A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Catalogue: Europe
Austria
Balkans
Baltic States
Bohemia & Moravia
Cyprus
France
Germany
Gibraltar
Greece
Hungary
Italy
Luxembourg
Malta
Monaco
Netherlands & Belgium
Poland & Lithuania
Portugal
Russia
Savoy
Scandinavia
Spain
Switzerland
Ukraine
![[Temple of Saturn] Avanzi del Tempio della Concordia.~](jpegs/51526.jpg)
[Temple of Saturn] Avanzi del Tempio della Concordia.~
Rossini dis. e inc.
Roma 1819.
Etching. 460 x 365mm (18 x 14½"), with large margins, uncut.
An oblique view of the porch of the enormous temple, in the west end of the Forum of Rome. In the background is a 44-foot fluted Corinthian column, dedicated to the Eastern Roman Emperor Phocas in 608, who was overthrown two years later.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51526] £600.00
Rossini dis. e inc.
Roma 1819.
Etching. 460 x 365mm (18 x 14½"), with large margins, uncut.
An oblique view of the porch of the enormous temple, in the west end of the Forum of Rome. In the background is a 44-foot fluted Corinthian column, dedicated to the Eastern Roman Emperor Phocas in 608, who was overthrown two years later.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51526] £600.00
![[Temple of Serapis.] Veduta dei grandiosissimi avanzi del Tempio di Giove, dal volgo il frontespizio di Nerone, sul Monte Quirinale, negl' Orti Colonna.](jpegs/51548.jpg)
[Temple of Serapis.] Veduta dei grandiosissimi avanzi del Tempio di Giove, dal volgo il frontespizio di Nerone, sul Monte Quirinale, negl' Orti Colonna.
Rossini dis. e inc.
Roma 1820.
Etching. 360 x 455mm (14¼ x 18"), with large margins, uncut. Crease in the centre.
The ruins of the Temple of Serapis on the Quirinal Hill, torn down during the persecution of pagans in the late Empire, with most of the structure reused on other buildings.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51548] £600.00
Rossini dis. e inc.
Roma 1820.
Etching. 360 x 455mm (14¼ x 18"), with large margins, uncut. Crease in the centre.
The ruins of the Temple of Serapis on the Quirinal Hill, torn down during the persecution of pagans in the late Empire, with most of the structure reused on other buildings.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51548] £600.00
Veduta del Tempio Delle Camene, da Altri del Dio Ridicolo___fuori di Porta Latina nella Valle Della Caffarella.
Rossini dis. e inc.
Roma 1823.
Etching. 460 x 615mm (18 x 24¼").
A building in the Park of the Caffarella, possibly the tomb of Aspasia Annia Regilla, wife of Herodes Atticus, once owner of the estate. Rossini attributed the building to either the Temple of the Camenae (four goddesses of childbirth, wells and fountains) or the Temple of the God Rediculum (the god that Romans honoured at the beginning and end of each journey). It is believed to be the spot where Hannibal turned back from Rome.
[Ref: 5168] £350.00
Rossini dis. e inc.
Roma 1823.
Etching. 460 x 615mm (18 x 24¼").
A building in the Park of the Caffarella, possibly the tomb of Aspasia Annia Regilla, wife of Herodes Atticus, once owner of the estate. Rossini attributed the building to either the Temple of the Camenae (four goddesses of childbirth, wells and fountains) or the Temple of the God Rediculum (the god that Romans honoured at the beginning and end of each journey). It is believed to be the spot where Hannibal turned back from Rome.
[Ref: 5168] £350.00
Veduta del Tempio Delle Camene, da Altri del Dio Ridicolo___fuori di Porta Latina nella Valle Della Caffarella.
Rossini dis. e inc.
Roma 1823.
Etching. 460 x 615mm (18 x 24¼"), with large margins, uncut. Tear just touching plate at bottom.
A building in the Park of the Caffarella, possibly the tomb of Aspasia Annia Regilla, wife of Herodes Atticus, once owner of the estate. Rossini attributed the building to either the Temple of the Camenae (four goddesses of childbirth, wells and fountains) or the Temple of the God Rediculum (the god that Romans honoured at the beginning and end of each journey). It is believed to be the spot where Hannibal turned back from Rome.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51539] £600.00
Rossini dis. e inc.
Roma 1823.
Etching. 460 x 615mm (18 x 24¼"), with large margins, uncut. Tear just touching plate at bottom.
A building in the Park of the Caffarella, possibly the tomb of Aspasia Annia Regilla, wife of Herodes Atticus, once owner of the estate. Rossini attributed the building to either the Temple of the Camenae (four goddesses of childbirth, wells and fountains) or the Temple of the God Rediculum (the god that Romans honoured at the beginning and end of each journey). It is believed to be the spot where Hannibal turned back from Rome.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51539] £600.00
![[Temple of the Dioscuri] Avanzi del Tempio di Giove Statore nel Foro Romano.](jpegs/51528.jpg)
[Temple of the Dioscuri] Avanzi del Tempio di Giove Statore nel Foro Romano.
Rossini dis. e inc.
Roma 1821.
Etching. 460 x 390mm (18 x 15¼"), with large margins, uncut.
Rather than being the Temple of Jove, these are the remains of the Temple of the Dioscuri (Castor and Pollux) in the Roman Forum. First built in 494BC, it was restored many times, so these columns date from the temple, dedicated by Tiberias in 6AD. The Dioscuri were the patrons of the Knights who every year held an impressive parade outside the temple. Under the columns is a little scene of riders driving bulls through the forum, drawn by Bartolomeo Pinelli to add life to Rossini's architecture.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51528] £750.00
Rossini dis. e inc.
Roma 1821.
Etching. 460 x 390mm (18 x 15¼"), with large margins, uncut.
Rather than being the Temple of Jove, these are the remains of the Temple of the Dioscuri (Castor and Pollux) in the Roman Forum. First built in 494BC, it was restored many times, so these columns date from the temple, dedicated by Tiberias in 6AD. The Dioscuri were the patrons of the Knights who every year held an impressive parade outside the temple. Under the columns is a little scene of riders driving bulls through the forum, drawn by Bartolomeo Pinelli to add life to Rossini's architecture.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51528] £750.00
![[Temple of Venus & Rome] Veduta Generale del Tempio di Venere, e Roma.](jpegs/51554.jpg)
[Temple of Venus & Rome] Veduta Generale del Tempio di Venere, e Roma.
Rossini dis. e inc.
Roma 1821.
Etching. 375 x 540mm (14¾ x 21¼"), with large margins, uncut.
The Temple of Venus and Rome on the Velian Hill, between the eastern edge of the Forum Romanum and the Colosseum. A double temple (having two apses back to back, one dedicated to each deity), it was built by Hadrian, probably to his own design, and dedicated in AD 135. It is believed to be have been the largest temple in Rome.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51554] £600.00
Rossini dis. e inc.
Roma 1821.
Etching. 375 x 540mm (14¾ x 21¼"), with large margins, uncut.
