Grosvenor Prints

[Eagle.]
C.M.D. E.D. [printed] E.J. Detmold. M.D. E.J.D. [ pencil.]
[n.d. c.1908.]
Etching. Plate 110 x 110mm. 4¼ x 4¼".
This etching is one of the very few produced over four years by the Detmold twins for distribution at Christmas. This impression is double initalled for both brothers and signed in pencil by Edward. The brothers' individual monograms appear upper left and right in the etching. Edward supervised and edition of the etchings in a very limited number of proofs in 1920. An Eagle with wings spread stands on a branch, below is a bag with 'amitié ' written on it. Edward Julius Detmold (1883-1957) was twin brother to Charles Maurice Detmold (1883-1908). The pair were among the artists associated with the Golden Age of Illustration. They worked together making sketches at the Zoological Gardens and exhibited together from the age of fourteen. After the death of Charles in 1908, Edward became one of the best Edwardian animal illustrators, known for his subtle placement of animals within their natural environment.
[Ref: 17294] £280.00 (£336.00 incl.VAT)

[Rhinoceros, Elephant, and Crane in Jungle vegetation.]
[Edward Julius Detmold.]
[n.d., c.1925.]
Etching on india paper.. 305 x 220mm (12 x 8¾"). Laid on card.
A fantastical view of an elephant, rhinoceros and crane among palm trees, a building on a hill to the right. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking.
[Ref: 64300] £240.00 (£288.00 incl.VAT)

Espadelada - Lougada. The Brake of Flax - in Lougada - Portugal.
Delin, esculp et imp. Albert Tousay (Porto) 1931 Portugal.
Limited edition: 5/8. Very rare drypoint. 235 x 160mm, 9¼ x 6¼". Paper watermarked. "Johannot-Montgolfier. Annonay" Some faint toning.
Flax strippers in Lougada, Portugal.
Johannot and Montgolfier had paper mills at Annonay in France. The balloonist Montgolfier brothers were from the same town so it is likely they were from the same family.
[Ref: 12702] £140.00 (£168.00 incl.VAT)

Etch'd Thoughts.
London: Printed for the Etching Club. 1844.
Large folio, green morocco boards, 62 etched plates. Bottom right corner of front board damaged.
From the only edition, as issued in 1844 in one of the Etching Club’s earliest publications.
[Ref: 37004] £1,500.00 view all images for this item

[A Young Maiden in the Woods with Fairies]
John Shapland [in pencil]. WH Sweet [in pencil]
[n.d. c.1900]
Coloured etching signed by both artists, 250 x 170mm (9¾ x 6¾"), with very large margins.
A woodland scene; a woman wearing a stola observes naked fairies frolicking amongst the toadstools. John Shapland (1865-1929) was a painter from the Southwest of England. He mainly specialised in seascapes and landscapes largely in watercolour but occasionally in oil. He exhibited at the RA, Paris Salon, and in the USA. Two of his exhibits at the RA were entitled 'Fairy Led' and 'Paradise Lost'. He was the principle of the Exeter School of Art from 1899 to 1913. William (also known as Walter) Henry Sweet (1889-1943) was a British painted and etcher. He studied at the Exeter School of Art under the guidance of his friend John Shapland. He worked locally and exhibited work at the Devon and Exeter Annual Exhibition at Elands Art Gallery in the 1900s. After the First World War, he moved to Dundee, Scotland, and was employed by James Valentine and Sons as a commercial illustrator.
[Ref: 62598] £160.00 (£192.00 incl.VAT)

Place St. Gervais, Falaise. [Pencil.]
Stanley Anderson [pencil signature.] ['S. Anderson' etched in plate lower right.]
[n.d., c.1930.]
Etching, 285 x 220mm, 11¼ x 8¾". Slight age toning.
A market square in Falaise, Normandy, France, with figures and a memorial. By Stanley Anderson, RE, ARA (1884 - 1966).
[Ref: 12323] £240.00 (£288.00 incl.VAT)

