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Catalogue: England
Moot Hall. To Geo.Banks of Leeds, Esqr. This Plate Engraved from a Drawing in his Possession is respectfully inscribed by the Publishers.
Moot Hall. To Geo.Banks of Leeds, Esqr. This Plate Engraved from a Drawing in his Possession is respectfully inscribed by the Publishers.
Charles Heath, sculp.
Published, by Robinson, Son & Holdsworth, Leeds & J.Hurst, Wakefield, May 1.1816.
Copper engraving. 267 x 305mm.
A Moot Hall was a meeting of assembly building, traditionally to decide loacl issues.
[Ref: 15118]   £75.00   (£90.00 incl.VAT)
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Moseley Hall, the Residence of Lady Carhampton.
Moseley Hall, the Residence of Lady Carhampton. Moseley-Hall, Residence of Lady Carhampton. Moseley-Hall is situated on a rising ground, in the village of that name, about three miles from Birmingham. This was next to Mr Russell’s in the order of destruction... c’est a quoi elle se trouva obligée de se conformer, et le Samedi soi 16 Juillet cette belle maison devint la proie des flammes.
Drawn by P.H. Witton Jun.r Engraved by W.m Ellis.
London. Published, 1 May 1792, by J.Johnson, St. Paul's Church Yard.
Aquatint with descriptive text in English and French. Sheet 406 x 260mm. 16 x 10¼". Laid on album page, foxing.
Moseley Hall, belonged to John Taylor, and was burnt down after the rioters had carefully moved all the furniture and belongings of the occupant, the Dowager Lady Carhampton, a relative of George III . The Priestley Riots, the Birmingham Riots of 1791, targeted religious Dissenters, most notably the politically and theologically controversial Joseph Priestley. From "Views of the Ruins of the Principal Houses destroyed during the Riots at Birmingham. 1791." On the 14th of July, 1791, a party having met at an hotel to celebrate the anniversary of the French revolution, collected together as a mob, and proceeded for several days their devastations, setting fire to several meeting-houses and private mansions, but on the arrival of the military from Oxford and Hounslow, order was restored: at the ensuing assizes four of the ring-leaders were convicted, two of whom suffered the penalty of the law. Shortly after this occurrence barracks were erected on the Vauxhall-road, near the town, consisting of a range of handsome buildings, enclosing a spacious area for the exercise of cavalry, and a smaller for parades, a riding-school, a magazine, and an hospital.
[Ref: 21111]   £140.00   (£168.00 incl.VAT)
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Devil's Point & Mount Edgcombe;
Devil's Point & Mount Edgcombe; from the Fort, near the Telegraph, Plymouth Dock.
W Hawkes Smith del. & fec. Printed from Stone, by WH Smith
[n.d., c.1820]
Lithograph, printed area 185 x 430mm (7¼ x 17"). Slight crease on right; very rare.
View of Plymouth Sound with key indicating (l-r) 'St Nicholas' Island [now known as Drake's Island]/ Mew Stone / Breakwater / O. Cromwell's Tower, Extremity of the Point / Mount Edgcombe / Maker Church / Turret of the Admiral's Landing'. By the little-known Birmingham printmaker William Hawkes Smith (1818-1821, fl.).
Ex Collection: The Late Honourable Christopher Lennox-Boyd.
[Ref: 32241]   £260.00   (£312.00 incl.VAT)
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View at Mount Edgcumbe.
View at Mount Edgcumbe.
T.L. July 26.
Pencil drawing 209 x 286mm. 8¼ x 11¼". Some old glue stains around the image where the mount was fixed.
It is situated within Mount Edgcumbe Country Park, in the parish of Maker on the Rame Peninsula, overlooking Plymouth Sound. The main entrance to the park is in the village of Cremyll. The house was formerly the seat of the Earls of Mount Edgcumbe. This view is part of the gardens that extend to St. John's Lake.
See 15971.
[Ref: 15970]   £65.00   (£78.00 incl.VAT)
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A View of Mount Edgcumbe.
A View of Mount Edgcumbe.
G. Lambert & Scott pinx.t. C.W. Bampflyde delin. Canot sculp.t.
London, Printed for Rob.t Sayer & Bennett, in Fleet Street, Rob.t Wilkinson in Cornhill, John Boydell in Cheapside, & Carington Bowles in St Pauls Church Yard. [n.d., c.1755.]
Coloured engraving. 365 x 565mm (14¼ x 22¼"), on thick paper. Cut inside image. Damaged. Slight surface soiling.
A view of Mount Edgcumbe, Cornwall, painted by George Lambert & Samuel Scott from Plymouth Sound. In the foreground are British ships and longboats. The plate was engraved by Pierre Charles Canot from an intermediary sketch by Coplestone Warre Bampfylde and published in the series 'Five views of and from Mount Edgcumbe, Plymouth'.
