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Catalogue: Modern Etchings
[Semi-nude woman (named in Greek in plate upper left) dipping her toe into water in a landscape.]
[Semi-nude woman (named in Greek in plate upper left) dipping her toe into water in a landscape.]
Edward Slocombe 1886 [signed in pencil and in plate.]
[British, c.1890.]
Etching in reddish-brown ink, 415 x 215mm. 16¼ x 8½". Some creasing; unexamined out of frame.
A romanticized composition; the inspiration appears to be classical mythology. Edward Slocombe RPE (1850 - 1915) was born in London into a noted family of artists, a painter, etcher and mezzotint engraver. Some of his etchings were published in The Art Journal and the Portfolio, also by the Fine Art Society.
[Ref: 22470]   £280.00   (£336.00 incl.VAT)
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[The Oassis at Daybreak.]
[The Oassis at Daybreak.]
E.J. Detmold [signed in pencil.]
[n.d. c.1900.]
Drypoint with pencil signature, with large margins. Plate 182 x 395mm (7¼ x 15½"). Slight ink loss top left; paper tone.
Two figures and laden camels with coconut palms beyond, by Edward Julius Detmold (1883-1957), twin brother to Charles Maurice Detmold (1883-1908). The pair were among the artists associated with the Golden Age of Illustration. They worked together making sketches at the Zoological Gardens and exhibited together from the age of fourteen. He became one of the best Edwardian animal illustrators, known for his subtle placement of animals within their natural environment. Edward expressed artistic versatility and published a number of books of fine fantasy drawings in the 1920s; they portrayed a vivid imagination and he utilised warm colouring, which suited the period. The Jungle Book (1908) was to be the last substantial commission that the brothers worked on - due to the death of Charles in that same year. The extraordinary success of their illustrations to accompany Kipling's classic tale, however, firmly established the reputation for Edward and the following year, a suite of illustrations prepared to Aesop's tales were published in The Fables of Aesop (1909).
[Ref: 28871]   £220.00   (£264.00 incl.VAT)
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October (Dartmoor Ponies).
October (Dartmoor Ponies).
Williamson. Horace W. Williamson [pencil signature]
[n.d., c.1930]
Drypoint etching. 205 x 270mm, 8 x 10½".
Ponies in a bleak landscape.
[Ref: 11961]   £140.00   (£168.00 incl.VAT)
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[The Old Bridge.]
[The Old Bridge.]
W.O.J.N. [Wijnand Otto Jan Nieuwenkamp].
[n.d., c.1903.]
Woodcut. Printed area 175 x 315mm (7 x 12½").
An ancient bridge over a river, possibly in Mechelen, Belgium. Nieuwenkamp's 'Brücke in Mecheln' has a similar window structure. Nieuwenkamp (1874-1950) was the first European artist to visit Bali. It is probable that this view was drawn from his houseboat, 'De Zwerver' (The Wanderer), in which he toured Europe, holding exhibitions on board.
[Ref: 41733]   £140.00   (£168.00 incl.VAT)
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[Old Man.]
[Old Man.]
Hayden Mackey [signed in the plate.]
[n.d. c.1920.]
Coloured woodcut, signed. Plate 268 x 179mm. 10½ x 7". Laid on card.
Haydn Reynolds Mackey (1883-1979) was a book illustrator and printmaker of bold coloured linocuts and woodcuts. He was a leader in representing an innovative and bold departure away from the traditional and recognised methods of printmaking.
[Ref: 23618]   £160.00   (£192.00 incl.VAT)
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Old Mill House. Barton Mill.
Old Mill House. Barton Mill.
M. Oliver Rae.
[n.d. c.1920.]
Etching. Image 82 x 114mm. 3¼ x 4½".
The Old Mill House, Barton Mills, Suffolk. Mabel Oliver Rae (British, fl. 1850-1900).
[Ref: 22909]   £65.00   (£78.00 incl.VAT)
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[On Guard.]
[On Guard.]
J.S. Noble 1882 [etched in plate]. J S Noble Chas O Murray [pencil signatures].
London Published 1.st February 1883, by Rob.t Dunthorne at The Cabinet of Fine Arts, Vigo Street, W._Copyright Registered.
Etching, signed in pencil, with very large margins. Plate 405 x 520mm. 16 x 20½". Uncut.
