A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
A Prince of the Blood Royal. In the Coronation Dress and Robes of Estate, attended by his Trainbearer. 19th. July 1821.
J. Stephanoff, pinxit. Reynolds, Engraver to His Majesty, Sculp.t
London, Published as the Act directs Jan.y 1824 by Sir George Nayler, Garter.
Hand-coloured mezzotint, with large margins. Plate 451 x 350mm. 17¾ x 13¾".
Frederick Augustus, Duke of York in the coronation dress and robes of estate, attended by his trainbearer, Lieutenant Henry Frederick Cookes. From Sir G. Nayler's "The Coronation of His Most Sacred Majesty King George the Fourth, solemnized in the Collegiate Church of Saint Peter Westminster upon the Nineteenth Day of July MDCCCXXI."
See Abbey Scenery: 260.28. Collage: p7511732.
[Ref: 23689] £240.00 (£288.00 incl.VAT)
J. Stephanoff, pinxit. Reynolds, Engraver to His Majesty, Sculp.t
London, Published as the Act directs Jan.y 1824 by Sir George Nayler, Garter.
Hand-coloured mezzotint, with large margins. Plate 451 x 350mm. 17¾ x 13¾".
Frederick Augustus, Duke of York in the coronation dress and robes of estate, attended by his trainbearer, Lieutenant Henry Frederick Cookes. From Sir G. Nayler's "The Coronation of His Most Sacred Majesty King George the Fourth, solemnized in the Collegiate Church of Saint Peter Westminster upon the Nineteenth Day of July MDCCCXXI."
See Abbey Scenery: 260.28. Collage: p7511732.
[Ref: 23689] £240.00 (£288.00 incl.VAT)
The Furze Cutter.
Painted by J. Barney. Engraved by W. S. Reynolds.
London, published Aug.t 21st, 1799, by S. Morgan. No.22 Margaret Street, Cavendish Square.
Mezzotint and etching with large margins. Platemark: 640 x 445mm. (25¼ x 17½").
An agricultural worker holding a bill-hook and carrying a bundle of furze on his back; after Joseph Barney (1751 - 1829). Joseph Barney studied with Angelica Kauffmann and Antonio Zucchi, assisted Matthew Boulton at Wolverhapton in finishing mechanical paintings, exhibited at the Royal Academy and British Institute, and became Drawing Master at Royal Military Academy, Woolwich. Unusually, the engraver Samuel William Reynolds' initials have been inscribed incorrectly (as 'W.S. Reynolds')!
From the Oettingen-Wallerstein Collection; Whitman: 327
[Ref: 28393] £220.00 (£264.00 incl.VAT)
Painted by J. Barney. Engraved by W. S. Reynolds.
London, published Aug.t 21st, 1799, by S. Morgan. No.22 Margaret Street, Cavendish Square.
Mezzotint and etching with large margins. Platemark: 640 x 445mm. (25¼ x 17½").
An agricultural worker holding a bill-hook and carrying a bundle of furze on his back; after Joseph Barney (1751 - 1829). Joseph Barney studied with Angelica Kauffmann and Antonio Zucchi, assisted Matthew Boulton at Wolverhapton in finishing mechanical paintings, exhibited at the Royal Academy and British Institute, and became Drawing Master at Royal Military Academy, Woolwich. Unusually, the engraver Samuel William Reynolds' initials have been inscribed incorrectly (as 'W.S. Reynolds')!
From the Oettingen-Wallerstein Collection; Whitman: 327
[Ref: 28393] £220.00 (£264.00 incl.VAT)
Henry Gally Knight Esq.e.
Painted by Henry Edridge. Engraved by S.W. Reynolds.
[London, n.d., 1825.]
Fine & rare mezzotint. 495 x 370mm (19½ x 14½"), with large margins.
A romantic & fine image showing Henry Gally-Knight (1786-1846), in oriental costume and turban, holding the hilt of a sword and a long pipe. He was an MP and author of several Oriental tales and books on architecture. Lord Byron, in his ''Ballad to the Tune of Salley in our Alley'', accused Gally-Knight of being a dandy.
[Ref: 49961] £550.00
Painted by Henry Edridge. Engraved by S.W. Reynolds.
[London, n.d., 1825.]
Fine & rare mezzotint. 495 x 370mm (19½ x 14½"), with large margins.
A romantic & fine image showing Henry Gally-Knight (1786-1846), in oriental costume and turban, holding the hilt of a sword and a long pipe. He was an MP and author of several Oriental tales and books on architecture. Lord Byron, in his ''Ballad to the Tune of Salley in our Alley'', accused Gally-Knight of being a dandy.