[Ref: 38814]   £260.00   (£312.00 incl.VAT)
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A View of Mount Edgcumbe taken from St Nicholas's Island.
A View of Mount Edgcumbe taken from St Nicholas's Island.
G. Lambert & Scott pinx.t. C.W. Bampflyde delin. Canot sculpt.
London, Printed for Rob.t Sayer & Bennett, in Fleet Street, Rob.t Wilkinson in Cornhill, John Boydell in Cheapside, & Carington Bowles in St Pauls Church Yard. [n.d., c.1755.]
Coloured engraving. 365 x 565mm (14¼ x 22¼"), on thick paper. Overall creasing and large margins.
A view of Mount Edgcumbe, Cornwall, painted by George Lambert & Samuel Scott from rocks probably on Drake's Island in Plymouth Sound. A British warship is firing a salute. The plate was engraved by Pierre Charles Canot from an intermediary sketch by Coplestone Warre Bampfylde and published in the series 'Five views of and from Mount Edgcumbe, Plymouth'.
[Ref: 38813]   £360.00  
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Mount Edgcumbe near Plymouth in Devonshire.
Mount Edgcumbe near Plymouth in Devonshire. 438 M.
Sold by Dicey & Co, in Aldermary Church Yard London. [n.d. c.1780.]
Hand-coloured engraving. 425 x 540mm. 16¾ x 21¼". Laid on card.
A view of Mount Edgcumbe House and Gardens on the borders of Devon and Cornwall.
[Ref: 24016]   £160.00   (£192.00 incl.VAT)
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[View of Mount Edgcumbe taken from the Rope House Plymouth Dock]
[View of Mount Edgcumbe taken from the Rope House Plymouth Dock] To the Rt. H.ble George Edgcumbe. Earl of Mount Edgcumbe, Visc.t Valletort. This view of Mount Edgcumbe, taken from the Rope House Plymouth Dock, is dedicated by his Lordship's most obeient humble serv.t, Carles Tomkins.
Painted by W. Tomkins. Engraved by C. Tomkins.
London. Published May 1st 1790, by C. Tomkins, No. 20 Haymarket.
Stipple engraving, scarce. Printed area: 345 x 345mm. 13.5" x 13.5". Slight creasing.
Mount Edgcumbe House is the former home of the Earls of Mount Edgcumbe.
[Ref: 27844]   £260.00   (£312.00 incl.VAT)
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A View of Plymouth Fort and St Nicholas's Island, from Mount Edgcumbe.
A View of Plymouth Fort and St Nicholas's Island, from Mount Edgcumbe.
G. Lambert & Scott pinx.t. C.W. Bampflyde delin. J. Mason sculp.t.
Published according to Act of Parliament May the 5th, 1755.
Engraving. 390 x 630mm (15½ x 24¾"), with large margins. Remargined top right, repaired tears, creasing.
A view of Plymouth Harbour painted by George Lambert & Samuel Scott, engraved by James Mason from an intermediary sketch by Coplestone Warre Bampfylde and published in the series 'Five views of and from Mount Edgcumbe, Plymouth'.
[Ref: 49825]   £320.00  
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Mount Edgcumbe near Plymouth in Devonshire.
Mount Edgcumbe near Plymouth in Devonshire. the Seat of Richard Edgcumbe Esq.r
T. Badeslade Delin. / W.H. Toms Sculp.t [c.1740]
Engraving, sheet 440 x 580mm (17¼ x 22¾"). Large margins on 3 sides. Small images at bottom. Creases.
A view of Mount Edgcumbe House and Gardens on the Tamar estuary on the borders of Devon and Cornwall, built by the landowner and MP Sir Richard Edgcumbe (1499-1562). This print was produced while the estate was owned by Richard Edgumbe, first Baron Edgcumbe (bap.1680-d.1758), politician reckoned by Horace Walpole to be 'one of the honestest and steadiest men in the world'. Engraved by W.H. Toms after Thomas Badeslade. The two men also collaborated on Badeslade's 'Chorographia', the first genuine pocket-sized atlas of the eighteenth century.
For later coloured impression see ref. 24016. Ex Collection Duke of Westminster.
[Ref: 38497]   £550.00  
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Hamoaze, from Mount Edgecumbe.
Hamoaze, from Mount Edgecumbe.
Drawn & Etched by Will.m. Daniell.
Published by W.Daniell, Russell Place, Fitzroy Square, London, May 20, 1825.
Coloured aquatint. Plate: 300 x 230mm (12 x 9"); very large margins.
