Grosvenor Prints

This View of the Parsonage House, &c. West Tilbury, Essex, is Drawn and Lithographed; and presented to the Rev. James Hargreaves, M.A. by his Friend and former Coadjutor, the Rev. D.N. Walton, M.A. late Curate of Handsworth, Staffrdshire.
April 19th, 1845.
Printed at T.Underwood's Lithographic Establishment, 78½ High St. Birm.m.
Lithograph on india paper, laid on sheet with title. Printed area 370 x 51mm.
From the Watt Collection.
[Ref: 6427] £260.00 (£312.00 incl.VAT)

[Seven untitled views of Tilgate Estate.]
[n.d., c1830.]
Seven scarce matching lithographs, most titled in pencil. Various sizes, largest 190 x 230mm.
The woods, ponds and farms of Tilgate Estate, now home to Tilgate Recreational Park.
[Ref: 59925] £250.00 (£300.00 incl.VAT) view all images for this item

Tonbridge Wells. Plate 3. Part 2. from the Common.
[G. Barnard.]
[London: Ackermann & Co., n.d., c.1830.]
Lithograph, fragment from a sheet of three landscape vignettes. Sheet 185 x 340mm, 7¼ x 13½". Glued to album page, glue stains to extremities.
Figures, some in carriages or on horseback, with a prospect of Royal Tunbridge Wells, Kent, beyond. From the third plate of George Barnard's (d.1890) oblong folio 'Landscape reminiscences... Tonbridge Wells and its Vicinity'.
See Abbey Scenery 329, 3. See Wellcome Library no. 22944i.
[Ref: 24264] £130.00 (£156.00 incl.VAT)

Tor Abbey. To George Cary Esquire...
Published Septr. 1st 1824, by James Redaway, London, and Jno. Matthews, Torquay, Devon.
Hand coloured aquatint, sheet 195 x 245mm. 7¾ x 9½". Trimmed within plate.
Attractive locally-published view of Torre Abbey, as seen from the sea at Tor Bay, near Torquay, south Devon. The historic house started life in 1196 as a monastery for Premonstratensian canons when William Brewer, lord of the manor of Torre, gave them the land.
Not in Abbey Scenery.
[Ref: 16368] £130.00 (£156.00 incl.VAT)

Torbay
W Hawkes Smith fec. Printed from Stone, by WH Smith
[n.d., c.1820]
Lithograph, printed area 185 x 430mm (7¼ x 17"). Very rare. Slight crease on right.
View of Torbay, with key indicating (l-r) 'St. Mary church / Torquay / A singularly arched rock / Hope's Nose'. By the little-known Birmingham printmaker William Hawkes Smith (1818-1821, fl.).
Ex Collection: The Late Honourable Christopher Lennox-Boyd.
[Ref: 32238] £260.00 (£312.00 incl.VAT)

Torbay, Devon.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London, May 20, 1825.
Hand-coloured aquatint and etching, on card as issued. Plate 228 x 305mm. 9 x 12".
View from a rocky hill at Torbay, with a man and woman standing at a gate in foreground at left, on a path leading to a two-storey building overlooking the sea, with circular veranda, porch and arched doors; cliff behind. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 21490] £140.00 (£168.00 incl.VAT)

Torbay.
W Hawkes Smith, del. & fec. Printed from Stone, by W.H. Smith, 1820
Original pen and ink drawing, drawn area 180 x 435mm (7¼ x 17½"). Unique.
View of Torbay with key identifying (l-r) '[St.] Mary's Church' / Torquay / Hope's Nose'. By the little-known Birmingham printmaker William Hawkes Smith (1818-1821, fl.).
Ex Collection: The Late Honourable Christopher Lennox-Boyd.
[Ref: 32248] £420.00

Torbay.
W Hawkes Smith fec. Printed from Stone, by WH Smith.
[n.d., c.1820.]
Lithograph, printed area 185 x 430mm (7¼ x 17"). Crease on right & slight crease on left; very rare.
View of Torbay, with key indicating (l-r) 'Cockrington House' / St. Mary church / Torquay / Hope's Nose'. By the little-known Birmingham printmaker William Hawkes Smith (1818-1821, fl.).
Ex Collection: The Late Honourable Christopher Lennox-Boyd.
[Ref: 32240] £260.00 (£312.00 incl.VAT)

