Grosvenor Prints

Southampton or Bloomsbury Square. 18.
Published according to Act of Parliament 1754 for Stowes Survey.
Engraving. 345 x 465mm (13½ x 18¼). Some creasing.
An elevated view of Bloomsbury Square looking north towards Bedford House, with Hampstead, Highgate and Islington in the background. It is one of London's oldest squares, developed for the 4th Earl of Southampton in the early 1660s.
[Ref: 62822] £320.00

The Hall, Blue Coat School. Plate 10.
Rowlandson & Pugin del. et sculpt. Hill, Aquat.
London. Pub March 1, 1808 at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint, plate 230 x 280mm (9 x 11"), with large margins.
A view inside the hall of the school at Blue Coat School, London. Two students wearing blue coats stand on platform in centre of hall, with scholars and elegantly dressed figures seated around edge. A large "figure painting" can be seen across the top half of the wall above the panelling on the right. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.10.
[Ref: 62752] £120.00 (£144.00 incl.VAT)

M. Boai. The Chin Chopper. Exhibiting Aug.t. 1830, at the Eqyptian Hall.
[n.d., c.1830.]
Engraving. 110 x 70mm (4¼ x 2¾"). Laid on album paper.
Portrait of M. Boai who played tunes on his chin, also known and described as 'The Chin Chopper.'
[Ref: 63209] £160.00 (£192.00 incl.VAT)

Boar Hunting. In his Majesty's Collection at the Royal Apartments Windsor Castle.
Snyders Pinxit. Josiah Boydell delin.t. Gabriel Smith, Sculpsit.
Publish'd Sep.r 2.d 1782 by John Boydell Engraver in Cheapside, London.
Etching with engraving, printed in colours. 485 x 620mm (19 x 24½"), with large margins. Laid on board. Some foxing top of outside margin.
A dramatic image showing a pack of dogs bringing down a boar, after a painting by Frans Snyders (1579-1657) dated 1653. Bought by Charles II, it is now in the Public Dining Room, Hampton Court Palace. Gabriel Smith engraved the plate from a preparatory drawing by John Boydell's nephew, Josiah, three years before he became a partner in the family firm.
See Royal Collection RCIN 405557.
[Ref: 62660] £360.00

Boieldieu. Maitre de chapelle de S. M. l'Empereur de Russie et membre du Conservatoire de France.
Se vend chez Quenedey rue Neuve-des-Petits-Champs No15 à Paris / Dép. à la Bib. Imp.
Dess. au Physionotrace en 1811 et Gravé par Quenedey a Paris.
Aquatint. Sheet 240 x 155mm (9½ x 6"). Trimmed slightly into plate.
Portrait of François-Adrien Boieldieu (1775 - 1834), French composer, mainly of operas, often called "the French Mozart". In 1825, he produced his operatic masterpiece, La dame blanche (revived in the Salle Favart in 1997 and recorded by the conductor Marc Minkowski). Unusual for the time, La dame blanche was based on episodes from two novels by Walter Scott. The libretto by Eugène Scribe is built around the theme of the long-lost child fortunately recognized at a moment of peril. The style of the opera influenced Lucia di Lammermoor, I puritani, and La jolie fille de Perth. La dame blanche was one of the early attempts to introduce the fantastic into opera.
[Ref: 63304] £140.00 (£168.00 incl.VAT)

Révue du Quintidi. Bonaparte Premier Consul de la Republique Française.
Boilly Pinxit. Levachez Sculp.t Duplessia Bevtaux aqua forti.
Déposé à la Bibliothèque N.le le 19 Thermidou An X. A Paris, chez Auber Editeur Rue St. Lazare Chaussée d’Antin No.88 [engraved. c.1802 but later].
Coloured aquatint with etching. 435 x 295mm (17 x 11¾"). Trimmed close to plate at bottom, edge ragged. Small margins left & right.
A portrait of Napoleon Bonaparte in a medallion above a scene depicting a troop review, within a printed frame.
[Ref: 63040] £280.00 (£336.00 incl.VAT)

