Grosvenor Prints

Norfolk Suspension Bridge, Shoreham. To his Grace the Duke of Norfolk, This Print is most Respectfully Dedicated By his obedient humble Servant, W.H. Mason.
Mr. G.Earp, Pinxt.
Repository of Arts, 1, Ship St. Brighton, May 1st 1833.
Rare coloured lithograph on chine collé, laid on printed backing paper. Sheet 270 x 365mm (10¾ x 14½"). Stains.
Norfolk Bridge, designed by William Tierney Clarke and Captain Samuel Brown, opened 1834, replaced 1923.
[Ref: 56708] £260.00 (£312.00 incl.VAT)

Norfolk Suspension Bridge, Shoreham.
Mr. G.Earp, Pinxt.
[n.d., c.1834.]
Rare lithograph. Sheet 190 x 275mm (7½ x 10¾").
Norfolk Bridge, designed by William Tierney Clarke and Captain Samuel Brown, opened 1834, replaced 1923.
[Ref: 52997] £160.00 (£192.00 incl.VAT)

The Norfolk Bridge, New Shoreham. Built at the Expense of Bernard Edward, Duke of Norfolk, Hereditary Earl Marshal of England. Under the Direction of William Tierney, Esq.re Civil Engineer.
Mr. G.Earp, Pinxt.
[n.d., c.1836.]
Rare aquatint. 295 x 420mm (11½ x 16½"). Trimmed into plate at top, surface abrasions and cockling. Large margins on 3 sides.
The first Norfolk Bridge, a chain link suspension bridge across the River Adur, designed of W. Tierney Clark and Captain Samuel Browne, built in 1832 by Bernard and Edward Howard, opened in 1833.. The northern tower arch had a decorative lion and the southern had a horse.
See: Ref: 52997
[Ref: 57098] £280.00 (£336.00 incl.VAT)

The Shrewbury Portfolio. Seven Etchings by Edward J. Barrow. 1, School from Quarry. 2. School from Ferry. 3. School from Lawn. 4. Chapel. 5. Severn from School. 6. Archway of Old Grammar School. 7. Old Market House, Shrewsbury.
W.H. Beynon & Co., Fine Art Publishers, Cheltenham [n.d., c.1901].
Oblong folio, (340 x 440mm, 13½ x 17¼"), original lettered cloth; letterpress title and seven plates on chine collé mounted on card, each signed in pencil by the artist. Covers soiled, tissue guards browned, tear in endpaper.
One plate has the engraved date 1901.
[Ref: 59348] £260.00 view all images for this item

[Four Views of Shrewsbury.] A View of Shrewsbury from the North. [&] A View of Shrewsbury from the West. [&] A View of Shrewsbury from the South. [&] A View of Shrewsbury from the N. West.
Tho.s Sanders delin. Sculp.
Published as the Act directs, March 1787: and Sold by Tho.s Sanders Drawing Master Salop.
Four rare engravings, sheet 285 x 435mm (11¼ x 17¼"). Trimmed within plates. Repaired tears.
Possibly from Thomas Sander's 'Perspective Views of the Market Towns within the County of Worcester,' as boundaries have changed. Or a similar unrecorded series on Shropshire.
[Ref: 60582] £690.00 view all images for this item

View of High Street, Shrewsbury, and St. Alkmonds, and St Julians Churches.
Lithographed by Newman & C.o. 48, Watling St.t. London.
Pub. by G. W. Wilde, Shrewsbury. [n.d., c.1840]
Coloured lithograph, very rare. Sheet: 395 x 290mm (15½ x 11½").
View of the churches and shops on Shrewsbury High Street. Shops such as 'Barclay's Tea Warehouse' and 'Oldroyd' are picked out.
[Ref: 34095] £220.00 (£264.00 incl.VAT)