Los ultimos celajes. [The last light.]
Joaquin Macias [pencil signature.]
[n.d., c.1940s.]
Etching, 90 x 125mm. 3½ x 5". Glued into mount; glue stains to corners.
A man in a sombrero-type hat harvesting crops with a sickle as dusk falls; two other men and an ox in the background. An atmospheric scene somewhere in central or South America. The Latin American artist Joaquin Macias is known to have lived in Rio de Janeiro, Brazil, and Nicaragua, and to have visited Chile in 1951. In a hand written note discovered with a group of his etchings, he mentions a period of "30 years residence" in Britain. He seems to have etched most of his plates in the 1930s, 40s and 50s.
[Ref: 26880] £65.00 (£78.00 incl.VAT)

[Feeding Chickens.]
Eileen A. Soper. [Pencil Signature]
[n.d., c.1925.]
Etching, with large margins; Plate 115 x 140mm. 4½" x 5½". 1: Watermarked 'Hand Made'.
Girl feeding chickens.
[Ref: 26914] £260.00 (£312.00 incl.VAT)

[An Angler in Waders.]
[Joseph Simpson, c.1930.]
Etching, progress proof, 110 x 125mm. 4¼ x 5".
Joseph Simpson (1879 - 1939), painter and etcher of portraits and sporting subjects. Simpson was born in Carlisle and studied art at Glasgow School of Art. He became a close friend of D.Y. Cameron and was elected RBA in 1909. Simpson designed covers for Edinburgh publishers and was a prolific designer of bookplates. In 1918 he became an official war artist for the RAF and was stationed in France. Simpson was already forty-five when he took up etching in 1925, at the height of the boom period for the medium. His first twenty or so plates were etched with a gramophone needle and printed by the artist himself on the small press lent to him by a local Carlisle printing firm. His first exhibition of etchings took place in Glasgow at Wishart Brown in March 1926. His friend Frank Brangwyn wrote the catalogue introduction. A second highly successful show was staged in November 1926 by Alex, Reid and Lefevre in London. Simpson exhibited in Munich, Venice, Florence & Stockholm.
[Ref: 16261] £110.00 (£132.00 incl.VAT)

[Fishing boats.]
W. Douglas Macleod [pencil].
[n.d., c.1930.]
Etching, signed by the artist. 225 x 330mm (8¾ x 13") very large margins.
Fishing boats moored on a bank, opposite an Italian (?) town, by Scottish artist W. Douglas Macleod (1892-1963).
[Ref: 62564] £160.00 (£192.00 incl.VAT)

Flight.
F.S. Farley.
[n.d., c.1920.]
Etching, 125 x 140mm. 5 x 5½".
A group of Canadian geese in flight.
[Ref: 9299] £70.00 (£84.00 incl.VAT)

Flood [pencil.]
Grace L.Clarke. [pencil signature.]
[n.d., c.1940.]
Woodcut. Printed area 130 x 205mm, 5 x 8".
[Ref: 11958] £220.00 (£264.00 incl.VAT)

[The Monk's Garden.] & [The Madonna of the Mount.] & [A Melody of Morn.] & [Sans Souci.]
Wilfred Huggins [signed inside plate in pencil.] W.H.
[Printed at the Oldfield House Studios and Published by W.R. Howell & Co. The Gallery Bedfore Row Chambers. 42, Theobald's Road, London, W.C.1.] [n.d. c.1920.]
A set of four etchings printed in colour. Mint. Limited edition 27/200. 571 x 458mm. 22½ x 18". [&] 565 x 451mm. 22¼ x 17¾". [&] 571 x 452mm. 22¼ x 17¾". [&] 456 x 565mm. 18 x 22½".
From: "Four New Original Etchings (Florentine Idylls) by Wilfrid Huggins Printed in Old Time Style of Colour Printing and Limited to Two Hundred Signed Artist's Proofs, Numbered. The Plates Will Then Be Destroyed."
[Ref: 16021] £650.00 view all images for this item

Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.

