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Catalogue: Modern Etchings
Los ultimos celajes. [The last light.]
Los ultimos celajes. [The last light.]
Joaquin Macias [pencil signature.]
[n.d., c.1940s.]
Etching, 90 x 125mm. 3½ x 5". Glued into mount; glue stains to corners.
A man in a sombrero-type hat harvesting crops with a sickle as dusk falls; two other men and an ox in the background. An atmospheric scene somewhere in central or South America. The Latin American artist Joaquin Macias is known to have lived in Rio de Janeiro, Brazil, and Nicaragua, and to have visited Chile in 1951. In a hand written note discovered with a group of his etchings, he mentions a period of "30 years residence" in Britain. He seems to have etched most of his plates in the 1930s, 40s and 50s.
[Ref: 26880]   £65.00   (£78.00 incl.VAT)
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[Feeding Chickens.]
[Feeding Chickens.]
Eileen A. Soper. [Pencil Signature]
[n.d., c.1925.]
Etching, with large margins; Plate 115 x 140mm. 4½" x 5½". 1: Watermarked 'Hand Made'.
Girl feeding chickens.
[Ref: 26914]   £260.00   (£312.00 incl.VAT)
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[An Angler in Waders.]
[An Angler in Waders.]
[Joseph Simpson, c.1930.]
Etching, progress proof, 110 x 125mm. 4¼ x 5".
Joseph Simpson (1879 - 1939), painter and etcher of portraits and sporting subjects. Simpson was born in Carlisle and studied art at Glasgow School of Art. He became a close friend of D.Y. Cameron and was elected RBA in 1909. Simpson designed covers for Edinburgh publishers and was a prolific designer of bookplates. In 1918 he became an official war artist for the RAF and was stationed in France. Simpson was already forty-five when he took up etching in 1925, at the height of the boom period for the medium. His first twenty or so plates were etched with a gramophone needle and printed by the artist himself on the small press lent to him by a local Carlisle printing firm. His first exhibition of etchings took place in Glasgow at Wishart Brown in March 1926. His friend Frank Brangwyn wrote the catalogue introduction. A second highly successful show was staged in November 1926 by Alex, Reid and Lefevre in London. Simpson exhibited in Munich, Venice, Florence & Stockholm.
[Ref: 16261]   £110.00   (£132.00 incl.VAT)
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[Fishing boats.]
[Fishing boats.]
W. Douglas Macleod [pencil].
[n.d., c.1930.]
Etching, signed by the artist. 225 x 330mm (8¾ x 13") very large margins.
Fishing boats moored on a bank, opposite an Italian (?) town, by Scottish artist W. Douglas Macleod (1892-1963).
[Ref: 62564]   £160.00   (£192.00 incl.VAT)
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Flight.
Flight.
F.S. Farley.
[n.d., c.1920.]
Etching, 125 x 140mm. 5 x 5½".
A group of Canadian geese in flight.
[Ref: 9299]   £70.00   (£84.00 incl.VAT)
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Flood [pencil.]
Flood [pencil.]
Grace L.Clarke. [pencil signature.]
[n.d., c.1940.]
Woodcut. Printed area 130 x 205mm, 5 x 8".
[Ref: 11958]   £220.00   (£264.00 incl.VAT)
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[The Monk's Garden.] & [The Madonna of the Mount.] & [A Melody of Morn.] & [Sans Souci.]
[The Monk's Garden.] & [The Madonna of the Mount.] & [A Melody of Morn.] & [Sans Souci.]
Wilfred Huggins [signed inside plate in pencil.] W.H.
[Printed at the Oldfield House Studios and Published by W.R. Howell & Co. The Gallery Bedfore Row Chambers. 42, Theobald's Road, London, W.C.1.] [n.d. c.1920.]
A set of four etchings printed in colour. Mint. Limited edition 27/200. 571 x 458mm. 22½ x 18". [&] 565 x 451mm. 22¼ x 17¾". [&] 571 x 452mm. 22¼ x 17¾". [&] 456 x 565mm. 18 x 22½".
From: "Four New Original Etchings (Florentine Idylls) by Wilfrid Huggins Printed in Old Time Style of Colour Printing and Limited to Two Hundred Signed Artist's Proofs, Numbered. The Plates Will Then Be Destroyed."
[Ref: 16021]   £650.00   view all images for this item
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From Pirae.
From Pirae.
