (12 x 9¼") Unexamined out of frame.
A full-length double portrait of French soprano Pauline Viardot (1821-1910) as Valentine, and Italian contralto Maria Anna Marzia (Marietta) Alboni (1826-94) as the male page Urbain, in Giacomo Meyerbeer's grand opera.
[Ref: 68255] £190.00 (£228.00 incl.VAT)
Mad.me Viardot-Garcia. Théatre Italien.
Vigneron 1840. Lith. de Thierry frères.
Chez Gihaut f.s Boul.t des Italiens, 5 [n.d., c.1830].
Coloured lithograph. Framed, sight size 410 x 280mm (16 x 11") Unexamined out of frame.
A full-length portrait of French soprano Pauline Viardot (1821-1910).
[Ref: 68244] £280.00 (£336.00 incl.VAT)
Vigneron 1840. Lith. de Thierry frères.
Chez Gihaut f.s Boul.t des Italiens, 5 [n.d., c.1830].
Coloured lithograph. Framed, sight size 410 x 280mm (16 x 11") Unexamined out of frame.
A full-length portrait of French soprano Pauline Viardot (1821-1910).
[Ref: 68244] £280.00 (£336.00 incl.VAT)
Madame Pauline Viardot-Garcia, in ''Les Huguenots''.
J. Brandard.
[n.d., c.1850.]
Coloured lithograph with gilt highlights. Framed, sight size 270 x 190mm (10¾ x 7½") Unexamined out of frame.
A three-quarter portrait of French soprano Pauline Viardot (1821-1910) in Giacomo Meyerbeer's grand opera ''Les Huguenots''.
[Ref: 68497] £180.00 (£216.00 incl.VAT)
J. Brandard.
[n.d., c.1850.]
Coloured lithograph with gilt highlights. Framed, sight size 270 x 190mm (10¾ x 7½") Unexamined out of frame.
A three-quarter portrait of French soprano Pauline Viardot (1821-1910) in Giacomo Meyerbeer's grand opera ''Les Huguenots''.
[Ref: 68497] £180.00 (£216.00 incl.VAT)
[George Duke of Buckingham with his Brother Francis, 1636. To his Grace Charles Duke of Grafton, &c. This Plate is humbly Inscrib'd by his Graces most Oblig'd Servant James M..'Ardell.]
[Done by Ja.s M'Ardell from a Capital Picture of Van Dyck in the Royal Pallace at Kensington, 1752.]
Fine mezzotint, proof before letters, 500 x 355mm (19¾ x 14"). On 18th century watermarked paper. Narrow margins.
Double portrait of George Villiers, second duke of Buckingham (1628-87), left, and his brother Lord Francis Villiers (1629-48) right. Buckingham went on to a career of varying fortunes as a politician, including being appointed to the Order of the Garter and being imprisoned in the Tower of London; Francis was killed during the Civil War, during a minor engagement near Kingston upon Thames. Engraved after the 1635 painting by Van Dyck in the Royal Collection.
CS: 34, ii of iii; Goodwin 22, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68314] £480.00
[Done by Ja.s M'Ardell from a Capital Picture of Van Dyck in the Royal Pallace at Kensington, 1752.]
Fine mezzotint, proof before letters, 500 x 355mm (19¾ x 14"). On 18th century watermarked paper. Narrow margins.
Double portrait of George Villiers, second duke of Buckingham (1628-87), left, and his brother Lord Francis Villiers (1629-48) right. Buckingham went on to a career of varying fortunes as a politician, including being appointed to the Order of the Garter and being imprisoned in the Tower of London; Francis was killed during the Civil War, during a minor engagement near Kingston upon Thames. Engraved after the 1635 painting by Van Dyck in the Royal Collection.
CS: 34, ii of iii; Goodwin 22, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68314] £480.00
George Duke of Buckingham with his Brother Francis, 1636. To his Grace Charles Duke of Grafton, &c. This Plate is humbly Inscrib'd by his Graces most Oblig'd Servant James M..'Ardell.
Done by Ja.s M'Ardell from a Capital Picture of Van Dyck in the Royal Pallace at Kensington, 1752.
Fine mezzotint. 500 x 355mm (19¾ x 14") Trimmed to plate, mounted on album paper at corners, some creasing in corners.
Double portrait of George Villiers, second duke of Buckingham (1628-87), left, and his brother Lord Francis Villiers (1629-48) right. Buckingham went on to a career of varying fortunes as a politician, including being appointed to the Order of the Garter and being imprisoned in the Tower of London; Francis was killed during the Civil War, during a minor engagement near Kingston upon Thames. Engraved after the 1635 painting by Van Dyck in the Royal Collection.