The Temple of Venus and Rome on the Velian Hill, between the eastern edge of the Forum Romanum and the Colosseum. A double temple (having two apses back to back, one dedicated to each deity), it was built by Hadrian, probably to his own design, and dedicated in AD 135. It is believed to be have been the largest temple in Rome.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51554] £600.00
![[Theatre of Marcellus] Avanzi del Teatro di Marcello.](jpegs/51540.jpg)
[Theatre of Marcellus] Avanzi del Teatro di Marcello.
Rossini dis. e inc.
Roma 1821.
Etching. 415 x 510mm (16¼ x 20"), with large margins, uncut.
The Theatre of Marcellus was started by Julius Caesar and completed by Augustus in 13 BC, who dedicated to his heir Marcellus who had died aged 20. It was an enormous building, 115 ft. high and 127 ft. in diameter, capable of holding 15,000 people.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51540] £750.00
Rossini dis. e inc.
Roma 1821.
Etching. 415 x 510mm (16¼ x 20"), with large margins, uncut.
The Theatre of Marcellus was started by Julius Caesar and completed by Augustus in 13 BC, who dedicated to his heir Marcellus who had died aged 20. It was an enormous building, 115 ft. high and 127 ft. in diameter, capable of holding 15,000 people.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51540] £750.00
![[The banks of the Tiber] Veduta dell' Antiche sostruzioni fatto da Tarquino, dette il bel Lido,](jpegs/51488.jpg)
[The banks of the Tiber] Veduta dell' Antiche sostruzioni fatto da Tarquino, dette il bel Lido, e da altri, da Marco Agrippa à tempi di Augusto quando ripurgò le Cloache sino di Tevere.
Rossini dis. e inc.
Roma 1823.
Etching. 420 x 650mm (16½ x 25½"), with large margins, uncut. Tears and creasing to margins top and right.
A view of the banks of the Tiber near the Foro Boario, before the modern embankment. In the centre of the plate ('A' in the key) is the outflow of the Cloaca Maxima, one of the world's first sewers, supposedly built by Tarquinius Priscus c.600BC. Above is the Temple of Hercules Victor, the colonnaded circular form of which led it to be misidentified as a Temple of Vesta.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51488] £750.00
Rossini dis. e inc.
Roma 1823.
Etching. 420 x 650mm (16½ x 25½"), with large margins, uncut. Tears and creasing to margins top and right.
A view of the banks of the Tiber near the Foro Boario, before the modern embankment. In the centre of the plate ('A' in the key) is the outflow of the Cloaca Maxima, one of the world's first sewers, supposedly built by Tarquinius Priscus c.600BC. Above is the Temple of Hercules Victor, the colonnaded circular form of which led it to be misidentified as a Temple of Vesta.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51488] £750.00
![[Tiber Island] Veduta Dell' Isola Tiberina.](jpegs/51536.jpg)
[Tiber Island] Veduta Dell' Isola Tiberina.
Rossini dis. e inc.
Roma 1820.
Etching. 320 x 460mm (12½ x 18"), with large margins, uncut.
A view of Tiber Island, showing the bank modelled to look like the prow of a ship as homage to the legend of the founding of the temple to Aesculapius, god of medicine, on the island. The highest tower is that of the Basilica of San Bartolomeo all'Isola.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51536] £600.00
Rossini dis. e inc.
Roma 1820.
Etching. 320 x 460mm (12½ x 18"), with large margins, uncut.
A view of Tiber Island, showing the bank modelled to look like the prow of a ship as homage to the legend of the founding of the temple to Aesculapius, god of medicine, on the island. The highest tower is that of the Basilica of San Bartolomeo all'Isola.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51536] £600.00
![[Tomb of Caius Vibius Marianus] Veduta del Gran Sepolcro volgarmente detto di Nerone](jpegs/51537.jpg)
[Tomb of Caius Vibius Marianus] Veduta del Gran Sepolcro volgarmente detto di Nerone _ Sulla Via Flaminia, 5. Migla lontano da Roma.~
Rossini dis. e inc.
Roma 1822.
Etching. 565 x 410mm (22¼ x 16"), with large margins, uncut.
The tomb of Caius Vibius Marianus, a pro-consul, five miles outside Rome on the Flavinian Way. Like other classical tombs it is divided in two, the base being plain and strong, the upper part decorative.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51537] £750.00
Rossini dis. e inc.
Roma 1822.
Etching. 565 x 410mm (22¼ x 16"), with large margins, uncut.
The tomb of Caius Vibius Marianus, a pro-consul, five miles outside Rome on the Flavinian Way. Like other classical tombs it is divided in two, the base being plain and strong, the upper part decorative.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51537] £750.00
Veduta del Gran Sepulcro di Cecilia Metella. situato nella Via Appia
Rossini dis. e inc.
Roma 1822.
Etching. 460 x 630mm (18 x 24¾"), with very large margins on three sides, uncut. Torn, with some creasing.
The tomb of Cecilia Metella, daughter-in-law of Marcus Crassus the Triumvir, built on the Appian Way c. 20 BC. It has a strong square base from which rises a circular tower (66 ft. in diameter), faced in marble with a frieze of garlands and ox sculls. On the top are medieval battlements, from when the building was used as part of a castrum owned by the Gaetani family.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51507] £400.00
Rossini dis. e inc.
Roma 1822.
Etching. 460 x 630mm (18 x 24¾"), with very large margins on three sides, uncut. Torn, with some creasing.
The tomb of Cecilia Metella, daughter-in-law of Marcus Crassus the Triumvir, built on the Appian Way c. 20 BC. It has a strong square base from which rises a circular tower (66 ft. in diameter), faced in marble with a frieze of garlands and ox sculls. On the top are medieval battlements, from when the building was used as part of a castrum owned by the Gaetani family.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51507] £400.00
![[Tower of Belisarius] Veduta degl' Avanzi delle Torri di Belisario_Dalla parte che guarda l'interno della Citta, vicino a Porta S.Giovanni.](jpegs/26980.jpg)
[Tower of Belisarius] Veduta degl' Avanzi delle Torri di Belisario_Dalla parte che guarda l'interno della Citta, vicino a Porta S.Giovanni. T28
Rossini dis. e inc.
Roma 1822.
Etching. 425 x 556mm (16¾" x 21¼"), with very large margins.
A view of the city side of the Tower of Belisarius, built into the Aurelian Walls. In 536 the great general Belisarius took Rome for the Eastern Empire and strengthened the walls against the Ostrogothic counter attack.
The second state, with plate number.
[Ref: 26980] £320.00
Rossini dis. e inc.
Roma 1822.
Etching. 425 x 556mm (16¾" x 21¼"), with very large margins.
A view of the city side of the Tower of Belisarius, built into the Aurelian Walls. In 536 the great general Belisarius took Rome for the Eastern Empire and strengthened the walls against the Ostrogothic counter attack.
The second state, with plate number.
[Ref: 26980] £320.00
![[Tower of Belisarius] Veduta degl' Avanzi delle Torri di Belisario_Dalla parte che guarda l'interno della Citta, vicino a Porta S.Giovanni.](jpegs/51552.jpg)
[Tower of Belisarius] Veduta degl' Avanzi delle Torri di Belisario_Dalla parte che guarda l'interno della Citta, vicino a Porta S.Giovanni. T28
Rossini dis. e inc.
Roma 1822.
Etching. 425 x 556mm (16¾" x 21¼"), with large margins, uncut.
