A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Sir Charles Oakeley, Bar.t, Governor of Madras 1790 - 1794.
Painted in 1816 by T. Barber. Engraved by S.W. Reynolds.
[c.1820.]
Mezzotint. 345 x 260mm (13½ x 10¼"). Small margins.
Sir Charles Oakeley (1751-1826), first Baronet, appointed governor of Madras in 1790. After Thomas Barber (1768/71 - 1843), pupil of Sir Thomas Lawrence.
Whitman: 219.
[Ref: 58105] £260.00 (£312.00 incl.VAT)
Painted in 1816 by T. Barber. Engraved by S.W. Reynolds.
[c.1820.]
Mezzotint. 345 x 260mm (13½ x 10¼"). Small margins.
Sir Charles Oakeley (1751-1826), first Baronet, appointed governor of Madras in 1790. After Thomas Barber (1768/71 - 1843), pupil of Sir Thomas Lawrence.
Whitman: 219.
[Ref: 58105] £260.00 (£312.00 incl.VAT)
Sir Charles Oakeley, Bar.t, Governor of Madras 1790 - 1794.
Painted in 1816 by T. Barber. Engraved by S.W. Reynolds.
[c.1820.]
Mezzotint. 345 x 260mm (13½ x 10¼"), with large margins. Presentation copy inscribed 'A Present from Sir Charles & obtained by the kindness of the Rev.d W.m Gorsuch Rowland. 1820.' in lower margin.
Sir Charles Oakeley (1751-1826), first Baronet, appointed governor of Madras in 1790. After Thomas Barber (c.1790 - 1843), pupil of Sir Thomas Lawrence. William Gorsuch Rowland (1770-1851) was Methodist minister at St. Mary’s, Shrewsbury from 1828 until his death.
Whitman: 219.
[Ref: 66083] £320.00
Painted in 1816 by T. Barber. Engraved by S.W. Reynolds.
[c.1820.]
Mezzotint. 345 x 260mm (13½ x 10¼"), with large margins. Presentation copy inscribed 'A Present from Sir Charles & obtained by the kindness of the Rev.d W.m Gorsuch Rowland. 1820.' in lower margin.
Sir Charles Oakeley (1751-1826), first Baronet, appointed governor of Madras in 1790. After Thomas Barber (c.1790 - 1843), pupil of Sir Thomas Lawrence. William Gorsuch Rowland (1770-1851) was Methodist minister at St. Mary’s, Shrewsbury from 1828 until his death.
Whitman: 219.
[Ref: 66083] £320.00
John Opie R.A. To John Boydell Esq.r Aldermann of the City of London This Plate is by Permission, Respectfully Inscribed by his much obliged & humble Serv.t S.W. Reynolds.
Ipse pinx. Engraved by S.W. Reynolds.
Published June 1. 1802 by John Jeffryes, Clapham Road.
Mezzotint. Sheet 335 x 230mm (13¼ x 8¾"). Trimmed within plate, laid on album paper at edges.
A self-portrait of John Opie, first published by Reynolds in 1798. Boydell published many of Opie paintings, including five subjects for his Shakespeare Gallery, most notibly Juliet's death from Romeo and Juliet.
Whitman 221, state ii of ii.
[Ref: 61634] £180.00 (£216.00 incl.VAT)
Ipse pinx. Engraved by S.W. Reynolds.
Published June 1. 1802 by John Jeffryes, Clapham Road.
Mezzotint. Sheet 335 x 230mm (13¼ x 8¾"). Trimmed within plate, laid on album paper at edges.
A self-portrait of John Opie, first published by Reynolds in 1798. Boydell published many of Opie paintings, including five subjects for his Shakespeare Gallery, most notibly Juliet's death from Romeo and Juliet.
Whitman 221, state ii of ii.
[Ref: 61634] £180.00 (£216.00 incl.VAT)
![[Henry Pelham Pelham-Clinton.]](jpegs/28772.jpg)
[Henry Pelham Pelham-Clinton.]
[S.W. Reynolds.]
[n.d. c.1820.]
Mezzotint with large margins, very fine proof before all letters. Plate 405 x 305mm (16 x 12").
Portrait of the 4th Duke of Newcastle, three-quarter length standing in Garter robes and hand on pommel of sword. Henry Pelham Pelham-Clinton, 4th Duke of Newcastle-under-Lyne (1785-1851), politician who played a leading part in British politics in the late 1820s and early 1830s. According to the BM, this plate was never completed, and is known throgh three working proofs, of which two are in the BM.
Ex Collection: The Late Hon.ble Christopher Lennox-Boyd. Whitman: 210.
[Ref: 28772] £260.00 (£312.00 incl.VAT)
[S.W. Reynolds.]
[n.d. c.1820.]
Mezzotint with large margins, very fine proof before all letters. Plate 405 x 305mm (16 x 12").
Portrait of the 4th Duke of Newcastle, three-quarter length standing in Garter robes and hand on pommel of sword. Henry Pelham Pelham-Clinton, 4th Duke of Newcastle-under-Lyne (1785-1851), politician who played a leading part in British politics in the late 1820s and early 1830s. According to the BM, this plate was never completed, and is known throgh three working proofs, of which two are in the BM.
Ex Collection: The Late Hon.ble Christopher Lennox-Boyd. Whitman: 210.
[Ref: 28772] £260.00 (£312.00 incl.VAT)
[The Right Honorable Spencer Perceval, First Lord of the Treasury & Chancellor of the Exchequer &c &c. Died by the hand of an Assassin on the 11.th May 1812.]
[Engraved by S.W. Reynolds from a Statue by Francis Chantrey Esq. R.A. Erected at Northampton.]
[n.d., 1818.]
Mezzotint, proof before letters, inscription area uncleaned. A superb near mint unfinished proof; 600 x 355mm (23½ x 14"), with large margins.
A 2-metre, full-length statue of Spencer Perceval (1762-1812), the only British prime minister to have been assassinated, still in the Northampton Guildhall.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67554] £480.00
[Engraved by S.W. Reynolds from a Statue by Francis Chantrey Esq. R.A. Erected at Northampton.]
[n.d., 1818.]
Mezzotint, proof before letters, inscription area uncleaned. A superb near mint unfinished proof; 600 x 355mm (23½ x 14"), with large margins.
A 2-metre, full-length statue of Spencer Perceval (1762-1812), the only British prime minister to have been assassinated, still in the Northampton Guildhall.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67554] £480.00
![[Hugh Percy, 3rd Duke] Earl Percy,](jpegs/62735.jpg)
[Hugh Percy, 3rd Duke] Earl Percy, To His Grace the Duke of Northumberland K.G. &c. &c. &c. This Print is respectfully Inscribed by his Grace's most obedient Servant, Samuel William Reynolds.
Painted by T. Philips A. Engraved by S.W. Reynolds.
London Published Oct.r 1.st 1806. by S.W. Reynolds, 47, Poland Street.
Fine mezzotint, open lettered state. 355 x 235mm (14 x 9¼"). Mounted at sides in album paper.
A half-length portrait of Hugh Percy (1785-1847), celebrating his election as member for the City of Westminster, after the death of Charles James Fox, a seat he only held for two months. In 1817 he became the 3rd Duke of Northumberland.
Whitman 235, state ii of iii.
[Ref: 62735] £280.00 (£336.00 incl.VAT)
Painted by T. Philips A. Engraved by S.W. Reynolds.
London Published Oct.r 1.st 1806. by S.W. Reynolds, 47, Poland Street.
Fine mezzotint, open lettered state. 355 x 235mm (14 x 9¼"). Mounted at sides in album paper.
A half-length portrait of Hugh Percy (1785-1847), celebrating his election as member for the City of Westminster, after the death of Charles James Fox, a seat he only held for two months. In 1817 he became the 3rd Duke of Northumberland.
Whitman 235, state ii of iii.
[Ref: 62735] £280.00 (£336.00 incl.VAT)
![Pointer Bitch, & Puppies. [&] Setters.](jpegs/8367.jpg)
Pointer Bitch, & Puppies. [&] Setters.
Painted by J.Ward. Engraved by S. Reynolds. [&] Painted by G. Morland. Engraved by S. Reynolds.
London Published March 1. 1799 by S. Morgan No. 22 Margaret Street Cavendish Square.
Pair of mezzotints, printed in colours. Each 330 x 380mm (13 x 15"). Framed. Unexamined out of frame.
Very fine matching pair of colour prints.
[Ref: 8367] £1,250.00 view all images for this item
Painted by J.Ward. Engraved by S. Reynolds. [&] Painted by G. Morland. Engraved by S. Reynolds.
London Published March 1. 1799 by S. Morgan No. 22 Margaret Street Cavendish Square.