CS: 34, iii of iii; Goodwin 22, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd and Lady Lucas of Credwell.
[Ref: 68370] £460.00
Done by Ja.s M'Ardell from a Capital Picture of Van Dyck in the Royal Pallace at Kensington, 1752.
Fine mezzotint. 500 x 355mm (19¾ x 14") Trimmed to plate, mounted on album paper at corners, some creasing in corners.
Double portrait of George Villiers, second duke of Buckingham (1628-87), left, and his brother Lord Francis Villiers (1629-48) right. Buckingham went on to a career of varying fortunes as a politician, including being appointed to the Order of the Garter and being imprisoned in the Tower of London; Francis was killed during the Civil War, during a minor engagement near Kingston upon Thames. Engraved after the 1635 painting by Van Dyck in the Royal Collection.
CS: 34, iii of iii; Goodwin 22, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd and Lady Lucas of Credwell.
[Ref: 68370] £460.00
George Duke of Buckingham with his Brother Francis, 1636. To his Grace Charles Duke of Grafton, &c. This Plate is humbly Inscrib'd by his Graces most Oblig'd Servant James M..'Ardell.
Done by Ja.s M'Ardell from a Capital Picture of Van Dyck in the Royal Pallace at Kensington, 1752. [But later]
Mezzotint. 500 x 355mm (19¾ x 14") Thread margins.
Double portrait of George Villiers, second duke of Buckingham (1628-87), left, and his brother Lord Francis Villiers (1629-48) right. Buckingham went on to a career of varying fortunes as a politician, including being appointed to the Order of the Garter and being imprisoned in the Tower of London; Francis was killed during the Civil War, during a minor engagement near Kingston upon Thames. Engraved after the 1635 painting by Van Dyck in the Royal Collection.
CS: 34, iii of iii; Goodwin 22, iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68371] £360.00
Done by Ja.s M'Ardell from a Capital Picture of Van Dyck in the Royal Pallace at Kensington, 1752. [But later]
Mezzotint. 500 x 355mm (19¾ x 14") Thread margins.
Double portrait of George Villiers, second duke of Buckingham (1628-87), left, and his brother Lord Francis Villiers (1629-48) right. Buckingham went on to a career of varying fortunes as a politician, including being appointed to the Order of the Garter and being imprisoned in the Tower of London; Francis was killed during the Civil War, during a minor engagement near Kingston upon Thames. Engraved after the 1635 painting by Van Dyck in the Royal Collection.
CS: 34, iii of iii; Goodwin 22, iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68371] £360.00
![[Charles Watson-Wentworth] [The Right Noble Charles Marquis of Rockingham,](jpegs/68323.jpg)
[Charles Watson-Wentworth] [The Right Noble Charles Marquis of Rockingham, Earl of Malton and of Wath and Harowden, Lord Lieutenant and Custos Rotulorum of the West Riding of the County of York and Custos Rotulorum of the North Riding of the said County and Vice Admiral of all the Maritime Parts thereof and F.R.S.]
[Painted by B. Wilson. R. Houston Sculp.]
[Sold by R. Houston near Drummond's, Charing Cross.] [n.d., c.1760].
Rare mezzotint, proof before letters. 390 x 275mm (15¼ x 10¾"). Repaired tears, creasing. Small margins. Title area uncleaned.
Three quarter length portrait of Charles Watson-Wentworth (1730-82), 2nd Marquis of Rockingham, standing in profile to the left. Rockingham was a British Whig statesman, most notable for his two terms as Prime Minister, in 1765-6 and 1782.
CS 104, state i of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68323] £280.00 (£336.00 incl.VAT)
[Painted by B. Wilson. R. Houston Sculp.]
[Sold by R. Houston near Drummond's, Charing Cross.] [n.d., c.1760].
Rare mezzotint, proof before letters. 390 x 275mm (15¼ x 10¾"). Repaired tears, creasing. Small margins. Title area uncleaned.
Three quarter length portrait of Charles Watson-Wentworth (1730-82), 2nd Marquis of Rockingham, standing in profile to the left. Rockingham was a British Whig statesman, most notable for his two terms as Prime Minister, in 1765-6 and 1782.
CS 104, state i of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68323] £280.00 (£336.00 incl.VAT)
Wealth and Respectability.
Ambery del.t. Vain Right Sculp.
Pub.d March 12th 1805 by S.W. Fores No 50 Piccadilly.
