A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Pembroke Gardens] An Exact Survey of the Beautiful & Magnificent](jpegs/61711.jpg)
[Pembroke Gardens] An Exact Survey of the Beautiful & Magnificent House Garden & Park of the Right Hon.ble the Earl of Pembroke, With the Ancient Town of Wilton 3 Miles from Salisbury by John Rocque Chorographer to his Royal Highness The Prince of Wales.
Published according to Act of Parliament. Price 2.s 6.d. [1754]
Very rare engraved plan, 18th century watermark; plate 350 x 545mm (13¾ x 21½"), with large margins. Central fold.
Plan of the gardens and grounds at Wilton; the house towards the bottom with more formal gardens and large fish pond to the right, looking out towards the River Nader, and park land beyond; with inset views of the great bridge, the house itself, the arcade, and the porter's lodge on the left, and at top a further view of the bridge from the north. Below on left a plan of the ground floor on a scroll.
[Ref: 61711] £650.00
Published according to Act of Parliament. Price 2.s 6.d. [1754]
Very rare engraved plan, 18th century watermark; plate 350 x 545mm (13¾ x 21½"), with large margins. Central fold.
Plan of the gardens and grounds at Wilton; the house towards the bottom with more formal gardens and large fish pond to the right, looking out towards the River Nader, and park land beyond; with inset views of the great bridge, the house itself, the arcade, and the porter's lodge on the left, and at top a further view of the bridge from the north. Below on left a plan of the ground floor on a scroll.
[Ref: 61711] £650.00
![[Peninsular War] View of the Rio Duero, at Torro,](jpegs/61552.jpg)
[Peninsular War] View of the Rio Duero, at Torro, at which place the allied armies united on the commencement of the Campaign of 1813. This Town is famous for Wine & Fruit, great quantity of the latter is sent to Madrid & produced from Standard Trees.
Drawn & Etched by G. Cumberland Jnr.
[n.d., c.1830.]
Coloured etching with extensive watercolour, on 1830 watermarked page. Verso in ink Description of "43d or the Monmouthshire Reg of Foot". Sheet 195 x 310mm (7¾ x 12¼"). Trimmed within plate at top right.
A view of British soldiers marching out of a valley. From the extremely rare series 'Views in Spain and Portugal taken during the campaigns of His Grace the Duke of Wellington'. According to a title-page in BM 'only 30 copies printed'. The artist's father, also George, was a lifelong friend and collaborator of William Blake.
See BM 1852,0214.79.
[Ref: 61552] £260.00 (£312.00 incl.VAT)
Drawn & Etched by G. Cumberland Jnr.
[n.d., c.1830.]
Coloured etching with extensive watercolour, on 1830 watermarked page. Verso in ink Description of "43d or the Monmouthshire Reg of Foot". Sheet 195 x 310mm (7¾ x 12¼"). Trimmed within plate at top right.
A view of British soldiers marching out of a valley. From the extremely rare series 'Views in Spain and Portugal taken during the campaigns of His Grace the Duke of Wellington'. According to a title-page in BM 'only 30 copies printed'. The artist's father, also George, was a lifelong friend and collaborator of William Blake.
See BM 1852,0214.79.
[Ref: 61552] £260.00 (£312.00 incl.VAT)
![[Peninsular War] A bridge one mile from Celorico,](jpegs/61553.jpg)
[Peninsular War] A bridge one mile from Celorico, upon the main to Almeida, crossing the river Mondego, an attempt was made by Massena to destroy it in his retreat before the Duke of Wellington in 1811, it is made of granate [sic].
Drawn & Etched by G. Cumberland Jnr.
[n.d., c.1830.]
Coloured etching with extensive watercolour on 1830 watermarked page. Verso in ink Description of "43d or the Monmouthshire Reg of Foot". Sheet 185 x 310mm (7¼ x 12¼"). Trimmed within plate, mounted on album paper.
A view of the damaged bridge, with a British Army tent in the foreground. From the extremely rare series 'Views in Spain and Portugal taken during the campaigns of His Grace the Duke of Wellington'. According to a title-page in BM 'only 30 copies printed'. The artist's father, also George, was a lifelong friend and collaborator of William Blake.
BM 1874,0509.84, described as a lithograph.
[Ref: 61553] £260.00 (£312.00 incl.VAT)
Drawn & Etched by G. Cumberland Jnr.
[n.d., c.1830.]
Coloured etching with extensive watercolour on 1830 watermarked page. Verso in ink Description of "43d or the Monmouthshire Reg of Foot". Sheet 185 x 310mm (7¼ x 12¼"). Trimmed within plate, mounted on album paper.
A view of the damaged bridge, with a British Army tent in the foreground. From the extremely rare series 'Views in Spain and Portugal taken during the campaigns of His Grace the Duke of Wellington'. According to a title-page in BM 'only 30 copies printed'. The artist's father, also George, was a lifelong friend and collaborator of William Blake.
BM 1874,0509.84, described as a lithograph.
[Ref: 61553] £260.00 (£312.00 incl.VAT)
![[Petersham Lodge] A Front View of the Earl of Harrington's House &c. at Petersham in Surry.](jpegs/61685.jpg)
[Petersham Lodge] A Front View of the Earl of Harrington's House &c. at Petersham in Surry. [&] A View of the Earl of Harrington's House towards the Garden at Petersham in Surry.
A. Heckel delin. Stevens Sculp.
Publish'd according to Act of Parliament June 8th. 1752. London Printed for and Sold by Rob.t Sayer at the Golden Buck opposite Fetter lane, Fleet Street._& Hen.y Overton at the White Horse without Newgate.
Fine pair of engravings. 260 x 405mm (10¼" x 16"), with large margins, 18th century watermarks.
A fine pair of views of Petersham Lodge, house of Charles Stanhope, Earl of Harrington at Petersham, Surrey.
Not in Gascoigne.
[Ref: 61685] £850.00 view all images for this item
A. Heckel delin. Stevens Sculp.
Publish'd according to Act of Parliament June 8th. 1752. London Printed for and Sold by Rob.t Sayer at the Golden Buck opposite Fetter lane, Fleet Street._& Hen.y Overton at the White Horse without Newgate.
Fine pair of engravings. 260 x 405mm (10¼" x 16"), with large margins, 18th century watermarks.
A fine pair of views of Petersham Lodge, house of Charles Stanhope, Earl of Harrington at Petersham, Surrey.
Not in Gascoigne.
[Ref: 61685] £850.00 view all images for this item
The Pitmens Union, 1832.
[Anon., 1832.]
Very rare etching, plate 210 x 275mm (8¼ x 10¾"), with large margins. On paper watermarked 'J Whatman Turkey Mill 1830.' Time stained. Surface dirt. Creased.
A group of six representing the coal-owners faces a spokesman of the miners (right) on an open moor. Behind the former are a few soldiers with bayoneted muskets and one or two constables or magistrates; behind the latter is an immense procession of well-dressed pitmen, carrying banners, the two leaders being in the foreground on the extreme right. Between the two parties stands a man in top-boots, identified in pencil below as Thomas Easton, who says to the owners: 'Gentlemen these Fellows say they won't dissolve their Union I can make nothing of them'. The most prominent of the owners can be individually identified, notably the group includes Tory MP Matthew Bell. Behind them are two others, unidentified, one saying, 'Oh! the Fools'. Two of the many banners have inscriptions: 'Patience & Perseverance Will Recover Our Rights and ‘United To Relieve And Not To Injure'. The long procession recedes in perspective; on the skyline beyond is a pithead building with a tall chimney. During the great strike of Durham and Northumberland miners in the spring of 1832, the owners made recognition of the Union the only issue.
BM Satires: 17001.
[Ref: 61464] £260.00 (£312.00 incl.VAT)
[Anon., 1832.]
Very rare etching, plate 210 x 275mm (8¼ x 10¾"), with large margins. On paper watermarked 'J Whatman Turkey Mill 1830.' Time stained. Surface dirt. Creased.
