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[The Dismemberment of a Turkey.]
[The Dismemberment of a Turkey.]
Painted by Frank Paton, engraved by W. Redaway signed in pencil by both.
London Published April 2nd 1883 by E.E. Leggatt, 46 Fenchurch Street EC.
Etching, artists proof, limited to 75. Remarque "Turkey chasing away puppies". 330 x 330mm.
Frank Paton (1856-1909)
[Ref: 4567]   £380.00  
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M.r Grenier-à-Puce, M.d de Chiens.
M.r Grenier-à-Puce, M.d de Chiens.
APM. 1817. Chez Martinet. Lithographie Pl. des Marais F. S.t Germain N.o 13.
Coloured lithograph, sheet 330 x 205mm (13 x 8"). Foxed and creased.
A dog merchant surrounded by his animals.
[Ref: 60149]   £60.00   (£72.00 incl.VAT)
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Les Tondeuses de Chiens.
Les Tondeuses de Chiens.
Designed & drawn on Stone by J.J. Chalon.
London. Published by Rodwell & Martin New Bond St. May 1, 1820. C. Hullmandel's Lithography.
Hand-coloured lithograph, watermark 1817, sheet 315 x 445mm (12½ x 17½") with very large margins. Slight mount burn around image, slightly stained on edge of margins.
A scene with two women sitting in a street and grooming dogs on their laps, under a parasol and by a sign for their business. Two groomed dogs are visible in the right foreground, further two in a kennel on the left, with pedestrians and a carriage in the background.
[Ref: 60112]   £140.00   (£168.00 incl.VAT)
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[Battersea Dog's Home.]
[Battersea Dog's Home.]
R.B. Parkes [pencil signature] [after Allen Culpepper Sealy].
[London Published October 1st, 1885 by Thomas Mc,,Lean, 7 Haymarket.]
Rare mixed-method engraving, proof before publisher's address, on chine collé, signed by the engraver, 400 x 470mm (15½ x 18½") with large margins. A little surface abrasion to the backing paper.
A young girl kneels to hug a long-haired St Bernard dog in the corridor of Batersea Dogs Home. This was published the year that Queen Victoria became the first royal patron of the home, a tradition that has continued.
BM 2010,7081.5973; ''acquired for reference purposes only. Its condition is so poor that it cannot be displayed''.
[Ref: 56679]   £380.00  
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Graphic Illustrations Of Animals. Shewing Their Utility To Man, In Their Services During Life And Uses After Death.
Graphic Illustrations Of Animals. Shewing Their Utility To Man, In Their Services During Life And Uses After Death. The Dog.
Designed and Drawn on Stone by W Hawkins.
London, Published by Thomas Varty, Adelaide Street, Strand. [n.d., c.1850.]
Hand coloured lithograph. Sheet 345 x 420mm (13½ x 16½").
A central illustration of a collie dog is surrounded by eight vignette scenes depicting the commercial uses and relationship to man of the animal, in life and death (in this case dog-skin boots!). Plate to 'Graphic Illustrations Of Animals', illustrated by Benjamin Waterhouse Hawkins (1807 - ?1889), artist and sculptor of natural history subjects. In 1852 he was appointed director of the fossil department at the Crystal Palace, where he worked with Richard Owen on the famous models of dinosaurs and other extinct lifeforms. Numbered 'Pl. 7.' upper right.
[Ref: 48193]   £260.00   (£312.00 incl.VAT)
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[Two dogs, one sleeping, the other awake.]
[Two dogs, one sleeping, the other awake.]
Jo Eli Ridinger fec: et excud A.d.
[1728]
Etching, platemark 190 x 240mm (7½ x 9½"), with large margins.
Plate from the 'Zeichenbücher, Säugethiere betreffend' (Sketch books of mammals) produced and published by Johann Elias Ridinger (1698-1767), one of the most celebrated German engravers of animals. Much of his career was spent in Augsburg.
[Ref: 47791]   £190.00   (£228.00 incl.VAT)
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Democ-Soc. Aristo.
Democ-Soc. Aristo.
