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Catalogue: Modern Etchings
Silence!
Silence! (Collection of J.S. Forbes Esq.)
L. Alma Tadema R.A. pinx. Ed. Ramus sc.
L'Art. Imp. A. Clement, Paris [c.1883].
Etching. 290 x 220mm (11½ x 8½"), very large margins. Some foxing on the edge of margins.
A woman lays in front of a cubiculum, holding her index finger to her lips commanding silence.
[Ref: 62584]   £95.00   (£114.00 incl.VAT)
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Le Chanteur Populaire [in pencil lower right.]
Le Chanteur Populaire [in pencil lower right.]
Arthur W. Heintzelman [signed in pencil lower right.]
[n.d., c.1920.]
Etching, 280 x 200mm. 11 x 7¾".
A busker sings a tune to the accompaniment of his guitar, his up-turned hat on the chair in front of him. By the American etcher Arthur William Heintzelman (1891 - 1965).
[Ref: 10026]   £230.00   (£276.00 incl.VAT)
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[Singers.]
[Singers.]
M.L. Blundell.
[n.d., c.1960.]
Linocut, printed in black. 180 x 125mm (7 x 5"). Margins soiled.
A chorus of hat-wearing men on stage.
[Ref: 52631]   £120.00   (£144.00 incl.VAT)
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[Schneedächer mit Telephonstand.][Snow Covered Rooves and Telephonewire.]
[Schneedächer mit Telephonstand.][Snow Covered Rooves and Telephonewire.]
Rich. Müller 99. [signed in pencil below image.]
[1899.]
Aquatint with etching. Plate: 220 x 150mm, (8¾ x 6"), with very large margins. Uncut.
A very atmospheric view over snowy roof tops at night by the German artist Richard Müller (1874-1954)
[Ref: 40788]   £450.00  
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[Spanish hill-top town with viaduct.]
[Spanish hill-top town with viaduct.]
H Macbeth Raeburn [in pencil].
[n.d., c.1890.]
Etching, signed by the artist. 125 x 200mm (5 x 7¾"), with large margins.
Sir Henry Macbeth-Raeburn RA, RE (1860 - 1947).
[Ref: 53979]   £140.00   (£168.00 incl.VAT)
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[Gerona.]
[Gerona.]
H Macbeth Raeburn [in pencil].
[n.d., c.1890.]
Etching, limited edition of 25 signed by the artist. 100 x 150mm (4 x 6"). Spot in margin, glued into mount.
Sir Henry Macbeth-Raeburn RA, RE (1860 - 1947).
[Ref: 53980]   £160.00   (£192.00 incl.VAT)
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[Segovia.]
[Segovia.]
H Macbeth Raeburn [in pencil].
[n.d., c.1890.]
Etching, signed by the artist. 100 x 150mm (4 x 6"), with large margins.
Sir Henry Macbeth-Raeburn RA, RE (1860 - 1947).
[Ref: 53978]   £95.00   (£114.00 incl.VAT)
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[A Spanish Christening]
[A Spanish Christening]
W.Russell Flint [Ink signature]
LXI [Ink edition number]
Drypoint, 1928, state vi of vi, the published state, edition of 75. 230 x 300mm.
The second plate depicting this scene.
Wright: 13.
[Ref: 2513]   £480.00  
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Spanish Gypsies [pencil].
Spanish Gypsies [pencil].
Martin Hardie [signed in ink].
[n.d., 1927.]
Drypoint, signed by the artist. 140 x 300mm (5½ x 11¾") very large margins. In original mount. Mint.
Martin Hardie (1875-1952), protégé of Sir Frank Short and both Fellow and Honorary Secretary of the Royal Society of Painter-Etchers and of the Print Collectorsí Club. He also wrote catalogues on the works of Sir Frank Short, James McBey and others.
[Ref: 49242]   £140.00   (£168.00 incl.VAT)
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[The Spanish Mule.]
[The Spanish Mule.]
[W. Fairclough.]
[1936.]
