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A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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![[Forth & Clyde Navigation] By Virtue of several Acts of Parliament, passed in the Reign of His present Majesty,](jpegs/54178.jpg)
[Forth & Clyde Navigation] By Virtue of several Acts of Parliament, passed in the Reign of His present Majesty, The Governor and Council of the Company of Proprietors of the Forth and Clyde Navigation have ordered the following Rates and Duties on all Vessels, Goods, Commodities, navigated or conveyed on the said Navigation and Collateral Cut to the West End of the Monkland Canal, and lying in the Harbours and Basins, and on the Quays, Wharfs, and Landing Places belonging thereto, to be levied agreeably to the Rules and Regulations herein-after mentioned; and to commence from the 31st Day of March 1818, and continue in force till altered by the said Governor and Council.
[c.1818.]
4pp. letterpress, scarce. 445 x 270mm (17½ x 10¾"). With three a.l.s. from the company secretary, David Caldwell to Graham Hamond. Creasing.
A list of tolls and dues for the Forth & Clyde canal, including fines for not returning ice-fenders. The letters are addressed to Sir Graham Hamond (1779-1862) (mis-spelt Hammond), a Royal Naval officer who appears in Mather Brown's painting of the Battle of the Glorious First of June (1794), at which he served as a young midshipman. He continued to serve throughout the Napoleonic wars, including the Battle of Copenhagen and the siege of French-held Malta. These letters, giving details taking his yacht through the Forth & Clyde Navigation, are dated 1818, three years before he was made a Deputy Lieutenant of the Isle of Wight. The address is Norton Lodge (now Norton Grange), where Hamond died in 1862, less than a month after being promoted full admiral.
[Ref: 54178] £350.00 (£420.00 incl.VAT) view all images for this item
[c.1818.]
4pp. letterpress, scarce. 445 x 270mm (17½ x 10¾"). With three a.l.s. from the company secretary, David Caldwell to Graham Hamond. Creasing.
A list of tolls and dues for the Forth & Clyde canal, including fines for not returning ice-fenders. The letters are addressed to Sir Graham Hamond (1779-1862) (mis-spelt Hammond), a Royal Naval officer who appears in Mather Brown's painting of the Battle of the Glorious First of June (1794), at which he served as a young midshipman. He continued to serve throughout the Napoleonic wars, including the Battle of Copenhagen and the siege of French-held Malta. These letters, giving details taking his yacht through the Forth & Clyde Navigation, are dated 1818, three years before he was made a Deputy Lieutenant of the Isle of Wight. The address is Norton Lodge (now Norton Grange), where Hamond died in 1862, less than a month after being promoted full admiral.
[Ref: 54178] £350.00 (£420.00 incl.VAT) view all images for this item
Drawn from the most minute observation. An Exact representation of the Car, that conveyed the remains of the R.t Hon.ble Cha.s Ja.s Fox, Oct.r 10.th 1806_respectfully dedicated to the Electors of Westmin.r & the Noblemen & Gentlemen of the Wig Club.
Pub.d Oct.r 19.th 1806 by A. Beugo Maiden Lane, Cov.t Garden.
Very rare aquatint. 260 x 185mm (10¼ x 7¼"). Trimmed into image at top.
A representation of the funeral car of politician Charles James Fox (1749-1806), which was drawn by six horses.
[Ref: 27802] £160.00 (£192.00 incl.VAT)
Pub.d Oct.r 19.th 1806 by A. Beugo Maiden Lane, Cov.t Garden.
Very rare aquatint. 260 x 185mm (10¼ x 7¼"). Trimmed into image at top.
A representation of the funeral car of politician Charles James Fox (1749-1806), which was drawn by six horses.
[Ref: 27802] £160.00 (£192.00 incl.VAT)
Garrick in the Green Room. From the original of the same size Painted by Hogarth in the Possession of the Publisher, J.W. Southgate, 22 Fleet Street.
Painted by W.m Hogarth [but Pietro Longhi]. Engraved by William Ward, Engraver to H.R.H. The Duke of Clarence. Printed by J. Lahee.
[n.d., c.1829.]
Scarce mezzotint. Sheet 560 x 740mm (22 x 29"). Trimmed within plate on three sides. Few minor repairs. Repaired tear top centre.
David Garrick lounging in a chair, arm raised to an informal audience. Behind the actor is the winged figure of Fame. According to a key in G. Daniel's "A Biographical and Critical Analysis of a Picture' (published in 1829, probably to coincide with the publication of this print), the audience consists of other English actors and Garrick's family, with William Hogarth at the front, back to the audience, head turned, gesturing at Garrick. These attributions were made by the owner of the painting and publisher of the print, James Webb Southgate, who, as an auctioneer and art dealer, had a vested interest in improving the attribution. The BM now attributes the painting to Pietro Longhi (1701-85) and describes the scene as Garrick in a Venetian salon in front of the Duke of Parma; The Lady Lever Art Gallery, where the painting currently resides, titles it merely 'A Poet Declaiming His Verses', despite the masks of comedy and tragedy under the seat suggesting a more theatrical theme.
BM 1856,0308.1322; Lady Lever Art Gallery LL 3526; Highfill, 'A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers', vol 6, p.84.
[Ref: 53917] £480.00
Painted by W.m Hogarth [but Pietro Longhi]. Engraved by William Ward, Engraver to H.R.H. The Duke of Clarence. Printed by J. Lahee.
[n.d., c.1829.]
Scarce mezzotint. Sheet 560 x 740mm (22 x 29"). Trimmed within plate on three sides. Few minor repairs. Repaired tear top centre.
David Garrick lounging in a chair, arm raised to an informal audience. Behind the actor is the winged figure of Fame. According to a key in G. Daniel's "A Biographical and Critical Analysis of a Picture' (published in 1829, probably to coincide with the publication of this print), the audience consists of other English actors and Garrick's family, with William Hogarth at the front, back to the audience, head turned, gesturing at Garrick. These attributions were made by the owner of the painting and publisher of the print, James Webb Southgate, who, as an auctioneer and art dealer, had a vested interest in improving the attribution. The BM now attributes the painting to Pietro Longhi (1701-85) and describes the scene as Garrick in a Venetian salon in front of the Duke of Parma; The Lady Lever Art Gallery, where the painting currently resides, titles it merely 'A Poet Declaiming His Verses', despite the masks of comedy and tragedy under the seat suggesting a more theatrical theme.
BM 1856,0308.1322; Lady Lever Art Gallery LL 3526; Highfill, 'A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers', vol 6, p.84.
[Ref: 53917] £480.00
A View of the Bay of Gaspe in the Government of Quebec Situate in the Gulf of St. Laurence. A House on the Beach in which Gen.l Wolf resided in 1759. / 2. 1500 Quintals of Fish.
Gent. Mag. [Sylvanus Urban, pseudonym of publisher Edward Cave]
London, [n.d. 1764] [Edward Cave]
Engraving, 18th century watermark. 175 x 250mm (7 x 9¾"), with large margins. Two vertical creases as issued.
A view of Gaspe Bay, on the northeast coast of the Gaspe peninsula, Quebec. The General Wolf mentioned is British army officer James Wolfe (1727-1759), remembered for his victory over the French at the Battle of the Plains of Abraham in Quebec. The battle lasted only fifteen minutes but Wolfe was fatally shot three times; he was posthumously dubbed 'The Hero of Quebec'.
[Ref: 54089] £140.00 (£168.00 incl.VAT)
Gent. Mag. [Sylvanus Urban, pseudonym of publisher Edward Cave]
London, [n.d. 1764] [Edward Cave]
Engraving, 18th century watermark. 175 x 250mm (7 x 9¾"), with large margins. Two vertical creases as issued.