Coloured etching. 345 x 245mm (13½ x 9½"), on watermarked Whatman paper.
A ragged old peasant woman collecting firewood is confronted by a devil serving as a gamekeeper. She begs in vain to be allowed to take the wood to her daughter's poor children. The artist and engraver's names are probably pseudonyms.
Not in BM.
[Ref: 68506] £590.00
Ambery del.t. Vain Right Sculp.
Pub.d March 12th 1805 by S.W. Fores No 50 Piccadilly.
Coloured etching. 345 x 245mm (13½ x 9½"), on watermarked Whatman paper.
A ragged old peasant woman collecting firewood is confronted by a devil serving as a gamekeeper. She begs in vain to be allowed to take the wood to her daughter's poor children. The artist and engraver's names are probably pseudonyms.
Not in BM.
[Ref: 68506] £590.00
David Wells Esq. F.S.A.
Pub. by J.Nichols & Co March 1, 1815.
Etching. Sheet 195 x 215mm (7¾ x 8½"). Crease and trimmed within plate.
A lightly caricatured portrait of David Wells, a fellow of the Society of Antiquaries, playing a piano or harpsichord. Published by another fellow of SAL, John Nichols (1745–1826), an English printer, author and antiquary. He is remembered as an influential editor of the Gentleman's Magazine for nearly 40 years.
[Ref: 68250] £260.00 (£312.00 incl.VAT)
Pub. by J.Nichols & Co March 1, 1815.
Etching. Sheet 195 x 215mm (7¾ x 8½"). Crease and trimmed within plate.
A lightly caricatured portrait of David Wells, a fellow of the Society of Antiquaries, playing a piano or harpsichord. Published by another fellow of SAL, John Nichols (1745–1826), an English printer, author and antiquary. He is remembered as an influential editor of the Gentleman's Magazine for nearly 40 years.
[Ref: 68250] £260.00 (£312.00 incl.VAT)
Rev. William Whiston, M.A. Born at Norton, 1667; Died 1752.
[After Benjamin Wilson.]
[n.d., c.1810.]
Etching, 175 x 105mm (7 x 4").
Portrait of William Whiston (1667 - 1752), English theologian, historian, natural philosopher, and mathematician, a leading figure in the popularisation of the ideas of Isaac Newton. Best known for helping to instigate the Longitude Act in 1714 and his important translations of the Antiquities of the Jews and other works by Josephus.
W3172-3
[Ref: 68269] £160.00 (£192.00 incl.VAT)
[After Benjamin Wilson.]
[n.d., c.1810.]
Etching, 175 x 105mm (7 x 4").
Portrait of William Whiston (1667 - 1752), English theologian, historian, natural philosopher, and mathematician, a leading figure in the popularisation of the ideas of Isaac Newton. Best known for helping to instigate the Longitude Act in 1714 and his important translations of the Antiquities of the Jews and other works by Josephus.
W3172-3
[Ref: 68269] £160.00 (£192.00 incl.VAT)
Palatium Regis proprè Londinium, vulgo White-hall.
[Etched by Wenceslaus Hollar c.1647.]
Etching. 17th century watermark ? Sheet 145 x 320mm (5¾ x 12½"). Trimmed to printed border, losing numeral lower right, tear in bottom left corner repaired with acid free tape. Slight crease.
A view of Whitehall from the Thames, showing the Privy Stairs. The new Banqueting House rises above.
Pennington 1039, state ii of iii.
[Ref: 68285] £180.00 (£216.00 incl.VAT)
[Etched by Wenceslaus Hollar c.1647.]
Etching. 17th century watermark ? Sheet 145 x 320mm (5¾ x 12½"). Trimmed to printed border, losing numeral lower right, tear in bottom left corner repaired with acid free tape. Slight crease.
A view of Whitehall from the Thames, showing the Privy Stairs. The new Banqueting House rises above.
Pennington 1039, state ii of iii.
[Ref: 68285] £180.00 (£216.00 incl.VAT)
William Prince of Orange Father of King William the Third. From a Painting by Terburg in the Collection of Sir Joshua Van Neck Bar.t.
Engrav'd by Capt.n Baillie.
Publish'd Sep.r 20, 1771 [but John Boydell, c.1800].
Etching with drypoint. 280 x 250mm (11 x 9¾"), on wove paper, large margins. Paper toned and foxing.