Pair of mezzotints, printed in colours. Each 330 x 380mm (13 x 15"). Framed. Unexamined out of frame.
Very fine matching pair of colour prints.
[Ref: 8367] £1,250.00 view all images for this item
Pointer Bitch, & Puppies.
Painted by J.Ward. Engraved by S. Reynolds.
[London Pub. March 1 1798 by Morgan & C.º at Mr Griggs's No. 216 Holborn.]
Mezzotint, printed in colours. 320 x 380mm (12½ x 15"), large margins on 3 sides. Trimmed at bottom, losing publication line.
A white and tan pointer and her puppies lying on straw.
Whitman 462. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67790] £420.00
Painted by J.Ward. Engraved by S. Reynolds.
[London Pub. March 1 1798 by Morgan & C.º at Mr Griggs's No. 216 Holborn.]
Mezzotint, printed in colours. 320 x 380mm (12½ x 15"), large margins on 3 sides. Trimmed at bottom, losing publication line.
A white and tan pointer and her puppies lying on straw.
Whitman 462. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67790] £420.00
Pointer Bitch, & Puppies.
Painted by J.Ward. Engraved by S. Reynolds.
London Pub. by Morgan.
Scarce mezzotint. 330 x 380mm (13 x 15"). Bottom platemark partly split, crease in image.
A white and tan pointer and her puppies lying on straw.
Whitman 462. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67791] £380.00
Painted by J.Ward. Engraved by S. Reynolds.
London Pub. by Morgan.
Scarce mezzotint. 330 x 380mm (13 x 15"). Bottom platemark partly split, crease in image.
A white and tan pointer and her puppies lying on straw.
Whitman 462. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67791] £380.00
The Right Revd. Beilby Porteus, D.D. Lord Bishop of London. From an Original Picture in the Possession of Thomas Porteus Esq.e. Proof.
Painted by J. Hopner Esq.re R.A. Engraved by S.W. Reynolds, Bayswater.
[n.d., c.1820.]
Small margins.
A half length portrait of Beilby Porteus (1731-1809), in wig, dark coat and hat. Chaplain to King George III (1769), Bishop of Chester (1777) & Bishop of London (1787 until his death). He was the first Anglican in a position of authority to seriously challenge the Church's position on slavery.
Not in Whitman. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66951] £180.00 (£216.00 incl.VAT)
Painted by J. Hopner Esq.re R.A. Engraved by S.W. Reynolds, Bayswater.
[n.d., c.1820.]
Small margins.
A half length portrait of Beilby Porteus (1731-1809), in wig, dark coat and hat. Chaplain to King George III (1769), Bishop of Chester (1777) & Bishop of London (1787 until his death). He was the first Anglican in a position of authority to seriously challenge the Church's position on slavery.
Not in Whitman. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66951] £180.00 (£216.00 incl.VAT)
![[Stephen Price, Esq.re.]](jpegs/56395.jpg)
[Stephen Price, Esq.re.]
[S.W. Reynolds, Junr,, Pinxt. S.W. Reynolds, Sculpt. Engraver to the King.]
[Published by S.W. Reynolds, Bayswater.] [n.d., c.1826.]
Fine mezzotint, proof before all letters. 360 x 255mm (14¼ x 10"), with large margins. Plate uncleaned.
Stephen Price (1782-1840), American theatrical manager and impresario, seated with books behind. The portrait was drawn, engraved and published by Samuel William Reynolds, during Price's tenure as manager of the Theatre Royal, Drury Lane (1826-30). He used the position to encourage English stage stars to tour the US and appear in his own Park Theatre in New York.
Whitman 242.
[Ref: 56395] £360.00
[S.W. Reynolds, Junr,, Pinxt. S.W. Reynolds, Sculpt. Engraver to the King.]
[Published by S.W. Reynolds, Bayswater.] [n.d., c.1826.]
Fine mezzotint, proof before all letters. 360 x 255mm (14¼ x 10"), with large margins. Plate uncleaned.
Stephen Price (1782-1840), American theatrical manager and impresario, seated with books behind. The portrait was drawn, engraved and published by Samuel William Reynolds, during Price's tenure as manager of the Theatre Royal, Drury Lane (1826-30). He used the position to encourage English stage stars to tour the US and appear in his own Park Theatre in New York.
Whitman 242.
[Ref: 56395] £360.00
Raphael and Fornarina. In the Collection of the Rt. Hon.ble Lord Northwick.
Painted by Sebastian del Piombo. Engraved by S.W. Reynolds, Engraver to the King.
London: Published July 1.st 1826, by Js. Ant.y Molteno 20 Pall Mall & Mess.rs Chaillou Potrelle, Paris.
Mezzotint and etching, with large margins. Plate 425 x 272mm. 16¾ x 10¾". Some tears into the margins.
A couple in Renaissance dress seated in conversation; the woman with a toy spaniel in her lap and holding a mirror in her left hand, while he sits beside her, pointing upwards at two doves; a cat standing on hind legs in front of him snarls at the dog; trees and a fountain in the background.
Whitman: 425.
[Ref: 23902] £180.00 (£216.00 incl.VAT)
Painted by Sebastian del Piombo. Engraved by S.W. Reynolds, Engraver to the King.
London: Published July 1.st 1826, by Js. Ant.y Molteno 20 Pall Mall & Mess.rs Chaillou Potrelle, Paris.
Mezzotint and etching, with large margins. Plate 425 x 272mm. 16¾ x 10¾". Some tears into the margins.
A couple in Renaissance dress seated in conversation; the woman with a toy spaniel in her lap and holding a mirror in her left hand, while he sits beside her, pointing upwards at two doves; a cat standing on hind legs in front of him snarls at the dog; trees and a fountain in the background.
Whitman: 425.
[Ref: 23902] £180.00 (£216.00 incl.VAT)
![[Rembrandt's Mill.]](jpegs/65579.jpg)
[Rembrandt's Mill.]
[Rembrandt Pinxt. Engraved by S.W.Reynolds.]
[n.d, c.1820.]
Mezzotint. Unfiinished Proof. 400 x 340mm (15¾ x 13½"), large margins. Some foxing.
An unfinished proof depicting a windmill in the centre, with a river on the right.
Charrington 153, pre i of ii. Whitman 435. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65579] £260.00 (£312.00 incl.VAT)
[Rembrandt Pinxt. Engraved by S.W.Reynolds.]
[n.d, c.1820.]
Mezzotint. Unfiinished Proof. 400 x 340mm (15¾ x 13½"), large margins. Some foxing.
An unfinished proof depicting a windmill in the centre, with a river on the right.
Charrington 153, pre i of ii. Whitman 435. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65579] £260.00 (£312.00 incl.VAT)
![[Rembrandt's Mill.]](jpegs/65580.jpg)
[Rembrandt's Mill.] From the Original Picture.
Rembrandt Pinxt. Reynolds sculps.t.
Published by S.W.Reynolds Bayswater December 10 1822.
Mezzotint. 400 x 340mm (15¾ x 13½"). Top right margin split. Some faint foxing and creasing in upper right margin close to plate.
A scene depicting a windmill in the centre, with a river on the right. In the foreground to the left is a man in a boat and on the right on a woman and child are walking.
Charrington 153 i of ii. Whitman 435. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65580] £260.00 (£312.00 incl.VAT)
Rembrandt Pinxt. Reynolds sculps.t.
Published by S.W.Reynolds Bayswater December 10 1822.
Mezzotint. 400 x 340mm (15¾ x 13½"). Top right margin split. Some faint foxing and creasing in upper right margin close to plate.
A scene depicting a windmill in the centre, with a river on the right. In the foreground to the left is a man in a boat and on the right on a woman and child are walking.
Charrington 153 i of ii. Whitman 435. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65580] £260.00 (£312.00 incl.VAT)
Rembrandt's Marriage.
Rembrandt pinxt. S.W.Reynolds sculpt.
London Published & Sold June 4, 1811 by Edw.d Orme Printseller to the King Engraver & Publisher Bond Street corner of Brook Street.
Mezzotint. 520 x 400mm (20½ x 15¾"), large margins. Some faint foxing in along right edge of plate.
A scene depicting a man, kneeling and holding his right hand out to a girl who stands. A Priest in a turban stands behind them holding out his right hand.
Charrington 152 only state. W433. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65582] £360.00
Rembrandt pinxt. S.W.Reynolds sculpt.
London Published & Sold June 4, 1811 by Edw.d Orme Printseller to the King Engraver & Publisher Bond Street corner of Brook Street.
Mezzotint. 520 x 400mm (20½ x 15¾"), large margins. Some faint foxing in along right edge of plate.
A scene depicting a man, kneeling and holding his right hand out to a girl who stands. A Priest in a turban stands behind them holding out his right hand.