From Pirae.
Charles Surendorf. Tahiti 1939. 7/50 [Signed in pencil].
A very scarce woodcut printed on india paper. Limited to 50. 172 x 216mm. Tipped on corners to old card.
Charles Surendorf, American, 1906--1979 Charles Frederick Surendorf was born in Richmond, Indiana in November 1906. He left Richmond to spend time at the Chicago Art Institute, Art Student's League, New York and two semesters at Ohio State University in the Fine Arts program. In 1929, he moved to Los Angeles and to San Francisco in 1935. Charles Surendorf's early prints were woodblock, but he soon moved to a process he called "Linoleum Engravings." A view from Pirae, on the Northern coastline of Tahiti.
From the Harmsworth Estate: Desmond Harmsworth.
[Ref: 13055] £360.00

[Boat on the Ganges.]
Etching by Francis Fane [in ink outside the image.]
[n.d. c.1850.]
Etching, extremely scarce. 109 x 120mm.
A view along the Ganges, the river that linked Delhi with Lucknow during the India Mutiny 1857-1859.
Colonel Francis Augustus Fane (1824-1893) was a Colonel who fought in the Indian Mutiny. He was commander of the Peshawar Light Horse. He gained the rank of Colonel in the service of the 25th Regiment. His life was full of excitement starting first as a soldier, then a banker before settling down as a country gentleman. He started life as a soldier in Antigua where he did some extensive sightseeing before returning to England for his second assignment which took him to Quebec, leading to further sightseeing with his uncle Major -General Mildmay Fane, around Niagara, New York, Boston, Philadelphia, Washington and Boston. In 1854 he returned to England to immediately join his uncle in India. It was until 1860 when he next moved to join the 25th regiment in Gibraltar. Following the death of his father in 1862 and the later death of his brother-in-law Anthony Willson, the Sleaford banker in 1866, he returned in November to end his army career, and embarked on a career in banking and finance.

During his time as a soldier he managed to find a lot of free time to indulge in numerous pastimes. This enabled him to become adept at music, and at drawing, painting and engraving. Whilst in the West Indies he had a large organ, which he took with him and exchanged in Calcutta in 1857 for a large harmonium, which was lost during the Mutiny. This ability enabled him to play in church in Quebec and in 1860 he received a new piano from Berlin in Gibraltar. It wasn’t until 1851 that he began etching, at which point he was in London based at a printers to learn that art of printing and engraving. He then bought his own printing press, which he took to India.

After leaving finance he soon became involved in local affairs in Fulbeck and in farming. He became a Justice of the Peace in 1875; and was very active in the affairs of the Conservative Association and of the Agricultural Society. His diaries came to abrupt end in 1884, nine years before his death, so little can be said about his remaining years.
[Ref: 16161] £140.00 (£168.00 incl.VAT)

[The George Inn.]
W. Dendy Salder [signed in pencil.] James Dobie [signed in pencil.]
Copyright 1919, by L.H. Lefevre & Son in U.S.A. London, Published, 1919 by L.H. Lefevre & Son. 1.a King St. St. James;s, S.W. the proprietors of the Copyright. Printed by F. Brooker & Co.
Etching. Remarque of inn sign underneath image. Signed in pencil both by artist and engraver. Plate 502 x 642mm. 19¾ x 25¼".
Inside a drawing room; three men seated drinking, a fourth man standing to left holding an open paper; a woman sits to right with a dead bird and nuts on the table in front of her. A sign on the back wall reads "Freehold Corn Windmill...C. Underwood...The George Inn".
Not in PSA.
[Ref: 24154] £180.00 (£216.00 incl.VAT)

[Next Pair Out.]
1st T.P. Frank Gillett [pencil inscription].
[n.d., c.1925.]
Drypoint, 1st trial proof, signed in pencil. 220 x 180mm.
Edward Frank Gillett (1874-1927), illustrator for the 'Daily Graphic' 1898-1908. He also worked as a book illustrator, for example for Henty's 'Lion of the North', 1900.
Gillett created fewer than fifty drypoints during his career, the majority untitled. Both the British Museum and the Victoria and Albert Museum have comprehensive collections.
Guichard p.39.
[Ref: 6896] £140.00 (£168.00 incl.VAT)

[One of the Bucks.]
Frank Gillett [pencil inscription].
[n.d., c.1925.]
Drypoint, signed in pencil. 270 x 335mm.
Titled in pencil in different hand to the signature.
Edward Frank Gillett (1874-1927), illustrator for the 'Daily Graphic' 1898-1908. He also worked as a book illustrator, for example for Henty's 'Lion of the North', 1900.
Gillett created fewer than fifty drypoints during his career, the majority untitled. Both the British Museum and the Victoria and Albert Museum have comprehensive collections.
Guichard p.39.
[Ref: 6898] £95.00 (£114.00 incl.VAT)