A group of six representing the coal-owners faces a spokesman of the miners (right) on an open moor. Behind the former are a few soldiers with bayoneted muskets and one or two constables or magistrates; behind the latter is an immense procession of well-dressed pitmen, carrying banners, the two leaders being in the foreground on the extreme right. Between the two parties stands a man in top-boots, identified in pencil below as Thomas Easton, who says to the owners: 'Gentlemen these Fellows say they won't dissolve their Union I can make nothing of them'. The most prominent of the owners can be individually identified, notably the group includes Tory MP Matthew Bell. Behind them are two others, unidentified, one saying, 'Oh! the Fools'. Two of the many banners have inscriptions: 'Patience & Perseverance Will Recover Our Rights and ‘United To Relieve And Not To Injure'. The long procession recedes in perspective; on the skyline beyond is a pithead building with a tall chimney. During the great strike of Durham and Northumberland miners in the spring of 1832, the owners made recognition of the Union the only issue.
BM Satires: 17001.
[Ref: 61464] £260.00 (£312.00 incl.VAT)
A Plan of the Battle of Plassey, fought 23.d June 1757, by Col.l Rob.t Clive, against the Nabob of Bengal.
For the London Magazine [n.d., 1760].
Engraved map with hand colour. Sheet 185 x 145mm (7¼ x 5¾"). Trimmed within plate for binding, splits in binding folds taped, some toning.
A map of the victory of Robert Clive and the East India Company over Siraj ud-Daulah, the Nawab of Bengal (not 'Nabob', a term for a European who made conspicuous wealth in the East) and his French allies. Orientated with north to the right, it shows the positions of the forces, with a ten-point key of references.
[Ref: 61427] £260.00
For the London Magazine [n.d., 1760].
Engraved map with hand colour. Sheet 185 x 145mm (7¼ x 5¾"). Trimmed within plate for binding, splits in binding folds taped, some toning.
A map of the victory of Robert Clive and the East India Company over Siraj ud-Daulah, the Nawab of Bengal (not 'Nabob', a term for a European who made conspicuous wealth in the East) and his French allies. Orientated with north to the right, it shows the positions of the forces, with a ten-point key of references.
[Ref: 61427] £260.00
![[Benjamin Priolo] Benjaminus Priolus.](jpegs/61361.jpg)
[Benjamin Priolo] Benjaminus Priolus. Santo Juliani F. Eques Venetus.
C. le Febre Pin. N. Pitau Sculp 1663.
Rare engraving. Sheet 210 x 160mm (8¼ x 6¼"). Trimmed within plate, collector's ink stamp in lower right corner. Central crease not visible from front.
Portrait of French historian Benjamin Priolo (1602-67), wearing hat and buttoned tunic, sitting at a desk and writing with a quill. He is best known for 'The history of France under the ministry of Cardinal Mazarine'.
[Ref: 61361] £80.00 (£96.00 incl.VAT)
C. le Febre Pin. N. Pitau Sculp 1663.
Rare engraving. Sheet 210 x 160mm (8¼ x 6¼"). Trimmed within plate, collector's ink stamp in lower right corner. Central crease not visible from front.
Portrait of French historian Benjamin Priolo (1602-67), wearing hat and buttoned tunic, sitting at a desk and writing with a quill. He is best known for 'The history of France under the ministry of Cardinal Mazarine'.
[Ref: 61361] £80.00 (£96.00 incl.VAT)
Promethee.
Jeaurat Pinxit. Flipart l'aine Sculp.
a Paris chez Flipart rue S.t Jacques au nom de Jesus vis avis le College du Plessis.
Rare mezzotint, tipped into album paper at sides; sheet 375 x 290mm (14¾ x 11½"), on 18th century watermarked paper. Trimmed within plate at bottom.
A greek mythological scene of Prometheus' punishment for stealing fire from Olympus and giving it to mankind. Prometheus chained to a rock is being pecked at by an eagle.
[Ref: 61602] £230.00 (£276.00 incl.VAT)
Jeaurat Pinxit. Flipart l'aine Sculp.
a Paris chez Flipart rue S.t Jacques au nom de Jesus vis avis le College du Plessis.
Rare mezzotint, tipped into album paper at sides; sheet 375 x 290mm (14¾ x 11½"), on 18th century watermarked paper. Trimmed within plate at bottom.
A greek mythological scene of Prometheus' punishment for stealing fire from Olympus and giving it to mankind. Prometheus chained to a rock is being pecked at by an eagle.
[Ref: 61602] £230.00 (£276.00 incl.VAT)
![[Satire of the Oxford Movement] The Protestant House That Jack Built.](jpegs/61354.jpg)
[Satire of the Oxford Movement] The Protestant House That Jack Built.
[Illustrated by George Cruikshank.]
Clayton and Son, 265, Strand [n.d., c.1845]. Prince Two-Pence.
Pamphlet, 8vo, pp. 8, with nine wood-engravings. Glue stains on front page, old patch on back page, nicks to edges.
An anti-Catholic satire, with particular reference to Edward Bouverie Pusey (1800-82) and the Oxford Movement. Led by High Church figures Pusey and John Henry Newman, the movement argued for the reinstatement of some older Christian traditions of faith and their inclusion into Anglican liturgy. After Newman converted to Catholicism in 1845, members of the Oxford Movement became known as Puseyites (here caricatured as 'these stupid and blind Pusey-Cats').
[Ref: 61354] £90.00 (£108.00 incl.VAT) view all images for this item
[Illustrated by George Cruikshank.]
Clayton and Son, 265, Strand [n.d., c.1845]. Prince Two-Pence.
Pamphlet, 8vo, pp. 8, with nine wood-engravings. Glue stains on front page, old patch on back page, nicks to edges.
An anti-Catholic satire, with particular reference to Edward Bouverie Pusey (1800-82) and the Oxford Movement. Led by High Church figures Pusey and John Henry Newman, the movement argued for the reinstatement of some older Christian traditions of faith and their inclusion into Anglican liturgy. After Newman converted to Catholicism in 1845, members of the Oxford Movement became known as Puseyites (here caricatured as 'these stupid and blind Pusey-Cats').
[Ref: 61354] £90.00 (£108.00 incl.VAT) view all images for this item
Rabbit Shooting
Painted By Heywood Hardy. Goupil Gravure.
Printed in Paris & Published April 1.st 1895 by Boussod, Valadon & C.o Successors to Goupil & C.o Paris _ London _ The Hague. Berlin. Verlag von Boussod, Valdon & C.o. New York Published by Boussod, Valdon & C.o.
Photogravure on india. India 580 x 730mm (22¾ x 28¾"), with very large margins.
Shooting rabbits, with weasel and retreiver.
[Ref: 61525] £450.00
Painted By Heywood Hardy. Goupil Gravure.
Printed in Paris & Published April 1.st 1895 by Boussod, Valadon & C.o Successors to Goupil & C.o Paris _ London _ The Hague. Berlin. Verlag von Boussod, Valdon & C.o. New York Published by Boussod, Valdon & C.o.
Photogravure on india. India 580 x 730mm (22¾ x 28¾"), with very large margins.
Shooting rabbits, with weasel and retreiver.
[Ref: 61525] £450.00
The true and lively Poraiture of the Ho.ble and learned Knight S.r Walter Ralegh. Tam Marti, Quam Mercurio
Ro: Vaughan Sculp:
[n.d. c.1650]
Engraving, sheet 375 x 280mm (14¾ x 11"). Trimmed within plate right and top. Tipped into album sheet at edges.
Portrait of Walter Raleigh (1552-1618), half length, wearing ruff, holding baton, and hand over a globe inscribed 'Guiana'; bookshelf at upper right, arms at upper left.
[Ref: 61638] £130.00 (£156.00 incl.VAT)
Ro: Vaughan Sculp:
[n.d. c.1650]
Engraving, sheet 375 x 280mm (14¾ x 11"). Trimmed within plate right and top. Tipped into album sheet at edges.
Portrait of Walter Raleigh (1552-1618), half length, wearing ruff, holding baton, and hand over a globe inscribed 'Guiana'; bookshelf at upper right, arms at upper left.