Peint par Alfred De Dreux. Imp. Lemercier, 57 Rue de Seine, a Paris. ['Emile Lassalle' signature facsimile in plate lower left.]
Paris et New York_ Goupil Vibert et C.ie Editeurs. Entered according to Act of Congress, in the year 1850, by W. Schaus, in the Clerk's Office of the District Court of the United States for the Southern District of New York. London. E. Gambert & Co. Publishers. [Publisher's blindstamp below publication line].
Tinted lithograph. Printed area: 510 x 680mm (20 x 26¾"). Light foxing to lower half of sheet. Pin hold in left edge of printed area.
A large tinted lithograph depicting a Boston Terrier (left) and a Whippit (right) looking at each other, wearing large thick collars. The Boston Terrier is named 'Democ-Soc', representing a Democratic Society, whilst the Whippit is named 'Aristo', a reference to the Aristocracy.
[Ref: 32009]   £450.00  
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[''All the children brought dogs''.]
[''All the children brought dogs''.]
C.M.H. V.S.
[n.d., c.1944.]
Drawing. Sheet: 130 x 180mm (5 x 7"). On board with pencil annotations.
A scene in which several children and their dogs sit on a bench. An original illustration by illustrator and author Cynthia Harnett (1893-1981) and animal artist George Vernon Stokes (1873-1954), probably for Muriel Denison's 'Happy Tramp: the Story of a Little Girl and Her Old English Sheep Dog', 1944. After her father is wounded as a soldier in World War II and her mother is killed by in a German air raid Biddie and her Old English Sheepdog are evacuated to America where her father has found work as a kennel man for a wealthy New York dog breeder.
[Ref: 47831]   £140.00   (£168.00 incl.VAT)
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[Infant in highchair at table with dogs and a cat.]
[Infant in highchair at table with dogs and a cat.]
[Anon; unsigned.]
London, Published October 12th 1891 by Louis Brall & Sons, 38, Hart Street, Bloomsbury, W.C.
Mezzotint on india paper, proof before title, 685 x 535mm. 27 x 21". A crisp impression with full, somewhat soiled and spotted outer margins.
Eating from the child's plate which has dropped to the floor (and cracked) is a pug, Scottish terrier, fox terrier and another dog; also a tabby-cat.
[Ref: 23444]   £380.00  
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Portraits of Dogs.
Portraits of Dogs. From the Original Picture In the Collection of Briggs Price Fountain, Esq.e at Narford in the County of Norfolk.
Jean Fyt Pinxit. Daniel Lerperniere Sculpsit.
Publish'd Sep.r 25.th 1799 by John & Josiah Boydell, No.90 Cheapside London.
Engraving with fine hand-colour. Plate: 510 x 600mm (20 x 23¾"). Framed, size 755 x 850mm (29¾ x 33½"). Unexamined out of frame.
A portrait of ten dogs in a landscape: in the foregroud are several spaniels, a greyhound and a pair of bloodhounds. In a fine decorative frame.
[Ref: 47108]   £990.00  
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Dogs Fighting.
Dogs Fighting. To the R.t Hon.ble Lord Charles Townshend, this Print is with permission dedicated by his lordship's most ob.t & hum.ble S.t. A. Cooper.
Painted by A. Cooper. Engraved by C. Turner. Printed by J.Lahee.
London, Published June 1, 1816, by A. Cooper No.10 Robert Street, Bedford Row. printed by J. lahee.
Mezzotint.. 380 x 410mm. Image of a stag on publication line. Margins slightly damaged. Light foxing to publication line.
Two terriers fighting over a bone.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 1366]   £420.00  
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[Dogs Fighting.]
[Dogs Fighting.]
Painted by A. Cooper. Engraved by C. Turner.
London, Published June 1, 1816, by A. Cooper No.10 Robert Street, Bedford Row. Printed by J. Lahee.
Mezzotint, before title, image 270 x 320mm. 10½ x 12½". Trimmed to/close to plate.
Two terriers fighting over a bone. After Abraham Cooper (1787 - 1868).
Siltzer: p.95. Whitman: 701.
[Ref: 18845]   £230.00   (£276.00 incl.VAT)
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La Chasse du Canard.
