Grosvenor Prints

Album. Oh! tell us not of life's lone way...
W.H. Rock, London. [n.d., c.1860.]
Coloured steel engraving. 220 x 145mm, 8¾ x 6". Trimmed to plate at top.
Title page to an album of pre-printed pages of flowers and birds, popular with scrapbook collectors. The three female allegorical figures depict Religion, Music & Poetry. Rock published a number of these leather-bound albums.
[Ref: 17507] £85.00 (£102.00 incl.VAT)

[Alchemist in his study- illustration to Erasmus, 'In Praise of Folly'?] Le docteur et ses attributs
C. Eisen inv.
a Paris chez Basan [c.1760]
Engraving, platemark 140 x 85mm (5¼ x 3¼"). 'Eloge de la Folie' in ms lower left.
Book illustration after Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established. These also included editions of Lucretius, Ovid, Tacitus, Virgil, Boccaccio, Ariosto, La Fontaine and Erasmus.
[Ref: 46499] £180.00 (£216.00 incl.VAT)

The Alchymist. He's in Belief of Chymistry, so bold,/ if his Dream last, he'll turn the Age to Gold.
Teniers pinx.t. W. Baillie sculp.t.
Early impression
Etching. 220 x 190mm (8¾ x 7½"). Thread margins.
An alchemist in his workshop, using bellows to make his fire burn hotter, etched by Captain William Baillie (1723-1810) after David Teniers the younger (1610-90). Baillie retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
[Ref: 55334] £260.00 (£312.00 incl.VAT)

[An alchemist at work.]
[Engraved by Pierre Chenu after Thomas Wyck.]
[Paris, Chenu? n.d., c.1750.]
Engraving, fine proof before letters, very scarce. 430 x 520mm (17 x 20½" Tear entering image on left.
An alchemist at work at a furnace, his books on a stool. His wife and children sit to one side, and one assistant rummages in a cupboard, another watching. Thomas Wyck (or 'Wijck', 1616-77) was a Flemish painter whose interiors are said to have influenced Thomas Wright of Derby. Alchemy was a subject he returned to frequently. A pre-Fire prospect of London by Wyck is in the Devonshire Collection, Chatsworth.
[Ref: 34375] £450.00

Auri vexavit nitidi nos fira cu,, pido, Nuc me paupertas premere vall,, de solet.
Gabriel Spizel inv et excud. Aug.Vinel.
[n.d. c.1750]
Fine & rare mezzotint printed in blue. Plate 230 x 180mm (9 x 7"), with large margins.
Alchemy print with lines in Latin and German. A man holds his head in alarm as his experiment makes sparks.
[Ref: 63094] £390.00

[Alchemist] Die Arsnen [?] Kunst. La Pharmacie.
Jacob Wangner Sculp. Inventé et peint par J. La Jouë.
[Augsburg c.1740.]
Scarce engraving. Sheet 285 x 355mm (11¼ x 14"). Trimmed within plate at bottom with loss of imprint.
The interior of an apothecary's workshop, with an oven, stills, books and animals hanging from the ceiling. This is a German edition of one of a series of allegorical prints of the arts and sciences after Jacques de Lajoue (1686 - 1761), a French decorative rococo painter, engraved by Charles Nicolas Cochin and published by the verve Chéreau in Paris during the 1730s.
[Ref: 63128] £680.00

[Charles W. Alcock.] The Man of the World. ''Association Football.''
Saturday, February 8, 1890.
Coloured lithograph. Sheet 375 x 230mm (14¾ x 9"). Trimmed, creased, small splits in folds.
Charles William Alcock (1842-1907) captained England in a football international against Scotland in 1875. He also proposed the F.A. Cup in 1872 and refereed the 1875 and 1879 FA Cup Finals.
[Ref: 58846] £160.00 (£192.00 incl.VAT)

Marchande d'Eau de vie. Qui veut boire la goulte? No 83.
Carle Vernet. S. lith de Delpech.
[Paris, n.d., c.1820.]
Coloured lithograph with very large margins. Printed area 300 x 140mm (11¾ x 5½").
A woman selling brandy, calling 'Who will drink a drop?'. One of a series, 'Cris de Paris', depicting Parisian street vendors, lithographed by François Séraphin Delpech (1778-1825) after Antoine Charles Horace (Carle) Vernet (1758-1836).
[Ref: 33222] £60.00 (£72.00 incl.VAT)