Charles Surendorf. Tahiti 1939. 7/50 [Signed in pencil].
A very scarce woodcut printed on india paper. Limited to 50. 172 x 216mm. Tipped on corners to old card.
Charles Surendorf, American, 1906--1979 Charles Frederick Surendorf was born in Richmond, Indiana in November 1906. He left Richmond to spend time at the Chicago Art Institute, Art Student's League, New York and two semesters at Ohio State University in the Fine Arts program. In 1929, he moved to Los Angeles and to San Francisco in 1935. Charles Surendorf's early prints were woodblock, but he soon moved to a process he called "Linoleum Engravings." A view from Pirae, on the Northern coastline of Tahiti.
From the Harmsworth Estate: Desmond Harmsworth.
[Ref: 13055]   £360.00  
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[Boat on the Ganges.]
[Boat on the Ganges.]
Etching by Francis Fane [in ink outside the image.]
[n.d. c.1850.]
Etching, extremely scarce. 109 x 120mm.
A view along the Ganges, the river that linked Delhi with Lucknow during the India Mutiny 1857-1859.
Colonel Francis Augustus Fane (1824-1893) was a Colonel who fought in the Indian Mutiny. He was commander of the Peshawar Light Horse. He gained the rank of Colonel in the service of the 25th Regiment. His life was full of excitement starting first as a soldier, then a banker before settling down as a country gentleman. He started life as a soldier in Antigua where he did some extensive sightseeing before returning to England for his second assignment which took him to Quebec, leading to further sightseeing with his uncle Major -General Mildmay Fane, around Niagara, New York, Boston, Philadelphia, Washington and Boston. In 1854 he returned to England to immediately join his uncle in India. It was until 1860 when he next moved to join the 25th regiment in Gibraltar. Following the death of his father in 1862 and the later death of his brother-in-law Anthony Willson, the Sleaford banker in 1866, he returned in November to end his army career, and embarked on a career in banking and finance.

During his time as a soldier he managed to find a lot of free time to indulge in numerous pastimes. This enabled him to become adept at music, and at drawing, painting and engraving. Whilst in the West Indies he had a large organ, which he took with him and exchanged in Calcutta in 1857 for a large harmonium, which was lost during the Mutiny. This ability enabled him to play in church in Quebec and in 1860 he received a new piano from Berlin in Gibraltar. It wasn’t until 1851 that he began etching, at which point he was in London based at a printers to learn that art of printing and engraving. He then bought his own printing press, which he took to India.

After leaving finance he soon became involved in local affairs in Fulbeck and in farming. He became a Justice of the Peace in 1875; and was very active in the affairs of the Conservative Association and of the Agricultural Society. His diaries came to abrupt end in 1884, nine years before his death, so little can be said about his remaining years.

[Ref: 16161]   £140.00   (£168.00 incl.VAT)
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[The George Inn.]
[The George Inn.]
W. Dendy Salder [signed in pencil.] James Dobie [signed in pencil.]
Copyright 1919, by L.H. Lefevre & Son in U.S.A. London, Published, 1919 by L.H. Lefevre & Son. 1.a King St. St. James;s, S.W. the proprietors of the Copyright. Printed by F. Brooker & Co.
Etching. Remarque of inn sign underneath image. Signed in pencil both by artist and engraver. Plate 502 x 642mm. 19¾ x 25¼".
Inside a drawing room; three men seated drinking, a fourth man standing to left holding an open paper; a woman sits to right with a dead bird and nuts on the table in front of her. A sign on the back wall reads "Freehold Corn Windmill...C. Underwood...The George Inn".
Not in PSA.
[Ref: 24154]   £180.00   (£216.00 incl.VAT)
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[Next Pair Out.]
[Next Pair Out.]
1st T.P. Frank Gillett [pencil inscription].
[n.d., c.1925.]
Drypoint, 1st trial proof, signed in pencil. 220 x 180mm.
Edward Frank Gillett (1874-1927), illustrator for the 'Daily Graphic' 1898-1908. He also worked as a book illustrator, for example for Henty's 'Lion of the North', 1900.
Gillett created fewer than fifty drypoints during his career, the majority untitled. Both the British Museum and the Victoria and Albert Museum have comprehensive collections.

Guichard p.39.
[Ref: 6896]   £140.00   (£168.00 incl.VAT)
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[One of the Bucks.]
[One of the Bucks.]
Frank Gillett [pencil inscription].