A view from Mount Edgecumbe looking north up the River Tamar to Hamoaze where the Tamar River meets the Lynher River before heading out to Plymouth Sound. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
[Ref: 39519]   £240.00   (£288.00 incl.VAT)
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View from Mount Edgecumbe.
View from Mount Edgecumbe.
Drawn & Etched by Will.m. Daniell.
Published by W.Daniell, Russel Place, Fitzroy Square, London, May 20, 1825.
Coloured aquatint. Plate: 300 x 230mm (12 x 9"); very large margins.
A view across Plymouth Sound from Mount Edgecumbe showing the breakwater. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
[Ref: 39516]   £240.00   (£288.00 incl.VAT)
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Mount Edgecumbe, from the Citadel, Plymouth.
Mount Edgecumbe, from the Citadel, Plymouth.
Drawn & Etched by Will.m. Daniell.
Published by W.Daniell, Russel Place, Fitzroy Square, London, May 20, 1825.
Coloured aquatint. Plate: 300 x 230mm (12 x 9"); very large margins.
A view from the Royal Citadel across Plymouth Sound to Mount Edgecumbe, soldiers can be seen walking along the battlements. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
[Ref: 39518]   £240.00   (£288.00 incl.VAT)
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Moore Place, in the County of Hertford, the Seat of James Gordon Esqr.
Moore Place, in the County of Hertford, the Seat of James Gordon Esqr. [Translated into French below.]
[n.d., c.1810.]
Aquatint with etching, sheet 195 x 270mm. 7¾ x 10½". Trimmed within plate and tipped into album page.
Moor Place, Much Hadham, Hertfordshire, home to James Brebner-Gordon.
[Ref: 11687]   £120.00   (£144.00 incl.VAT)
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Mullyan Cove, Cornwall.
Mullyan Cove, Cornwall.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins. Mount burn.
A view of Mullian Cove near Porth Mellin, west of the Lizard Peninsula. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47133]   £220.00   (£264.00 incl.VAT)
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Plan of the Gardens and Plantations of Narford in the County of Norfolk, the Seat of the Honourable Sr. Andrew Fountain Vice Chamberlain to her Royal Highness the Princess of Wales. &c.
Plan of the Gardens and Plantations of Narford in the County of Norfolk, the Seat of the Honourable Sr. Andrew Fountain Vice Chamberlain to her Royal Highness the Princess of Wales. &c. Les Jardins &c de Narford dans l' Comte' de Norfolk Maison de Sr. Andrew Fountain. p: 95. Vol: 3.d
Ca: Campbell del: H: Hulsbergh Sculp:
[n.d. c.1731.]
Engraving. Plate 375 x 247mm. 14¾ x 9¾".
Garden plan from Henry Hulsbergh's "Vitruvius Brittanicus" series. Sir Andrew Fountaine (1676-1753) bought Narford Hall in Norfolk in 1690. He was an amateur architect and designer who commissioned Henry Bell to over see a grand project. Being a follower of Lord Burlington is is said that Burlington gave to Fountaine the Giovanni Antonio Pellegrini designed inset canvases on hallway walls. Narford is noted for its monkey ceiling, painted by Andien de Clermont, 1739-40. Fountaine was made vice-chamberlain by Queen Caroline, consort of Geroge II, and tutor to her third son, William August.
[Ref: 18011]   £160.00   (£192.00 incl.VAT)
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View of the alate temple of the Druids on Navestock Common.
View of the alate temple of the Druids on Navestock Common.
P. Benazech Sculp.
[n.d., c.1760.]
Etching, 190 x 155mm. 7½ x 6".
In 1725 the antiquary William Stukeley came across a feature on Navestock Common, Navestock, Essex which he described as a system of mounds and earthworks. He gave the site the name "alate temple of the druids" as part of the earthworks, according to Stukeley, took the form of a wing (`ala' is Latin for wing). A coach, horses and figures in the foreground.
[Ref: 12981]   £70.00   (£84.00 incl.VAT)
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The Needles & Milford Church, from Newlands.
The Needles & Milford Church, from Newlands.
M.A.T.W. / Litho. Newlands 1829.
Lithograph on india, very rare; india 165 x 165mm (6½ x 6½").
View near Milford on Sea, Hampshire, looking towards the needles. Taken from the country seat of Newlands, which the naval officer Sir William Cornwallis bought in 1799. Made by Mary Anne Theresa Whitby (1784-1850). Whitby was the widow of Cornwallis' flag captain, John Whitby, who died in 1806. Following her husband's death, Whitby spent much of her time with Cornwallis, who left his estate to her on his death in 1819. Whitby was an amateur lithographer who established a private press at Newlands.
For a London view by Whitby, see ref. 19290.