Henricus Aldegrever Vestphalus Pictor et Sculptor. Henry Aldegraef. Aldegraef estoir originaire de Westphalie. On ignore de que il a appris l'Art de peindre, & de graver: … Il mourit a Soest, & y fut entrerre sans beacoups d'appareil: main un Peintre de ses amis passant par cette Ville honora son Sepulchre d'un marbre.
N. de. Larmessin, Sculp.
[n.d. c.1750.]
Coppe engraving. 265 x 152mm. 10 x 6".
Henry Aldegraef (1502-1558), famous German artist and engraver.
[Ref: 14309] £80.00 (£96.00 incl.VAT)

Aldenham School [in pencil to right.]
Etched by Wallace Hester [in pencil to left.]
[n.d. c.1930s.]
Etching with watermark in top left-hand corner of paper. Plate 203 x 266mm. 8 x 10½". Soiling along left-hand edge.
Aldenham School, an independent school in Hertfordshire, with crest and motto below image. The School was founded in 1597 by Richard Platt, a proprietor of a London brewery and Master of the Brewer's Company in 1576 and 1581. In 1596 Queen Elizabeth I granted him letters patent to build "the Free Grammar School and Almshouses" at Aldenham; the foundation stone was laid in 1597.
[Ref: 22568] £70.00 (£84.00 incl.VAT)

Alder Alnus. No.2.
J. Vint Barber 1811.
Rare etching. 292 x 395mm (11½ x 15½"). Torn into the right-hand edge of the image. Horizontal crease through the centre.
View with three cows wading in a meandering river, the left bank lined with alder trees, and two sheep lying on grass; two cows standing behind wooden fence on the right bank.
[Ref: 19390] £130.00 (£156.00 incl.VAT)

"I believe I'm right." M.r. Alder.
Drawn Etch.d. Pub.d. as the act directs by Rich.d. Dighton.
London Pub.d. by Tho.s. M.c.Lean 26 Haymarket, 1824.
Hand-coloured etching. 185 x 260mm (7¼ x 10¼"), with large margins. Mint.
A full-length portrait in profile facing left of Daniel Alder, an indigo broker. The text 'Y.C.Tallow 60/-" issues from his closed mouth. In the shadow cast by the figure 'Hughes/ 14 Lombard St/Fleet St.' is printed in reverse. Hughes was a manufacturer and supplier of copper plates, Dighton would sometimes use the reverse of the plate causing the manufacturer's impress to appear in the image. Originally published in 1823, this example was published the following year, with McLean's imprint and the 'Mr Alder' added.
BM 14537.A.
[Ref: 63798] £160.00 (£192.00 incl.VAT)

"I believe I'm right". M.r. Alder.
Drawn Etch.d. Pub.d. as the act directs by Rich.d. Dighton.
London Pub.d. by Tho.s. M.c.Lean 26 Haymarket, 1824.
Hand-coloured etching. Plate: 185 x 260mm (7¼ x 10¼"), watermarked 'J. Whatman Turkey Mill 1826', with very large margins. Surface dirt and some staining on lower edge.
A full-length portrait in profile facing left of Daniel Alder, an indigo broker. The text 'Y.C.Tallow 60/-" issues from his closed mouth. In the shadow cast by the figure 'Hughes/ 14 Lombard St/Fleet St.' is printed in reverse. Hughes was a manufacturer and supplier of copper plates, Dighton would sometimes use the reverse of the plate causing the manufacturer's impress to appear in the image.
BM 14537.A.
[Ref: 34408] £180.00 (£216.00 incl.VAT)

The Etymology of Alderman.
Pub.d Auhust 1809 by W. Holland, No 11 Cockspur Street.
Coloured etching. 250 x 350mm (9¾ x 13¾"), watermarked 1808 E & P, very large margins.
Two boys, holding chisel and hatchet, show their father their carving of a man made out of alder wood. Their carpenter father, who holds a plank and a saw, replies ''Aye Boys! I see you have made an alder man of it. a synonymous term for a Block-Head''.
Not in BM.
[Ref: 58301] £260.00 (£312.00 incl.VAT)