Etching after the Dutch Golden Age painter, Gerard ter Borch (1617–81), it was painted around 1672 when the Prince visited Deventer, Netherlands. The portrait shows the Prince as a young man, depicted in riding gear and was engraved by Captain William Baillie (1723-1810). Baillie retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques. A collection of Baillie's prints was issued by Boydell in 1792 and 1803; this example has a gilt fore-edge, indictating it had been bound.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68469] £160.00 (£192.00 incl.VAT)
Engrav'd by Capt.n Baillie.
Publish'd Sep.r 20, 1771 [but John Boydell, c.1800].
Etching with drypoint. 280 x 250mm (11 x 9¾"), on wove paper, large margins. Paper toned and foxing.
Etching after the Dutch Golden Age painter, Gerard ter Borch (1617–81), it was painted around 1672 when the Prince visited Deventer, Netherlands. The portrait shows the Prince as a young man, depicted in riding gear and was engraved by Captain William Baillie (1723-1810). Baillie retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques. A collection of Baillie's prints was issued by Boydell in 1792 and 1803; this example has a gilt fore-edge, indictating it had been bound.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68469] £160.00 (£192.00 incl.VAT)
In Memory of our late Glorious Deliverer King William III This Plate (of the City and Castle of Namur, taken 1695) is most Humbly Dedicated to the Superior, Wardens, and the Rest of the Members of the Loyal and Friendly Society. of the Blue and Orange. By a Member and their most Obliged Humble Servant John Faber. Done from the Original Painting once King William's now in the Hands of the Bishop of Kildare. ~ 1743.
John Wyck Pinx.t. J.Faber fecit, 1743.
Fine & rare mezzotint, 350 x 500mm (13¾ x 19¾"), with large margins. Slight crease in centre. Repaired tears in margins.
William III on horseback at the battle of Namur (present day Belgium) in 1695 during the Nine Years' War. Engraved after a painting by Dutch artist Jan Wyck (1645–1702) now in the National Gallery of Ireland.
CS 387, ii of ii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 68283] £650.00
John Wyck Pinx.t. J.Faber fecit, 1743.
Fine & rare mezzotint, 350 x 500mm (13¾ x 19¾"), with large margins. Slight crease in centre. Repaired tears in margins.
William III on horseback at the battle of Namur (present day Belgium) in 1695 during the Nine Years' War. Engraved after a painting by Dutch artist Jan Wyck (1645–1702) now in the National Gallery of Ireland.
CS 387, ii of ii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 68283] £650.00
![[Cardinal Nicholas Wiseman.]](jpegs/68205.jpg)
[Cardinal Nicholas Wiseman.]
[Painted by T.R. Herbert, R.A. Engraved by G.R. Ward.]
[London: Published March 1.st 1855, by the Engraver at 31, Fitzroy Square.]
Mezzotint, proof before letters, printed on chine collé. 515 x 375mm (20¼ x 14¾"). Trimmed to plate at bottom, surface scrapes, tears in backing sheet.
A three-quarter length seated portrait of Nicholas Wiseman (1802-1865), Cardinal and first Archbishop of Westminster, in his robes.
Ex Collection Hon. Christopher Lennox-Boyd.
[Ref: 68205] £260.00 (£312.00 incl.VAT)
[Painted by T.R. Herbert, R.A. Engraved by G.R. Ward.]
[London: Published March 1.st 1855, by the Engraver at 31, Fitzroy Square.]
Mezzotint, proof before letters, printed on chine collé. 515 x 375mm (20¼ x 14¾"). Trimmed to plate at bottom, surface scrapes, tears in backing sheet.
A three-quarter length seated portrait of Nicholas Wiseman (1802-1865), Cardinal and first Archbishop of Westminster, in his robes.
Ex Collection Hon. Christopher Lennox-Boyd.
[Ref: 68205] £260.00 (£312.00 incl.VAT)
![[Nicholas Wiseman] N. Card. Wiseman [facsimile signature].](jpegs/68207.jpg)
[Nicholas Wiseman] N. Card. Wiseman [facsimile signature].
[ainted by T.R. Herbert, R.A. Engraved by G.R. Ward.
London: Published March 1.st 1855, by the Engraver at 31, Fitzroy Square.
Mezzotint on chine collé, signed in ink by sitter. 515 x 375mm (20¼ x 14¾"), withlarge margins. Tear entering plate but not image on right.
A three-quarter length seated portrait of Nicholas Wiseman (1802-1865), Cardinal and first Archbishop of Westminster, in his robes.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68207] £360.00
[ainted by T.R. Herbert, R.A. Engraved by G.R. Ward.
London: Published March 1.st 1855, by the Engraver at 31, Fitzroy Square.