Charrington 152 only state. W433. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65582] £360.00
The Revd Samuel Reynolds, Father of Sir Joshua Reynolds. Proof.
Engraved by S.W. Reynolds, from the Original Picture by Sir Joshua Reynolds, in the Possession of J Palmer Esq.
Pub.d January 1 1823 by Colnaghi & C.o 23 Cockspur Street London..
Mezzotint, title in open letters. Plate: 280 x 380mm (11 x 15"), with very large margins. Crease in title area.
Portrait of Samuel Reynolds (1681-1746), Master of Plympton Grammar School; father of Sir Joshua Reynolds. Half-length in profile and looking to right, wearing loose gown; in an oval within a square frame. After Sir Joshua Reynolds (1723-1792).
Whitman 248.II. Hamilton p.58.II. Collection of the Hon. C. Lennox-Boyd.
[Ref: 39931] £160.00 (£192.00 incl.VAT)
Engraved by S.W. Reynolds, from the Original Picture by Sir Joshua Reynolds, in the Possession of J Palmer Esq.
Pub.d January 1 1823 by Colnaghi & C.o 23 Cockspur Street London..
Mezzotint, title in open letters. Plate: 280 x 380mm (11 x 15"), with very large margins. Crease in title area.
Portrait of Samuel Reynolds (1681-1746), Master of Plympton Grammar School; father of Sir Joshua Reynolds. Half-length in profile and looking to right, wearing loose gown; in an oval within a square frame. After Sir Joshua Reynolds (1723-1792).
Whitman 248.II. Hamilton p.58.II. Collection of the Hon. C. Lennox-Boyd.
[Ref: 39931] £160.00 (£192.00 incl.VAT)
Ripon. Pl. 5.
T. Girtin, Delin. S.W. Reynolds, sculp.
Published by S.W. Reynolds, Bayswater, May 7, 1824.
Mezzotint. 165 x 230mm (6½ x 9").
Ripon Cathedral in shadow, with a bridge lit up by a break in the sun. From 'Liber Naturae or A Collection of Prints from Drawings of Thomas Girtin'.
[Ref: 55987] £95.00 (£114.00 incl.VAT)
T. Girtin, Delin. S.W. Reynolds, sculp.
Published by S.W. Reynolds, Bayswater, May 7, 1824.
Mezzotint. 165 x 230mm (6½ x 9").
Ripon Cathedral in shadow, with a bridge lit up by a break in the sun. From 'Liber Naturae or A Collection of Prints from Drawings of Thomas Girtin'.
[Ref: 55987] £95.00 (£114.00 incl.VAT)
Distant view of Rome from Tivoli. From a picture in the posession of Frederick Perkins Esq. Gems of Art _ Plate 12.
Painted by Gaspar Poussin [Gaspard Dughet]. Engraved in Steel by S.W. Reynolds, Engraver to the King.
[London. Published Dec 1. 1823: by W.B. Cooke, 9 Soho Square.]
Mezzotint on steel. 210 x 275mm (8¼ x 10¾), with very large margins Some spotting.
Engraving after a painting by Gaspar Dughet (1615-75), who often used the name of his brother-in-law and teacher, Nicolas Poussin. Along with Claude Lorrain, Dughet was one of the landscape painters whose works were best-known to British audiences in the 18th century. His landscapes, disseminated through prints such as this, were highly influential on the nascent English landscape school. From 'Gems of Art: Forming a Choice Collection Engraved from Pictures of Acknowledged Excellence, Beauty, & Variety, Painted by Esteemed Masters of All Ages and Countries'.
Whitman 428a, but this state, with different plate number and lacking the publication line, not listed.
[Ref: 46349] £50.00 (£60.00 incl.VAT)
Painted by Gaspar Poussin [Gaspard Dughet]. Engraved in Steel by S.W. Reynolds, Engraver to the King.
[London. Published Dec 1. 1823: by W.B. Cooke, 9 Soho Square.]
Mezzotint on steel. 210 x 275mm (8¼ x 10¾), with very large margins Some spotting.
Engraving after a painting by Gaspar Dughet (1615-75), who often used the name of his brother-in-law and teacher, Nicolas Poussin. Along with Claude Lorrain, Dughet was one of the landscape painters whose works were best-known to British audiences in the 18th century. His landscapes, disseminated through prints such as this, were highly influential on the nascent English landscape school. From 'Gems of Art: Forming a Choice Collection Engraved from Pictures of Acknowledged Excellence, Beauty, & Variety, Painted by Esteemed Masters of All Ages and Countries'.
Whitman 428a, but this state, with different plate number and lacking the publication line, not listed.
[Ref: 46349] £50.00 (£60.00 incl.VAT)
Sir Samuel Romilly. Proof.
Painted by Sir Tho Lawrence R.A. Engraved by S.W. Reynolds, Bayswater.
[n.d., c.1810.]
Proof mezzotint. 355 x 250mm (14 x 9¾"), with large margins. Creases.
A half-length portrait of lawyer and Whig MP Sir Samuel Romilly (1757-1818). An abolitionist and reformer, he successfully introduced bills repealing an Elizabethan statute that make pickpocketing a capital offence (1808) and abolishing hanging, drawing and quartering (1814).
Whitman 251. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67158] £260.00 (£312.00 incl.VAT)
Painted by Sir Tho Lawrence R.A. Engraved by S.W. Reynolds, Bayswater.
[n.d., c.1810.]
Proof mezzotint. 355 x 250mm (14 x 9¾"), with large margins. Creases.
A half-length portrait of lawyer and Whig MP Sir Samuel Romilly (1757-1818). An abolitionist and reformer, he successfully introduced bills repealing an Elizabethan statute that make pickpocketing a capital offence (1808) and abolishing hanging, drawing and quartering (1814).
Whitman 251. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67158] £260.00 (£312.00 incl.VAT)
Sir Charles Saxton Bart. Resident Commissioner of his Majesty's Navy at Portsmouth.
J. Northcote pinxt. S.W. Reynolds sculpt.
London Pubd. Jan:4, 1795, by A. Molteno. Printseller to the Duchess of York, No.76. St. James's Street.
Mezzotint. 405 x 315mm. 16 x 12½". Crinkling to paper, some surface dirt.
[1732 - 1805]. Late impression on 19th century paper of this rare portrait.
Whitman: 258: iii/iii.
[Ref: 4450] £220.00 (£264.00 incl.VAT)
J. Northcote pinxt. S.W. Reynolds sculpt.
London Pubd. Jan:4, 1795, by A. Molteno. Printseller to the Duchess of York, No.76. St. James's Street.
Mezzotint. 405 x 315mm. 16 x 12½". Crinkling to paper, some surface dirt.
[1732 - 1805]. Late impression on 19th century paper of this rare portrait.
Whitman: 258: iii/iii.
[Ref: 4450] £220.00 (£264.00 incl.VAT)
![[Sir Charles Saxton, bart.]](jpegs/14849.jpg)
[Sir Charles Saxton, bart.]
J. Northcote pinx.t S. Reynolds sculp.t
[London: Pub.d Jan. 4 1795 by A. Molteno Printseller to the Duchess of York, No. 76 St. James's Street]
Mezzotint proof, 410 x 320mm to platemark. Glued to backing sheet, some foxing around platemark. Uncut sheet.
Portrait of Sir Charles Saxton, baronet (1732-1808), commissioner of the navy. After the conclusion of the Seven Years' War he commanded the Pearl in the Gulf of St. Lawrence to deter the French. From 1779 to 1783 he served in the West Indies with Sir Samuel Hood, including the action off the Chesapeake in 1781. From 1789 to 1806 he was commissioner of the navy at Portsmouth.
Whitman 258: i of iii. Ex: collection of the Hon. C. Lennox-Boyd
[Ref: 14849] £320.00
J. Northcote pinx.t S. Reynolds sculp.t
[London: Pub.d Jan. 4 1795 by A. Molteno Printseller to the Duchess of York, No. 76 St. James's Street]
Mezzotint proof, 410 x 320mm to platemark. Glued to backing sheet, some foxing around platemark. Uncut sheet.
Portrait of Sir Charles Saxton, baronet (1732-1808), commissioner of the navy. After the conclusion of the Seven Years' War he commanded the Pearl in the Gulf of St. Lawrence to deter the French. From 1779 to 1783 he served in the West Indies with Sir Samuel Hood, including the action off the Chesapeake in 1781. From 1789 to 1806 he was commissioner of the navy at Portsmouth.
Whitman 258: i of iii. Ex: collection of the Hon. C. Lennox-Boyd
[Ref: 14849] £320.00
![[Sir Charles Saxton Bart.]](jpegs/48241.jpg)
[Sir Charles Saxton Bart.]
