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Catalogue: England
Views of Bournemouth.
Views of Bournemouth.
Published by Rock & Co. London. [c.1858.]
Attractive souvenir booklet of six steel engraved views, oblong 12mo, stitched into original printed card wrappers; embossed upper cover. Binding scuffed and rubbed; contents clean.
No text save captions; all plates numbered and dated.
[Ref: 18567]   £90.00   view all images for this item
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Views of Bournemouth.
Views of Bournemouth.
Published by Rock & Co. London. [c.1857.]
Attractive souvenir booklet of six steel engraved views, oblong 12mo, stitched into original printed card wrappers; embossed upper cover. Binding scuffed and rubbed; slight foxing to plate margins.
No text save captions; all plates numbered, five dated.
[Ref: 18568]   £120.00   view all images for this item
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South West View of Bournemouth. [&] South East View of Bournemouth. [&] South View of Bournemouth. [&] South View of Bournemouth.
South West View of Bournemouth. [&] South East View of Bournemouth. [&] South View of Bournemouth. [&] South View of Bournemouth.
H.D. Delt. Dickinson & Co. Lith.
[n.d. c.1840.]
A rare and scarce set of four coloured lithographs. 300 x 438mm (11¾ x 17¼"); 336 x 432mm (13¼ x 17"); 350 x 432mm (13¾ x 17"); & 350 x 470mm (13¾ x 18½").
A view looking towards Bournemouth, Dorsetshire, with St Peter's Church to the left and the sea to the right. [&] A view of Bath Road, Bournemouth; the original town baths on the right and Belle Vue Boarding House to the left. [&] A view looking south towards Bournemouth with St Peter's Church to the left and sailing boats seen out on the sea. [&] A view looking west towards Bournemouth from the other side of the bay with sailing ships and larger merchant vessels in the bay, a tall-ship's mast seen over the hill to the right. By Harriet Daniel.
[Ref: 25635]   £650.00   view all images for this item
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Views of Bournemouth, Hants. From Sketches by H.D. [Harriet Daniel.]
Views of Bournemouth, Hants. From Sketches by H.D. [Harriet Daniel.] The Profits will be in aid of the Funds for Schools and School-houses at Bournmouth.
Lithographed, Printed, and Published by Dickinson & Co., 114, New Bond Street, London. [n.d., c.1850.]
Oblong folio; title and four tinted lithographs with very large margins, loose in original printed wrappers. Scarce compete.
A view looking towards Bournemouth, Dorsetshire, with St Peter's Church to the left and the sea to the right. [&] A view of Bath Road, Bournemouth; the original town baths on the right and Belle Vue Boarding House to the left. [&] A view looking south towards Bournemouth with St Peter's Church to the left and sailing boats seen out on the sea. [&] A view looking west towards Bournemouth from the other side of the bay with sailing ships and larger merchant vessels in the bay, a tall-ship's mast seen over the hill to the right. After sketches by Harriet Daniel. Bournemouth was part of Hampshire until 1974.
Abbey: Scenery 51. For coloured copy see 25635.
[Ref: 30847]   £800.00   view all images for this item
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South View of Bournemouth.
South View of Bournemouth.
H.D. del [Harriet Daniel.]. Dickinson & Co Lith.
[London, Dickinson & Co., n.d., c.1850.]
Tinted lithograph with very large margins. Printed area 305 x 390mm (12 x 15½ ).
View of Bournemouth from above the town, looking from the north-west rather than south.
Abbey: Scenery 51. See 25635 for coloured set of 4; see 30847 for uncoloured set of 4 in wrappers.
[Ref: 30851]   £230.00   (£276.00 incl.VAT)
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Bournemouth, near Christchurch, Hants.
Bournemouth, near Christchurch, Hants.
B. Ferrey Arch.t M.A.S.L. Day & Haghe, Lith.rs to the King.
[n.d., c.1835.]
Lithograph. Sheet 190 x 270mm (7½ x 10¾"). Narrow margins.
In 1835 Sir George William Tapps-Gervis hired the young local architect Benjamin Ferrey to develop his land, building Bournemouth's first hotel, later to become part of the Royal Bath Hotel, which opened in 1838 and is one of the few buildings designed by Ferrey still standing.
[Ref: 52651]   £180.00   (£216.00 incl.VAT)
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Sanatorium for Consumption & Diseases of the Chest, Bournemouth. E.B. Lamb, Arch.t
Sanatorium for Consumption & Diseases of the Chest, Bournemouth. E.B. Lamb, Arch.t
E.B.L. del.t F. Bedford, Lith.
Day & Son, Lith.rs to the Queen. [n.d. c.1860.]