[Ref: 61638] £130.00 (£156.00 incl.VAT)
A View of Ramsgate from the East Pier Head.
E. Dorrell Del. G. Kirtland Sculp.
London Publish'd Feb.y 19st 1798 by G. Kirtland Printseller N.º 119 Titchfield S..t Oxford Market.
Scarce etching with hand colour. Framed, sight size 325 x 470mm (12¾ x 18½". Some spotting and toning, unexamined out of frame.
A naive view of the town from the pier, with promenaders.
[Ref: 61653] £450.00
E. Dorrell Del. G. Kirtland Sculp.
London Publish'd Feb.y 19st 1798 by G. Kirtland Printseller N.º 119 Titchfield S..t Oxford Market.
Scarce etching with hand colour. Framed, sight size 325 x 470mm (12¾ x 18½". Some spotting and toning, unexamined out of frame.
A naive view of the town from the pier, with promenaders.
[Ref: 61653] £450.00
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
't Orgineele Schildery is in de Collectie van Heer Ketelar.
Rembrandt pinx. P. Louw fec.
AParis ches Basan. [n.d. c. 1760]
Mezzotint, 18th century watermark; 310 x 210mm (12¼ x8¼"). With small margins. Tipped into album sheet at sides. Creased.
Head and shoulders portrait of a bearded man wearing a turban.
Charrington 101 II of II.
[Ref: 61596] £240.00 (£288.00 incl.VAT)
Rembrandt pinx. P. Louw fec.
AParis ches Basan. [n.d. c. 1760]
Mezzotint, 18th century watermark; 310 x 210mm (12¼ x8¼"). With small margins. Tipped into album sheet at sides. Creased.
Head and shoulders portrait of a bearded man wearing a turban.
Charrington 101 II of II.
[Ref: 61596] £240.00 (£288.00 incl.VAT)
Rembrandt's Father. Done from an Original Painting by Rembrandt belonging to Will.m Baillie Esq.r.
Jn.o Greenwood fecit.
Published by J. Boydell Engraver in Cheapside, Jan.ry 1764.
Mezzotint, 350 x 250mm (13¾ x 10), with large margins. Late. Slight staining. Repaired tear left margin.
Head and shoulders of a bearded man with a wide-brimmed hat, then thought to be after Rembrandt.
CS 9. Charrington 60.
[Ref: 61593] £180.00 (£216.00 incl.VAT)
Jn.o Greenwood fecit.
Published by J. Boydell Engraver in Cheapside, Jan.ry 1764.
Mezzotint, 350 x 250mm (13¾ x 10), with large margins. Late. Slight staining. Repaired tear left margin.
Head and shoulders of a bearded man with a wide-brimmed hat, then thought to be after Rembrandt.
CS 9. Charrington 60.
[Ref: 61593] £180.00 (£216.00 incl.VAT)
Rembrandt's Father.
Printed for Tho.s Bowles in S.t Pauls Church Yard, and John Bowles & Son, at the Black Horse in Cornhill. [n.d. c.1760]
Scarce and very fine mezzotint, 18th century watermark; 355 x 260mm (14 x 10¼"). Small margins.
So-called Rembrandt's father; portrait of an unidentified elderly man seated in an arm-chair, resting his left hand on the rest, the other holding a stick, wearing a high cap and a coat.
CS pg 1743 132. Charrington 12. Charrington had not seen a complete impression.
[Ref: 61594] £360.00
Printed for Tho.s Bowles in S.t Pauls Church Yard, and John Bowles & Son, at the Black Horse in Cornhill. [n.d. c.1760]
Scarce and very fine mezzotint, 18th century watermark; 355 x 260mm (14 x 10¼"). Small margins.
So-called Rembrandt's father; portrait of an unidentified elderly man seated in an arm-chair, resting his left hand on the rest, the other holding a stick, wearing a high cap and a coat.
CS pg 1743 132. Charrington 12. Charrington had not seen a complete impression.
[Ref: 61594] £360.00
Rembrandt's Mistress. From a celebrated Picture as large as the Life metioned particularly in the Life of Rembrandt. In the possesion of the Right Hon.b;e Lord Viscount Maynard.
Rembrandt pinx.t. R: Cooper del.t & sculp.t.
Publish'd as the Act directs June 30.th 1781. by Richard Cooper N.o 24 Edward Street Cav.sh Square.
Fine mezzotint, 18th century watermark; 330 x 225mm (13 x 8¾"), with large margins. Reapired tear top left margin. Some foxing.
A woman sits up in bed pulling back a curtain. After Rembrandt's painting 'A Woman in Bed' which currently resides in the Scottish National Gallery. It is widely agreed that the model for this painting was Rembrandt's partner Hendrickje Stoffels (1626–63). However the Scottish National Gallery think this is not a portrait of her but the subject is of the Old Testament Apocryphal Book of Tobit, and this is Tobias' wife Sarah on their wedding night cheering him on to defeat the demon Asmodeus.
Charrington 39 II of II.
[Ref: 61595] £360.00
Rembrandt pinx.t. R: Cooper del.t & sculp.t.
Publish'd as the Act directs June 30.th 1781. by Richard Cooper N.o 24 Edward Street Cav.sh Square.
Fine mezzotint, 18th century watermark; 330 x 225mm (13 x 8¾"), with large margins. Reapired tear top left margin. Some foxing.
A woman sits up in bed pulling back a curtain. After Rembrandt's painting 'A Woman in Bed' which currently resides in the Scottish National Gallery. It is widely agreed that the model for this painting was Rembrandt's partner Hendrickje Stoffels (1626–63). However the Scottish National Gallery think this is not a portrait of her but the subject is of the Old Testament Apocryphal Book of Tobit, and this is Tobias' wife Sarah on their wedding night cheering him on to defeat the demon Asmodeus.
Charrington 39 II of II.
[Ref: 61595] £360.00
Lord Sidmouth's in Richmond Park.
[after Humphry Repton.]
Published by J. Taylor, Feb 1. 1816.
Rare coloured aquatint with overlay. 230 x 320mm (9 x 11½). Trimmed into plate at sides.
The front of White Lodge, now the home of the Royal Ballet Lower School in Richmond Park. The name here refers to Prime Minister, Henry Addington, 1st Viscount Sidmouth, who was given the lodge by George III and enclosed the lodge's first private gardens in 1805. Published in Humphry Repton's 'Fragments on the theory and practice of Landscape Gardening', the plate has a hinged overlay: when the slip is down Richmond Park's deer and cattle are shown coming up to the walls of the Lodge; lifting the slip reveals a promenade with formal gardens free from wildlife. Repton (1752-1818) was the last great English landscape designer of the C18th, who coined the term 'landscape gardener'. Regarded as the successor to Capability Brown, he worked at Blaise Castle, Woburn Abbey, Stoneleigh Abbey & the central gardens in Russell Square, but lost out on the Prince Regent's Brighton Pavilion to John Nash (although he published his designs).
Abbey: Scenery 391.
[Ref: 51123] £320.00 view all images for this item
[after Humphry Repton.]
Published by J. Taylor, Feb 1. 1816.
Rare coloured aquatint with overlay. 230 x 320mm (9 x 11½). Trimmed into plate at sides.
The front of White Lodge, now the home of the Royal Ballet Lower School in Richmond Park. The name here refers to Prime Minister, Henry Addington, 1st Viscount Sidmouth, who was given the lodge by George III and enclosed the lodge's first private gardens in 1805. Published in Humphry Repton's 'Fragments on the theory and practice of Landscape Gardening', the plate has a hinged overlay: when the slip is down Richmond Park's deer and cattle are shown coming up to the walls of the Lodge; lifting the slip reveals a promenade with formal gardens free from wildlife. Repton (1752-1818) was the last great English landscape designer of the C18th, who coined the term 'landscape gardener'. Regarded as the successor to Capability Brown, he worked at Blaise Castle, Woburn Abbey, Stoneleigh Abbey & the central gardens in Russell Square, but lost out on the Prince Regent's Brighton Pavilion to John Nash (although he published his designs).
Abbey: Scenery 391.