[Ref: 49961] £550.00
![[King George III] When the ear heard him, ... but his name liveth evermore.](jpegs/27221.jpg)
[King George III] When the ear heard him, ... but his name liveth evermore. To the British Nation, this Print of the Father of his People, is most respectfully dedicated by Samuel. W. Reynolds.
Engraved by S.W. Reynolds, and Pub.d by His Majestys most gracious permission Feb.y 24, 1820.
Mezzotint with etching, with large margins, retouched plate with inscription in open letters. 410 x 300mm, 16¼ x 11¾". Closed tear into lower left corner of plate.
Portrait of George III (1738 - 1820) as a bearded, blind old man; seated in an armchair, in profile towards left, his right elbow on a table decorated with arms and his hand supporting his chin. The king is dressed in ermine-trimmed robes, and in the background on the left, a partial view of an organ. Samuel William Reynolds (1773 - 1835).
Whitman 102, II. See item Ref: 27077 for Charles Turner's portrait of the old king, published a few days later (same sitting?).
[Ref: 27221] £130.00 (£156.00 incl.VAT)
Engraved by S.W. Reynolds, and Pub.d by His Majestys most gracious permission Feb.y 24, 1820.
Mezzotint with etching, with large margins, retouched plate with inscription in open letters. 410 x 300mm, 16¼ x 11¾". Closed tear into lower left corner of plate.
Portrait of George III (1738 - 1820) as a bearded, blind old man; seated in an armchair, in profile towards left, his right elbow on a table decorated with arms and his hand supporting his chin. The king is dressed in ermine-trimmed robes, and in the background on the left, a partial view of an organ. Samuel William Reynolds (1773 - 1835).
Whitman 102, II. See item Ref: 27077 for Charles Turner's portrait of the old king, published a few days later (same sitting?).
[Ref: 27221] £130.00 (£156.00 incl.VAT)
![[George IV] The King.](jpegs/16391.jpg)
[George IV] The King.
Engraved by S.W. Reynolds, Engraver to the King.
Published by the Engraver, Oct. 24th. 1821, Bayswater.
Mezzotint on india laid paper, inscribed 'Proof' lower left, 330 x 250mm. 13 x 9¾". A good impression.
George IV (1762 - 1830), in private dress, wearing high dark neckerchief. After Thomas Phillips (1770 - 1845).
Whitman: 108, ii.
[Ref: 16391] £160.00 (£192.00 incl.VAT)
Engraved by S.W. Reynolds, Engraver to the King.
Published by the Engraver, Oct. 24th. 1821, Bayswater.
Mezzotint on india laid paper, inscribed 'Proof' lower left, 330 x 250mm. 13 x 9¾". A good impression.
George IV (1762 - 1830), in private dress, wearing high dark neckerchief. After Thomas Phillips (1770 - 1845).
Whitman: 108, ii.
[Ref: 16391] £160.00 (£192.00 incl.VAT)
![[George IV] George Prince of Wales, Regent of Great Britain.](jpegs/34584.jpg)
[George IV] George Prince of Wales, Regent of Great Britain.
[From a sketch by J. Wright of a painting by Thomas Phillips.]
L.C.D.S.A. [n.d., c.1815.]
Early lithograph on india with very large margins. 330 x 220mm (13 x 8¾"). Slight surface soiling.
George IV (1762-1830) as Prince Regent (1811-19), shown in uniform with sash. A stipple version of the same image was engraved by Luigi Schiavonetti in 1809. After Thomas Phillips (1770 - 1845).
[Ref: 34584] £220.00 (£264.00 incl.VAT)
[From a sketch by J. Wright of a painting by Thomas Phillips.]
L.C.D.S.A. [n.d., c.1815.]
Early lithograph on india with very large margins. 330 x 220mm (13 x 8¾"). Slight surface soiling.
George IV (1762-1830) as Prince Regent (1811-19), shown in uniform with sash. A stipple version of the same image was engraved by Luigi Schiavonetti in 1809. After Thomas Phillips (1770 - 1845).
[Ref: 34584] £220.00 (£264.00 incl.VAT)
Joseph Gerrald. Justem et tenacem propositi Virum Non Vultus instantis Tyranni Mente quatit solida.
Painted by C. Smith Painter to the Great Mogul. Engraved by S.W. Reynolds.
London, Published Nov.r 25. 1795, by S.W. Reynolds, No. 6, Rolls Buildings Fetter Lane.