Tinted lithograph, rare. 286 x 380mm. 11¼ x 15". Small tear to lower right.
In 1850 the Medical Committee of the Royal Brompton Hospital decided to build a small sanatorium in Bournemouth, to be financially independent, to "receive those cases where convalescence has been established”. It was specially built in 1855, to designed by the architect E.B. Lamb and opened its doors as the Royal National Sanatorium for Disease on October 2, 1855.
[Ref: 27726]   £130.00   (£156.00 incl.VAT)
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Bovisand, near Plymouth.
Bovisand, near Plymouth.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with hand colour. Plate: 230 x 300mm (9 x 12") large margins. On card as usual.
A view of the Bovisand coastline near Plymouth. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47281]   £190.00   (£228.00 incl.VAT)
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A View of Sunbury, up the River Thames.
A View of Sunbury, up the River Thames.
J.Boydell Del. & Sculp.
Publish'd according to Act of Parliament by J.Boydell at the Unicorn the corner of Queen Street, Cheapside. Price 1s.
Copper engraving, c.1790. 265 x 430mm.
Plate No.2 of the series.
[Ref: 859]   £320.00  
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Brading Church.
Brading Church. The ''Young Cottager'' lies buried here. ''Oh happy saint, may we like thee be bless'd In life be faithful and in death find rest.
Drawn with Alum Bay Sand. By E. Dores Newport, I. of W. 1842.
Sand painting on card, ink title. Card: 155 x 115mm (6 x 4½''). Staining.
An image of the of St Mary's Church in Brading on the Isle of Wight made out of coloured sand.
[Ref: 50237]   £85.00   (£102.00 incl.VAT)
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The Seat of the Lady Olivia B. Sparrow,
The Seat of the Lady Olivia B. Sparrow, Brampton Park, Huntingdon-Shire.
H.R. del [...] Day & Son Lith.rs to the Queen [c.1840]
Lithograph printed in colour, scarce, printed area 160 x 220mm (6¼ x 8½"). Foxing in very large margins.
Brampton Park, which was rebuild after it passed to Lady Olivia Sparrow in the 1820s. The rebuilding began under Thomas Whitwell and was continued by John Buonaraotti Papworth. Lady Olivia, who was also responsible for a church in Huntingdon used for her religion 'The Countess of Huntingdon Connection', died in 1863. A great fire in 1907 destroyed much of the building.
[Ref: 47635]   £160.00   (£192.00 incl.VAT)
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[Braxted Park estate map, with mss. additions about shooting stands.]
[Braxted Park estate map, with mss. additions about shooting stands.]
Heliozincographed from 1/2500 Plans and Published by the Director General at the Ordnance Survey Office, Southampton [1904].
Heliozincographic map, overprinted in blue, with additional hand colour. Dissected and laid on linen, with marbled covers with Stanford label. 790 x 780mm, 31 x 30¾"
A sheet from the Ordnance Survey Second Edition, edited for use of the Braxted Park estate in Essex. These changes show the positions of the shooting stands and the names of the farms' tenants. In 1904 Braxted Park belonged to the Du Cane family: in 1919 it was sold to William Boulton, who then sold it to the Plessey Company in 1947, to be occupied by Sir Allen Clark, chairman of the company. Today the estate is now owned by a Clark family trust and managed by Sir Allen Clark’s grandson, Duncan Clark, as a country house venue, golf course and partridge shoot.
[Ref: 20866]   £260.00   view all images for this item
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The Monument of Sir Nicholas Griffin. in Braybrook Church, Northamptonshire.
The Monument of Sir Nicholas Griffin. in Braybrook Church, Northamptonshire. The Profits of this Plate to be devoted to the Relief of the Irish Clergy.
Printed by S. Straker, 3 George Yard, Lombard St. [n.d. c.1840.]
Rare lithograph on india. India 412 x 273mm. 16¼ x 10¾". India lifting and torn in top left.
All Saints Church, Braybrooke. The monument was laid to one the landowning families of the area, Nicholas Griffin, Lord Latimer.
[Ref: 23215]   £120.00   (£144.00 incl.VAT)
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A Design for the Proposed New Church at Bridgwater, Somersetshire.
A Design for the Proposed New Church at Bridgwater, Somersetshire.
Day & Haghe Lith.rs to the Queen. [1840.]
Letterpress with lithographic illustration, rare. Sheet: 390 x 240mm (15¼ x 9½''). Creasing and central fold as issued and as folded for post, stamped No.22, 1840.