Mezzotint on chine collé, signed in ink by sitter. 515 x 375mm (20¼ x 14¾"), withlarge margins. Tear entering plate but not image on right.
A three-quarter length seated portrait of Nicholas Wiseman (1802-1865), Cardinal and first Archbishop of Westminster, in his robes.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68207] £360.00
![[Cardinal Nicholas Wiseman.]](jpegs/68206.jpg)
[Cardinal Nicholas Wiseman.]
[Painted by T.R. Herbert, R.A. Engraved by G.R. Ward.]
[London: Published March 1.st 1855, by the Engraver at 31, Fitzroy Square.]
Mezzotint, proof before letters. 515 x 375mm (20¼ x 14¾"), with large margins. Repaired nicks to margins.
A three-quarter length seated portrait of Nicholas Wiseman (1802-1865), Cardinal and first Archbishop of Westminster, in his robes.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68206] £260.00 (£312.00 incl.VAT)
[Painted by T.R. Herbert, R.A. Engraved by G.R. Ward.]
[London: Published March 1.st 1855, by the Engraver at 31, Fitzroy Square.]
Mezzotint, proof before letters. 515 x 375mm (20¼ x 14¾"), with large margins. Repaired nicks to margins.
A three-quarter length seated portrait of Nicholas Wiseman (1802-1865), Cardinal and first Archbishop of Westminster, in his robes.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68206] £260.00 (£312.00 incl.VAT)
![[Cardinal Nicholas Wiseman.]](jpegs/68311.jpg)
[Cardinal Nicholas Wiseman.]
[Painted by T.R. Herbert, R.A. Engraved by G.R. Ward.]
[London: Published March 1.st 1855, by the Engraver at 31, Fitzroy Square.]
Mezzotint, proof before letters, printed on chine collé. 515 x 375mm (20¼ x 14¾"). Chine collé scraped in lower left corner, backing sheet cracked top right corner.
A three-quarter length seated portrait of Nicholas Wiseman (1802-1865), Cardinal and first Archbishop of Westminster, in his robes.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68311] £260.00 (£312.00 incl.VAT)
[Painted by T.R. Herbert, R.A. Engraved by G.R. Ward.]
[London: Published March 1.st 1855, by the Engraver at 31, Fitzroy Square.]
Mezzotint, proof before letters, printed on chine collé. 515 x 375mm (20¼ x 14¾"). Chine collé scraped in lower left corner, backing sheet cracked top right corner.
A three-quarter length seated portrait of Nicholas Wiseman (1802-1865), Cardinal and first Archbishop of Westminster, in his robes.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68311] £260.00 (£312.00 incl.VAT)
Dr.Woodward. From an Original Picture in the Family of his Executor, the Late Col.R.d King.
W.Humphrey Fec.t.
Pub. 2 May 1774 by W.Humphrey.
Rare Mezzotint. 150 x 110mm (6 x 4¼").
Portrait of Dr. John Woodward (1665 - 1728), Professor of Physic at Gresham College and endowed the Professorship of Geology at Cambridge University.
CS19 ii of iv.
[Ref: 68262] £240.00 (£288.00 incl.VAT)
W.Humphrey Fec.t.
Pub. 2 May 1774 by W.Humphrey.
Rare Mezzotint. 150 x 110mm (6 x 4¼").
Portrait of Dr. John Woodward (1665 - 1728), Professor of Physic at Gresham College and endowed the Professorship of Geology at Cambridge University.
CS19 ii of iv.
[Ref: 68262] £240.00 (£288.00 incl.VAT)
Joseph Wright Esq.r. From a Picture painted by himself in the possession of James Cade Esq.r.
Engraved by Ja.s Ward Painter and Engraver to H.R.H. the Prince of Wales.
London. Published by Mess.rs Colnaghi & Co. Cockspur Street, Charing Cross. Feb.y 1 1807.
Fine mezzotint, 18th century watermark. 380 x 280mm (15 x 11"), very large margins Margins messy.
Self-portrait of artist Joseph Wright (1734-97).
Frankau:82, iii/CS:36, .iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68330] £420.00
Engraved by Ja.s Ward Painter and Engraver to H.R.H. the Prince of Wales.
London. Published by Mess.rs Colnaghi & Co. Cockspur Street, Charing Cross. Feb.y 1 1807.
Fine mezzotint, 18th century watermark. 380 x 280mm (15 x 11"), very large margins Margins messy.
Self-portrait of artist Joseph Wright (1734-97).
Frankau:82, iii/CS:36, .iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68330] £420.00
Joseph Wright Esq.r. From a Picture painted by himself in the possession of James Cade Esq.r.