A view of Gaspe Bay, on the northeast coast of the Gaspe peninsula, Quebec. The General Wolf mentioned is British army officer James Wolfe (1727-1759), remembered for his victory over the French at the Battle of the Plains of Abraham in Quebec. The battle lasted only fifteen minutes but Wolfe was fatally shot three times; he was posthumously dubbed 'The Hero of Quebec'.
[Ref: 54089] £140.00 (£168.00 incl.VAT)
![[His Royal Highness George Prince of Wales, &c. &c. &c.. 1755]](jpegs/54069.jpg)
[His Royal Highness George Prince of Wales, &c. &c. &c.. 1755]
Adolphe Pinxit. B. Baron Sculpsit.
[n.d. 1755]
Scarce engraving. Sheet 565 x 460mm (22¼ x 18"). Trimmed, losing title.
A portrait of George III, when the Prince of Wales, astride a rearing horse (1738-1820). George became heir to the throne when his father died from a lung infection. A damaged impression of this large and impressive image.
[Ref: 54069] £220.00 (£264.00 incl.VAT)
Adolphe Pinxit. B. Baron Sculpsit.
[n.d. 1755]
Scarce engraving. Sheet 565 x 460mm (22¼ x 18"). Trimmed, losing title.
A portrait of George III, when the Prince of Wales, astride a rearing horse (1738-1820). George became heir to the throne when his father died from a lung infection. A damaged impression of this large and impressive image.
[Ref: 54069] £220.00 (£264.00 incl.VAT)
![[William Ewart Gladstone.]](jpegs/54163.jpg)
[William Ewart Gladstone.]
H.J. Thaddeus [pencil signature]. [Engraved by Frank Sternberg.]
[n.d., 1889.]
Chine collé mezzotint, proof before all letters, signed by the artist. 535 x 430mm (21 x 17"). A little surface wear, laid on board.
Three-quarter length portrait of Williams Ewart Gladstone (1809-98), probably painted to celebrate his 80th birthday. At the time he was in Opposition, but he was became Prime Minister again in 1892, aged 82, thus becoming the oldest Prime Minister and the only one to serve four terms. After Irish painter Henry Jones Thaddeus (1860-1929).
[Ref: 54163] £260.00 (£312.00 incl.VAT)
H.J. Thaddeus [pencil signature]. [Engraved by Frank Sternberg.]
[n.d., 1889.]
Chine collé mezzotint, proof before all letters, signed by the artist. 535 x 430mm (21 x 17"). A little surface wear, laid on board.
Three-quarter length portrait of Williams Ewart Gladstone (1809-98), probably painted to celebrate his 80th birthday. At the time he was in Opposition, but he was became Prime Minister again in 1892, aged 82, thus becoming the oldest Prime Minister and the only one to serve four terms. After Irish painter Henry Jones Thaddeus (1860-1929).
[Ref: 54163] £260.00 (£312.00 incl.VAT)
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George Gordon Second Marquis of Huntly. From the Original Picture, in the Collection of his Grace the Duke of Montague.
Van Dyke Pinxit. Val. Green Engraver to his Majesty fecit.
Published April 15th 1775 by John Boydell Engraver in Cheapside London.
Mezzotint. 550 x 350mm (21¾ x 13¾"). Tear and scuffing in large margins, corner taped. Messy.
Full length portrait of George Gordon, Marquis of Huntly (1592-1649), Scottish Royalist. After the capture of Charles I he continued to resist and so was excepted from the general pardon of 1647. In 1649 he was captured, taken to Edinburgh and beheaded.
Whitman 51 ii; CS 72 ii.
[Ref: 54249] £230.00 (£276.00 incl.VAT)
Van Dyke Pinxit. Val. Green Engraver to his Majesty fecit.
Published April 15th 1775 by John Boydell Engraver in Cheapside London.
Mezzotint. 550 x 350mm (21¾ x 13¾"). Tear and scuffing in large margins, corner taped. Messy.
Full length portrait of George Gordon, Marquis of Huntly (1592-1649), Scottish Royalist. After the capture of Charles I he continued to resist and so was excepted from the general pardon of 1647. In 1649 he was captured, taken to Edinburgh and beheaded.
Whitman 51 ii; CS 72 ii.
[Ref: 54249] £230.00 (£276.00 incl.VAT)
The Great Fire of London in the Year 1666. From the original picture in the possession of Robert Golden Esq.r Painted by Old Griffier at the time of the Fire. The scene is the original Ludgate taken at the instant of time when the Walls of the Goal [sic] adjoining it fell and exhibited to the view Old St. Paul's Church, just taking fire, and Old Bow Church in the background.
J. Griffier [in image]. [Engraved by W. Birch.]
[Published by E. Jeffery, No 11. Pall Mall, 1807.]
Coloured stipple. Sheet 235 x 330mm (9¼ x 13"). Trimmed within plate on three sides, into inscription area at bottom, losing publication inscription, with fold.
A view of collapsed buildings around Ludgate, with St Paul's Cathedral and Bow Church wreathed in smoke behind. Unusually the inscription area is also stippled. Originally published in Thomas Pennant’s 'Some Account of London' in 1792, this example has 'Vide Pennant's London' erased from the plate bottom right. Although the view is ascribed to Jan Griffier the elder (1645/52-1718) , the BM records that it ''first appears in London soon after the Great Fire of 1666''. As a painter he specialised in landscapes, but he also engraved mezzotints and etched, including the animals and birds of Francis Barlow.
BM 1880,1113.1159. Crace 1878-11-51.
[Ref: 54246] £260.00 (£312.00 incl.VAT)
J. Griffier [in image]. [Engraved by W. Birch.]
[Published by E. Jeffery, No 11. Pall Mall, 1807.]
Coloured stipple. Sheet 235 x 330mm (9¼ x 13"). Trimmed within plate on three sides, into inscription area at bottom, losing publication inscription, with fold.
A view of collapsed buildings around Ludgate, with St Paul's Cathedral and Bow Church wreathed in smoke behind. Unusually the inscription area is also stippled. Originally published in Thomas Pennant’s 'Some Account of London' in 1792, this example has 'Vide Pennant's London' erased from the plate bottom right. Although the view is ascribed to Jan Griffier the elder (1645/52-1718) , the BM records that it ''first appears in London soon after the Great Fire of 1666''. As a painter he specialised in landscapes, but he also engraved mezzotints and etched, including the animals and birds of Francis Barlow.
BM 1880,1113.1159. Crace 1878-11-51.
[Ref: 54246] £260.00 (£312.00 incl.VAT)
Elisabeth Grey Supliant Edouard IV. Pour la Resatitution des Beins de Defunt Son Mari. Lady Elizabeth Grey imploring of Edward IV the restitution of her deceased Husbands Lands, forfeited in the dispute between the houses of York and Lancaster. Rapin's Hist. Vol V. Pag. 26. Dedicated to the Queen by her Majesty's dutiful and most obedient humble Servant W. Wynne Ryland.
d'Apres Angelique Koffman et Ryland. M.elle Bareuille Sculp.
Publish'd as the Act directs March, i. 1780 for the Proprietor W.W. Ryland No 159 Strand London. A Paris chez Chaillon Salle neuve du Palais Marchand.
Stipple, printed in brown. 345 x 405mm (13¼ x 16"). Repaired tears, one entering top printed border.
Elizabeth Woodville begs Edward IV for the return of the land of her husband, Sir John Grey, forfeited after he was killed fighting on the losing side at the Second Battle of St. Albans in 1461. Much taken by the widow, Edward pursues Elizabeth and eventually marries her, the first time a king of England married one of his subjects. Their ten children included the Princes in the Tower and Elizabeth of York, wife of Henry VII The engraver, Mademoiselle Bareuille, has slavishly copied Ryland's plate, even the English text, making it look like a re-issue of the original, but it is a different plate.
See BM 1872,1012.1621 for the original.
[Ref: 54213] £320.00
d'Apres Angelique Koffman et Ryland. M.elle Bareuille Sculp.
