A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[St. Jerome and the lion]](jpegs/32738.jpg)
[St. Jerome and the lion]
[by Thomas Worlidge, c.1755]
Etching, platemark 130 x 100m (5 x 4"). Good margins; on wove paper with slight foxing at edges.
St Jerome with the lion he helped by removing a thorn from its paw. By Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge (1700-66) was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
State ii/ii; W10; D83
[Ref: 32738] £80.00 (£96.00 incl.VAT)
[by Thomas Worlidge, c.1755]
Etching, platemark 130 x 100m (5 x 4"). Good margins; on wove paper with slight foxing at edges.
St Jerome with the lion he helped by removing a thorn from its paw. By Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge (1700-66) was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
State ii/ii; W10; D83
[Ref: 32738] £80.00 (£96.00 incl.VAT)
William Kenrick, AEt. 36.
T. Worlidge f.ct.
[n.d., c.1756.]
Etching, 180 x 140mm (7 x 5½"). Trimmed inside platemark; glued to 18th century backing sheet along top edge.
Portrait of William Kenrick (1729/30-1779), writer and translator, portrayed at the age of 36. Volumes of Locke, Shakespeare and Milton by his side, and symbols of the arts and sciences, indicate his profession and interests. This portrait was made at a time when Kenrick was spending much of his time on the continent, but before his best-known achievements, which include translations of Rousseau and Voltaire and theatrical works. He also courted controversy, accusing Garrick of a homosexual relationship with Isaac Bickerstaff in his 1772 pamphlet 'Love in the Suds' (which went through five editions before Kenrick suppressed the work and apologized, fearing imprisonment for libel). Less successfully, he sought to goad Dr Johnson through critical reviews and accusations (against which Johnson maintained a stoic silence). By Thomas Worlidge (1700-66), 'the English Rembrandt'.
State ii/ii; W5; D115.
[Ref: 32730] £90.00 (£108.00 incl.VAT)
T. Worlidge f.ct.
[n.d., c.1756.]
Etching, 180 x 140mm (7 x 5½"). Trimmed inside platemark; glued to 18th century backing sheet along top edge.
Portrait of William Kenrick (1729/30-1779), writer and translator, portrayed at the age of 36. Volumes of Locke, Shakespeare and Milton by his side, and symbols of the arts and sciences, indicate his profession and interests. This portrait was made at a time when Kenrick was spending much of his time on the continent, but before his best-known achievements, which include translations of Rousseau and Voltaire and theatrical works. He also courted controversy, accusing Garrick of a homosexual relationship with Isaac Bickerstaff in his 1772 pamphlet 'Love in the Suds' (which went through five editions before Kenrick suppressed the work and apologized, fearing imprisonment for libel). Less successfully, he sought to goad Dr Johnson through critical reviews and accusations (against which Johnson maintained a stoic silence). By Thomas Worlidge (1700-66), 'the English Rembrandt'.
State ii/ii; W5; D115.
[Ref: 32730] £90.00 (£108.00 incl.VAT)
William Kenrick, AEt. 36.
T. Worlidge fc.t.
[n.d., c.1756]
Etching, platemark 185 x 140mm (7 x 5½"). Thread margins; good impression
Portrait of William Kenrick (1729/30-1779), writer and translator, portrayed at the age of 36. Volumes of Locke, Shakespeare and Milton by his side, and symbols of the arts and sciences, indicate his profession and interests. This portrait was made at a time when Kenrick was spending much of his time on the continent, but before his best-known achievements, which include translations of Rousseau and Voltaire and theatrical works. He also courted controversy, accusing Garrick of a homosexual relationship with Isaac Bickerstaff in his 1772 pamphlet 'Love in the Suds' (which went through five editions before Kenrick suppressed the work and apologized, fearing imprisonment for libel). Less successfully, he sought to goad Dr Johnson through critical reviews and accusations (against which Johnson maintained a stoic silence). By Thomas Worlidge (1700-66), 'the English Rembrandt'.
State ii/ii; W5; D115
[Ref: 32732] £160.00 (£192.00 incl.VAT)
T. Worlidge fc.t.
[n.d., c.1756]
Etching, platemark 185 x 140mm (7 x 5½"). Thread margins; good impression
Portrait of William Kenrick (1729/30-1779), writer and translator, portrayed at the age of 36. Volumes of Locke, Shakespeare and Milton by his side, and symbols of the arts and sciences, indicate his profession and interests. This portrait was made at a time when Kenrick was spending much of his time on the continent, but before his best-known achievements, which include translations of Rousseau and Voltaire and theatrical works. He also courted controversy, accusing Garrick of a homosexual relationship with Isaac Bickerstaff in his 1772 pamphlet 'Love in the Suds' (which went through five editions before Kenrick suppressed the work and apologized, fearing imprisonment for libel). Less successfully, he sought to goad Dr Johnson through critical reviews and accusations (against which Johnson maintained a stoic silence). By Thomas Worlidge (1700-66), 'the English Rembrandt'.
State ii/ii; W5; D115
[Ref: 32732] £160.00 (£192.00 incl.VAT)
William Kenrick, AEt. 36.
T. Worlidge fc.t.
[n.d., c.1756]
Etching, platemark 185 x 140mm (7 x 5½"). Small margins; good impression
Portrait of William Kenrick (1729/30-1779), writer and translator, portrayed at the age of 36. Volumes of Locke, Shakespeare and Milton by his side, and symbols of the arts and sciences, indicate his profession and interests. This portrait was made at a time when Kenrick was spending much of his time on the continent, but before his best-known achievements, which include translations of Rousseau and Voltaire and theatrical works. He also courted controversy, accusing Garrick of a homosexual relationship with Isaac Bickerstaff in his 1772 pamphlet 'Love in the Suds' (which went through five editions before Kenrick suppressed the work and apologized, fearing imprisonment for libel). Less successfully, he sought to goad Dr Johnson through critical reviews and accusations (against which Johnson maintained a stoic silence). By Thomas Worlidge (1700-66), 'the English Rembrandt'.