St. Michael's Chapel and Torbay.
Drawn by E. Vivian. Day & Haghe, Lith.rs to the Queen.
[.n.d. c.1830.]
Rare lithograph. 318 x 419mm. 12½ x 16½".
Up on the hill sits St Michael's Chapel, dating probably from the 13th century. The cross was erected by order of the Marchioness of Bute in the early 19th century. Down in the distance sits the coatal town of Torbay, Devon.
[Ref: 18888] £160.00 (£192.00 incl.VAT)

Torquay from Park Hill.
Drawn from Nature and on Stone by W. Spreat. Printed by Hullmandel & Walton.
Published by W. Spreat at No 263, High Street Exeter. [n.d, c.1840.]
Tinted lithograph on three sheets conjoined. Total printed area 230 x 950mm (9 x 37½").
A view of the rolling hills of Torquay, with the sea on the far right. Spreat seems to have included a self-portrait: at the centre are two men with drawing books.
Not in Abbey.
[Ref: 31134] £490.00 view all images for this item

Torquay, From the Pier Head.
From Nature & on Stone by W. Spreat. Printed by W. Spreat, Exeter.
Torquay New Series No1, published by W. Spreat Exeter [n.d., c.1840]
Lithograph with tintstone, printed area 270 x 340mm (10½ x 13½"). Large margins.
Fine view of the coastal town of Torquay, with clearly identifiable buildings and numerous figures at work and rest.
[Ref: 37108] £220.00 (£264.00 incl.VAT)

Hesketh Crescent, Torquay.
J. Salter del et Lith. Day & Son, Lithrs to the Queen.
[Published by Mr J. Salter, Palk Street...] [n.d., c.1850.]
Fine & rare tinted lithograph with hand colour. Sheet 310 x 415mm (12¼ x 16¼"). Paper toned.
A view looking down on Hesketh Crescent and Meadfoot Beach. The Crescent was built in 1846 by John Tapley Harvey & William Harvey. From Salter's 'Six Views of Torquay'.
[Ref: 55479] £240.00 (£288.00 incl.VAT)

Torquay, from Waldon Hill.
J. Salter del et Lith. Day & Son, Lithr.s to the Queen.
[Published by Mr J. Salter, Palk Street...] [n.d., c.1838.]
Tinted lithograph. Printed area 250 x 365mm (9¾ x 14¼"). Very large margins. Spotting in margins.
From Salter's 'Six Views of Torquay'.
[Ref: 37897] £240.00 (£288.00 incl.VAT)

Torquay, from Park Hill.
J. Salter del et Lith. Day & Son, Lithrs to the Queen.
[Published by Mr J. Salter, Palk Street...] [n.d., c.1850.]
Fine & rare tinted lithograph with hand colour. Sheet 310 x 415mm (12¼ x 16¼"). Paper toned.
From Salter's 'Six Views of Torquay'.
[Ref: 55478] £240.00 (£288.00 incl.VAT)

Torquay.
Drawn from the Life by Woolnoth. Gauci, Lith. North Cres.t Bed.fd Sq.e.
Pub.d by E. Cockrem, Bookseller and Stationer, 10, Strand.
Rare lithograph. Sheet 380 x 280mm (15 x 11"), large margins. Some creasing. Repaired tears.
Two women, arm in arm, identically-dressed in straw hats, hair ribbons, lace collars, gloves and parasols. Perhaps an early lesbian image?
[Ref: 60414] £190.00 (£228.00 incl.VAT)

Coast between Torquay & Exmouth
W. Hawkes Smith fec. Printed from Stone, by W.H.S.
[n.d., c.1820]
Lithograph, printed area 185 x 430mm (7¼ x 17"). Crease on right; very rare.
View of the Devon coast with key indicating (l-r) 'Babicomb Bay / Situation of Teignmouth / Dawlish / Exmouth / Cliffs near Tor-Abbey'. By the little-known Birmingham printmaker William Hawkes Smith (1818-1821, fl.).
Ex Collection: The Late Honourable Christopher Lennox-Boyd.
[Ref: 32245] £260.00 (£312.00 incl.VAT)

Totnes from Totnes Down Hill.
Lithographed by Newman & Co. 48, Watling St. London.
Published by T. Hannaford, Totnes.
Tinted lithograph with large margins. 299 x 439mm (11¾ x 17¼"). Some spotting; water stain to lower right. Uncut.
Locally-published view of Totnes, Devon, seen on the River Dart, with the Church of Saint Mary to the left and Saint John to the right.
[Ref: 29987] £220.00 (£264.00 incl.VAT)