Etching, proof. 260 x 272mm. 10¼ x 10¾".
The spanish mule. Wilfred Fairclough (1907-1996) was a painter, etcher, watercolourist and teacher who was born in Blackburn, Lancashire. He left school at 14 to work in a mill and then trained as an audit clerk while attending evening classes at Blackburn School of Arts and Crafts, where he passed the Board of Educationís drawing examination in 1930, the year he was appointed part-time teacher at Blackburn. Determination gained him entry to the Royal College of Artís engraving school from 1931 to 1934, where he excelled, under teachers Malcolm Osborne and Robert Austin. He was a Rome Scholar in Engraving in 1934 attending the British School in Rome from 1934 to 1937. Rome was a favourite subject, later replaced by Venice. He lived at Kingston upon Thames and joined the staff of Kingston School of Art in 1938 and was Principal there from 1962 to 1970, after which he was Assistant Director of Kingston Polytechnic from 1970 to 1972. He spent his wartime service in the Royal Air Force where he worked on models employed in planning the bouncing bomb attack on the Mohne dam. He then spent time in India. Fairclough was elected member of the Royal Society of Painter Etchers and Engravers in 1946 and member of the Royal Society of Painters in Watercolours in 1968. He also exhibited at the Royal Academy, the Royal Scottish Academy, the Royal Glasgow Institute of the Fine Arts, Walker Art Gallery Liverpool and at the Redfern Gallery, as well as widely overseas. The Contemporary Art Society has bought his work and he is also represented at the Ashmolean Museum in Oxford and the Victoria and Albert Museum, which has almost 60 watercolours which Fairclough completed during World War II for the Pilgrim Trustís Recording Britain project.
Lowe: 20, 2nd state proof.
[Ref: 20280]   £160.00   (£192.00 incl.VAT)
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[The Spirit of the East.]
[The Spirit of the East.]
E. J. D. imp: [pencil.] E.J.Detmold [pencil signature.] [Also artist's monogram on plate.]
[British, n.d., c.1924.]
Etching on thin paper, 255 x 220mm. 10 x 8¾". Artist's presentation proof, inscribed with dedication (lower margin): "To Major Farren with compliments from the artist".
Emblematic composition against a background of palatial architecture, featuring a potentate riding in a howdah on an elephant, various holy men, and monkeys. One of a group of etchings of oriental flavour made in 1923-4. Edward Julius Detmold (1883 - 1957).
[Ref: 27407]   £350.00  

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Frühling.
Frühling.
[n.d., c.1913.]
Etching, 200 x 105mm. 8 x 4".
An etching entitled Frühling ('Spring') in which a putto urinates over a plant which towers over him, whilst butterflies flutter nearby. Signed in pencil by artist.
[Ref: 9298]   £140.00   (£168.00 incl.VAT)
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Stirling from Millhall Siding.
Stirling from Millhall Siding.
James Crockart. 1910. [Pencil signature:] James Crockart.
Etching with large margins; paper watermarked. Plate 146 x 203mm (5¾ x 8").
A view of Stirling, Scotland, with the towering Castle in the background. James Crockart (1885-1974).
[Ref: 31083]   £65.00   (£78.00 incl.VAT)
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[Street Scene by Night.]
[Street Scene by Night.]
Pauline Baumann [pencil signature.]
[British, c.1930s.]
Scarce lithograph on laid paper, image 315 x 250mm.
A night view of a busy building where the viewer sees all the activity in the lighted rooms above the commercial premises below. Two women walking along the poorly illuminated pavement seem exagerated in size compared to the hairdresser's window the pass. The artist appears not to have made many prints but was known as a painter, printmaker and teacher. Baumann was particularly noted for her etchings, engravings and lithographs and lived in London where she studied at St Martin's School of Art and the Royal College of Arts. Her work is represented in the collection of the Museum of London.
See Guichard: Appendix 1, p.70: "Baumann, Miss C.A.P."
[Ref: 18841]   £480.00  
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Morning Dip [in pencil].
Morning Dip [in pencil].