State ii/ii; W5; D115. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 32733] £140.00 (£168.00 incl.VAT)
T. Worlidge fc.t.
[n.d., c.1756]
Etching, platemark 185 x 140mm (7 x 5½"). Small margins; good impression
Portrait of William Kenrick (1729/30-1779), writer and translator, portrayed at the age of 36. Volumes of Locke, Shakespeare and Milton by his side, and symbols of the arts and sciences, indicate his profession and interests. This portrait was made at a time when Kenrick was spending much of his time on the continent, but before his best-known achievements, which include translations of Rousseau and Voltaire and theatrical works. He also courted controversy, accusing Garrick of a homosexual relationship with Isaac Bickerstaff in his 1772 pamphlet 'Love in the Suds' (which went through five editions before Kenrick suppressed the work and apologized, fearing imprisonment for libel). Less successfully, he sought to goad Dr Johnson through critical reviews and accusations (against which Johnson maintained a stoic silence). By Thomas Worlidge (1700-66), 'the English Rembrandt'.
State ii/ii; W5; D115. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 32733] £140.00 (£168.00 incl.VAT)
William Kenrick, AEt. 36.
T. Worlidge fc.t.
[n.d., c.1756]
Etching, platemark 185 x 140mm (7 x 5½"). Large margins; good impression
Portrait of William Kenrick (1729/30-1779), writer and translator, portrayed at the age of 36. Volumes of Locke, Shakespeare and Milton by his side, and symbols of the arts and sciences, indicate his profession and interests. This portrait was made at a time when Kenrick was spending much of his time on the continent, but before his best-known achievements, which include translations of Rousseau and Voltaire and theatrical works. He also courted controversy, accusing Garrick of a homosexual relationship with Isaac Bickerstaff in his 1772 pamphlet 'Love in the Suds' (which went through five editions before Kenrick suppressed the work and apologized, fearing imprisonment for libel). Less successfully, he sought to goad Dr Johnson through critical reviews and accusations (against which Johnson maintained a stoic silence). By Thomas Worlidge (1700-66), 'the English Rembrandt'.
State ii/ii; W5; D115. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 32734] £150.00 (£180.00 incl.VAT)
T. Worlidge fc.t.
[n.d., c.1756]
Etching, platemark 185 x 140mm (7 x 5½"). Large margins; good impression
Portrait of William Kenrick (1729/30-1779), writer and translator, portrayed at the age of 36. Volumes of Locke, Shakespeare and Milton by his side, and symbols of the arts and sciences, indicate his profession and interests. This portrait was made at a time when Kenrick was spending much of his time on the continent, but before his best-known achievements, which include translations of Rousseau and Voltaire and theatrical works. He also courted controversy, accusing Garrick of a homosexual relationship with Isaac Bickerstaff in his 1772 pamphlet 'Love in the Suds' (which went through five editions before Kenrick suppressed the work and apologized, fearing imprisonment for libel). Less successfully, he sought to goad Dr Johnson through critical reviews and accusations (against which Johnson maintained a stoic silence). By Thomas Worlidge (1700-66), 'the English Rembrandt'.
State ii/ii; W5; D115. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 32734] £150.00 (£180.00 incl.VAT)
Ninon de Lenclos from an Original Picture given by herself to the Countess of Sandwich and by the present Earl of Sandwich to Mr. Walpole 1757
T.W. [Thomas Worlidge]
Etching, platemark 165 x 95mm (6½ x 3¾"). Large margins
Anne 'Ninon' de Lenclos (1620-1705), French author, courtesan, freethinker and patron of the arts. Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. This plate was seemingly not offered for sale in Mary Worlidge's 1767 sale of Worlidge prints.
State iii/iii; D124.
[Ref: 32949] £120.00 (£144.00 incl.VAT)
T.W. [Thomas Worlidge]
Etching, platemark 165 x 95mm (6½ x 3¾"). Large margins
Anne 'Ninon' de Lenclos (1620-1705), French author, courtesan, freethinker and patron of the arts. Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. This plate was seemingly not offered for sale in Mary Worlidge's 1767 sale of Worlidge prints.
State iii/iii; D124.
[Ref: 32949] £120.00 (£144.00 incl.VAT)
Ninon de Lenclos from an Original Picture given by herself to the Countess of Sandwich and by the present Earl of Sandwich to Mr. Walpole 1757.
T.W. [Thomas Worlidge.]
Etching, platemark 165 x 95mm (6½ x 3¾"). Good impression; trimmed on platemark.
Anne 'Ninon' de Lenclos (1620-1705), French author, courtesan, freethinker and patron of the arts. Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. This plate was seemingly not offered for sale in Mary Worlidge's 1767 sale of Worlidge prints.
State ii/iii; D124.
[Ref: 32947] £90.00 (£108.00 incl.VAT)
T.W. [Thomas Worlidge.]
Etching, platemark 165 x 95mm (6½ x 3¾"). Good impression; trimmed on platemark.
Anne 'Ninon' de Lenclos (1620-1705), French author, courtesan, freethinker and patron of the arts. Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. This plate was seemingly not offered for sale in Mary Worlidge's 1767 sale of Worlidge prints.
State ii/iii; D124.
[Ref: 32947] £90.00 (£108.00 incl.VAT)
Ninon de Lenclos from an Original Picture given by herself to the Countess of Sandwich and by the present Earl of Sandwich to Mr. Walpole 1757
T.W. [Thomas Worlidge]
Etching, platemark 165 x 95mm (6½ x 3¾"). Good impression; trimmed on platemark; signed verso 'WR 1807' for William Richardson (L.1513-1514).
Anne 'Ninon' de Lenclos (1620-1705), French author, courtesan, freethinker and patron of the arts. Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. This plate was seemingly not offered for sale in Mary Worlidge's 1767 sale of Worlidge prints. Previously in the collection of William Richardson, printseller and author of a 'Biographical History of England' in seven volumes (1804). Richardson died c.1812 and his stock was sold over eleven sales between 1812 and 1823.
State iii/iii; D124.
[Ref: 32948] £120.00 (£144.00 incl.VAT)
T.W. [Thomas Worlidge]
Etching, platemark 165 x 95mm (6½ x 3¾"). Good impression; trimmed on platemark; signed verso 'WR 1807' for William Richardson (L.1513-1514).
Anne 'Ninon' de Lenclos (1620-1705), French author, courtesan, freethinker and patron of the arts. Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. This plate was seemingly not offered for sale in Mary Worlidge's 1767 sale of Worlidge prints. Previously in the collection of William Richardson, printseller and author of a 'Biographical History of England' in seven volumes (1804). Richardson died c.1812 and his stock was sold over eleven sales between 1812 and 1823.