A view of the city side of the Tower of Belisarius, built into the Aurelian Walls. In 536 the great general Belisarius took Rome for the Eastern Empire and strengthened the walls against the Ostrogothic counter attack.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51552] £600.00
Rossini dis. e inc.
Roma 1822.
Etching. 425 x 556mm (16¾" x 21¼"), with large margins, uncut.
A view of the city side of the Tower of Belisarius, built into the Aurelian Walls. In 536 the great general Belisarius took Rome for the Eastern Empire and strengthened the walls against the Ostrogothic counter attack.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51552] £600.00
![[Trajan's Market] Veduta del secondo Ordine dei Bagni di Paolo Emilio da altri chiamatala Calcidica del Foro Trajano.](jpegs/51559.jpg)
[Trajan's Market] Veduta del secondo Ordine dei Bagni di Paolo Emilio da altri chiamatala Calcidica del Foro Trajano.
Rossini dis. e inc.
Roma 1822.
Etching. 365 x 455mm (14½ x 18"), with large margins, uncut.
Trajan's Market, on the Via dei Fori Imperiali, probably built in 100-110 AD by Apollodorus of Damascus, is believed to be the world's oldest shopping mall.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51559] £600.00
Rossini dis. e inc.
Roma 1822.
Etching. 365 x 455mm (14½ x 18"), with large margins, uncut.
Trajan's Market, on the Via dei Fori Imperiali, probably built in 100-110 AD by Apollodorus of Damascus, is believed to be the world's oldest shopping mall.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51559] £600.00
![[Trevi Fountain] The Great Cascade of Spring Water at Rome, call'd Travi Fountain.](jpegs/61294.jpg)
[Trevi Fountain] The Great Cascade of Spring Water at Rome, call'd Travi Fountain.
Nicol Salvi Architectura delin. Bowles sculp.
Printed for Robert Wilkinson, at N.o 58, Cornhill, & Bowles & Carver, No 69 St. Paul's Church Yard, London [n.d. c.1800].
Engraving with fine hand colour. Framed. 290 x 430mm (11½ x 17"). Frame size 480 x 630mm (19 x 24¾"). Unexamined out of frame.
The Trevi Fountain, designed by Italian architect Nicola Salvi and completed by Giuseppe Pannini in 1762, in front of the Palazzo Poli.
[Ref: 61294] £320.00
Nicol Salvi Architectura delin. Bowles sculp.
Printed for Robert Wilkinson, at N.o 58, Cornhill, & Bowles & Carver, No 69 St. Paul's Church Yard, London [n.d. c.1800].
Engraving with fine hand colour. Framed. 290 x 430mm (11½ x 17"). Frame size 480 x 630mm (19 x 24¾"). Unexamined out of frame.
The Trevi Fountain, designed by Italian architect Nicola Salvi and completed by Giuseppe Pannini in 1762, in front of the Palazzo Poli.
[Ref: 61294] £320.00
![[The Vaticano Obelisk.]](jpegs/28666.jpg)
[The Vaticano Obelisk.]
Si stampano in Roma da Gio: Iacomo De Rossi alla Pace. [n.d., c.1680.]
Engraving. 490 x 360mm (19¼ x 14¼"). With very large margins ragged, creased in middle as normal.
The Vaticano Obelisk, the centrepiece of the St. Peter's Square, with the Basilica behind. An Egyptian obelisk of unknown origin (lacking hieroglyphics), the obelisk was moved first to Alexandria around 30-28 BC by the Roman Prefect, then to Rome by Caligula in AD37. Having been placed in Nero's circus, it was moved to Saint Peter's Square by Pope Sixtus V in 1586, making it the first monumental obelisk raised in the modern period. The only obelisk in Rome that has not fallen since Roman times, it is topped by a gilt ball once believed to contain the ashes of Julius Caesar.
BM: 2006,U.827.
[Ref: 28666] £380.00
Si stampano in Roma da Gio: Iacomo De Rossi alla Pace. [n.d., c.1680.]
Engraving. 490 x 360mm (19¼ x 14¼"). With very large margins ragged, creased in middle as normal.
The Vaticano Obelisk, the centrepiece of the St. Peter's Square, with the Basilica behind. An Egyptian obelisk of unknown origin (lacking hieroglyphics), the obelisk was moved first to Alexandria around 30-28 BC by the Roman Prefect, then to Rome by Caligula in AD37. Having been placed in Nero's circus, it was moved to Saint Peter's Square by Pope Sixtus V in 1586, making it the first monumental obelisk raised in the modern period. The only obelisk in Rome that has not fallen since Roman times, it is topped by a gilt ball once believed to contain the ashes of Julius Caesar.
BM: 2006,U.827.
[Ref: 28666] £380.00
Veduta della Basilica di S: Pietro in Vaticano. No.1. Colonnato e Piazza di S: Pietro. No.2. obelisco Alsato dal Cavr. Fontaana. No.3. Nuova Sacristia. No.4. Palazzo Vaticano.
Jo Jovanni Brun delinio e Sculp nel anno. 1785.
Presso Carlo Losi l'anno 1785:
A very fine copper engraving. Plate 431 x 605mm. 17 x 23¾". Loss of margin in the top right inside the platemark.
A beautiful view looking down on to the Papal Basilica of Saint Peter. A late renaissance church at the heart of the Vatican City, and the head of the Catholic Church.
[Ref: 16341] £490.00
Jo Jovanni Brun delinio e Sculp nel anno. 1785.
Presso Carlo Losi l'anno 1785:
A very fine copper engraving. Plate 431 x 605mm. 17 x 23¾". Loss of margin in the top right inside the platemark.
A beautiful view looking down on to the Papal Basilica of Saint Peter. A late renaissance church at the heart of the Vatican City, and the head of the Catholic Church.
[Ref: 16341] £490.00
A View of the Piazza del Popolo in the City of Rome.
Parr Sculp.
[London, c.1740.]
Engraving with large margins. 205 x 260mm, 8 x 10¼". Margins chipped on left; rubbed.
The Piazza del Popolo, dominated by the obelisk of Ramesses II, in front of the twin churches of Santa Maria in Montesanto (built 1662-75) and Santa Maria dei Miracoli (1675-79).
[Ref: 26736] £70.00 (£84.00 incl.VAT)
Parr Sculp.
[London, c.1740.]
Engraving with large margins. 205 x 260mm, 8 x 10¼". Margins chipped on left; rubbed.
The Piazza del Popolo, dominated by the obelisk of Ramesses II, in front of the twin churches of Santa Maria in Montesanto (built 1662-75) and Santa Maria dei Miracoli (1675-79).
[Ref: 26736] £70.00 (£84.00 incl.VAT)
A View of the Seat of Belvedere in Vaticano near Rome. Vue de la Maison de Belvedere dans la Vatican aupres de Rome.
Piranese delin. T. Bowles fecit.
Publish'd according to Act of Parliament November, 12. 1750. [London, Printed for Robt Sayer Map & Print Seller opposite Fetter Lane, Fleet Street, and I.G.Printseller in St Anns Court Dean Street Soho.]
Hand-coloured engraving, with black borders. Plate 274 x 431mm. 10¾ x 17".