23. [Alderman.]
[Drawn & engraved by William Henry Pyne.]
Published by William Miller, Albemarle Street Jan.y 1. 1805.
Hand coloured etching with aquatint. Sheet 340 x 250mm (13¼ x 10").
An alderman in red robe and wig, standing on a building side south of the Thames, with St Paul's Cathedral clearly visible. The print was published in 'The Costume of Great Britain', a work notable for portraying British life on the eve of the Industrial Revolution.
Abbey Life 430.
[Ref: 28721] £95.00 (£114.00 incl.VAT)

The Finishing of an Aldermans Picture.
Pubd. Jany. 1. 1773 by MDarly 39 Strand.
Etching, 245 x 175mm. 9¾ x 7".
A fashionable lady and gentleman arranged on a chaise longue in an interior. This seems to be a City of London alderman's wife being amused by her young lover, who adds cuckold's horns to her husband's (identifiable) portrait on the wall behind. From an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V.3' upper left and '8' upper right.
BM Satires: undescribed. Guildhall Library: 18371.
[Ref: 14515] £320.00

[Aldermaston Court] West Front of Aldermaston. The Residence of Higford Burr, Esq.re. A.D. 1849. Philip Charles Harwick, Arch.t.
Day & Son, Lith.rs to the Queen.
Tinted lithograph. Sheet 440 x 600mm (17¼ x 23½") very large margins. Creasing in top margin.
Aldermaston Court, built in neo-Elizabethan style after the earlier Stuart building had burned down in 1843. In January 2014 commercial property investors Praxis bought the estate for £4.7 million for development; despite the building being Grade II listed they have allowed it to fall derelict.
[Ref: 56757] £230.00 (£276.00 incl.VAT)

[Aldermaston Court] East Front of Aldermaston. The Residence of Higford Burr, Esq.re. A.D. 1849. Philip Charles Harwick, Arch.t.
Day & Son, Lith.rs to the Queen.
Tinted lithograph. Sheet 400 x 510mm (15¾ x 20").
Aldermaston Court, built in neo-Elizabethan style after the earlier Stuart building had burned down in 1843. In January 2014 commercial property investors Praxis bought the estate for £4.7 million for development; despite the building being Grade II listed they have allowed it to fall derelict.
[Ref: 56756] £180.00 (£216.00 incl.VAT)

The Aldermen Turtle and Gruel.
Pub Accord.g to Act Aug.t 11 th 1773 by MDarly 39. Strand.
Etching, 250 x 175mm, 9¾ x 7".
Two aldermen, one short and grotesquely fat, the oner tall, hook-nosed and thin. Possibly intended to personify liberality and frugality in the Mayoral Chair. From an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates.
[Ref: 14570] £330.00

A Representation of the Lord Mayor, Court of Aldermen and Common Council.
H. Gravelot inv. et Sculps.
Published according to Act of Parliament July 30 1750. Sold by W. H. Toms Engraver at the Golden Head over against Surgeons Hall near Ludgate-Hill. Price 6d.
Etching. 275 x 145mm (10¾ x 5¾"). On 18th century watermarked paper, large margins.
An interior view of the Lord Mayor, Court of Alderman and Common Council.
[Ref: 63130] £160.00 (£192.00 incl.VAT)

Fire Proof Sugar Refinery Erected for Mess.rs Charles & John Frederick Bowman by C. Dyson Esq.re Architect. Anno 1851
Vincent Brooks, lithographer, 421 Oxford Street, London
Very scarce coloured lithograph. 630 x 845mm (24¾ x 33¼"). Hole in image, scratch in sky.
The sugar refinery of Charles and John Frederick Bowman, in Leman Street, Stepney
[Ref: 15162] £650.00

[Old English Sports & Games- Golf.]
Cecil Aldin. [signed in pencil.]
Entered at Stationer's Hall- Copyright.- Entered According to Act of Congress, in the ear 1901, by Lawrence & Bullen, Ltd., In the Office of Librarian of Congress, at Washington. Copyright 1901- Published by Lawrence & Bullen, Ltd., 16 Henrietta Stret, Covent Garden, London, W.C.
Lithograph. Sheet: 345 x 270mm, (13½ x 10½").
An angry golfer in a red coat hits his ball towards the scrub, behind him a young caddy wearing a tam o'shanter covers his mouth trying not to laugh and a fugure peeps over the hill. From Cecil Aldin's (1870-1935) 'Old English Sports & Games' series.
[Ref: 37827] £350.00