Bonaparte à la bataille d'Arcole le 27 Brumaire an V.
Peint par Le-Gros. Gravé à Milan par J. Longhi 1798.
[Later impression c.1860.]
Engraving, printed in colours. 480 x 330mm (19 x 13"), on laid paper.
The famous painting of the young Napoleon at the Battle of Arcole in 1796 by Antoine Jean Gros (Baron Gros). Bonaparte advances, sword in one hand, standard in the other, wearing an embroidered coast.
[Ref: 63023] £260.00 (£312.00 incl.VAT)

R. P. Bonington.
Drawn on Stone by J. D. Harding from a Picture by Margaret Carpenter.
Published, Aug. 1st, 1829, by J. Carpenter & Son, Old Bond Street. Printed by C. Hullmandel.
Fine & rare lithograph on india. 280 x 215mm (11 x 8½"). Laid on album paper at edges.
Portrait of Richard Parkes Bonington (1802 - 1828), English Romantic landscape painter. His bust to front, with short dark hair, dark jacket over white shirt; after Carpenter; frontispiece to the series; finished state. Lettered below image with facsimile of sitter's autograph.
[Ref: 63201] £230.00 (£276.00 incl.VAT)

Gentil-homme jouant de la Harpe. En agitant mes doigt, fur ce graue Instrument, Du seul pincer Je puis...
N.Bonnart sculp. et ex. cum privil. Rue St Jacques à l'Aigle
[n.d. c.1800]
Rare & fine engraving 265 x 190mm (10½ x 7½"), with very large margins.
Man seated on an ornate chair in fashionable costume playing a harp.
[Ref: 63084] £390.00

[Bookseller] Mess.rs Lackington Allen & Co. Temple of the Muses, Finsbury Square.
For No. 4 of Ackermann's Repository of Arts & Pub. 1.st April 1809, 101, Strand London.
Aquatint with fine hand colour. Sheet 230 x 140mm (9 x 5½"), with partial Whatman watermark. Trimmed.
A scene inside a large bookshop, showing customers at a large, round counter while other customers look at books and prints. James Lackington (1746-1815) began selling books in 1774, advertising himself as the ''Cheapest Bookseller in the World''. He moved to the 'Temple of the Muses', designed for him by George Dance, c.1791; it burnt down in 1841. After he retired in 1798 the business was run by his third cousin George Lackington (1777-1844), who also owned the 'Egyptian Hall' in Piccadilly 1825-32) and a former employee, Robin Allen. A plate from the periodical, the 'Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics', published from 1809-29. It discussed day to day life in England, its illustrations influencing taste in fashion, architecture and literature.
[Ref: 62642] £140.00 (£168.00 incl.VAT)

Apollon Pythien, du l'Apollon du Belvedere.
Dessine par Bourdon. Gra.ve a l'Eau-forte par Queverdo de Niquet j.ne. Termine p.r Niquet l'ai.e.
Déposé a la Bibliotheque Imperiale. [n.d. c.1800]
Engraving, plate 335 x 255mm (13¼ x 10"), with large margins.
An image of a Apollo Belvedere (or Pythian Apollo) statue amongst a wooded background.
[Ref: 63060] £130.00 (£156.00 incl.VAT)

Cupidon ou L'Amour, Fils de Venus.
Dessine par Bourdon. Gra.ve a l'Eau-forte par Queverdo de Niquet j.ne. Termine p.r Niquet l'ai.e.
Dep.e a la Dir.on de l'Imp.ie et la Lib.ie. [n.d. c.1800]
Engraving, plate 335 x 255mm (13¼ x 10"), with very large margins.
An image of a classical statue of Cupid with his bow; in a wooded background.
[Ref: 63061] £130.00 (£156.00 incl.VAT)

Diane Chasseresse. Soeur d'Apollon.
Dessine par Bourdon. Gra.ve a l'Eau-forte par Queverdo de Niquet j.ne. Termine p.r Niquet l'ai.e.
Dep.e a la Dir.on de l'Imp.ie et la Lib.ie. [n.d. c.1800]
Engraving, sheet 420 x 285mm (16½ x 11¼"), large margins on 3 sides. Trimmed to plate on left.
An image of a statue of Diana the huntress, holding a deer by the antler, in a wooded background. The Diana of Versailles or Artemis, Goddess of the Hunt (also known as: Diana with a Doe, Diana Huntress, and Diana of Ephesus) is a slightly over-lifesize marble statue of the Roman goddess. It is currently in the Musée du Louvre, Paris
[Ref: 63058] £130.00 (£156.00 incl.VAT)