Elevated perspective view of formal garden, buildings and surrounding landscape of the Belvedere in the Vatican. A copy in the same direction of the etching by Piranesi from the 'Varie vedute di Roma antica e moderna' of 1741-8.
[Ref: 25566] £220.00 (£264.00 incl.VAT)
Piranese delin. T. Bowles fecit.
Publish'd according to Act of Parliament November, 12. 1750. [London, Printed for Robt Sayer Map & Print Seller opposite Fetter Lane, Fleet Street, and I.G.Printseller in St Anns Court Dean Street Soho.]
Hand-coloured engraving, with black borders. Plate 274 x 431mm. 10¾ x 17".
Elevated perspective view of formal garden, buildings and surrounding landscape of the Belvedere in the Vatican. A copy in the same direction of the etching by Piranesi from the 'Varie vedute di Roma antica e moderna' of 1741-8.
[Ref: 25566] £220.00 (£264.00 incl.VAT)
Veduta Della Cappella Sistina nel Palazzo Apostolico Vaticano, edificata dal Pontefice Sisto IV, per opera di Baccio Pintelli, Architetto Fiorentino, e adornata sotto i Pontefici Guilio II, Clemente VII e Paolo III.
Fran.co Panini delin. Francesco Barbazza incise.
In Roma dalla Calcografia della Rev. Camera Aposolica presso la Curia Innocenziana l'Anno 1766.
Engraving. Sheet 485 x 700mm (19 x 27½"). Cut nearly to image on 3 sides.
A large illustration of the Sistine Chapel, taken from a corner looking towards the screen and the ceiling at the far end. Michelangelo's Sistine Chapel ceiling first opened to the public in November 1512. The artist, Francesco Pannini (brother of Guiseppe Pannini who completed the Trevi Fountain), specialized in making preparatory drawings for etchings of architectural subjects.
[Ref: 46185] £480.00
Fran.co Panini delin. Francesco Barbazza incise.
In Roma dalla Calcografia della Rev. Camera Aposolica presso la Curia Innocenziana l'Anno 1766.
Engraving. Sheet 485 x 700mm (19 x 27½"). Cut nearly to image on 3 sides.
A large illustration of the Sistine Chapel, taken from a corner looking towards the screen and the ceiling at the far end. Michelangelo's Sistine Chapel ceiling first opened to the public in November 1512. The artist, Francesco Pannini (brother of Guiseppe Pannini who completed the Trevi Fountain), specialized in making preparatory drawings for etchings of architectural subjects.
[Ref: 46185] £480.00
Veduta Intiera Della gran Piazza, e Chiesa di S. Pietro in Vaticano Ornata Dal Colonnato, Obelisco, Fontane, e parte del Palazzo Pontificio.
Fran.co Panini delin. F. Polanzani inc.
Data in luce nella Calcografia nella Rev. Camera Apos.ca presso la Curia Innocenziana l'Anno 1765.
Engraving. 480 x 720mm (19 x 28¼"), with very large margins. Very slight central crease as normal, crease on the right, to the extremity of the margins.
A fine large plate, looking across St Peter's piazza towards the basilica. The artist, Francesco Pannini (brother of Guiseppe Pannini who completed the Trevi Fountain), specialized in making preparatory drawings for etchings of architectural subjects. The engraver, Francesco Polanzani, is best known for his portrait of Piranesi for Piranesi's 'Antichita Romane'.
[Ref: 46186] £800.00
Fran.co Panini delin. F. Polanzani inc.
Data in luce nella Calcografia nella Rev. Camera Apos.ca presso la Curia Innocenziana l'Anno 1765.
Engraving. 480 x 720mm (19 x 28¼"), with very large margins. Very slight central crease as normal, crease on the right, to the extremity of the margins.
A fine large plate, looking across St Peter's piazza towards the basilica. The artist, Francesco Pannini (brother of Guiseppe Pannini who completed the Trevi Fountain), specialized in making preparatory drawings for etchings of architectural subjects. The engraver, Francesco Polanzani, is best known for his portrait of Piranesi for Piranesi's 'Antichita Romane'.
[Ref: 46186] £800.00
Veduta Presa parte destra del Colonnato della gran Piazza, e Chiesa di S. Pietro in Vaticano con l'Obelisco nel mezzo all due Fontane.
Fran.co Panini delin. Dom.co Cigni inc.
Data in luce nella Calcografia nella R.C.A. presso la Curia Innocenziana l'Anno 1765.
Engraving. 450 x 725mm (17¾ x 28½"). Few tears on left in very large margins. Central crease as normal.
A large plate, looking towards the colonnade on the south side of St Peter's Piazza, with the obelisk and fountain. The artist, Francesco Pannini (brother of Guiseppe Pannini who completed the Trevi Fountain), specialized in making preparatory drawings for etchings of architectural subjects.
[Ref: 46184] £580.00
Fran.co Panini delin. Dom.co Cigni inc.
Data in luce nella Calcografia nella R.C.A. presso la Curia Innocenziana l'Anno 1765.
Engraving. 450 x 725mm (17¾ x 28½"). Few tears on left in very large margins. Central crease as normal.
A large plate, looking towards the colonnade on the south side of St Peter's Piazza, with the obelisk and fountain. The artist, Francesco Pannini (brother of Guiseppe Pannini who completed the Trevi Fountain), specialized in making preparatory drawings for etchings of architectural subjects.
[Ref: 46184] £580.00
Veduta Intiera Della gran Piazza, e Chiesa di S. Pietro in Vaticano Ornata Dal Colonnato, Obelisco, Fontane, e parte del Palazzo Pontificio.
Fran.co Panini delin. F. Polanzani inc.
Data in luce nella Calcografia nella Rev. Camera Apos.ca presso la Stamperia Cammerale l'Anno 1790.
Engraving. 480 x 720mm (19 x 28¼"), with very large margins. Central crease as normal. Crease top right; tatty.
A large plate, looking across St Peter's piazza towards the basilica. The artist, Francesco Pannini (brother of Guiseppe Pannini who completed the Trevi Fountain), specialized in making preparatory drawings for etchings of architectural subjects. The engraver, Francesco Polanzani, is best known for his portrait of Piranesi for Piranesi's 'Antichita Romane'.
[Ref: 46183] £650.00
Fran.co Panini delin. F. Polanzani inc.
Data in luce nella Calcografia nella Rev. Camera Apos.ca presso la Stamperia Cammerale l'Anno 1790.
Engraving. 480 x 720mm (19 x 28¼"), with very large margins. Central crease as normal. Crease top right; tatty.
A large plate, looking across St Peter's piazza towards the basilica. The artist, Francesco Pannini (brother of Guiseppe Pannini who completed the Trevi Fountain), specialized in making preparatory drawings for etchings of architectural subjects. The engraver, Francesco Polanzani, is best known for his portrait of Piranesi for Piranesi's 'Antichita Romane'.
[Ref: 46183] £650.00
St. Peters Haupt-Kirch in Rom. Jübel Jahr auf das 1700 Jahr.
Johann Ulrich Krausen sc. et ex.
Cut Grat: et Privil Sacræ Cæsaræ Majestatis. [Augsburg, c.1700.]
Engraving. Sheet 485 x 430mm (19 x 17"). Trimmed to plate, corners reinforced. Repaired tear left & right.