[A Spaniard?]
3rd T.P. Frank Gillett [pencil inscription].
[n.d., c.1925.]
Drypoint, 3rd trial proof, signed in pencil. 130 x 170mm.
Untitled image of a Spaniard [?] at a writing desk.
Edward Frank Gillett (1874-1927), illustrator for the 'Daily Graphic' 1898-1908. He also worked as a book illustrator, for example for Henty's 'Lion of the North', 1900.
Gillett created fewer than fifty drypoints during his career, the majority untitled. Both the British Museum and the Victoria and Albert Museum have comprehensive collections.
Guichard p.39.
[Ref: 6902] £95.00 (£114.00 incl.VAT)

[To Brighton.]
1st T.P. Frank Gillett [pencil inscription].
[n.d., c.1925.]
Drypoint, 1st trial proof, signed in pencil. 270 x 335mm.
The driver and passengers on the top of a coach. Titled in pencil in different hand to the signature. Edward Frank Gillett (1874-1927), illustrator for the 'Daily Graphic' 1898-1908. He also worked as a book illustrator, for example for Henty's 'Lion of the North', 1900. Gillett created fewer than fifty drypoints during his career, the majority untitled. Both the British Museum and the Victoria and Albert Museum have comprehensive collections.
Guichard p.39.
[Ref: 6897] £260.00 (£312.00 incl.VAT)

[A Traveller.]
1st State. 1st T.P. Frank Gillett [pencil inscription].
[n.d., c.1925.]
Drypoint, 1st trial proof, signed in pencil. 225 x 175mm. Creased.
Untitled image of a traveller with a valise.
Edward Frank Gillett (1874-1927), illustrator for the 'Daily Graphic' 1898-1908. He also worked as a book illustrator, for example for Henty's 'Lion of the North', 1900.
Gillett created fewer than fifty drypoints during his career, the majority untitled. Both the British Museum and the Victoria and Albert Museum have comprehensive collections.
Guichard p.39.
[Ref: 6901] £85.00 (£102.00 incl.VAT)

Girl from Anacapri [:in pencil lower corner left.]
[W. Wise after F. Leighton R.A.]
[n.d. c.1880.]
Etching. 425 x 286mm. 16¾ x 11¼".
Anacapri is on the island of Capri, in the province of Naples, Italy. These girls became famous, and many artists who visited the island were captivated by their exotic beauty; one particularly famous girl was Rosina Ferrara (1861-1934) who became the favourite muse of John Singer Sargent.
[Ref: 17506] £80.00 (£96.00 incl.VAT)

Les Glaneuses.
[After J.F. Millet.]
Copyright. Published by Etching & Photogravure Co. London E.C. [n.d. c.1870.]
Etching on india with large margins. India 255 x 330mm (10 x 13"). Remarqué of flowers lower right.
'The Gleaners', etching reproducing the famous painting by Millet (Paris, Musée d'Orsay).
[Ref: 28999] £70.00 (£84.00 incl.VAT)

Ye Wicked Goat.
Joaquin Macias [signed in pencil lower right.]
[n.d., c.1940.]
Etching, 150 x 225mm. 6 x 9". Upper left corner missing.
A goat in a yard eating washing hanging on a line. The Latin American artist Joaquin Macias is known to have lived in Rio de Janeiro, Brazil, and Nicaragua, and to have visited Chile in 1951. In a hand written note discovered with a group of his etchings, he mentions a period of "30 years residence" in Britain. He seems to have etched most of his plates in the 1930s, 40s and 50s.
[Ref: 9944] £250.00 (£300.00 incl.VAT)

Going to the Park. 2.
J.E.Millais R.A.
[n.d. c.1872] [Published by the Etching Club for 'Etchings for the Art Union of London', 1872 (no 9).]
Etching on india. Signed with the monogram in the plate. Plate 184 x 133mm. 7¼" x 5¼".
Two little girls, one in a three-wheeler pram being pushed by nursemaid.
[Ref: 8949] £280.00 (£336.00 incl.VAT)