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The Welch Bridge at Shrewsbury.
P. Sandby Fecit.
Publish'd according to Act of Parliament by P. Sandby St Georges Row Nov.r 1 1788.
Aquatint with etching, print in brown. 370 x 545mm (14½ x 21½"). A few repairs in sky, some surface abrasion, backed with restorer's paper.
A view of the old Welsh Bridge with a battlemented gatehouse, shortly before it was demolished to make way for a replacement by Thomas Telford, completed 1795. Paul Sandby (1731-1809) popularised landscape painting in watercolour in England and also improved the aquatint technique,.
[Ref: 45782] £290.00 (£348.00 incl.VAT)

[Part of the Old Bridge at Shrewsbury with two Arches of the New one 1770.]
[P. Sandby fecit.]
[Published according to Act of Parliament by P. Sandby, St. Georges Row Nov.r 1st 1778.]
Fine aquatint, printed in brown and hand finished. Sheet 325 x 505mm (12¾ x 20"). Framed. Trimmed to image, losing inscriptions, laid on card. Unexamined out of frame.
A large separately-issued print, centred on a water mill, showing the new 'English Bridge' over the Severn, designed by John Gwynn and completed 1774. Among the staffage is an angler.
Ex Collection of Sarah Baynton-Williams.
[Ref: 56093] £450.00

Part of the Old Bridge at Shrewsbury with two Arches of the New one 1770.
P. Sandby fecit.
Published according to Act of Parliament by P. Sandby, St. Georges Row Nov.r 1st 1778.
Fine aquatint, printed in brown. 365 x 540mm (14½ x 21¼"), with large margins, 18th century watermark. A few repaired tears.
A large separately-issued print, centred on a water mill, showing the new 'English Bridge' over the Severn, designed by John Gwynn and completed 1774. Among the staffage is an angler.
BM: 1904,0819.744.
[Ref: 45224] £450.00

Pride Hill, Shrewsbury.
Lithographed by Newman & C.o. 48, Watling St. London.
Pub. by P. Wilde, Shrewsbury. [n.d., c.1840].
Coloured lithograph, very rare. Sheet: 390 x 280mm (15¼ x 11). Repaired damage in sky area.
Street scene depicting the view along Pride Hill in Shrewsbury. Among the shops depicted is: 'Wilde Printer & Bookseller'.
[Ref: 34096] £120.00 (£144.00 incl.VAT)

County Hall & Corn Exchange.
C.W. Radclyffe. del. et lith. Day & Hague, lith.rs to the Queen.
Published by Sandford & Howell, Shrewsbury [1844].
Tinted lithograph with hand colour. Printed area 215 x 295mm (8½ x 11½").
The Square, Shrewsbury, from Charles Walter Radclyffe's 'Memorials of Shrewsbury School.'.
Abbey: 448.
[Ref: 34561] £160.00 (£192.00 incl.VAT)

The Market Square, County Hall & Corn Exchange, Shrewsbury.
C.W. Radclyffe. del. et lith. Day & Hague, lith.rs to the Queen.
Published by Sandford & Howell, Shrewsbury [1844].
Tinted lithograph with hand colour. Printed area 215 x 300mm (8½ x 11¾"). Tears in right edge. Messy.
The Square, Shrewsbury, from Charles Walter Radclyffe's 'Memorials of Shrewsbury School.'. This later state has the original title moved from within the plate and enlarged.
Abbey: 448, this edition not listed.
[Ref: 34564] £90.00 (£108.00 incl.VAT)

Shrubland Hall, Suffolk. The Seat Of Sir Wm. Middleton, Bart. To whom, by permission, this Print is respectfully dedicated.
C.J. Greenwood, Delt. E.H. Buckler Lith.
Published by W. Munro, Ipswich Street, Stowmarket. [n.d., c.1850.]
Sepia tinted lithograph heightened in white, image 240 x 335mm. 9½ x 13¼". Trimmed to printed border and glued to album page.
Shrubland Hall near Ipswich, Suffolk, was owned by Sir William F F Middleton, Baronet (1837; fl.). It is now a health farm. For a series of Suffolk country houses.
[Ref: 12928] £180.00 (£216.00 incl.VAT)