[n.d., c.1925.]
Drypoint, signed in pencil. 270 x 335mm.
Titled in pencil in different hand to the signature.
Edward Frank Gillett (1874-1927), illustrator for the 'Daily Graphic' 1898-1908. He also worked as a book illustrator, for example for Henty's 'Lion of the North', 1900.
Gillett created fewer than fifty drypoints during his career, the majority untitled. Both the British Museum and the Victoria and Albert Museum have comprehensive collections.

Guichard p.39.
[Ref: 6898]   £95.00   (£114.00 incl.VAT)
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[A Spaniard?]
[A Spaniard?]
3rd T.P. Frank Gillett [pencil inscription].
[n.d., c.1925.]
Drypoint, 3rd trial proof, signed in pencil. 130 x 170mm.
Untitled image of a Spaniard [?] at a writing desk.
Edward Frank Gillett (1874-1927), illustrator for the 'Daily Graphic' 1898-1908. He also worked as a book illustrator, for example for Henty's 'Lion of the North', 1900.
Gillett created fewer than fifty drypoints during his career, the majority untitled. Both the British Museum and the Victoria and Albert Museum have comprehensive collections.

Guichard p.39.
[Ref: 6902]   £95.00   (£114.00 incl.VAT)
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[To Brighton.]
[To Brighton.]
1st T.P. Frank Gillett [pencil inscription].
[n.d., c.1925.]
Drypoint, 1st trial proof, signed in pencil. 270 x 335mm.
The driver and passengers on the top of a coach. Titled in pencil in different hand to the signature. Edward Frank Gillett (1874-1927), illustrator for the 'Daily Graphic' 1898-1908. He also worked as a book illustrator, for example for Henty's 'Lion of the North', 1900. Gillett created fewer than fifty drypoints during his career, the majority untitled. Both the British Museum and the Victoria and Albert Museum have comprehensive collections.
Guichard p.39.
[Ref: 6897]   £260.00   (£312.00 incl.VAT)
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[A Traveller.]
[A Traveller.]
1st State. 1st T.P. Frank Gillett [pencil inscription].
[n.d., c.1925.]
Drypoint, 1st trial proof, signed in pencil. 225 x 175mm. Creased.
Untitled image of a traveller with a valise.
Edward Frank Gillett (1874-1927), illustrator for the 'Daily Graphic' 1898-1908. He also worked as a book illustrator, for example for Henty's 'Lion of the North', 1900.
Gillett created fewer than fifty drypoints during his career, the majority untitled. Both the British Museum and the Victoria and Albert Museum have comprehensive collections.

Guichard p.39.
[Ref: 6901]   £85.00   (£102.00 incl.VAT)
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Girl from Anacapri [:in pencil lower corner left.]
Girl from Anacapri [:in pencil lower corner left.]
[W. Wise after F. Leighton R.A.]
[n.d. c.1880.]
Etching. 425 x 286mm. 16¾ x 11¼".
Anacapri is on the island of Capri, in the province of Naples, Italy. These girls became famous, and many artists who visited the island were captivated by their exotic beauty; one particularly famous girl was Rosina Ferrara (1861-1934) who became the favourite muse of John Singer Sargent.
[Ref: 17506]   £80.00   (£96.00 incl.VAT)
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Les Glaneuses.
Les Glaneuses.
[After J.F. Millet.]
Copyright. Published by Etching & Photogravure Co. London E.C. [n.d. c.1870.]
Etching on india with large margins. India 255 x 330mm (10 x 13"). Remarqué of flowers lower right.
'The Gleaners', etching reproducing the famous painting by Millet (Paris, Musée d'Orsay).
[Ref: 28999]   £70.00   (£84.00 incl.VAT)
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Ye Wicked Goat.
Ye Wicked Goat.
Joaquin Macias [signed in pencil lower right.]
[n.d., c.1940.]
Etching, 150 x 225mm. 6 x 9". Upper left corner missing.
A goat in a yard eating washing hanging on a line. The Latin American artist Joaquin Macias is known to have lived in Rio de Janeiro, Brazil, and Nicaragua, and to have visited Chile in 1951. In a hand written note discovered with a group of his etchings, he mentions a period of "30 years residence" in Britain. He seems to have etched most of his plates in the 1930s, 40s and 50s.
[Ref: 9944]   £250.00   (£300.00 incl.VAT)
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Going to the Park. 2.