Publish'd as the Act directs March, i. 1780 for the Proprietor W.W. Ryland No 159 Strand London. A Paris chez Chaillon Salle neuve du Palais Marchand.
Stipple, printed in brown. 345 x 405mm (13¼ x 16"). Repaired tears, one entering top printed border.
Elizabeth Woodville begs Edward IV for the return of the land of her husband, Sir John Grey, forfeited after he was killed fighting on the losing side at the Second Battle of St. Albans in 1461. Much taken by the widow, Edward pursues Elizabeth and eventually marries her, the first time a king of England married one of his subjects. Their ten children included the Princes in the Tower and Elizabeth of York, wife of Henry VII The engraver, Mademoiselle Bareuille, has slavishly copied Ryland's plate, even the English text, making it look like a re-issue of the original, but it is a different plate.
See BM 1872,1012.1621 for the original.
[Ref: 54213] £320.00
Entrance into Halifax Harbour.
D. Serres del. Wells Sculp.
by J. Gold, 703, Shoe Lane.
Aquatint. 140 x 230mm (5½ x 9¼"). Trimmed.
View of the harbour of Halifax, Nova Scotia. Published in the 'Naval Chronicle'.
[Ref: 53864] £130.00 (£156.00 incl.VAT)
D. Serres del. Wells Sculp.
by J. Gold, 703, Shoe Lane.
Aquatint. 140 x 230mm (5½ x 9¼"). Trimmed.
View of the harbour of Halifax, Nova Scotia. Published in the 'Naval Chronicle'.
[Ref: 53864] £130.00 (£156.00 incl.VAT)
![[Hamlet] Ophelia.](jpegs/54242.jpg)
[Hamlet] Ophelia.
[Engraved by William Wynne Ryland after Giovanni Battista Cipriani.]
Publish'd Dec.r 2 1786 by J. Walker, Carver & Printseller No 148 Strand London.
Stipple, printed in brown. Sheet 355 x 280mm (13¾ x 11"). Trimmed within plate.
Shakespeare's Hamlet, Act 4, Scene 5: Ophelia, her mind unhinged by her father's murder, she offers herbs and flowers to her brother, the queen and king. Soon after this scene, she will fall into a brook while picking flowers and drown. An early state: an edition of April 1787 has the added engraved text: ''Oph: There's Fennel for you, & Columbines: / There's Rue for you; _".
[Ref: 54242] £320.00
[Engraved by William Wynne Ryland after Giovanni Battista Cipriani.]
Publish'd Dec.r 2 1786 by J. Walker, Carver & Printseller No 148 Strand London.
Stipple, printed in brown. Sheet 355 x 280mm (13¾ x 11"). Trimmed within plate.
Shakespeare's Hamlet, Act 4, Scene 5: Ophelia, her mind unhinged by her father's murder, she offers herbs and flowers to her brother, the queen and king. Soon after this scene, she will fall into a brook while picking flowers and drown. An early state: an edition of April 1787 has the added engraved text: ''Oph: There's Fennel for you, & Columbines: / There's Rue for you; _".
[Ref: 54242] £320.00
Helford Creek
Claude H. Rowbotham. [signed in pencil.]
[n.d., c.1910.]
Aquatint, printed in colours. 70 x 105mm (2¾ x 4¼"), with wide margins. Glue damage in margins.
Cottages and a wooden bridge, Claude Hamilton Rowbotham (1864-1949), a watercolour painter of landscapes and coastal scenes, both in England and on the Continent, known for his use of bright colours.
[Ref: 54238] £55.00 (£66.00 incl.VAT)
Claude H. Rowbotham. [signed in pencil.]
[n.d., c.1910.]
Aquatint, printed in colours. 70 x 105mm (2¾ x 4¼"), with wide margins. Glue damage in margins.
Cottages and a wooden bridge, Claude Hamilton Rowbotham (1864-1949), a watercolour painter of landscapes and coastal scenes, both in England and on the Continent, known for his use of bright colours.
[Ref: 54238] £55.00 (£66.00 incl.VAT)
![[Henry IV Part II] Falstaff Reproved by King Henry.](jpegs/54229.jpg)
[Henry IV Part II] Falstaff Reproved by King Henry.
H. Bunbury Esq.r Delin.t. Shenner Sculp.t.
London Published June 1. 1792, by Thos. Macklin Poets Gallery Fleet Street.
Stipple, printed in brown, open letter proof; 410 x 475mm (16 x 18¾"). Narrow margins, tear at top repaired, creasing.
Falstaff at left glares in the direction of the new monarch at right who has banished him. The BM records a note from David Alexander regarding the engraver 'Shenner', suggesting he was the 'Sheneker' who engraved a plate of Nell Gwynn
BM: 1951,0702.12.
[Ref: 54229] £260.00 (£312.00 incl.VAT)
H. Bunbury Esq.r Delin.t. Shenner Sculp.t.
London Published June 1. 1792, by Thos. Macklin Poets Gallery Fleet Street.
Stipple, printed in brown, open letter proof; 410 x 475mm (16 x 18¾"). Narrow margins, tear at top repaired, creasing.
Falstaff at left glares in the direction of the new monarch at right who has banished him. The BM records a note from David Alexander regarding the engraver 'Shenner', suggesting he was the 'Sheneker' who engraved a plate of Nell Gwynn
BM: 1951,0702.12.
[Ref: 54229] £260.00 (£312.00 incl.VAT)
![Hee that more of thine Excellence would now, On this thy Book let him some thoughts bestow; [...].](jpegs/54127.jpg)
Hee that more of thine Excellence would now, On this thy Book let him some thoughts bestow; [...].
Gaywood fecit.
Scarce etching. 120 x 75mm (4¾ x 3"). Trimmed and laid on backing board at top. Some tears along right edge and in top right corner. Losses on right and bottom. Damaged.
A head and shoulders portrait of James Hodder (17th century), and frontispiece to his book 'Hodder's Arithmetick', published 1661.
[Ref: 54127] £65.00 (£78.00 incl.VAT)
Gaywood fecit.
Scarce etching. 120 x 75mm (4¾ x 3"). Trimmed and laid on backing board at top. Some tears along right edge and in top right corner. Losses on right and bottom. Damaged.
A head and shoulders portrait of James Hodder (17th century), and frontispiece to his book 'Hodder's Arithmetick', published 1661.
[Ref: 54127] £65.00 (£78.00 incl.VAT)
Elizabeth Horne Aged 88. Tunbridge Wells. June 1830.
Printed by C. Hullmandel.
[c.1830.]
Scarce lithograph. Sheet 325 x 249mm
Seated portrait of a pedlar known as the Goosewoman of Tunbridge Wells. Her Basket appears to be full of feathers.
[Ref: 54196] £240.00 (£288.00 incl.VAT)
Printed by C. Hullmandel.
[c.1830.]
Scarce lithograph. Sheet 325 x 249mm
Seated portrait of a pedlar known as the Goosewoman of Tunbridge Wells. Her Basket appears to be full of feathers.
[Ref: 54196] £240.00 (£288.00 incl.VAT)
The Castle in Danger.
W. Hamilton R.A. del. T. Gaugain sculp.
[London Pub. May 1789 by J. Brydon Charing Cross.]
Stipple. Sheet 190 x 230mm (7½ x 9"). Trimmed within plate, losing publication line.
Three boys build a house of cards, but a girl creeps up to push one of them from behind.
[Ref: 54202] £190.00 (£228.00 incl.VAT)
W. Hamilton R.A. del. T. Gaugain sculp.
[London Pub. May 1789 by J. Brydon Charing Cross.]
Stipple. Sheet 190 x 230mm (7½ x 9"). Trimmed within plate, losing publication line.
Three boys build a house of cards, but a girl creeps up to push one of them from behind.
[Ref: 54202] £190.00 (£228.00 incl.VAT)
![[The Infant Academy.]](jpegs/54211.jpg)
[The Infant Academy.]