J. H. Dowd [in pencil and in image].
[n.d. c.1925.]
Etching signed by the artist, 150 x 200mm (6 x 8"), with very large margins.
Children swim in a large bathing pond amongst a wooded area. James Henry Dowd (1883 - 1956) specialised in images of children, and portrayed his subjects in a less sentimental way than some of his contemporaries, such as Eileen Soper.
[Ref: 62606]   £140.00   (£168.00 incl.VAT)
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'The Tailor' [in pencil]
'The Tailor' [in pencil]
D. Smith 1929 [in pencil]
Etching. 268 x 268m. 10½ x 10½". Paper toned.
A Tailor sewing sitting on a wall with his sewing materials around him. A countryside landscape in the background.
[Ref: 14270]   £150.00   (£180.00 incl.VAT)
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[Tangiers Market]
[Tangiers Market]
H Macbeth Raeburn Sct [pencil signature lower right]
Etching, platemark 260 x 165mm (10¼ x 6½").
Market scene in Tangiers, Morocco, by Henry Macbeth Raeburn (1860-1947), portrait painter and printmaker active in London, who exhibited at the RA 1881-1904. 'A good etcher' (Guichard).
Limited to 50 impressions. Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36777]   £160.00   (£192.00 incl.VAT)
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''Low Tide on the Thames'' [pencil].
''Low Tide on the Thames'' [pencil].
Harold A. Pears. [pencil.]
[n.d., c.1930.]
Etching, signed by the artist. 185 x 315mm (7¼ x 12½"), large margins.
[Ref: 49789]   £130.00   (£156.00 incl.VAT)
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[The Thames.]
[The Thames.]
William Walcot [signed in pencil.]
H.C. Dickins. London & New York MCMXXII.
Etching, mint. 240 x 394mm. 9½ x 15½".
From The Arteries of Great Britain, commentary by Neil Munro.
[Ref: 15248]   £360.00   view all images for this item
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[Fishing on the Tigris.]
[Fishing on the Tigris.]
Charles W. Cain. [signed and numbered 58/75.]
[n.d., c.1930]
Etching, 77 proofs. 212 x 105mm. Very fine in original mount.
Charles William Cain [1893-1962] A student of Camberwell School of Art and then an illustrator/cartoonist for the Johannesburg Star until WWI when he joined the Border Regiment in India and Mesopotamia the Armistice, and entered the Royal College of Art under Frank Short 1920-1.
[Ref: 26920]   £280.00   (£336.00 incl.VAT)
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[A Tigris Night - Ezra's Tomb]
[A Tigris Night - Ezra's Tomb]
84.90 Charles W Cain [pen and ink signature, with CW monogram in image]
Etching on pale green paper, Unidentified 'KG' collector's stamp verso. From the 2nd Mesopotamin set. Platemark 255 x 380mm (9¾ x 15").
View on the Tigris river, which flows from Turkey through Iraq and into the Persian Gulf. The site depicted is believed to be the burial place of the biblical figure Ezra. The etcher Charles William Cain (1893 - 1962) travelled in the Middle East, and lived in Baghdad for some years. A student of Camberwell School of Art, he was then an illustrator and cartoonist for the Johannesburg Star. During the Great War, he served with the Border Regiment in India and Mesopotamia until the Armistice. In 1920-21, he studied at the Royal College of Art under Frank Short.
[Ref: 46586]   £230.00   (£276.00 incl.VAT)
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John Greenways Porch, Tiverton.
John Greenways Porch, Tiverton.
[n.d., c.1930.]
Unsigned etching, possibly by H Gordon Warlow. 445 x 290mm, 17¾ x 11½".
The entrance to the Greenway Chapel of St Peter's, Tiverton. Founded by in 1518 it was dismantled and rebuilt in 1825, it is adorned with carvings of ships, woolpacks, staple marks, figures of men, children & horses.
[Ref: 12041]   £120.00   (£144.00 incl.VAT)
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Tivoli - Italy.
Tivoli - Italy.