Two dogs sitting guard and keeping watch over a sleeping baby in a cradle.
[Ref: 27954]   £280.00   (£336.00 incl.VAT)
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[Untitled portrait.]
[Untitled portrait.]
Malcolm Osborne. [Signed in pencil.].
Etching. 135 x 225mm.
Malcolm Osborne [1880 - 1963] was born in Frome, Somerset. He studied at Bristol School of Art and the Royal College of Art, London, under Sir Frank Short. When Short retired in 1924 he succeeded him as head of the etching and engraving school. Osborne produced just over a hundred prints, including British and European land and townscapes, but it is for his portraiture that he is most highly regarded.
[Ref: 7151]   £160.00   (£192.00 incl.VAT)
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The Owl and the Mouse.
The Owl and the Mouse.
Joaquin Macias [signed in pencil lower right.]
[n.d., c.1940.]
Etching, 260 x 185mm (10¼ x 7¼").
An owl with huge piercing eyes peers down at a tiny mouse in this charmingly characterful and quirky etching. The Latin American artist Joaquin Macias is known to have lived in Rio de Janeiro, Brazil, and Nicaragua, and to have visited Chile in 1951. In a hand written note discovered with a group of his etchings, he mentions a period of "30 years residence" in Britain. He seems to have etched most of his plates in the 1930s, 40s and 50s.
[Ref: 9943]   £450.00  
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"Pals."
R.H. Palenske. [signed in pencil.]
[n.d. c.1930].
Etching, 15 x 10cm. 6 x 4". Paper discoloured.
Etching of two moose. By Reinhold H. Palenske (1884-1954), born in Chicago, where he attended the Art Institute.
[Ref: 18632]   £140.00   (£168.00 incl.VAT)
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[Palm Grove, Pulé.]
[Palm Grove, Pulé.]
Thomas Handforth [pencil signature].
[n.d., c.1928.]
Etching, signed by the artist. 170 x 190mm, 6¾ x 7½".
Thomas Scofield Handforth (1897–1948), Prominent American artist and etcher. He travelled extensively through Northern and Central America also in the Pacific, Asia and North Africa.
[Ref: 11889]   £130.00   (£156.00 incl.VAT)
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The City of Panama [titled in pencil lower right].
The City of Panama [titled in pencil lower right].
JPennell [signed in pencil.]
[Philadelphia and London: J.B. Lippincott Co., 1912.]
Large lithograph from an edition limited to 50, scarce, sheet 655 x 525mm. 25¾ x 20¾". Foxing; laid on card.
View down onto the buildings of the old town of Panama City, the capital and largest city of the Republic of Panama, the southernmost country of Central America. It is located at the Pacific entrance of the Panama Canal. The view is from the Tivoli Hotel, Ancon, the veranda to the right. Captioned in reverse in plate. From ‘Joseph Pennell’s pictures of the Panama Canal’, the artist's most famous lithographic series. In January of 1912, Pennell went to the Isthmus of Panama to draw the work on the canal for Century Magazine and London Illustrated News. There were 28 large lithographs in the series, issued in an edition of 50. Joseph Pennell (1857 – 1926) was a painter, illustrator and etcher, born in Pennsylvania, USA, the son of Philadelphia Quaker parents. He was a pupil in the Pennsylvania Academy of Fine Arts between 1878-80, and his unusual ability in etching was early recognized by his instructor, James L. Claghorn.
See Print Collector's Quarterly Oct. 1912 p.291. See Library of Congress 12023736.
[Ref: 22329]   £480.00  
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Cut towards Ancon Hill [titled in pencil lower right].
Cut towards Ancon Hill [titled in pencil lower right].
J.Pennell [signed in pencil.]
[Philadelphia and London: J.B. Lippincott Co., 1912.]
Large lithograph from an edition limited to 50, scarce, sheet 485 x 635mm. 19 x 25". Foxing; laid on card.
View of construction work on the Panama Canal in Central America which joins the Atlantic Ocean and the Pacific Ocean and is a key conduit for international maritime trade. Built from 1904 to 1914, annual traffic has risen from about 1,000 ships in the canal's early days to 14,702 vessels in 2008. From ‘Joseph Pennell’s pictures of the Panama Canal’, the artist's most famous lithographic series. In January of 1912, Pennell went to the Isthmus of Panama to draw the work on the canal for Century Magazine and London Illustrated News. There were 28 large lithographs in the series, issued in an edition of 50. Joseph Pennell (1857 – 1926) was a painter, illustrator and etcher, born in Pennsylvania, USA, the son of Philadelphia Quaker parents. He was a pupil in the Pennsylvania Academy of Fine Arts between 1878-80, and his unusual ability in etching was early recognized by his instructor, James L. Claghorn.