[Ref: 35679]   £130.00   (£156.00 incl.VAT)
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[Netley Abbey.]
[Netley Abbey.]
Hy.G. Webb [pencil signature.]
[n.d. c.1900.]
Etching, signed in pencil. Artist's monogram in lower right of image. Plate: 180 x 265mm, (7 x 10½"). Large margins.
Netley abbey, the late medieval monastery in the village of Netley, Hampshire. It was founded in 1239 by monks of the austere Cistercian roder by was closed in 1539 by Henry VIII during the Dissolution of the Monasteries. Harry George Webb (1882-1914) was a landscape and architectural painter and etcher, who exhibited at the Royal Academy and the Royal Society of Etchers. He set up the Caradoc Press in Chiswick in 1899 with his wife Hesba.
[Ref: 39783]   £70.00   (£84.00 incl.VAT)
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[Colt Hunting in the New Forest.]
[Colt Hunting in the New Forest.]
Lucy Kemp-Welch 1897.
Photogravure, artist's proof signed by the artist, limited to 275. Sheet 380 x 695mm (15 x 27½"). Printsellers' Association blind stamp. Trimmed within plate.
Riders rounding up some of the New Forest ponies. Lucy Kemp-Welch (1869-1958) exhibited the original painting (approximately 5ft x 10ft) at the Royal Academy in 1897, when she was only 26 years old. It caused a sensation and was promptly sold for £525 to the trustees of the Chantrey Bequest, a fund set up to buy British art to create a national collection. Despite being set up in 1875 this was only the third artwork by a woman bought by them. The painting was then transferred to the Tate Gallery when it opened that year, but was never displayed: it is said her support for the suffragette movement meant her work was blacklisted by the patriarchal establishment.
PSA Limited Edition Signed Proof: 275
[Ref: 50663]   £450.00  
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New Parke in Surry the Seat of Rt. Hon.ble the Earle of Rochester. 33.
New Parke in Surry the Seat of Rt. Hon.ble the Earle of Rochester. 33.
L. Knyff De. I. Kip sc.
[n.d. c.1714.]
Engraving. Plate 354 x 483mm. 14 x 19". Fold down centre as published.
Bird's eye view of the country house and extensive grounds in New Park, Surrey, the Seat of the Earl of Rochester; the house and formal gardens at bottom right, the grounds, largely wooded and landscaped, stretching into the distance. Seat of Laurence Hyde, 1st Earl of Rochester (1641-1711), the English statesman who was originally a supporter of James II but later supported the Glorious Revolution in 1688.
[Ref: 26353]   £320.00  
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The Town House of the City of New Sarum as it appear'd on Fire the 16.th Nov. 1780.
The Town House of the City of New Sarum as it appear'd on Fire the 16.th Nov. 1780.
S. Green Fecit.
Published by S. Green1, Aug, 1782.
A scarce mezzotint. Plate: 230 x 170mm (9 x 6¾"). Trimmed to plate.
A view of a large Elizabethan house, with a colonade, in Salisbury burning down.
[Ref: 46685]   £360.00  
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A Prospect of Newark From Lincolne Road.
A Prospect of Newark From Lincolne Road.
R: Hall delin:
W: Hollar sculp: 1676. [c.1800?]
Etching, later impression on coarse laid paper. 150 x 295mm. (6 x 11½").
Prospect of Newark-on-Trent, Nottinghamshire; key upper left, arms and unlettered banner cartouche upper right. Etched by Wenceslaus Hollar (1607-77) and originally published in Thoroton's ''Nottinghamshire''.
Pennington: 1047.
[Ref: 13865]   £50.00   (£60.00 incl.VAT)
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A Prospect of Newark from Hawton Way.
A Prospect of Newark from Hawton Way.
R: Hall delin: W: Hollar sculp: 1676.
Etching. Sheet 150 x 295mm. (6 x 11½"). Trimmed to plate and laid on album paper with five other etchings.
Prospect of Newark-on-Trent, Nottinghamshire, etched by Wenceslaus Hollar (1607-77) for Thoroton's ''Nottinghamshire''. The other prints include a view of Francis Bacon's Tomb by Hollar (Pennington 2273, state iv of v, c.1740), and four small Dutch portrait.
Pennington: 1047.
[Ref: 52268]   £360.00  
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View of the Port and Town of Newcastle upon Tyne, from the Rope Walk Gateshead.  Dedicated with Permission to the Right Worshipful the Mayor & Corporation of that Ancient Town by Their obliged and Obedient Servant. T. M.Richardson.
View of the Port and Town of Newcastle upon Tyne, from the Rope Walk Gateshead. Dedicated with Permission to the Right Worshipful the Mayor & Corporation of that Ancient Town by Their obliged and Obedient Servant. T. M.Richardson.