Wilfred Huggins. [pencil signature.]
[n.d., c.1925.]
Etching, signed by the artist. 205 x 130mm, 8 x 5".
Classic ruins at Tivoli.
Huggins exhibited his etchings between 1912 and 1928.

[Ref: 11970]   £75.00   (£90.00 incl.VAT)
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Irrigation Pump, Nr. Toledo. [ink mss. lower right.]
Irrigation Pump, Nr. Toledo. [ink mss. lower right.]
D.I. Smart [pencil signature.]
[n.d., c.1945.]
Etching, 250 x 350mm. 9¾ x 13¾".
A donkey, visible in silhouette upper right, powers the pump. Buildings in Toledo, Castile, Spain, can be glimpsed in the distance by the river.
By Douglas Ian Smart RE (1879 - 1970), watercolourist and etcher and pupil of Short best known for his Thames scenes featuring shipping.

Guichard British Etchers: pg. 59.
[Ref: 12202]   £160.00   (£192.00 incl.VAT)
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[Tom Tit Family].
[Tom Tit Family].
Winifred Austen [signed in pencil lower right].
[n.d.]
Coloured aquatint 190 x 260mm Some printing stains in outer margins. Previously laid on card backing, however removed.
By Winifred Austen, R.I., R.E. (1876-1964). Although she also worked in both oils and watercolours, Austen is most highly regarded as an etcher. She made some two hundred etched plates and the naturalist Sir Peter Scott said she was 'certainly the best bird etcher of this century'. illustrator, painter, etcher and aquatint engraver of birds and mammals.
Guichard British Etchers: pg.24. "Warwick Galleries" stamp lower right.
[Ref: 471]   £320.00  
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Tower of London [pencil, lower left.]
Tower of London [pencil, lower left.]
WMurray [signed in pencil lower right.]
[n.d., c.1930s.]
Etching, 155 x 205mm. 6 x 8". Some mount staining.
The Tower of London, a tug boat towing a barge passing on the Thames in the foreground.
By W. Murray.

[Ref: 10688]   £120.00   (£144.00 incl.VAT)
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The Tower of London [in pencil].
The Tower of London [in pencil].
Dorothy F Sweet [in penicl]
[n.d. c.1925]
Etching signed by the artist, 165 x 255mm (6½ x 10"), with very large margins. Slight mountburn.
A view of the Tower of London from the Thames.
[Ref: 62604]   £140.00   (£168.00 incl.VAT)
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Cirque Ambulant [in pencil].
Cirque Ambulant [in pencil].
A Brouet [in pencil]
[n.d. c.1920]
Etching signed by the artist, Artist embossed stamp; 215 x 265mm (8½ x 10½"), with margins. Left bottom margin corner missing. Some light creasing in margins.
A woodland scene; members of the travelling circus relax next to their caravan. The son of poor parents, Auguste Brouet (1872 - 1941), worked his own way through night drawing classes, and then the Ecole des Beaux-Arts. He lived in poverty as an art student, but became well known to collectors due to the sincerity of his portryals of the street-peddlers, gypsies, street-musicians, beggars, and rag pickers, whom he would depict in the passages and places where they congregated. He became enthralled by the singers, dancers, and circus life of Paris. Having lived the in the poverty of those he was portraying, Brouet's work conveys a sensitivity and sympathy for his subjects uncommon amongst his contemporaries. Not only is he acclaimed as one of Paris's most important etchers, he has also etched approximately 20 plates of World War I, acclaimed not only for their historical accuracy and reliabilty, but for intense artistic quality.
[Ref: 62605]   £120.00   (£144.00 incl.VAT)
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[A path through trees, a figure in the distance.]
[A path through trees, a figure in the distance.]
C M Nichols. [etched in plate lower right.] Cath. Nichols. F.R.P.E. [signed in pencil lower left.]
[n.d., c.1880.]
Drypoint etching, 255 x 140mm. 10 x 5½".
Catherine Maud Nichols (1848 - 1923). Probably a view in East Anglia.