Venus. ditte la Venus accroupie.
Dessine par Bourdon. Gra.ve a l'Eau-forte par Queverdo de Niquet j.ne. Termine p.r Niquet l'ai.e.
Déposé au Bur.audes Estampes [n.d. c.1800]
Engraving, plate 335 x 255mm (13¼ x 10"), with very large margins.
An image of a Crouching Venus statue amongst a wooded background.
[Ref: 63059] £130.00 (£156.00 incl.VAT)

Art of Self Defence. Tom and Jerry receiving Instructions from Mr. Jackson, at his Rooms in Bond Street.
Drawn & Eng.d. by I.R. & G. Cruikshank.
[Published by Sherwood, Neely & Jones, London, 1821.]
Hand-coloured etching and aquatint. 185 x 125mm (7¼ x 5"). Trimmed within plate. Slight time staining.
Satirical print of Tom and Jerry boxing. One of the coloured illustrations for the 1821 a popular book with the title Life in London or, The Day and Night Scenes of Jerry Hawthorn, Esq. and his Elegant Friend Corinthian Tom in their Rambles and Sprees through the Metropolis.
BM Satires 14329
[Ref: 63186] £130.00 (£156.00 incl.VAT)

Sparring at the Fives Court.
Drawn & Etched by H.Alken Esq.r.
[London, Published as the Act directs, by Jones & C.º May 1st 1821.]
Hand coloured etching. 175 x 110mm (7 x 4¼"). Trimmed around the title.
Gentlemen stand watching two men boxing in a raised ring at the Fives Court in St Martins Street, London. After an illustration by Henry Alken from 'Real Life in London, or, the Further Rambles and Adventures of Bob Tallyho, Esq. and His Cousin The Hon. Tom Dashall, through the Metropolis'.
[Ref: 63187] £95.00 (£114.00 incl.VAT)

The Daffy Club. , or a Musical Muster of the Fancy.
Drawn & Engraved by R. Cruikshank.
Published March 1.1824 by Sherwood Jones & Co.
Coloured aquatint. 240 x 150mm (9½ x 6").
A view of the interior of the Daffy Club meeting at the Castle Tavern, Holborn. The club was for members of The Fancy to enjoy a bit of gin and sport and featured a long room adorned with portraits of the great boxers.
[Ref: 63188] £130.00 (£156.00 incl.VAT)

Die Auswahl der Mahlerey aus andern schönen Künsten. Nach dem Original-Gemaehlde von gleicher Grosse. zu finden in Leipzig bey Dyck.
Gemablt von Schenau. Gestochen von C.G Schultze in Dresden 1773.
Engraving, sheet 320 x 195mm (12½ x 7¾"). On 18th century watermarked paper. Trimmed to platemark. Some time staining.
A boy seated at a window, his right arm resting on a violin, holding a brush in his left hand; music sheets, a print and a framed image rest on the window sill. Behind him a harpsichord. Below the window sill is a bas-relief depicting putti forcing one of their companions to drink some pressed grape juice while another seems to be drawing the scene.
[Ref: 63095] £420.00

The Battle of the Boyne. July 1st 1690.
Wyke Pinx.t. Goldar sculp.
London: engraved for Harrison's Edition or Rapin. Publish'd as the Act directs. Dec.r 3, 1783.
Engraving. 210 x 280mm (8¼ x 11"), large margins.
A battle scene, with William III on his white horse, surrounded by his officers.
[Ref: 63142] £160.00 (£192.00 incl.VAT)

Brasen-Nose College. Part of the Schools &c. taken from the top of Radcliffe Library.
F. Mackenzie del.t. J. Hill sculp.t.
London, Pub.d Aug.t 1 1813, at 101 Strand, for R. Ackermann's History of Oxford.
Aquatint with fine hand colour. 300 x 250mm (11¾ x 9¾"). Crease not visible from front.
Brasen-Nose College taken from the top of Radcliffe Library. Brasen-Nose College began as Brasenose Hall in the 13th century, before being founded as a college in 1509.
[Ref: 62944] £160.00 (£192.00 incl.VAT)