La Chasse du Canard. [Duck hunting].
Peinte par G. Morland et Dirigee par A. Suntach.
Publieé les 15 Decembre 1791 par Antoine Suntach.
Stipple. Platemark: 270 x 315mm (10 ½ x 12¼"). Large margins. Small holes in margins.
A man sitting beside water with a duck in his hands, his rifle resting against tree at left and his dogs at right, one looking up hungrily at the bird. After English painter, George Morland (1762/3 - 1804) renowned for his scenes of English rural life and picturesque landscapes. Engraved and published by Italian reproductive stipple engraver, Antonio Suntach (1744 - 1828). Part of a series of nine hunting scenes, including some plates after Ibbetson.
[Ref: 33234]   £260.00   (£312.00 incl.VAT)
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Cani D'Inghilterra.
Cani D'Inghilterra.
[n.d., c.1800.]
Hand-coloured engraving, scarce. Plate: 360 x 265mm (14 x 10½"), with large margins
A scene showing two dogs which resemble spaniels.
[Ref: 47745]   £180.00   (£216.00 incl.VAT)
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[Pair of English Setters]
[Pair of English Setters]
Henry Wilkinson.
Coloured etching signed by the artist, 235 x 342mm (9¼" x 13½"). Limited edition 94/250.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 9701]   £220.00   (£264.00 incl.VAT)
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Epagneul D'angleterre…
Epagneul D'angleterre…
Scarce engraving. 200 x 175mm. Worn on the edges with a couple of tiny pin spots, some faint scratches.
Anonymous French engraving of a Cavalier King Charles Spaniel sitting on a divvan, with an engraved text praising its nature and excellent breeding.
[Ref: 196]   £150.00   (£180.00 incl.VAT)
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Evening.
Evening.
Frederick Tayler lithotint.
C. Hullmandel's Patent. [n.d., c.1845.]
Lithotint. Sheet: 365 x 540mm (14½ x 21¼"). Foxing in large margins.
A scene in a kennel in which a pack of tired setters & pointers all lie on the floor exhausted after a days work.
[Ref: 47455]   £230.00   (£276.00 incl.VAT)
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[Jack Russell] Excelsior!
[Jack Russell] Excelsior!
Painted by W.m Strutt. Etched by A.W. Strutt.
London, Published Nov.r 1st 1887 by I.P. Mendoza, St James's Gallery, King St, St James's _ Copyright registered.
Etching. 525 x 345mm (20¾ x 13½"), with very large margins.
One Jack Russell terrier puppy wins the race up three steps. William Strutt (1825-1915), son of William Thomas Strutt, travelled to Australia and tried his hand in the Ballarat gold fields. Failing to make his fortune he returned to painting. He travelled to New Zealand 1855-6, and recorded the preparations of the Burke and Wills exploration expedition in 1860-61. He left Australia in 1862, not wanting to bring his children up in such a godless society. Back in England he turned his sketches into full paintings: in 2015 his ''View of Mt Egmont from New Plymouth, with Maori driving off settlers' cattle'' was purchased by the Museum of New Zealand for NZ$1.5 million, becoming the only significant oil painting from the 1850s or 1860s in their collection. The engraver of this plate, Alfred William Strutt, was his son, born in Taranaki, New Zealand in 1856.
[Ref: 47813]   £380.00  
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Fairy.
Fairy. Landseer's Favourite Spaniel.
[Edwin Landseer. Alfred Lucas.]
[n.d., c.1849.]
Engraving. Very rare. Sheet size: 560 x 550mm (22 x 21½"). Slight damage. Creased.
The head of a spaniel in a circle looking to the right, behind a carved arm of a chair in the foreground. After the painting by Sir Edwin Henry Landseer (1802 - 1873). From the painting exhibited by Landseer at the Royal Academy 1835. The Cavalier was the property Lady Emily Elizabeth Bulwer-Lytton (1828-1848), daughter of Mrs Rosina Doyle Bulwer-Lytton, (1802 -1882), the novelist, and Edward Lytton Bulwer (1803-1873), the author and poet of fantasies and fairy tales.
Ex collection of Hon. Christopher Lennox-Boyd.