Mezzotint. 350 x 250mm (13¾ x 9¾"). Chips in margins.
A half-length portrait of Political reformer Joseph Gerrald (1763-96), born in West Indies, a member of the London Corresponding Society. In 1794 he was tried for sedition, found guilty and sentenced to 14 years transportation to Australia. However he died of tuberculosis less than six months after he arrived in Sydney.
W 110, only published state. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64862] £360.00
Painted by C. Smith Painter to the Great Mogul. Engraved by S.W. Reynolds.
London, Published Nov.r 25. 1795, by S.W. Reynolds, No. 6, Rolls Buildings Fetter Lane.
Mezzotint. 350 x 250mm (13¾ x 9¾"). Chips in margins.
A half-length portrait of Political reformer Joseph Gerrald (1763-96), born in West Indies, a member of the London Corresponding Society. In 1794 he was tried for sedition, found guilty and sentenced to 14 years transportation to Australia. However he died of tuberculosis less than six months after he arrived in Sydney.
W 110, only published state. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64862] £360.00
Joseph Gerrald. Justem et tenacem propositi Virum [...]
Painted by C. Smith Painter to the Great Mogul. Engraved by S.W. Reynolds.
[London, Published Nov.r 25. 1795, by S.W. Reynolds, No. 6, Rolls Buildings Fetter Lane.]
Mezzotint. Sheet 305 x 250mm (13¾ x 9¾"). Trimmed within plate, losing two lines of Latin text and publication line.
A half-length portrait of Political reformer Joseph Gerrald (1763-96), born in West Indies, a member of the London Corresponding Society. In 1794 he was tried for sedition, found guilty and sentenced to 14 years transportation to Australia. However he died of tuberculosis less than six months after he arrived in Sydney.
W 110, only published state. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64863] £160.00 (£192.00 incl.VAT)
Painted by C. Smith Painter to the Great Mogul. Engraved by S.W. Reynolds.
[London, Published Nov.r 25. 1795, by S.W. Reynolds, No. 6, Rolls Buildings Fetter Lane.]
Mezzotint. Sheet 305 x 250mm (13¾ x 9¾"). Trimmed within plate, losing two lines of Latin text and publication line.
A half-length portrait of Political reformer Joseph Gerrald (1763-96), born in West Indies, a member of the London Corresponding Society. In 1794 he was tried for sedition, found guilty and sentenced to 14 years transportation to Australia. However he died of tuberculosis less than six months after he arrived in Sydney.
W 110, only published state. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64863] £160.00 (£192.00 incl.VAT)
Portrait of the late extraordinary Artist, Thomas Girtin, Natus Feb.y 18. 1775 Obiit Nov. 9. 1802. To Sir George Beaumont Bar.t, One of his earliest Patrons This Print is with Permission respectfully dedicated by his very obliged & grateful Serv.t John Girtin. J.Girtin in the recent fire in Broad Str.t having lost all his property, excepting some prints & c. which with this portrait of his late Brother, he respectfully offers to a liberal Public.
Painted by John Opie Esq.r R.A. Engraved by S.W. Reynolds.
London: Pub.d May 16, 1817, by J. Girtin, Engraver, Printer &c. No 25 Old Compton Street, 3 doors from Princes Street, Soho.
Fine mezzotint. 375 x 255mm (14¾ x 10"0. Trimmed to plate.
Half-length portrait of Thomas Girtin (1775-1802), holding a porte-crayon and sketch-book. Watercolourist, friend and rival of J.M.W. Turner. , with whom he closely worked. He died aged just twenty-seven, shortly after completing his most ambitious and spectacular work, the Eidometropolis, a 360-degree panorama of London measuring over 100ft. The portrait was published by his brother John Girtin, who had just lost his stock in a fire of November 1816.
Whitman 114, i of ii, before further shading of letters of names in the inscription.
[Ref: 55670] £360.00
Painted by John Opie Esq.r R.A. Engraved by S.W. Reynolds.
London: Pub.d May 16, 1817, by J. Girtin, Engraver, Printer &c. No 25 Old Compton Street, 3 doors from Princes Street, Soho.
Fine mezzotint. 375 x 255mm (14¾ x 10"0. Trimmed to plate.
Half-length portrait of Thomas Girtin (1775-1802), holding a porte-crayon and sketch-book. Watercolourist, friend and rival of J.M.W. Turner. , with whom he closely worked. He died aged just twenty-seven, shortly after completing his most ambitious and spectacular work, the Eidometropolis, a 360-degree panorama of London measuring over 100ft. The portrait was published by his brother John Girtin, who had just lost his stock in a fire of November 1816.