Rio-Janeiro.
L. Scott. A.H. Payne sc.
John Tallis & Company, London & New York [n.d., c.1847.]
Steel engraving. Sheet 180 x 265mm (7 x 10½").
A distant view of Rio de Janeiro from the sea, with Sugarloaf Mount on the left.
[Ref: 63016] £60.00 (£72.00 incl.VAT)

[Brewing] The Triumph of Quassia.
[after James Gillray]
[n.d. c.1806]
Hand coloured etching, sheet 170 x 220mm (6¾ x 8¾"). Trimmed within plate and glued to backing sheet. Folds as issued.
A satire on the new tax on private brewers which was unpopular because it gave a monopoly to the larger public brewers, who were suspected of substituting hops for the cheap bark of quassia, a bitter-tasting tropical plant. In a parody of a Bacchic procession, the brewers carry a barrel on which rides a Bacchus-like black figure. In one hand he holds a scroll that reads "Kill-Devil forever" and in the other a tankard of beer, from which ailments radiate 'apoplexy, palsy, consumption, debility, colic, stupor, dropsy, scurvy, dysentery, haemorrhoid, hydrophobie, idiotism.' The depiction of Bacchus, the classical god of winemaking, fertility and religious ecstasy, as a black figure is based on pseudoscientific notions of the physical and moral inferiority of black Africans. In England at the time, it was widely believed that black people were subject to unbridled sensuality and impulses, and this belief was used to justify their slavery. The group is preceded on horseback by the three leading ministers of the time, pockets full of gold, who formed a coalition known as the Ministry of Talent. From left to right they are: Lord Henry Petty-Fitzmaurice, Chancellor of the Exchequer; Lord William Wyndham Grenville, Prime Minister; and Charles Fox, then Foreign Secretary. A reduced version of the print made by James Gillray and published by Hannah Humphrey.
See BM Satires 10574.
[Ref: 62891] £120.00 (£144.00 incl.VAT)

British Institution (Pall Mall) Plate 13.
Rowlandson & Pugin del.t. et sculpt. J. Bluck aquat.
London. Pub 1.st April 1808. at R. Ackermann’s Repository of Arts 101. Strand.
Hand coloured aquatint, plate 235 x 275mm (9¼ x 10¾"), with very large margins.
View inside the institution; paintings hang from walls, artists set up around sides with canvases supported by easels copying the displayed work; a table in centre of room with paints and brushes; an arch leads on to the next room with a similar set up. A plate from Ackermann's 'Microcosm of London' (1808-9), a landmark publication in the documentation of London, bringing together two specialist artists, Thomas Rowlandson to design the figures and Augustus Pugin to provide the architectural draughtsmanship. The result was a series of scenes unprecedented in their combination of vivid activity and architectual accuracy.
Abbey, Scenery: 212.
[Ref: 62697] £260.00 (£312.00 incl.VAT)

[Senior officers of the British Army at a camp.]
LGFawkes September 1873.
Maclure & Macdonald, Lith.rs to the Queen, London. Entered at Stationers Hall.
Lithograph. Sheet 230 x 380mm (9 x 15"). Repaired tear, pencil identification, including Strickland, Gen. Stanley, Gen Woodhouse.
A group of Officers chatting and discussing tactics at a camp. Lionel Grimston Fawkes (1849-1931) attended the Royal Military Academy, Woolwich, becoming a colonel in the Royal Artillery and Professor of Military Topography at the Royal Military Academy from 1895 to 1900. He also served as a Justice of the Peace before retiring to Canada.
[Ref: 63132] £190.00 (£228.00 incl.VAT)

Photographic Group of the British Poets, complete from Chaucer to Beattie.
Published by J.B. de Voto. Glasgow [n.d., c.1875.]
Photograph laid on printed backing card. 300 x 240mm (11¾ x 9½"). With wood-engraved index sheet. Some slight oxidisation.
A photographically reproduced montage of 137 writers, including Byron and Scott.
[Ref: 63296] £140.00 (£168.00 incl.VAT)

[George Brooks Esq.]
[After Samuel Woodforde.][Engraved by James Heath]
[n.d. c.1820]
Aquatint part printed in colour. 280 x 215mm (11 x 8½"). Sheet has become discoloured. Small marking across the image.
Half portrait of George Brooks of Twickenham, active in late 18th-early 19th century.
[Ref: 62852] £180.00 (£216.00 incl.VAT)