View of the Terrace. Sidmouth.
[n.d., c.1825.]
Coloured lithograph. Sheet 200 x 450mm (8 x 17¾"). Trimmed, losing inscriptions, titles(?) laid on, creasing on right.
A view of Sidmouth looking east to Salcombe Hill.
[Ref: 61367] £180.00 (£216.00 incl.VAT)

Sidmouth, Devon.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with hand colour. Plate: 230 x 300mm (9 x 12"), with large margins. On card as issued.
A view of Sidmouth in Devon. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47283] £220.00 (£264.00 incl.VAT)

Entrance Front of Selwood Park in the County of Berks, the Seat of James Sibbald Esqr. [French translation below.]
Robt. Mitchell Archt.
[London] Publish'd Jany, 1, 1801.
Etching and aquatint in sepia, 295 x 485mm. 11½ x 19". A few faint spots of foxing. Full margins.
View of the façade of a residence in the Palladian style, with two figures walking on a path at right leading towards the columned portico. Numbered 'Plate 1' upper left. From architect Robert Mitchell's (1782 - 1809; fl.) folio 'Plans, and views in perspective, with descriptions of buildings erected in England and Scotland; and ... an essay to elucidate the Grecian, Roman and Gothic Architecture.' Mitchell designed Silwood Park, near Staines, Berkshire. In about 1788, Sir James Sibbald built a Georgian mansion on part of the present house and demolished the old "Eastmore"; he called it Selwood or Silwood Park. The name stems from the Old English for Sallow, which presumably grew then along the banks of the streams that flow through the Park. The house was, in its turn, demolished, and the present mansion was completed in 1878. During WWII it became a convalescent home for airmen; then in 1947 Imperial College purchased the house for entomological research and field studies.
See BL 56.i.12.
[Ref: 23502] £240.00 (£288.00 incl.VAT)

Staircase and Music Gallery, in the House of Selwood Park. [French translation to right.]
Robt. Mitchell Archt.
[London] Publish'd March 25, 1801.
Etching and aquatint in sepia, watermarked wove paper, 320 x 325mm. 12½ x 12¾". A fine impression, with full margins.
Interior view of an ornate gallery, a round glass sky-light above a space in which statues stand in niches, columns to either side; banister with lyre shaped railings. Numbered 'Plate 4' upper left. From architect Robert Mitchell's (1782 - 1809; fl.) folio 'Plans, and views in perspective, with descriptions of buildings erected in England and Scotland; and ... an essay to elucidate the Grecian, Roman and Gothic Architecture.' Mitchell designed Silwood Park, near Staines, Berkshire. In about 1788, Sir James Sibbald built a Georgian mansion on part of the present house and demolished the old "Eastmore"; he called it Selwood or Silwood Park. The name stems from the Old English for Sallow, which presumably grew then along the banks of the streams that flow through the Park. The house was, in its turn, demolished, and the present mansion was completed in 1878. During WWII it became a convalescent home for airmen; then in 1947 Imperial College purchased the house for entomological research and field studies.
See BL 56.i.12.
[Ref: 23495] £160.00 (£192.00 incl.VAT)

Smedmore House, in Dorsetshire, The Seat of Col. Mansel, C.B.
London, Publish'd by J. Nichols & Co. July 10, 1840.
Engraving. Plate 260 x 380mm (10¼ x 15").
Smedmore House, the country house near Kimmeridge, Dorset, looking out into the bay. It was originally built by Sir William Clavell around 1620, partially rebuilt by Edward Clavell c.1700, and greatly augmented by George Clavell c.1760. After the death of John Clavell-Richards, rector of Church Knowle, the court invalidated his alleged will, and a deal was struck between his surviving heirs-in-law, ensuring that Smedmore remained in the family, under the new ownership of his niece and her husband, Lieutenant Colonel John Mansel (1776-1863). Smedmore has remained in the Mansel family ever since; current owner, the historian Philip Mansel.
[Ref: 34736] £95.00 (£114.00 incl.VAT)