Whitman 114, i of ii, before further shading of letters of names in the inscription.
[Ref: 55670] £360.00
Alexander 4th Duke of Gordon, Marquis of Huntley, Earl of Norwich & Baron Mordaunt of Turvey, K.t. Aged 82. Keeper [of the] Great Seal of Scotland, Chancellor of King's College Aberdeen, &c. &c.
Painted by Colvin Smith. Engraved by S.W. Reynolds. Engraver to the King.
[n.d., 1825.]
Mezzotint. 340 x 260mm (13½ x 10¼"). Trimmed within plate at bottom, damaged.
Alexander Gordon (1743-1827), 'the Cock o' the North' (as chief of the Gordon Clan). He raised the Gordon Highlanders in 1794, with his son, George Duncan Gordon, taking command.
[Ref: 47545] £60.00 (£72.00 incl.VAT)
Painted by Colvin Smith. Engraved by S.W. Reynolds. Engraver to the King.
[n.d., 1825.]
Mezzotint. 340 x 260mm (13½ x 10¼"). Trimmed within plate at bottom, damaged.
Alexander Gordon (1743-1827), 'the Cock o' the North' (as chief of the Gordon Clan). He raised the Gordon Highlanders in 1794, with his son, George Duncan Gordon, taking command.
[Ref: 47545] £60.00 (£72.00 incl.VAT)
Lieu.t General Thomas Graham, of Balgowan.
J. Hoppner R.A. pinx.t. S.W. Reynolds sculp.
Published May 21.st 1811 by Tho.s Palser Surry Side Westminster Bridge. [later]
Mezzotint. 350 x 245mm (13¾ x 9½"), with large margins.
Half-length portrait of Thomas Graham (1748-1843), later 1st Baron Lynedoch, in uniform. He was aide-de-camp to Sir John Moore in the Peninsula and was present when Moore was killed at Corunna. First published in 1802, with the title continuing 'Colonel of the 90th Reg.t of Foot'.
Whitman 185, iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66335] £280.00 (£336.00 incl.VAT)
J. Hoppner R.A. pinx.t. S.W. Reynolds sculp.
Published May 21.st 1811 by Tho.s Palser Surry Side Westminster Bridge. [later]
Mezzotint. 350 x 245mm (13¾ x 9½"), with large margins.
Half-length portrait of Thomas Graham (1748-1843), later 1st Baron Lynedoch, in uniform. He was aide-de-camp to Sir John Moore in the Peninsula and was present when Moore was killed at Corunna. First published in 1802, with the title continuing 'Colonel of the 90th Reg.t of Foot'.
Whitman 185, iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66335] £280.00 (£336.00 incl.VAT)
The Rev.d Richard Graves, M.A. Rector of Claverton, Somersetshire. From an original Picture by Ja.s Northcote R.A. in the possession of Prince Hoare Esq.re.
Engraved and Published by S.W. Reynolds, 47, Poland Street, Lonon, Sept.r 13, 1800.
Mezzotint. 330 x 230mm (13 x 9"), with very large margins. Faint stain.
Seated portrait of Reverend Richard Graves (1715-1804), teacher and prolific author, including a picturesque novel 'The Spiritual Quixote', 1773. The painting is now in the National Portrait Gallery (NPG 5281).
Whitman 121.
[Ref: 65262] £230.00 (£276.00 incl.VAT)
Engraved and Published by S.W. Reynolds, 47, Poland Street, Lonon, Sept.r 13, 1800.
Mezzotint. 330 x 230mm (13 x 9"), with very large margins. Faint stain.
Seated portrait of Reverend Richard Graves (1715-1804), teacher and prolific author, including a picturesque novel 'The Spiritual Quixote', 1773. The painting is now in the National Portrait Gallery (NPG 5281).
Whitman 121.
[Ref: 65262] £230.00 (£276.00 incl.VAT)
[Geo. Webb Hall Esq. From a Painting by Ja.s Lonsdale, Esq,,re Painter to H.R.H. the Duke of Sussex. Presented by the Agricultural Associations of Great Britian, to M.rs Webb Hall. In the back ground are Sneed Park & the River Avon, Kings Weston & the Bristol Channel.]
[Engraved by S.W. Reynolds, Engraver to the King.]
[Published Feb.y 7.th 1822, by M.r Lonsdale, 8, Berners St.t London.]
Scarce mezzotint, proof before letters. 630 x 400mm (24¾ x 15¾"). Trimmed into plate at bottom. Small repaired tears at bottom, rubbing of edges.