[Maria Broughton-Delves] Lady Broughton.
S.r Jos. Reynolds Pinxt. Wilson fecit.
[London, Printed for Rob.t Sayer, Map & Printseller, No. 53. Fleet Street, as the Act directs 1st. Sep.r 1771.]
Mezzotint. Sheet 350 x 260mm (13¾ x 10¼"). Trimmed into plate at bottom, losing publication line, narrow margins elsewhere.
A three-quarter length portrait of Mary Hill (d.1813, wife of Sir Brian Broughton-Delves (d.1766), 5th baronet of Broughton Hall, Staffordshire. The original portrait, showing Maria full-length, was begun by Reynolds in 1765 but only completed after her husband's death. The oil is now in the Virginia Museum of Fine Arts.
CS: 4.
[Ref: 62759] £240.00 (£288.00 incl.VAT)

Ozoro Esther.Tecla Mariam. Kefta Yasous. Pl.2.
Heath sc. [after Thomas Stothard]
London, Published Oc.tr 1.st 1804, by Longman & C.o.
Stipple, plate 295 x 230mm (11½ x 9"). Small margins. Has been restored.
Three portraits of Abyssinian figures, each half-length in ovals. Plate 2 to the second addition of James Bruce's 'Travels to discover the source of the Nile.'
[Ref: 62953] £130.00 (£156.00 incl.VAT)

Woodage Asahel. Abyssinian Lady of Quality. Pl.3.
Heath sc. [after Thomas Stothard]
London, Published Oc.tr 1.st 1804, by Longman & C.o.
Stipple, plate 295 x 230mm (11½ x 9"). Small margins. Has been restored in margin.
Two portraits of Abyssinian figures, each half-length in ovals. Plate 3 to the second addition of James Bruce's 'Travels to discover the source of the Nile.'
[Ref: 62955] £130.00 (£156.00 incl.VAT)

The King's Libary Buckingham House. Plate II.
J. Stephanoff del.t R Reeves sculp.t.
Pub. Dec.r 1.1817, by W.H. Pyne, 9 Nassau Street, Soho.
Fine aquatint, plate 272 x 322mm (10¾ x 12¾"). On paper watermarked '1818. J Whatman Turkey Mills.'
A view of the King's Library in Buckingham House; books lining all the walls; and a large globe surmounted on the wall above the vast fireplace. Published in William Henry Pyne's "History of the Royal Residences".
Abbey Scenery: 396.48.
[Ref: 62688] £180.00 (£216.00 incl.VAT)

Bridge at Bury S.t Edmunds.
London, Published May 10, 1817, by J. Jeakes, N.º 39 Little Russell Street, Bloomsbury.
Rare aquatint, printed in brown. Sheet 225 x 300mm (8¾ x 11¾"). Trimmed within plate, mounted in album paper.
Not in Abbey.
[Ref: 63291] £180.00 (£216.00 incl.VAT)

The Curtain.
Signor Rhezio Invt. [George Townshend?]
[n.d., c.1760.]
Coloured etching. Sheet 200 x 325mm (8 x 12¾"). Tear through title taped, bottom right corner torn off. Trimmed.
A Scottish bag-piper plays "Scotch Vagary for the German Flute or Bagpipe" while two gentleman note that he is "sure of preferment". When held up to the light the figures of Princess Augusta and Lord Bute appear, dancing. A satire on the supposed relationship between Lord Bute and Princess Augusta, by George Townshend (1724-1807), 4th Viscount and 1st Marquess Townshend. An early transformation print.
BM Satires 3824.
[Ref: 63318] £390.00 view all images for this item

Sawney Discovered. or the Scotch Intruders 1760.
[by George Townshend.]
[n.d., c.1760.]
Coloured etching, 18th century watermark. Sheet 200 x 325mm (8 x 12¾"). Tear through title taped. Trimmed.
A line of Scots wait to be introduced to Princess Augusta to get sinecures, who is behind a screen decorated with thistles and the royal motto ''Nemo me impune lacessit", with the English ''translation', ''No One Touches Me But Gets the Itch''. The figures of Augusta, Bute and two others appear when held up to the light. A satire on the supposed relationship between Lord Bute and Princess Augusta, by George Townshend (1724-1807), 4th Viscount and 1st Marquess Townshend. An early transformation print.
BM Satires 3825
[Ref: 63317] £390.00 view all images for this item