[Sir, Joshua Reynolds pinx.t. Francis Haward Sculp.t.]
[London, Publish'd April 19th; 1783, by F. Haward, Lambeth Marsh, near the Turnpike; & T. Birchall No. 473 Strand.]
Stipple, printed in sanguine, proof? Sheet 255 x 310mm (10 x 12¼").. Printed within printed border, losing inscriptions
A naked young boy painting on an oval canvas, his subject a young girl with a fashionable hat, who is flanked by two other children. According to the BM the original painting at Kenwood has been ruined by bitumen.
[Ref: 54211] £240.00 (£288.00 incl.VAT)
[Sir, Joshua Reynolds pinx.t. Francis Haward Sculp.t.]
[London, Publish'd April 19th; 1783, by F. Haward, Lambeth Marsh, near the Turnpike; & T. Birchall No. 473 Strand.]
Stipple, printed in sanguine, proof? Sheet 255 x 310mm (10 x 12¼").. Printed within printed border, losing inscriptions
A naked young boy painting on an oval canvas, his subject a young girl with a fashionable hat, who is flanked by two other children. According to the BM the original painting at Kenwood has been ruined by bitumen.
[Ref: 54211] £240.00 (£288.00 incl.VAT)
A Son of M.r Jekyll.
W.m Lodder del. Anth.y Cardon sculp.
London, Published June 4. 1808 by John P. Thompson, Grea Newport Street.
Rare stipple, printed in colours. Sheet 315 x 205mm (12½ x 8"). Trimmed within plate.
A boy dressed in the girlish dress of the period, sitting on an upturned wheelbarrow outside a cottage with a Dutch door (or half door). His dog looks around to watch a cat coming outside. The family is unidentified. In a proof state in the BM (1872,0511.205) the title was 'The Mother's Pride'; the title was changed for this state published by Cardon in 1805.
[Ref: 54203] £260.00 (£312.00 incl.VAT)
W.m Lodder del. Anth.y Cardon sculp.
London, Published June 4. 1808 by John P. Thompson, Grea Newport Street.
Rare stipple, printed in colours. Sheet 315 x 205mm (12½ x 8"). Trimmed within plate.
A boy dressed in the girlish dress of the period, sitting on an upturned wheelbarrow outside a cottage with a Dutch door (or half door). His dog looks around to watch a cat coming outside. The family is unidentified. In a proof state in the BM (1872,0511.205) the title was 'The Mother's Pride'; the title was changed for this state published by Cardon in 1805.
[Ref: 54203] £260.00 (£312.00 incl.VAT)
Part of the Natural History of Asia.
W.M. Craig del.t. T. Wallis sculp.t.
[n.d., c.1810.]
Engraving. Sheet 255 x 195mm (10 x 7¾") Trimmed within plate, some staining.
A composite image, illustrating parrots, a toucan, elk, camel and tiger but, most significantly, the kangaroo, based on the George Stubbs painting. This plate was published in at least two of the Rev. Ezekiel Bloomfield's works: 'A General View of the World' (1807), & 'Complete and Universal Dictionary' (1812).
Lennox- Boyd, Dixon & Clayton: George Stubbs: The Complete Engraved Works, 424.
[Ref: 54184] £140.00 (£168.00 incl.VAT)
W.M. Craig del.t. T. Wallis sculp.t.
[n.d., c.1810.]
Engraving. Sheet 255 x 195mm (10 x 7¾") Trimmed within plate, some staining.
A composite image, illustrating parrots, a toucan, elk, camel and tiger but, most significantly, the kangaroo, based on the George Stubbs painting. This plate was published in at least two of the Rev. Ezekiel Bloomfield's works: 'A General View of the World' (1807), & 'Complete and Universal Dictionary' (1812).
Lennox- Boyd, Dixon & Clayton: George Stubbs: The Complete Engraved Works, 424.
[Ref: 54184] £140.00 (£168.00 incl.VAT)
Immanuel Kant, the Founder of The Critical Philosophy. Reg. Prof. of Logic & Metaphysics at Koenigsburg. Born 22.d of April 1724.
[n.d., c.1780.]
Stipple. Sheet 165 x 110mm (6½ x 4¼"). Trimmed within plate.
A portrait of German philosopher Immanuel Kant (1724-1804).
[Ref: 54233] £80.00 (£96.00 incl.VAT)
[n.d., c.1780.]
Stipple. Sheet 165 x 110mm (6½ x 4¼"). Trimmed within plate.
A portrait of German philosopher Immanuel Kant (1724-1804).
[Ref: 54233] £80.00 (£96.00 incl.VAT)
![[J. P. Kemble]](jpegs/53854.jpg)
[J. P. Kemble]
Painted by Sir Thos Lawrence, engraved by C. Turner
Mess.rs Longman, Rees, Orme, Brown & Co. Booksellers. Paternoster Row, London. Jan. 1st 1825.
Fine mezzotint, proof before title. 230 x 145mm (9 x 5¾"), with very large margins. Uncut.
A half portrait of John Philip Kemble (1757-1823). Born into a family of actors, he joined a York theatre company at age nineteen, though his mother had first urged him to become a catholic priest. He had a relatively successful career and became manager of the Theatre Royal, Covent Garden in 1803. He retired in 1817.
W.287 i of ii
[Ref: 53854] £120.00 (£144.00 incl.VAT)
Painted by Sir Thos Lawrence, engraved by C. Turner
Mess.rs Longman, Rees, Orme, Brown & Co. Booksellers. Paternoster Row, London. Jan. 1st 1825.
Fine mezzotint, proof before title. 230 x 145mm (9 x 5¾"), with very large margins. Uncut.
A half portrait of John Philip Kemble (1757-1823). Born into a family of actors, he joined a York theatre company at age nineteen, though his mother had first urged him to become a catholic priest. He had a relatively successful career and became manager of the Theatre Royal, Covent Garden in 1803. He retired in 1817.
W.287 i of ii
[Ref: 53854] £120.00 (£144.00 incl.VAT)
In the Collection of W.m Kent Esq.r 2 feet 2 inch: wide. 1 foot 4 inch: high.
Salvator Rosa pinx. J: Wood Sculp.
Publish'd by Ar: Pond Feb.y 1744.
Fine etching. 310 x 405mm (12¼ x 16"), with wide margins.
A hooded figure reading a book in the foreground of this rocky, blustery landscape. William Kent (1685-1748), who is said to have Salvator Rosa's original painting in the title of the print, was an English painter, architect and landscape architect. He had a hand in the landscaping and interior design for Chiswick House, Hampton Court Palace and Devonshire House, and had a lasting impact on the history of interior design and estate layout.
[Ref: 54117] £230.00 (£276.00 incl.VAT)
Salvator Rosa pinx. J: Wood Sculp.
Publish'd by Ar: Pond Feb.y 1744.
Fine etching. 310 x 405mm (12¼ x 16"), with wide margins.
A hooded figure reading a book in the foreground of this rocky, blustery landscape. William Kent (1685-1748), who is said to have Salvator Rosa's original painting in the title of the print, was an English painter, architect and landscape architect. He had a hand in the landscaping and interior design for Chiswick House, Hampton Court Palace and Devonshire House, and had a lasting impact on the history of interior design and estate layout.
[Ref: 54117] £230.00 (£276.00 incl.VAT)
The Red Lion at Kilborn.
Rathbone del.t. C.A. Prestel sculp.t.
London, Printed for J. Cary, Engraver, Map & Print seller, No 188, Strand, Jan.y 12, 1789.
Coloured aquatint. Sheet 365 x 475mm (14½ x 18¾"), paper watermarked 'J Whatman'. Trimmed within plate, centre crease.
A view of Kilburn High Road, with the Red Lion pub at number 34, said to have been established in 1444, but its earliest extant licence dates to 1721.