[Ref: 51123] £320.00 view all images for this item
Trauriges Bild der Französischen Retirade in Thüringen. Man fragt sich, ist dies grosse Heerführer, vor dem bis jetzt ganz Europa zitterte? Vide 23. Bulletin des Kronprinzen von Scheden.
Nürnburg bei Friedrich Compe [n.d., c.1814].
Etching with hand colour. 180 x 255mm (7 x 10"), large margins.
Napoleon rests in a bivouac as the Grand Army rests near Erfurt during the Retreat from Moscow in 1812. A propaganda piece, with a title referring to the 'sad state' of the army and continuing 'One asks oneself, is this great military leader before whom all of Europe has trembled until now?'.
[Ref: 61479] £160.00 (£192.00 incl.VAT)
Nürnburg bei Friedrich Compe [n.d., c.1814].
Etching with hand colour. 180 x 255mm (7 x 10"), large margins.
Napoleon rests in a bivouac as the Grand Army rests near Erfurt during the Retreat from Moscow in 1812. A propaganda piece, with a title referring to the 'sad state' of the army and continuing 'One asks oneself, is this great military leader before whom all of Europe has trembled until now?'.
[Ref: 61479] £160.00 (£192.00 incl.VAT)
Richmond. Looking towards Isleworth.
Drawn by W. Westall. A.R.A. Printed by C. Hullmandel.
London. Pub by Rodwell and Martin 40 Argyll St. & 46 New Bond St. Aug.t 1822.
Lithograph. Printed area 220 x 310mm (8¾ x 12¼"), with large margins. Small tears in edges, damp stain in bottom margin.
A view of the Thames, with cows grazing. A plate from 'Thirty five Views on the Thames, at Richmond, Eton, Windsor and Oxford', published December 1823.
Not in Gascoigne.
[Ref: 61655] £230.00 (£276.00 incl.VAT)
Drawn by W. Westall. A.R.A. Printed by C. Hullmandel.
London. Pub by Rodwell and Martin 40 Argyll St. & 46 New Bond St. Aug.t 1822.
Lithograph. Printed area 220 x 310mm (8¾ x 12¼"), with large margins. Small tears in edges, damp stain in bottom margin.
A view of the Thames, with cows grazing. A plate from 'Thirty five Views on the Thames, at Richmond, Eton, Windsor and Oxford', published December 1823.
Not in Gascoigne.
[Ref: 61655] £230.00 (£276.00 incl.VAT)
View from Richmond Hill.
Drawn by C.V. Fielding.
[n.d., c.1820.]
Fine aquatint, printed in colours and hand finished. Sheet 370 x 475mm (14½ x 18¾"). Trimmed within plate.
A large view looking down across Petersham Meadows to the Thames and Twickenham. Extremely fine & scarce.
Gascoigne 494.
[Ref: 61657] £650.00
Drawn by C.V. Fielding.
[n.d., c.1820.]
Fine aquatint, printed in colours and hand finished. Sheet 370 x 475mm (14½ x 18¾"). Trimmed within plate.
A large view looking down across Petersham Meadows to the Thames and Twickenham. Extremely fine & scarce.
Gascoigne 494.
[Ref: 61657] £650.00
Richmond. From Petersham Fields.
Drawn by W. Westall. A.R.A. Printed by C. Hullmandel.
London. Pub by Rodwell and Martin 40 Argyll St. & 46 New Bond St. June 1, 1822.
Lithograph on chine collé. Printed area 220 x 310mm (8¾ x 12¼"), with large margins.
A view looking down the Thames towards Richmond Bridge, with a ferryman in the foreground. A plate from 'Thirty five Views on the Thames, at Richmond, Eton, Windsor and Oxford', published December 1823.
Gascoigne 69.
[Ref: 61659] £240.00 (£288.00 incl.VAT)
Drawn by W. Westall. A.R.A. Printed by C. Hullmandel.
London. Pub by Rodwell and Martin 40 Argyll St. & 46 New Bond St. June 1, 1822.
Lithograph on chine collé. Printed area 220 x 310mm (8¾ x 12¼"), with large margins.
A view looking down the Thames towards Richmond Bridge, with a ferryman in the foreground. A plate from 'Thirty five Views on the Thames, at Richmond, Eton, Windsor and Oxford', published December 1823.
Gascoigne 69.
[Ref: 61659] £240.00 (£288.00 incl.VAT)
Richmond. Looking from the Bridge.
Drawn by W. Westall. A.R.A. Printed by C. Hullmandel.
London. Pub by Rodwell and Martin 40 Argyll St. & 46 New Bond St. Aug.t 1. 1822.
Lithograph on chine collé. Printed area 220 x 330mm (8¾ x 13"), large margins.
A view of the Thames from riverside under Richmond Bridge. A plate from 'Thirty five Views on the Thames, at Richmond, Eton, Windsor and Oxford', published December 1823.
Gascoigne 71.
[Ref: 61661] £160.00 (£192.00 incl.VAT)
Drawn by W. Westall. A.R.A. Printed by C. Hullmandel.
London. Pub by Rodwell and Martin 40 Argyll St. & 46 New Bond St. Aug.t 1. 1822.
Lithograph on chine collé. Printed area 220 x 330mm (8¾ x 13"), large margins.
A view of the Thames from riverside under Richmond Bridge. A plate from 'Thirty five Views on the Thames, at Richmond, Eton, Windsor and Oxford', published December 1823.
Gascoigne 71.
[Ref: 61661] £160.00 (£192.00 incl.VAT)
Richmond.
W. Westall. A.R.A. del.t. R.G. Reeve sculp.t.
Published 1828, by R. Ackermanm, 96 Strand, London.
Aquatint on chine collé. 280 x 350mm (11 x 13¾") large margins.
A view looking along the Thames from near Argyll House towards Richmond Bridge. From Westall & Owen's Picturesque Tour of the River Thames.
Abbey Scenery 435; Gascoigne 90. See 61666 for coloured version.
[Ref: 61665] £240.00 (£288.00 incl.VAT)
W. Westall. A.R.A. del.t. R.G. Reeve sculp.t.
Published 1828, by R. Ackermanm, 96 Strand, London.
Aquatint on chine collé. 280 x 350mm (11 x 13¾") large margins.
A view looking along the Thames from near Argyll House towards Richmond Bridge. From Westall & Owen's Picturesque Tour of the River Thames.
Abbey Scenery 435; Gascoigne 90. See 61666 for coloured version.
[Ref: 61665] £240.00 (£288.00 incl.VAT)
Richmond.
W. Westall. A.R.A. del.t. R.G. Reeve sculp.t.
Published 1828, by R. Ackermanm, 96 Strand, London.
Aquatint with superb hand colour. 280 x 350mm (11 x 13¾"), watermarked 'J Whatman 1827', large margins.
A view looking along the Thames from near Argyll House towards Richmond Bridge. From Westall & Owen's Picturesque Tour of the River Thames.
Abbey Scenery 435; Gascoigne 90. See 61665 for black and white version.
[Ref: 61666] £360.00
W. Westall. A.R.A. del.t. R.G. Reeve sculp.t.
Published 1828, by R. Ackermanm, 96 Strand, London.
Aquatint with superb hand colour. 280 x 350mm (11 x 13¾"), watermarked 'J Whatman 1827', large margins.
A view looking along the Thames from near Argyll House towards Richmond Bridge. From Westall & Owen's Picturesque Tour of the River Thames.
Abbey Scenery 435; Gascoigne 90. See 61665 for black and white version.
[Ref: 61666] £360.00
Richmond.
J. Farington R.A. del.t. J.C. Stadler Sculp.t.
Pub. June 1, 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside, London.
Aquatint with fine hand colour. Printed area: 215 x 320mm (8½ x 12½"), large margins. Slight offset from text.
A view of Richmond Bridge from the banks of the Thames, taken from downstream. Plate 6 from 'History of the River Thames', 1794, a two-volume publication including 76 aquatints after Joseph Farington (1747 - 1821).
Abbey: 432. Gascoigne 37.
[Ref: 61667] £280.00 (£336.00 incl.VAT)
J. Farington R.A. del.t. J.C. Stadler Sculp.t.
Pub. June 1, 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside, London.