A pamphlet providing information on a proposed church to be built in the district of Eastover in Bridgwater. The proposal also requests subscriptions be donated and lists bankers and banking institutions in Somerset and London where subscriptions can be received. Addressed on the verso to a Mr Phippen, Badgworth Court, Cross.
[Ref: 48390]   £95.00   (£114.00 incl.VAT) view all images for this item
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The Thunder Storm at Brighton, 17th July, 1850, and Innundation of Pool Valley.
The Thunder Storm at Brighton, 17th July, 1850, and Innundation of Pool Valley.
Taken on the Spot by F.E. Morrell. Lithographed by R.Canton, 48, Watling Street, London.
Published by Jn.o Smith, Pool Valley Brighton.
Tinted lithograph. Printed area 195 x 270mm. Repairs.
Pool Valley was flooded to a depth of nearly six feet within an hour.
Ford: Images of Brighton, 1083.
[Ref: 4321]   £80.00   (£96.00 incl.VAT)
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Brighton, View of the Marine Parade, Beach and Fish Market.
Brighton, View of the Marine Parade, Beach and Fish Market.
[n.d., .1830.]
Engraving. Sheet 110 x 200mm (4¼ x 7¾"). Trimmed into image. Creasing as normal.
A view of the beach, with a fishing boat.
Not in Ford.
[Ref: 53986]   £50.00   (£60.00 incl.VAT)
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Young Amphibious.
Young Amphibious.
G. Earp del. Charles J. Besebe Lith. Day & Haghe Lith.rs to the Queen.
Published July 1.st 1844, by W.H. Mason, Repository of Arts, Brighton. London, Ackermann & Co. Strand,_Reeves & Son, Cheapside.
A very rare lithograph. 255 x 368mm. 10 x 14½". Some foxing on right.
A view at Brighton, with the pier behind; a woman hold her naked child over the water, with a traditional beach bathing box on wheels to left. For Mason's "Fashionable Handbook for Visitors to Brighton", c.1846. In regency times and later when bathing at Brighton the bather floats or "Bobs" while being supervised. The supervisors where called "dippers" who pushed the bathers through the waves, keeping them afloat, then helped them back into the bathing machine. Brighton’s most famous dipper was Martha Gunn, a large, sturdy woman whose fame exists to this day. See ref:Ref: 5306 for a portrait of Martha Gunn.
See Ford: 128. "Images of Brighton".
[Ref: 23960]   £220.00   (£264.00 incl.VAT)
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European Magazine.
European Magazine. The Baths at Brighton.
Engrav'd by S. Rawle from an original Drawing by J. Nixon Esq.r.
Publishd by J. Asperne, Successor to Mr. Sewell, Cornhill May 1-1803.
Engraving. 123 x 171mm (4¾ x 6¾").
A view of the Bath House at Brighton, the cornerstone of which was laid in 1759.
[Ref: 24931]   £70.00   (£84.00 incl.VAT)
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The Beach at Brighton, Sussex.
The Beach at Brighton, Sussex.
Drawn by H. Edridge. Engraved by George Cooke.
London, Published by John Murray, Albermarle Street, June 1, 1814.
Engraving. 235 x 291mm (9¼ x 11½").
A view along the beach at Brighton, Sussex with boats on the shore. Horses help pull a tall-masted ship onto the beach; men on the ramp pull a smaller boat up out of the water. From "Picturesque views on the Southern Coast of England".
Tate: T05284 (proof).
[Ref: 28508]   £45.00   (£54.00 incl.VAT)
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Brighthelmstone. Fishermen Returning.
Brighthelmstone. Fishermen Returning.
P.J. De Loutherbourg R.A. delt. J. Hill sculp.t
Pub.d Oct.r 1. 1808, by J. & W. Macgavin, No. 107 New Bond Street, London.
Hand-coloured aquatint with etching, very large margins, platemark 385 x 550mm (15¼ x 21½").
Fishermen at work on the shore at Brighton (then named Brighthelmstone). The reissue of 'Picturesque Scenery of Great Britain' after designs by the landscape painter and scene designer Philip James de Loutherbourg (1740 - 1812), published seven years after the first edition. The plates, originally engraved by J.C. Stadler, were re-engraved by J. Hill, 'only slight differences of detail being noticeable in the engraving' (Abbey).
Abbey Scenery 6.5; Ford 75.
[Ref: 31391]   £420.00  
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Sickelmores' Select Views in Brighton.
Sickelmores' Select Views in Brighton.
Brighton: Printed and Published by C. & R. Sickelmore, Printers, Stationers, Engravers, and Bookbinders, 26 Kings Road. [n.d., c1826.]