[Ref: 54248] £320.00
Rathbone del.t. C.A. Prestel sculp.t.
London, Printed for J. Cary, Engraver, Map & Print seller, No 188, Strand, Jan.y 12, 1789.
Coloured aquatint. Sheet 365 x 475mm (14½ x 18¾"), paper watermarked 'J Whatman'. Trimmed within plate, centre crease.
A view of Kilburn High Road, with the Red Lion pub at number 34, said to have been established in 1444, but its earliest extant licence dates to 1721.
[Ref: 54248] £320.00
La Speculation.
Je vend a Augsbourg chez J. J. Haid et fils.
Augsburg, [n.d.].
Mezzotint. 305 x 210mm (12 x 8¼") very large margins.
A portrait of an elegant, well dressed woman staring straight ahead, perhaps speculating.
[Ref: 54085] £240.00 (£288.00 incl.VAT)
Je vend a Augsbourg chez J. J. Haid et fils.
Augsburg, [n.d.].
Mezzotint. 305 x 210mm (12 x 8¼") very large margins.
A portrait of an elegant, well dressed woman staring straight ahead, perhaps speculating.
[Ref: 54085] £240.00 (£288.00 incl.VAT)
The most Noble Prince Charles, Duke of Richmond, Leñox, & Aubigny &c. &c. Who Died Aug.t 8th 1750. Ætat. 49. From an Original Picture Presented by His Grace, to the Corporation of the City of Chichester.
Will.m Smith ad vivum Pinx.t. J. M.Ardell fecit.
Publish'd by Geo. Smith, Painter at Chichester. {n.d., c.1760.]
Rare mezzotint. Sheet 350 x 245mm (13¾ x 9¾"). Trimmed within plate.
Charles Lennox (1701-50), 2nd Duke of Richmond and Lennox, grandson of Charles II and Louise de Kéroualle.
[Ref: 54221] £240.00 (£288.00 incl.VAT)
Will.m Smith ad vivum Pinx.t. J. M.Ardell fecit.
Publish'd by Geo. Smith, Painter at Chichester. {n.d., c.1760.]
Rare mezzotint. Sheet 350 x 245mm (13¾ x 9¾"). Trimmed within plate.
Charles Lennox (1701-50), 2nd Duke of Richmond and Lennox, grandson of Charles II and Louise de Kéroualle.
[Ref: 54221] £240.00 (£288.00 incl.VAT)
![[Line Swinglers.] Plate 24.](jpegs/54261.jpg)
[Line Swinglers.] Plate 24.
Geo. Walker Del. Engraved by R. & D. Havell.
Publish'd by Robinson & Son, Leeds, March 1. 1814.
Hand coloured aquatint. Sheet size: 250 x 360mm (10 x 14¼"). Trimmed inside platemark.
Two men work cutting and preparing flax. From George Walker’s 'The costume of Yorkshire' published in 1814, containing forty-one coloured aquatint plates based upon the author’s original drawings of social and economic scenes in Yorkshire.
[Ref: 54261] £70.00 (£84.00 incl.VAT)
Geo. Walker Del. Engraved by R. & D. Havell.
Publish'd by Robinson & Son, Leeds, March 1. 1814.
Hand coloured aquatint. Sheet size: 250 x 360mm (10 x 14¼"). Trimmed inside platemark.
Two men work cutting and preparing flax. From George Walker’s 'The costume of Yorkshire' published in 1814, containing forty-one coloured aquatint plates based upon the author’s original drawings of social and economic scenes in Yorkshire.
[Ref: 54261] £70.00 (£84.00 incl.VAT)
Mr. Liston as Paul Pry. "I hope I don't intrude; Just called to ask you how your tooth is".
Drawn & Engraved by J. W. Gear. Printed by C. Hullmandel. [Signature 'J.W. Gear' in lower left corner.]
Pub.d by J. W. Gear. Wilson Street North Place Gray's Inn Road. 1825.
Hand coloured lithograph. 275 x 200mm (10¾ x 8"), with large margins. Trimmed
A portrait of the comic actor John Liston (1776 - 1846) in character the busybody Paul Pry, from 'Paul Pry' by English playwright John Poole. It premiered in London on 13 September 1825 at the Haymarket Theatre and ran for 114 performances. Whole length, standing to the left, holding an umbrella under his arm, with spectacles hanging from his neck.
[Ref: 54075] £140.00 (£168.00 incl.VAT)
Drawn & Engraved by J. W. Gear. Printed by C. Hullmandel. [Signature 'J.W. Gear' in lower left corner.]
Pub.d by J. W. Gear. Wilson Street North Place Gray's Inn Road. 1825.
Hand coloured lithograph. 275 x 200mm (10¾ x 8"), with large margins. Trimmed
A portrait of the comic actor John Liston (1776 - 1846) in character the busybody Paul Pry, from 'Paul Pry' by English playwright John Poole. It premiered in London on 13 September 1825 at the Haymarket Theatre and ran for 114 performances. Whole length, standing to the left, holding an umbrella under his arm, with spectacles hanging from his neck.
[Ref: 54075] £140.00 (£168.00 incl.VAT)
The Lord of the Vineyard. - Matthew Ch. XX.v 8.12.
J. Opie R. A. Pinx.t J. Hall Sculp.t.
London Publish'd March 25, 1793, by Tho.s Macklin, Fleet Street.
Engraving. 300 x 240mm (12 x 9½"), with wide margins. Trimmed to platemark. Foxing and toning along top, right and bottom edges.
The Lord of the Vineyard sits grief stricken as the workman carrying the scythe hold's out the ring belonging to the Lord's son who has been murdered by the labourers in the vineyard. Print from the series Macklin's Bible.
[Ref: 54079] £140.00 (£168.00 incl.VAT)
J. Opie R. A. Pinx.t J. Hall Sculp.t.
London Publish'd March 25, 1793, by Tho.s Macklin, Fleet Street.
Engraving. 300 x 240mm (12 x 9½"), with wide margins. Trimmed to platemark. Foxing and toning along top, right and bottom edges.
The Lord of the Vineyard sits grief stricken as the workman carrying the scythe hold's out the ring belonging to the Lord's son who has been murdered by the labourers in the vineyard. Print from the series Macklin's Bible.
[Ref: 54079] £140.00 (£168.00 incl.VAT)
Sir John Macartney.
Heath scupl. Published March 1 1815 by G. Robinson, Paternoster Row, London.
London, 1815.
Engraving. 255 x 215mm (10 x 8½"), with very large margins.
Head and shoulders portrait of Sir John Macartney (died 1812), inclined to the left and left-gazing. Macartney was a long-standing MP at the Irish House of Commons. His family emigrated to Australia in the 19th century.
[Ref: 53873] £75.00 (£90.00 incl.VAT)
Heath scupl. Published March 1 1815 by G. Robinson, Paternoster Row, London.
London, 1815.
Engraving. 255 x 215mm (10 x 8½"), with very large margins.
Head and shoulders portrait of Sir John Macartney (died 1812), inclined to the left and left-gazing. Macartney was a long-standing MP at the Irish House of Commons. His family emigrated to Australia in the 19th century.
[Ref: 53873] £75.00 (£90.00 incl.VAT)
Macbeth. From an Original Picture, in the Collection of Will,m Lock Esq.r.
Painted by Fran.co Zuccarelli. Engrav'd by W,,m Woollett.
Published as the Act directs Dec.r 29th. 1770, by W.m Woollett, Charlotte Street, Rathbone Place, London.
Etching. Sheet 455 x 560mm (18 x 22"). Trimmed to plate top and left, narrow margins elsewhere, some surface scuffing to edges.
Macbeth and Banquo meet the Three Witches in a wind-swept landscape. Behind soldiers try to restrain their terrified horses as lightning strikes a castle on the hilltop behind. The second published state, with a new address of Charlotte Street.
Fagan 74.