Engraved by Ja.s Ward Painter and Engraver to H.R.H. the Prince of Wales.
London. Published by Mess.rs Colnaghi & Co. Cockspur Street, Charing Cross. Feb.y 1 1807.
Mezzotint. 380 x 280mm (15 x 11"), large margins. Margins scraped.
Self-portrait of artist Joseph Wright (1734-97).
Frankau:82, iii/CS:36, .iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68331] £220.00 (£264.00 incl.VAT)
Engraved by Ja.s Ward Painter and Engraver to H.R.H. the Prince of Wales.
London. Published by Mess.rs Colnaghi & Co. Cockspur Street, Charing Cross. Feb.y 1 1807.
Mezzotint. 380 x 280mm (15 x 11"), large margins. Margins scraped.
Self-portrait of artist Joseph Wright (1734-97).
Frankau:82, iii/CS:36, .iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68331] £220.00 (£264.00 incl.VAT)
![[Master Wynn in the character of St John.]](jpegs/67991.jpg)
[Master Wynn in the character of St John.]
Sir Joshua Reynolds Pinxit. John Dean Fecit.
Publish'd November the 1st 1776 by In. Walker No.13 Parliament Street.
Rare mezzotint, 18th century watermark, scratched letter proof, inscription area uncleaned. 330 x 400mm (13 x 15¾"), very large margins. 2 stains verso. Slight loss above lamb's head.
Portrait of Sir Watkin Williams Wynn (1772-1840) depicted as John the Baptist as a child with a lamb beside him, holding a cup to a waterfall.
CS 23, i of ii; Hamilton p.74, i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67991] £420.00
Sir Joshua Reynolds Pinxit. John Dean Fecit.
Publish'd November the 1st 1776 by In. Walker No.13 Parliament Street.
Rare mezzotint, 18th century watermark, scratched letter proof, inscription area uncleaned. 330 x 400mm (13 x 15¾"), very large margins. 2 stains verso. Slight loss above lamb's head.
Portrait of Sir Watkin Williams Wynn (1772-1840) depicted as John the Baptist as a child with a lamb beside him, holding a cup to a waterfall.
CS 23, i of ii; Hamilton p.74, i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67991] £420.00
Henry Yorke Esq.r. Of High Determin'd Spirit -, By Ancient Learning to th'enlightened Love, Of Ancient Freedom warm'd.
Painted by W Hay. Engrav.d by J Ward. Engraver in Mezzotinto to the Prince of Wales.
London Pub.d July 21. 1796 by W. Hay No. 68 Margaret S.t Cavendish Square.
Mezzotint, sheet 290 x 215mm (11½ x 8½"). Trimmed within plate.
Portrait of the English writer and radical publicist Henry Redhead Yorke (1772–1813), depicted almost half-length, turned slightly to the right within a rectangular frame. He faces the viewer directly and wears a coat with a high collar and epaulettes, a frilled shirt, and a wig. Yorke was raised in Barbuda and later England, the son of a freed Barbadian woman (Sarah Bullock (c.1745–1801)) and a father (Samuel Redhead (1704-1785)) whose wealth derived from Caribbean slaveholding. Educated at Cambridge and trained at the Inner Temple, he became involved in radical politics in the early 1790s, witnessing the French Revolution firsthand before breaking with revolutionary extremists and returning to Britain. His outspoken activism led to arrest and imprisonment for sedition in 1795, after which his views moderated and he later supported the Pitt government’s war policy.
CS 37 III. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68408] £240.00 (£288.00 incl.VAT)
Painted by W Hay. Engrav.d by J Ward. Engraver in Mezzotinto to the Prince of Wales.
London Pub.d July 21. 1796 by W. Hay No. 68 Margaret S.t Cavendish Square.
Mezzotint, sheet 290 x 215mm (11½ x 8½"). Trimmed within plate.
Portrait of the English writer and radical publicist Henry Redhead Yorke (1772–1813), depicted almost half-length, turned slightly to the right within a rectangular frame. He faces the viewer directly and wears a coat with a high collar and epaulettes, a frilled shirt, and a wig. Yorke was raised in Barbuda and later England, the son of a freed Barbadian woman (Sarah Bullock (c.1745–1801)) and a father (Samuel Redhead (1704-1785)) whose wealth derived from Caribbean slaveholding. Educated at Cambridge and trained at the Inner Temple, he became involved in radical politics in the early 1790s, witnessing the French Revolution firsthand before breaking with revolutionary extremists and returning to Britain. His outspoken activism led to arrest and imprisonment for sedition in 1795, after which his views moderated and he later supported the Pitt government’s war policy.