A broadside illustrating the jubilee celebrations for the year 1700 in St Peter's Basilica, Rome. The main image shows the cathedral packed with pilgrims during the ceremony; underneath are five compartments, showing a plan of the basilica, the entrance porch, St Peter's Square, the exterior of the basilica and an altar. This jubilee, a special year of remission of sins and universal pardon, crossed the tenures of two popes, Clement XI, who died in September, and his successor Innocent XII.
[Ref: 46182] £650.00
Johann Ulrich Krausen sc. et ex.
Cut Grat: et Privil Sacræ Cæsaræ Majestatis. [Augsburg, c.1700.]
Engraving. Sheet 485 x 430mm (19 x 17"). Trimmed to plate, corners reinforced. Repaired tear left & right.
A broadside illustrating the jubilee celebrations for the year 1700 in St Peter's Basilica, Rome. The main image shows the cathedral packed with pilgrims during the ceremony; underneath are five compartments, showing a plan of the basilica, the entrance porch, St Peter's Square, the exterior of the basilica and an altar. This jubilee, a special year of remission of sins and universal pardon, crossed the tenures of two popes, Clement XI, who died in September, and his successor Innocent XII.
[Ref: 46182] £650.00
Veduta di Villa Lodovisi.
Piranesi F.
[n.d. c.1745.]
Etching, with very large margins as normal. Partial watermark. Plate 121 x 197mm (4¾ x 7¾"). Folding as normal.
The seat of Boncompagni Lodovisi, Rome. From "Varie vedute di Roma antica e moderna".
[Ref: 30957] £160.00 (£192.00 incl.VAT)
Piranesi F.
[n.d. c.1745.]
Etching, with very large margins as normal. Partial watermark. Plate 121 x 197mm (4¾ x 7¾"). Folding as normal.
The seat of Boncompagni Lodovisi, Rome. From "Varie vedute di Roma antica e moderna".
[Ref: 30957] £160.00 (£192.00 incl.VAT)
The Inside of S.t Pauls Church in Rome built by Constantine the Great. L'Interieur de L'Eglise de S.t Paul a Rome... 8.
Piranesi delin. Bowles sculp.
Printed for R. Wilkinson in Cornhill, & Bowles & Carver 69 S.t Pauls Church Yard London. [n.d., c.1800.]
Framed engraving with hand colouring , plate 275 x 425mm (10¾ x 16¾"). Frame size 480 x 630mm (19 x 24¾"). Unexamined outside of frame. Glass cracked.
An interior view of Papal Basilica of Saint Paul Outside the Walls.
[Ref: 61275] £180.00 (£216.00 incl.VAT)
Piranesi delin. Bowles sculp.
Printed for R. Wilkinson in Cornhill, & Bowles & Carver 69 S.t Pauls Church Yard London. [n.d., c.1800.]
Framed engraving with hand colouring , plate 275 x 425mm (10¾ x 16¾"). Frame size 480 x 630mm (19 x 24¾"). Unexamined outside of frame. Glass cracked.
An interior view of Papal Basilica of Saint Paul Outside the Walls.
[Ref: 61275] £180.00 (£216.00 incl.VAT)
Villa de SS.ri Marchesi Gerini a Ronta.
G. Zocchi del. N. Mogalli scul.
[n.d. c.1744.]
Etching and engraving with large margins. Plate 310 x 484mm (12¼ x 19").
Plate 38: view of the villa Gerini at Ronta, showing agriculture including ploughing. From "Vedute delle ville e d'altri luoghi della Toscana".
[Ref: 28518] £260.00 (£312.00 incl.VAT)
G. Zocchi del. N. Mogalli scul.
[n.d. c.1744.]
Etching and engraving with large margins. Plate 310 x 484mm (12¼ x 19").
Plate 38: view of the villa Gerini at Ronta, showing agriculture including ploughing. From "Vedute delle ville e d'altri luoghi della Toscana".
[Ref: 28518] £260.00 (£312.00 incl.VAT)
Glacier Inférieur de Rosenlavi. (Canton de Berne) 26.
Dessiné d'après nature par Chapuy. Lith. par Sabatier. Fig. par Bayot.
London, pub. by Gambart, Junin & Co. 25 Berners St. Oxt. St.
Lithograph. Sheet: 460 x 320 (18 x 12½"), with very large margins.
A view of the glacier at Rosenlaui in the Bernese Alps in Switzerland.
[Ref: 41856] £260.00 (£312.00 incl.VAT)
Dessiné d'après nature par Chapuy. Lith. par Sabatier. Fig. par Bayot.
London, pub. by Gambart, Junin & Co. 25 Berners St. Oxt. St.
Lithograph. Sheet: 460 x 320 (18 x 12½"), with very large margins.
A view of the glacier at Rosenlaui in the Bernese Alps in Switzerland.
[Ref: 41856] £260.00 (£312.00 incl.VAT)
Vue du Port et de la Ville de Rouen. Prise de la petite Chaussée à l'ouest de la Ville, ou l'on voit le vieux Palais, la Cathedrale, la Romaine, la Bourse et le Port.
Dressée d'après nature par C.N. Cochin. Gravé sous la direction de le Bas et Choffard.
A Paris chez Basan freres, Rue Serpente, No 14. [n.d., c.1758.]
Engraving. 540 x 760mm (21¼ x 30"). Thread margins, publication line weakly printed.
A large and impressive view of Rouen from the opposite bank of the Seine, with the foreground filled with laundresses, boat-builders and expensively-dressed promenaders. One from the fantastic set of "Les Ports de France".
[Ref: 38821] £550.00
Dressée d'après nature par C.N. Cochin. Gravé sous la direction de le Bas et Choffard.
A Paris chez Basan freres, Rue Serpente, No 14. [n.d., c.1758.]
Engraving. 540 x 760mm (21¼ x 30"). Thread margins, publication line weakly printed.
A large and impressive view of Rouen from the opposite bank of the Seine, with the foreground filled with laundresses, boat-builders and expensively-dressed promenaders. One from the fantastic set of "Les Ports de France".
[Ref: 38821] £550.00
![Rue Saint Romain Rouen [in plate].](jpegs/13817.jpg)
Rue Saint Romain Rouen [in plate].
Albany E. Howarth [signed in pencil.]
[n.d., c.1920.]
Drypoint etching, 410 x 280mm. 16 x 11". A fine impression.
A street scene in Rouen, Normandy, France; figures and skilfully rendered architecture. By Albany E. Howarth ARE (1872 - 1936).
[Ref: 13817] £130.00 (£156.00 incl.VAT)
Albany E. Howarth [signed in pencil.]
[n.d., c.1920.]
Drypoint etching, 410 x 280mm. 16 x 11". A fine impression.
A street scene in Rouen, Normandy, France; figures and skilfully rendered architecture. By Albany E. Howarth ARE (1872 - 1936).
[Ref: 13817] £130.00 (£156.00 incl.VAT)
![[The Seine at Rouen.]](jpegs/18219.jpg)
[The Seine at Rouen.]
Edward Slocombe [pencil signature.]
London, Published Septr. 1st. 1889, by Buck & Reid, 179, New Bond St. W. New York, M. Knoedler & Co.