Aquatint with fine hand colour. Printed area: 215 x 320mm (8½ x 12½"), large margins. Slight offset from text.
A view of Richmond Bridge from the banks of the Thames, taken from downstream. Plate 6 from 'History of the River Thames', 1794, a two-volume publication including 76 aquatints after Joseph Farington (1747 - 1821).
Abbey: 432. Gascoigne 37.
[Ref: 61667] £280.00 (£336.00 incl.VAT)
Richmond Surrey.
F.N. [Francis Nicholson] 1821. [Printed by Charles Joseph Hullmandel.]
Lithograph. Sheet 230 x 320mm (9 x 12½"). Trimmed into image.
A view looking up the Thames from near Argyll House to Richmond Bridge.
Gascoigne 426.
[Ref: 61692] £95.00 (£114.00 incl.VAT)
F.N. [Francis Nicholson] 1821. [Printed by Charles Joseph Hullmandel.]
Lithograph. Sheet 230 x 320mm (9 x 12½"). Trimmed into image.
A view looking up the Thames from near Argyll House to Richmond Bridge.
Gascoigne 426.
[Ref: 61692] £95.00 (£114.00 incl.VAT)
![[Richmond, From Twickenham Park.]](jpegs/9456.jpg)
[Richmond, From Twickenham Park.]
[Painted by Thomas Hofland. Engraved by Charles Heath.]
[n.d., c.1822.]
Etching and engraving on india laid paper, unfinished proof before all letters. Image 350 x 530mm (13¾ x 20¾"). Trimmed to india. Water stain to image lower right.
An attractive landscape view across parkland towards Richmond Bridge on the River Thames. Several vessels including pleasure barges are on the water and figures sit, sketch and promenade in the foreground. A guitar lies on the grass to left. After Thomas Christopher Hofland (1777-1843).
[Ref: 9456] £420.00
[Painted by Thomas Hofland. Engraved by Charles Heath.]
[n.d., c.1822.]
Etching and engraving on india laid paper, unfinished proof before all letters. Image 350 x 530mm (13¾ x 20¾"). Trimmed to india. Water stain to image lower right.
An attractive landscape view across parkland towards Richmond Bridge on the River Thames. Several vessels including pleasure barges are on the water and figures sit, sketch and promenade in the foreground. A guitar lies on the grass to left. After Thomas Christopher Hofland (1777-1843).
[Ref: 9456] £420.00
![[Set of eleven views of Richmond Park.]](jpegs/61654.jpg)
[Set of eleven views of Richmond Park.]
SDK [monogram of Simon de Koster] 1823-6.
Eleven lithographs on chine collé (complete set as per Gascoigne], with large margins, titled in pencil on backing card. Printed area 235 x 300mm (9¼ x 11¾").
An extremely rare set of views of Richmond Park.
Gascoigne 429-439, unidentified.
[Ref: 61654] £1,200.00 view all images for this item
SDK [monogram of Simon de Koster] 1823-6.
Eleven lithographs on chine collé (complete set as per Gascoigne], with large margins, titled in pencil on backing card. Printed area 235 x 300mm (9¼ x 11¾").
An extremely rare set of views of Richmond Park.
Gascoigne 429-439, unidentified.
[Ref: 61654] £1,200.00 view all images for this item
![[The Castle Hotel] Garden View.](jpegs/61694.jpg)
[The Castle Hotel] Garden View.
[n.d., c.1860.]
Tinted lithograph. Printed area 190 x 220mm (7½ x 8¾"). Original folds, spotting.
A view of the hotel's ornamental garden, with promenaders, published in a sale prospectus. The Castle Hotel was given to the town in 1890: it was demolished to make way for a new town hall.
Not in Gascoigne.
[Ref: 61694] £160.00 (£192.00 incl.VAT)
[n.d., c.1860.]
Tinted lithograph. Printed area 190 x 220mm (7½ x 8¾"). Original folds, spotting.
A view of the hotel's ornamental garden, with promenaders, published in a sale prospectus. The Castle Hotel was given to the town in 1890: it was demolished to make way for a new town hall.
Not in Gascoigne.
[Ref: 61694] £160.00 (£192.00 incl.VAT)
A West View of Richmond &c. in Surrey from the Star and Garter on the Hill. Vue du Costé de l'Occident de Richmond &c dan Surrey prise de l'Enseigne de l'Etoile et la Jaretiere.
A. Heckel Delin. Grignion sculp.
Publish'd according to Act of Parliament 1752. [London Printed for and Sold by Rob.t Sayer at the Golden Buck opposite Fetter Lane, Fleet Street. & Hen.y Overton at the White Horse without Newgate.]
Hand-coloured etching. 400 x 260mm (15¾ x 10¼"), 18th century watermark. Trimmed within plate on lower edge, losing publication line, Laid on card. 2 slight spots in sky.
A view from Richmond Terrace, with the Thames and East Twickenham. Pre-dating the bridge, Richmond Ferry can be seen in operation.
[Ref: 55536] £280.00 (£336.00 incl.VAT)
A. Heckel Delin. Grignion sculp.
Publish'd according to Act of Parliament 1752. [London Printed for and Sold by Rob.t Sayer at the Golden Buck opposite Fetter Lane, Fleet Street. & Hen.y Overton at the White Horse without Newgate.]
Hand-coloured etching. 400 x 260mm (15¾ x 10¼"), 18th century watermark. Trimmed within plate on lower edge, losing publication line, Laid on card. 2 slight spots in sky.
A view from Richmond Terrace, with the Thames and East Twickenham. Pre-dating the bridge, Richmond Ferry can be seen in operation.
[Ref: 55536] £280.00 (£336.00 incl.VAT)
A View from Richmond Hill up the River. Paisage du haut de la Montagne de Richmond en assendant la Tamise.
Printed for Rob.t Sayer Map & Printseller near Serjeants Inn Fleet Street. [n.d. c.1760.]
Engraving. 180 x 280mm (7 x 11"). Centre fold.
Marble Hill House from Richmond Hill.
[Ref: 20348] £90.00 (£108.00 incl.VAT)
Printed for Rob.t Sayer Map & Printseller near Serjeants Inn Fleet Street. [n.d. c.1760.]
Engraving. 180 x 280mm (7 x 11"). Centre fold.
Marble Hill House from Richmond Hill.
[Ref: 20348] £90.00 (£108.00 incl.VAT)
A View of Richmond Hill up the River.
Heckel Delin. Grignion Sculpt.
Publish'd according to Act of Parliament 1752. London Printed for and Sold by Rob.t Sayer at the Golden Buck opposite Fetter Lane Fleet Street. _ Hen.y Overton at the White Horse without Newgate.
Etching. 260 x 395mm (10¼ x 15½"), with large margins.
A view from Richmond Hill looking up the Thames towards Twickenham, with riders, sightseers, a coach and a milkmaid in the foreground.
Gascoisgne 400.
[Ref: 61658] £320.00
Heckel Delin. Grignion Sculpt.
Publish'd according to Act of Parliament 1752. London Printed for and Sold by Rob.t Sayer at the Golden Buck opposite Fetter Lane Fleet Street. _ Hen.y Overton at the White Horse without Newgate.
Etching. 260 x 395mm (10¼ x 15½"), with large margins.
A view from Richmond Hill looking up the Thames towards Twickenham, with riders, sightseers, a coach and a milkmaid in the foreground.
Gascoisgne 400.
[Ref: 61658] £320.00
Richmond Hill.
Drawn by W. Westall. A.R.A. Printed by C. Hullmandel.
London. Pub by Rodwell and Martin 40 Argyll St. & 46 New Bond St. Aug. 1, 1822.
Lithograph on chine collé. Printed area 220 x 310mm (8¾ x 12¼"), with large margins.
A view from Richmond Hill looking up the Thames towards Twickenham. A plate from 'Thirty five Views on the Thames, at Richmond, Eton, Windsor and Oxford', published December 1823.
Gascoigne 72.