J. Northcote pinx.t. S.W. Reynolds sculp.t.
London Pub.d Jan: 4, 1795 by A. Molteno Printseller to the Duchess of York, No.76 S.t James's Street.
Mezzotint. Plate: 410 x 320mm (16 x 12½'') very large margins.
A portrait of Royal navy officer Sir Charles Saxton Bart. (1732- 1808) who served in the War of Austrian Succession, the American War of Independence, the French Revolutionary Wars and the Napoleonic Wars.
Whitman 258.
[Ref: 48241] £240.00 (£288.00 incl.VAT)
J. Northcote pinx.t. S.W. Reynolds sculp.t.
London Pub.d Jan: 4, 1795 by A. Molteno Printseller to the Duchess of York, No.76 S.t James's Street.
Mezzotint. Plate: 410 x 320mm (16 x 12½'') very large margins.
A portrait of Royal navy officer Sir Charles Saxton Bart. (1732- 1808) who served in the War of Austrian Succession, the American War of Independence, the French Revolutionary Wars and the Napoleonic Wars.
Whitman 258.
[Ref: 48241] £240.00 (£288.00 incl.VAT)
![[Her Grace the Duchess of Buccleuch & Queensberry, the Right Honb.le the Earl of Dalkeith, and the Right Honb.le Lord Henry Scott.]](jpegs/36652.jpg)
[Her Grace the Duchess of Buccleuch & Queensberry, the Right Honb.le the Earl of Dalkeith, and the Right Honb.le Lord Henry Scott.]
[Painted by F. Grant Esqre. A.R.A. Engraved by S.W. Reynolds.]
[London: Published Octr. 24th. 1850, by Paul & Dominic Colnaghi & Co. 13 & 14, Pall Mall East _ Publishers to her Majesty.]
Mezzotint, rare proof before letters on chine collé. 440 x 320mm (17¼ x 12½"), 'Printsellers Association' blind stamp. Uncut.
A portrait of Charlotte Anne, Duchess of Buccleuch and Queensberry, with her children, William Henry Montagu Douglas Scott, 6th Duke of Buccleuch and 8th Duke of Queensberry (1831 - 1914), and Lord Henry Scott (1832 - 1905), in a landscape setting.
PSA: Artist's Proof: 100; L.P. 100. Whitman 476.
[Ref: 36652] £160.00 (£192.00 incl.VAT)
[Painted by F. Grant Esqre. A.R.A. Engraved by S.W. Reynolds.]
[London: Published Octr. 24th. 1850, by Paul & Dominic Colnaghi & Co. 13 & 14, Pall Mall East _ Publishers to her Majesty.]
Mezzotint, rare proof before letters on chine collé. 440 x 320mm (17¼ x 12½"), 'Printsellers Association' blind stamp. Uncut.
A portrait of Charlotte Anne, Duchess of Buccleuch and Queensberry, with her children, William Henry Montagu Douglas Scott, 6th Duke of Buccleuch and 8th Duke of Queensberry (1831 - 1914), and Lord Henry Scott (1832 - 1905), in a landscape setting.
PSA: Artist's Proof: 100; L.P. 100. Whitman 476.
[Ref: 36652] £160.00 (£192.00 incl.VAT)
Her Grace the Duchess of Buccleuch & Queensberry, the Right Honb.le the Earl of Dalkeith, and the Right Honb.le Lord Henry Scott. Proof
Painted by F. Grant Esq.re. A.R.A. Engraved by S.W. Reynolds.
London: Published Oct.r 24th. 1850, by Paul & Dominic Colnaghi & Co. 13 & 14, Pall Mall East _ Publishers to her Majesty.
Mezzotint, proof on chine collé. 440 x 320mm (17¼ x 12½"), 'Printsellers Association' blind stamp, very large margins. Foxing in margins.
A portrait of Charlotte Anne, Duchess of Buccleuch and Queensberry, with her children, William Henry Montagu Douglas Scott, 6th Duke of Buccleuch and 8th Duke of Queensberry (1831 - 1914), and Lord Henry Scott (1832 - 1905), in a landscape setting.
PSA: Artist's Proof: 100; L.P. 100. Whitman 476, ii of ii.
[Ref: 66610] £190.00 (£228.00 incl.VAT)
Painted by F. Grant Esq.re. A.R.A. Engraved by S.W. Reynolds.
London: Published Oct.r 24th. 1850, by Paul & Dominic Colnaghi & Co. 13 & 14, Pall Mall East _ Publishers to her Majesty.
Mezzotint, proof on chine collé. 440 x 320mm (17¼ x 12½"), 'Printsellers Association' blind stamp, very large margins. Foxing in margins.
A portrait of Charlotte Anne, Duchess of Buccleuch and Queensberry, with her children, William Henry Montagu Douglas Scott, 6th Duke of Buccleuch and 8th Duke of Queensberry (1831 - 1914), and Lord Henry Scott (1832 - 1905), in a landscape setting.
PSA: Artist's Proof: 100; L.P. 100. Whitman 476, ii of ii.
[Ref: 66610] £190.00 (£228.00 incl.VAT)
![[Her Grace the Duchess of Buccleuch & Queensberry, the Right Honb.le the Earl of Dalkeith, and the Right Honb.le Lord Henry Scott.]](jpegs/66608.jpg)
[Her Grace the Duchess of Buccleuch & Queensberry, the Right Honb.le the Earl of Dalkeith, and the Right Honb.le Lord Henry Scott.]
Painted by F. Grant Esq.re. A.R.A. Engraved by S.W. Reynolds.
London: Published Oct.r 24th. 1850, by Paul & Dominic Colnaghi & Co. 13 & 14, Pall Mall East _ Publishers to her Majesty.
Mezzotint, proof before title on chine collé. 440 x 320mm (17¼ x 12½"), with large margins; 'Printsellers Association' blind stamp. Foxing in margins.
A portrait of Charlotte Anne, Duchess of Buccleuch and Queensberry, with her children, William Henry Montagu Douglas Scott, 6th Duke of Buccleuch and 8th Duke of Queensberry (1831 - 1914), and Lord Henry Scott (1832 - 1905), in a landscape setting. Engraved by S. W. Reynolds junior.
PSA: Artist's Proof: 100; L.P. 100. Whitman 476, i of ii.
[Ref: 66608] £190.00 (£228.00 incl.VAT)
Painted by F. Grant Esq.re. A.R.A. Engraved by S.W. Reynolds.
London: Published Oct.r 24th. 1850, by Paul & Dominic Colnaghi & Co. 13 & 14, Pall Mall East _ Publishers to her Majesty.
Mezzotint, proof before title on chine collé. 440 x 320mm (17¼ x 12½"), with large margins; 'Printsellers Association' blind stamp. Foxing in margins.
A portrait of Charlotte Anne, Duchess of Buccleuch and Queensberry, with her children, William Henry Montagu Douglas Scott, 6th Duke of Buccleuch and 8th Duke of Queensberry (1831 - 1914), and Lord Henry Scott (1832 - 1905), in a landscape setting. Engraved by S. W. Reynolds junior.
PSA: Artist's Proof: 100; L.P. 100. Whitman 476, i of ii.
[Ref: 66608] £190.00 (£228.00 incl.VAT)
The Right Hon.ble Charles Shaw Lefevre, Speaker of the House of Commons, 1843. Proof.
Painted by Sir Martin Archer Shee, P.R.A. Engraved by S.W. Reynolds, 15½ Holland St Kensington. Printed by Brooker & Harrison.
Published (with permission) by Charles Augustus Mornewick Jun.r.
Mixed-method engraving. 705 x 455mm (27¾ x 18"); With very large margins, which have tears.
Charles Shaw-Lefevre (1794-1888), 1st Viscount Eversley, Whig Speaker of the House of Commons from 1839 to 1857, in his robes. The original oil is in the Parliamentary Art Collection.
[Ref: 51418] £280.00 (£336.00 incl.VAT)
Painted by Sir Martin Archer Shee, P.R.A. Engraved by S.W. Reynolds, 15½ Holland St Kensington. Printed by Brooker & Harrison.
Published (with permission) by Charles Augustus Mornewick Jun.r.
Mixed-method engraving. 705 x 455mm (27¾ x 18"); With very large margins, which have tears.
Charles Shaw-Lefevre (1794-1888), 1st Viscount Eversley, Whig Speaker of the House of Commons from 1839 to 1857, in his robes. The original oil is in the Parliamentary Art Collection.
[Ref: 51418] £280.00 (£336.00 incl.VAT)
The Good Shepherd. From the Original in the possession of T. Lister Parker Esq.r
J. Northcote pinx. S.W. Reynolds sculp.t
[c.1810]
Mezzotint with large margins, platemark 570 x 395mm (22½ x 15½"). Fine early impression; crease upper left; glue stain lower right.