South East View of the Old Totnes Bridge 1826. Plan and Elevation of the New Bridge commenced April 7th. 1826, opened March 25th, 1828.
Drawn on Stone by T.M. Baynes, London, from an Original Drawing by Mr. C. Fowler, the Architect. Printed by C. Hullmandel.
London, Published by R. Ackermann, March 15th, 1828.
Rare and scarce lithograph on india laid paper, sheet 330 x 425mm. 13 x 16¾".
Interesting view of the bridge over the River Dart at Totnes, Devon, with a plan of the new bridge below; workmen can be seen in the foreground building the new foundations. From an architectural prospectus.
[Ref: 15033] £290.00 (£348.00 incl.VAT)

[Trematon Castle, Cornwall.]
Rob.t Wallis 1830 [after J.M.W. Turner].
Etching with engraving. 240 x 320mm (9½ x 12½), very large margins Some surface abrasions in untrimmed part of plate and margins.
A distant view of the Norman Trematon Castle, with the Tamar River and the town of Saltash. In the foreground are two donkeys.
Ref: Rawlinson 246 1st Published State,
[Ref: 60520] £140.00 (£168.00 incl.VAT)

Trentham Hall, Staffordshire.
From a drawing by W.F. Hulme. Day & Son, Lith.rs to the Queen.
[n.d. c.1881.]
Tinted lithograph with added colour. 249 x 350mm (9¾ x 13¾").
Trentham Hall, situated in the Trentham Gardens estate. The 1830s the house entirely rebuilt and took the form as seen here, as an elegant stone fronted mansion with a lofty square tower. It was erected after the model of Buckingham House, in St James's Park, but was considerably altered and improved by the first Marquess of Stafford, from designs by Henry Holland. The hall was demolished in the 20th century.
[Ref: 30356] £90.00 (£108.00 incl.VAT)

To the Honourable Henry Guy of Tring-House Esq. this Plate of ye Mannor House is Humbly Dedicated by John Oliver. Pag. 593.
[London: Benjamin Griffin et al, 1700.]
Engraving, 17th century watermark. 290 x 330mm (11½ x 13"), very large margins.
The facade of Tring Manor House, home of Sir Henry Guy (1631-1710), a Groom of the Bedchamber and secretary of the Treasury in 1679. In 1669 Guy obtained a grant of the manor of Great Tring. He later commissioned Sir Christopher Wren to build a new house, now Tring Park Mansion, but in 1695 he was accused of funding the building work by taking bribes in the Treasury. He was arrested and was committed to the Tower of London. In 1702 he sold Tring. From Sir Henry Chauncy's 'Historical Antiquities of Hertfordshire'.
[Ref: 62542] £130.00 (£156.00 incl.VAT)

Tunbridge Castle.
P. Sandby Fecit 1787.
Publish'd by P. Sand St Georges Row facing Hyde Park, May 1st 1788.
Hand-coloured aquatint. Plate: 370 x 540mm (14½ x 21¼"). Small margins, bit messy.
A view of the Norman Motte and Bailey castle at Tonbridge in Kent in which several labourers fill carts with stone from the ruin, a woman walks past with her children and three men stand in conversation. The owner at the time, John Hooker sold stone from the castle in order to build locks in the river Medway and in 1791 his son Thomas built a house adjoining the gatehouse.
[Ref: 43565] £420.00

Tunbridge Castle.
J. Farington R.A. delt. J. C. Stadler Sculpt.
Pub. June 1, 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Sepia aquatint. 320 x 220mm. Some creasing to the lower corners.
From the 'History of the River Thames'.
Abbey: 432.
[Ref: 2426] £160.00 (£192.00 incl.VAT)

The New Church From The Common.
Lithographed by W. Clerk 202 High Holborn.
Published by R. Nash, Royal Library, Parade, Tunbridge Wells. [n.d., c.1830.]
Very rare lithograph, sheet 250 x 315mm (10 x 12½"). Some foxing and some surface dirt largely in margins. Some creasing that goes into the image.
A birds eye view of a church, houses and a common. Presumably in Tunbridge Wells. Possibly Holy Trinity Church, consecrated on 3rd September 1829, in 1982 it became Trinity Theatre.
[Ref: 58574] £70.00 (£84.00 incl.VAT)