[Ref: 54251] £280.00 (£336.00 incl.VAT)
Painted by Fran.co Zuccarelli. Engrav'd by W,,m Woollett.
Published as the Act directs Dec.r 29th. 1770, by W.m Woollett, Charlotte Street, Rathbone Place, London.
Etching. Sheet 455 x 560mm (18 x 22"). Trimmed to plate top and left, narrow margins elsewhere, some surface scuffing to edges.
Macbeth and Banquo meet the Three Witches in a wind-swept landscape. Behind soldiers try to restrain their terrified horses as lightning strikes a castle on the hilltop behind. The second published state, with a new address of Charlotte Street.
Fagan 74.
[Ref: 54251] £280.00 (£336.00 incl.VAT)
Mentz. From the Influx of the Maine into the Rhine.
C. G. Schultz del.t. T. Sutherland sculp.t. London, pub.d Octo.r 1, 1819, at 101 Strand for R. Ackermann's Views on the Rhine.
London, 1819.
Coloured aquatint. 250 x 295mm (11½ x 9¾"). Trimmed. Some toning.
A beautifully coloured view of Mentz (now Mainz), the capital of the Rhineland-Palatinate state, Germany.
[Ref: 54086] £130.00 (£156.00 incl.VAT)
C. G. Schultz del.t. T. Sutherland sculp.t. London, pub.d Octo.r 1, 1819, at 101 Strand for R. Ackermann's Views on the Rhine.
London, 1819.
Coloured aquatint. 250 x 295mm (11½ x 9¾"). Trimmed. Some toning.
A beautifully coloured view of Mentz (now Mainz), the capital of the Rhineland-Palatinate state, Germany.
[Ref: 54086] £130.00 (£156.00 incl.VAT)
Representation of the Great Banquet given by the Workmen of the Atlas Works to Henry Sharp, Esq.re in honor of attaining his Majority, when 1,000 men sat down to a warm and sumptuous Dinner, in the Free Trade Hall, Manchester, September 10th 1847.
on Stone by W. Physick. Printed by J. Gow, 65 Water Street.
[Manchester, c.1847.]
Rare lithograph. Sheet 285 x 390mm (11¼ x 15¼"). Repaired tear just entering printed area at top, creasing bottom right.
A view of the second of three Free Trade Halls built on St Peter's Fields (site of the Peterloo massacre). The Atlas Works, opened in 1828, was the factory of Sharp Brothers and Company. In 1833, in an earlier incarnation (as Sharp, Roberts & Co.) they had built a locomotive, 'Experiment', for the Liverpool and Manchester Railway. They built over 600 locomotives nicknamed 'Sharpies', between 1837-1857. Among the railways supplied were the Grand Junction Railway, London and North Western Railway and the Great Indian Peninsula Railway.
[Ref: 54194] £280.00 (£336.00 incl.VAT)
on Stone by W. Physick. Printed by J. Gow, 65 Water Street.
[Manchester, c.1847.]
Rare lithograph. Sheet 285 x 390mm (11¼ x 15¼"). Repaired tear just entering printed area at top, creasing bottom right.
A view of the second of three Free Trade Halls built on St Peter's Fields (site of the Peterloo massacre). The Atlas Works, opened in 1828, was the factory of Sharp Brothers and Company. In 1833, in an earlier incarnation (as Sharp, Roberts & Co.) they had built a locomotive, 'Experiment', for the Liverpool and Manchester Railway. They built over 600 locomotives nicknamed 'Sharpies', between 1837-1857. Among the railways supplied were the Grand Junction Railway, London and North Western Railway and the Great Indian Peninsula Railway.
[Ref: 54194] £280.00 (£336.00 incl.VAT)
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![The Mask. [&] The Ghost.](jpegs/54223.jpg)
The Mask. [&] The Ghost.
[Mask after Joshua Reynolds, Ghost after Richard Westall.]
Dublin Publish'd by W. Allen, 32 Dame Street.
Pair of stipples. Each c. 210 x 265mm (8¼ x 10½") large margins A few repairs.
A pair of scenes of children playing games, close copies of stipples by Luigi and Niccolo Schiavonetti. 'Mask' depicts two of the daughters of George Spencer, 4th Duke of Marlborough, who owned the painting: Charlotte (1769-1802), holding a Graecian theatrical mask, and Anne (1773-1865).
[Ref: 54223] £480.00 (£576.00 incl.VAT) view all images for this item
[Mask after Joshua Reynolds, Ghost after Richard Westall.]
Dublin Publish'd by W. Allen, 32 Dame Street.
Pair of stipples. Each c. 210 x 265mm (8¼ x 10½") large margins A few repairs.
A pair of scenes of children playing games, close copies of stipples by Luigi and Niccolo Schiavonetti. 'Mask' depicts two of the daughters of George Spencer, 4th Duke of Marlborough, who owned the painting: Charlotte (1769-1802), holding a Graecian theatrical mask, and Anne (1773-1865).
[Ref: 54223] £480.00 (£576.00 incl.VAT) view all images for this item
Maternal Affection.
T.Cheesman del et sculp.
Pub.d April 25 1808 by T.Cheesman, 71 Newman Street.
Stipple, printed in colours. Sheet 295 x 205mm (11¾ x 8"). Trimmed to printed border on three sides, into plate at bottom. Bit messy.
A breast-feeding mother.
[Ref: 54199] £140.00 (£168.00 incl.VAT)
T.Cheesman del et sculp.
Pub.d April 25 1808 by T.Cheesman, 71 Newman Street.
Stipple, printed in colours. Sheet 295 x 205mm (11¾ x 8"). Trimmed to printed border on three sides, into plate at bottom. Bit messy.
A breast-feeding mother.
[Ref: 54199] £140.00 (£168.00 incl.VAT)
![[Matthew called to be an Apostle] Vectigal Matthee Deo mandate relinquis, Atque illum læto suscipis hospitio.](jpegs/54147.jpg)
[Matthew called to be an Apostle] Vectigal Matthee Deo mandate relinquis, Atque illum læto suscipis hospitio. Matt. 9.9.
H.C.F. [Engraved by Jan Collaert after Marten de Vos]
CJVisscher excu. [Amsterdam, c.1643].
Engraving. 200 x 270mm (8 x 10¾"), with wide margins.
Jesus calls Matthew away from his job as a tax collector. This plate was probably engraved by Gerard de Jode for his 'Thesaurus Novi Testamenti', 1585. This second state was published in Clanz Janz. Visscher's reissue, 'Theatrum Biblicum'.
See BM 1968,1018.1.295 for the first state.
[Ref: 54147] £280.00 (£336.00 incl.VAT)
H.C.F. [Engraved by Jan Collaert after Marten de Vos]
CJVisscher excu. [Amsterdam, c.1643].
Engraving. 200 x 270mm (8 x 10¾"), with wide margins.
Jesus calls Matthew away from his job as a tax collector. This plate was probably engraved by Gerard de Jode for his 'Thesaurus Novi Testamenti', 1585. This second state was published in Clanz Janz. Visscher's reissue, 'Theatrum Biblicum'.
See BM 1968,1018.1.295 for the first state.
[Ref: 54147] £280.00 (£336.00 incl.VAT)
The Mermaid. Ebbing tides bear no delay. / Stormy winds are far away. / Come with me and we will go / Where the rocks of Coral grow.
Drawn by Huet Villiers. Engraved by G. Maile.
London, Published 1st June 1823, by S. Knight, 3 Sweetings Alley, Royal Exchange.
Stipple. Sheet 160 x 185mm (6¼ x 7¼"). Trimmed within plate. Borders bit messy.
A short-haired woman swimming in the sea, illustrating 'The Mermaid's Song' by Anne Hunter (1742-1821), which was set to music by Joseph Haydn in 1794.
[Ref: 54206] £160.00 (£192.00 incl.VAT)
Drawn by Huet Villiers. Engraved by G. Maile.