T.M.Richardson pinxit. Engraved by Robt. Havell & Son. 3 Chapel Str. Tottenham Court Road.
Published Feby. 1819 by T. M. Richardson, Newscastle.
Coloured aquatint with washed borders. 670 x 470mm. Two tears effecting the washed margins. Reverse has worn areas from an old card backing.
Thomas Miles Richardson, (1784-1848) Having revealed a deep love of drawing he didn't follow this passion until after his fathers death when he accepted a position as Drawing Master at a Newcastle school. In 1813, after six years as both master of St Andrew’s and a private drawing master, he resigned his school position to devote his life to painting. Initially his work attracted little local interest, and he found it difficult to make a living as an artist. However, from 1814, he began to gain a wide reputation as a result of his exhibiting works in London, at the Royal Academy and the British Institution. In 1813, after six years as both master of St Andrew’s and a private drawing master, he resigned his school position to devote his life to painting. Initially his work attracted little local interest, and he found it difficult to make a living as an artist. However, from 1814, he began to gain a wide reputation as a result of his exhibiting works in London, at the Royal Academy and the British Institution. Richardson continued to live in Newcastle, and so dominate the local art scene. In 1822, his own house in Brunswick Place was used as the venue for the first fine art exhibition to be staged in the North of England. The success of the exhibition led to the foundation of first the Northumberland Institution for the Promotion of Fine Arts, and later the Northern Academy of Arts. In 1831, he also helped to launch the Northern Society of Painters in Water-Colours. A leading exhibiting member of these organisations, he made a particularly notable contribution to the Northern Academy in 1830 with four large paintings. Moot Hall, the Castle Keep, the neo-Gothic spire of St. Nicholas' church ar all visible in this view. Gateshead was a prosperous settlement in the Roman Times, and during the Industrial Revolution and Victorian Era it became one of the focal points for industries in the North East due to its easily accessible port.
[Ref: 4886]   £800.00  
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[Eastern entrance to Newcastle.]
[Eastern entrance to Newcastle.]
T.M. Richardson del.t S. Humble sculpt.
[n.d., c.1815.]
Engraving, 305 x 370mm. Proof before title. Uncut sheet.
The eastern entrance to Newcastle on Tyne, with a horse-drawn cart in the foreground.
[Ref: 8390]   £220.00   (£264.00 incl.VAT)
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West View of the High Level Bridge Now....Constructed at Newcastle.
West View of the High Level Bridge Now....Constructed at Newcastle. Length of Water Way......512 Feet. Between the Triumphal Arches..137 Feet 5 Inches. Span of the Arches.. 125 Feet. Extreme Height....131 Feet. High Water ot Level of Rails..112 Feet 6 Inches. High Water to Carriage Way .. 86 Feet.
From the Sunderland and Durham County Herald.]
[of Friday, March 19, 1847.
Woodblock. 284 x 387mm. 11¼ x 15¼". Laid down on album sheet.
The High Level Bridge is a road and railway bridge over the River Tyne. It was designed by Robert Stephenson and built between 1847 and 1849 and was the first major example of a wrought iron tied arch or bow-string girder bridge.
[Ref: 18387]   £120.00   (£144.00 incl.VAT)
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[The Assembly Rooms at Newcastle on Tyne.]
[The Assembly Rooms at Newcastle on Tyne.]
T.M. Richardson Del.t. S. Humble Sculpt.
[n.d., c.1815.]
Engraving, 305 x 370mm. Proof before title. Uncut sheet.
Open to both men and women, Assembly Rooms held concerts, balls and other entertainments for the upper classes. The Newcastle Assembly Rooms were built in 1776 in the city's historic Grainger Town district.
[Ref: 8395]   £220.00   (£264.00 incl.VAT)
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The Assembly Rooms at Newcastle on Tyne
The Assembly Rooms at Newcastle on Tyne Dedicated by permission to Cuthbert Ellison, Esq.r M.P. for the Town, by his obliged obedient Servant, S. Humble.
T.M. Richardson Del.t. S. Humble Sculpt.
London, Pub. Aug. 21 1815 by S. Humbld, 34 Horleyford Place, Kennington Common.
Engraving, 305 x 370mm. Uncut sheet.
Open to both men and women, Assembly Rooms held concerts, balls and other entertainments for the upper classes. The Newcastle Assembly Rooms were built in 1776 in the city's historic Grainger Town district.
[Ref: 8389]   £220.00   (£264.00 incl.VAT)
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[A Grand House, Newcastle.]
[A Grand House, Newcastle.]
T.M. Richardson del.t S. Humble Scul.t
[n.d., c.1815.]