Sneyd Park near Bristol.
S.Anstie del. Clark & Duborg sculp.
[n.d., printed on Whatman paper watermarked 1807.]
Sepia aquatint. 300 x 410mm. Neat old ink mss. in lower margin.
[Ref: 438] £230.00 (£276.00 incl.VAT)

Bramber on the South Downs. [in pencil]
R. Cresswell Boak. [in pencil]
[n.d.c.1920]
Etching with beautiful hand colour, plate 100 x 145 (4 x 5¾") with very large margins. Pinholes and leftover tape in margins.
Sheep graze on the rolling hill landscape of Bramber, near Shoreham, West Sussex Robert Cresswell Boak (1875-1949) was a landscape/portrait painter and etcher born in Letterkenny, Co. Donegal. Robert was educated at the Londonderry School of Art and the Royal College of Art and then went off to Paris and Rome. He then turned to teaching art for a short time in Portsmouth and Southsea, Hampshire before making the decision to devote all of his time to his own work
[Ref: 58640] £75.00 (£90.00 incl.VAT)

[Ploughing on the South Downs]
N.H [in image] Norman Hirst pinx. et sculp [in pencil].
Copyright. Published August 1.st 1924 by Vicars Brothers.12. Old Bond St. London
Mezzotint, 200 x 275mm (8 x10¾"). Taped into original mount at one corner.
A rural landscape; a farmer ploughs a field with a team of oxen. Norman Hirst (1862-1956), mezzotinter and etcher. Born at Liverpool, Hirst was a student at Leeds, Lucerne and in Germany, where he began to engrave in 1875. He subsequently worked at Bushey, Christchurch and Langport, Somerset, and exhibited at the Royal Academy from 1890 to 1929. Along with distinguished contemporaries such as Frank Short and Seymour Haden, Hirst was a member of the Society of Mezzotint Engravers, founded in 1898.
Ex Collection Christopher Lennox-Boyd.
[Ref: 62592] £95.00 (£114.00 incl.VAT)

The Royal Victoria Spa & Assembly Rooms, Southampton.
Brannon del et sculp.
[n.d., c.1850.]
Steel engraving. 130 x 210mm (5 x 8¼"). Stitch holes at top, stains.
The exterior of the Royal Victoria Spa, with a fountain and a train in the background. The Assembly Rooms were built in 1830 and demolished in 1959. The Southampton and New Forest Archery Club used the grounds.
[Ref: 58562] £50.00 (£60.00 incl.VAT)

[View near Southampton.] [pencil lower right.]
Oct. 5 1808 [pencil lower right.]
Pencil. 165 x 250mm (6½ x 9¾").
Three ships at a small dock in Hampshire, near Southampton. Inscribed on mount in pencil "Attributed by previous owner to Samuel Prout".
[Ref: 30988] £60.00 (£72.00 incl.VAT)

Richmond Lodge, Southampton.
1841.
Watercolour in sepia tones. Sheet size: 255 x 360mm (10 x 14"). Removed from backing sheet. Missing lower right corner detached.
A fine watercolour view of Richmond Lodge, Southampton, with surrounding gardens. The high level of skill and accuracy of the painting would suggest that it was made by an architect.
[Ref: 37745] £220.00 (£264.00 incl.VAT)

Farm at Southend. Proof.
B [Robert Brandard]
1842.
Etching on chine collé, plate 120 x 155mm (4¾ x 6"), with very small margins.
A country landscape of Southend-on-Sea. Robert Brandard (1805-62) was a landscape engraver, etcher, lithographer, miniature painter and watercolourist, son of engraver and copperplate printer, Thomas Brandard (d. 1830).
[Ref: 61174] £45.00 (£54.00 incl.VAT)

The Southwest Prospect of Southwold. To the Hon.ble Edw: Vernon Esq.r This Plate is Dedicated by his most humble Servant, Thos. Gardner.
[n.d., c.1750.]
Engraving. Sheet: 130 x 290mm (5 x 11½''). Trimmed with small tear centre top.
A view of the town of Southwold on the Suffolk coast with a key below.
[Ref: 50112] £120.00 (£144.00 incl.VAT)