A full length portrait of George Webb Hall (1765-1824), standing in a landscape with a ploughing scene. A lawyer, he was Chairman to the Committee of the Agricultural Associations of Great Britain
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66988] £480.00
[Engraved by S.W. Reynolds, Engraver to the King.]
[Published Feb.y 7.th 1822, by M.r Lonsdale, 8, Berners St.t London.]
Scarce mezzotint, proof before letters. 630 x 400mm (24¾ x 15¾"). Trimmed into plate at bottom. Small repaired tears at bottom, rubbing of edges.
A full length portrait of George Webb Hall (1765-1824), standing in a landscape with a ploughing scene. A lawyer, he was Chairman to the Committee of the Agricultural Associations of Great Britain
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66988] £480.00
The Right Honourable William Harcourt Earl Viscount and Baron Harcourt of Stanton Harcourt, and Viscount Nuneham of Nunham Courtnay in the County of Oxford...
Painted by H. Edridge 1818. Engraved by S.W. Reynolds Bayswater.
Mezzotint. 355 x 275mm (14 x 10¾"). Trimmed close to plate.
A three-quarter portrait of William Harcourt (1743-1830), 3rd Earl Harcourt, seated in chair surmounted by a coronet, holding a large book propped upright on his knee. He wears a ceremonial robe over his uniform. A career soldier, Harcourt commanded his regiment at the Battle of White Plains and then captured General Charles Lee at Basking Ridge during the American Revolutionary War, and succeeded the Duke of York as commander of the British Army during the Flanders Campaign in 1795. This portrait was painted to celebrate him being appointed Governor of Portsmouth in July 1811. He was promoted to field marshal in 1821.
Whitman 128, i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66944] £190.00 (£228.00 incl.VAT)
Painted by H. Edridge 1818. Engraved by S.W. Reynolds Bayswater.
Mezzotint. 355 x 275mm (14 x 10¾"). Trimmed close to plate.
A three-quarter portrait of William Harcourt (1743-1830), 3rd Earl Harcourt, seated in chair surmounted by a coronet, holding a large book propped upright on his knee. He wears a ceremonial robe over his uniform. A career soldier, Harcourt commanded his regiment at the Battle of White Plains and then captured General Charles Lee at Basking Ridge during the American Revolutionary War, and succeeded the Duke of York as commander of the British Army during the Flanders Campaign in 1795. This portrait was painted to celebrate him being appointed Governor of Portsmouth in July 1811. He was promoted to field marshal in 1821.
Whitman 128, i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66944] £190.00 (£228.00 incl.VAT)
Edward Harding Esqr. Librarian to Her Most Gracious Majesty Queen Charlotte.
M.A. Shee R.A. Pinx. S.W. Reynolds Sculp.
Published by G.P. Harding, Hercules, Buildings Lalbeth.
Mezzotint. Plate 228 x 166mm. 9 x 6½". Crease.
Edward Harding (1755-1840) was an engraver, publisher and librarian to Queen Charlotte from 1803 to 1818.
NPG: D2570. Whitman: 129.
[Ref: 16805] £70.00 (£84.00 incl.VAT)
M.A. Shee R.A. Pinx. S.W. Reynolds Sculp.
Published by G.P. Harding, Hercules, Buildings Lalbeth.
Mezzotint. Plate 228 x 166mm. 9 x 6½". Crease.
Edward Harding (1755-1840) was an engraver, publisher and librarian to Queen Charlotte from 1803 to 1818.
NPG: D2570. Whitman: 129.
[Ref: 16805] £70.00 (£84.00 incl.VAT)
![[Hearing.]](jpegs/59335.jpg)
[Hearing.]
Debufe pinx.t. S.W. Reynolds sculp.t.
London 1st. May 1830. Published by Giraldon, Bovinet & Co.
Mezzotint, proof before title, printed on chine collé. 370 x 250mm (14½ x 9¾") very large margins.
A woman in a velvet dress tuning a harp.
Whitman: 360, state i of ii.
[Ref: 59335] £260.00 (£312.00 incl.VAT)
Debufe pinx.t. S.W. Reynolds sculp.t.
London 1st. May 1830. Published by Giraldon, Bovinet & Co.
Mezzotint, proof before title, printed on chine collé. 370 x 250mm (14½ x 9¾") very large margins.
A woman in a velvet dress tuning a harp.
Whitman: 360, state i of ii.
[Ref: 59335] £260.00 (£312.00 incl.VAT)
The Right Rev.d Reginald Heber, D.D. Lord Bishop of Calcutta.