[Ref: 39066]   £380.00  
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Favorite Pony and Spaniels.
Favorite Pony and Spaniels.
Painted by E.Landseer, R.A. Engraved by Wm. Giller.
[London, c.1841.]
Mezzotint. 350 x 430mm.
The property of Charles William Pack: a pony called Belle, a black & tan spaniel called Corah, and a Blenheim Spaniel called Fairy. Landseer retouched the painting some years later, remarking that the horse 'needed grooming'.
[Ref: 12297]   £240.00   (£288.00 incl.VAT)
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[Edward VII?] Fidelity.
[Edward VII?] Fidelity.
[Drawn from nature &] engraved by Newton.
[Published Edinburg, by Swinton, Princes Street. Paris, chez A. Fonrouge, Place du Louvre, 10.] [n.d., c.1850.]
Mezzotint. 390 x 295mm (15¼ x 11½"). Some spotting, publication inscriptions indistinct.
A boy dressed in tartan with his dog. At his side hangs a sgian dubh, the traditional Scottish pairing of a hunting and skinning knife in a sheath. As Holyrood Palace can be seen in the background it is likely that this is Bertie, Prince of Wales, later Edward VII.
[Ref: 13971]   £260.00   (£312.00 incl.VAT)
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[Fighting Dogs.]
[Fighting Dogs.]
G.Morland.
[Published Jany 1. 1800 by John P Thompson, Gt Newport Street, London.]
Soft ground etching. Printed area 380 x 430mm. Some creasing, small tears in wide margins.
Fighting bulldogs watched by a spaniel.
[Ref: 8128]   £180.00   (£216.00 incl.VAT)
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[Flatcoat & Black Grouse.]
[Flatcoat & Black Grouse.]
Henry Wilkinson.
Coloured etching signed by the artist. 165 x 140mm (6½ x 5½"), with very large margins. Limited edition: 52/150. Mint.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 59664]   £190.00   (£228.00 incl.VAT)
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[Flatcoat Path.]
[Flatcoat Path.]
Henry Wilkinson.
Coloured etching signed by the artist. 175 x 225mm (7 x 8¾"), with very large margins. Limited edition: 75/150. Mint.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 59671]   £170.00   (£204.00 incl.VAT)
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[Flatcoat Retrieving Partridge.]
[Flatcoat Retrieving Partridge.]
Henry Wilkinson.
Coloured etching signed by the artist. 165 x 145mm (6½ x 5¾"), with very large margins. Limited edition: 106/150. Mint.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 59668]   £190.00  
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The Old Hound.
The Old Hound.
Diana Thorne [pencil signature].
[n.d. c. 1920.]
Etching. 125 x 220mm.
[Ref: 6125]   £220.00   (£264.00 incl.VAT)
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[Fox Terrier] Locked out.
[Fox Terrier] Locked out.
Painted by J. Yates Carrington, Engraved by Alfred S. Handford
Published by the South Kensington Fine Art Association, 8 Exhibition Road South Kensington, London SW.
Mezzotint, 430 x 580mm, Image. tear in top margin, right corner of margin missing.
Fox terrier and pups.
[Ref: 1177]   £350.00  
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[Terrier and Ferrets.]
[Terrier and Ferrets.]
TB [Thomas Blinks].
Published 1st June 1889, by Arthur Rayner, 26, Francis St Tottenham Court Road, London. Copyright reserved.
Etching on chine collé. 600 x 460mm (23½ x 18") very large margins.
A fox terrier standing in front of a pair of caged ferrets.
[Ref: 57264]   £260.00   (£312.00 incl.VAT)
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[A fox terrier.]
[A fox terrier.]
Arthur Wardle 1903 [in image lower left, pencil signature lower right.]
Published by F.Mansell at 1, Orleston Road, Holloway, London, N. the 12th January 1904. Copyright registered.
Photogravure on india laid paper, 345 x 450mm (13½ x 17¾"). One worm hole near signature lower left.
Fox terrier.
[Ref: 13373]   £320.00  
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Champion Sandown Violet.
Champion Sandown Violet.
Arthur Wardle 1902 [signed and dated in plate.]