Inteior of the Gentleman's Society Room.
[1851.]
Rare lithograph. 229 x 299mm (9 x 11¾"). Some scuffing and rubbing.
View of room used by the Spalding Gentlemen's Society, one of the oldest learned societies in the kingdom and the earliest provincial association for the encouragement of antiquarianism. It was founded by Maurice Johnson (1688-1755), "The Antiquary", of Ayscoughfee Hall, Spalding. The founder, Maurice Johnson, also played a leading part in refounding the Society of Antiquaries of London, and for some years an exchange of minutes took place. Francis, Duke of Buccleuch (1695-1751), Lord of the Manor of Spalding-cum-Membris, became Patron of the Society in 1732. From William Moore "The Gentleman's Society at Spalding: Its Origin and Progress", 1851.
[Ref: 28453] £120.00 (£144.00 incl.VAT)

Spetchley Park, Worcestershire. The Seat of Robert Berkeley Esq.re.
Piringer.
[n.d., c.1830.]
Aquatint 335 x 420mm (13¼ x 16½"). Trimmed to plate top and bottom, wear to edges.
A Palladian house built in 1811 by Robert Berkeley (1764-1845), designed by the Catholic architect John Tasker. The contents have been sold by Sotheby's in 2019/20.
See Items Ref: 54731, 54963, 54965, 54967.
[Ref: 56383] £260.00

[Original sketch for Dugdales' England & Wales.] St Albans - Hertfordshire
[Thomas Hosmer Shepherd]
[n.d., c.1838.]
Colour wash sketch. Sheet 135 x 190mm (5¼ x 7½"). Mounted on album paper at corners.
A view of the town square of St Albans. This is the original sketch for the engraving published in ''Curiosities of Great Britain: England and Wales Delineated'', by Thomas Dugdale, published by John Tallis in parts from 1838.
[Ref: 60267] £250.00 (£300.00 incl.VAT)

St Albans Abbey Church. To the Right Honourable the Earl of Verulam, Viscount Grimston, Baron Verulam of Gorhambury, Herts. A zealous Promoter of the Reparation of St Albans Abbery-Church, This Print is most respectfully inscribed by His Lordships very obedient, Humble Servant, Lewis Nockallls Cottingham. Architect.
Drawn on Stone by Mackenzie. Printed by C. Hullmandel.
[n.d., c.1832]
Pamphlet with lithograph on india and letterpress. Sheet: 555 x 380mm (21¾ x 15"). Centrefold as issued. Some foxing.
A view of the interior of the church of St Albans, now St Albans Cathedral. In 1832, part of the clerestory wall fell through the ceiling of the south aisle leaving a hole nearly 30ft long. Lewis Nockalls Cottingham was called in to survey the damage and to propose plans for repair. The acompanying letterpress presents the architects plans as well as stating the amount needed to be raised for the repair. Money was to be raised by public subscription and the letterpress lists the London banks, printsellers and Booksellers where subscriptions could be received.
[Ref: 50099] £140.00 (£168.00 incl.VAT)

St Albans Abbey Church. To the Right Honourable the Earl of Verulam, Viscount Grimston, Baron Verulam of Gorhambury, Herts. A zealous Promoter of the Reparation of St Albans Abbery-Church, This Print is most respectfully inscribed by His Lordships very obedient, Humble Servant, Lewis Nockallls Cottingham. Architect.
Drawn on Stone by Mackenzie. Printed by C. Hullmandel.
[n.d., c.1832]
Pamphlet with lithograph on india and letterpress. Sheet: 555 x 380mm (21¾ x 15"). Centrefold as issued. Some creasing.
A view of the interior of the church of St Albans, now St Albans Cathedral. In 1832, part of the clerestory wall fell through the ceiling of the south aisle leaving a hole nearly 30ft long. Lewis Nockalls Cottingham was called in to survey the damage and to propose plans for repair. The acompanying letterpress presents the architects plans as well as stating the amount needed to be raised for the repair. Money was to be raised by public subscription and the letterpress lists the London banks, printsellers and Booksellers where subscriptions could be received.
See Ref: 50099
[Ref: 41379] £120.00 (£144.00 incl.VAT)