Oblong folio, stitched, printed cover with plate descriptions, 9 uncoloured aquatints, as called for, rear two plates watermarked 'J Whatman 1826'. With an extra aquatint slipped in, 'Brunswick Square, Brighton', no imprint. Large margins, scarce complete.
Nine aquatint views of Brighton after Edward Fox and others, most engraved by George Hunt. The plates are: 'Pavilion, Brighton' (Ford 504); 'Brighton Suspension Pier' (207); 'Brighton Chain Pier in a Storm' (318); 'Ireland's Royal Brighton Gardens' (953), with a cricket game; 'General View of Kemp Town' (1136); 'East Cliff Brighton, Storm Approaching' (80); 'Marine Parade' (1102); 'The Temple, the Seat of T.R. Kemp Esq.r Brighton'; and 'The Battery, Brighton' (1061). A econd edition, with an extra plate, was published 1830.
Ford: Images of Brighton; Abbey: Scenery 63. Hickman: p.194.
[Ref: 32155]   £1,500.00   view all images for this item
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[A Pair of Photographs of Brighton.]
[A Pair of Photographs of Brighton.]
[n.d., c.1890.]
Pair of photographs in oval frames. Image: 150 x 110mm (6 x 4¼"). Frames: 170 x 125mm (6¾ x 5"). Unexamined out of frames.
A pair of very decorative French photographic views of Brighton. The first is a view of the West Pier built in the 1860s, the second is a view of the old Brighton Aquarium with the Chain Pier behind, the Chain Pier was destroyed in a storm in 1896. Labels on the back of the frames state 'From Soper's Emporium Brighton'.
[Ref: 44860]   £140.00   (£168.00 incl.VAT) view all images for this item
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A Perspective View of Brighthelmston, and of the Sea Coast as far as the Isle of Wight, Inscribed (by Permission) to His Royal Highness William Henry Duke of Gloucester and Edinburgh, Earl of Connaught of the Kingdom of Ireland, Ranger of Hampton Court
A Perspective View of Brighthelmston, and of the Sea Coast as far as the Isle of Wight, Inscribed (by Permission) to His Royal Highness William Henry Duke of Gloucester and Edinburgh, Earl of Connaught of the Kingdom of Ireland, Ranger of Hampton Court Park, and Knight of the Most Noble Order of the Garter By His Royal Highnesses most Obed.t & Devoted Serv.t James Lambert. Lambert's Correct View of Brightelmston in 1765.
Ja.s Lambert pinx.t P.C. Canot sculp.t
Publish'd as the Act directs, 1817. by Ja.s Edwards Brompton Middlesex and Published in his Topographical Surveys.
Copper Engraving. 425 x 635mm. 16¾ x 25". Folds, as normal.
A view of Brighthelmstone, the predecessor of modern-day Brighton. The field was known as Belle Vue Field. A coastal town, with farmers and town-dwellers engaged in the harvesting of the crop; cattle pulling hay to barns, people with scythes cutting the corn; three cloth sailed post-mills standing in the fields.
Ford: 23A.
[Ref: 19066]   £330.00  

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[Brighton] To Her Most Gracious Majesty the Queen, This Panorama is (by Permission)
[Brighton] To Her Most Gracious Majesty the Queen, This Panorama is (by Permission) most Gratefully and Humbly Dedicated by W.H. Mason, Repository of Arts, 1, Ship St.t Brighton, and W. Mason, Printseller &c. St Mary's Place, Cambridge.
Drawn by H. Wilds, Architect, Brighton. A. Edington sculp.t, 10 Portland St. London.
Ackermann & Co London. Published as the Act Directs 1833.
Very scarce aquatint on several sheets conjoined, with original hand colour, incomplete. Total size c. 140 x 2800mm (5½ x 110"). All folds reinforced on verso, other signs of wear. Lacking approx 1600mm in the west and between Bedford Square and Preston Street.
A rolling prospect of Brighton's King's Road, illustrating the seafront architecture running from the publisher's premises on the corner of Ship Street, west to Waterloo Street in Hove. Among the existing buildings shown are Brunswick Terrace, The Norfolk Hotel (now the 'Mercure Brighton Seafront') and the west of Bedford Square. and street-life captured at a turning point in the town's history, just before its Victorian boom as a resort, precipitated by the arrival of the railway in 1841. William Henry Goodburn Mason (1810 - 1879) was a publisher and printseller, also carver and gilder, based in Brighton. We can trace no other work by the engraver Edington.
Abbey Life 527; Ford: 22.
[Ref: 54165]   £750.00   view all images for this item
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Brighton Beach.
Brighton Beach.
R. Goff [signed in pencil].
1894.
Etching. Platemark: 55 x 115mm (2¼ x 4½").