State iii/iii; D124.
[Ref: 32948] £120.00 (£144.00 incl.VAT)
![[Jean Étienne Liotard]](jpegs/58616.jpg)
[Jean Étienne Liotard]
T.W. [Thomas Worlidge] 1754.
Etching. Sheet 100 x 65mm (3¾ x 2½"). Trimmed to plate, laid on album paper.
Portrait of Swiss artist Jean Étienne Liotard (1702-89), who travelled widely but spend much of his career in London. By Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
W115; D125.
[Ref: 58616] £95.00 (£114.00 incl.VAT)
T.W. [Thomas Worlidge] 1754.
Etching. Sheet 100 x 65mm (3¾ x 2½"). Trimmed to plate, laid on album paper.
Portrait of Swiss artist Jean Étienne Liotard (1702-89), who travelled widely but spend much of his career in London. By Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
W115; D125.
[Ref: 58616] £95.00 (£114.00 incl.VAT)
![[Madonna with a veil]](jpegs/32766.jpg)
[Madonna with a veil]
TW [Thomas Worlidge] 1751
Etching, platemark 125 x 100mm (5 x 4"). Thread margins; on cream laid paper.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Early impression.
State i/iii; W27; D128
[Ref: 32766] £240.00 (£288.00 incl.VAT)
TW [Thomas Worlidge] 1751
Etching, platemark 125 x 100mm (5 x 4"). Thread margins; on cream laid paper.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Early impression.
State i/iii; W27; D128
[Ref: 32766] £240.00 (£288.00 incl.VAT)
![[The Virgin?][1]](jpegs/32574.jpg)
[The Virgin?][1]
[Thomas Worlidge]
Etching, platemark 170 x 140mm (6¾ x 5½"). Two tears at bottom.
Possibly the Virgin, reading. This is believed to be an early state of Worlidge's print (for which see BM 1925,0511.198) before his name was added. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. His widow issued his plates in 1766 and 1767 afater his death with the numbers in the corners, but very few impressions were issued and sold by Worlidge during his lifetime.
The BM also have a related drawing by Worlidge (1861,0810.83). W30; D127. Ex: Collection Hon. C. Lennox-Boyd.
[Ref: 32574] £140.00 (£168.00 incl.VAT)
[Thomas Worlidge]
Etching, platemark 170 x 140mm (6¾ x 5½"). Two tears at bottom.
Possibly the Virgin, reading. This is believed to be an early state of Worlidge's print (for which see BM 1925,0511.198) before his name was added. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. His widow issued his plates in 1766 and 1767 afater his death with the numbers in the corners, but very few impressions were issued and sold by Worlidge during his lifetime.
The BM also have a related drawing by Worlidge (1861,0810.83). W30; D127. Ex: Collection Hon. C. Lennox-Boyd.
[Ref: 32574] £140.00 (£168.00 incl.VAT)
![[Madonna with a veil]](jpegs/32765.jpg)
[Madonna with a veil]
TW [Thomas Worlidge] 1751.
Etching, platemark 125 x 100mm (5 x 4"). Thread margins; crease bottom right; on white laid paper.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Early impression.
State i/iii; W27; D128
[Ref: 32765] £220.00 (£264.00 incl.VAT)
TW [Thomas Worlidge] 1751.
Etching, platemark 125 x 100mm (5 x 4"). Thread margins; crease bottom right; on white laid paper.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Early impression.
State i/iii; W27; D128
[Ref: 32765] £220.00 (£264.00 incl.VAT)
![[Madonna with a veil] [11 top left]](jpegs/32767.jpg)
[Madonna with a veil] [11 top left]
TW [Thomas Worlidge] 1751.
Etching, platemark 125 x 100mm (5 x 4"). Small margins; crease through centre; good impression; white laid paper.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression.
State ii/iii; W27; D128
[Ref: 32767] £80.00 (£96.00 incl.VAT)
TW [Thomas Worlidge] 1751.
Etching, platemark 125 x 100mm (5 x 4"). Small margins; crease through centre; good impression; white laid paper.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression.
State ii/iii; W27; D128
[Ref: 32767] £80.00 (£96.00 incl.VAT)
![[Madonna with a veil] [11 top left]](jpegs/32768.jpg)
[Madonna with a veil] [11 top left]
TW [Thomas Worlidge] 1751.
Etching, platemark 125 x 100mm (5 x 4"). Thread margins; good impression; white laid paper.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression.
State ii/iii; W27; D128
[Ref: 32768] £95.00 (£114.00 incl.VAT)
TW [Thomas Worlidge] 1751.
Etching, platemark 125 x 100mm (5 x 4"). Thread margins; good impression; white laid paper.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression.
State ii/iii; W27; D128
[Ref: 32768] £95.00 (£114.00 incl.VAT)
![[Madonna with a veil] [11 & 28 top left]](jpegs/32769.jpg)
[Madonna with a veil] [11 & 28 top left]
TW [Thomas Worlidge] 1751.
Etching, platemark 125 x 100mm (5 x 4"). Good margins; good impression; cream laid paper.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression with number '27' added in top right by Worlidge's widow to correspond with number in her 1767 catalogue of his prints.
State iii/iii; W27; D128
[Ref: 32769] £140.00 (£168.00 incl.VAT)
TW [Thomas Worlidge] 1751.
Etching, platemark 125 x 100mm (5 x 4"). Good margins; good impression; cream laid paper.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression with number '27' added in top right by Worlidge's widow to correspond with number in her 1767 catalogue of his prints.
State iii/iii; W27; D128
[Ref: 32769] £140.00 (£168.00 incl.VAT)
![[Head and shoulders of a man]](jpegs/48001.jpg)
[Head and shoulders of a man]
W in [...] J.H. f [c.1750]
Etching, platemark 130 x 105mm (5 x 4"), with very large margins.
Male bust probably by or after Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
[Ref: 48001] £75.00 (£90.00 incl.VAT)
W in [...] J.H. f [c.1750]
Etching, platemark 130 x 105mm (5 x 4"), with very large margins.
Male bust probably by or after Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
[Ref: 48001] £75.00 (£90.00 incl.VAT)
![[Man in a fur-trimmed hat]](jpegs/32581.jpg)
[Man in a fur-trimmed hat]
T. Worlidge delin 1754.
Etching, sheet 185 x 135mm (7¼ x 5¼"). Trimmed inside platemark; glued to backing sheet at corners;
Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt.