T. Fowell Buxton.
Engraved by John Brain. From a Painting by Geogr Hayter. Esq.r. M.A.L.L.&c.
[n.d., c.1840, London: John Saunders, Junr. 49, Paternoster Row.]
Stipple engraving. 125 x 180mm (5 x 7").
A portrait of Sir Thomas Fowell Buxton, 1st Baronet Buxton of Belfield and Runton (1786 – 1845). As an MP he worked for changes in prison conditions and criminal law and for the abolition of slavery. On 16 June 1824, a meeting was held at Old Slaughter's Coffee House, St Martin's Lane, London, at which was created the Society for the Prevention of Cruelty to Animals – it became the RSPCA when Queen Victoria gave royal assent in 1840. Buxton was appointed chairman for the year 1824.
[Ref: 63123] £130.00 (£156.00 incl.VAT)

T. F. Buxton.
Painted by H. P. Briggs. Esq. R. A. Engraved by W. Holl.
Fisher, Son & Co. London & Paris. [n.d., c.1800.]
Engraving. 220 x 150 (8¾ x 6"), very large margins.
Portrait of Sir Thomas Fowell Buxton, 1st Baronet Buxton of Belfield and Runton (1786 – 1845), three-quarter length, seated to right, facing the viewer, wearing a jacket, waistcoat and cravat, holding a book in his left hand. As an MP he worked for changes in prison conditions and criminal law and for the abolition of slavery. On 16 June 1824, a meeting was held at Old Slaughter's Coffee House, St Martin's Lane, London, at which was created the Society for the Prevention of Cruelty to Animals – it became the RSPCA when Queen Victoria gave royal assent in 1840. Buxton was appointed chairman for the year 1824.
[Ref: 63191] £90.00 (£108.00 incl.VAT)

Johannes Calvinus.
Strasburg zu finden beÿ Johan Tscherning Auf S. Tomas Pla.
[n.d., c.1700.]
Engraving, 17th century watermark. Sheet 135 x 95mm (5¼ x 3¾"). Trimmed into printed border, mounted in album paper at sides.
Profile portrait of theologian Jean (John) Calvin (1509-64), before a bookcase containing instruments. Engraved by Johann Tscherning (fl. 1684-1729).
[Ref: 62924] £160.00 (£192.00 incl.VAT)

Cambridge.
Drawn by R. B. Harraden Jun.r. Etched by Letitia Byrne.
Published Jan.y 20 1809 by R. Harraden & Son, Cambridge, and by R. Cribb & Son, 288, Holborn, London.
Etching, sheet 175 x 245mm (7 x 9¾"). Trimmed to platemark.
Exterior view from afar of Cambridge University. In the foreground there are a flock of sheep, a man riding horseback and students walking.
[Ref: 62990] £130.00 (£156.00 incl.VAT)

[Order book for the Cambridge Almanack]
[n.d., c.1845.]
Folio, half calf with marbled boards; letterpress price list; 45 engraved plates. Binding distressed; most plates trimmed within plates, spotting throughout.
A complete run of the Cambridge Almanack plates from 1801 to 1845, with a subject list with prices of standard issues, proofs and india paper proofs. Extremely rare record of the 19th century print trades.
[Ref: 63301] £3,800.00 view all images for this item

Cambridge. [Map.]
Published March 1. 1810, by R. Harraden & Son, Cambridge & by R. Cribb & Son, 288, Holborn, London.
Map. Sheet 245 x 175mm (9¾ x 7"). Trimmed into plate.
Map of Cambridge, detailing the university grounds, buildings and churches.
[Ref: 63077] £120.00

Caius College. Gate of Honour.
Drawn by R. B. Harraden Jun.r. Etched by Elizabeth Byrne.
Published Oct.r. 28 1810 by R, Harraden & Son Cambridge.
Etching, sheet 175 x 245mm (7 x 9¾"). Trimmed into bottom of plate, where publisher is stated. Trimmed to platemark on 3 sides.
Exterior view of the Gate of Honour, Caius College, Cambridge.
[Ref: 62993] £95.00 (£114.00 incl.VAT)