Published by Art Engraving Department, Spratt's Patent Limited, London, E.C.3 1924.
Photogravure on india paper, 350 x 455mm. 13¾ x 18". A fine impression with wide margins. Mint.
Fine portrait of a fox terrier in a landscape. Arthur Wardle (British, 1864 -1949) was a prolific and very talented late nineteenth century artist who created an extraordinary body of work, yet surprisingly little has been written about him. Known by some as a painter of big game and wildlife, he is for dog lovers one of the pre-eminent painters of pure bred dogs that England has produced.
[Ref: 23442]   £360.00  
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[Ready.]
[Ready.]
HD. 1928. Herbert Dicksee [pencil signature.].
Printed at 10 Clare Street, Bristol, by Frost & Reed Ltd. of Bristol & London 1928. Copyright. Copyright 1928 by Frost & Reed Ltd. (of Bristol, England) in the United States of America.
Proof etching, signed by the artist. edition of 325. 335 x 540mm (13¼ x 21¼"), with publisher's blindstamp. Framed. Unexamined out of frame. Mint.
Alert wire-haired fox terrier lying with ball by front paws.
From the celebrated collection of Bryan & Valerie Steele.
[Ref: 52106]   £950.00  
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[Fox Terrier held at bay by a cat.]
[Fox Terrier held at bay by a cat.]
J. Yates Carrington.
London Published October 1st 1886. by J. Wallace 138 Fenchurch Street.
Etching on chine collé. 230 x 355mm (9 x 13¾"), with remarque of a palette containing the artist's pencil signature, very large margins.
James Yates Carrington (1857-1892).
[Ref: 47930]   £320.00  
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[March - Nipped in the Bud.]
[March - Nipped in the Bud.]
Maud Earl.
Copyright 1906. Published by the Berlin Photographic Company Berlin - London W. 133 New Bond Street.
Colour photogravure, ltd edition of 100, signed by the Artist. 220 x 350mm.
Wire-haired Fox Terriers. Maud Alice Earl (1864-1943) was an eminent British-American canine painter. Her works are much enjoyed by dog enthusiasts and also accurately record many breeds. Earl was the born in London, the daughter of artist George Earl and his first wife Alice Beaumont Rawlins. Maud's profession was the continuation of a family tradition. George Earl, an avid sportsman and noted sporting painter, was his daughter's first teacher and had his daughter study the anatomy of her subjects, drawing dog, horse and human skeletons to improve her skill. She later said that her father's instruction had given her ability that set her apart from other dog painters. After her father's tutelage Maud went on to study at Royal Female School of Art (later incorporated into the Central School of Art). Earl became famous during the Victorian Era, a time when women were not expected to make their living at painting. Nevertheless, she developed a select clientele, including Royals amongst her patrons such as Queen Victoria and Queen Alexandra. Although evidently extremely successful in England, Earl felt that the world she knew had been destroyed by World War I and she emigrated to New York City in 1916. By this time her work had received wide international recognition and her popular images were published in a number of books and in print form. The Sportsman's Year featured twelve of Earl's works as engravings. Maud Earl died in New York in 1943 and is buried at Sleepy Hollow Cemetery in Sleepy Hollow, New York.
[Ref: 2289]   £350.00  
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[March - Nipped in the Bud.]
[March - Nipped in the Bud.]
Maud Earl.
Copyright 1906. Published by the Berlin Photographic Company Berlin - London W. 133 New Bond Street.
Colour photogravure, ltd edition of 100, signed by the Artist. 220 x 350mm.