See Print Collector's Quarterly Oct. 1912 p.291. See Library of Congress 12023736.
[Ref: 22330]   £550.00  
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Estacade entre le Re Louviers et L'Ile St. Louis. 1840
Estacade entre le Re Louviers et L'Ile St. Louis. 1840
AP Martial.
Etching. 140 x 210mm, 5½ x 8¼".
Adolphe Potémont Martial (1828-83), creator of over three hundred scenes of Paris and its environs.
[Ref: 12047]   £60.00   (£72.00 incl.VAT)
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Paris en 1871.
Paris en 1871.
A. Martial Potément inv. et fecit.
[n.d., c.1871.]
Etching, with large margins. 420 x 380mm, 16½ x 15". Margins creased.
Although Adolphe Potémont Martial (1828-83) primarily published topographical etchings of Paris, this has a more political motive. It celebrates the Paris Commune, established when the city revolted against the government that had surrendered to the besieging German army the year before. In the centre is the city arms, with a ship on a stormy sea with the motto "Fluctuat nec mergitur" ("It is tossed by the waves, but does not sink"), with a communard on the left and a German, wearing the spiked 'Pickelhaube' helmet on the right. Potément published a series of etchings called 'Paris: Siège et Commune' at the end of 1871, but this print is much larger.
[Ref: 18310]   £260.00   (£312.00 incl.VAT)
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"Patience". 6/75.
Horace Williamson. [Signed in pencil.]
[n.d., c.1930.]
Etching. Platemark: 175 x 240mm (7 x 9½"). Very large margins. Light mountburn.
A polar bear peering into an icy pool of water below. Limited edition of 75 prints by Horace W. Williamson.
[Ref: 37815]   £170.00   (£204.00 incl.VAT)
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"Patience".
Horace Williamson. [Signed in pencil.]
[n.d., c.1930.]
Etching. Proof. Platemark: 175 x 240mm (7 x 9½"). Very large margins.
A polar bear peering into an icy pool of water below. A proof impression from a limited edition of 75 prints by Horace W. Williamson.
[Ref: 37816]   £160.00   (£192.00 incl.VAT)
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[Three peacocks in open scenery, with sunset.]
[Three peacocks in open scenery, with sunset.]
E.J.D. [monogram] E. J. Detmold [signed in pencil].
[n.d., 1925.]
Etching. Signed. 320 x 410mm, 12½ x 16¼". Creased.
Edward Julius Detmold (1883-1957) and his twin Charles Maurice Detmold (1883-1908) were twins and child protegés who worked very closely together until C.M. Detmold committed suicide in 1908. Traumatised, Edward produced only one etching in the next fifteen years, returning to the art only in 1923.
[Ref: 21420]   £260.00   (£312.00 incl.VAT)
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[Two peacocks standing near creeping foliage.]
[Two peacocks standing near creeping foliage.]
M.D. E.J.D. E. J. Detmold [signed in pencil].
[n.d., 1905.]
Etching. Signed. 80 x 165mm, 3¼ x 6½".
Etching, signed with the initials of Charles Maurice Detmold (1883-1908) & Edward Julius Detmold (1883-1957) as artists and with the full signature of Edward as etcher. The Detmolds, twins and child protegés, worked very closely together until C.M. Detmold committed suicide in 1908, three years after this etching. Traumatised, Edward produced only one etching in the next fifteen years, returning to the art only in 1923.
Guichard: p. 35, 'Peacocks was their most remarkable piece of collaboration', possiblly referring to this plate.
[Ref: 21412]   £280.00   (£336.00 incl.VAT)
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[Penshurst.]
[Penshurst.]
Cecil Aldin [pencil signature.]
[n.d., c.1910.]
Etching, signed, from a limited edition numbered '91/100' in pencil lower left. 300 x 210mm, 11¾ x 8¼". A fine impression.