CS 37 III. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68408] £240.00 (£288.00 incl.VAT)
Henry Yorke Esq.r. Of High Determin'd Spirit -, By Ancient Learning to th'enlightened Love, Of Ancient Freedom warm'd.
Painted by W Hay. Engrav.d by J Ward. Engraver in Mezzotinto to the Prince of Wales.
London Pub.d July 21. 1796 by W. Hay No. 68 Margaret S.t Cavendish Square.
Fine mezzotint, 18th century watermark, 290 x 220mm (11½ x 8¾"), with large margins.
Portrait of the English writer and radical publicist Henry Redhead Yorke (1772–1813), depicted almost half-length, turned slightly to the right within a rectangular frame. He faces the viewer directly and wears a coat with a high collar and epaulettes, a frilled shirt, and a wig. Yorke was was raised in Barbuda and later England, the son of a freed Barbadian woman (Sarah Bullock (c.1745–1801)) and a father (Samuel Redhead (1704-1785)) whose wealth derived from Caribbean slaveholding. Educated at Cambridge and trained at the Inner Temple, he became involved in radical politics in the early 1790s, witnessing the French Revolution firsthand before breaking with revolutionary extremists and returning to Britain. His outspoken activism led to arrest and imprisonment for sedition in 1795, after which his views moderated and he later supported the Pitt government’s war policy.
CS 37 III. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68409] £360.00
Painted by W Hay. Engrav.d by J Ward. Engraver in Mezzotinto to the Prince of Wales.
London Pub.d July 21. 1796 by W. Hay No. 68 Margaret S.t Cavendish Square.
Fine mezzotint, 18th century watermark, 290 x 220mm (11½ x 8¾"), with large margins.
Portrait of the English writer and radical publicist Henry Redhead Yorke (1772–1813), depicted almost half-length, turned slightly to the right within a rectangular frame. He faces the viewer directly and wears a coat with a high collar and epaulettes, a frilled shirt, and a wig. Yorke was was raised in Barbuda and later England, the son of a freed Barbadian woman (Sarah Bullock (c.1745–1801)) and a father (Samuel Redhead (1704-1785)) whose wealth derived from Caribbean slaveholding. Educated at Cambridge and trained at the Inner Temple, he became involved in radical politics in the early 1790s, witnessing the French Revolution firsthand before breaking with revolutionary extremists and returning to Britain. His outspoken activism led to arrest and imprisonment for sedition in 1795, after which his views moderated and he later supported the Pitt government’s war policy.
CS 37 III. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68409] £360.00
Henry Yorke Esq.r. Of High Determin'd Spirit -, By Ancient Learning to th'enlightened Love, Of Ancient Freedom warm'd.
Painted by W Hay. Engrav.d by J Ward. Engraver in Mezzotinto to the Prince of Wales.
London Pub.d July 21. 1796 by W. Hay No. 68 Margaret S.t Cavendish Square.
Mezzotint published state, 18th century watermark, 290 x 220mm (11½ x 8¾"), with very large margins. Creasing.
Portrait of the English writer and radical publicist Henry Redhead Yorke (1772–1813), depicted almost half-length, turned slightly to the right within a rectangular frame. He faces the viewer directly and wears a coat with a high collar and epaulettes, a frilled shirt, and a wig. Yorke was was raised in Barbuda and later England, the son of a freed Barbadian woman (Sarah Bullock (c.1745–1801)) and a father (Samuel Redhead (1704-1785)) whose wealth derived from Caribbean slaveholding. Educated at Cambridge and trained at the Inner Temple, he became involved in radical politics in the early 1790s, witnessing the French Revolution firsthand before breaking with revolutionary extremists and returning to Britain. His outspoken activism led to arrest and imprisonment for sedition in 1795, after which his views moderated and he later supported the Pitt government’s war policy.
CS 37 III. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68410] £220.00 (£264.00 incl.VAT)
Painted by W Hay. Engrav.d by J Ward. Engraver in Mezzotinto to the Prince of Wales.
London Pub.d July 21. 1796 by W. Hay No. 68 Margaret S.t Cavendish Square.
Mezzotint published state, 18th century watermark, 290 x 220mm (11½ x 8¾"), with very large margins. Creasing.