12 Old English Sports & Pastimes.
By Cecil Aldin.
London. Lawrence & Bullen, Limited [n.d., 1901.]
Portfolio, printed cover, flaps; twelve near mint colour plates, each 385 x 475mm (15¼ x 18¾") Portfolio worn, one plate with a tear in margin taped.
A very rare complete set of twelve satirical sporting scenes: Golf, Shooting, Racing, Hawking, Cricket, Coaching, Bowling, Fishing, Coursing, Skating, Curling & Hunting.
See Ref: 37827 for 'Golf'.
[Ref: 62518] £2,500.00 view all images for this item

Old Aldridge of Eddington. Twice tried before F. Burton Esq. at Oxford for assaulting a Young Lady of that City.
Publish'd May 7, 1787. by I.F. Bryant, No. 35, Long Acre.
Etching with aquatint, image 132 x 94mm. Trimmed to plate and tipped into album page.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 7557] £170.00 (£204.00 incl.VAT)

William Aldridge. Aged 112.
Published April 1.st 1794, by T Cadell, Strand.
Etching and stipple, with large margins. Plate 184 x 140mm. 7¼ x 5½". Creasing through centre.
Portrait; half length, seated, to the front, turned very slightly to the right; his left hand raised to his chest. William Aldridge (1584-1698) was Wheelwright at Acton and a centenarian.
[Ref: 24241] £50.00 (£60.00 incl.VAT)

Ulysee Aldrovandi (Polygraphe), Professeur de Botanique à l'Université de Bologne. Né à Bologne le 11 Septembre 1522. Mort le 10 Mars 1605 dans sa Patrie.
Dessiné d’après le Dessin original de Gandolfi, tire du cabinet de M. le B.on Cuvier, et Gravé par Ambroise Tardieu.
[n.d. c.1830.]
Stipple. 216 x 145mm (9¾ x 5¾"). Cut to plate at bottom.
Ulisse Aldrovandi (1522-1605) the Italian naturalist who was the moving force behind Bologna's botanical garden. Linnaeus considered him to be the father of natural history studies.
W: 46-12.
[Ref: 29581] £70.00 (£84.00 incl.VAT)

Richard Aldworth From the Original in the Council Chamber.
[Anon., n.d., c.1816.]
Etching with aquatint, image 230 x 160mm. 9 x 6¼". Lacking margin at top and bottom.
Full length portrait of Richard Aldworth (d.1656), benefactor to the town of Reading, Berkshire; standing beside a table in ruff and gown, right hand on book, statuette of the Virgin to left, skull to right. Numbered 'Pl 22' upper right; from John Man's 'The History and Antiquities ... of the Borough of Reading' (Reading, 1816).
O'Donoghue p.32. See BL 190.d.12. G.4081.
[Ref: 21596] £60.00 (£72.00 incl.VAT)

The Village Ale-House. No more the Farmer's News, the Barbers Tale / No more, the Woodman's ballad shall prevail / No more the Smith his duskey brow shall clear / Relax his pond'rous strength, and lean to hear; / The Host himself, no longer shall be found / Carefull to see the mantling bliss go round: / Nor the coy Maid, half willing to be press'd, / Shall kiss the Cup, and pass it to the rest. Goldsmith
H. Bunbury Esq.r Delin.t. J. Grozier Sculp.
London, Published April 7.th 1787 by W. Dickinson Engraver & Printseller No. 158. New Bond Street
Rare stipple, printed in sepia. 425 x 530mm (16¾ x 20¾"), 18th century watermark. Trimmed into plate at bottom.
An idealised tavern interior, with a pretty maid drinking from a large tankard. The verse is from Oliver Goldsmith's poem, 'The Deserted Village', decrying the population shift to the cities brought about by the Industrial Revolution.
[Ref: 55685] £360.00