Proof before letters. 305 x 370mm. 12 x 14½". Uncut sheet.
A country house.
[Ref: 8612]   £220.00   (£264.00 incl.VAT)
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St. Nicholas' Church.
St. Nicholas' Church. Newcastle upon Tyne.
Painted by T.M. Richardson. Engraved by T. Hodgetts.
Published, Dec 15, 1828 by M.A. Richardson, Newcastle and by Moon, Boys & Greaves, Printsellers to His Majesty Pall Mall London. Proof [lower right].
Mezzotint with etching on india laid paper, 500 x 370mm. 19¾ x 14½". Two horizontal creases through image.
A very rare view in Newcastle. After Thomas Miles Richardson (1784 - 1848), locally published.
[Ref: 9176]   £350.00  
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View of the Port and Town of Newcastle upon Tyne, from the Rope Walk Gateshead.  Dedicated with Permission to the Right Worshipful the Mayor & Corporation of that Ancient Town by Their obliged and Obedient Servant. T. M.Richardson.
View of the Port and Town of Newcastle upon Tyne, from the Rope Walk Gateshead. Dedicated with Permission to the Right Worshipful the Mayor & Corporation of that Ancient Town by Their obliged and Obedient Servant. T. M.Richardson.
T.M.Richardson pinxit. Engraved by Robt. Havell & Son. 3 Chapel Str. Tottenham Court Road.
Published Feby. 1819 by T. M. Richardson, Newscastle.
Coloured aquatint with washed borders. 670 x 470mm, 26½ x 18½". Framed. Unexamined out of frame.
Thomas Miles Richardson, (1784-1848) Having revealed a deep love of drawing he didn't follow this passion until after his fathers death when he accepted a position as Drawing Master at a Newcastle school. In 1813, after six years as both master of St Andrew’s and a private drawing master, he resigned his school position to devote his life to painting. Initially his work attracted little local interest, and he found it difficult to make a living as an artist. However, from 1814, he began to gain a wide reputation as a result of his exhibiting works in London, at the Royal Academy and the British Institution. Richardson continued to live in Newcastle, and so dominated the local art scene. In 1822, his own house in Brunswick Place was used as the venue for the first fine art exhibition to be staged in the North of England. The success of the exhibition led to the foundation of first the Northumberland Institution for the Promotion of Fine Arts, and later the Northern Academy of Arts. In 1831, he also helped to launch the Northern Society of Painters in Water-Colours. A leading exhibiting member of these organisations, he made a particularly notable contribution to the Northern Academy in 1830 with four large paintings. Moot Hall, the Castle Keep, the neo-Gothic spire of St. Nicholas' church ar all visible in this view. Gateshead was a prosperous settlement in the Roman Times, and during the Industrial Revolution and Victorian Era it became one of the focal points for industries in the North East due to its easily accessible port.
[Ref: 28107]   £650.00  
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Newcastle Sur La Tyne. Newcastle upon Tyne. 34.
Newcastle Sur La Tyne. Newcastle upon Tyne. 34.
Dessiné et lith par J. Arnout. Imp. Lemercier, Paris.
Paris, Bulla Frères & Jouy éditeurs. Berlin, F.d Ebner, 196 Friedrichsstrasse. London, E. Gambart & Co. 25 Berners St. Oxf. St. New-York. Emile Seitz, 413 Broadway. [n.d. c.1850.]
Tinted lithograph with very large margins. 400 x 570mm (15¾ x 22½"). Some foxing off image. Uncut.
View across the Tyne towards Newcastle. A merchant with a laden carriage crosses the bridge, where the new Swing Bridge stands today; to the left stands the High Level Bridge of 1781, with the old castle keep towering in the background. Steamer and other vessels on the river.
[Ref: 29988]   £260.00   (£312.00 incl.VAT)
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[Elswick Hall.]
[Elswick Hall.]
T.M. Richardson Del.t. S. Humble Sculp.t.
[n.d., c.1815.]
Copper engraving. Sheet 250 x 310mm, 9¾ x 12¼". Repaired tear, trimmed.
Elswick Hall. now Elswick Park, a ward of western Newcastle-upon Tyne.
[Ref: 19133]   £95.00   (£114.00 incl.VAT)
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St Nicholas Church. Newcastle upon Tyne.
St Nicholas Church. Newcastle upon Tyne.
Painted by T.M. Richardson. Engraved by T. Hodgetts.
Published Dec.15.1828 by M.A. Richardson, Newcastle, and by Moon, Boys & Graves, Printsellers to His Majesty. Pall Mall, London.
Mezzotint and etching with very large margins, rare. Plate 495 x 374mm. 19½ x 14¾". Laid on card.