Cecil Charles Windsor Aldin (1870 - 1935), artist and illustrator, was born in Slough, the son of a builder, and studied at the South Kensington school of Art. He worked as a comic illustrator in the 1890's before achieving great success as a sporting artist. He retired to Majorca in 1930. A scene at Penshurst, a village in the Sevenoaks district of Kent: an elderly woman and terrier dog approaching a gatehouse walkway with a distant view of a church. The village grew up around Penshurst Place, the ancestral home of the Sidney family.
[Ref: 18622]   £380.00  
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[The Pensioner.]
[The Pensioner.]
OE [monogram of Emil Orlik.]
[London: Unicorn Press, 1898.]
Woodcut printed in black and red. Image 105 x 85mm (4¼ x 3½"), 'Dome' corcular blindstamp in margin. Staining in margin.
A Chelsea Pensioner with an old lady holding his wrist, red post pillar box behind. Emil Orlik (Austrian, 1870-1932) produced this woodcut for 'The Dome', an illustrated magazine and review of literature, music, architecture and the graphic arts. Although it only ran from 1897-1900 the contributors included Elgar, Japanese printmakers Hiroshige & Hokusai, Rosetti, Strang and Yeats.
BM 1949,0411.4505/
[Ref: 44288]   £75.00   (£90.00 incl.VAT)
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[The Phoenix.]
[The Phoenix.]
E. J. Detmold [signed in pencil].
[n.d., 1899.]
Etching, signed in pencil, with Japanese-style ornament heightened with gold. 260 x 175mm, 10¼ x 7".
A hawk perched on branch with left wing raised and extended. The ornament features a dandelion. An early plate, issued the year after his first etchings. Edward Julius Detmold (1883-1957) and his twin Charles Maurice Detmold (1883-1908) were twins and child protegés who worked very closely together until C.M. Detmold committed suicide in 1908. Traumatised, Edward produced only one etching in the next fifteen years, returning to the art only in 1923.
[Ref: 21415]   £320.00  
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[A sow suckling piglets.]
[A sow suckling piglets.]
Henry Rayner [signed in plate and in pencil to margin.]
Copyright 1940 [pencil, lower margin.]
Drypoint etching, 110 x 135mm. 4¼ x 5¼". A fine impression, wide margins.
Captioned 'Study' in pencil, apparently in the artist's hand, below the plate. Henry Hewitt Redstone Rayner (1902 - 1957). Australian-born, he worked in the Antipodes before studying at the Royal Academy. He was a friend of Sickert.
[Ref: 22527]   £140.00   (£168.00 incl.VAT)
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Pigs [in pencil lower left].
Pigs [in pencil lower left].
J. Wilkie [signed in pencil.]
[n.d., c.1930.]
Etching, 190 x 252mm.
An endearing scene of piglets suckling in a sty by James Wilkie (1890 - 1957).
[Ref: 7727]   £130.00   (£156.00 incl.VAT)
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[Two kittens.]
[Two kittens.]
Meta Pluckbaum [pencil signature lower right]
[n.d., c.1930.]
Etching with hand-colouring and large margins, platemark 240 x 270mm (9½ x 10½"). Signature faded
Meta Pluckebaum (1876-1954) was a German painter. She was popular in Europe for her work in children's portraits, still life and animals. She was highly successful in the United States for her humorous and sensitive etchings of cats and dogs.
[Ref: 27246]   £190.00   (£228.00 incl.VAT)
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[Portrait study; a man with a beard.]
[Portrait study; a man with a beard.]
[H. Herkomer.]
[n.d., c.1880.]
Etching on Chinese applique paper, image 140 x 120mm, 5½ x 4¾". A fine impression.
A vivd and expressive portrait. By Sir Hubert von Herkomer (1849 - 1914), painter, watercolourist, draughtsman and etcher of portraits, landscapes, genre subjects. In 1869 he began working as an artist for a newly-founded newspaper 'The Graphic'. Herkomer was also a pioneering film maker. He established a studio in Lululaund and directed a number of historical costume dramas, designed to be shown accompanied by his own music.
[Ref: 19856]   £85.00   (£102.00 incl.VAT)
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[Portrait study; a man with a beard.]
[Portrait study; a man with a beard.]
HH [Herkomer's monogram in plate.]
[n.d., c.1880.]
Etching on Chinese applique paper, 145 x 100mm, 5¾ x 4". A fine impression.