Habit of Aletes in the Tragedy of Cruesa. Alétes, dans la Tragedie de Creuse.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving. Sheet size: 270 x 200mm (10¾ x 8"). Fine original colour. Trimmed inside platemark. Very slight staining bottom left.
The character of 'Aletes' dressed in a heavily embroided costume, holding a sword in his left hand by his side. Plate 230 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 34887] £85.00 (£102.00 incl.VAT)

[Alexander and Hephaistion Visit the Family of Darius in their Tent after the Battle of Issus.]
C. le Brun Pinxit, G. Edelinck Sculpsit.
[n.d, 1675.]
Rare engraving. On two sheets, 640 x 420 (25¼ x 16½") & 640 x 520mm (25¼ x 20½"). Trimmed at bottom, losing dedication, title and publisher's address.
Sisygambis, mother of Darius III, prostrates herself before Hephaestion, mistaking him for Alexander. Instead of flying into a rage, Alexander dismisses this error as of no importance and puts the family under his protection. Prints of this size were unusual during this period, due to expense. This engraving of a painting belonging to Louis XIV was published as a propaganda piece, lauding the magnificence of royalty. Gérard Edelinck, the engraver, has also chosen to make dividing line jagged, so the join would disappear in the darkest parts of the image. The original oil, painted c.1660, is still at Versailles.
[Ref: 53752] £480.00 view all images for this item

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Alexander and Philip His Physician. From the Original Picture Painted by Mr Benjamin West; In the Collection of G.Stibbert Esq.r.
B.West pinxit. Val: Green fecit.
Published Jan.y 1st 1772 by John Boydell Engraver, in Cheapside London.
Scarce mezzotint, 440 x 525mm (17¼ x 20½"), on 18th century watermarked paper. Nicks and repaired tears on large margins.
Alexander the Great in his tent, nursing his head.
Ex Collection Hon. C. Lennox-Boyd Whitman: 171
[Ref: 60336] £490.00

[Alexander the Great pardons the family of Darius] Il est d'un roy de se vaincre soy mesme / Alexandre, ayant vaincu Darius pres la ville d'Isse entre dans une tente ou étoient la Mere la femme et les filles de Darius [...]
Car. le Brun pinxit J. Audran excudit
Se vend à Paris chez B. et J. Audran rue et faubourg St. Jaque vis a vis la rue St. Dominique. [c.1750]
Engraving, platemark 290 x 360mm (11½ x 14¼"), with very large margins. Paper time stained.
After defeating Darius in the battle of Issus (333 BC), Alexander found Darius' family (who he had left behind when fleeing the battlefield). One of a series of engravings reproducing a famous set of paintings by Charles Le Brun now in the Louvre.
From the Library of Pitsligo
[Ref: 45146] £260.00 (£312.00 incl.VAT)

Alexander Visiting the Tomb of Achilles. 'From the Original Picture of the same size, Painted by Filippo Lauri; In the Collection of his Grace the Duke of Devonshire
Filippo Lauri Pinxit. John Boydell excudit 1769. S.J. Ravenet sculpsit.
Published Augt. 1st. 1769, by Jno. Boydell, Engraver in Cheapside London.
Engraving, 510 x 385mm. 20 x 15¼".
Alexander The Great (356 - 323 BC), ruler of Macedon who conquered a huge empire, standing at the foot of a ruined obelisk, his arms outstretched in awe as he looks up at the tomb of Achilles to right. His soldiers stand around him in attitudes of wonder. Elaborate crest featuring deer and putti below image. Numbered 'Vol:II. No.39.' lower left. After Filippo Lauri (1623 - 1694).
[Ref: 11776] £280.00 (£336.00 incl.VAT)

Thus Heroes exalt themselves by Vertue. Alexander enters Babylon in Triumph Amidst the Shouts and Acclamations of the People [parallel text in French]
Le Brun Pinx Parr Sculp
Printed for R. Wilkinson at No. 58 in Cornhill.
Engraving with fine hand-colouring, platemark 200 x 260mm (8 x 10¼") very large margins.
One of a series of engravings reproducing a famous set of paintings by Charles Le Brun now in the Louvre. Probably copied from the larger set of engravings published in Paris by Audran.
For Audran's engraving of the same painting see ref. 45145.
[Ref: 45161] £140.00 (£168.00 incl.VAT)