Going to the Park. 2.
J.E.Millais R.A.
[n.d. c.1872] [Published by the Etching Club for 'Etchings for the Art Union of London', 1872 (no 9).]
Etching on india. Signed with the monogram in the plate. Plate 184 x 133mm. 7¼" x 5¼".
Two little girls, one in a three-wheeler pram being pushed by nursemaid.
[Ref: 8949]   £280.00   (£336.00 incl.VAT)
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Goldfish.
Goldfish.
R. Herdman-Smith.
[London: Arthur Greatorex, n.d., c.1935.]
Etching, printed in colours, limited edition 13/75, titled and signed in pencil by the artist. 125 x 175mm (5 x 7"), in publisher's mount with printed title label.
A pair of Japanese women with parasol, fan and goldfish bowl. Robert Herdman-Smith (1879-1945) produced 18 prints in the Asian Art-Deco style during the 1930s. Although he travelled to India, Australia and the United States, he never visited Japan.
[Ref: 62319]   £320.00  
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Greetings.
Greetings.
A. Bauerle [pencil signature].
[n.d., c.1900.]
Etching, signed by the artist. 80 x 130mm, 3½ x 5¼". Glued into a mount.
An angel embracing a small boy, at the head of a queue of children, apparently an alternative Christmas card. Amelia Bauerle (or Bowerley), died 1916.
Guichard: "Competant lady etcher with a penchant for mermaids". Ex Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 17780]   £70.00   (£84.00 incl.VAT)
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[Grotesque figure.] No. 47 by Gordon Craig [old ink mss.]
[Grotesque figure.] No. 47 by Gordon Craig [old ink mss.]
[by Edward Gordon Craig.]
[n.d., c.1920.]
Wood engraving on Japon. Printed area 250 x 170mm (9¾ x 6¾").
A wood engraving of a figure by Edward Gordon Craig (1872-1966), modernist actor, director and scenic designer, son of Ellen Terry and lover of Isadore Duncan. In 1910 he wrote 'A Note on Masks', in which he expounded on the use of masks to capture the audience’s attention, imagination and soul: certainly this figure's features resemble a Japanese Noh mask.
Ex: collection of the Hon Christopher Lennox-Boyd.
[Ref: 33998]   £650.00  
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[Little Calais Pier.]
[Little Calais Pier.]
Seymour Haden. [Signed in pencil.]
Calais. S. Haden 1865. 3am.
Etching. Platemark: 75 x 150mm (3 x 6").
An attractive view of the pier at Calais, France. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
H:98.
[Ref: 38026]   £170.00   (£204.00 incl.VAT)
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[Little Moat House.]
[Little Moat House.]
Seymour Haden. [Signed in pencil.]
1866.
Etching. Platemark: 150 x 225mm (6 x 9"). Very large margins. Some foxing.
An attractive view at the waters edge, with a house to the left. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
H:114.
[Ref: 38025]   £250.00   (£300.00 incl.VAT)
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[Little Shere Mill Pond.]
[Little Shere Mill Pond.]
Seymour Haden. [Signed in pencil.]
[n.d., c.1860.]
Etching. Platemark: 110 x 170mm (4¼ x 6¾"). Slight staining.
A view of Shere Mill Pond, surrounded by trees and reeds, with a building in the background in the centre. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
H:37.
[Ref: 38027]   £160.00   (£192.00 incl.VAT)
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[Cactus.]
[Cactus.]
Liu Haiming.
1992.
Lithograph, printed area 460 x 410mm (18 x 16") Signed by artist, numbered 3/50.
Lithograph by Liu Haiming (b.1954, Pingyao, China) from 1992, by which time he was exhibiting regularly in the UK.
[Ref: 19875]   £350.00  
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Spring Warm.
Spring Warm.
Liu Haiming.
1982.
Lithograph, printed area 310 x 400mm (12¼ x 15½") Signed by artist, numbered 11/50.
Lithograph by Liu Haiming (b.1954, Pingyao, China) from 1982, during which time he was lecturer in Art History, Painting and Printmaking at the College of Art and Culture of Shanxi.
[Ref: 19879]   £350.00  
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Haitian Belle [pencil, to lower margin.]
Haitian Belle [pencil, to lower margin.]
Philip Kappel [pencil signature.]
[American, n.d., c.1928.]
Etching, laid paper, 190 x 150mm. 7½ x 6". Inscribed by the artist in pencil "To my friend Samuel Endicott".