The infant Christ as the Good Shepherd, after a painting by James Northcote (1746-1831), painter and author, in the collection of his patron Thomas Lister Parker of Brownsholme. Engraved by Samuel William Reynolds, this print is not in the standard reference book on Reynolds' work.
Ex Collection of the Late Hon. C. Lennox-Boyd; Not in Whitman.
[Ref: 36503] £420.00
J. Northcote pinx. S.W. Reynolds sculp.t
[c.1810]
Mezzotint with large margins, platemark 570 x 395mm (22½ x 15½"). Fine early impression; crease upper left; glue stain lower right.
The infant Christ as the Good Shepherd, after a painting by James Northcote (1746-1831), painter and author, in the collection of his patron Thomas Lister Parker of Brownsholme. Engraved by Samuel William Reynolds, this print is not in the standard reference book on Reynolds' work.
Ex Collection of the Late Hon. C. Lennox-Boyd; Not in Whitman.
[Ref: 36503] £420.00
![[Mrs Elizabeth Sheridan] St. Cecilia.](jpegs/59578.jpg)
[Mrs Elizabeth Sheridan] St. Cecilia. Proof.
Sir Joshua Reynolds Pinx.t. S.W. Reynolds Sculp.t.
[n.d., c.1820.]
Proof mezzotint. 230 x 165mm (9 x 6½"), with large margins.
Singer and writer Elizabeth Ann Sheridan (née Linley, 1754-92), painted as Saint Cecilia, patron saint of musicians and of Church music. She plays the organ seated on a low stool, two angelic children singing behind; from upper left, cloud with shafts of light. Miss Linley of Bath married the playwright Richard Brinsley Sheridan after eloping with him, in 1773. She was famous for her soprano voice, so the pose was obviously suitable. Sheridan, having ordered the picture, found he could not afford to pay for it. It was exhibited at the Royal Academy in 1775. From "Engravings from the Works of Sir Joshua Reynolds', a four-volume set (later nine) with over 350 small mezzotints.
See Whitman Appendix; state ii of iv.
[Ref: 59578] £90.00 (£108.00 incl.VAT)
Sir Joshua Reynolds Pinx.t. S.W. Reynolds Sculp.t.
[n.d., c.1820.]
Proof mezzotint. 230 x 165mm (9 x 6½"), with large margins.
Singer and writer Elizabeth Ann Sheridan (née Linley, 1754-92), painted as Saint Cecilia, patron saint of musicians and of Church music. She plays the organ seated on a low stool, two angelic children singing behind; from upper left, cloud with shafts of light. Miss Linley of Bath married the playwright Richard Brinsley Sheridan after eloping with him, in 1773. She was famous for her soprano voice, so the pose was obviously suitable. Sheridan, having ordered the picture, found he could not afford to pay for it. It was exhibited at the Royal Academy in 1775. From "Engravings from the Works of Sir Joshua Reynolds', a four-volume set (later nine) with over 350 small mezzotints.
See Whitman Appendix; state ii of iv.
[Ref: 59578] £90.00 (£108.00 incl.VAT)
Through Pangs fled to Felicity, / For within the Bosom bright / Of blazing Majesty and Light. / Milton.
Engraved by S.W. Reynolds from an original Sketch by Ja.s Northcote R.A. for the Comedy of Sighs Written by Prince Hoare.
Published by S.W. Reynolds, N.º 47 Poland Street, March 1, 1800.
Rare mezzotint. 355 x 255mm (14 x 10"). Narrow margins.
A woman has died in childbirth, with a skeleton touching her wrist with one hand and her urn, marked 'Emilia', with the other. An emblem from the play 'Sighs; or, The Daughter, a Comedy' (1799) by Prince Hoare (1755-1834).
Ex: collection of The Hon. Christopher Lennox-Boyd. Not in Whitman.
[Ref: 67796] £320.00
Engraved by S.W. Reynolds from an original Sketch by Ja.s Northcote R.A. for the Comedy of Sighs Written by Prince Hoare.
Published by S.W. Reynolds, N.º 47 Poland Street, March 1, 1800.
Rare mezzotint. 355 x 255mm (14 x 10"). Narrow margins.
A woman has died in childbirth, with a skeleton touching her wrist with one hand and her urn, marked 'Emilia', with the other. An emblem from the play 'Sighs; or, The Daughter, a Comedy' (1799) by Prince Hoare (1755-1834).
Ex: collection of The Hon. Christopher Lennox-Boyd. Not in Whitman.
[Ref: 67796] £320.00
Thomas Assheton Smith, Esq.re His Majesty's Lieutenant of the County of Carnavon. From a Portrait Painted by Sir William Beechey, R.A. and placed by his Friends in the Grand Jury Room at Carnarvon. A.D. 1826. Proof.
Painted by Sir W. Beechey R.A. Engraved by S.W. Reynolds. Engraver to the King (and J.P. Quilley.)
[c.1826.]
Proof mezzotint. 520 x 400mm (20½ x 15¾"). Trimmed to plate on three sides.
Thomas Assheton Smith (the elder) (1752 -1828), landowner who induced Parliament to pass an act enclosing the common land of Llanddeiniolen parish, adding over 2,600 acres to his land holdings, from which he mined slate. Subsequent rioting was put down by a cavalry unit. A close friend of George Finch, 9th Earl of Winchilsea, Smith became one of cricket's main patrons following the establishment of Marylebone Cricket Club in 1787. This portrait was commissioned by Caernarfon Corporation, who paid Beechey £157.10s. It is now in National Museum Cardiff.
Whitman: 268
[Ref: 56518] £260.00 (£312.00 incl.VAT)
Painted by Sir W. Beechey R.A. Engraved by S.W. Reynolds. Engraver to the King (and J.P. Quilley.)
[c.1826.]
Proof mezzotint. 520 x 400mm (20½ x 15¾"). Trimmed to plate on three sides.
Thomas Assheton Smith (the elder) (1752 -1828), landowner who induced Parliament to pass an act enclosing the common land of Llanddeiniolen parish, adding over 2,600 acres to his land holdings, from which he mined slate. Subsequent rioting was put down by a cavalry unit. A close friend of George Finch, 9th Earl of Winchilsea, Smith became one of cricket's main patrons following the establishment of Marylebone Cricket Club in 1787. This portrait was commissioned by Caernarfon Corporation, who paid Beechey £157.10s. It is now in National Museum Cardiff.
Whitman: 268
[Ref: 56518] £260.00 (£312.00 incl.VAT)
Thomas Assheton Smith, Esq.re His Majesty's Lieutenant of the County of Carnavon. From a Portrait Painted by Sir William Beechey, R.A. and placed by his Friends in the Grand Jury Room at Carnarvon. A.D. 1826. Proof.
Painted by Sir W. Beechey R.A. Engraved by S.W. Reynolds. Engraver to the King (and J.P. Quilley.)
[c.1826.]
Proof mezzotint. 520 x 400mm (20½ x 15¾"), large margins. Tears and creasing in margins.
Thomas Assheton Smith (the elder, 1752 -1828), landowner who induced Parliament to pass an act enclosing the common land of Llanddeiniolen parish, adding over 2,600 acres to his land holdings, from which he mined slate. Subsequent rioting was put down by a cavalry unit. A close friend of George Finch, 9th Earl of Winchilsea, Smith became one of cricket's main patrons following the establishment of Marylebone Cricket Club in 1787. This portrait was commissioned by Caernarfon Corporation, who paid Beechey £157.10s. It is now in National Museum Cardiff. Cricket interest.
Whitman: 268. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66627] £260.00 (£312.00 incl.VAT)
Painted by Sir W. Beechey R.A. Engraved by S.W. Reynolds. Engraver to the King (and J.P. Quilley.)
[c.1826.]
Proof mezzotint. 520 x 400mm (20½ x 15¾"), large margins. Tears and creasing in margins.
Thomas Assheton Smith (the elder, 1752 -1828), landowner who induced Parliament to pass an act enclosing the common land of Llanddeiniolen parish, adding over 2,600 acres to his land holdings, from which he mined slate. Subsequent rioting was put down by a cavalry unit. A close friend of George Finch, 9th Earl of Winchilsea, Smith became one of cricket's main patrons following the establishment of Marylebone Cricket Club in 1787. This portrait was commissioned by Caernarfon Corporation, who paid Beechey £157.10s. It is now in National Museum Cardiff. Cricket interest.
Whitman: 268. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66627] £260.00 (£312.00 incl.VAT)
M.elle Sontag.
Dessin, d'apres nature par Gosse. Reynolds graveur du Roi f'Angleterre sc.
[n.d., c.1840.]
Rare mezzotint. Sheet 380 x 265mm (15 x 10½"). Trimmed within plate, two holes in image, laid on card, some surface wear.