Goldfish.
R. Herdman-Smith.
[London: Arthur Greatorex, n.d., c.1935.]
Etching, printed in colours, limited edition 13/75, titled and signed in pencil by the artist. 125 x 175mm (5 x 7"), in publisher's mount with printed title label.
A pair of Japanese women with parasol, fan and goldfish bowl. Robert Herdman-Smith (1879-1945) produced 18 prints in the Asian Art-Deco style during the 1930s. Although he travelled to India, Australia and the United States, he never visited Japan.
[Ref: 62319] £320.00

Greetings.
A. Bauerle [pencil signature].
[n.d., c.1900.]
Etching, signed by the artist. 80 x 130mm, 3½ x 5¼". Glued into a mount.
An angel embracing a small boy, at the head of a queue of children, apparently an alternative Christmas card. Amelia Bauerle (or Bowerley), died 1916.
Guichard: "Competant lady etcher with a penchant for mermaids". Ex Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 17780] £70.00 (£84.00 incl.VAT)

[Grotesque figure.] No. 47 by Gordon Craig [old ink mss.]
[by Edward Gordon Craig.]
[n.d., c.1920.]
Wood engraving on Japon. Printed area 250 x 170mm (9¾ x 6¾").
A wood engraving of a figure by Edward Gordon Craig (1872-1966), modernist actor, director and scenic designer, son of Ellen Terry and lover of Isadore Duncan. In 1910 he wrote 'A Note on Masks', in which he expounded on the use of masks to capture the audience’s attention, imagination and soul: certainly this figure's features resemble a Japanese Noh mask.
Ex: collection of the Hon Christopher Lennox-Boyd.
[Ref: 33998] £650.00

[Little Calais Pier.]
Seymour Haden. [Signed in pencil.]
Calais. S. Haden 1865. 3am.
Etching. Platemark: 75 x 150mm (3 x 6").
An attractive view of the pier at Calais, France. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
H:98.
[Ref: 38026] £170.00 (£204.00 incl.VAT)

[Little Moat House.]
Seymour Haden. [Signed in pencil.]
1866.
Etching. Platemark: 150 x 225mm (6 x 9"). Very large margins. Some foxing.
An attractive view at the waters edge, with a house to the left. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
H:114.
[Ref: 38025] £250.00 (£300.00 incl.VAT)

[Little Shere Mill Pond.]
Seymour Haden. [Signed in pencil.]
[n.d., c.1860.]
Etching. Platemark: 110 x 170mm (4¼ x 6¾"). Slight staining.
A view of Shere Mill Pond, surrounded by trees and reeds, with a building in the background in the centre. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
H:37.
[Ref: 38027] £160.00 (£192.00 incl.VAT)

[Cactus.]
Liu Haiming.
1992.
Lithograph, printed area 460 x 410mm (18 x 16") Signed by artist, numbered 3/50.
Lithograph by Liu Haiming (b.1954, Pingyao, China) from 1992, by which time he was exhibiting regularly in the UK.
[Ref: 19875] £350.00

Spring Warm.
Liu Haiming.
1982.
Lithograph, printed area 310 x 400mm (12¼ x 15½") Signed by artist, numbered 11/50.
Lithograph by Liu Haiming (b.1954, Pingyao, China) from 1982, during which time he was lecturer in Art History, Painting and Printmaking at the College of Art and Culture of Shanxi.
[Ref: 19879] £350.00

Haitian Belle [pencil, to lower margin.]
Philip Kappel [pencil signature.]
[American, n.d., c.1928.]
Etching, laid paper, 190 x 150mm. 7½ x 6". Inscribed by the artist in pencil "To my friend Samuel Endicott".
Charming study of a European woman riding side-saddle on a donkey, wearing a wide-brimmed hat. By Philip Kappel (American, 1901 - 1981), etcher, illustrator and painter. Born Hartford, Connecticut in 1901.
[Ref: 23193] £160.00 (£192.00 incl.VAT)

Halvergate Marshes [in pencil].
C.H. Baskett del et imp. [pencil signature.]
[n.d., c.1920.]
Pure aquatint, 170 x 320mm. 6¾ x 12½".
View of the Halvergate Marshes south of the River Bure on the Norfolk Broads in Norfolk, England; several windmills. Charles Henry Baskett (British, 1872 - 1953).
[Ref: 19860] £130.00 (£156.00 incl.VAT)