Ex: Collection of the Late Honourable Christopher Lennox-Boyd
[Ref: 32581] £90.00 (£108.00 incl.VAT)
T. Worlidge delin 1754.
Etching, sheet 185 x 135mm (7¼ x 5¼"). Trimmed inside platemark; glued to backing sheet at corners;
Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt.
Ex: Collection of the Late Honourable Christopher Lennox-Boyd
[Ref: 32581] £90.00 (£108.00 incl.VAT)
![[Man in hat and fur-trimmed gown]](jpegs/32582.jpg)
[Man in hat and fur-trimmed gown]
Tho.s Worlidge Fecit 1751
Etching, sheet 120 x 95mm (4¾ x 3¾"). Trimmed inside platemark; glued to backing sheet;
Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. His widow issued his plates in 1766 and 1767 afater his death with added numbers in the top right corner to correspond with the numbers in the catalogue of his prints which she produced. This is a believed to be an early state before numbers added, as even though the print is slightly trimmed, the numbers would be visible if present.
W32; D100. Ex: Collection of the Late Honourable Christopher Lennox-Boyd; cf. BM 1925,0511.179
[Ref: 32582] £65.00 (£78.00 incl.VAT)
Tho.s Worlidge Fecit 1751
Etching, sheet 120 x 95mm (4¾ x 3¾"). Trimmed inside platemark; glued to backing sheet;
Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. His widow issued his plates in 1766 and 1767 afater his death with added numbers in the top right corner to correspond with the numbers in the catalogue of his prints which she produced. This is a believed to be an early state before numbers added, as even though the print is slightly trimmed, the numbers would be visible if present.
W32; D100. Ex: Collection of the Late Honourable Christopher Lennox-Boyd; cf. BM 1925,0511.179
[Ref: 32582] £65.00 (£78.00 incl.VAT)
![[Man in Oriental Dress.]](jpegs/31159.jpg)
[Man in Oriental Dress.] 13.53. 45.
Tho.s Worlidge Inven.t Et. Fecit. 1753.
Etching with drypoint. 152 x 96mm (6 x 3¾"). Trimmed.
A man standing in oriental dress and a turban under his fur hat. He stands wearing a fur-trimmed gown, staff in his left hand and a sword hanging behind from his hip.
[Ref: 31159] £70.00 (£84.00 incl.VAT)
Tho.s Worlidge Inven.t Et. Fecit. 1753.
Etching with drypoint. 152 x 96mm (6 x 3¾"). Trimmed.
A man standing in oriental dress and a turban under his fur hat. He stands wearing a fur-trimmed gown, staff in his left hand and a sword hanging behind from his hip.
[Ref: 31159] £70.00 (£84.00 incl.VAT)
![[Man looking to his right]](jpegs/32908.jpg)
[Man looking to his right]
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 80 x 65mm (3 x 2½"). Good impression; trimmed on platemark; 'J.B.' (for John Barnard) verso.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Early impression from the Collection of John Barnard (1709-84), print-collector and one of the foremost connoisseurs of his day.
State i/iii; W101; D139.
[Ref: 32908] £280.00 (£336.00 incl.VAT)
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 80 x 65mm (3 x 2½"). Good impression; trimmed on platemark; 'J.B.' (for John Barnard) verso.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Early impression from the Collection of John Barnard (1709-84), print-collector and one of the foremost connoisseurs of his day.
State i/iii; W101; D139.
[Ref: 32908] £280.00 (£336.00 incl.VAT)
![[Man looking to his right]](jpegs/32909.jpg)
[Man looking to his right]
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 80 x 65mm (3 x 2½"). Small margins.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '7' added top right to correspond with the catalogue of his prints she produced.
State ii/iii; W101; D139.
[Ref: 32909] £200.00 (£240.00 incl.VAT)
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 80 x 65mm (3 x 2½"). Small margins.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '7' added top right to correspond with the catalogue of his prints she produced.
State ii/iii; W101; D139.
[Ref: 32909] £200.00 (£240.00 incl.VAT)
![[Man's head looking to his right]](jpegs/32925.jpg)
[Man's head looking to his right]
[by Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 85 x 65mm (3¼ x 2½"). Large margins; on bluish laid paper; foxing around edges.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '126' added top right to correspond with the catalogue of his prints she produced.
W126; D134.
[Ref: 32925] £120.00 (£144.00 incl.VAT)
[by Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 85 x 65mm (3¼ x 2½"). Large margins; on bluish laid paper; foxing around edges.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '126' added top right to correspond with the catalogue of his prints she produced.
W126; D134.
[Ref: 32925] £120.00 (£144.00 incl.VAT)
![[Man's head looking to his right]](jpegs/32926.jpg)
[Man's head looking to his right]
[by Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 85 x 65mm (3¼ x 2½"). Very large margins; uncut; on cream laid paper.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '126' added top right to correspond with the catalogue of his prints she produced.
W126; D134.
[Ref: 32926] £160.00 (£192.00 incl.VAT)
[by Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 85 x 65mm (3¼ x 2½"). Very large margins; uncut; on cream laid paper.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '126' added top right to correspond with the catalogue of his prints she produced.
W126; D134.
[Ref: 32926] £160.00 (£192.00 incl.VAT)
![[Young Man with Short Curls] [5 - 17 top right]](jpegs/32592.jpg)
[Young Man with Short Curls] [5 - 17 top right]
Tho. Worlidge Fecit 1754
Etching, with large margins; 5 in ink at bottom right; platemark 130 x 100mm (5 x 4"). Fine.
Posthumous impression of an etching by Thomas Worlidge (1700-66). Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. After his death, his widow published further impressions of his plates, adding new numbers to the plates to correspond with her own catalogue numbers. In this instance the '5' was etched by Worlidge himself, with the '17' added for posthumous impressions.
W17; D159. Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32592] £180.00 (£216.00 incl.VAT)
Tho. Worlidge Fecit 1754
Etching, with large margins; 5 in ink at bottom right; platemark 130 x 100mm (5 x 4"). Fine.
Posthumous impression of an etching by Thomas Worlidge (1700-66). Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. After his death, his widow published further impressions of his plates, adding new numbers to the plates to correspond with her own catalogue numbers. In this instance the '5' was etched by Worlidge himself, with the '17' added for posthumous impressions.