Henrietta Sontag (1806-1854), German operatic soprano of great international renown, here in 'Die Freischutz' by Carl Maria von Weber. Sontag sang with various companies including the Paris Italian Opera and was often referred to as 'the Nightingale of the North'.
Whitman 269. Ex: Collection of the Hon. Christopher Lennox-Boyd. Harvard IV p.89; 48.
[Ref: 34377] £220.00 (£264.00 incl.VAT)
Dessin, d'apres nature par Gosse. Reynolds graveur du Roi f'Angleterre sc.
[n.d., c.1840.]
Rare mezzotint. Sheet 380 x 265mm (15 x 10½"). Trimmed within plate, two holes in image, laid on card, some surface wear.
Henrietta Sontag (1806-1854), German operatic soprano of great international renown, here in 'Die Freischutz' by Carl Maria von Weber. Sontag sang with various companies including the Paris Italian Opera and was often referred to as 'the Nightingale of the North'.
Whitman 269. Ex: Collection of the Hon. Christopher Lennox-Boyd. Harvard IV p.89; 48.
[Ref: 34377] £220.00 (£264.00 incl.VAT)
The Sower.
Painted by R. Westall, R.A. Engraved by W.S. Reynolds.
London, Published Jan.y 1.st 1801. by S. Morgan, No. 22. Margaret Street, Cavendish Square, and W. Pearce, No. 30 Berners Street.
Mezzotint printed in colours. Very fine colour. 490 x 610mm. 19¼ x 24". Repaired tear through publication line.
A sower scatters seeds in a field, passing a woman and child who are seated at the edge of the field.
Not in Whitman.
[Ref: 14414] £420.00
Painted by R. Westall, R.A. Engraved by W.S. Reynolds.
London, Published Jan.y 1.st 1801. by S. Morgan, No. 22. Margaret Street, Cavendish Square, and W. Pearce, No. 30 Berners Street.
Mezzotint printed in colours. Very fine colour. 490 x 610mm. 19¼ x 24". Repaired tear through publication line.
A sower scatters seeds in a field, passing a woman and child who are seated at the edge of the field.
Not in Whitman.
[Ref: 14414] £420.00
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Philip Henry Earl Stanhope.
Painted by W. Haines. Engraved by S.W. Reynolds Bayswater.
[n.d., c.1821.]
Fine mezzotint. 505 x 355mm (19¾ x 14").
A full length portrait of Philip Henry Stanhope (1781-1855), 4th Earl Stanhope, wearing his peer's robes and holding his coronet, with Westminster Abbey in background.
Whitman 273. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66978] £320.00
Painted by W. Haines. Engraved by S.W. Reynolds Bayswater.
[n.d., c.1821.]
Fine mezzotint. 505 x 355mm (19¾ x 14").
A full length portrait of Philip Henry Stanhope (1781-1855), 4th Earl Stanhope, wearing his peer's robes and holding his coronet, with Westminster Abbey in background.
Whitman 273. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66978] £320.00
L. Sterne. Proof.
Sir Joshua Reynolds Pinx.t. S.W. Reynolds Sculp.t.
[London: 1836, Hodgson & Graves, 5 Pall Mall.]
Mezzotint, proof before full title. 235 x 170mm (9¼ x 6¾"). Surface soiling. With small margins.
Laurence Sterne (1713-68), writer and divine; author of 'Tristram Shandy'. The original oil on canvas by Joshua Reynolds, painted 1760, is in the National Portrait Gallery.
See NPG D14596 for the standard state and NPG 5019 for the oil.
[Ref: 53308] £65.00 (£78.00 incl.VAT)
Sir Joshua Reynolds Pinx.t. S.W. Reynolds Sculp.t.
[London: 1836, Hodgson & Graves, 5 Pall Mall.]
Mezzotint, proof before full title. 235 x 170mm (9¼ x 6¾"). Surface soiling. With small margins.
Laurence Sterne (1713-68), writer and divine; author of 'Tristram Shandy'. The original oil on canvas by Joshua Reynolds, painted 1760, is in the National Portrait Gallery.
See NPG D14596 for the standard state and NPG 5019 for the oil.
[Ref: 53308] £65.00 (£78.00 incl.VAT)
Major General David Stewart of Garth, C.B. F.R.S.E. and F.S.L. Dedicated to the Noblemen & Gentlemen of the Highlands of Scotland & to the Officers of the Highland Regiments, by their obliged & obedient Servant, James M. Scyrmgeour. Proof.
Painted by James M. Scrymgeour. Engraved by S.W. Reynolds, Engraver to the King.
[n.d., c.1830.]
Scarce mezzotint, proof before all letters; Sheet 700 x 435mm (27½ x 17"). Trimmed to plate, some creasing, staining in inscrption area. Repairs.
An impressive full-length portrait of David Stewart of Garth (1772-1829), in the dress uniform of a Highland regiment, with kilt, sporran and medals. He held commissions in several Highland regiments, notably the 42nd Royal Highland Regiment, (The ‘Black Watch’), with whom he fought during the French Revolutionary Wars, including Flanders (1794), West Indies (1795), the capture of Minorca (1798) and Alexandria (1801). He ended his career as governor of St Lucia, where he died of fever. His book, 'Sketches of the Character, Manners, and Present State of the Highlanders of Scotland', is considered the foundation for all subsequent work on Highlanders, clans and Scottish regiments system. This portrait was probably painted when he was promoted to Major General in 1825; it was exhibited in 1832 (after his death) and is now in the Black Watch Castle & Museum.
Whitman 276.
[Ref: 67569] £460.00
Painted by James M. Scrymgeour. Engraved by S.W. Reynolds, Engraver to the King.
[n.d., c.1830.]
Scarce mezzotint, proof before all letters; Sheet 700 x 435mm (27½ x 17"). Trimmed to plate, some creasing, staining in inscrption area. Repairs.
An impressive full-length portrait of David Stewart of Garth (1772-1829), in the dress uniform of a Highland regiment, with kilt, sporran and medals. He held commissions in several Highland regiments, notably the 42nd Royal Highland Regiment, (The ‘Black Watch’), with whom he fought during the French Revolutionary Wars, including Flanders (1794), West Indies (1795), the capture of Minorca (1798) and Alexandria (1801). He ended his career as governor of St Lucia, where he died of fever. His book, 'Sketches of the Character, Manners, and Present State of the Highlanders of Scotland', is considered the foundation for all subsequent work on Highlanders, clans and Scottish regiments system. This portrait was probably painted when he was promoted to Major General in 1825; it was exhibited in 1832 (after his death) and is now in the Black Watch Castle & Museum.
Whitman 276.
[Ref: 67569] £460.00
[Major General David Stewart of Garth, C.B. F.R.S.E. and F.S.L. Dedicated to the Noblemen & Gentlemen of the Highlands of Scotland & to the Officers of the Highland Regiments, by their obliged & obedient Servant, James M. Scyrmgeour. ]
[Painted by James M. Scrymgeour. Engraved by S.W. Reynolds, Engraver to the King.]
[n.d., c.1830.]
Scarce mezzotint, proof before letters. Sheet 700 x 435mm (27½ x 17"). Trimmed into plate, paper crack in inscription area, creasing. Slight stain on right bottom.
An impressive full-length portrait of David Stewart of Garth (1772-1829), in the dress uniform of a Highland regiment, with kilt, sporran and medals. He held commissions in several Highland regiments, notably the 42nd Royal Highland Regiment, (The ‘Black Watch’), with whom he fought during the French Revolutionary Wars, including Flanders (1794), West Indies (1795), the capture of Minorca (1798) and Alexandria (1801). He ended his career as governor of St Lucia, where he died of fever. His book, 'Sketches of the Character, Manners, and Present State of the Highlanders of Scotland', is considered the foundation for all subsequent work on Highlanders, clans and Scottish regiments system. This portrait was probably painted when he was promoted to Major General in 1825; it was exhibited in 1832 (after his death) and is now in the Black Watch Castle & Museum.
Whitman 276. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67570] £450.00
[Painted by James M. Scrymgeour. Engraved by S.W. Reynolds, Engraver to the King.]
[n.d., c.1830.]
Scarce mezzotint, proof before letters. Sheet 700 x 435mm (27½ x 17"). Trimmed into plate, paper crack in inscription area, creasing. Slight stain on right bottom.
An impressive full-length portrait of David Stewart of Garth (1772-1829), in the dress uniform of a Highland regiment, with kilt, sporran and medals. He held commissions in several Highland regiments, notably the 42nd Royal Highland Regiment, (The ‘Black Watch’), with whom he fought during the French Revolutionary Wars, including Flanders (1794), West Indies (1795), the capture of Minorca (1798) and Alexandria (1801). He ended his career as governor of St Lucia, where he died of fever. His book, 'Sketches of the Character, Manners, and Present State of the Highlanders of Scotland', is considered the foundation for all subsequent work on Highlanders, clans and Scottish regiments system. This portrait was probably painted when he was promoted to Major General in 1825; it was exhibited in 1832 (after his death) and is now in the Black Watch Castle & Museum.