Tunbridge Wells humbly Dedicated to Thomas Pellet M.D.
T. Badeslade Delin. J. Kip Sculp.
[London: D. Midwinter, 1719.]
Engraving, very fine impression. 350 x 430mm (13¾ x 17"), with very large margins. Crease as normal.
A detailed bird's-eye view engraved by Johannes Kip after Thomas Badeslade for John Harris's 'History of Kent in Five Parts'. The houses are named in the image, with the wells in the centre of the plate. The title is on a scroll at the top of the plate, along with Pellet's armorial. Thomas Pellet was elected a fellow of the Royal College of Physicians in 1716 and served as President 1735-9. William Hogarth painted his portrait about that time, which is now in the Tate Gallery.
[Ref: 42302] £260.00 (£312.00 incl.VAT)

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Tunbridge Wells, from Mount Ephraim. No. 2.
Drawn from Nature & lith by H. Harris.
Pr. by Graf & Soret. [n.d., c.1840.]
Lithograph. Sheet size: 220 x 280mm (8¾ X 11"). Very large margins.
An attractive view of Tunbridge Wells, Kent, from Mount Ephraim, with a number of figures on the paths before the town itself.
[Ref: 38071] £130.00 (£156.00 incl.VAT)

Tunbridge Wells Chapel.
Lithographed by W. Clerk, 202 High Holborn.
Published by R. Nash, Royal Library, Parade, Tonbridge Wells. [n.d., c.1830.]
Hand coloured lithograph on india laid paper, sheet 240 x 320mm. 9½ x 12½". Some marginal spotting.
Rare and attractive locally-published view of the church of King Charles the Martyr, Tunbridge Wells, Kent; carriages, figures, and animals to foreground.
Abbey Scenery: undescribed. For a collection of views in the vicinity by the same publisher see 328.
[Ref: 15689] £120.00 (£144.00 incl.VAT)

Tunbridge Wells.
[after James Winston.]
London, Published 1st April 1804, Villiers St., Strand.
Rare coloured aquatint. Sheet 200 x 265mm (8 x 10½"). Trimmed into plate, glue stains from album on reverse.
A view of Tunbridge Wells Theatre, the first plate from Winston's 'The Theatrical Tourist: being a genuine collection of correct views...".
[Ref: 38838] £190.00 (£228.00 incl.VAT)

[Louis Philippe instructing his children at Orleans House.]
Lithographed & Printed by G.E. Madeley, 3, Wellington Stt. Strand.
Presented with the Atlas Newspaper of August 29th. 1830 [on stone].
Lithograph, supplement to the 'Atlas' periodical. Image 175 x 265mm. 7 x 10½".
An interior scene of domesticity at Orleans House, Twickenham, featuring at its centre the house's most famous resident Louis Philippe, Duc d'Orleans (1773 - 1850). Forced into exile from France in the period leading up to Napoleon's defeat at Waterloo, Louis Philippe made this house his home in London between 1815 and 1817. Attracted to the tranquillity of the area he wrote to a friend: 'I bless heaven, noon and night that I am in my peaceful house in old Twick'. In 1844 he returned to England as King of the French, and visited his former residence accompanied by Queen Victoria. The pupils are portraits of his children.
For other lithographs of the same scene, see refs. 7988 and 8065.
[Ref: 23472] £130.00 (£156.00 incl.VAT)

Twyford Bridge nr Maidenhead. [in pencil.]
Murray. [in pencil.]
[n.d. c.1930.]
Etching. 145 x 191mm (5¾ x 7½"). Some tears in the margins.
Yalding is a village in the Maidstone District of Kent. It is the point where the Rivers Teise and Beult join the River Medway. This image is of Twyford Bridge, one of three bridges crossing the Medway in Yalding.
[Ref: 14895] £45.00 (£54.00 incl.VAT)

View on the River Tyne, with a distant View of Prudhoe Castle, &c.
G.B. Fisher Esq.r del.t. J.W. Edy fecit.
Pub.d Nov.r 1. 1798 by J.W. Edy, Romney Row, Westminster.
Aquating, printed in colours and hand finished, 550 x 740mm (21¾ x 29"). Damaged.
With an angler and cows in the river.
[Ref: 56432] £280.00 (£336.00 incl.VAT)