An attractive view of Brighton beach, Sussex, with the famous pier to the left and the beach front town on the right. Robert Charles Goff (1837–1922) was a printmaker and painter who specialised in topographical scenes, strongly influenced by the work of James McNeill Whistler. Brighton and Hove Museum and Art Gallery hold a large collection of Goff's work.
Ford: Not in.
[Ref: 38045]   £65.00   (£78.00 incl.VAT)
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The Triumphal Arch,
The Triumphal Arch, Erected for the 30th. of August 1830, being the Day on which Their Majesties King William IV, & Queen Adelaide, Entered Brighton after their Accession to the Throne.
J.S, delin.
Printed & Published by W. Leppard, Brighton [n.d., c.1830].
Aquatint with etching, rare, sheet 310 x 255mm. 12¼ x 10". Lacking margins. A few closed tears to extremities.
A triumphal arch erected in Marlborough Place to celebrate the arrival of William IV and Queen Adelaide in Brighton. Fifty feet high and fifty wide, it was covered with foliage and flowers; at night it was illuminated by 4000 lamps.
Ford: Images of Brighton, 653.
[Ref: 27686]   £240.00   (£288.00 incl.VAT)
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Amphitheatre. Entrance. Interior.
Amphitheatre. Entrance. Interior. The above was very tastefully planned and beautifully decorated with Evergreens, Dahlias &c. for the reception of Her Most Gracious Majesty Queen Victoria on Her first Visit to the Palace at Brighton on the 4th Oct.r 1837.
Published by W.Leppard, East Street. [n.d., c.1837.]
Aquatint, scarce. Sheet 120 x 190mm, 4¾ x 7½". Trimmed and laid on album paper.
A triumphal gateway erected at the north entrance to the Royal Pavilion to Queen Victoria on her first visit to Brighton as queen.
Ford: Images of Brighton, 648.
[Ref: 21577]   £65.00   (£78.00 incl.VAT)
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The Chain Pier, Brighton. [Ink:] during our stay Summer of 1850.
The Chain Pier, Brighton. [Ink:] during our stay Summer of 1850.
G. Earp Jun.r del. Lith. by Jules Arnout. Printed by Lemercier.
Published by W.H. Mason, Her Majesty's Printseller & Publisher, 81, King's Road, Brighton, May 5.th 1846.
A rare lithograph. 305 x 514mm. 12 x 20¼". Laid on backing sheet.
The Royal Suspension Chain Pier, known as the Chain Pier, Brighton. Designed by Captain Samuel Brown R.N. in 1823, it was primarily intended as a landing stage for packet boats to Dieppe, Seine-Maritime, but it also featured a small number of attractions including a camera obscura.
Ford: 293
[Ref: 27729]   £140.00   (£168.00 incl.VAT)
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Brighton Characters, No. 4. The Fisherman.
Brighton Characters, No. 4. The Fisherman. "Who'll have this Lot Cheap".
G. Nibbs lith. Printed by C.Moody, 257 High Holborn.
Published by W. Lane, 3 Market St, Brighton, Nov.r 9th, 1846.
Fine coloured lithograph. Printed area 280 x 180mm, 11 x 7". Tape remains on right edge.
A fisherman on Brighton Beach with assorted fish at his feet.
[Ref: 21578]   £75.00   (£90.00 incl.VAT)
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Brighton Characters, No. 2. The Fish Woman.
Brighton Characters, No. 2. The Fish Woman. "Fish T'day Marm"?
G. Nibbs lith. Printed by C.Moody, 257 High Holborn.
Published by W. Lane, 3 Market St, Brighton, Nov.r 9th, 1846.
Fine coloured lithograph. Printed area 280 x 180mm, 11 x 7". Tape remains on left edge.
A woman selling fish on the streets of Brighton, calling up to a potential customer at a window.
[Ref: 21579]   £75.00   (£90.00 incl.VAT)
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The Fish Market, Brighton.
The Fish Market, Brighton.
[Printed by C. Moodly, 257 High Holborn. W. Lane, 3, Maret St, Brighton, Septr. 1st 1846]
Rare tinted lithograph. Sheet 235 x 355mm (9¼ x 14"). Slight crease in centre.
View on a very busy Brighton beach, by local artist R.H. Nibbs (identifiable from his anchor monogram lower left).
Ford, 'Images of Brighton' 72
[Ref: 47633]   £160.00   (£192.00 incl.VAT)
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Pavilion, Brighton.
Pavilion, Brighton.
Drawn by Edw.d Fox, Brighton. Engraved by Geo. Hunt
Published by C. & R. Sickelmore, Stationers, 26 King's Road, Brighton.