[Ref: 61660] £190.00 (£228.00 incl.VAT)
Drawn by W. Westall. A.R.A. Printed by C. Hullmandel.
London. Pub by Rodwell and Martin 40 Argyll St. & 46 New Bond St. Aug. 1, 1822.
Lithograph on chine collé. Printed area 220 x 310mm (8¾ x 12¼"), with large margins.
A view from Richmond Hill looking up the Thames towards Twickenham. A plate from 'Thirty five Views on the Thames, at Richmond, Eton, Windsor and Oxford', published December 1823.
Gascoigne 72.
[Ref: 61660] £190.00 (£228.00 incl.VAT)
Richmond Hill. From Petersham.
Drawn by W. Westall. A.R.A. Printed by C. Hullmandel.
London. Pub by Rodwell and Martin 40 Argyll St. & 46 New Bond St. Aug.t 1. 1822.
Lithograph on chine collé. Printed area 220 x 330mm (8¾ x 13"), large margins.
A view from the Thames riverside in Petersham looking up to Richmond Hill. A plate from 'Thirty five Views on the Thames, at Richmond, Eton, Windsor and Oxford', published December 1823.
Gascoigne 670.
[Ref: 61662] £240.00 (£288.00 incl.VAT)
Drawn by W. Westall. A.R.A. Printed by C. Hullmandel.
London. Pub by Rodwell and Martin 40 Argyll St. & 46 New Bond St. Aug.t 1. 1822.
Lithograph on chine collé. Printed area 220 x 330mm (8¾ x 13"), large margins.
A view from the Thames riverside in Petersham looking up to Richmond Hill. A plate from 'Thirty five Views on the Thames, at Richmond, Eton, Windsor and Oxford', published December 1823.
Gascoigne 670.
[Ref: 61662] £240.00 (£288.00 incl.VAT)
View from Richmond Hill.
W. Westall. A.R.A. del.t. R.G. Reeve sculp.t.
Published 1828, by R. Ackermanm, 96 Strand, London.
Aquatint on chine collé. 220 x 280mm (8¾ x 11") Small margins.
A view from Richmond Hill looking up the Thames towards Twickenham. From Westall & Owen's Picturesque Tour of the River Thames.
Abbey Scenery 435; Gascoigne 89.
[Ref: 61663] £240.00 (£288.00 incl.VAT)
W. Westall. A.R.A. del.t. R.G. Reeve sculp.t.
Published 1828, by R. Ackermanm, 96 Strand, London.
Aquatint on chine collé. 220 x 280mm (8¾ x 11") Small margins.
A view from Richmond Hill looking up the Thames towards Twickenham. From Westall & Owen's Picturesque Tour of the River Thames.
Abbey Scenery 435; Gascoigne 89.
[Ref: 61663] £240.00 (£288.00 incl.VAT)
View from Richmond Hill.
W. Westall. A.R.A. del.t. R.G. Reeve sculp.t.
Published 1828, by R. Ackermanm, 96 Strand, London.
Aquatint with superb hand colour. 220 x 280mm (8¾ x 11"), watermarked 'J Whatman 1827', large margins.
A view from Richmond Hill looking up the Thames towards Twickenham. From Westall & Owen's Picturesque Tour of the River Thames.
Abbey Scenery 435; Gascoigne 89.
[Ref: 61664] £320.00
W. Westall. A.R.A. del.t. R.G. Reeve sculp.t.
Published 1828, by R. Ackermanm, 96 Strand, London.
Aquatint with superb hand colour. 220 x 280mm (8¾ x 11"), watermarked 'J Whatman 1827', large margins.
A view from Richmond Hill looking up the Thames towards Twickenham. From Westall & Owen's Picturesque Tour of the River Thames.
Abbey Scenery 435; Gascoigne 89.
[Ref: 61664] £320.00
View of Richmond Hill, from Twickenham.
J. Farington R.A. del.t. J. C. Stadler Sculp.t.
Pub. June 1, 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Aquatint with fine hand colour. Printed area 210 x 320mm (8¼ x 12½"). Creases and soiling in the margins.
Despite the title the scene is taken from the Ham side of the Thames. From 'History of the River Thames', 1794, a two-volume publication including 76 aquatints after Joseph Farington (1747 - 1821).
Abbey: 432. Gascoigne 34.
[Ref: 61668] £250.00 (£300.00 incl.VAT)
J. Farington R.A. del.t. J. C. Stadler Sculp.t.
Pub. June 1, 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Aquatint with fine hand colour. Printed area 210 x 320mm (8¼ x 12½"). Creases and soiling in the margins.
Despite the title the scene is taken from the Ham side of the Thames. From 'History of the River Thames', 1794, a two-volume publication including 76 aquatints after Joseph Farington (1747 - 1821).
Abbey: 432. Gascoigne 34.
[Ref: 61668] £250.00 (£300.00 incl.VAT)
A View from Richmond Hill.
Drawn by W. Havell. Engraved by R. Havell.
Published March 1. 1815, for the Proprietors by Mess.rs Colnaghi & Co. No 23 Cockspur Street. London.
Aquatint, printed in colours and hand finished. 275 x 360mm (10½ x 14¼"), large margins. Trimmed to plate. Old ink mss. in title area.
A view from Richmond Hill, looking down to across Petersham Meadows to Ham, St Margarets and Twickenham. Wick House, built for Sir Joshua Reynolds can be seen on the right.
Gascoigne 78.
[Ref: 61669] £500.00
Drawn by W. Havell. Engraved by R. Havell.
Published March 1. 1815, for the Proprietors by Mess.rs Colnaghi & Co. No 23 Cockspur Street. London.
Aquatint, printed in colours and hand finished. 275 x 360mm (10½ x 14¼"), large margins. Trimmed to plate. Old ink mss. in title area.
A view from Richmond Hill, looking down to across Petersham Meadows to Ham, St Margarets and Twickenham. Wick House, built for Sir Joshua Reynolds can be seen on the right.
Gascoigne 78.
[Ref: 61669] £500.00
A View from Richmond Hill.
T.C. Hofland pinxit. Cha.s Heath Sculpsit.
[Published Aug.t 1. 1823, by T.C. Hofland, 23 Newman Street, Oxford Street, & Mess.rs Hurst, Robinson & Co. Cheapside London. Printed by McQueen.]
Etching and engraving, Sheet 425 x 595mm (16¾ x 23½"). Trimmed within plate, losing publication line at bottom, some spotting, taped at edges on mount board.
A large view from Richmond Hill, looking down on the Thames, Petersham Meadows, Ham House, Marble Hill and Twickenham.
Gascoigne 428.
[Ref: 61677] £420.00
T.C. Hofland pinxit. Cha.s Heath Sculpsit.
[Published Aug.t 1. 1823, by T.C. Hofland, 23 Newman Street, Oxford Street, & Mess.rs Hurst, Robinson & Co. Cheapside London. Printed by McQueen.]
Etching and engraving, Sheet 425 x 595mm (16¾ x 23½"). Trimmed within plate, losing publication line at bottom, some spotting, taped at edges on mount board.
A large view from Richmond Hill, looking down on the Thames, Petersham Meadows, Ham House, Marble Hill and Twickenham.
Gascoigne 428.
[Ref: 61677] £420.00
Richmond Terrace.
H.W. Burgess. 1839.
Pencil sketch. 250 x 350mm (9¾ x 13¾"). Some spotting, mounted on card.
A view looking from Richmond Terrace down to the Thames, Petersham Meadows, Ham, Marble Hill and Twickenham. Henry William Burgess (c.1792-1839) became landscape painter to the Duke of Clarence (later William IV) in 1826. He is best known for his series of lithographs, 'Eidodendron: Views of the General Character and Appearance of Trees Foreign and Indigenous Connected with Picturesque Scenery'.
[Ref: 61691] £420.00
H.W. Burgess. 1839.
Pencil sketch. 250 x 350mm (9¾ x 13¾"). Some spotting, mounted on card.