Tynemouth, Northumberland.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Cleveland Street, Fitzroy Square, London, July 1, 1822.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Mint, with large margins, uncut.
A view of Tynemouth with the ruins of Tynemouth Priory, the lighthouse and fishing boats. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 35965] £180.00 (£216.00 incl.VAT)

[Tynemouth Castle] Tinmouth Castle, from the North; with a View of the Haven, &c.
T. Smith pin. F. Vivares sculp.
Publish'd 1769 by J. Boydell, Engraver in Cheapside No. 90, J. Bowles, in Cornhill No. 13, & H. Parker, No. 82 in Cornhill, London.
Engraving, very rich impression. 410 x 560mm (16 x 22"). Repaired tear, split in centre folds repaired and nicks in margin. Small margins.
A view of Tynemouth Castle and Priory in Northumberland, after Thomas Smith of Derby.
[Ref: 60516] £320.00

[Ullswater] To Sir John Call, Bar.t, This View of Ullswater Lake, is with the greatest respect inscribed by his muchg obliged & obedient Serv.t W.m Burgess.
Drawn from Nature by W.m Burgess. Engraved by F. Jukes.
Publish'd as the Act directs by W.m Burgess Drawing Master Michaels Grove Brompton.
Aquatint. 470 x 540mm (18½ x 21¼"). Small tear entering inscription area, wear to margins.
A man on horseback talks to a herdsman with two cows, with the lake and distant mountains. One of a series eight views after drawings made by William Burgess in 1792, published firstly by the artist 1793-4 and then re-published by Jukes, in 1796.
[Ref: 53581] £320.00

Union Chain-Bridge across the river Tweed near Berwick. Designed and Executed by Capt.n S. Brown, R.N. Completed 1820. Length 361 feet. Weight 100 Tons.
W. Henderson del.t. T. Sutherland sculp.t.
[n.d., c.1820.]
Rare aquatint, printed in blue and brown. Sheet 245 x 375mm (9¾ x 14¾"). Trimmed within plate, tears taped. Central crease.
A view of the remarkable suspension bridge over the River Tweed between Horncliffe in Northumberland and Fishwick, Berwickshire, with an angler in the foreground. When it opened it was the longest wrought iron suspension bridge in the world; it is now the oldest suspension bridge still carrying road traffic. Captain Samuel Brown (1776-1852) championed the Royal Navy's use of chain link cables to replace unreliable hemp ropes in rigging. Leaving the navy he set up a chain-making company which provided the navy with chain until 1916. He also provided chain for Brunel's SS Great Eastern: the famous photograph of Brunel by Robert Howlett includes these chains. In 1817 he took out a patent titled the 'Construction of a Bridge by the Formation and Uniting of its Component Parts'. In 1819 he started building this bridge, with the help of John Rennie on the masonry, finishing in less than a year. In 1823 he built the Chain Pier in Brighton. In 1838 Brown was knighted by Queen Victoria. An unusual example, not finished with hand colour as expected.
[Ref: 56709] £160.00 (£192.00 incl.VAT)

[University Tower, Bristol.] 81. [This modern tower (1925) of Bristol University is a striking landmark in the city, and fortunately escaped damage in the heavy air-raids of the last war. The tower is over two hundred feet in height, and contains a 10-ton bell which local patriotism has christened "Great George," in commemoration of the three Georges associated with the University---King George V. who opened the buildings, Sir George Oatley who designed them, and Sir George Wills who, with his brother, defrayed the cost of the tower and other parts of the building as a memorial to their father, who was the first Chancellor of the University. The Wills family are the founders and owners of the great tobacco industry of Bristol (W.D. and H.O. Wills), and for this reason the tower is sometimes irreverently named Smoke Tower.]
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. 280 x 255mm. 11 x 10".
[Ref: 14653] £45.00 (£54.00 incl.VAT)

Up Parke in Sussex
[Pieter Van der Aa after Johannes Kip, 1707]
Rare engraving, platemark 130 x 165mm (5 x 6½"). Very large margins; unfolded state; Collector's stamp of Robert Johannes Meyer verso.
The house and gardens of Uppark in South Harting, Petersfield, West Sussex. The house, set high on the South Downs, was built for Ford Grey, first Earl of Tankerville (c.1655-1701), politician and conspirator affiliated with the Rye House plotters who supposedly planned to kill Charles II and his brother to raise an insurrection. The house was sold in 1747 to Sir Matthew Fetherstonhaugh. It is now run by the National Trust. Plate from James Beverell's Les Delices de la Grande Bretagne et de L'Irlande. Formerly in the collection of Robert Johannes Meyer (1882-1976), Hamburg lawyer and print collector.
L.4536
[Ref: 38541] £70.00 (£84.00 incl.VAT)