Etching, signed artist's proof from an edition limited to 125, 200 x 405mm. 8 x 16". Very fine.
Printsellers' Association blindstamp lower left. Edward C. Slocombe came from a family of etchers.
From the Norman Blackburn Collection. Printsellers' Association: pg.339.
[Ref: 18219] £160.00 (£192.00 incl.VAT)
Edward Slocombe [pencil signature.]
London, Published Septr. 1st. 1889, by Buck & Reid, 179, New Bond St. W. New York, M. Knoedler & Co.
Etching, signed artist's proof from an edition limited to 125, 200 x 405mm. 8 x 16". Very fine.
Printsellers' Association blindstamp lower left. Edward C. Slocombe came from a family of etchers.
From the Norman Blackburn Collection. Printsellers' Association: pg.339.
[Ref: 18219] £160.00 (£192.00 incl.VAT)
Vue Générale de Rouen. Prise des Carrières S.te Catherine.
Dessiné d'après nature par Chapuy. Lith. par Bichebois_Fig par V. Adam.
[n.d., c.1860.]
Tinted lithograph. Sheet: 315 x 460mm (12½ x 18'') large margins.
A view of the French town of Rouen showing a carriage racing into the town.
[Ref: 50905] £140.00 (£168.00 incl.VAT)
Dessiné d'après nature par Chapuy. Lith. par Bichebois_Fig par V. Adam.
[n.d., c.1860.]
Tinted lithograph. Sheet: 315 x 460mm (12½ x 18'') large margins.
A view of the French town of Rouen showing a carriage racing into the town.
[Ref: 50905] £140.00 (£168.00 incl.VAT)
Jean Bapt.e. Rousseau. Né á Paris en 1671.
J.P. Sauvage Pinx. G. F. Schmidt Sculp.
Aparis chez Odieuvre .m.d. d'Estampes de l'Ecole vis-à-vis la samarit.e.alabelle Image.
Line Engraving with small margins. 140mm x 100mm (5½" x 4")
Portrait of the French poet Jean Baptiste Rousseau (1671-1741), enemy of Voltaire, within an oval. Rousseau's scandalous verses saw him condemned to exile; he spent much of his life abroad and rejected an eventual invitation to return to France.
[Ref: 31923] £120.00 (£144.00 incl.VAT)
J.P. Sauvage Pinx. G. F. Schmidt Sculp.
Aparis chez Odieuvre .m.d. d'Estampes de l'Ecole vis-à-vis la samarit.e.alabelle Image.
Line Engraving with small margins. 140mm x 100mm (5½" x 4")
Portrait of the French poet Jean Baptiste Rousseau (1671-1741), enemy of Voltaire, within an oval. Rousseau's scandalous verses saw him condemned to exile; he spent much of his life abroad and rejected an eventual invitation to return to France.
[Ref: 31923] £120.00 (£144.00 incl.VAT)
![[Ancient Greece. Royal Gallery of British Art.]](jpegs/52464.jpg)
[Ancient Greece. Royal Gallery of British Art.]
Painted by W. Linton. Engraved by J.W. Appleton. Printed by Horwood & Watkins.
London, Published Dec.r 1, 1840, by the Proprietors No.s 18 & 19, Southampton Place, Euston Square, Sold also by F.G. Moon, Threadneedle Street, and Ackermann & Co., Strand.
Etching and engraving on chine collé. Plate 360 x 510mm (14¼ x 20") with wide margins. Some surface dirt in margins.
A city in ancient Greece, after Linton; people on steps in front of a temple in the foreground, with trees round the curved collonaded portico, preparing to offer a sacrifice and looking to left towards a galley carrying men in armour which rows past, other galleys lined up to left in front of another temples, more in the harbour beyond to right with town buildings rising above, including a bridge lined by statues across a cascade, to left. According to ODNB, the 'Royal Gallery of British Art' was the most ambitious publication of the brothers William and Edward Finden, though sadly unprofitable: a set of forty-eight plates after the most notable painters of the day, published by them with the collaboration of others, between 1838 and 1840.
[Ref: 52464] £180.00 (£216.00 incl.VAT)
Painted by W. Linton. Engraved by J.W. Appleton. Printed by Horwood & Watkins.
London, Published Dec.r 1, 1840, by the Proprietors No.s 18 & 19, Southampton Place, Euston Square, Sold also by F.G. Moon, Threadneedle Street, and Ackermann & Co., Strand.
Etching and engraving on chine collé. Plate 360 x 510mm (14¼ x 20") with wide margins. Some surface dirt in margins.
A city in ancient Greece, after Linton; people on steps in front of a temple in the foreground, with trees round the curved collonaded portico, preparing to offer a sacrifice and looking to left towards a galley carrying men in armour which rows past, other galleys lined up to left in front of another temples, more in the harbour beyond to right with town buildings rising above, including a bridge lined by statues across a cascade, to left. According to ODNB, the 'Royal Gallery of British Art' was the most ambitious publication of the brothers William and Edward Finden, though sadly unprofitable: a set of forty-eight plates after the most notable painters of the day, published by them with the collaboration of others, between 1838 and 1840.
[Ref: 52464] £180.00 (£216.00 incl.VAT)
His Highness Prince Rupert.
P. Lelij pinxit. R. Tompson excudit.
[n.d., c.1670.]
Mezzotint, very rare. Platemark: 335 x 255mm (13¼ x 10"). Repaired tear bottom centre. Slight damage top right.
A portrait of Prince Rupert of the Rhine (1619 - 1682), three-quarter length, standing to the right, wearing a wig, lace cravat, and robes of the Garter. A pillar is seen in the background and a landscape with hills, a river and trees are in the distance to the right. Prince Rupert of the Rhine was the son of Frederick, Elector Palatine, and Elizabeth, daughter of James I & VI. In 1642, already an experienced soldier, he was given command of the cavalry of his uncle, Charles I, becoming captain-general of all Royalist forces in 1644. Prince Rupert had artistic and scientific interests and played an important role in the development of mezzotint as well as experimenting with gunpowder, metallurgy, gunnery, and glass manufacture.
Chaloner Smith 42.II.
[Ref: 36989] £140.00 (£168.00 incl.VAT)
P. Lelij pinxit. R. Tompson excudit.
[n.d., c.1670.]
Mezzotint, very rare. Platemark: 335 x 255mm (13¼ x 10"). Repaired tear bottom centre. Slight damage top right.
A portrait of Prince Rupert of the Rhine (1619 - 1682), three-quarter length, standing to the right, wearing a wig, lace cravat, and robes of the Garter. A pillar is seen in the background and a landscape with hills, a river and trees are in the distance to the right. Prince Rupert of the Rhine was the son of Frederick, Elector Palatine, and Elizabeth, daughter of James I & VI. In 1642, already an experienced soldier, he was given command of the cavalry of his uncle, Charles I, becoming captain-general of all Royalist forces in 1644. Prince Rupert had artistic and scientific interests and played an important role in the development of mezzotint as well as experimenting with gunpowder, metallurgy, gunnery, and glass manufacture.
Chaloner Smith 42.II.
[Ref: 36989] £140.00 (£168.00 incl.VAT)
The Russian Empire, with its gradual Acquisitions traced and Explained.