Very fine coloured aquatint, sheet 220 x 300mm (8½ x 11¾"). Trimmed for book publication; very fine colour.
The east front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. This plate was first published in Sickelmore's 'Select Views of Brighton', c.1827.
Ford 504. Hickman: p194.
[Ref: 35613]   £180.00   (£216.00 incl.VAT)
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The Royal Palace at Brighton.
The Royal Palace at Brighton.
Lithograph, rare. Sheet: 225 x 350mm (9 x 13¾"). Trimmed
A view of the Brighton Pavillion as it was when it was a Royal Residence. It was sold by Queen Victoria in 1850 who used the proceeds to furnish her summer residence, Osborne House on the Isle of Wight. Below the image is a key listing the various rooms in the palace.
[Ref: 45728]   £140.00   (£168.00 incl.VAT)
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Brighton Suspension Pier.
Brighton Suspension Pier.
Drawn by Fox. Brighton.
Published by C. & R. Sickelmore, Printers &c. Kings Road.
Fine aquatint. 200 x 415mm. 8 x 16¼", on paper watermarked 'J Whatman 1826'. Margin creased.
The Royal Suspension Chain Pier, designed by Capt. Samuel Brown and opened in 1823, costing £30,000. From 1825 steam packet boats offered excursions to the Isle of Wight from the pier. However the exposed nature of Brighton beach meant that the pier was damaged by storms in 1824, 1833 and 1836. It was overshadowed by the opening of the West Pier in 1866, and remained open until 1896, when a survey found the head was nearly seven feet off perpendicular. Another storm destroyed it later in the year. Published in Sickelmore's 'Views of Brighton'.
Ford: Images of Brighton, 207; Abbey: Scenery 63.
[Ref: 21568]   £160.00   (£192.00 incl.VAT)
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Suspension Chain Pier, Brighton.
Suspension Chain Pier, Brighton.
This Splendid Structure was projected and Executed by Capt. S. Brown R.N. Drawn, Engraved, Printed & Publish'd by J.Bruce, 28 Middle St, Brighton.
Very fine coloured aquatint. 165 x 255mm. 6½ x 9¾". Large margins.
The Royal Suspension Chain Pier, with nine lines of description either side of the title. In the foreground are two wheeled bathing huts. Designed by Capt. Samuel Brown and opened in 1823, costing £30,000. From 1825 steam packet boats offered excursions to the Isle of Wight from the pier. However the exposed nature of Brighton beach meant that the pier was damaged by storms in 1824, 1833 and 1836. It was overshadowed by the opening of the West Pier in 1866, and remained open until 1896, when a survey found the head was nearly seven feet off perpendicular. Another storm destroyed it later in the year.
Ford: Images of Brighton, 187.
[Ref: 21570]   £160.00   (£192.00 incl.VAT)
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Brighton Suspension Chain Pier.
Brighton Suspension Chain Pier. This brilliant specimem of modern architecture was projected & executed by Cap.n S. Brown R.N. its foundation consists of four clumps of piles, 258ft. distant driven nearly 8ft...The length of the esplanade to the beginning of the Pier, is 1250 ft. & along which carriages pals. Commened Oct.r 1822 openened to ye publick Nov. 1283. Estimated expence 30.000l/
Drawn, Engraved, Printed & Publish'd, by J. Bruce, Brighton.
[n.d. c.1824.]
Aquatint, paper watermarked, with very large margins: J Whatman 1823. 276 x 376mm (10¾ x 14¾"). Some creasing.
The Royal Suspension Chain Pier, designed by Captain Samuel Brown and built in 1823. It was primarily intended as a landing stage for packet boats to Dieppe, France.
Provenance: Hermitage Hexham. Ford 195.
[Ref: 30102]   £180.00   (£216.00 incl.VAT)
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[The Chain Pier, Brighton.]
[The Chain Pier, Brighton.]
Published by W.H. Mason. Repository fo Art. 81, King's Road, Brighton. [1841.]
Hand-coloured aquatint. 120 x 229mm. 4¾ x 9". Very fine colour.
A view of the beach and pier at Brighton, Sussex. People sitting and relaxing on the beach with boats on the ocean and a steamer in the background; men fishing just below the pier. From "Fashionable Handbook for Visitors to Brighton".
Ford: 282.
[Ref: 24126]   £120.00   (£144.00 incl.VAT)
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Brighton & The Chain Pier from the Pier Head.
Brighton & The Chain Pier from the Pier Head.
Drawn & Lithog by C.W. Wing.
Published by Wm. Tuppen Royal Marine Library Brighton [n.d., c.1830].