W17; D159. Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32592] £180.00 (£216.00 incl.VAT)
![[Young man with short curls]](jpegs/32749.jpg)
[Young man with short curls]
Thos Worlidge Fecit 1754.
Etching, platemark 135 x 100mm (5½ x 4"). Large margins
Study of a young man, by Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Later impression with numbers erased (numbers '5' and '17' present in earlier state).
State ii/ii; W17; D159
[Ref: 32749] £60.00 (£72.00 incl.VAT)
Thos Worlidge Fecit 1754.
Etching, platemark 135 x 100mm (5½ x 4"). Large margins
Study of a young man, by Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Later impression with numbers erased (numbers '5' and '17' present in earlier state).
State ii/ii; W17; D159
[Ref: 32749] £60.00 (£72.00 incl.VAT)
![[Bust of a man] 3.](jpegs/47689.jpg)
[Bust of a man] 3.
T.W. [Thomas Worlidge]
Etching, platemark 195 x 135mm (7¾ x 5¼"). Glued to backing sheet at edges. Small margins.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number added to correspond with the catalogue of his prints she produced.
[Ref: 47689] £180.00 (£216.00 incl.VAT)
T.W. [Thomas Worlidge]
Etching, platemark 195 x 135mm (7¾ x 5¼"). Glued to backing sheet at edges. Small margins.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number added to correspond with the catalogue of his prints she produced.
[Ref: 47689] £180.00 (£216.00 incl.VAT)
![[A man's head in profile, looking upwards]](jpegs/32934.jpg)
[A man's head in profile, looking upwards]
Thos Worlidge 1751
Etching, sheet 160 x 120mm (6¼ x 4¾"). Trimmed inside platemark; very good impression; 'J.B.' (for John Barnard) verso.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Early impression from Collection of John Barnard (1709-84), print-collector and one of the foremost connoisseurs of his day.
State i/iv; W121; D205.
[Ref: 32934] £220.00 (£264.00 incl.VAT)
Thos Worlidge 1751
Etching, sheet 160 x 120mm (6¼ x 4¾"). Trimmed inside platemark; very good impression; 'J.B.' (for John Barnard) verso.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Early impression from Collection of John Barnard (1709-84), print-collector and one of the foremost connoisseurs of his day.
State i/iv; W121; D205.
[Ref: 32934] £220.00 (£264.00 incl.VAT)
![[A man's head in profile, looking upwards]](jpegs/32933.jpg)
[A man's head in profile, looking upwards]
Thos Worlidge 1751.
Etching, sheet 160 x 120mm (6¼ x 4¾"). Trimmed inside platemark; very good impression; glued to backing sheet in corners.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '121' added lower right to correspond with the catalogue of his prints she produced.
State i/iv; W121; D205. Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32933] £160.00 (£192.00 incl.VAT)
Thos Worlidge 1751.
Etching, sheet 160 x 120mm (6¼ x 4¾"). Trimmed inside platemark; very good impression; glued to backing sheet in corners.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '121' added lower right to correspond with the catalogue of his prints she produced.
State i/iv; W121; D205. Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32933] £160.00 (£192.00 incl.VAT)
![[A man's head in profile, looking upwards]](jpegs/32935.jpg)
[A man's head in profile, looking upwards]
Thos Worlidge 1751.
Etching, platemark 165 x 130mm (6½ x 5"). Good impression; very large margins; uncut; on cream laid paper.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '121' added lower right and '10' upper left to correspond with the catalogue of his prints she produced.
State ii/iv; W121; D205.
[Ref: 32935] £140.00 (£168.00 incl.VAT)
Thos Worlidge 1751.
Etching, platemark 165 x 130mm (6½ x 5"). Good impression; very large margins; uncut; on cream laid paper.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '121' added lower right and '10' upper left to correspond with the catalogue of his prints she produced.
State ii/iv; W121; D205.
[Ref: 32935] £140.00 (£168.00 incl.VAT)
![[A man's head in profile, looking upwards]](jpegs/32936.jpg)
[A man's head in profile, looking upwards]
Thos Worlidge 1751.
Etching, sheet 155 x 115mm (6 x 4½"). Trimmed inside platemark; on cream laid paper; collector's stamp of Thomas Clutterbuck (L.2424) top right?
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
State iii/iv; W121; D205.
[Ref: 32936] £120.00 (£144.00 incl.VAT)
Thos Worlidge 1751.
Etching, sheet 155 x 115mm (6 x 4½"). Trimmed inside platemark; on cream laid paper; collector's stamp of Thomas Clutterbuck (L.2424) top right?
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
State iii/iv; W121; D205.
[Ref: 32936] £120.00 (£144.00 incl.VAT)
![[A man's head in profile, looking upwards]](jpegs/32937.jpg)
[A man's head in profile, looking upwards]
Etched by T. Worlidge. Pub.d by R. Pollard, Spa Fields 1790.
Etching and aquatint, sheet 165 x 130mm (6½ x 5"). Trimmed on platemark; strong crease; on laid paper.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Later impression after publisher Robert Pollard added aquatint to the aging plate.
State iii/iv; W121; D205.
[Ref: 32937] £45.00 (£54.00 incl.VAT)
Etched by T. Worlidge. Pub.d by R. Pollard, Spa Fields 1790.
Etching and aquatint, sheet 165 x 130mm (6½ x 5"). Trimmed on platemark; strong crease; on laid paper.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Later impression after publisher Robert Pollard added aquatint to the aging plate.
State iii/iv; W121; D205.
[Ref: 32937] £45.00 (£54.00 incl.VAT)
Andrew McDouall of Bankton / one of the Lords of the Court of Session in Scotland
TW [by Thomas Worlidge]
Etching, platemark 235 x 165mm (9¼ x 6½"). Good impression; very large margins; on cream laid paper.
Portrait of Andrew McDouall, Lord Bankton (1685-1760), judge, by Thomas Worlidge (1770-66), 'the English Rembrandt'. Between 1751 and 1753 McDouall published his famous 'Institute of the Laws of Scotland', a comprehensive work still cited to this day.
D130
[Ref: 33052] £220.00 (£264.00 incl.VAT)
TW [by Thomas Worlidge]
Etching, platemark 235 x 165mm (9¼ x 6½"). Good impression; very large margins; on cream laid paper.