Wire-haired Fox Terriers. Maud Alice Earl (1864-1943) was an eminent British-American canine painter. Her works are much enjoyed by dog enthusiasts and also accurately record many breeds. Earl was the born in London, the daughter of artist George Earl and his first wife Alice Beaumont Rawlins. Maud's profession was the continuation of a family tradition. George Earl, an avid sportsman and noted sporting painter, was his daughter's first teacher and had his daughter study the anatomy of her subjects, drawing dog, horse and human skeletons to improve her skill. She later said that her father's instruction had given her ability that set her apart from other dog painters. After her father's tutelage Maud went on to study at Royal Female School of Art (later incorporated into the Central School of Art). Earl became famous during the Victorian Era, a time when women were not expected to make their living at painting. Nevertheless, she developed a select clientele, including Royals amongst her patrons such as Queen Victoria and Queen Alexandra. Although evidently extremely successful in England, Earl felt that the world she knew had been destroyed by World War I and she emigrated to New York City in 1916. By this time her work had received wide international recognition and her popular images were published in a number of books and in print form. The Sportsman's Year featured twelve of Earl's works as engravings. Maud Earl died in New York in 1943 and is buried at Sleepy Hollow Cemetery in Sleepy Hollow, New York.
[Ref: 7452]   £280.00   (£336.00 incl.VAT)
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Going! Going!  [&] Gone!!!
Going! Going! [&] Gone!!!
Stanley Berkley [etched in plate and signed in pencil lower left.] W. Heydermann [signed in pencil lower right.]
London Published September 20th. 1886 by Sidney Redrup, the Proprietor, 175, New Bond St. w. New York_Fishel Adler & Schwartz.
Pair of etchings, signed remarqued proofs, each 310 x 445mm. 12¼ x 17½". Repaired tear through sheet along lower platemark, 1st plate.
Three terriers engaged in a tug-of-war over a plucked chicken, which in the second plate splits sending the dogs flying backwards in different directions. A chained bulldog watches on with amusement to the right. With remarques of an auctioneer on the rostrum at a sale lower right. Stanley Berkeley (1855 - 1909) was a London etcher, animal, sporting and historical painter who exhibited paintings at the RA fom 1881 to 1902, and was member of the RPE.
[Ref: 9490]   £420.00   view all images for this item
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[A Hot Scent - Jack Russell terriers]
[A Hot Scent - Jack Russell terriers]
Henry Wilkinson.
Coloured etching signed by the artist. 235 x 342mm (9¼" x 13½"). Limited edition: 113/250.
A pair of Jack Russell terriers. An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 9690]   £230.00   (£276.00 incl.VAT)
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A Find!  [&]  A Find Indeed! The Biter Bit!  [&]  The Blue Bag.
A Find! [&] A Find Indeed! The Biter Bit! [&] The Blue Bag.
Painted by Stanley Berkley. [to first plate, signed in first and third plates.]
[n.d., c.1890.]
A series of three mixed-method prints, each image 125 x 305mm. 5 x 12". Margins roughly trimmed; scratch to surface of third plate.
Charming triptych following the exploits of two fox terrier puppies who discover and dig up a wasp's nest and end up looking decidedly sorry for themselves, nursing stung and swollen muzzles. Stanley Berkeley (1855 - 1909) was a London etcher, animal, sporting and historical painter who exhibited paintings at the RA from 1881 to 1902, and was member of the RPE.
[Ref: 19452]   £420.00   view all images for this item
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[Foxhound.]
[Foxhound.]
Arthur Wardle 1897.
Etching on india, printed in brown, signed in pencil by the artist. 220 x 280mm (8¾ x 11").
[Ref: 43345]   £240.00   (£288.00 incl.VAT)
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Limier de la Venerie - Sabro.
Limier de la Venerie - Sabro.
[G.Jadin pinxt]. Pirodon lith. Imp. Lemercier & Co. Paris.
Publie par Goupil & Compie. Editeurs Paris, London, La Haye, Berlin., n.d. c. 1870.
Lithograph. Printed area 370 x 445mm.
Louis Godefroy Jadin (1805-82) painted hunting scenes in both Napoleon III's rooms in the Louvre and the dining room of the Palace of Tuileries for Ferdinand-Philippe, Duke of Orleans.
[Ref: 3420]   £320.00  
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Limier de la Venerie - Verone.
Limier de la Venerie - Verone.
[G.Jadin pinxt]. Pirodon lith. Imp. Lemercier & Co. Paris.
Publie par Goupil & Compie. Editeurs Paris, London, La Haye, Berlin., n.d. c. 1870.
Lithograph. Printed area 370 x 445mm.