View of the church, looking diagonally from the left foreground towards the church tower, which is surmounted by an open crown turret and four pinnacles; townsfolk in the street, including a man talking to another sitting in a horse-drawn cart, and a woman who leans out of an upper window holding a large basket-cage.
[Ref: 27568]   £280.00   (£336.00 incl.VAT)
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View in the vale of Newlands.
View in the vale of Newlands.
[Anon., c.1800]
Aquatint with hand-colouring, platemark 340 x 430mm (13½ x 17"). Very large margins. Slight creasing.
Picturesque view in the Newlands Valley, part of the Lake District National Park in Cumbria.
[Ref: 37553]   £280.00   (£336.00 incl.VAT)
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View near Newport_Isle of Wight. [&] Part of the Village of Carrisbrook_Isle of Wight.
View near Newport_Isle of Wight. [&] Part of the Village of Carrisbrook_Isle of Wight.
London Pubd. Dec.r 10.1796 by F. Jukes Howland Street.
A pair of hand-coloured aquatints, very rare. Plate 272 x 324mm. 10¾ x 12¾".
A beautiful pair of aquatints. Newport: a man driving a flock of sheep across a bridge over a broad river; houses rising up above the trees near a hill in the background. Carisbrooke: view of a village with a square church tower rising above trees and cottages; other houses obscured by trees on the right with a man and woman gathering water from the pool in the left foreground.
[Ref: 19773]   £750.00   view all images for this item
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Newstead Abbey, the Seat of the late Lord Byron;
Newstead Abbey, the Seat of the late Lord Byron; now the Property and Residence and Residence of Lieut: Col Thomas Wildman to whom the Plate is (with permission) most respectfully dedicated by his obliged and humble Servant, M. Webster.
On stone by W.Gauci, from a Drawing by M. Webster. Printed by C. Hullmandel.
Published Aug.t 1835, by M. Webster, Derby.
Rare lithograph on india. 160 x 220mm (6¼ x 8¾").
A very atmospheric view of Newstead Abbey in Nottinghamshire. When Byron inherited the estate it had been greatly run-down (on purpose) by Byron's great-uncle, William Byron, 5th Baron Byron, meaning the cost of maintaining it was a constant millstone to the poet. In debt, Byron first attempted to sell Newstead in 1812 but, after several false starts, it was only in 1818 that Wildman bought it. The Abbey is now owned by Nottingham City Council and houses a museum containing Byron memorabilia. In the garden is the memorial to Boatswain, Byron's beloved Newfoundland dog, who died of rabies in 1808, inspiring 'Epitaph to a Dog'
[Ref: 41908]   £140.00   (£168.00 incl.VAT)
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A scene between Niton & the Sand Rock Spring, Isle of Wight.
A scene between Niton & the Sand Rock Spring, Isle of Wight.
[M.S.]
[n.d., c.1830.]
Lithograph, rare Sheet: 275 x 380mm (11 x 15") large margins.
A scene near Niton on the southern edge of the Isle of Wight.
[Ref: 47243]   £130.00   (£156.00 incl.VAT)
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Niton, Isle of Wight.
Niton, Isle of Wight.
M.S. 1827.
Lithograph, rare. Sheet: 275 x 380mm (11 x 15") large margins. Tear in top edge into image.
A view of Niton on the southern edge of the Isle of Wight showing the church and two men walking along the track to the town.
[Ref: 47244]   £180.00   (£216.00 incl.VAT)
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St Albans Court in Kent. The Seat of William Hammond Esq.r
St Albans Court in Kent. The Seat of William Hammond Esq.r
Drawn by J.G. Wood. Engraved by W. Green.
[London, Published Feby.1.1800, by J.no Geo. Wood, No. 7, Beaumont Street.]
A very rare and fine coloured aquatint. Plate 394 x 438mm. 15½ x 17¼".
St Albans Court, Nonnington, Kent, was the country mansion of William Oxenden Hammond.
Abbey Scenery: 173: 17.
[Ref: 18505]   £350.00  
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A Norfolk Pastoral [pencil, lower margin.]
A Norfolk Pastoral [pencil, lower margin.]
A. Talmage [pencil signature.] ['AT' monogram etched in plate.]
[British, n.d., c.1930.]
Etching, wove paper, 165 x 165mm. 6½ x 6½". Wide margins.
Fine East Anglian landscape, with cattle. Algernon Talmage (British, 1871-1939), elected RA 1929.
[Ref: 26706]   £160.00   (£192.00 incl.VAT)
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Normanby Hall, Yorkshire.
Normanby Hall, Yorkshire. The Seat of George Ward Jackson Esqre.
E.F. Pearson del. et lithog. 1852.