[The Happy Family.]
[Drawn and etched by Edward Julius Detmold.]
[n.d., 1925.]
Etching. 300 x 405mm, 11¾ x 16".
A stag, doe and fawn. Edward Julius Detmold (1883-1957) and his twin Charles Maurice Detmold (1883-1908) were twins and child protegés who worked very closely together until C.M. Detmold committed suicide in 1908. Traumatised, Edward produced only one etching in the next fifteen years, returning to the art only in 1923.
[Ref: 21414] £260.00 (£312.00 incl.VAT)

[Head Study.]
Original-Radierung Von O. Fischer.
Druck & Verlag Der Gesellschaft E. Verveilf. Kunts in Wien. [n.d. c.1901.]
Etching on wove paper. Plate 310 x 235mm. 12¼ x 9¼".
Head study of a Jew. Otto Fischer (Leipzig, 1807-Dresden 1947) was one of Germany's most famous etchers and painters at the beginning of the twentieth century, Otto Fischer studied at the Dresden Academy, under Preller and Hermann Prell. From 1894 to 1914 Otto Fischer participated in many exhibitions throughout Europe and America. He then assumed the post of Professor of Art at the Dresden Academy. Today the art of Otto Fischer is included in major museums in Berlin, Dresden, Leipzig, Breslau, Budapest and at the Albertina, Vienna. In his etched art, Otto Fischer gained a strong reputation as a superbly talented delineator of landscapes, still-lifes, figure studies and portraits. Head Study is surely a tour de force of Otto Fischer's art. With its finely crafted lines and shadings the artist has rendered the soul of his study. Vervielfaltigende Kunst issued it first original etching in 1871. During the following sixty years it published masterworks by Austrian, German, Czech, Swiss, French, Dutch and English artists. More internationally focused and less conservative than most of its rival publishers, Vervielfaltigende Kunst became a spearhead for the vibrant experiments of Symbolist, Expressionist and Secessionist artists during the initial decades of the twentieth century. Also, its superb printing techniques were second to none. As a result, Vervielfaltigende Kunst is now regarded as a most vital fine art publisher of its day and individual prints from this publication are eagerly sought after on the international market.
[Ref: 24824] £320.00

High Noon at Port-au-Prince, Haiti.
Philip Kappel. (1901-1981).
Etching, 1928, signed in pencil, 7 x 9". Mint condition.
[Ref: 3524] £120.00 (£144.00 incl.VAT)

[Home of the Martins.]
F.P. Barraud [signed in pencil.]
[n.d., c.1920.]
Etching, with stamp of the Fine Art Trade Guild, 205 x 300mm, 8 x 11¾". Slight rippling.
Martins nesting in a chalk quarry, with two men with a horse and cart. After Francis Philip Barraud (1824-1900).
[Ref: 22320] £35.00 (£42.00 incl.VAT)

[The Homecoming.]
Bernard Carr [pencil signature.]
[n.d. c.1900.]
Etching. Plate 217 x 285mm. 8½" x 11¼".
A view of a small sailing boat coming into the dock, where people are awaiting its arrival.
[Ref: 9344] £90.00 (£108.00 incl.VAT)

[House of Sallust.]
W. Walcot [signed in pencil.]
[n.d. c.1920.]
Etching. Signed artist's proof. 254 x 323mm. 10 x 12¾".
Only a few ruins, from which Walcot has dreamed this image, remain of the once magnificent and luxurious villa and gardens which the Roman historian Sallust built on the Quirinal and which became the imperial residence of Nerva, Vespasion and Aurelian. After an infamous political career Sallust retired to his villa and wrote his famous histories. William Walcot (1874-1943) was a British architect, graphic artist and etcher, notable as a practictioner of refined Art Nouveau in Moscow.
[Ref: 20012] £220.00 (£264.00 incl.VAT)

[Humpty Dumpty.]
Eileen A. Soper. [Pencil Signature]
[n.d., c.1925.]
Etching. Platemark: 170 x 245mm (6¾ x 9½").
A child with a Humpty Dumpty doll, watching a bird in a tree. Eileen Alice Soper (1905 - 1990) was an etcher and illustrator of children's and wildlife books. She produced a series of etchings, mainly of children playing, and illustrated books for other writers, notably for Enid Blyton and Elizabeth Gould.
[Ref: 40118] £280.00 (£336.00 incl.VAT)