[Ref: 10078]   £130.00   (£156.00 incl.VAT)
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[Trolling in the Norwegian Highlands.]
[Trolling in the Norwegian Highlands.]
F.H. Haagensen [pencil signature.]
[n.d., c.1920.]
Etching, signed by the artist, numbered 14/75. 190 x 300mm (7½ x 11¾").
A rowing boat in a fjord.
[Ref: 41734]   £190.00   (£228.00 incl.VAT)
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[Trout with fly.]
[Trout with fly.]
Geo. Marples [pencil signature].
[n.d., c.1930.]
Etching, signed by the artist. 75 x 135mm, 3 x 5¼".
A trout approaching a fly on the water, by George Marples (1869-1939).
[Ref: 26398]   £160.00   (£192.00 incl.VAT)
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[The Swingbridge.]
[The Swingbridge.]
C.F.Tunnicliffe signed in pencil. Limited 1/75.
[n.d., c.1928.]
Etching. Rare. Platemark: 205 x 275mm (8¼ x 10¾").
A rural scene showing a farmer with a horse, driving cattle across bridge to the right. Wildlife artist Charles Frederick Tunnicliffe, R.A. R.E. (1901 - 1979) lived on Anglesey having studied at the R.C.A. This work is characteristic of his robust deeply bitten etchings steeped in rural life. In all he produced some sixty etchings.
[Ref: 36718]   £620.00  
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[Scene in Turkey (Istanbul?)]
[Scene in Turkey (Istanbul?)]
Alex. Lunois [pencil signature.]
[French, n.d., c.1900.]
Very scarce etching on india laid paper, one of only two impressions from the plate. 170 x 250mm. 6¾ x 9¾". A good impression with full margins.
Alexandre Lunois (French, 1863-1916), painter, etcher and lithographer. He has annotated the lower left margin "1/2 planche efface" in pencil. This suggests the print is from a plate cancelled after only two impressions were taken.
[Ref: 26762]   £260.00   (£312.00 incl.VAT)
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[The Tyne.]
[The Tyne.]
William Walcot [signed in pencil.]
H.C. Dickins. London & New York MCMXXII.
Etching, mint. 249 x 324mm. 9¾ x 12¾".
From The Arteries of Great Britain, commentary by Neil Munro. Here along the tyne there are many barges for the transportation of goods and machinery from the upper to the lower reaches.
[Ref: 15249]   £360.00   view all images for this item
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[Piazza San Marco (St Mark's Square), Venice.]
[Piazza San Marco (St Mark's Square), Venice.]
[Unidentified signature.] W.H. Sweet [pencil signature.]
[n.d., c.1920.]
Etching, 135 x 180mm. 5¼ x 7".
Guichard: pg.75, Appendix 1 'Minor Etchers'.
[Ref: 14040]   £140.00   (£168.00 incl.VAT)
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[III. - The Grand Canal.]
[III. - The Grand Canal.]
Wilfred Huggins [signed inside plate in pencil.] W.H
[MDCCCCXXIII.] W.R. Howell & Co.
Etching. Sheet 380 x 457mm. 15 x 18".
From: "A Series of Etchings made in Venice by Mr. Wilfrid Huggins." Limited Edition: 206. Lined on both sides by a succession of palaces, built in general by great or wealthy Venetians of the past, the Grand Canal forms one of the main arteries of the city. Broad and dignified, there is room in it to catch the feeling of a peace which is almost literally musical. The lapping of the waters is gently audible,-the occasional song of a gondolier is sweet as the song of a bird! What life there is, forms, or necessity, a succession of scenes appealing to the imagination in a way far rmoved from the chaotic effects felt amidst noises and scenes in other cities. The large dome of the Church of Santa Maria della Salute, whose façade is shown in a previous etching, here appears against the distant sky.
[Ref: 16316]   £250.00   (£300.00 incl.VAT)
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[The Thames and City of London from Westminster]
[The Thames and City of London from Westminster]
W.Walcot [pencil signature.]