Charming study of a European woman riding side-saddle on a donkey, wearing a wide-brimmed hat. By Philip Kappel (American, 1901 - 1981), etcher, illustrator and painter. Born Hartford, Connecticut in 1901.
[Ref: 23193]   £160.00   (£192.00 incl.VAT)
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Halvergate Marshes [in pencil].
Halvergate Marshes [in pencil].
C.H. Baskett del et imp. [pencil signature.]
[n.d., c.1920.]
Pure aquatint, 170 x 320mm. 6¾ x 12½".
View of the Halvergate Marshes south of the River Bure on the Norfolk Broads in Norfolk, England; several windmills. Charles Henry Baskett (British, 1872 - 1953).
[Ref: 19860]   £130.00   (£156.00 incl.VAT)
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[The Happy Family.]
[The Happy Family.]
[Drawn and etched by Edward Julius Detmold.]
[n.d., 1925.]
Etching. 300 x 405mm, 11¾ x 16".
A stag, doe and fawn. Edward Julius Detmold (1883-1957) and his twin Charles Maurice Detmold (1883-1908) were twins and child protegés who worked very closely together until C.M. Detmold committed suicide in 1908. Traumatised, Edward produced only one etching in the next fifteen years, returning to the art only in 1923.
[Ref: 21414]   £260.00   (£312.00 incl.VAT)
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[Head Study.]
[Head Study.]
Original-Radierung Von O. Fischer.
Druck & Verlag Der Gesellschaft E. Verveilf. Kunts in Wien. [n.d. c.1901.]
Etching on wove paper. Plate 310 x 235mm. 12¼ x 9¼".
Head study of a Jew. Otto Fischer (Leipzig, 1807-Dresden 1947) was one of Germany's most famous etchers and painters at the beginning of the twentieth century, Otto Fischer studied at the Dresden Academy, under Preller and Hermann Prell. From 1894 to 1914 Otto Fischer participated in many exhibitions throughout Europe and America. He then assumed the post of Professor of Art at the Dresden Academy. Today the art of Otto Fischer is included in major museums in Berlin, Dresden, Leipzig, Breslau, Budapest and at the Albertina, Vienna. In his etched art, Otto Fischer gained a strong reputation as a superbly talented delineator of landscapes, still-lifes, figure studies and portraits. Head Study is surely a tour de force of Otto Fischer's art. With its finely crafted lines and shadings the artist has rendered the soul of his study. Vervielfaltigende Kunst issued it first original etching in 1871. During the following sixty years it published masterworks by Austrian, German, Czech, Swiss, French, Dutch and English artists. More internationally focused and less conservative than most of its rival publishers, Vervielfaltigende Kunst became a spearhead for the vibrant experiments of Symbolist, Expressionist and Secessionist artists during the initial decades of the twentieth century. Also, its superb printing techniques were second to none. As a result, Vervielfaltigende Kunst is now regarded as a most vital fine art publisher of its day and individual prints from this publication are eagerly sought after on the international market.
[Ref: 24824]   £320.00  
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High Noon at Port-au-Prince, Haiti.
High Noon at Port-au-Prince, Haiti.
Philip Kappel. (1901-1981).
Etching, 1928, signed in pencil, 7 x 9". Mint condition.
[Ref: 3524]   £120.00   (£144.00 incl.VAT)
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[Home of the Martins.]
[Home of the Martins.]
F.P. Barraud [signed in pencil.]
[n.d., c.1920.]
Etching, with stamp of the Fine Art Trade Guild, 205 x 300mm, 8 x 11¾". Slight rippling.
Martins nesting in a chalk quarry, with two men with a horse and cart. After Francis Philip Barraud (1824-1900).
[Ref: 22320]   £35.00   (£42.00 incl.VAT)
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[The Homecoming.]
[The Homecoming.]
Bernard Carr [pencil signature.]
[n.d. c.1900.]
Etching. Plate 217 x 285mm. 8½" x 11¼".
A view of a small sailing boat coming into the dock, where people are awaiting its arrival.
[Ref: 9344]   £90.00   (£108.00 incl.VAT)
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[House of Sallust.]
[House of Sallust.]
W. Walcot [signed in pencil.]
[n.d. c.1920.]
Etching. Signed artist's proof. 254 x 323mm. 10 x 12¾".