Portrait of the English writer and radical publicist Henry Redhead Yorke (1772–1813), depicted almost half-length, turned slightly to the right within a rectangular frame. He faces the viewer directly and wears a coat with a high collar and epaulettes, a frilled shirt, and a wig. Yorke was was raised in Barbuda and later England, the son of a freed Barbadian woman (Sarah Bullock (c.1745–1801)) and a father (Samuel Redhead (1704-1785)) whose wealth derived from Caribbean slaveholding. Educated at Cambridge and trained at the Inner Temple, he became involved in radical politics in the early 1790s, witnessing the French Revolution firsthand before breaking with revolutionary extremists and returning to Britain. His outspoken activism led to arrest and imprisonment for sedition in 1795, after which his views moderated and he later supported the Pitt government’s war policy.
CS 37 III. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68410] £220.00 (£264.00 incl.VAT)
The Right Hon.ble Philip Lord Hardwicke Baron of Hardwicke Lord High Chancellor of Great Britain.
Wills Pinx.t. 1744. J. M.cArdell Fecit.
Sold by J.as McArdell at the Golden Head next Southampton Street Covent Garden. Price 2s.
Fine mezzotint. 355 x 250mm (14 x 10"), with margins.
Three-quarter length portrait of politician Philip Yorke, 1st Earl of Hardwicke (1690-1764), with right hand outstretched and papers in his left, wearing judge's robes and long curled wig with chair and purse behind him. Yorke was an English lawyer and politician who served as Lord High Chancellor of Great Britain (1737-1756).
CS 100. Goodwin 168. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68448] £260.00 (£312.00 incl.VAT)
Wills Pinx.t. 1744. J. M.cArdell Fecit.
Sold by J.as McArdell at the Golden Head next Southampton Street Covent Garden. Price 2s.
Fine mezzotint. 355 x 250mm (14 x 10"), with margins.
Three-quarter length portrait of politician Philip Yorke, 1st Earl of Hardwicke (1690-1764), with right hand outstretched and papers in his left, wearing judge's robes and long curled wig with chair and purse behind him. Yorke was an English lawyer and politician who served as Lord High Chancellor of Great Britain (1737-1756).
CS 100. Goodwin 168. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68448] £260.00 (£312.00 incl.VAT)
The Right Hon.ble Philip Lord Hardwicke Baron of Hardwicke Lord High Chancellor of Great Britain.
Wills Pinx.t. 1744. J. M.cArdell Fecit.
Sold by J.as McArdell at the Golden Head next Southampton Street Covent Garden. Price 2s.
Fine mezzotint. 355 x 250mm (14 x 10"). Trimmed to plate and glued to backing sheet.
Three-quarter length portrait of politician Philip Yorke, 1st Earl of Hardwicke (1690-1764), with right hand outstretched and papers in his left, wearing judge's robes and long curled wig with chair and purse behind him. Yorke was an English lawyer and politician who served as Lord High Chancellor of Great Britain (1737-1756).
CS 100. Goodwin 168. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68449] £190.00 (£228.00 incl.VAT)
Wills Pinx.t. 1744. J. M.cArdell Fecit.
Sold by J.as McArdell at the Golden Head next Southampton Street Covent Garden. Price 2s.
Fine mezzotint. 355 x 250mm (14 x 10"). Trimmed to plate and glued to backing sheet.
Three-quarter length portrait of politician Philip Yorke, 1st Earl of Hardwicke (1690-1764), with right hand outstretched and papers in his left, wearing judge's robes and long curled wig with chair and purse behind him. Yorke was an English lawyer and politician who served as Lord High Chancellor of Great Britain (1737-1756).
CS 100. Goodwin 168. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68449] £190.00 (£228.00 incl.VAT)
![[Italian landscape.] Engraved from an Original Picture of F: Zuccarelli, In the Possession of W:m Herring Esq.r.](jpegs/68400.jpg)
[Italian landscape.] Engraved from an Original Picture of F: Zuccarelli, In the Possession of W:m Herring Esq.r.
F. Zuccarelli Pinx.t. F. Vivares Sculp.
Publish'd by F. Vivares 7th August 1753.
Etching. 410 x 500mm (16 x 19¾"), with very large margins. Rubbing in margins.
An Italianate landscape with an itinerant woman and child begging. A state with 'No.10' added bottom left.
[Ref: 68400] £260.00 (£312.00 incl.VAT)
F. Zuccarelli Pinx.t. F. Vivares Sculp.
Publish'd by F. Vivares 7th August 1753.
Etching. 410 x 500mm (16 x 19¾"), with very large margins. Rubbing in margins.
An Italianate landscape with an itinerant woman and child begging. A state with 'No.10' added bottom left.
[Ref: 68400] £260.00 (£312.00 incl.VAT)