Alexander giving up his favorite mistress Campaspe to Apelles. To great Apelles when young Ammon brought The darling idol of his captive heart...Quitted his title to Campaspe's charms And gave the fair one to the friend's embrace.
Miller Pinxit. J.B. Michel Sculpsit.
John & Josiah Boydell ext. 1786. Publish'd March 1st. 1786, by John & Josiah Boydell, Cheapside, London.
Stipple. Plate 325 x 395mm. 12¾ x 15½". Trimmed to the platemark along the bottom edge.
Alexander stands on the right and addresses Appeles, who is seated in front of his easel. Campaspe, seated on the chair to the left, is conversing with two women.
See BM: 1953,0214.35.
[Ref: 17036] £230.00 (£276.00 incl.VAT)

Alexander 1st.
[anonymous but with pen inscription in lower margin suggesting Henry Meyer as possible engraver]
London, Pub.d May 2nd 1814 by Colnagi & Co., 23 Cockspur St. Charing Cross.
Stipple and etching, with very large margins; 280 x 210mm. 11 x 8¼". Damage to large margins only.
Alexander I of Russia (1777-1825), known as Alexander the Blessed, Tzar from 1801, Ruler of Poland from 1815, as well as the first Russian Grand Duke of Finland and Lithuania.
NPG: D15858.
[Ref: 27192] £180.00 (£216.00 incl.VAT)

Alexander 1st Emperor of all the Russias. The Liberator of Nations!
J.A. Atkinson del.t. E. Scriven sculp.t.
[London: R.J. Thomson, 1813.]
Engraving. 290 x 220mm, 11½ x 8½". Trimmed.
A medallion bust portrait, held by grenadier and cossack standing before an obelisk. Alexander I of Russia (1777-1825), known as Alexander the Blessed, Tzar from 1801, Ruler of Poland from 1815, as well as the first Russian Grand Duke of Finland and Lithuania.
[Ref: 26269] £90.00 (£108.00 incl.VAT)

Alexander Emperor of Russia.
Hopwood sculp.
[n.d., c.1815.]
Stipple. Sheet 135 x 90mm (5¼ x 3½"). Trimmed within plate.
Oval portrait of Tsar Alexander I (1777-1825) in uniform.
[Ref: 37914] £35.00 (£42.00 incl.VAT)

Alexander 1st.
London, Pub.d May 2nd 1814 by Colnagi & Co., 23 Cockspur St. Charing Cross.
Stipple. 280 x 210mm. 11 x 8¼". Uncut very large margins soiled and frayed.
Alexander I of Russia (1777-1825), known as Alexander the Blessed, Tzar from 1801, Ruler of Poland from 1815, as well as the first Russian Grand Duke of Finland and Lithuania.
NPG: D15858.
[Ref: 22931] £150.00 (£180.00 incl.VAT)

Alexander 1st.
R. Page, sculp.
Engraved for the Encyclopaedia Londinensis, 1826.
Stipple, with large margins, 180 x 130mm. 7 x 5".
Oval portrait of Emperor Alexander I of Russia (1777 - 1825). From the 'Encyclopaedia Londinensis, Universal Dictionary of Arts, Sciences and Literature ... Embellished by ... engravings. Compiled ... by John Wilkes' (24 volumes, J. Wilkes & G. Jones, 1810-1829).
[Ref: 23483] £95.00 (£114.00 incl.VAT)

Alexander the Truly Great. While the British Lion is on the point of destroying the Gallic Cock, the Russian Eagle breaks the Chains of Europe.
W.M. Craig del.t. T. Wallis sculp.t.
Published by T. Kinnersley 1814.
Stipple and engraving. Sheet 290 x 220mm (11½ x 8¾"). Cut to platemark.
A medallion portrait of Alexander I of Russia (1777-1825), with the Imperial Eagle above and the British Lion below. The portrait was published just before Napoleon's abdication and his exile on Elba.
[Ref: 38980] £120.00 (£144.00 incl.VAT)

Alexander I.
[n.d., c.1815.]
Engraving. Sheet size: 250 x 190mm (9¾ x 7½"). Trimmed within plate.
Emperor Alexander I of Russia (1777-1825), known as Alexander the Blessed, Tsar from 1801, Ruler of Poland from 1815, as well as the first Russian Grand Duke of Finland and Lithuania.
[Ref: 39049] £95.00 (£114.00 incl.VAT)