Only a few ruins, from which Walcot has dreamed this image, remain of the once magnificent and luxurious villa and gardens which the Roman historian Sallust built on the Quirinal and which became the imperial residence of Nerva, Vespasion and Aurelian. After an infamous political career Sallust retired to his villa and wrote his famous histories. William Walcot (1874-1943) was a British architect, graphic artist and etcher, notable as a practictioner of refined Art Nouveau in Moscow.
[Ref: 20012]   £220.00   (£264.00 incl.VAT)
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[Humpty Dumpty.]
[Humpty Dumpty.]
Eileen A. Soper. [Pencil Signature]
[n.d., c.1925.]
Etching. Platemark: 170 x 245mm (6¾ x 9½").
A child with a Humpty Dumpty doll, watching a bird in a tree. Eileen Alice Soper (1905 - 1990) was an etcher and illustrator of children's and wildlife books. She produced a series of etchings, mainly of children playing, and illustrated books for other writers, notably for Enid Blyton and Elizabeth Gould.
[Ref: 40118]   £280.00   (£336.00 incl.VAT)
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[Hush]
[Hush]
C.W.C. 1878
Etching. Plate: 260 x 190mm (10¼ x 7½"). Uncut sheet; signed by artist in pencil. Creasing on Chine paper.
Etching by history painter Charles West Cope (1811-90), widely regarded as the finest of his prints. Cope is primarily remembered for his frescoes in the House of Lords and the peers' corridor, but in addition to his academic renderings of historical and literary subjects, he was a talented printmaker. He was a founder member of the Etching Club (whose members also included Samuel Palmer). This late etching of a woman caring for a baby (made soon before Cope left London to retire to the country) was originally one of a pair with 'Hope Deferred'.
[Ref: 49447]   £140.00   (£168.00 incl.VAT)
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[Showery autumn weather.]
[Showery autumn weather.]
Thos. Huson, 1880.
Etching, printed in sepia, with very large margins, printed on J. Whatman paper. 200 x 300mm, 8 x 11¾".
A marshy upland plain, etched by Thomas Huson, R.I., R.P.E. (1844-1920). Apparently a reversed version of Huson's oil painting 'Showery autumn weather'.
See Christie's Sale 5125 for the original oil.
[Ref: 26552]   £110.00   (£132.00 incl.VAT)
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[Woodland landscape.]
[Woodland landscape.]
Thos. Huson, 1880.
Etching, printed in sepia, very large margins, printed on J. Whatman paper. 200 x 300mm, 8 x 11¾".
By Thomas Huson, R.I., R.P.E. (1844-1920).
[Ref: 26553]   £160.00   (£192.00 incl.VAT)
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[Im Kahn.]
[Im Kahn.]
[Max Slevogt.] [ Signed in pencil.]
[n.d. c.1904.]
Etching. Plate 318 x 242mm. 12½ x 9½". Large margins.
A woman in a rowing boat; a black man is about to push a victim into the water where sharks are waiting to attack him. Plate one from 'Schwarze Scenen - 6 Radierversuche'. Max Slevogt (1868-1932) was a German Impressionist; together with Lovis Corinth and Max Liebermann, he was one of the foremost representatives in Germany of the plein air style.
[Ref: 19930]   £280.00   (£336.00 incl.VAT)
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Ponte S. Trinita, Firenze.
Ponte S. Trinita, Firenze.
A. Evershed. 1898.
Etching. 393 x 567mm. 15½ x 22¼". Large margins. Watermarked: O.W.P. & A.G.L.
Dr Arthur Evershed MRCP (1835 - 1919). After retiring from a medical career specialising in tuberculosis, he dedicated himself to etching, gaining renown for his ability to draw directly onto a copper plate, reversing the image without mirrors. He exhibited at the Royal Academy regularly and became treasurer of the Royal Society of Painter Etchers.
[Ref: 19731]   £140.00   (£168.00 incl.VAT)
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[Joy in Sweet Remembrance.]
[Joy in Sweet Remembrance.]
W Dendy Sadler. James Dobie [pencil signatures.] W Dendy Sadler [etched into the plate.]
London, Published 1912 by L.H. Lefevre & Son, 1A King St. St. James' S.W. the proprietors of the Copyright. Printed by J. Brooker & Co. Copyright 1912 by L.H. Lefevre & Son, in U.S.A.
Etching., mint 692 x 554mm. 27¼ x 21¾". Scratch into left-hand margin. Crease to upper left-hand corner.