[Hush]
C.W.C. 1878
Etching. Plate: 260 x 190mm (10¼ x 7½"). Uncut sheet; signed by artist in pencil. Creasing on Chine paper.
Etching by history painter Charles West Cope (1811-90), widely regarded as the finest of his prints. Cope is primarily remembered for his frescoes in the House of Lords and the peers' corridor, but in addition to his academic renderings of historical and literary subjects, he was a talented printmaker. He was a founder member of the Etching Club (whose members also included Samuel Palmer). This late etching of a woman caring for a baby (made soon before Cope left London to retire to the country) was originally one of a pair with 'Hope Deferred'.
[Ref: 49447] £140.00 (£168.00 incl.VAT)

[Showery autumn weather.]
Thos. Huson, 1880.
Etching, printed in sepia, with very large margins, printed on J. Whatman paper. 200 x 300mm, 8 x 11¾".
A marshy upland plain, etched by Thomas Huson, R.I., R.P.E. (1844-1920). Apparently a reversed version of Huson's oil painting 'Showery autumn weather'.
See Christie's Sale 5125 for the original oil.
[Ref: 26552] £110.00 (£132.00 incl.VAT)

[Woodland landscape.]
Thos. Huson, 1880.
Etching, printed in sepia, very large margins, printed on J. Whatman paper. 200 x 300mm, 8 x 11¾".
By Thomas Huson, R.I., R.P.E. (1844-1920).
[Ref: 26553] £160.00 (£192.00 incl.VAT)

[Im Kahn.]
[Max Slevogt.] [ Signed in pencil.]
[n.d. c.1904.]
Etching. Plate 318 x 242mm. 12½ x 9½". Large margins.
A woman in a rowing boat; a black man is about to push a victim into the water where sharks are waiting to attack him. Plate one from 'Schwarze Scenen - 6 Radierversuche'. Max Slevogt (1868-1932) was a German Impressionist; together with Lovis Corinth and Max Liebermann, he was one of the foremost representatives in Germany of the plein air style.
[Ref: 19930] £280.00 (£336.00 incl.VAT)

Ponte S. Trinita, Firenze.
A. Evershed. 1898.
Etching. 393 x 567mm. 15½ x 22¼". Large margins. Watermarked: O.W.P. & A.G.L.
Dr Arthur Evershed MRCP (1835 - 1919). After retiring from a medical career specialising in tuberculosis, he dedicated himself to etching, gaining renown for his ability to draw directly onto a copper plate, reversing the image without mirrors. He exhibited at the Royal Academy regularly and became treasurer of the Royal Society of Painter Etchers.
[Ref: 19731] £140.00 (£168.00 incl.VAT)

[Joy in Sweet Remembrance.]
W Dendy Sadler. James Dobie [pencil signatures.] W Dendy Sadler [etched into the plate.]
London, Published 1912 by L.H. Lefevre & Son, 1A King St. St. James' S.W. the proprietors of the Copyright. Printed by J. Brooker & Co. Copyright 1912 by L.H. Lefevre & Son, in U.S.A.
Etching., mint 692 x 554mm. 27¼ x 21¾". Scratch into left-hand margin. Crease to upper left-hand corner.
A woman seated at her writing table holding a letter in one hand a small miniature oval portrait in the other.
Not in PSA.
[Ref: 19167] £130.00 (£156.00 incl.VAT)

[Looking out over a lake to the distant mountains.]
Johnstone Baird [in pencil.]
[n.d. c.1920.]
Etching. 278 x 428mm (11 x 16¾").
Johnstone Baird (1880 - 1935). Born in Ayrshire, studied Glasgow School of Art. Naval architect with the Admiralty 1917-19. Travelled widely on the Continent. Exhibited 1910-30.
[Ref: 14406] £130.00 (£156.00 incl.VAT)

[Landscape.]
Malcolm Osborne. [signed in pencil.]
[n.d., c.1930.]
Etching. Plate: 175 x 230mm (7 x 9''), with large margins.
An etching by printmaker Malcolm Osborne (1880-1963).
[Ref: 50035] £160.00 (£192.00 incl.VAT)

Quick Search

Search by Ref. Number

Browse by Subject

Browse by Artist

Browse by Engraver

New - Catalogue 143

Catalogue 142

Catalogue 141

Advanced Search