A vivd and expressive portrait. By Sir Hubert von Herkomer (1849 - 1914), painter, watercolourist, draughtsman and etcher of portraits, landscapes, genre subjects. In 1869 he began working as an artist for a newly-founded newspaper 'The Graphic'. Herkomer was also a pioneering film maker. He established a studio in Lululaund and directed a number of historical costume dramas, designed to be shown accompanied by his own music.
Apparently the same sitter as 19856.
[Ref: 19857]   £85.00   (£102.00 incl.VAT)
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[The Posada Kitchen, Pancorbo]
[The Posada Kitchen, Pancorbo]
W.Russell Flint [Ink signature]
XX [Ink edition number]
Drypoint, 1928, state iii of iii, the published state, edition of 75. 230 x 300mm.
The second plate depicting this scene.
Wright: 10.
[Ref: 2509]   £480.00  
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Some Etchings of Poynters Hall Totteridge, Herts., and the vicinity done in the year 1926
Some Etchings of Poynters Hall Totteridge, Herts., and the vicinity done in the year 1926 by S.M. Litten for Cecil Harmsworth. Damson Hiull, Totteridge. The Windmill at Barnet Gate. Totteridge Church, Herts. The Orange Tree Inn, Totteridge. The Pond on the Common, Totteridge. The Lily Pond, Totteridge. Poynters Halol from the South. The Clock Tower, Poynters Hall. Poynters Hall, Totteridge, Herts. Poynters Hall from the Common {set of 10 including the Frontis}.
Etched illustrated title page including list of plates, 300 x 175mm (11¾ x 7"), and ten drypoint etchings complete as list, eight each c.195 x 245mm (7¾ x 9¾"), two each c.170 x 295mm (6¾ x 11½"); captioned in pencil, unsigned. Wonderfully fresh impressions.
Attractive set of etched views at Poynters Hall, home of Geraldine Harmsworth, nee Maffett, wife of Alfred Harmsworth, 1839-1925.
Dedicated to Cecil Harmsworth (1898 - 1978), newspaper proprietor, by the artist Sidney Mackenzie Litten (1887 - 1934), pupil of Sir Frank Short at the Royal College of Art before going on to become Senior Master at St Martin's School of Art.

Guichard: pg.47, not mentioned.
[Ref: 16682]   £490.00   view all images for this item
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Il Pronao del Tempio di Antonio e Faustina.
Il Pronao del Tempio di Antonio e Faustina.
B.Disertori dis.
[n.d. 1920.]
Etching, signed in ink. Limited edition, no 24 of 50. 350 x 240mm.
Benvenuto Disertori (1887 - 1969). This print was exhibited at the Esposizione Internazionale d'Arte della Città di Venezia, 1920.
[Ref: 7206]   £250.00   (£300.00 incl.VAT)
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The Punch & Judy Show [pencil].
The Punch & Judy Show [pencil].
George D Harvey Samuel [pencil signature.]
[n.d., c.1920s.]
Drypoint etching, unfinished presentation proof from a limited edition, numbered '6/100' in pencil, titled and signed by the artist to the original mount. 160 x 210mm, 6¼ x 8¼".
Inscribed in pencil by the artist lower right 'for H J Harvey, HMH'. Children and their mothers watch the puppet show on the banks of a river.
[Ref: 16026]   £220.00   (£264.00 incl.VAT)
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[Puppy & kitten.]
[Puppy & kitten.]
Fanni Moody. R.Wallace Hester [Pencil signatures.]
London, Published June 1st 1892 by I.P. Mendoza, St James's Gallery. 4a King Street, St James's.
Etching. 300 x 250mm.
[Ref: 4272]   £280.00   (£336.00 incl.VAT)
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The Quarrel [pencil].
The Quarrel [pencil]. Just Published. Original Etching by Jackson Simpson. (Limited Edition).
Jackson Simpson. [pencil]
[Alfred Bell & Co., c.1930.]
Etching, signed by the artist, monogram blind stamp. 175 x 255mm (7 x 10"), very large margins. In original mount with Bell's printed title label. Mint.
Two crows scrapping in sand dunes Henry Jackson Simpson (1893 - 1963). A Scottish etcher of still life, animals, seascapes and landscape views in and around Aberdeen, he studied in Aberdeen before the First World War. He fought in France with the Northumberland Fusiliers and was awarded the Military Cross for bravery. When the war ended in 1918 he joined the family framing business on Union Street, Aberdeen, and also worked as a consultant for both Sotheby's and Christies.