Printed by R. Juigné, 17, Margaret Street, Cavendish Square. [n.d., c.1817.]
Hand coloured engraving with surrounding letter press text and large margins. Sheet size: 495 x 715mm (19½ x 28¼").
A map of the Russian Empire, stretching from Finland and Walachia to Kamchatka, surrounded by letterpress descriptions, published in an English edition of Le Sage's Historical Atlas.
[Ref: 36875] £240.00
Printed by R. Juigné, 17, Margaret Street, Cavendish Square. [n.d., c.1817.]
Hand coloured engraving with surrounding letter press text and large margins. Sheet size: 495 x 715mm (19½ x 28¼").
A map of the Russian Empire, stretching from Finland and Walachia to Kamchatka, surrounded by letterpress descriptions, published in an English edition of Le Sage's Historical Atlas.
[Ref: 36875] £240.00
Basse des Trois-Frères et pointe du phare, à l'entrée de la baie d'Avatscha. (KamtschatKa). Voyage de la frigate Vénus. Atlas Pittoresque.
Moerenhout del. Lith. Thierry frères. Sebatier Lith.
[n.d., c.1841.]
Lithograph, printed on chine collé. Printed area: 210 x 275mm (8¼ x 11''), with very large margins.
A view of the mouth of the Avacha river on the Kamchatka peninsula in north-eastern Russia. A plate from 'Atlas Pittoresque of du Petit-Thouars' Voyage Autour du Monde sur La Fregate La Venus'.
[Ref: 50940] £140.00 (£168.00 incl.VAT)
Moerenhout del. Lith. Thierry frères. Sebatier Lith.
[n.d., c.1841.]
Lithograph, printed on chine collé. Printed area: 210 x 275mm (8¼ x 11''), with very large margins.
A view of the mouth of the Avacha river on the Kamchatka peninsula in north-eastern Russia. A plate from 'Atlas Pittoresque of du Petit-Thouars' Voyage Autour du Monde sur La Fregate La Venus'.
[Ref: 50940] £140.00 (£168.00 incl.VAT)
The Russian Empire in Europe and Aisa: from the best Authorities.
J.Cary sculp.
Published Sep.r 28 1782 by I.Fielding No 23 Pater noster Row.
Engraving. 195 x 270mm, 7¾ x 10½". Folded.
Map from the 'Complete Geographical Dictionary' by John Seally.
[Ref: 13222] £75.00
J.Cary sculp.
Published Sep.r 28 1782 by I.Fielding No 23 Pater noster Row.
Engraving. 195 x 270mm, 7¾ x 10½". Folded.
Map from the 'Complete Geographical Dictionary' by John Seally.
[Ref: 13222] £75.00
Russia or Moscovy.
[n.d., c.1820.]
Engraved map. 190 x 220mm, 7½ x 8¾".
Map of Russia.
[Ref: 13242] £65.00
[n.d., c.1820.]
Engraved map. 190 x 220mm, 7½ x 8¾".
Map of Russia.
[Ref: 13242] £65.00
Russia.____________Yet there life glows; / Yet cherish'd there, beneath the shining waste, / The furry nations harbour: tipt with jet, / Fair ermines, spotless as the snows they press; / Sables, of glossy: black; and dark embrown'd, / Or beauteous freakt with many a mingled hue, / Thousands besides, the costly pride of courts. Vide Thomsons Winter.
C. Ansell delint. W. Nutter sculpt.
London Publish'd Jan. 11. 1791 by C. Tomkins No.2 Rathbone Place.
Stipple. Plate 301 x 246mm. 11?" x 9¾".
A rustic Russian scene of a fair maiden and father preparing for the hunt.
Ex: Oettingen-Wallerstein collection.
[Ref: 9258] £280.00 (£336.00 incl.VAT)
C. Ansell delint. W. Nutter sculpt.
London Publish'd Jan. 11. 1791 by C. Tomkins No.2 Rathbone Place.
Stipple. Plate 301 x 246mm. 11?" x 9¾".
A rustic Russian scene of a fair maiden and father preparing for the hunt.
Ex: Oettingen-Wallerstein collection.
[Ref: 9258] £280.00 (£336.00 incl.VAT)
![[Russia.] Russland Taf. II.](jpegs/46029.jpg)
[Russia.] Russland Taf. II. Hôtel des Generalstabs in Petersburg.
[Emil Wendt.][n.d.,c.,1850]
[Leipzig, Berlag von Dürffling und Frante.]
Engraving, platemark 270 x 315mm (10½ x 12½") very large margins.
A collection of vignettes of views of Russia arranged around a central view of St Petersburg, other views include 'Fleichsmarkt', 'Die Admiraltät in Petersburg', 'Fleichmarkt'. A plate from Emil Wendt's 'Bilderatlas der Länderkunde...'
[Ref: 46029] £160.00 (£192.00 incl.VAT)
[Emil Wendt.][n.d.,c.,1850]
[Leipzig, Berlag von Dürffling und Frante.]
Engraving, platemark 270 x 315mm (10½ x 12½") very large margins.
A collection of vignettes of views of Russia arranged around a central view of St Petersburg, other views include 'Fleichsmarkt', 'Die Admiraltät in Petersburg', 'Fleichmarkt'. A plate from Emil Wendt's 'Bilderatlas der Länderkunde...'
[Ref: 46029] £160.00 (£192.00 incl.VAT)
Bateau pour les parties de plaisir.
[n.d. c.1821.]
Fine lithograph, paper watermarked. Image area 165 x 247mm. 6½ x 9¾". Trimmed to image and around title area.
Two pleasure boats, one being rowed in the background, whereas the one in the foreground sits whilst men make music. From an uncoloured copy of "Moeurs et costumes des Russes représentés en 50 planches coloriées exécutées en lithographie -- par A. C. Houbigant".
[Ref: 26567] £160.00 (£192.00 incl.VAT)
[n.d. c.1821.]
Fine lithograph, paper watermarked. Image area 165 x 247mm. 6½ x 9¾". Trimmed to image and around title area.
Two pleasure boats, one being rowed in the background, whereas the one in the foreground sits whilst men make music. From an uncoloured copy of "Moeurs et costumes des Russes représentés en 50 planches coloriées exécutées en lithographie -- par A. C. Houbigant".
[Ref: 26567] £160.00 (£192.00 incl.VAT)
Famille Russe Attaquee Par Des Loups.
Peint par Schopin. Grave par Jazet. Imprimerie de Goupil et Vibert.
Goupil & Vibert, Editeurs. Berlin, Verlag von L. Sachse & Cie. Paris _ 15, Boulevart Montmartre, & 7, Rue de Lancry. London_25, Berners St. Oxford St. _ Publd. 9ber 1st./44 [n.d., c.1850].
Aquatint, 530 x 650mm. 20¾ x 25½".
Dramatic image showing a pack of wolves attacking a terrified mother and two children in horse-drawn sleigh. One horse in the background of this wintry composition has fallen and is about to be engulfed by the ravenous pack.
[Ref: 8516] £490.00
Peint par Schopin. Grave par Jazet. Imprimerie de Goupil et Vibert.
Goupil & Vibert, Editeurs. Berlin, Verlag von L. Sachse & Cie. Paris _ 15, Boulevart Montmartre, & 7, Rue de Lancry. London_25, Berners St. Oxford St. _ Publd. 9ber 1st./44 [n.d., c.1850].