Louis Godefroy Jadin (1805-82), painted hunting scenes in both Napoleon III's rooms in the Louvre and the dining room of the Palace of Tuileries for Ferdinand-Philippe, Duke of Orleans.
[Ref: 3421]   £320.00  
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[Foxhounds outside their kennels.]
[Foxhounds outside their kennels.]
On Stone by George Augustus Frederick Fitz Wygram Esqr.
Printed by C. Hullmandel. [n.d. c.1820.]
Rare lithograph on india, with very large margins. Sheet: 495 x 635mm. 19½ x 25".
Foxhounds inside and outside their kennel area. Probably from a private plate.
[Ref: 39948]   £350.00  
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[June - The Long Vacation.]
[June - The Long Vacation.]
Maud Earl.
Photographische Gesellschaft - Berlin Photographic Company Berlin, London W, 133 New Bond Street; New York, 14 East 23rd Street. Copyright 1906
Colour photogravure, signed artist proof. 220 x 350mm, very large margins.
Four dogs sit in the shade, avoiding the bright June sun. From 'the Sportsman's Calendar' by Maud Alice Earl (1864-1943) an eminent British-American canine painter.
See Ref: 36024
[Ref: 40207]   £320.00  
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[Foxhounds outside their kennels.]
[Foxhounds outside their kennels.]
Drawn on Stone by George Augustus Frederick Fitz-Wygram Esqr.
[n.d., c.1820.]
Lithograph, image 270 x 405mm (10½ x 16"). Lightly foxed.
An attractive lithograph. Very rare, possibly a private plate.
[Ref: 8883]   £350.00  
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Modish.
Modish. A remarkable fine Fox Hound bred by Colonel Thornton, Modish was the Daughter of Merlin & Rival both which lineally discended from the celebrated Ackham's Old Conqueror.
S. Gilpin Pinx.t. Engraved by R. Pollard, Aqua.t by F. Jukes.
Published Feb.y 11, 1788 by S. Gilpin, Knightsbridge & R. Pollard, No 15. Braynes Row, Spa Fields, London.
Rare aquatint with engraving. Sheet 445 x 560mm (17½ x 22"). Trimmed close to plate, some surface wear and toning, some repairs.
A fox hound bitch with litter. The dog's owner, Colonel Thomas Thornton (1757 - 1823), was a sportsman who wrote 'A sporting tour through the northern parts of England', 1804; and 'A sporting tour through various parts of France in the year 1802', 1806.
[Ref: 39719]   £590.00  
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Limiers De La Venerie - Morico Metamort Linda Rusteau.
Limiers De La Venerie - Morico Metamort Linda Rusteau.
G.Jadin pinxt. E. Pirodon lith.
Publie par Goupil & Compie Editeurs Paris Londres, La Haye, Berlin.
Lithograph. Sheet 845 x 1074mm. 33¼ x 42¼".
Batard Saintongeois, Bauve de Bretagne, Bloodhound, Saintongeois. Louis Godefroy Jadin (1805-82) painted hunting scenes in both Napoleon III's rooms in the Louvre and the dining room of the Palace of Tuileries for Ferdinand-Philippe, Duke of Orleans.
[Ref: 22530]   £620.00  
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[June - The Long Vacation.]
[June - The Long Vacation.]
Maud Earl.
Photographische Gesellschaft - Berlin Photographic Company Berlin, London W, 133 New Bond Street; New York, 14 East 23rd Street. Copyright 1906
Colour photogravure, signed artist proof. 220 x 350mm. Extremely large margins. Original title pasted to reverse as issued.