A view looking from Richmond Terrace down to the Thames, Petersham Meadows, Ham, Marble Hill and Twickenham. Henry William Burgess (c.1792-1839) became landscape painter to the Duke of Clarence (later William IV) in 1826. He is best known for his series of lithographs, 'Eidodendron: Views of the General Character and Appearance of Trees Foreign and Indigenous Connected with Picturesque Scenery'.
[Ref: 61691] £420.00
![[Richmond Hill] Richmond Vicinity N.º 1.](jpegs/61693.jpg)
[Richmond Hill] Richmond Vicinity N.º 1.
J.S.A. [Joseph Samuel Alpenny] 1826.
Published by J.S. Alpenny, Church Row, Richmond 1826.
Rare lithograph. Sheet 245 x 375mm (9½ x 14¾"). Some staining on left.
A locally-published view of Richmond Hill from beside the Thames in Petersham Meadows. Joseph Samuel Alpenny (originally Halfpenny, 1787-1858), was a Dublin-born artist and printmaker who settled in Richmond c.1823.
Gascoigne 467.
[Ref: 61693] £260.00 (£312.00 incl.VAT)
J.S.A. [Joseph Samuel Alpenny] 1826.
Published by J.S. Alpenny, Church Row, Richmond 1826.
Rare lithograph. Sheet 245 x 375mm (9½ x 14¾"). Some staining on left.
A locally-published view of Richmond Hill from beside the Thames in Petersham Meadows. Joseph Samuel Alpenny (originally Halfpenny, 1787-1858), was a Dublin-born artist and printmaker who settled in Richmond c.1823.
Gascoigne 467.
[Ref: 61693] £260.00 (£312.00 incl.VAT)
Richmond Hill.
Drawn on Stone by T.M. Baynes. Printed by C. Hullmandel.
London Pub: by D. Walther Brydges Stt. Covent Garden, 1823.
Lithograph. 285 x 380mm (11¼ x 15"), very large margins. Some spotting.
A view looking from Richmond Terrace down to the Thames, Petersham Meadows, Ham, Marble Hill and Twickenham.
Gascoigne 76.
[Ref: 61695] £260.00 (£312.00 incl.VAT)
Drawn on Stone by T.M. Baynes. Printed by C. Hullmandel.
London Pub: by D. Walther Brydges Stt. Covent Garden, 1823.
Lithograph. 285 x 380mm (11¼ x 15"), very large margins. Some spotting.
A view looking from Richmond Terrace down to the Thames, Petersham Meadows, Ham, Marble Hill and Twickenham.
Gascoigne 76.
[Ref: 61695] £260.00 (£312.00 incl.VAT)
Richmond Hill, on the Thames.
Drawn, Eng.d & Pub.d by F.C. Lewis 1846. The Original Sketch in the Possession of F.C. Lewis.
Etching. 180 x 230mm (7 x 9") very large margins.
A view looking from Richmond Terrace down to the Thames, Petersham Meadows, Ham, Marble Hill and Twickenham. Plate 12 of ''Scenery of the Rivers of England & Wales'' 1848.
Gascoigne 144.
[Ref: 61696] £130.00 (£156.00 incl.VAT)
Drawn, Eng.d & Pub.d by F.C. Lewis 1846. The Original Sketch in the Possession of F.C. Lewis.
Etching. 180 x 230mm (7 x 9") very large margins.
A view looking from Richmond Terrace down to the Thames, Petersham Meadows, Ham, Marble Hill and Twickenham. Plate 12 of ''Scenery of the Rivers of England & Wales'' 1848.
Gascoigne 144.
[Ref: 61696] £130.00 (£156.00 incl.VAT)
View from Richmond Hill.
J.S.A. J.S. Alpenny del. Printed by C. Hullmandel.
Published by James Darnill, Richmond and R. Ackermann, Strand, 1832.
Lithograph on chine collé. Sheet 150 x 200mm (6 x 8"), very large margins. Backing sheet with two small tears, spotted in margins.
The view from Richmond Hill from the top of Nightingale Lane, with the wall of the grounds of The Wick (still extant, although here without the conservatory). First published by the artist, Joseph Samuel Alpenny (originally Halfpenny, 1787-1858), a Dublin-born artist and printmaker who settled in Richmond c.1823.
Gascoigne 470.
[Ref: 61699] £260.00 (£312.00 incl.VAT)
J.S.A. J.S. Alpenny del. Printed by C. Hullmandel.
Published by James Darnill, Richmond and R. Ackermann, Strand, 1832.
Lithograph on chine collé. Sheet 150 x 200mm (6 x 8"), very large margins. Backing sheet with two small tears, spotted in margins.
The view from Richmond Hill from the top of Nightingale Lane, with the wall of the grounds of The Wick (still extant, although here without the conservatory). First published by the artist, Joseph Samuel Alpenny (originally Halfpenny, 1787-1858), a Dublin-born artist and printmaker who settled in Richmond c.1823.
Gascoigne 470.
[Ref: 61699] £260.00 (£312.00 incl.VAT)
View from Sir Joshua Reynolds's House, Richmond Hill. Painted by himself & Engraved by W.m Birch, Enamel Painter.
Published July 1. 1788 by W.m Birch, Hampstead Heath & Sold by T. Thornton, Southampton Str.t Cov.t Garden.
Stipple and etching. 150 x 175mm (6 x 7") very large margins.
A view from Wick House, looking down Richmond Hill to the Thames and Petersham Meadows. The view inspired a rare landscape by Reynolds (now in the National Gallery), although he still used his artistic licience to create a couple of mountains to improve it. From the series 'Délices de la Grande Bretagne'.
Gascoigne 23.
[Ref: 61701] £95.00 (£114.00 incl.VAT)
Published July 1. 1788 by W.m Birch, Hampstead Heath & Sold by T. Thornton, Southampton Str.t Cov.t Garden.
Stipple and etching. 150 x 175mm (6 x 7") very large margins.
A view from Wick House, looking down Richmond Hill to the Thames and Petersham Meadows. The view inspired a rare landscape by Reynolds (now in the National Gallery), although he still used his artistic licience to create a couple of mountains to improve it. From the series 'Délices de la Grande Bretagne'.
Gascoigne 23.
[Ref: 61701] £95.00 (£114.00 incl.VAT)
![[Richmond Lodge The front elec] The Royal Palace at Richmond in Surry.](jpegs/61698.jpg)
[Richmond Lodge The front elec] The Royal Palace at Richmond in Surry.
Printed for, and Sold by John Wilcox in the Strand, George Foster at the White Horse in St Paul's Church Yard, and Henry Chappelle in Grosvenor Street. M.DCC.XXIX [1739].
Engraving. 170 x 245mm (6¾ x 9¾"), set in letterpress. Sheet trimmed.
The front elevation of Richmond Lodge in the Old Deer Park, puchased by George, Prince of Wales, (George II) in 1718, demolished 1772. The engraving was the vignette in the title page to ''Vitruvius Brittanicus, Volume the Fourth. Being A Collection Of Plans, Elevations, and Perspective Views, Of` The Royal Palaces, Noblemen, and Gentlemens Seats, In Great Britain, Not Exhibited in any Collection of this nature hitherto published. Design'd By J. Badeslade and J. Rocque, &c. And Engraven by the Best Hands''.
Not in Gascoigne.
[Ref: 61698] £180.00 (£216.00 incl.VAT)
Printed for, and Sold by John Wilcox in the Strand, George Foster at the White Horse in St Paul's Church Yard, and Henry Chappelle in Grosvenor Street. M.DCC.XXIX [1739].
Engraving. 170 x 245mm (6¾ x 9¾"), set in letterpress. Sheet trimmed.
The front elevation of Richmond Lodge in the Old Deer Park, puchased by George, Prince of Wales, (George II) in 1718, demolished 1772. The engraving was the vignette in the title page to ''Vitruvius Brittanicus, Volume the Fourth. Being A Collection Of Plans, Elevations, and Perspective Views, Of` The Royal Palaces, Noblemen, and Gentlemens Seats, In Great Britain, Not Exhibited in any Collection of this nature hitherto published. Design'd By J. Badeslade and J. Rocque, &c. And Engraven by the Best Hands''.
Not in Gascoigne.