Whitman 276. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67570] £450.00
General The Hon.ble Sir Charles Stuart K.B. To his Military Friends who directed the Engraving to be executed. This Plate is Inscribed by their mosr obliged Servant P. Colnaghi.
Painted by G. Romney. Engraved by S.W. Reynolds.
Published May 21 1803, Colnaghi & Co. 23, Cockspur Street.
Mezzotint, large margins with collector's mark. Plate 484 x 354mm (19 x 14"). Paper toned. Water stained.
Portrait, three-quarter length, standing, directed to front, facing towards right, wearing military uniform with star, holding a sword in his right hand; in the background on the right, fortification on hilltop; with coat of arms below the image. Major General Charles Stuart (1753-1801), son of John Stuart, 3rd Earl of Bute. Throughout his army career he was stationed both in America, during the War of Independence, and throughout the Mediterranean, fighting against Napoleon and the French.
Ex Collection: Earl of Bute. Horne: 116. See Ref: 29153 for unfinished stipple proof. Whitman: 277.
[Ref: 29139] £160.00 (£192.00 incl.VAT)
Painted by G. Romney. Engraved by S.W. Reynolds.
Published May 21 1803, Colnaghi & Co. 23, Cockspur Street.
Mezzotint, large margins with collector's mark. Plate 484 x 354mm (19 x 14"). Paper toned. Water stained.
Portrait, three-quarter length, standing, directed to front, facing towards right, wearing military uniform with star, holding a sword in his right hand; in the background on the right, fortification on hilltop; with coat of arms below the image. Major General Charles Stuart (1753-1801), son of John Stuart, 3rd Earl of Bute. Throughout his army career he was stationed both in America, during the War of Independence, and throughout the Mediterranean, fighting against Napoleon and the French.
Ex Collection: Earl of Bute. Horne: 116. See Ref: 29153 for unfinished stipple proof. Whitman: 277.
[Ref: 29139] £160.00 (£192.00 incl.VAT)
![Rob.t Thorpe [facsimile signature.]](jpegs/17305.jpg)
Rob.t Thorpe [facsimile signature.]
Painted by A.W. Wilkins. Engraved by S.W. Reynolds. [Jnr.]
Manchester: Published July 2nd..1852, by Thomas Agnew & Sons, Printsellers to the Queen.
Mezzotint and etching. Plate 509 x 381mm. 20 x 15". Some tearing in the margin. Foxing.
Ex: Collection of The Hon. C. Lennox-Boyd. See BM: 1931,1211.80. Not in Whitman.
[Ref: 17305] £120.00 (£144.00 incl.VAT)
Painted by A.W. Wilkins. Engraved by S.W. Reynolds. [Jnr.]
Manchester: Published July 2nd..1852, by Thomas Agnew & Sons, Printsellers to the Queen.
Mezzotint and etching. Plate 509 x 381mm. 20 x 15". Some tearing in the margin. Foxing.
Ex: Collection of The Hon. C. Lennox-Boyd. See BM: 1931,1211.80. Not in Whitman.
[Ref: 17305] £120.00 (£144.00 incl.VAT)
![W.m Twemlow [facsimile signature] of Witton Cottage, Northwich, Surgeon [...]](jpegs/67152.jpg)
W.m Twemlow [facsimile signature] of Witton Cottage, Northwich, Surgeon [...]
Rev.d T. Birkett, pinx.t 1823. S.W. Reynolds, London, sculp.t 1843.
Mezzotint. 250 x 180mm (8 x 7"), with large margins.
A three-quarter portrait of Norwich surgeon William Twemlow (1770-1843), seated at a table with skull on it, the legs of a skeleton hanging behind.
Whitman 531. Not in Wellcome. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67152] £220.00 (£264.00 incl.VAT)
Rev.d T. Birkett, pinx.t 1823. S.W. Reynolds, London, sculp.t 1843.
Mezzotint. 250 x 180mm (8 x 7"), with large margins.
A three-quarter portrait of Norwich surgeon William Twemlow (1770-1843), seated at a table with skull on it, the legs of a skeleton hanging behind.
Whitman 531. Not in Wellcome. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67152] £220.00 (£264.00 incl.VAT)
![[Henry Vassall-Fox] The Right Hon.ble Henry Lord Holland.](jpegs/67743.jpg)
[Henry Vassall-Fox] The Right Hon.ble Henry Lord Holland.
Painted by J.R. Smith. Engraved by S.W. Reynolds.
London, Published Oct.r 13. 1806, by S.W. Reynolds, N.º 47, Poland Street.
Mezzotint. 655 x 460mm (25¾ x 18"). Trimmed into plate at bottom, tear entering image on left taped, very small worm hole in image. Small margins.
A full-length portrait of Henry Vassall-Fox (1773-1840), 3rd baron, seated by a bust of his uncle, Charles James Fox, spaniel by his chair. A Whig polititican, he served as Lord Privy Seal 1806-7 in the Ministry of All the Talents, and Chancellor of the Duchy of Lancaster 1830-4 and 1835-40.
Whitman 146, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67743] £290.00 (£348.00 incl.VAT)
Painted by J.R. Smith. Engraved by S.W. Reynolds.
London, Published Oct.r 13. 1806, by S.W. Reynolds, N.º 47, Poland Street.
Mezzotint. 655 x 460mm (25¾ x 18"). Trimmed into plate at bottom, tear entering image on left taped, very small worm hole in image. Small margins.
A full-length portrait of Henry Vassall-Fox (1773-1840), 3rd baron, seated by a bust of his uncle, Charles James Fox, spaniel by his chair. A Whig polititican, he served as Lord Privy Seal 1806-7 in the Ministry of All the Talents, and Chancellor of the Duchy of Lancaster 1830-4 and 1835-40.
Whitman 146, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67743] £290.00 (£348.00 incl.VAT)
A Vestal. From an Original Picture in the possession of Ja.s Ferguson Esq.r M.P.
S. Woodforde del.t S.W. Reynolds sculp.t
London: Pub as the Act directs Feb.y 15. 1800, by M. Parr, No.52. Pall Mall.
Mezzotint and etching, rare. 451 x 331mm. 17¾ x 13". Trimmed; crease through centre.
A Vestal Virgin, three-quarter length, standing behind an altar with burning fire, holding a small plate in her left hand; etched border around image.
Whitman: 465.
[Ref: 27866] £280.00 (£336.00 incl.VAT)
S. Woodforde del.t S.W. Reynolds sculp.t
London: Pub as the Act directs Feb.y 15. 1800, by M. Parr, No.52. Pall Mall.
Mezzotint and etching, rare. 451 x 331mm. 17¾ x 13". Trimmed; crease through centre.
A Vestal Virgin, three-quarter length, standing behind an altar with burning fire, holding a small plate in her left hand; etched border around image.
Whitman: 465.
[Ref: 27866] £280.00 (£336.00 incl.VAT)
![[Victoria of Saxe-Coburg-Saalfeld] German Lady. Dame Allemande.](jpegs/66949.jpg)
[Victoria of Saxe-Coburg-Saalfeld] German Lady. Dame Allemande.
Painted by Sir Thomas Lawrence Late President of the Royal Academy. S.W. Reynolds Engraver to their Majesties Sculp.t & W. Reynolds. Imp.e par Chardon Jn.e.
A Paris chez Scroth Editeur Rue St. Honore No. 353 bis. [n.d., c.1825.]
Mezzotint. 355 x 260mm (14 x 10¼"), large margins. Slight surface wear.
Half-length portrait of Victoria of Saxe-Coburg-Saalfeld (1786-1861), Duchess of Kent as wife to Prince Edward, and mother of Queen Victoria. She is wearing a large-brimmed feathered hat, a dark dress with full sleeves and a frilled white collar, bedecked with pearlsher hand raised to display a ring.
Whitman 1717, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66949] £190.00 (£228.00 incl.VAT)
Painted by Sir Thomas Lawrence Late President of the Royal Academy. S.W. Reynolds Engraver to their Majesties Sculp.t & W. Reynolds. Imp.e par Chardon Jn.e.
A Paris chez Scroth Editeur Rue St. Honore No. 353 bis. [n.d., c.1825.]
Mezzotint. 355 x 260mm (14 x 10¼"), large margins. Slight surface wear.