A woman seated at her writing table holding a letter in one hand a small miniature oval portrait in the other.
Not in PSA.
[Ref: 19167]   £130.00   (£156.00 incl.VAT)
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[Looking out over a lake to the distant mountains.]
[Looking out over a lake to the distant mountains.]
Johnstone Baird [in pencil.]
[n.d. c.1920.]
Etching. 278 x 428mm (11 x 16¾").
Johnstone Baird (1880 - 1935). Born in Ayrshire, studied Glasgow School of Art. Naval architect with the Admiralty 1917-19. Travelled widely on the Continent. Exhibited 1910-30.
[Ref: 14406]   £130.00   (£156.00 incl.VAT)
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[Landscape.]
[Landscape.]
Malcolm Osborne. [signed in pencil.]
[n.d., c.1930.]
Etching. Plate: 140 x 320mm (5½ x 12½''), with large margins.
An etching by printmaker Malcolm Osborne (1880-1963).
[Ref: 50036]   £230.00   (£276.00 incl.VAT)
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[Landscape.]
[Landscape.]
Malcolm Osborne. [signed in pencil.]
[n.d., c.1930.]
Etching. Plate: 175 x 230mm (7 x 9''), with large margins.
An etching by printmaker Malcolm Osborne (1880-1963).
[Ref: 50035]   £160.00   (£192.00 incl.VAT)
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The Last Load
The Last Load
W.B. Wyllie, 1934. [pencil].
Etching. 265 x 185mm. 10½ x 7½".
A dock scene. We have been unable to trace the etcher or any link to William Wyllie.
[Ref: 9914]   £180.00   (£216.00 incl.VAT)
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[Leopard stalking zebra at a watering hole.]
[Leopard stalking zebra at a watering hole.]
Kay H. Nebel. [19]20. [Signed and dated in plate, pencil signature lower right.]
[German, 1920.]
Etching, 270 x 215mm (10½ x 8½").
Kay Heinrich Nebel (1888 - 1953).
Ex Collection Norman Blackburn.
[Ref: 18529]   £450.00  
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[The Lily Trotter.]
[The Lily Trotter.]
EJD [monogram]. E. J. Detmold [signed in pencil].
[n.d., 1924.]
Etching, signed in pencil, 230 x 230mm, 9 x 9". Slight creasing.
A jacanas chick on a lily pad. Edward Julius Detmold (1883-1957) and his twin Charles Maurice Detmold (1883-1908) were twins and child protegés who worked very closely together until C.M. Detmold committed suicide in 1908. Traumatised, Edward produced only one etching in the next fifteen years, returning to the art only in 1923.
Guichard: p. 35, 'as exquisitely detailed as any'.
[Ref: 21417]   £220.00   (£264.00 incl.VAT)
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[Liner in docks, with tugs.]
[Liner in docks, with tugs.]
A.M. Elliott - 1925 - [pencil]
Etching with very large margins, signed by the artist. 205 x 280mm (8 x 11").
Aileen Mary Elliott (1896-1966), born in Southampton but lived in Berkshire. She was a prolific marine painter, mainly Thames scenes, but she did visit Jerusalem and Cairo, etching views of both. This is an early work: She is first mentioned in 'Fine Prints' the following year.
Guichard p.37.
[Ref: 34615]   £260.00   (£312.00 incl.VAT)
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The Listener.
The Listener.
Middleton Todd. [in pencil]
[n.d., c.1930.]
Etching signed by the artist, 170 x 125mm (6¾ x 5"), with large margins. Glued into mount in top corners as issued with label.
Woman in robe at window, holding curtain back with her right hand. Arthur Ralph Middleton Todd (1891-1966) was a painter, draughtsman, etcher and teacher. Son of the landscape and genre painter, Ralph Todd (1856-1932). He studied at the Slade school of Fine Art after serving in the army during WWI. He was the meember of several societies including: Society of Etchers and Engravers, 1930; the Watercolour Society, 1937; Royal Society of Portrait Painters, 1938 and member of the English Art Club in 1945. He taught at Leicester School of Art where he was head of drawing and painting, 1934-39; then returning to London was appointed as master of the life class at Regent Street Polytechnic School of Art. From 1946-49 he taught at the Royal Academy Schools and 1947-56 at the City and Guild School, Kennington.
[Ref: 62590]   £140.00   (£168.00 incl.VAT)
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