London, Published 1st June 1823, by S. Knight, 3 Sweetings Alley, Royal Exchange.
Stipple. Sheet 160 x 185mm (6¼ x 7¼"). Trimmed within plate. Borders bit messy.
A short-haired woman swimming in the sea, illustrating 'The Mermaid's Song' by Anne Hunter (1742-1821), which was set to music by Joseph Haydn in 1794.
[Ref: 54206] £160.00 (£192.00 incl.VAT)
A Street of a Camp, for a Brigade of Body Guards to the French King.
London. Printed for Bowles & Carver, 69 St Pauls Church Yard, and R. Wikinson, 225 Fenchurch Street.
Etching. 215 x 270mm (8½ x 10¾"), on paper watermarked 'J Whatman Turkey Mills 1821', with large margins. Wear to edges.
A camp of French soldiers near an island fortress. Probably a reprint of a mid-18th century printing.
[Ref: 54160] £85.00 (£102.00 incl.VAT)
London. Printed for Bowles & Carver, 69 St Pauls Church Yard, and R. Wikinson, 225 Fenchurch Street.
Etching. 215 x 270mm (8½ x 10¾"), on paper watermarked 'J Whatman Turkey Mills 1821', with large margins. Wear to edges.
A camp of French soldiers near an island fortress. Probably a reprint of a mid-18th century printing.
[Ref: 54160] £85.00 (£102.00 incl.VAT)
Abriss der Dreÿen gegeneinander Correspondierenden Vestungen Monaco, Capo di Sant' Spirito und Niza di Provenza.
[Engraved by Matthias Merian.]
[Frankfurt: Merian, c.1640.]
Engraved map. Sheet 205 x 365mm (8 x 14¼"). Trimmed to printed border.
A map in the form of a bird's-eye view, looking down on Nice, Monte Carlo, Villa Franca and Saint-Jean-Cap-Ferrat, detailing their defensive walls. The map was published during the period that the Grimaldi family won recognition of the independence of Monaco, from the Spanish in 1633 and the French in 1641. Honoré II (1597-1662) was the first Prince of Monaco.
[Ref: 54245] £350.00
[Engraved by Matthias Merian.]
[Frankfurt: Merian, c.1640.]
Engraved map. Sheet 205 x 365mm (8 x 14¼"). Trimmed to printed border.
A map in the form of a bird's-eye view, looking down on Nice, Monte Carlo, Villa Franca and Saint-Jean-Cap-Ferrat, detailing their defensive walls. The map was published during the period that the Grimaldi family won recognition of the independence of Monaco, from the Spanish in 1633 and the French in 1641. Honoré II (1597-1662) was the first Prince of Monaco.
[Ref: 54245] £350.00
A Monk.
TC [monogram] sc. 1799.
Fine stipple. 110 x 85mm (4½ x 3¼"), with large margins.
A bald monk sleeping with a staff.
[Ref: 54192] £160.00 (£192.00 incl.VAT)
TC [monogram] sc. 1799.
Fine stipple. 110 x 85mm (4½ x 3¼"), with large margins.
A bald monk sleeping with a staff.
[Ref: 54192] £160.00 (£192.00 incl.VAT)
![Lieutenant General [John Moore].](jpegs/53867.jpg)
Lieutenant General [John Moore].
Painted by Tho.s Lawrence Esq.r R.A. Principal Painter in Ordinary to His Majesty. Engraved by Cha.s Turner Warren Street, Fitzroy Square.
London.
Rare mezzotint, 375 x 280mm (14¾ x 8). Trimmed to plate. Cut at bottom.
A half portrait of Sir John Moore (1761-1809), a widely respected British Army officer. He died at the Battle of Corunna after his army gained a decisive victory over French forces.
[Ref: 53867] £180.00 (£216.00 incl.VAT)
Painted by Tho.s Lawrence Esq.r R.A. Principal Painter in Ordinary to His Majesty. Engraved by Cha.s Turner Warren Street, Fitzroy Square.
London.
Rare mezzotint, 375 x 280mm (14¾ x 8). Trimmed to plate. Cut at bottom.
A half portrait of Sir John Moore (1761-1809), a widely respected British Army officer. He died at the Battle of Corunna after his army gained a decisive victory over French forces.
[Ref: 53867] £180.00 (£216.00 incl.VAT)
Moscow.
Publish'd b R.Bowyer, Pall Mall, 1815.
Coloured aquatint. Sheet 340 x 555mm (13½ x 21¾"), Part J. Whatman watermark. Trimmed to plate mark, original centre fold as normal and taped on reverse. Slightly messy top left.
From 'An Impartial Historical Narrative of Those Momentous Events Which Have Taken Place in This Country', relating to the Napoleonic Wars.
[Ref: 54169] £260.00 (£312.00 incl.VAT)
Publish'd b R.Bowyer, Pall Mall, 1815.
Coloured aquatint. Sheet 340 x 555mm (13½ x 21¾"), Part J. Whatman watermark. Trimmed to plate mark, original centre fold as normal and taped on reverse. Slightly messy top left.
From 'An Impartial Historical Narrative of Those Momentous Events Which Have Taken Place in This Country', relating to the Napoleonic Wars.
[Ref: 54169] £260.00 (£312.00 incl.VAT)
Dangerous Position near the Finsteraarhorn of John Fellman & Gabriel Schilt, Famous Capricorn and Chamois Hunters. The 14th Oct.r 1822.
W. Gauci Sc [after Hieronymus Hess.]
London, Published by Joanning and Whatmore, Importers of coloured Swiss Views, 126, Regent S.t. [n.d., c.1825.]
Scarce lithograph. Sheet 285 x 185mm (11¼ x 7¼"). Trimmed into image on three sides.
Two hunters climbing sheer cliffs in the Bernese Alps, with two dead mountain goats. After a watercolour by Hieronymus Hess (1799-1850).
[Ref: 54205] £160.00 (£192.00 incl.VAT)
W. Gauci Sc [after Hieronymus Hess.]
London, Published by Joanning and Whatmore, Importers of coloured Swiss Views, 126, Regent S.t. [n.d., c.1825.]
Scarce lithograph. Sheet 285 x 185mm (11¼ x 7¼"). Trimmed into image on three sides.
Two hunters climbing sheer cliffs in the Bernese Alps, with two dead mountain goats. After a watercolour by Hieronymus Hess (1799-1850).
[Ref: 54205] £160.00 (£192.00 incl.VAT)
Musick.
P. da Cortona Inv.t. R. Marcuard Sc.t.
[Mango Exc.t. Publish'd According to Act of Parl.m 1st Sep.r 1777 for the Proprietor No. 150 Strand.]
Stipple. Sheet 230 x 180mm (9 x 7"). Trimmed within plate, losing publication line.
A female figure, wearing a turban, a roll of sheet music in her left hand, her right resting on a violin. The British Museum suggests that the publisher is Jakob Mangot.
[Ref: 53692] £160.00 (£192.00 incl.VAT)
P. da Cortona Inv.t. R. Marcuard Sc.t.
[Mango Exc.t. Publish'd According to Act of Parl.m 1st Sep.r 1777 for the Proprietor No. 150 Strand.]
Stipple. Sheet 230 x 180mm (9 x 7"). Trimmed within plate, losing publication line.
A female figure, wearing a turban, a roll of sheet music in her left hand, her right resting on a violin. The British Museum suggests that the publisher is Jakob Mangot.
[Ref: 53692] £160.00 (£192.00 incl.VAT)
Cacophanie.
Peint par A. Weisz. Gravé par Paul Giradet.
Berlin - Verlag von Goupil & Co. Imprimé et Publié par Goupil & Cie Editeurs le 1er 8bre 1878 - Paris - Londres - La Haye. New York - Published by M. Knoedler.
Mixed-method engraving. 550 x 440mm (21¾ x 17¼"), with wide margins. Spotting in margins.