Half-length portrait of Victoria of Saxe-Coburg-Saalfeld (1786-1861), Duchess of Kent as wife to Prince Edward, and mother of Queen Victoria. She is wearing a large-brimmed feathered hat, a dark dress with full sleeves and a frilled white collar, bedecked with pearlsher hand raised to display a ring.
Whitman 1717, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66949] £190.00 (£228.00 incl.VAT)
![[Victoria of Saxe-Coburg-Saalfeld] [German Lady. Dame Allemande.]](jpegs/66980.jpg)
[Victoria of Saxe-Coburg-Saalfeld] [German Lady. Dame Allemande.]
[Painted by Sir Thomas Lawrence Late President of the Royal Academy. S.W. Reynolds Engraver to their Majesties Sculp.t & W. Reynolds. Imp.e par Chardon Jn.e.]
[A Paris chez Scroth Editeur Rue St. Honore No. 353 bis.] [n.d., c.1825.]
Mezzotint, proof before letters. 355 x 260mm (14 x 10¼"), with large margins Repaired tears in margins.
Half-length portrait of Victoria of Saxe-Coburg-Saalfeld (1786-1861), Duchess of Kent as wife to Prince Edward, and mother of Queen Victoria. She is wearing a large-brimmed feathered hat, a dark dress with full sleeves and a frilled white collar, bedecked with pearls, her hand raised to display a ring. In this early state the collar has no etched lines.
Whitman 1717, i of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66980] £230.00 (£276.00 incl.VAT)
[Painted by Sir Thomas Lawrence Late President of the Royal Academy. S.W. Reynolds Engraver to their Majesties Sculp.t & W. Reynolds. Imp.e par Chardon Jn.e.]
[A Paris chez Scroth Editeur Rue St. Honore No. 353 bis.] [n.d., c.1825.]
Mezzotint, proof before letters. 355 x 260mm (14 x 10¼"), with large margins Repaired tears in margins.
Half-length portrait of Victoria of Saxe-Coburg-Saalfeld (1786-1861), Duchess of Kent as wife to Prince Edward, and mother of Queen Victoria. She is wearing a large-brimmed feathered hat, a dark dress with full sleeves and a frilled white collar, bedecked with pearls, her hand raised to display a ring. In this early state the collar has no etched lines.
Whitman 1717, i of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66980] £230.00 (£276.00 incl.VAT)
![[Vulture & Snake.]](jpegs/11838.jpg)
[Vulture & Snake.]
J. Northcote R.A pinx.t. S.W. Reynolds sculp.t.
London Publish'd 5th April 1799 by Jeffryes & Co, Ludgate Hill.
Mezzotint. 490 x 610mm (19¼ x 24"). Slight mount burn and staining, small surface crack. Laid on board.
A vulture grips a forked-tongued serpent in its claws.
Whitman: 422, state i of ii.
[Ref: 11838] £650.00
J. Northcote R.A pinx.t. S.W. Reynolds sculp.t.
London Publish'd 5th April 1799 by Jeffryes & Co, Ludgate Hill.
Mezzotint. 490 x 610mm (19¼ x 24"). Slight mount burn and staining, small surface crack. Laid on board.
A vulture grips a forked-tongued serpent in its claws.
Whitman: 422, state i of ii.
[Ref: 11838] £650.00
Vulture & Snake.
J. Northcote R.A pinx.t. S.W. Reynolds sculp.t.
London Publish'd 5th July 1799 by Jeffryes & Co, Ludgate Hill.
Mezzotint, printed in colours and hand-finished. 490 x 610mm (19¼ x 24"). Cracks to platemark, mounted on card at edges, some staining. Small margins.
A vulture grips a forked-tongued serpent in its claws.
Whitman: 422, state ii of ii.
[Ref: 51161] £1,250.00
J. Northcote R.A pinx.t. S.W. Reynolds sculp.t.
London Publish'd 5th July 1799 by Jeffryes & Co, Ludgate Hill.
Mezzotint, printed in colours and hand-finished. 490 x 610mm (19¼ x 24"). Cracks to platemark, mounted on card at edges, some staining. Small margins.
A vulture grips a forked-tongued serpent in its claws.
Whitman: 422, state ii of ii.
[Ref: 51161] £1,250.00
Chas. Warren Esq.r
W. Behnes, Sculptor. Engraved by S.W. Reynolds. Engraver to the King.
Pubd. June 10.th 1824 for the Proprietor by Colnaghi & Co. Cockspur Street.
Mezzotint, collector's stamp on verso, with very large margins. Plate 355 x 254mm. 14 x 10".
Portrait of Charles Warren after a sculptured bust by W. Behnes, directed towards left. Charles Warren (1762-1823) was an engraver and draughtsman; one of the first engravers to use steel.
Whitman: 290. See Lugt: 31 [Victoria & Albert Museum].
[Ref: 24416] £280.00 (£336.00 incl.VAT)
W. Behnes, Sculptor. Engraved by S.W. Reynolds. Engraver to the King.
Pubd. June 10.th 1824 for the Proprietor by Colnaghi & Co. Cockspur Street.
Mezzotint, collector's stamp on verso, with very large margins. Plate 355 x 254mm. 14 x 10".
Portrait of Charles Warren after a sculptured bust by W. Behnes, directed towards left. Charles Warren (1762-1823) was an engraver and draughtsman; one of the first engravers to use steel.
Whitman: 290. See Lugt: 31 [Victoria & Albert Museum].
[Ref: 24416] £280.00 (£336.00 incl.VAT)
Geo. Webb Hall, Esqr. From a Painting by Jas. Lonsdale, Esqr. Painter to H.R.H. the Duke of Sussex. Presented by the Agricultural Associations of Great Britain to ~ Mrs. Webb Hall. In the back ground are Sneed Park & the River Avon, Kings Weston & the Bristol Channel.
Engraved by S.W. Reynolds, Engraver to the King.
Published Feby. 7th, 1822, by Mr. Lonsdale, 8, Berners Stt. London.
Mezzotint 657 x 406mm. Some creasing and staining. Coffee stain inside image.
George Webb Hall (1765-1824), Lawyer and Chairman to the Committee of the Agricultural Associations of Great Britain.
NPG: D35219. Whitman 125
[Ref: 12549] £260.00 (£312.00 incl.VAT)
Engraved by S.W. Reynolds, Engraver to the King.
Published Feby. 7th, 1822, by Mr. Lonsdale, 8, Berners Stt. London.
Mezzotint 657 x 406mm. Some creasing and staining. Coffee stain inside image.
George Webb Hall (1765-1824), Lawyer and Chairman to the Committee of the Agricultural Associations of Great Britain.
NPG: D35219. Whitman 125
[Ref: 12549] £260.00 (£312.00 incl.VAT)
Josiah Wedgwood, Esq.re F.R.S & S.A.
Painted by Sir Joshua Reynolds. Engraved by S. W. Reynolds 15 Holland St, Kensington.
Published May 1st. 1841 by R. Sheppard, Repository of Arts, Newcastle Under Lyme.
Mezzotint. Sheet: 345 x 255mm (13½ x 10"). Trimmed within plate.
A portrait of potter and entrepreneur Josiah Wedgwood (1730-1795).
Not in Hamilton.
[Ref: 47748] £160.00 (£192.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engraved by S. W. Reynolds 15 Holland St, Kensington.
Published May 1st. 1841 by R. Sheppard, Repository of Arts, Newcastle Under Lyme.
Mezzotint. Sheet: 345 x 255mm (13½ x 10"). Trimmed within plate.
A portrait of potter and entrepreneur Josiah Wedgwood (1730-1795).
Not in Hamilton.
[Ref: 47748] £160.00 (£192.00 incl.VAT)
Joseph West of Welbourn Yorkshire.
Painted, Engraved & Published Jany 1. 1798 by S.W. Reynolds, Malton, Yorkshire.
Mezzotint, 325 x 225mm. 12¾ x 9".
Joseph West of Welbourne, physician, in an armchair behind a table with papers, inkstand and pen, and small bottle. He holds spectacles in his right hand. Small vignette on the theme of the Good Samaritan in a roundel below portrait. After Samuel William Reynolds I (c.1774 - 1835), a rare portrait.
Whitman: 294 only state. Not in Wellcome.
[Ref: 12445] £260.00 (£312.00 incl.VAT)
Painted, Engraved & Published Jany 1. 1798 by S.W. Reynolds, Malton, Yorkshire.
Mezzotint, 325 x 225mm. 12¾ x 9".
Joseph West of Welbourne, physician, in an armchair behind a table with papers, inkstand and pen, and small bottle. He holds spectacles in his right hand. Small vignette on the theme of the Good Samaritan in a roundel below portrait. After Samuel William Reynolds I (c.1774 - 1835), a rare portrait.
Whitman: 294 only state. Not in Wellcome.
[Ref: 12445] £260.00 (£312.00 incl.VAT)