Portrait of Andrew McDouall, Lord Bankton (1685-1760), judge, by Thomas Worlidge (1770-66), 'the English Rembrandt'. Between 1751 and 1753 McDouall published his famous 'Institute of the Laws of Scotland', a comprehensive work still cited to this day.
D130
[Ref: 33052] £220.00 (£264.00 incl.VAT)
![[Andrew McDouall of Bankton / one of the Lords of the Court of Session in Scotland]](jpegs/33051.jpg)
[Andrew McDouall of Bankton / one of the Lords of the Court of Session in Scotland]
[by Thomas Worlidge]
Etching, sheet 135 x 160mm (5¼ x 6¼"). Unfinished working proof trimmed to around half size of orginal plate but otherwise good condition; on white laid paper.
Portrait of Andrew McDouall, Lord Bankton (1685-1760), judge, by Thomas Worlidge (1770-66), 'the English Rembrandt'. Between 1751 and 1753 McDouall published his famous 'Institute of the Laws of Scotland', a comprehensive work still cited to this day.
D130
[Ref: 33051] £110.00 (£132.00 incl.VAT)
[by Thomas Worlidge]
Etching, sheet 135 x 160mm (5¼ x 6¼"). Unfinished working proof trimmed to around half size of orginal plate but otherwise good condition; on white laid paper.
Portrait of Andrew McDouall, Lord Bankton (1685-1760), judge, by Thomas Worlidge (1770-66), 'the English Rembrandt'. Between 1751 and 1753 McDouall published his famous 'Institute of the Laws of Scotland', a comprehensive work still cited to this day.
D130
[Ref: 33051] £110.00 (£132.00 incl.VAT)
Andrew McDouall of Bankton / one of the Lords of the Court of Session in Scotland
TW [by Thomas Worlidge]
Etching, platemark 235 x 165mm (9¼ x 6½"). Trimmed on platemark; creasing; paper tone.
Portrait of Andrew McDouall, Lord Bankton (1685-1760), judge, by Thomas Worlidge (1770-66), 'the English Rembrandt'. Between 1751 and 1753 McDouall published his famous 'Institute of the Laws of Scotland', a comprehensive work still cited to this day.
D130
[Ref: 33054] £60.00 (£72.00 incl.VAT)
TW [by Thomas Worlidge]
Etching, platemark 235 x 165mm (9¼ x 6½"). Trimmed on platemark; creasing; paper tone.
Portrait of Andrew McDouall, Lord Bankton (1685-1760), judge, by Thomas Worlidge (1770-66), 'the English Rembrandt'. Between 1751 and 1753 McDouall published his famous 'Institute of the Laws of Scotland', a comprehensive work still cited to this day.
D130
[Ref: 33054] £60.00 (£72.00 incl.VAT)
![[Sarah Delaval, Countess of Mexborough]](jpegs/33039.jpg)
[Sarah Delaval, Countess of Mexborough]
[by Thomas Worlidge]
Etching, platemark 105 x 85mm (4 x 3¼"). Large margins; good impression on laid paper.
Portrait of Sarah Delaval (d.1821), countess of John Savile, first earl of Mexborough. It was at a visit to their residence at Cannon Park, Hampshire, that actor and playwright Samuel Foote suffered his famous accident after being thrown from the Duke of York's horse. By Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
W42; D65; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 33039] £180.00 (£216.00 incl.VAT)
[by Thomas Worlidge]
Etching, platemark 105 x 85mm (4 x 3¼"). Large margins; good impression on laid paper.
Portrait of Sarah Delaval (d.1821), countess of John Savile, first earl of Mexborough. It was at a visit to their residence at Cannon Park, Hampshire, that actor and playwright Samuel Foote suffered his famous accident after being thrown from the Duke of York's horse. By Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
W42; D65; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 33039] £180.00 (£216.00 incl.VAT)
![[Sarah Delaval, Countess of Mexborough]](jpegs/33040.jpg)
[Sarah Delaval, Countess of Mexborough]
[by Thomas Worlidge]
Etching, platemark 105 x 85mm (4 x 3¼"). Thread margins; good impression on laid paper; glued to backing sheet.
Portrait of Sarah Delaval (d.1821), countess of John Savile, first earl of Mexborough. It was at a visit to their residence at Cannon Park, Hampshire, that actor and playwright Samuel Foote suffered his famous accident after being thrown from the Duke of York's horse. By Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
W42; D65; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 33040] £95.00 (£114.00 incl.VAT)
[by Thomas Worlidge]
Etching, platemark 105 x 85mm (4 x 3¼"). Thread margins; good impression on laid paper; glued to backing sheet.
Portrait of Sarah Delaval (d.1821), countess of John Savile, first earl of Mexborough. It was at a visit to their residence at Cannon Park, Hampshire, that actor and playwright Samuel Foote suffered his famous accident after being thrown from the Duke of York's horse. By Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
W42; D65; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 33040] £95.00 (£114.00 incl.VAT)
The Reverend Doc.r Nicoll
T.W. Fecit 1756
Etching with large margins, printed from oval plate, printed on laid paper, platemark 125 x 100mm (5 x 4"). Lifetime impression.
Portrait of John Nicoll (1683-1765), headmaster of Westminster School and prebendary of Westminster. Etched by Thomas Worlidge (1700-1766), 'the English Rembrandt'. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. His widow issued his plates in 1766 and 1767 afater his death with added numbers in the top right corner to correspond with the numbers in the catalogue of his prints which she produced.
W124; D174. Ex: Collection Hon. C. Lennox-Boyd.
[Ref: 32577] £160.00 (£192.00 incl.VAT)
T.W. Fecit 1756
Etching with large margins, printed from oval plate, printed on laid paper, platemark 125 x 100mm (5 x 4"). Lifetime impression.
Portrait of John Nicoll (1683-1765), headmaster of Westminster School and prebendary of Westminster. Etched by Thomas Worlidge (1700-1766), 'the English Rembrandt'. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. His widow issued his plates in 1766 and 1767 afater his death with added numbers in the top right corner to correspond with the numbers in the catalogue of his prints which she produced.
W124; D174. Ex: Collection Hon. C. Lennox-Boyd.
[Ref: 32577] £160.00 (£192.00 incl.VAT)
The Reverend Doc.r Nicoll.
T.W. [Thomas Worlidge] Fecit 1756
Etching, platemark 125 x 100mm (5 x 4"). Small margins; paper tone and foxing.