[Ref: 61698] £180.00 (£216.00 incl.VAT)
In Richmond Park.
J. Laporte del.t & sculp.t.
London Published July.1, 1809 by H. Setchel & Son 23 King Str. Covent Garden.
Rare soft ground etching, printed in brown. 240 x 300mm (9½ x 11¾"). Small margins.
Cows under trees, a tower in the background. One of four prints in 'A New Drawing book, in Different Coloured Chalks, for young practitioners in landscape: by John Laporte'.
BM 1874,0509.150-153. Gascoigne 681.
[Ref: 61697] £140.00 (£168.00 incl.VAT)
J. Laporte del.t & sculp.t.
London Published July.1, 1809 by H. Setchel & Son 23 King Str. Covent Garden.
Rare soft ground etching, printed in brown. 240 x 300mm (9½ x 11¾"). Small margins.
Cows under trees, a tower in the background. One of four prints in 'A New Drawing book, in Different Coloured Chalks, for young practitioners in landscape: by John Laporte'.
BM 1874,0509.150-153. Gascoigne 681.
[Ref: 61697] £140.00 (£168.00 incl.VAT)
![[Four View of Ripon Minster] West View of Ripon Minster. To His Grace the Archbishop of York, &c. &c. &c. This Plate is respectfully inscribed by their obedient humble Serv.t W.H. Wood.](jpegs/61453.jpg)
[Four View of Ripon Minster] West View of Ripon Minster. To His Grace the Archbishop of York, &c. &c. &c. This Plate is respectfully inscribed by their obedient humble Serv.t W.H. Wood. The Four Views printed Plain & In Colours by W. Scott, Porter Street, London. [&] North View of Ripon Minster. To the Dean Residentiary and Prebendaries of the Collegiate Church of Ripon... [&] South View of Ripon Minster. To the Dean and Chapter of Ripon... [&] East View of Ripon Minster. To His Grace the Archbishop of York, &c. &c. &c. This Plate is respectfully inscribed by their obedient humble Serv.t W.H. Wood.
Drawn by W.H. Wood. Engraved by F. Birnie.
Ripon. Published May 15th. 1790 by W.H. Wood.
Rare set of four aquatints with etching printed in brown. Two plates 235 x 340mm (9¼ x 13½"), two 340 x 235mm (13½ x 9¼"). Some creasing. 2 plates some staining not showing on front.
A scarce complete set of four views of Ripon Cathedral by local artist William Henry Wood.
[Ref: 61453] £640.00 view all images for this item
Drawn by W.H. Wood. Engraved by F. Birnie.
Ripon. Published May 15th. 1790 by W.H. Wood.
Rare set of four aquatints with etching printed in brown. Two plates 235 x 340mm (9¼ x 13½"), two 340 x 235mm (13½ x 9¼"). Some creasing. 2 plates some staining not showing on front.
A scarce complete set of four views of Ripon Cathedral by local artist William Henry Wood.
[Ref: 61453] £640.00 view all images for this item
John Robison, L.L.D. Professor of Natural Philosophy in the University &ca &ca.
H. Raeburn Esq.r pinx.t. C. Turner sculp.t.
Edinburgh Published by the Proprietor Oct.r 27 1805, and at M.r Cribb's, N.º 288, Holborn, London.
Mezzotint, printed in brown ink. 505 x 355mm (19¾ x 14"), with large margins.
Seated portrait of Scottish physicist and mathematician John Robison (1739-1805), wearing cap and striped robe, telescope and globe behind. Although Robison worked with James Watt on an early steam car, he did not contribute to the successful Watt steam engine of 1776. He did invent the siren and was a member of the Board of Longitude, testing John Harrison's marine chronometer on a voyage to Jamaica.
Whitman 499 ii.
[Ref: 61533] £280.00 (£336.00 incl.VAT)
H. Raeburn Esq.r pinx.t. C. Turner sculp.t.
Edinburgh Published by the Proprietor Oct.r 27 1805, and at M.r Cribb's, N.º 288, Holborn, London.
Mezzotint, printed in brown ink. 505 x 355mm (19¾ x 14"), with large margins.
Seated portrait of Scottish physicist and mathematician John Robison (1739-1805), wearing cap and striped robe, telescope and globe behind. Although Robison worked with James Watt on an early steam car, he did not contribute to the successful Watt steam engine of 1776. He did invent the siren and was a member of the Board of Longitude, testing John Harrison's marine chronometer on a voyage to Jamaica.
Whitman 499 ii.
[Ref: 61533] £280.00 (£336.00 incl.VAT)
Portraits of the Whole of the Royal Family, Engraved from the Original Pictures By Her Majestys most gracious permission to whom they are Humbly Dedicated by her Dutiful And Obedient Servant E. Harding.
Nash del. Greig sculp. Hopkins del. M.A. Bourlier sc. S.r W.m Beechy del. Cheesman sc. Lawrence del. Madame Le Brun del. Muller del. Geremia sc. Fodd Sculp. Gainsborough pinx.
Published by E. Harding N.o 100. Pall Mall. 1806.
Folio with board covers and leather spine with gilt. 21 very fine stipple plates printed in colour, included in front is a prospectus for Nash's Views of the chapel of St. George's at Windsor Castle, with list of subscribers verso. On paper watermarked 1802, large margins.
Portraits include: George III (1738-1820), Queen Charlotte (1744-1818), George IV as the Prince of Wales (1762-1830), Caroline of Brunswick as the Princess of Wales (1768-1822), Princess Charlotte Augusta of Wales (1796-1817), Prince Frederick Duke of York and Albany (1763-1827), Princess Frederica Charlotte of Prussia Duchess of York (1767-1820), William IV as the Duke od Clarence (1765-1837), Charlotte Princess Royal as Duchess (Queen Consort) of Württemberg (1766-1828), Prince Edward Duke of Kent and Strathearn (1767-1829), Princess Augusta Sophia (1768-1840), Princess Elizabeth (1770-1840), Ernest Augustus King of Hanover as the Duke of Cumberland (1771-1851), Prince Augustus Frederick Duke of Sussex (1773-1843), Prince Adolphus Duke of Cambridge (1774-1850), Princess Mary Duchess of Gloucester (1776-1857), Princess Sophia (1777-1848), Prince Octavius (1779–1783), Prince Alfred (1780-1782) and Princess Amelia (1783-1810).
Abbey Life 298.
[Ref: 61627] £820.00 view all images for this item
Nash del. Greig sculp. Hopkins del. M.A. Bourlier sc. S.r W.m Beechy del. Cheesman sc. Lawrence del. Madame Le Brun del. Muller del. Geremia sc. Fodd Sculp. Gainsborough pinx.
Published by E. Harding N.o 100. Pall Mall. 1806.
Folio with board covers and leather spine with gilt. 21 very fine stipple plates printed in colour, included in front is a prospectus for Nash's Views of the chapel of St. George's at Windsor Castle, with list of subscribers verso. On paper watermarked 1802, large margins.
Portraits include: George III (1738-1820), Queen Charlotte (1744-1818), George IV as the Prince of Wales (1762-1830), Caroline of Brunswick as the Princess of Wales (1768-1822), Princess Charlotte Augusta of Wales (1796-1817), Prince Frederick Duke of York and Albany (1763-1827), Princess Frederica Charlotte of Prussia Duchess of York (1767-1820), William IV as the Duke od Clarence (1765-1837), Charlotte Princess Royal as Duchess (Queen Consort) of Württemberg (1766-1828), Prince Edward Duke of Kent and Strathearn (1767-1829), Princess Augusta Sophia (1768-1840), Princess Elizabeth (1770-1840), Ernest Augustus King of Hanover as the Duke of Cumberland (1771-1851), Prince Augustus Frederick Duke of Sussex (1773-1843), Prince Adolphus Duke of Cambridge (1774-1850), Princess Mary Duchess of Gloucester (1776-1857), Princess Sophia (1777-1848), Prince Octavius (1779–1783), Prince Alfred (1780-1782) and Princess Amelia (1783-1810).
Abbey Life 298.
[Ref: 61627] £820.00 view all images for this item