Aquatint, 530 x 650mm. 20¾ x 25½".
Dramatic image showing a pack of wolves attacking a terrified mother and two children in horse-drawn sleigh. One horse in the background of this wintry composition has fallen and is about to be engulfed by the ravenous pack.
[Ref: 8516] £490.00
Russia. ____Yet there life glows; Yet cherish'd there, beneath the shining waste...Or beauteous freakt with many a mingles hue, Thousands besides, the costly pride of courts. Vide Thomsons Winter.
C. Ansell delin.t W. Nutter sculp.t
[n.d. c.1822.]
Stipple, rare. 291 x 215mm (11½ x 8½"). Cut, messy.
In a snowy mountain, a woman with a headscarf, standing in the centre, holding a bird in her hand; a man next to her, carrying a quiver and a bow on his back, leaning against a sledge on the right which another figure rides and a reindeer pulls; a log house on the left.
See Ref: 9258 for earlier in tact publication.
[Ref: 34752] £160.00 (£192.00 incl.VAT)
C. Ansell delin.t W. Nutter sculp.t
[n.d. c.1822.]
Stipple, rare. 291 x 215mm (11½ x 8½"). Cut, messy.
In a snowy mountain, a woman with a headscarf, standing in the centre, holding a bird in her hand; a man next to her, carrying a quiver and a bow on his back, leaning against a sledge on the right which another figure rides and a reindeer pulls; a log house on the left.
See Ref: 9258 for earlier in tact publication.
[Ref: 34752] £160.00 (£192.00 incl.VAT)
Alexander 1st.
[anonymous but with pen inscription in lower margin suggesting Henry Meyer as possible engraver]
London, Pub.d May 2nd 1814 by Colnagi & Co., 23 Cockspur St. Charing Cross.
Stipple and etching, with very large margins; 280 x 210mm. 11 x 8¼". Damage to large margins only.
Alexander I of Russia (1777-1825), known as Alexander the Blessed, Tzar from 1801, Ruler of Poland from 1815, as well as the first Russian Grand Duke of Finland and Lithuania.
NPG: D15858.
[Ref: 27192] £180.00 (£216.00 incl.VAT)
[anonymous but with pen inscription in lower margin suggesting Henry Meyer as possible engraver]
London, Pub.d May 2nd 1814 by Colnagi & Co., 23 Cockspur St. Charing Cross.
Stipple and etching, with very large margins; 280 x 210mm. 11 x 8¼". Damage to large margins only.
Alexander I of Russia (1777-1825), known as Alexander the Blessed, Tzar from 1801, Ruler of Poland from 1815, as well as the first Russian Grand Duke of Finland and Lithuania.
NPG: D15858.
[Ref: 27192] £180.00 (£216.00 incl.VAT)
Emperor Alexander.
Published by G. Smeeton, 17, St. Martin's Lane. [n.d. c.1830.]
Stipple. 114 x 76mm (4½ x 3") Cut and laid on card as normal.
Emperor Alexander I of Russia (1777-1825), known as Alexander the Blessed, Tsar from 1801, Ruler of Poland from 1815, as well as the first Russian Grand Duke of Finland and Lithuania.
[Ref: 31182] £65.00 (£78.00 incl.VAT)
Published by G. Smeeton, 17, St. Martin's Lane. [n.d. c.1830.]
Stipple. 114 x 76mm (4½ x 3") Cut and laid on card as normal.
Emperor Alexander I of Russia (1777-1825), known as Alexander the Blessed, Tsar from 1801, Ruler of Poland from 1815, as well as the first Russian Grand Duke of Finland and Lithuania.
[Ref: 31182] £65.00 (£78.00 incl.VAT)
Alexander 1.st.
J. Chapman sculp.
Published as the act directs, Jan.y.1-1802.
Stipple with large margins. Plate:110 x 160mm (4¼ x 6¼").
Half portrait of Alexander 1st of Russia (1777-1825), ruler of Russia from 1801 to 1825, and King of Poland from 1811 to 1825.
[Ref: 33501] £95.00 (£114.00 incl.VAT)
J. Chapman sculp.
Published as the act directs, Jan.y.1-1802.
Stipple with large margins. Plate:110 x 160mm (4¼ x 6¼").
Half portrait of Alexander 1st of Russia (1777-1825), ruler of Russia from 1801 to 1825, and King of Poland from 1811 to 1825.
[Ref: 33501] £95.00 (£114.00 incl.VAT)
Alexander 1st. Emperor of Russia.
C.MF. Dien sc.
London, Pub. June 14 - 1814, by Hassell & Rickards, 344, Strand.
Engraving with very large margins, platemark 185 x 130mm (7¼ x 5"). Good impression.
Alexander I (1777-1825) served as Emperor of Russia from 1801 to 1825, and the first Russian King of Poland from 1815 to 1825. He was also the first Russian Grand Duke of Finland and Lithuania.
[Ref: 35230] £160.00 (£192.00 incl.VAT)
C.MF. Dien sc.
London, Pub. June 14 - 1814, by Hassell & Rickards, 344, Strand.
Engraving with very large margins, platemark 185 x 130mm (7¼ x 5"). Good impression.
Alexander I (1777-1825) served as Emperor of Russia from 1801 to 1825, and the first Russian King of Poland from 1815 to 1825. He was also the first Russian Grand Duke of Finland and Lithuania.
[Ref: 35230] £160.00 (£192.00 incl.VAT)
Alexander the First Emperor of all the Russias.
London, William Darton, 138 Holborn Hill, 1823.
Stipple. Sheet 115 x 75mm (4½ x 3"). Trimmed within plate, on card as normal.
Vignette portrait of Tsar Alexander I (1777-1825) in uniform.
[Ref: 37994] £50.00 (£60.00 incl.VAT)
London, William Darton, 138 Holborn Hill, 1823.
Stipple. Sheet 115 x 75mm (4½ x 3"). Trimmed within plate, on card as normal.
Vignette portrait of Tsar Alexander I (1777-1825) in uniform.
[Ref: 37994] £50.00 (£60.00 incl.VAT)
Alexander 1st. Emperor of all the Russias.
Canton de;. et sculp.
Published 18th May 1815 by Richard Evans, Whites Row, Spitalfields.
Etching, printed in red and hand finished. 225 x 350mm (8¾ x 13¾"). Laid on card. Slight offset.
Equestrian portrait of Tsar Alexander I (1777-1825) in uniform, with a standard-bearer and a battle behind. Published in William Nicholson's ' History of the War Occasioned by the French Revolution', 1816.
[Ref: 37877] £130.00 (£156.00 incl.VAT)
Canton de;. et sculp.
Published 18th May 1815 by Richard Evans, Whites Row, Spitalfields.
Etching, printed in red and hand finished. 225 x 350mm (8¾ x 13¾"). Laid on card. Slight offset.
Equestrian portrait of Tsar Alexander I (1777-1825) in uniform, with a standard-bearer and a battle behind. Published in William Nicholson's ' History of the War Occasioned by the French Revolution', 1816.
[Ref: 37877] £130.00 (£156.00 incl.VAT)