Catherine Hall.
Drawn by R. B. Harraden Jun.r. Etched by Elizabeth Byrne.
[n.d., c.1800.]
Etching, sheet 175 x 245mm (7 x 9¾"). Trimmed to platemark.
Exterior view of Catherine Hall, Cambridge.
[Ref: 62992] £95.00 (£114.00 incl.VAT)

Christ College.
Drawn by R. B. Harraden Jun.r. Etched by Elizabeth Byrne.
Published June 1809, by R. Harraden & Son, Cambridge, & by R. Cribb & Son 288 Holborn, London.
Etching, sheet 175 x 245mm (7 x 9¾"). Trimmed to platemark on 3 sides.
View of the exterior of Christ College, Cambridge.
[Ref: 62984] £95.00 (£114.00 incl.VAT)

Christs College.
R. B. Harraden del. E. F. McCabe sculp.
Published by R. B. Harraden, Cambridge, 1825.
Etching, sheet 175 x 245mm (7 x 9¾"). Trimmed on 3 sides.
Exterior view of Christ's College, Cambridge, scholars walk along the grounds.
[Ref: 62983] £95.00 (£114.00 incl.VAT)

Clare Hall.
Drawn by R. B. Harraden Jun.r. Etched by Elizabeth Byrne.
Published Jan.y 20 1809, by R. Harraden & Son Cambridge, & by R. Cribb & Son, 288 Holborn, London.
Etching, sheet 175 x 245mm (7 x 9¾"). Trimmed to platemark.
Exterior view of Clare Hall, Cambridge.
[Ref: 62987] £95.00 (£114.00 incl.VAT)

Corpus Christi or Bene't College.
Drawn by R. Harraden, Etched by Eliz.th Byrne.
Published, August 1. 1810., by R. Harraden & Son, Cambridge, & by R. Cribb & Son, Holborn, London.
Etching, sheet 175 x 245mm (7 x 9¾"). Trimmed to platemark.
Exterior view of Corpus Christi or Bene't College, Cambridge.
[Ref: 62978] £95.00 (£114.00 incl.VAT)

Corpus Christi College.
R. B. Harraden del.t. E. F. McCabe sculp.t.
Published 1824, by R. B. Harraden, Cambridge.
Etching, sheet 175 x 245mm (7 x 9¾"). Trimmed to platemark.
Exterior view of Corpus Christi College, Cambridge.
[Ref: 62977] £95.00 (£114.00 incl.VAT)

Corpus Christi College. And Christ Church Cathedral.
W. Westall del.t. J.C. Stadler sculp.t.
London Pub. May 1st 1814 at 101 Strand for R. Ackermann's History of Oxford.
Coloured aquatint. 250 x 300mm (9¾ x 11¾"), large margins. Slight crease top left margin.
View of Corpus Christi College and Christ Church Cathedral, scholars walking on the lawns. From 'A History of the University of Oxford, its colleges, halls, and public buildings', by William Combe.
[Ref: 62960] £160.00 (£192.00 incl.VAT)

Entrance to Downing College.
Drawn by R. B. Harraden Jun.r from an original by W. Wilkins Esq.r, Etched by Elizabeth Byrne.
[Published Jan.y 20th 1809.]
Etching, sheet 175 x 245mm (7 x 9¾"). Lower margin, trimmed into plate on lower margin, cutting off description of publisher. Trimmed to platemark.
Exterior view of the entrance to Downing College, Cambridge.
[Ref: 62980] £95.00 (£114.00 incl.VAT)

Downing College.
Drawn by R. Harraden Jun.r from an original by W. Wilkins Esq.r, Engraved by Joseph Skelton.
[n.d., c.1800.]
Engraving, sheet 175 x 245mm (7 x 9¾"). Trimmed to platemark.
Exterior view of Downing College, Cambridge.
[Ref: 62979] £95.00 (£114.00 incl.VAT)

Emanuel College.
Drawn by R. B. Harraden Jun.r. Etched by Elizabeth Byrne.
[n.d., c.1800.]
Etching, sheet 175 x 245mm (7 x 9¾"). Trimmed to platemark.
Exterior view of Emanuel College, Cambridge.
[Ref: 62991] £95.00 (£114.00 incl.VAT)

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