[n.d., c.1910]
Etching with very large margins, signed in pencil, platemark 130 x 130mm (5 x 5"). Uncut.
Bird's-eye view of London from near Whitehall, looking towards the City of London, showing St Pauls Cathedral on the left and Tower Bridge in the distance on the right. Etching by William Walcot R.E (1874 - 1943), Scottish architect, who was described by Furst as 'next to Brangwyn the greatest decorative etcher this country has produced'. Walcot was in fact born in Russia and studied in St Petersburg and Paris, subsequently practicing architecture in Moscow before moving to London early in the 20th century. Walcot's training is evident in his prints, which are concerned with architecture and decoration rather than human life.
[Ref: 36780]   £290.00   (£348.00 incl.VAT)
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Eastern Water Carriers [pencil, lower left.]
Eastern Water Carriers [pencil, lower left.]
C.B. Prescott [pencil signature.]
[British, c.1920.]
Etching, signed proof from an edition limited to 300 impressions. 275 x 205mm, 10¾ x 8".
Street scene in the figures gathering at a well. Inscribed to lower left margin in pencil: 'Edition 300/ Available 200', Fine Art Trade Guild blindstamp lower left. Painter, etcher and Society artist Charles Barrow Prescott (1870 - 1932).
Guichard: Appendix 1, p.74.
[Ref: 19386]   £140.00   (£168.00 incl.VAT)
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[Waterloo Bridge.]
[Waterloo Bridge.]
J. Spencer [pencil.]
[n.d., c.1930.]
Etching, signed by the artist in pencil. 150 x 225mm (6 x 9"), on cartridge paper.
Waterloo Bridge, with the dome of St Paul's Cathedral rising above and barges on the Thames.
[Ref: 33853]   £95.00   (£114.00 incl.VAT)
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[Watermill.]
[Watermill.]
T.Bullen Cato. [pencil signature.]
[n.d., c.1900.]
Etching, signed by the artist. 200 x 255mm, 8 x 10".
A watermill, probably in Norfolk, a haunt of the artist.
[Ref: 16927]   £60.00   (£72.00 incl.VAT)
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[St. Etienne du Mont, Paris. Interior.]
[St. Etienne du Mont, Paris. Interior.]
Charles J. Watson 1906
Etching, 205 x 230mm. (8 x 9"). Outside of frame 530 x 440mm (21 x 17¼"). Pencil signature bottom left. Unexamined out of frame.
Atmospheric view of the spiralling staircases of the famous church of St.-Etienne-du-Mont in Paris. The church contains the shrine of St. Geneviève, patron saint of Paris, and contains the tombs of Blaise Pascal and Jean Racine. Jean-Paul Marat is buried in the church's cemetery. Etched by Charles John Watson (1846-1927). Born in Norwich, Watson was a member of the Royal Society of Painter-Etchers and Engravers, and chief Founder and first President of the Norwich Art Circle. After leaving Norwich to move to London in 1888, he exhibited successfully at Robert Dunthorne's Gallery in Vigo Street.
'Catalogue of the Etched and Engraved work of Charles J. Watson, R.E.' cat. 159. For this reference book see ref. 10362. For other material relating to Watson' exhibitions at Robert Dunthorne's galler
[Ref: 18220]   £160.00   (£192.00 incl.VAT)
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Mary Webb.
Mary Webb.
[n.d., c.1930.]
Woodcut on green paper. Printed area 150 x 100mm (5 x 4") very large margins. Uncut.
A stark image of a woman's head peering through foliage. A pencil annotation on another example reads 'Gone to Earth', a novel by Webb made into a film by Michael Powell and Emeric Pressburger in 1950. Mary Webb (1881-1927) was a novelist whose works, described as 'loam and lovechild' romances, were parodied by Stella Gibbons's 1932 novel 'Cold Comfort Farm'.
[Ref: 39942]   £150.00   (£180.00 incl.VAT)
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Mary Webb.
Mary Webb.
[n.d., c.1930.]
Woodcut. Printed area 150 x 100mm (5 x 4"); large margins. Mounted.