Prison Gate S.t Albans.
J.C.B. del.t [John Cart Burgess].
Pub.d 1816.
Rare pen lithograph with hand colour. Sheet 140 x 195mm (5½ x 7¾"). Trimmed to printed border.
A view looking through a medieval archway, after John Cart Burgess (1798-1863), painter and writer. He was the son of William Burgess and brother of Henry William Burgess and Thomas Burgess.
[Ref: 62107] £140.00 (£168.00 incl.VAT)

S.t Andrew's Hall, Norwich. (Built by Sir Thomas Erpingham, Kn.t in 1428.) In which are held the Mayor's Annual Feast, Musical Festival & Public Meetings.
Drawn by D. Hodgson. Day & Haghe, lithog.rs to the King Gate St.
Pub.d by Charles Muskett, Bookseller &c. Corner of Bridewell Alley, Norwich & Co Tilt, Fleet S.t London.
Lithograph. Sheet: 220 x 305mm, (8¾ x 12"). Trimmed. Tears in edges.
An interior view of the fifteenth century hall attached to the fourteenth century friary in Norwich.
[Ref: 40782] £65.00 (£78.00 incl.VAT)

Interior of St Bees Clerical College Hall. The profits from the sale of this print to be appropriated to the St Bees College Missionary Association.
F.B.A. Student of St Bees Del.t. G.F. Braff Lith.
Printed by H. Fores Spur Street London. [n.d., c.1840.]
Rare tinted lithograph. Printed area 210 x 260mm (8¼ x 10¼"), large margins.
The main lecture room of St Bees Theological College, formerly the chancel of St Bees Priory, which had been roofless since the Dissolution. Founded in 1816, St Bees was the first independent theological college to be established for the training of Church of England ordinands. Initially a success, training over 2,600 clergy for the ministry, numbers tailed away until the college was shut in 1895. The lecture room is now a parish hall and the rehearsal room for the Priory choir.
[Ref: 40685] £120.00 (£144.00 incl.VAT)

The Inside View of St. Botolph's Priory Church.
[Anon.]
Published as the Act directs Aug.t 1 1791 by Rob.t Wilkinson 58 Cornhill
Etching with hand-colouring, platemark 215 x 310mm (8½ x 12¼") very large margins. Sky oxidisation.
St Botolph's Priory, Colchester, one of the first Augustinian priories in England.
[Ref: 45166] £180.00 (£216.00 incl.VAT)

Select Views in the Isle of Wight, & its Environs. Plate 4th, View of St Catherine's Head from Freshwater Bay.
Walmsley pinx.t. Chesham sculp.t.
London, Published March 25th, 1802 by James Daniell & C.o, No 480 Strand.
Aquatint, printed in colours and hand-finished. 550 x 715mm (21¾ x 28¼"). Trimmed to plate, repairs to edges.
A large view looking east from stacks in Freshwater Bay to St Catherine's Point, with St Catherine's Oratory, Britain's only surviving medieval lighthouse, on the top of St Catherine's Down. To the left fishermen are caulking the bottom of their boat.
[Ref: 57965] £450.00

View of the Friends' Meeting House, Hardshaw, St Helen's.
From a Sketch by W.m Benson, St Helens. Printed by J. Netherclift.
[n.d., c.1830.]
Lithograph. Sheet 240 x 320mm (9½ x 12½"). Small tear in right edge, some creasing and wear.
A rare view of the Quaker meeting house in Hardshaw, St Helens, established by George Shaw of Bickerstaffe in 1679 and now a Grade II Listed building.
[Ref: 43350] £260.00 (£312.00 incl.VAT)