T. Phillips Esq.r R.A. Pinx.t. S.W. Reynolds, Sculp.t Engraver to the King.
London, March 1827, Published by M. Colnaghi, 23 Cockspur Street, Charing Cross.
Mezzotint. 510 x 350mm (20 x 13¾"). Wear in very large margins.
Reginald Heber (1783-1826) was the Church of England's second Bishop of Calcutta. His missionary hymn 'From Greenland's Icy Mountains', written in 1819 for a service in aid of the 'Society for the Propagation of the Gospel' in Wrexham, was widely sung until recently, but lost favour when it was denounced by John Betjeman and Gandhi as patronising, particularly the line ''the heathen in his blindness [bowing] down to wood and stone''. Other hymns, for example ''Holy, Holy, Holy'', remain popular. First published by Reynolds in 1824.
Whitman: 137: iii of iii. Ex: Collection of Hon. Christopher Lennox-Boyd.
[Ref: 48514] £95.00 (£114.00 incl.VAT)
T. Phillips Esq.r R.A. Pinx.t. S.W. Reynolds, Sculp.t Engraver to the King.
London, March 1827, Published by M. Colnaghi, 23 Cockspur Street, Charing Cross.
Mezzotint. 510 x 350mm (20 x 13¾"). Wear in very large margins.
Reginald Heber (1783-1826) was the Church of England's second Bishop of Calcutta. His missionary hymn 'From Greenland's Icy Mountains', written in 1819 for a service in aid of the 'Society for the Propagation of the Gospel' in Wrexham, was widely sung until recently, but lost favour when it was denounced by John Betjeman and Gandhi as patronising, particularly the line ''the heathen in his blindness [bowing] down to wood and stone''. Other hymns, for example ''Holy, Holy, Holy'', remain popular. First published by Reynolds in 1824.
Whitman: 137: iii of iii. Ex: Collection of Hon. Christopher Lennox-Boyd.
[Ref: 48514] £95.00 (£114.00 incl.VAT)
The Right Rev.d Reginald Heber, D.D. Lord Bishop of Calcutta.
T. Phillips Esq.r R.A. Pinx.t. S.W. Reynolds, Sculp.t Engraver to the King.
London, March 1827, Published by M. Colnaghi, 23 Cockspur Street, Charing Cross.
Mezzotint. 510 x 350mm (20 x 13¾") very large margins.
Reginald Heber (1783-1826) was the Church of England's second Bishop of Calcutta. His missionary hymn 'From Greenland's Icy Mountains', written in 1819 for a service in aid of the 'Society for the Propagation of the Gospel' in Wrexham, was widely sung until recently, but lost favour when it was denounced by John Betjeman and Gandhi as patronising, particularly the line ''the heathen in his blindness [bowing] down to wood and stone''. Other hymns, for example ''Holy, Holy, Holy'', remain popular. First published by Reynolds in 1824.
Whitman: 137: iii of iii. Ex: Collection of Hon Christopher Lennox-Boyd.
[Ref: 48515] £140.00 (£168.00 incl.VAT)
T. Phillips Esq.r R.A. Pinx.t. S.W. Reynolds, Sculp.t Engraver to the King.
London, March 1827, Published by M. Colnaghi, 23 Cockspur Street, Charing Cross.
Mezzotint. 510 x 350mm (20 x 13¾") very large margins.
Reginald Heber (1783-1826) was the Church of England's second Bishop of Calcutta. His missionary hymn 'From Greenland's Icy Mountains', written in 1819 for a service in aid of the 'Society for the Propagation of the Gospel' in Wrexham, was widely sung until recently, but lost favour when it was denounced by John Betjeman and Gandhi as patronising, particularly the line ''the heathen in his blindness [bowing] down to wood and stone''. Other hymns, for example ''Holy, Holy, Holy'', remain popular. First published by Reynolds in 1824.
Whitman: 137: iii of iii. Ex: Collection of Hon Christopher Lennox-Boyd.
[Ref: 48515] £140.00 (£168.00 incl.VAT)
R.t Hon.ble Gen.l Sir George Hewett, Bar.t G.C.B.
Painted by S.W. Reynolds, Jun.r Engraved by S.W. Reynolds (Engraver to the King).
[n.d., c.1825.]
Rare mezzotint. 510 x 355mm (20 x 14"), large margins. Margins soiled and creased.
Three quarter portrait of General Sir George Hewett (1750-1840), Commander-in-Chief, India, from 1807 to 1813, then Commander-in-Chief, Ireland, 1813-6.