View from the beach at Steep-Hill, Isle of Wight.
J. Fry del.t. 1793.
Ink and watercolour, 145 x 230mm (5¾ x 9") within mss. border, total 190 x 290mm (7½ x 11½"), laid on album paper.
The cliffs on the south coast of the Isle of Wight at Steephillm near Ventnor. Fry appears to have been a local artist.
[Ref: 12102] £180.00 (£216.00 incl.VAT)

View from Wallis's Rocks on the River Avon looking towards Bristol.
Landscape drawn & engraved by S. Hassell. Figures by J. Ibbetson.
Published for J. Hassell, by Hookham & Co. New Bond Street July 1. 1793.
Hand-coloured aquatint, very large margins. 203 x 262mm (8 x 10¼"). Toning around edges.
A view along the River Avon near Bristol; cow milking in the foreground. From A picturesque guide to Bath, Bristol, Hot Wells, the River Avon, and the adjacent country; illustrated with ... views, taken in ... 1792, by Mess. I., Laporte and Hassell, and engraved in aquatinta' 1793. Etched by John Hassell (1767 - 1825) after his own design.
Abbey Scenery: 38.10.
[Ref: 31065] £65.00 (£78.00 incl.VAT)

Wallis's Wall & Rocks and Cook's Folly from the Path near the New Hot Wells House.
Drawn & engraved by J. Hassell.
Published for J. Hassell by Hookham & Co. New Bond Street, Jany. 1. 1793.
Hand coloured aquatint with etching, J. Whatman watermarked paper. Image 120 x 185mm, 4¾ x 7¼". Trimmed within plate.
Shipping in the Avon Gorge near Bristol. Along the top of Black Rock Mr. Wallis built a wall in the 1740s, as a preventative measure against people accidentally plunging over into the gorge. From 'A picturesque guide to Bath, Bristol, Hot Wells, the River Avon, and the adjacent country; illustrated with ... views, taken in ... 1792, by Mess. I., Laporte and Hassell, and engraved in aquatinta' 1793. Etched by John Hassell (1767 - 1825) after his own design.
Abbey Scenery 38, 9.
[Ref: 20288] £95.00 (£114.00 incl.VAT)

Walmer Castle. November 5, 1852.
[British, Anon., November 1852.]
Memorial souvenir of Arthur Wellesley, 1st Duke of Wellington (1769 – 1852); one sheet folded so 4to (265 x 215mm, 10½ x 8½"). Rare, illustrated letterpress verses with sepia-tinted lithograph of Walmer Castle to upper leaf. Some faint staining.
Wellington died, aged 83, of the after effects of a stroke culminating in a series of epileptic seizures, on 14 September 1852, at Walmer Castle - his honorary residence as Lord Warden of the Cinque Ports on the east Kent coast. Walmer Castle was built by Henry VIII in 1539–1540 as an artillery fortress to counter the threat of invasion from Catholic France and Spain. It was part of his programme to create a chain of coastal defences along England's coast known as the Device Forts or as Henrician Castles. The castle is now owned and managed by English Heritage.
[Ref: 22721] £130.00 (£156.00 incl.VAT)

Waltham Cross.
Drawn by T.R.Underwood. Engraved by G.I. Parkyns. Printed by I.Pushee.
London, Pub.d Jan.y 1. 1795 by T.Simpson St Paul's Church Yard, and Darling & Thompson, G.t Newport Str.t.
Aquatint. 365 x 290mm (14½ x 11½"). Trimmed into plate on right.
From Joseph Charles Barrow's 'Picturesque Views of Churches'. Originally issued by subscription 1791-2, only three of the intended six parts were published, a total of 12 views. This comes from a collected edition, not listed in Abbey.
See Abbey Scenery 2 for the subscription edition, this edition not listed.
[Ref: 15032] £160.00 (£192.00 incl.VAT)