The Fish Quay (St Ives). Original Dry Point Etching by Sam Garratt. Edition Limited to 300 Artist's Proofs. Plate to be Destroyed.
Sam Garratt [pencil signature.]
Raphael Tuck & Sons, Ltd. Publishers to their Majesties. [n.d., c.1920.]
Drypoint etching, signed by the artist, publisher's blind stamps. 200 x 175mm (8 x 7") very large margins. In original mount with publisher's title label, as above. Mint.
A horse and cart loading barrels, surrounded by seagulls, by Sam Garratt (1864-1946).
[Ref: 49168] £140.00 (£168.00 incl.VAT)

The Fish Quay (St Ives). Original Dry Point Etching by Sam Garratt. Edition Limited to 300 Artist's Proofs. Plate to be Destroyed.
Sam Garratt [pencil signature.]
Raphael Tuck & Sons, Ltd. Publishers to their Majesties. [n.d., c.1920.]
Drypoint etching, signed by the artist, publisher's blind stamps. 200 x 175mm (8 x 7") very large margins. In original mount with publisher's title label, as above. Mint. Glued into mount at top corner.
A horse and cart loading barrels, surrounded by seagulls, by Sam Garratt (1864-1946).
[Ref: 62595] £140.00 (£168.00 incl.VAT)

Front View of the Residence of the late Rev.d D.r Estlin, S.t Michaels Hill, Bristol.
B. Smith Jr. Bedford's Lithog.
[n.d., c.1830.]
A rare lithograph. Sheet: 210 x 310mm (8¼ x 12"). Trimmed. Central crease.
A view of the house of Unitarian minister and teacher John Prior Estlin (1747-1817). In the late 19th century Estlin opened a school on St Michael's Hill in Bristol.
[Ref: 45978] £140.00 (£168.00 incl.VAT)

St Neots Paper-Mills, Huntingdonshire.
Drawn, Lithographed and Published by John Sunman Austin, Architect.
Bedford 1853.
Tinted lithograph. Image area 255 x 520mm. 10 x 20½". Damaged; laid on board; title cut away from sheet and glued into mount.
St Neot's Paper Mills (actually in Little Paxton parish): the long ranges of industrial buildings seen from the opposite bank of the River Ouse, with the river bridge to the left, a windmill in the distance, and cattle in the meadow in the foreground.
[Ref: 25960] £160.00 (£192.00 incl.VAT)

Plan of the Intended Coast Road from near St. Austell to Torpoint through Fowey and Looe showing the present circuitous and hilly Road through Liskeard and Lostwithiel Surveyed under the directions of Ja.s M. Rendel Civil Engineer 1834
Hackett, lithog.d, 15, Paris Street, Exeter
Scarce lithographic map with hand-colouring, backed onto linen, printed area approx. 715 x 2150mm (28¼ x 84¾")
Very large map showing the area between Plymouth and St. Austell in Cornwall on the south coast of England, and north as far as Liskeard. The map shows the proposed coastal road between St. Austell and Torpoint (across the river Tamar from Plymouth) and was surveyed under the direction of the renowned civil engineer James Meadow Rendel (1799-1856). Rendel was born near Okehampton in Devon and, after working for Thomas Telford, set up his own practice in Plymouth in 1822. Rendel's bridge across an estuary of the Plym within Plymouth harbour (completed 1827) established him as a leader of contemporary bridge design, and in the 1830s Rendel's reputation was such that he was involved in the improvement and development of practically every river and harbour in south-west England. In 1838 he moved to London and thereafter took on projects in the north of England and Scotland and, in the 1850s, countries including South Africa, India and Brazil.
For a portrait of Rendel see ref. 22531.
[Ref: 44479] £650.00

Views at St. Leonards, Near Hastings. The First Stone Laid March 1, 1828. [1] Map of the Vicinity of St Leonards 1829; [2] Views of the Villa Cottage & Lodge. At the North End of the Vale of St. Leonards; [3] The Public Rooms; [4] The Imperial with the Baths Public Rooms and Adjacent Buildings on the Marina; [5] The Double Villas East & West of the Public Rooms; [6] The Baths, North Front; [7] The East Colonnade; [8] The West Villa and Adjoining Houses on the Marina; & [9] The East Gate & Adjoining House Facing the Sea.
[3-9] Drawn on Stone by T. Dighton & T. Bartholomew. Printed by C. Hullmandel. [3-9] J.B. 1829.
Oblong folio of nine lithographs. 240 x 310mm. 9½ x 12¼".
James Burton (1761-1837), a successful London architect, purchased land from the Eversfield estate and set about developing the new town and resort of St Leonards-on-Sea.
Abbey: 162 [different version.]
[Ref: 15649] £280.00 (£336.00 incl.VAT) view all images for this item