Dr. Nicholls, Prebendary of Westminster and Canon of Christ Church, Oxford. Portrait printed from an oval plate, by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '124' added upper centre to correspond with the catalogue of his prints she produced.
State i/ii; W124; D174.
[Ref: 32928] £90.00 (£108.00 incl.VAT)
T.W. [Thomas Worlidge] Fecit 1756
Etching, platemark 125 x 100mm (5 x 4"). Small margins; paper tone and foxing.
Dr. Nicholls, Prebendary of Westminster and Canon of Christ Church, Oxford. Portrait printed from an oval plate, by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '124' added upper centre to correspond with the catalogue of his prints she produced.
State i/ii; W124; D174.
[Ref: 32928] £90.00 (£108.00 incl.VAT)
The Reverend Doc.r Nicoll.
T.W. [Thomas Worlidge] Fecit 1756.
Etching, sheet 125 x 100mm (5 x 4"). Trimmed on platemark; good impression; light foxing; glued to backing sheet.
Dr. Nicholls, Prebendary of Westminster and Canon of Christ Church, Oxford. Portrait printed from an oval plate, by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '124' added upper centre to correspond with the catalogue of his prints she produced.
State i/ii; W124; D174; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32927] £45.00 (£54.00 incl.VAT)
T.W. [Thomas Worlidge] Fecit 1756.
Etching, sheet 125 x 100mm (5 x 4"). Trimmed on platemark; good impression; light foxing; glued to backing sheet.
Dr. Nicholls, Prebendary of Westminster and Canon of Christ Church, Oxford. Portrait printed from an oval plate, by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '124' added upper centre to correspond with the catalogue of his prints she produced.
State i/ii; W124; D174; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32927] £45.00 (£54.00 incl.VAT)
The Reverend Doc.r Nicoll.
T.W. [Thomas Worlidge] Fecit 1756.
Etching, platemark 125 x 100mm (5 x 4"). Large margins; on thin laid paper; light foxing.
Dr. Nicholls, Prebendary of Westminster and Canon of Christ Church, Oxford. Portrait printed from an oval plate, by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '124' added upper centre to correspond with the catalogue of his prints she produced.
State i/ii; W124; D174.
[Ref: 32929] £90.00 (£108.00 incl.VAT)
T.W. [Thomas Worlidge] Fecit 1756.
Etching, platemark 125 x 100mm (5 x 4"). Large margins; on thin laid paper; light foxing.
Dr. Nicholls, Prebendary of Westminster and Canon of Christ Church, Oxford. Portrait printed from an oval plate, by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '124' added upper centre to correspond with the catalogue of his prints she produced.
State i/ii; W124; D174.
[Ref: 32929] £90.00 (£108.00 incl.VAT)
The Reverend Doc.r Nicoll.
T.W. [Thomas Worlidge] Fecit 1756.
Etching, platemark 125 x 100mm (5 x 4"). Margins; good impression; strong horizontal crease. Foxed.
Dr. Nicholls, Prebendary of Westminster and Canon of Christ Church, Oxford. Portrait printed from an oval plate, by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '124' added upper centre to correspond with the catalogue of his prints she produced.
State i/ii; W124; D174.
[Ref: 32930] £45.00 (£54.00 incl.VAT)
T.W. [Thomas Worlidge] Fecit 1756.
Etching, platemark 125 x 100mm (5 x 4"). Margins; good impression; strong horizontal crease. Foxed.
Dr. Nicholls, Prebendary of Westminster and Canon of Christ Church, Oxford. Portrait printed from an oval plate, by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '124' added upper centre to correspond with the catalogue of his prints she produced.
State i/ii; W124; D174.
[Ref: 32930] £45.00 (£54.00 incl.VAT)
The Reverend Doc.r Nicoll.
T.W. [Thomas Worlidge] Fecit 1756.
Etching, platemark 125 x 100mm (5 x 4"). Margins; good impression; strong horizontal crease.
Dr. Nicholls, Prebendary of Westminster and Canon of Christ Church, Oxford. Portrait printed from an oval plate, by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '124' added upper centre to correspond with the catalogue of his prints she produced.
State ii/ii; W124; D174.
[Ref: 32931] £30.00 (£36.00 incl.VAT)
T.W. [Thomas Worlidge] Fecit 1756.
Etching, platemark 125 x 100mm (5 x 4"). Margins; good impression; strong horizontal crease.
Dr. Nicholls, Prebendary of Westminster and Canon of Christ Church, Oxford. Portrait printed from an oval plate, by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '124' added upper centre to correspond with the catalogue of his prints she produced.
State ii/ii; W124; D174.
[Ref: 32931] £30.00 (£36.00 incl.VAT)
The Reverend Doc.r Nicoll.
T.W. [Thomas Worlidge] Fecit 1756.
Etching, platemark 125 x 100mm (5 x 4"). Margins; good impression; strong horizontal crease.
Dr. Nicholls, Prebendary of Westminster and Canon of Christ Church, Oxford. Portrait printed from an oval plate, by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '124' added upper centre to correspond with the catalogue of his prints she produced.
State ii/ii; W124; D174.
[Ref: 32932] £45.00 (£54.00 incl.VAT)
T.W. [Thomas Worlidge] Fecit 1756.
Etching, platemark 125 x 100mm (5 x 4"). Margins; good impression; strong horizontal crease.
Dr. Nicholls, Prebendary of Westminster and Canon of Christ Church, Oxford. Portrait printed from an oval plate, by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '124' added upper centre to correspond with the catalogue of his prints she produced.
State ii/ii; W124; D174.
[Ref: 32932] £45.00 (£54.00 incl.VAT)
![[Titus Oates [?]]](jpegs/32745.jpg)
[Titus Oates [?]]
T Worlidge Fecit 1751
Etching, 125 x 100mm (5 x 4"). Fine impression; trimmed inside platemark.
Portrait supposedly representing Titus Oates, best known as an informer against Catholics, although quite different to other portraits of him. Oates was expelled from the navy for homosexual practices and the DNB notes that 'early writers were repelled as much by his homosexuality as by his personality'. Etched by Thomas Worlidge (1700-66), the 'English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression.