Whitman 143, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66333] £320.00
Painted by S.W. Reynolds, Jun.r Engraved by S.W. Reynolds (Engraver to the King).
[n.d., c.1825.]
Rare mezzotint. 510 x 355mm (20 x 14"), large margins. Margins soiled and creased.
Three quarter portrait of General Sir George Hewett (1750-1840), Commander-in-Chief, India, from 1807 to 1813, then Commander-in-Chief, Ireland, 1813-6.
Whitman 143, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66333] £320.00
William Hoare R.A.
Painted by P. Hoare. Engraved by S.W. Reynolds.
London, Published Oct.r 1. 1794, vy S.W. Reynolds, N.o 6 Broad Street, Soho.
Mezzotint, sheet 380 x 300mm (15 x 11¾"). Trimmed within plate and tipped into album paper at sides. Staining top right.
Half-length portrait, within an oval and square wooden frame, of portrait painter William Hoare of Bath (1707-92). He wears a powdered wig, dark coat and waistcoat, and light neckerchief.
[Ref: 61599] £220.00 (£264.00 incl.VAT)
Painted by P. Hoare. Engraved by S.W. Reynolds.
London, Published Oct.r 1. 1794, vy S.W. Reynolds, N.o 6 Broad Street, Soho.
Mezzotint, sheet 380 x 300mm (15 x 11¾"). Trimmed within plate and tipped into album paper at sides. Staining top right.
Half-length portrait, within an oval and square wooden frame, of portrait painter William Hoare of Bath (1707-92). He wears a powdered wig, dark coat and waistcoat, and light neckerchief.
[Ref: 61599] £220.00 (£264.00 incl.VAT)
Francis Horner Exqr M.P. Born 12August 1778, Died 8Feb 1817. From the Original Picture by Henry Raeburn Esqr. R.A. is the possession of Leonard Horner Esqr to whom this Print is respectfully dedicated by his obliged and obedient Servant. S. W. Reynolds.
Engraved & Published by S. W. Reynolds Bayswater, July 4, 1818
Mezzotint, with very large margins. Plate 407 x 299mm. 16 x 11¾". Repairs around platemark.
Francis Horner (1778-1817) was a Scottish Whig MP for St. Ives in 1806, Wendover in 1807, and St. Mawes in 1812. As a writer he translated Leonhard Euler's 'Elements of Algebra' in 1797 and published 'Short Account of a late Short Administration' in 1807. In 1802 he was one of the founders of the Edinburgh Review. Firms believed in political economy, he took part in the parliamentary debates on the Corn Laws and slavery in 1813-15.
Ex Collection: Norman Blackburn. Whitman: 151.
[Ref: 19796] £190.00 (£228.00 incl.VAT)
Engraved & Published by S. W. Reynolds Bayswater, July 4, 1818
Mezzotint, with very large margins. Plate 407 x 299mm. 16 x 11¾". Repairs around platemark.
Francis Horner (1778-1817) was a Scottish Whig MP for St. Ives in 1806, Wendover in 1807, and St. Mawes in 1812. As a writer he translated Leonhard Euler's 'Elements of Algebra' in 1797 and published 'Short Account of a late Short Administration' in 1807. In 1802 he was one of the founders of the Edinburgh Review. Firms believed in political economy, he took part in the parliamentary debates on the Corn Laws and slavery in 1813-15.
Ex Collection: Norman Blackburn. Whitman: 151.
[Ref: 19796] £190.00 (£228.00 incl.VAT)
Samuel Horrocks Esq.re, M.P.
Painted by James Lonsdale. Engraved by S.W. Reynolds Engraver to the King.
Published by J. Lonsdale 8 Berners Street, May 1820.
Mezzotint with very large margins, proof impression; platemark 360 x 255mm (14¼ x 10"). Slightly rubbed.
Samuel Horrocks (1766-1842), who took over the cotton spinning and manufacturing business founded by his father in Preston, for which he was also M.P. After a portrait by Lancaster-born painter James Lonsdale (although Lonsdale had long been resident in London by this time- in the year this print was published he painted Queen Caroline).
Ex: collection of the late Hon. C. Lennox-Boyd
[Ref: 34123] £220.00 (£264.00 incl.VAT)
Painted by James Lonsdale. Engraved by S.W. Reynolds Engraver to the King.
Published by J. Lonsdale 8 Berners Street, May 1820.
Mezzotint with very large margins, proof impression; platemark 360 x 255mm (14¼ x 10"). Slightly rubbed.