Alexander 1.st.
[n.d., c.1815.]
Hand coloured stipple, part printed in colour. Sheet size: 235 x 180mm (9¼ x 7"). Trimmed within plate.
Emperor Alexander I of Russia (1777-1825) in uniform, known as Alexander the Blessed, Tsar from 1801, Ruler of Poland from 1815, as well as the first Russian Grand Duke of Finland and Lithuania.
[Ref: 39050] £160.00 (£192.00 incl.VAT)

Alexander Ist, Emperor of all the Russias.
Engraved by Cha.s Heath, from a painting by Gerard Kugelgen.
[n.d., c.1830.]
Engraving. Sheet 125 x 195mm (5 x 7¾"). Trimmed within plate, mounted in album paper.
Half-length portrait of Tsar Alexander I (1777-1825) in uniform.
[Ref: 38009] £65.00 (£78.00 incl.VAT)

Alexander 1st. Emperor of all the Russias.
Canton de;. et sculp.
Published 18th May 1815 by Richard Evans, Whites Row, Spitalfields.
Etching, printed in red and hand finished. 225 x 350mm (8¾ x 13¾"). Laid on card. Slight offset.
Equestrian portrait of Tsar Alexander I (1777-1825) in uniform, with a standard-bearer and a battle behind. Published in William Nicholson's ' History of the War Occasioned by the French Revolution', 1816.
[Ref: 37877] £130.00 (£156.00 incl.VAT)

Alexander the First Emperor of all the Russias.
London, William Darton, 138 Holborn Hill, 1823.
Stipple. Sheet 115 x 75mm (4½ x 3"). Trimmed within plate, on card as normal.
Vignette portrait of Tsar Alexander I (1777-1825) in uniform.
[Ref: 37994] £50.00 (£60.00 incl.VAT)

Alexander 1st. Emperor of Russia.
C.MF. Dien sc.
London, Pub. June 14 - 1814, by Hassell & Rickards, 344, Strand.
Engraving with very large margins, platemark 185 x 130mm (7¼ x 5"). Good impression.
Alexander I (1777-1825) served as Emperor of Russia from 1801 to 1825, and the first Russian King of Poland from 1815 to 1825. He was also the first Russian Grand Duke of Finland and Lithuania.
[Ref: 35230] £160.00 (£192.00 incl.VAT)

Alexander Emperor of Russia. Drawn from the Life.
Published by S. Phillips, July 21 1814
Etching with very large margins, platemark 205 x 150mm (8 x 6"). Fine impression; slight foxing; tipped into album sheet. Rare.
Alexander I of Russia (1777-1825), known as Alexander the Blessed, Tzar from 1801, Ruler of Poland from 1815, as well as the first Russian Grand Duke of Finland and Lithuania. Probably from a drawing by Thomas Phillips made at the time of the visit of the Allied Sovereigns to England in June 1814 to celebrate the Peace of Paris. In 1817 Phillips (who also had the rare distinction of having painted Napoleon from life, in 1802) painted a large canvas (now in Petworth House, Sussex) commemorating the event, showing Alexander.
[Ref: 34935] £220.00 (£264.00 incl.VAT)

Emperor Alexander.
Published by G. Smeeton, 17, St. Martin's Lane. [n.d. c.1830.]
Stipple. 114 x 76mm (4½ x 3") Cut and laid on card as normal.
Emperor Alexander I of Russia (1777-1825), known as Alexander the Blessed, Tsar from 1801, Ruler of Poland from 1815, as well as the first Russian Grand Duke of Finland and Lithuania.
[Ref: 31182] £65.00 (£78.00 incl.VAT)

Alexander 1.st.
J. Chapman sculp.
Published as the act directs, Jan.y.1-1802.
Stipple with large margins. Plate:110 x 160mm (4¼ x 6¼").
Half portrait of Alexander 1st of Russia (1777-1825), ruler of Russia from 1801 to 1825, and King of Poland from 1811 to 1825.
[Ref: 33501] £95.00 (£114.00 incl.VAT)

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