The South East Prospect of the Abby of Waltham Holy Cross, in the County of Essex. It was Founded by King Harold Anno 1065, who endowed it with large Revenues, for a Dean & Eleven Secular Black Canons, & dedicated it to the honour of a Holy Cross (from whence the Town has derived that addition to its Name) which according to a Monkish Tradition, was found far Westward form this place & brought hither, and was look’d upon in those superstitious Times as a great Miracle. [66 in ink]
James Peak, delin. et Sculp.
Sold by J. Boydell Engraver in Cheapside, 1763.
Engraving, Plate 291 x 350mm (11½ x 13¾"), large margins with watermark.
View of Waltham Abbey, from the path leading up to it; a large tree in left foreground, a man at the well to the right of the path, where a couple stroll towards the abbey; village houses in background.
[Ref: 29393] £200.00 (£240.00 incl.VAT)

Waltham Cross.
Pub. Oct.r 10, 1787 by I. Seago Print Seller High Street St Giles London.
Engraving. Plate: 225 x 325mm (8¾ x 12¾").
A view of the Eleanor cross at Waltham Cross, this is one of twelve crosses made at various stations along the road from Lincoln to Charing to commemorate the death of his wife Eleanor of Castille.
[Ref: 45403] £70.00 (£84.00 incl.VAT)

A View of the Bridge at Walton upon Thames in Surry, distance Twenty Miles from London. [Translated into French to right.]
A. Heckel delint. Grignion Sculpt.
Publish'd according to Act of Parliament, 1752. London Printed for & Sold by Robt. Sayer at the Golden Buck opposite Fetter Lane in Fleet Street_ & Henry Overton at the White Horse without Newgate.
Engraving, 260 x 400mm. 10¼ x 15¾". A good impression. Some creasing and tearing in the margins.
The first bridge over the River Thames at Walton-on-Thames, Surrey, here depicted, was constructed between 1748 and 1750, a timber structure that stood until 1783. Canaletto painted a picture of this bridge in 1754. Figures and horses in the foreground, a rower on the river approaching the bridge.
[Ref: 11563] £220.00 (£264.00 incl.VAT)

Ware Church.
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Rare aquatint. 200 x 265mm (8 x 10½"), pt Whatman watermarked paper, large margins.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 59187] £120.00 (£144.00 incl.VAT)

Ware-Priory.
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Rare aquatint. 200 x 265mm (8 x 10½"), large margins. Spotting in title area.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 59186] £130.00 (£156.00 incl.VAT)

[Warfield Park] A View of the Gardens of Tho.s Hart Esq.r from the India House at Warfield, Berkshire.
J. Harris Pinx.t. J. Wood Sculp.t.
Published 10th Jan.y 1753 by J. Harris.
Scarce engraving, fine impression. Sheet 390 x 560mm (15¼ x 22"). Trimmed within plate. Slight creasing on right.
A view of a landscaped estate, a 'Grecian temple' folly on a hill, with a couple being rowed in a canopied boat.
[Ref: 58512] £320.00

[Warkworth Hermitage]
Drawn by T. Girtin Engrav'd by T. Powell Pupil to the late Mr. B.T. Pouney 1801
London, Published July 4. 1801, by S.W. Reynolds, No. 47, Poland Street, Oxford Street.
Very scarce copper engraving, printed area 450 x 565mm ( 17¾ x 22¼"). Some repairs.
The late medieval hermitage at Warkworth, hewn from deep rock above the River Coquet, as celebrated in Bishop Percy's ballad 'The Hermit of Warkworth'. Engraved after a watercolour by Thomas Girtin (now in the Victoria & Albert Museum).
Greg Smith, 'Thomas Girtin: The Art of Watercolour' (catalogue for 2002 Girtin exhibition at Tate Britain)
[Ref: 14110] £380.00

Warwick Castle from the Lodge Hill. To the Right Honourable George Greville Earl of Warwick &c. &c. This and the following Views of his Ancient and Magnificent Castle, are Humbly Inscribed, by his Lordships most Obedient and most Humble Servant Paul Sandby R. A.
P. Sandby Fecit.
Publish'd Jany. 1776. by J Boydell Cheapside.
Aquatint, printed in sepia, 18th century watermark; 335 x 475mm (13¼ x 18¾"), with very large margins. Repaired tear in margin, creasing.
The first plate of four views of Warwick by Paul Sandby (1725 - 1809), dedicated to his pupil Charles Greville, who gave the secret of the aquatint method to Sandby.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55982] £360.00

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