Hand-coloured lithograph, sheet 225 x 350mm. 9 x 13¾". A generally good impression in fine, contemporary colour; glued to album page.
A group of male and female figures on the pier at Brighton, Sussex, with a few of the structure and the beach and town beyond. The Royal Suspension Chain Pier was designed by Capt. Samuel Brown and opened in 1823, costing £30,000. From 1825 steam packet boats offered excursions to the Isle of Wight from the pier. However the exposed nature of Brighton beach meant that the pier was damaged by storms in 1824, 1833 and 1836. It was overshadowed by the opening of the West Pier in 1866, and remained open until 1896, when a survey found the head was nearly seven feet off perpendicular. Another storm destroyed it later in the year.
Ford 'Images of Brighton' 298.
[Ref: 23431]   £140.00   (£168.00 incl.VAT)
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The Royal Arch.
The Royal Arch. Erected in Honor of Their Most Gracious Majesties Arrival at Brighton. Aug.t 30th 1830. At the Expence of Mess.rs Ranger, Fabian & Lambert
Printed by C.Hullmandel.
Published by C.I. Scott, No 25, West Street, Brighton.
Lithograph with original hand colour highlighted with gum arabic, rare. Printed area 330 x 230mm, 13 x 9". Some toning on paper.
A triumphal arch erected in Marlborough Place to celebrate the arrival of William IV and Queen Adelaide in Brighton. Fifty feet high and fifty wide, it was covered with foliage and flowers; at night it was illuminated by 4000 lamps.
Ford: Images of Brighton, 648.
[Ref: 21567]   £260.00   (£312.00 incl.VAT)
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[Brighton Pavilion.]
[Brighton Pavilion.] [&] George Baxter, Designer and Engraver on Wood, 37, High Street, Lewes. Emblematic Ornaments for Invoices, Coats of Arms, Fac-similes, &c. engraved on Wood. N.B. Sketches of Gentleman's Seats, Landscapes, Relics of Antiquity, Buildings, Machinery, Cattle, &c. accurately drawn for engraving.
[n.d. c.1827.]
Wood engraving and tradecard. Engraving 103 x 152mm. 4 x 6". Printer's crease on wood engraving.
Elevation of the front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. From Baxter's 'Stranger in Brighton', 1826; and his 'Select Sketches in Brighton', 1827.
Ford: 502 [Images of Brighton].
[Ref: 25546]   £160.00   (£192.00 incl.VAT) view all images for this item
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Brighton Pavilion. The Steyne Front. [Old ink mss.]
Brighton Pavilion. The Steyne Front. [Old ink mss.] [Geometrical view of the Steine Front.]
[Augs. Pugin Del.t. T.Fielding Sculp.t.]
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, July, 1824.]
Aquatint printed in colours and hand finished, trimmed and mounted on brown card, as issued, again laid on later board. Image 185 x 300mm, 7¼ x 12". Pinholes in card corners, soiling of card edges, number label bottom right.
Elevation of the front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 435.
[Ref: 21549]   £280.00   (£336.00 incl.VAT)
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Brighton Pavilion. View of the Steyne Front. [Old ink mss.]
Brighton Pavilion. View of the Steyne Front. [Old ink mss.] [Perspective view of the Steine Front.]
[G.F. Robinson Del.t. T.Sutherland Acqua.t.]
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, April, 1824.]
Aquatint printed in colours and hand finished, trimmed and mounted on brown card, as issued, again laid on later board. Image 200 x 320mm, 8 x 12½". Pinholes in card corners, soiling of card edges, number label bottom right.
View of the front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 436.
[Ref: 21553]   £280.00   (£336.00 incl.VAT)
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Brighton Pavilion. North Wing of the West Front. The Private Apartments of his Majesty George IV. [Old ink mss.]
Brighton Pavilion. North Wing of the West Front. The Private Apartments of his Majesty George IV. [Old ink mss.] [The King's Private Apartment.]
[Cha.s Moore, del.t. T.Sutherland Acqua.t.]
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, April, 1824.]
Aquatint printed in colours and hand finished, trimmed and mounted on brown card, as issued, again laid on later board. Image 200 x 320mm, 8 x 12½". Pinholes in card corners, soiling of card edges, number label bottom right.
View of the rear of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 442.
[Ref: 21554]   £280.00   (£336.00 incl.VAT)
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Brighton Pavilion. North Front of the Stables. Brighton Pavilion. The Riding Stables [Old ink mss.]