An elegant interior with a woman putting her fingers in her ears to block the noise coming from the bewigged man playing the cello. To one side is a umbrella yarn swift.
[Ref: 54282] £260.00 (£312.00 incl.VAT)
Peint par A. Weisz. Gravé par Paul Giradet.
Berlin - Verlag von Goupil & Co. Imprimé et Publié par Goupil & Cie Editeurs le 1er 8bre 1878 - Paris - Londres - La Haye. New York - Published by M. Knoedler.
Mixed-method engraving. 550 x 440mm (21¾ x 17¼"), with wide margins. Spotting in margins.
An elegant interior with a woman putting her fingers in her ears to block the noise coming from the bewigged man playing the cello. To one side is a umbrella yarn swift.
[Ref: 54282] £260.00 (£312.00 incl.VAT)
M.r John Napier. A Wit's a Feather, and a Chief's a Rod; ~ An Honest Man's the noblest Work of God. Pope.
J. Millar pinx.t. J. Lodge sculp.t.
Publish'd according to Act of Parliament 10.th June 1774, by John Lodge Red Lion Court, next N.o 43 Shoe Lane Holborn. London.
Rare stipple and line engraving. 350 x 250mm (13¾ x 9¾"). Some creasing in both left and bottom right corners. Creasing throught the title area.
A half length portrait of John Napier, Master of St Andrew's Workhouse, Holborn.
[Ref: 54128] £180.00 (£216.00 incl.VAT)
J. Millar pinx.t. J. Lodge sculp.t.
Publish'd according to Act of Parliament 10.th June 1774, by John Lodge Red Lion Court, next N.o 43 Shoe Lane Holborn. London.
Rare stipple and line engraving. 350 x 250mm (13¾ x 9¾"). Some creasing in both left and bottom right corners. Creasing throught the title area.
A half length portrait of John Napier, Master of St Andrew's Workhouse, Holborn.
[Ref: 54128] £180.00 (£216.00 incl.VAT)
To the British Navy, This Print representing The Battle of Navarino, is respectfully dedicated by the Publisher.
Peint par C. Langlois. Commencé par S.W. Reynolds et Terminé par Sixdeniers.
London, Published by W.Spooner 259 Regent Street. à Paris chez Schroth, Editeur rué St Honoré Nos 363 bis. New York published by Bailly Ward & Co. Jeune.[n.d. c.1830.]
Mezzotint with stipple and etching. 610 x 800mm (24 x 31½"). Repaired tears.
A scene of the Battle of Navarino (20 October 1827), with the wreck of a ship in the foreground, with turkish sailors clinging to the wreckage, one in the centre stepping up onto the side over a gun-port, looking to the left.
Whitman 397.
[Ref: 54273] £1,500.00
Peint par C. Langlois. Commencé par S.W. Reynolds et Terminé par Sixdeniers.
London, Published by W.Spooner 259 Regent Street. à Paris chez Schroth, Editeur rué St Honoré Nos 363 bis. New York published by Bailly Ward & Co. Jeune.[n.d. c.1830.]
Mezzotint with stipple and etching. 610 x 800mm (24 x 31½"). Repaired tears.
A scene of the Battle of Navarino (20 October 1827), with the wreck of a ship in the foreground, with turkish sailors clinging to the wreckage, one in the centre stepping up onto the side over a gun-port, looking to the left.
Whitman 397.
[Ref: 54273] £1,500.00
Out of Work.
Drawn from Nature and on Stone by the Rev.d T. Kilby Printed by T. H. Skelton, Southampton.
Southampton, [n.d. after 1820]
Rare lithograph on india paper; 250 x 205mm (9¾ x 8"). Slightly messy.
A three quarter length portrait of a gaunt looking man, right inclined.
[Ref: 54118] £130.00 (£156.00 incl.VAT)
Drawn from Nature and on Stone by the Rev.d T. Kilby Printed by T. H. Skelton, Southampton.
Southampton, [n.d. after 1820]
Rare lithograph on india paper; 250 x 205mm (9¾ x 8"). Slightly messy.
A three quarter length portrait of a gaunt looking man, right inclined.
[Ref: 54118] £130.00 (£156.00 incl.VAT)
![[Parable of the Unforgiving Servant] Dominus servo suo debitum decies mille Talentorum condonat.](jpegs/54146.jpg)
[Parable of the Unforgiving Servant] Dominus servo suo debitum decies mille Talentorum condonat. Matt. 18.23.
[Engraved by Gerard de Jode?]
CJVisscher excudit [Amsterdam, c.1643].
Engraving. 195 x 245mm (7¾ x 9¾"), with wide margins. Slight tear at top.
A scene from the Parable of the Unforgiving Servant, with the king forgiving his huge debt. This plate was probably engraved by Gerard de Jode for his 'Thesaurus Novi Testamenti', 1585. This second state was published in Clanz Janz. Visscher's reissue, 'Theatrum Biblicum'.
[Ref: 54146] £160.00 (£192.00 incl.VAT)
[Engraved by Gerard de Jode?]
CJVisscher excudit [Amsterdam, c.1643].
Engraving. 195 x 245mm (7¾ x 9¾"), with wide margins. Slight tear at top.
A scene from the Parable of the Unforgiving Servant, with the king forgiving his huge debt. This plate was probably engraved by Gerard de Jode for his 'Thesaurus Novi Testamenti', 1585. This second state was published in Clanz Janz. Visscher's reissue, 'Theatrum Biblicum'.
[Ref: 54146] £160.00 (£192.00 incl.VAT)
![[Ambroise Paré] In Effigiem Ambrosii Paraei. Anno Aetatis 68. Humanam Ambrosii vere haec pictura Paraei Effigiem, sed opus continet... Ioan. Heroaldus.](jpegs/20646.jpg)
[Ambroise Paré] In Effigiem Ambrosii Paraei. Anno Aetatis 68. Humanam Ambrosii vere haec pictura Paraei Effigiem, sed opus continet... Ioan. Heroaldus.
[n.d. c.1694.]
Woodcut and letterpress. 305 x 210mm (12 x 8¼"). Trimmed into decorative woodcut on reverse.
Frontispiece to a catalogue of the complete surgical works of Ambroise Paré (1510-90), royal surgeon to kings Henry II, Francis II, Charles IX and Henry III.
[Ref: 20646] £180.00 (£216.00 incl.VAT)
[n.d. c.1694.]
Woodcut and letterpress. 305 x 210mm (12 x 8¼"). Trimmed into decorative woodcut on reverse.
Frontispiece to a catalogue of the complete surgical works of Ambroise Paré (1510-90), royal surgeon to kings Henry II, Francis II, Charles IX and Henry III.
[Ref: 20646] £180.00 (£216.00 incl.VAT)
![[Peat Cart] Plate 27.](jpegs/54265.jpg)
[Peat Cart] Plate 27.
Geo. Walker Del.t. Engraved by R. Havell.
Publish'd by Robinson & Son, Leeds, June 1. 1814.
Fine hand coloured aquatint. 290 x 380mm (11½ x 15"), with wide margins.
One man stands at a cart as another man cuts peat on a hillside. From George Walker’s 'The costume of Yorkshire' published in 1814, containing forty-one coloured aquatint plates based upon the author’s original drawings of social and economic scenes in Yorkshire.
[Ref: 54265] £140.00 (£168.00 incl.VAT)
Geo. Walker Del.t. Engraved by R. Havell.
Publish'd by Robinson & Son, Leeds, June 1. 1814.
Fine hand coloured aquatint. 290 x 380mm (11½ x 15"), with wide margins.
One man stands at a cart as another man cuts peat on a hillside. From George Walker’s 'The costume of Yorkshire' published in 1814, containing forty-one coloured aquatint plates based upon the author’s original drawings of social and economic scenes in Yorkshire.
[Ref: 54265] £140.00 (£168.00 incl.VAT)