A stark image of a woman's head peering through foliage. A pencil annotation on the mount reads 'Gone to Earth', a novel by Webb made into a film by Michael Powell and Emeric Pressburger in 1950. Mary Webb (1881-1927) was a novelist whose works, described as 'loam and lovechild' romances, were parodied by Stella Gibbons's 1932 novel 'Cold Comfort Farm'.
[Ref: 39938]   £130.00   (£156.00 incl.VAT)
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[The Windmill, Wenduyne, Belgium]
[The Windmill, Wenduyne, Belgium]
S. v Abbé.
[n.d., 1927.]
Drypoint etching, artist's proof numbered '6/50' in pencil. 350 x 425mm (13¾ x 16¾"), watermarked 'Hand Made. F.J. Head', with wide margins. Mint.
Salomon van Abbe (1883 - 1955), painter and book illustrator of Dutch origin; came to England when 5 years old and studied with Tripp, C.Rae, W.Baynes and W.Seymour; he exhibited at the Royal Society of Arts between 1933-55. This drypoint became the most exhibited of all of his prints, including at the Royal Society of Painter-Etchers and Engravers in 1927, at the Bromhead Art Gallery exhibition in London in 1928, and at The Royal Society of British Artists in 1933.
[Ref: 52878]   £220.00   (£264.00 incl.VAT)
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[Wild Geese on the Marshes.]
[Wild Geese on the Marshes.]
Winifred Austen [signed in pencil lower right].
[n.d.]
Coloured aquatint 290 x 390mm
By Winifred Austen, R.I., R.E. (1876-1964). Although she also worked in both oils and watercolours, Austen is most highly regarded as an etcher. She made some two hundred etched plates and the naturalist Sir Peter Scott said she was 'certainly the best bird etcher of this century'. illustrator, painter, etcher and aquatint engraver of birds and mammals.
Guichard British Etchers: pg.24.
[Ref: 472]   £280.00   (£336.00 incl.VAT)
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[A Windmill]
[A Windmill]
[Anton Lock] / Trial B.
[n.d. after 1900]
Signed etching. 130 x 170mm (5 x 6¾") very large margins.
A blustery view of a figure walking towards a windmill.
[Ref: 54031]   £70.00   (£84.00 incl.VAT)
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[A flat, watery landscape with two windmills.]
[A flat, watery landscape with two windmills.]
E.J.Detmold [pencil signature.]
[British, n.d., c.1925.]
Etching on watermarked J. Whatman paper, 145 x 285mm. 5¾ x 11¼". Worm holes to lower margin, with large margins.
A stark landscape study by Edward Julius Detmold (1883 - 1957).
[Ref: 27410]   £240.00   (£288.00 incl.VAT)
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[Sacramento Street].
[Sacramento Street].
Joseph Winkler.
[n.d. c.1930]
Signed etching. 5 x 7½".
[Ref: 6661]   £220.00   (£264.00 incl.VAT)
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Winter [pencil on mount].
Winter [pencil on mount].
W Renison [pencil signature.]
[n.d., c.1930.]
Etching and aquatint, signed by the artist, Fine Art Trade Guild blind stamps. 195 x 280mm (7¾ x 11") very large margins. In original mount with the Minerva head blind stamp of Alfred Bell & Co. Mint.
A shepherd and sheep in a snow-bound woodland. William Renison (1868-1939), Scottish painter who exhibited at the RA and in Paris.
Guichard: p.55.
[Ref: 49248]   £90.00   (£108.00 incl.VAT)
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[Winter Landscape, Portsonachan.]
[Winter Landscape, Portsonachan.]
K Mackenzie 1954.
Aquatint signed in pencil by artist, large sheet. As issued by "The Print Collectors Club" (with their label verso, as normal) Plate 127 x 175mm (5 x 7").
A winter scene in Portsonachan, Argyllshire, West Scotland. By Keith Mackenzie, A.R.E.
[Ref: 29043]   £140.00   (£168.00 incl.VAT)
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