Printed by Hullmandel & Walton.
Very rare tinted lithograph, sheet 290 x 400mm (11½ x 15¾"). Sheet trimmed. Two repaired tears to edge of image.
Normanby Hall, North Yorkshire, not far from Middlesborough.
[Ref: 9953]   £180.00   (£216.00 incl.VAT)
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Lord Henry Seymours Castle.
Lord Henry Seymours Castle.
Drawn & Engraved by Will.m Daniell.
Published by Wm. Daniell, Cleveland Street Fitzroy Sqaure, London, Augt. 1, 1823.
Hand-coloured aquatint and etching, on card as issued. Plate 229 x 300mm. 9 x 11¾".
View of Norris Castle in East Cowes from the hillside, with two women kneeling at a basket and wheelbarrow at centre foreground, and a woman bending down behind at left. There is a spade lying on the ground, another leaning against a tree next to baskets at far left; peacocks at right, and figures walking on a path to the castle in middle ground. Boats are seen on the river in the background at left. The castle was designed by James Wyatt for Lord Henry Seymour. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 21491]   £140.00   (£168.00 incl.VAT)
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North Midland Railway.
North Midland Railway. View of the Bridge over the River Amber & Turnpike Road near Amber Gate
From Nature & on Stone by S. Russell
Day & Haghe Lith.rs to the Queen [c.1845]
Lithograph and tintstone, printed area 280 x 380mm (11 x 15").
The Grade II listed bridge across the River Amber in South Wingfield, Derbyshire, a major achievement of the North Midland Railway from Derby to Leeds to the designs of George and Robert Stephenson in 1840. From a series of lithographs publicising significant engineering achievements on the North Midland Railway route.
[Ref: 37222]   £320.00  
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North Midland Railway.
North Midland Railway. View of the New St. Bridge &c. in Belper, looking South. Built by Joseph Turner of Wingfield.
From Nature & on Zinc by S. Russell
Day & Haghe Lith.rs to the Queen [c.1845]
Zincograph and tintstone, printed area 270 x 355mm (10½ x 14").
Bridge across the River Derwent near Swainsley Wood in Belper, one of several bridges across the river constructed as part of the North Midland Railway from Derby to Leeds to the designs of George and Robert Stephenson in 1840. From a series of lithographs publicising significant engineering achievements on the North Midland Railway route.
[Ref: 37219]   £280.00   (£336.00 incl.VAT)
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North Midland Railway.
North Midland Railway. View through the Belper Cutting looking North
S. Russell lith.
Day & Haghe Lith.rs to the Queen [c.1845]
Lithograph and tintstone, printed area 290 x 400mm (11½ x 15¾").
The Belper cutting, a major achievement of the North Midland Railway from Derby to Leeds to the designs of George and Robert Stephenson in 1840. Massive stone retaining walls were required to make the cutting, spanned by several parallel bridges. From a series of lithographs publicising significant engineering achievements on the North Midland Railway route.
[Ref: 37221]   £380.00  
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North Midland Railway.
North Midland Railway. Bridge over the River Derwent and the Matlock Road. Near Amber Gate.
From Nature & on Zinc by S. Russell
Day & Haghe Lith.rs to the Queen [c.1845]
Zincograph and tintstone, printed area 290 x 425mm (11½ x 16¾").
The recently Grade II* listed Derwent Viaduct, built in 1836-40 to the designs of George and Robert Stephenson. The viaduct was one of several significant engineering achievements required as part of the North Midland Railway from Derby to Leeds. From a series of lithographs publicising those significant structures.
[Ref: 37217]   £280.00   (£336.00 incl.VAT)
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North Midland Railway.
North Midland Railway. Bridge over the Derwent at Swainsley Wood
S. Russell lith.
Day & Haghe Lith.rs to the Queen [c.1845]
Lithograph and tintstone, printed area 265 x 410mm (10½ x 16"). Dusty on right side.
Bridge across the River Derwent near Swainsley Wood in Belper, one of several bridges across the river constructed as part of the North Midland Railway from Derby to Leeds to the designs of George and Robert Stephenson in 1840. From a series of lithographs publicising significant engineering achievements on the North Midland Railway route.
[Ref: 37220]   £220.00   (£264.00 incl.VAT)
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The South West Prospect of Northampton.
The South West Prospect of Northampton.
S. & N. Buck delin. et sculp.t 1731.
Engraving. Plate: 305 x 800mm (12 x 31½"). Central fold as issued, old ink mss. plate number. Slight offsetting in top title.
A detailed prospect of Northampton, with a descriptive text below and a key to the right. From the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales'; an early printing, before the addition of a plate number top right.
[Ref: 46956]   £350.00  
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