State i/iv; W16; D176; Not in O'D or NPG under Oates
[Ref: 32745] £220.00 (£264.00 incl.VAT)
T Worlidge Fecit 1751
Etching, 125 x 100mm (5 x 4"). Fine impression; trimmed inside platemark.
Portrait supposedly representing Titus Oates, best known as an informer against Catholics, although quite different to other portraits of him. Oates was expelled from the navy for homosexual practices and the DNB notes that 'early writers were repelled as much by his homosexuality as by his personality'. Etched by Thomas Worlidge (1700-66), the 'English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression.
State i/iv; W16; D176; Not in O'D or NPG under Oates
[Ref: 32745] £220.00 (£264.00 incl.VAT)
![[Titus Oates [?]] [16 top right]](jpegs/32746.jpg)
[Titus Oates [?]] [16 top right]
T Worlidge Fecit 1751.
Etching, 130 x 100mm (5 x 4"). Fine impression; small margins; top right missing.
Portrait supposedly representing Titus Oates, best known as an informer against Catholics, although quite different to other portraits of him. Oates was expelled from the navy for homosexual practices and the DNB notes that 'early writers were repelled as much by his homosexuality as by his personality'. Etched by Thomas Worlidge (1700-66), the 'English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression.
State ii/iv; W16; D176; Not in O'D or NPG under Oates
[Ref: 32746] £80.00 (£96.00 incl.VAT)
T Worlidge Fecit 1751.
Etching, 130 x 100mm (5 x 4"). Fine impression; small margins; top right missing.
Portrait supposedly representing Titus Oates, best known as an informer against Catholics, although quite different to other portraits of him. Oates was expelled from the navy for homosexual practices and the DNB notes that 'early writers were repelled as much by his homosexuality as by his personality'. Etched by Thomas Worlidge (1700-66), the 'English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression.
State ii/iv; W16; D176; Not in O'D or NPG under Oates
[Ref: 32746] £80.00 (£96.00 incl.VAT)
![[Titus Oates [?]] [16 top right & left]](jpegs/32747.jpg)
[Titus Oates [?]] [16 top right & left]
T Worlidge Fecit 1751.
Etching, 125 x 100mm (5 x 4"). Trimmed on platemark.
Portrait supposedly representing Titus Oates, best known as an informer against Catholics, although quite different to other portraits of him. Oates was expelled from the navy for homosexual practices and the DNB notes that 'early writers were repelled as much by his homosexuality as by his personality'. Etched by Thomas Worlidge (1700-66), the 'English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression.
State iii/iv; W16; D176; Not in O'D or NPG under Oates
[Ref: 32747] £80.00 (£96.00 incl.VAT)
T Worlidge Fecit 1751.
Etching, 125 x 100mm (5 x 4"). Trimmed on platemark.
Portrait supposedly representing Titus Oates, best known as an informer against Catholics, although quite different to other portraits of him. Oates was expelled from the navy for homosexual practices and the DNB notes that 'early writers were repelled as much by his homosexuality as by his personality'. Etched by Thomas Worlidge (1700-66), the 'English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression.
State iii/iv; W16; D176; Not in O'D or NPG under Oates
[Ref: 32747] £80.00 (£96.00 incl.VAT)
![[Bust of an old man]](jpegs/47685.jpg)
[Bust of an old man]
T.W. [...] Worlidge Fecit [in image]
Etching, platemark 195 x 135mm (7¾ x 5¼"). Glued to backing sheet. Etching of man playing hurdy-gurdy (by Callot?) verso. Small margins.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with a number added to correspond with the catalogue of his prints she produced.
[Ref: 47685] £160.00 (£192.00 incl.VAT)
T.W. [...] Worlidge Fecit [in image]
Etching, platemark 195 x 135mm (7¾ x 5¼"). Glued to backing sheet. Etching of man playing hurdy-gurdy (by Callot?) verso. Small margins.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with a number added to correspond with the catalogue of his prints she produced.
[Ref: 47685] £160.00 (£192.00 incl.VAT)
![[Head of an old man]](jpegs/32761.jpg)
[Head of an old man]
T Worlidge fecit 1752
Etching, platemark 125 x 100mm (5 x 4"). Trimmed on platemark; light foxing; signed verso 'J.B.' (for John Barnard, Lugt 1419).
Portrait study by Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression from the collection of John Barnard (1709-84), print-collector and one of the foremost connoisseurs of his day.
State ii/iv; W24; D150
[Ref: 32761] £260.00 (£312.00 incl.VAT)
T Worlidge fecit 1752
Etching, platemark 125 x 100mm (5 x 4"). Trimmed on platemark; light foxing; signed verso 'J.B.' (for John Barnard, Lugt 1419).
Portrait study by Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression from the collection of John Barnard (1709-84), print-collector and one of the foremost connoisseurs of his day.
State ii/iv; W24; D150
[Ref: 32761] £260.00 (£312.00 incl.VAT)
![[Head of an old man]](jpegs/32760.jpg)
[Head of an old man]
T Worlidge fecit 1752.
Etching, platemark 125 x 100mm (5 x 4"). Trimmed on platemark; light foxing; glued to backing sheet; lifetime impression.
Portrait study by Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
State ii/iv; W24; D150
[Ref: 32760] £260.00 (£312.00 incl.VAT)
T Worlidge fecit 1752.
Etching, platemark 125 x 100mm (5 x 4"). Trimmed on platemark; light foxing; glued to backing sheet; lifetime impression.
Portrait study by Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
State ii/iv; W24; D150
[Ref: 32760] £260.00 (£312.00 incl.VAT)
![[Head of an old man] [3 top left, 24 top right, 25 in reverse bottom right]](jpegs/32762.jpg)
[Head of an old man] [3 top left, 24 top right, 25 in reverse bottom right]
T Worlidge fecit 1752.
Etching, platemark 125 x 100mm (5 x 4"). Good impression with margins.
Portrait study by Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression with number '24' added in top right by Worlidge's widow to correspond with number in her 1767 catalogue of his prints.
State iii/iv; W24; D150
[Ref: 32762] £140.00 (£168.00 incl.VAT)
T Worlidge fecit 1752.
Etching, platemark 125 x 100mm (5 x 4"). Good impression with margins.
Portrait study by Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression with number '24' added in top right by Worlidge's widow to correspond with number in her 1767 catalogue of his prints.
State iii/iv; W24; D150
[Ref: 32762] £140.00 (£168.00 incl.VAT)