Brighton Pavilion. North Front of the Stables. Brighton Pavilion. The Riding Stables [Old ink mss.] [Stables towards Church Street. Riding House]
[A. Pugin, Del.t. T.Sutherland Aqua.t. [&] Augs. Pugin Del.t. M.Dubourg Sculp.t ]
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, March 1, [& July 1] 1824 ]
Two aquatints printed in colours and hand finished, trimmed and mounted on brown card together, as issued, again laid on later board. Images 110 x 180mm, 4¼ x 7" & 110 x 190, 4¼ x 7½". Pinholes in card corners, soiling of card edges, number label bottom right.
The exterior of the Stables from Church Street and the interior of the Riding House of the Royal Pavilion at Brighton, built 1803-8, before the main buildings were re-designed by John Nash between 1815-1822. Designed by William Porden in an Indian style, the building provided stabling for sixty horses. The Stables now form part of the Dome arts venue; the Riding School became the Brighton Corn Exchange. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 460 & 461.
[Ref: 21556]   £250.00   (£300.00 incl.VAT)
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[Perspective View of the Stable Building.]
[Perspective View of the Stable Building.]
[A. Pugin, Del.t. T.Sutherland Aqua.t.
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, 1824.]
Aquatint printed in colours and hand finished, trimmed and mounted on brown card, as issued. Image 190 x 330mm, 7½ x 13". Card spotted.
The Stables as seen from the Royal Pavilion at Brighton, built 1803-8 to provided stabling for sixty horses, completed before the main buildings of the Pavilion were re-designed by John Nash between 1815-1822. Designed by William Porden in an Indian style, the main feature was a vast 24-metre glass dome which many detractors predicted would collapse as soon as the scaffolding was removed. It survived and is now part of the Dome arts venue. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 458.
[Ref: 21558]   £280.00   (£336.00 incl.VAT)
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[The East Front, Royal Pavilion, Brighton.]
[The East Front, Royal Pavilion, Brighton.]
[n.d., c.1820.]
Copper engraving. Sheet 230 x 330mm, 9 x 13". Trimmed to printed border. Glue residue on reverse.
View of the front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles.
Not traced in Ford's Images of Brighton.
[Ref: 21575]   £160.00   (£192.00 incl.VAT)
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The Pavilion at Brighton, the Marine Palace of his Majesty, George IVth.
The Pavilion at Brighton, the Marine Palace of his Majesty, George IVth.
Engraved by T.Sutherland.
Drawn and Published by J. Cordwell, at his Repository, 20 Great East Street, Brighton, 1821.
Aquatint printed in colours and hand finished, cut and laid on album paper. Sheet 235 x 305mm, 9¼ x 12".
View of the front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. In the foreground is the traffic on the Steine; above the title the rooms are identified, marking the Kitchen, drawing rooms, the Round Salon and the Music Room.
Ford: Images of Brighton, 491.
[Ref: 21576]   £160.00   (£192.00 incl.VAT)
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The West or Garden Front of The Pavilion at Brighton, the Marine Palace of his Majesty, George IVth.
The West or Garden Front of The Pavilion at Brighton, the Marine Palace of his Majesty, George IVth.
[Engraved by T.Sutherland.]
Drawn and Published by J. Cordwell, at his Repository, 20 Great East Street, Brighton, 1824.
Aquatint, fine impression. 290 x 350mm (11½ x 13¾") very large margins.
View of the back entrance of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. This example lacks the engraver's name.
Ford: Images of Brighton, 538.
[Ref: 44556]   £180.00   (£216.00 incl.VAT)
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[Dining Room, Royal Pavilion, Brighton.]
[Dining Room, Royal Pavilion, Brighton.]
H. Repton Esq.r del.t. J.C. Stadler, sculp.
[London: Boydell, Longmans, et al, c.1822.]
Coloured aquatint. 185 x 260mm, 7¼ x 10¼", on paper watermarked 'Turkey Mill'. Paper lightly toned, time stained..
The only interior view from Humphrey Repton's 'Designs for the Pavillion at Brighton'. Originally published 1808, this example comes from the 1822 second edition, issued on the completion of the rebuilding according to the designs of Repton's rival, John Nash.
Abbey: Scenery, 57; Ford: Images of Brighton, 419.
[Ref: 21572]   £95.00   (£114.00 incl.VAT)
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[Six 'Sea Side Sketches']
[Six 'Sea Side Sketches']
[Various publishers, c.1870.]
Six steel engravings, each c. 100 x 115mm (4 x 4½"), trimmed and laid on album paper with three other prints.
Satires relating to bathing at Brighton. Publishers include ''J.S. & Co.'' & ''Kershaw & Son''.
[Ref: 50449]   £90.00   (£108.00 incl.VAT)
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