[Ref: 49251]   £160.00   (£192.00 incl.VAT)
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[The Quiet of the Desert.]
[The Quiet of the Desert.]
E. J. Detmold [pencil signature.]
[n.d., c.1920.]
Etching, 150 x 305mm. 6 x 12".
A solitary Arab figure seated on carpet in prayer towards a mosque in distance; three camels to left.
Edward Julius Detmold (1883 - 1957).

[Ref: 16054]   £350.00  
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[Boys racing]
[Boys racing]
Eileen A. Soper. [pencil signature]
[n.d., c.1925.]
Etching, 147 x 264mm. Crease on right side on print.
Boys racing on horses in the sand dunes.
[Ref: 5667]   £320.00   - Currently not available

"Clovelly"- High Street.
M. Oliver Rae
[n.d., c.1920]
Etching, 370 x 165mm. 14½ x 6½".
View in Clovelly, Devon with a child leading a donkey and a worker hauling boxes. The sign for the 'New Inn' occupies a prominent place.
[Ref: 16271]   £120.00   (£144.00 incl.VAT)
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[Factories on the Thames]
[Factories on the Thames]
H. Macbeth-Raeburn Sct.
[n.d., c.1910]
Signed etching with very large margins, platemark 255 x 355mm (10 x 14").
View across the Thames towards factories and warhouses across the river. By Henry Macbeth Raeburn (1860-1947), portrait painter and printmaker active in London, who exhibited at the RA 1881-1904. 'A good etcher' (Guichard).
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36798]   £220.00   (£264.00 incl.VAT)
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[Factories on the Thames.]
[Factories on the Thames.]
H. Macbeth-Raeburn Sct.
[n.d., c.1910]
Signed etching with very large margins, platemark 255 x 355mm (10 x 14"). '1st state' in pencil lower left.
View across the Thames towards factories and warhouses across the river. By Henry Macbeth Raeburn (1860-1947), portrait painter and printmaker active in London, who exhibited at the RA 1881-1904. 'A good etcher' (Guichard).
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36799]   £220.00   (£264.00 incl.VAT)
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Morning.
Morning.
H. Raeburn Macbeth [signed in pencil lower right of plate].
[1881]
Etching, very large margins. 148 x 99mm. 5¾" x 4". Uncut sheet with cover sheet bearing title and artist name.
Print from the 'Edinburgh Etching Club Portfolio' for 1881, by Sir Henry MacBeth Raeburn RA, RE (1860 - 1947). An early work dating to the period in which the artist studied in Edinburgh before moving to London. 'A good etcher' (Guichard).
[Ref: 36779]   £85.00   (£102.00 incl.VAT)
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Morning.
Morning.
H. Raeburn Macbeth [signed in pencil lower right of plate].
[n.d. c. 1910.]
Etching. 148 x 99mm.
Sir Henry MacBeth Raeburn RA, RE [1860 - 1947]. Uncleaned plate edges, possibly some kind of proof.
[Ref: 4756]   £70.00   (£84.00 incl.VAT) - Currently not available

[Shot Tower, Thames]
[Shot Tower, Thames]
H. Macbeth-Raeburn Sct.
[n.d., c.1910]
Signed etching with very large margins, on Chine, platemark 255 x 150mm (10 x 6").
View along the south bank of the river Thames towards St Pauls cathedral and Southwark Bridge. Warehouses and shot tower on the right, a figure stood on a wooden platform on the right. By Henry Macbeth Raeburn (1860-1947), portrait painter and printmaker active in London, who exhibited at the RA 1881-1904. 'A good etcher' (Guichard).
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36797]   £160.00   (£192.00 incl.VAT)
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[Steam cranes, Waterloo Bridge]
[Steam cranes, Waterloo Bridge]
H. Macbeth-Raeburn Sct.
[n.d., c.1910]
Signed etching with very large margins, platemark 200 x 300mm (8 x 11¾").
Industrial scene on the south bank of the river Thames, with steam cranes on scaffolding hoisting pails, surrounded by boats to let. By Henry Macbeth Raeburn (1860-1947), portrait painter and printmaker active in London, who exhibited at the RA 1881-1904. 'A good etcher' (Guichard).