St. Peters Norfolk [in pencil on the mount].
W R Hay [in image]. William R. Hay [in pencil].
[n.d. c. 1920]
Etching signed by the artist, 160 x 320mm (6¼ x 12½"), with very large margins. Taped into original mount at top corners.
A view of one of the St. Peter's Churches in Norfolk. William Robert Hay (1886-1964).
[Ref: 62609] £95.00 (£114.00 incl.VAT)

Quay at Straddon point, near Plymouth.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins.
A view of Staddon Point on the south Devon coast. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47139] £240.00 (£288.00 incl.VAT)

A View near Staines, Middlesex. 6.
London, Printed for R. Sayer, Printseller, No.53 Fleet Street, as the Act directs 10 Oct.r 1779.
Engraving. 172 x 280mm (6¾ x 11"). Trimmed and laid on album page.
A view of Staines-upon-Thames, Middlesex; two donkeys on the bank to the right; windmill in the distance.
[Ref: 34745] £75.00 (£90.00 incl.VAT)

Views of Stamford.
Published by Rock & Co. London. [c.1860.]
Attractive souvenir booklet of six steel engraved views, oblong 12mo, stitched into original printed card wrappers; embossed upper cover. Binding chipped; half of back cover lacking. Pencil scribblings to verso of plates.
No text save captions; all plates numbered and dated.
[Ref: 18570] £60.00 view all images for this item

Views of Stamford.
Published by Rock & Co. London. [c.1860.]
Attractive souvenir booklet of six steel engraved views, oblong 12mo, stitched into original printed card wrappers; embossed upper cover. Binding scuffed and rubbed; back cover creased.
No text save captions; all plates numbered and dated.
[Ref: 18571] £90.00 view all images for this item

Stanfield Hall, The Seat of the late Mr. Jermy. Who was Assassinated November 28th. 1848. [On verso in ink:] Charles William Bing 1849 - Stanfield Hall_
J.T. Wood. Holywell Sc.
[n.d. c.1880.]
Engraving. 115 x 146mm. 4½ x 5¾".
Stanfield Hall, Norfolk was the home of Isaac Jermy, Esq, who on the night of November 28th, 1848, stepped outside to smoke, unaware of a strange figure hiding in the bushes. The air was then filled with two shots, whereby he fell to the ground, mortally wounded. The others rushed out of the dining room, and with three more shots, Isaac's son, wife, and a servant fell to the ground. One of the other servants later recognised the murderer as James Blomfield Rush, the family's bailiff. Rush had reneged on previous loans and agreements with Isaac and now his major debt was due for repayment on 30 November, two days after the murders took place. Blomfield was hung for his crime on 21 April 1849.
[Ref: 16839] £45.00 (£54.00 incl.VAT)

Stanfield Hall, The Seat of the late Mr. Jermy. Who was Assassinated November 28th 1848.
J.T. Wood. Holywell sc.
[n.d., c.1849.]
Engraving. Sheet: 110 x 145mm (4¼ x 5¾''). Paper tone.
A view of Stanfield Hall, Norwich where Isaac Jermy and his son Isaac Jermy Jermy were shot and killed in their porch by their delinquant tenant farmer James Bloomfield Rush. Rush had mortgaged and re-mortgaged his farm several times and with time running up and he hadn't raised the funds to repay the loans, facing eviction he came up with a plan to try and defraud the Jermy's of their property and lives. He was hanged in Norwich Castle in 1849.
[Ref: 49900] £45.00 (£54.00 incl.VAT)

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