From 'the Sportsman's Calendar'. Maud Alice Earl (1864-1943) was an eminent British-American canine painter. Her works are much enjoyed by dog enthusiasts and also accurately record many breeds. Earl was the born in London, the daughter of artist George Earl and his first wife Alice Beaumont Rawlins. Maud's profession was the continuation of a family tradition. George Earl, an avid sportsman and noted sporting painter, was his daughter's first teacher and had his daughter study the anatomy of her subjects, drawing dog, horse and human skeletons to improve her skill. She later said that her father's instruction had given her ability that set her apart from other dog painters. After her father's tutelage Maud went on to study at Royal Female School of Art (later incorporated into the Central School of Art). Earl became famous during the Victorian Era, a time when women were not expected to make their living at painting. Nevertheless, she developed a select clientele, including Royals amongst her patrons such as Queen Victoria and Queen Alexandra. Although evidently extremely successful in England, Earl felt that the world she knew had been destroyed by World War I and she emigrated to New York City in 1916. By this time her work had received wide international recognition and her popular images were published in a number of books and in print form. The Sportsman's Year featured twelve of Earl's works as engravings. Maud Earl died in New York in 1943 and is buried at Sleepy Hollow Cemetery in Sleepy Hollow, New York.
[Ref: 36024]   £320.00  
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[Ancient Britons.] No.5.
[Ancient Britons.] No.5.
Maud Earl.
Copyright 1902, by Photographische Gesellschaft. Published by the Berlin Photographic Company Berlin - London W. 133 New Bond Street_New York 14 East 23rd Street.
Photogravure. Plate 305 x 368mm. 12 x 14½".
Welsh foxhounds, 'Trailer', 'Warrior' & 'Grafter'.
No. 5 British Hounds & Gundogs.
[Ref: 15997]   £250.00   (£300.00 incl.VAT)
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[June - The Long Vacation.]
[June - The Long Vacation.]
Maud Earl.
Photographische Gesellschaft - Berlin Photographic Company Berlin, London W, 133 New Bond Street; New York, 14 East 23rd Street. Copyright 1906
Colour photogravure. 220 x 350mm.
Foxhounds from 'the Sportsman's Calendar'. Maud Alice Earl (1864-1943) was an eminent British-American canine painter. Her works are much enjoyed by dog enthusiasts and also accurately record many breeds. Earl was the born in London, the daughter of artist George Earl and his first wife Alice Beaumont Rawlins. Maud's profession was the continuation of a family tradition. George Earl, an avid sportsman and noted sporting painter, was his daughter's first teacher and had his daughter study the anatomy of her subjects, drawing dog, horse and human skeletons to improve her skill. She later said that her father's instruction had given her ability that set her apart from other dog painters. After her father's tutelage Maud went on to study at Royal Female School of Art (later incorporated into the Central School of Art). Earl became famous during the Victorian Era, a time when women were not expected to make their living at painting. Nevertheless, she developed a select clientele, including Royals amongst her patrons such as Queen Victoria and Queen Alexandra. Although evidently extremely successful in England, Earl felt that the world she knew had been destroyed by World War I and she emigrated to New York City in 1916. By this time her work had received wide international recognition and her popular images were published in a number of books and in print form. The Sportsman's Year featured twelve of Earl's works as engravings. Maud Earl died in New York in 1943 and is buried at Sleepy Hollow Cemetery in Sleepy Hollow, New York.
[Ref: 7448]   £190.00   (£228.00 incl.VAT)
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Meute de le Mr.le Comte de Barral. - Marcano, Séréno, Lentenor, Nicanor.
Meute de le Mr.le Comte de Barral. - Marcano, Séréno, Lentenor, Nicanor.
G.Jadin pinxt. E. Firoday lith.
Paris, Goupil & Co., n.d. c. 1870.
Lithograph. Printed area 520 x 900mm.
A group portrait of four foxhounds by Louis Godefroy Jadin (1805-82), painted hunting scenes in both Napoleon III's rooms in the Louvre and the dining room of the Palace of Tuileries for Ferdinand-Philippe, Duke of Orleans.
[Ref: 46162]   £620.00  
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[Foxhounds] [November - Full Cry.]
[Foxhounds] [November - Full Cry.]
Maud Earl.
Copyright 1906 by Photographische Gesellschaft. Berlin Photographic Company Berlin, London W, 133 New Bond Street; New York, 14 East 23rd Street. Copyright 1906
Photogravure on chine collé, printed in colours, signed by the artist in pencil. 280 x 420mm (11 x 16½"), with large margins. Title label on verso.
Three foxhounds, one of twelve plates in Maud Earl's ''Sportsman's Year".
[Ref: 56246]   £280.00   (£336.00 incl.VAT)
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