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36796]   £260.00   (£312.00 incl.VAT)
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'Razorbills' [pencil].
'Razorbills' [pencil].
Winston Megoran [pencil signature.]
[British, n.d. c.1950.]
Aquatint with etching on thick paper, with large margins; 250 x 350mm. 9¾ x 13¾".
The Razorbill (Alca torda) is a seabird that only comes to land in order to breed. There is a colony on Staple Island, one of the Farne Islands, UK. Winston Megoran (1913 - 1971), born Newcastle upon Tyne; he exhibited at the RA.
[Ref: 27484]   £130.00   (£156.00 incl.VAT)
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[A Rendevous, Vicenza]
[A Rendevous, Vicenza]
W.Russell Flint [Ink signature]
xxxv [Ink edition number]
Drypoint, 1929, state v of v, edition of 75. 245 x 170mm.
Wright: 19.
[Ref: 2511]   £420.00  
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Ring Out Wild Bells to the Wild Sky.
Ring Out Wild Bells to the Wild Sky.
[Monogram of Richard S.Chattock.]
[n.d., c.1885.]
Etching. 150 x 150mm, 6 x 6".
Richard Samuel Chattock (1825-1906). Inspired by the Tennyson poem 'Ring Out Wild Bells', first published 1882.
[Ref: 11973]   £80.00   (£96.00 incl.VAT)
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The Rise.
The Rise.
George Soper [pencil signature.]
[British, n.d., c.1927.]
Soft-ground etching with aquatint, 230 x 340mm. 9 x 13½". Faint paper discoloration; wide margins.
A fisherman angling in fast-flowing water close to some rapids. George Soper RE (1870 - 1942), became an expert printmaker and gained most recognition during his lifetime as an etcher, and later as a wood engraver. Over three decades he produced more than five hundred prints.
[Ref: 23535]   £260.00   (£312.00 incl.VAT)
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Riverside Churches.
Riverside Churches. [15] Original Etchings by John Fullwood, F.A.A., R.B.A.
W.R. Howell & Co., The Gallery, Bedford Row Gallery, London, W.C. 1 [n.d., c.1900].
Complete set of 15 original etchings of Thames Valley churches, from an edition limited to 200; each signed in pencil and in plate, cream laid paper; offered with original printseller/publisher's supplementary pamphlet, [12]pp., detachable Subscription Order Form as rear cover. Presented loose inside early card folder bearing publisher's ink mss. annotation: "...each church marked with its name - This set to be kept as a guide & not to be taken away from the office"; signed 'WRH[owell]'. Pamphlet dented, with rust spots.
A charming and scarce set of captioned studies of churches, very competently etched, following the course of the River Thames, these include Kew, Brentford, Isleworth, Richmond, Petersham, Twickenham, Teddington, Kingston, Thames Ditton, Hampton, West Molesey, Sunbury, Walton on Thames, Shepperton, and Chertsey in Surrey. John Fullwood (1855-1931) exhibited paintings at the Royal Academy on 21 occasions and the Royal Society of British Artists on 99 occasions.
[Ref: 20919]   £750.00   view all images for this item
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[A Tiger.]
[A Tiger.]
Franklin H. Roberts(?) [signed in pencil lower right].
[n.d. c.1940.]
Etching. 175 x 252mm.
An attractive and charmingly idiosyncratic rendering of a recumbent tiger, in a bold, angular line. Probably by a Glasgow, or Scottish, artist. In original frame with 'T. & R. Annan & Sons' of Glasgow label on verso.
[Ref: 5026]   £480.00  
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St Paul's Gate - Rome.
St Paul's Gate - Rome.
Wilfred Huggins. [pencil signature.]
[n.d., c.1925.]
Etching, signed by the artist. 185 x 150mm, 7 x 6".
Huggins exhibited his etchings between 1912 and 1928.
[Ref: 11968]   £120.00   (£144.00 incl.VAT)
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Ruislip - Middlesex.
Ruislip - Middlesex.
William J. Phillips.
[n.d. c.1905.]
Etching, signed in pencil. Plate 204 x 152mm. 8 x 6".
A view of Ruislip High Street, with St Martin's Church in the background, the waterpump sits next to the road sign, a girl behind with two water jugs; a Hovis Bread store to the right, a cart and horse outside.
[Ref: 20039]   £60.00   (£72.00 incl.VAT)
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