Samuel Horrocks (1766-1842), who took over the cotton spinning and manufacturing business founded by his father in Preston, for which he was also M.P. After a portrait by Lancaster-born painter James Lonsdale (although Lonsdale had long been resident in London by this time- in the year this print was published he painted Queen Caroline).
Ex: collection of the late Hon. C. Lennox-Boyd
[Ref: 34123] £220.00 (£264.00 incl.VAT)
![[Une Scène de l'Inquisition.]](jpegs/55216.jpg)
[Une Scène de l'Inquisition.]
C.te de Forbin pinx.t. S.W. Reynolds Grav. du Roi d'Angleterre Sculp.
Déposé. A Paris chez Schroth Editeur M.d de Tabl.x et Dessin, Rue St,, Honoré No. 353, bis et à Londres chez Colnaghi fils et C.ie Pall mall East [n.d., c.1830].
Chine collé mezzotint, proof before title. 530 x 400mm (20¾ x 15¾"), with very large margins. Some spotting. Uncut.
In a tower room a monk and nun question a chained man in oriental dress. In the floor is a trapdoor with a ladder. In the background a skull and hourglass sit on an open book on a chair.
Whitman 367.
[Ref: 55216] £240.00 (£288.00 incl.VAT)
C.te de Forbin pinx.t. S.W. Reynolds Grav. du Roi d'Angleterre Sculp.
Déposé. A Paris chez Schroth Editeur M.d de Tabl.x et Dessin, Rue St,, Honoré No. 353, bis et à Londres chez Colnaghi fils et C.ie Pall mall East [n.d., c.1830].
Chine collé mezzotint, proof before title. 530 x 400mm (20¾ x 15¾"), with very large margins. Some spotting. Uncut.
In a tower room a monk and nun question a chained man in oriental dress. In the floor is a trapdoor with a ladder. In the background a skull and hourglass sit on an open book on a chair.
Whitman 367.
[Ref: 55216] £240.00 (£288.00 incl.VAT)
![[John Ireland] The Dean of Westminster, in a Rich Cope.](jpegs/60447.jpg)
[John Ireland] The Dean of Westminster, in a Rich Cope. Bringing the Crown from the Altar upon a Cushion of Cloth of Gold. 19th. July 1821.
F.P. Stephanoff, del.t. Eng.d by W.m Bond & S. Reynolds, Eng.r to the King.
London, Published as the Act directs Jan.y 1824 by Sir George Nayler, Garter.
Mezzotint,printed in colours and hand finished. 450 x 350mm (17¾ x 13¾"), on paper watermarked 'J Whatman Turkey Mill 1823'. Large margins. Some slight creasing top right.
A full length portrait of John Ireland (1761-1842), dressed for the coronation of George IV. From Sir G. Nayler's "The Coronation of His Most Sacred Majesty King George the Fourth, solemnized in the Collegiate Church of Saint Peter Westminster upon the Nineteenth Day of July MDCCCXXI". Nayler only published two of the five proposed parts (1823 & 1827); it was completed by George Henry Bohn and issued in 1837.
[Ref: 60447] £160.00 (£192.00 incl.VAT)
F.P. Stephanoff, del.t. Eng.d by W.m Bond & S. Reynolds, Eng.r to the King.
London, Published as the Act directs Jan.y 1824 by Sir George Nayler, Garter.
Mezzotint,printed in colours and hand finished. 450 x 350mm (17¾ x 13¾"), on paper watermarked 'J Whatman Turkey Mill 1823'. Large margins. Some slight creasing top right.
A full length portrait of John Ireland (1761-1842), dressed for the coronation of George IV. From Sir G. Nayler's "The Coronation of His Most Sacred Majesty King George the Fourth, solemnized in the Collegiate Church of Saint Peter Westminster upon the Nineteenth Day of July MDCCCXXI". Nayler only published two of the five proposed parts (1823 & 1827); it was completed by George Henry Bohn and issued in 1837.
[Ref: 60447] £160.00 (£192.00 incl.VAT)
![[A Jew.]](jpegs/66015.jpg)
[A Jew.]
[After Rembrandt. Engraved by S.W.Reynolds.]
[n.d., c.1840.]
Very rare unfinished proof mezzotint. 505 x 350mm (20 x 13¾"). Upper margin taped into mount.
Portrait of a seated man, he is directed to the right but looks to the front. He wears a wide fur cap and both hands hold a stick to his right side.
W: 432. Charrington 151. Ex: Collection of The Hon. Christopher Lennox-Boyd & Reuss Collection.
[Ref: 66015] £320.00
[After Rembrandt. Engraved by S.W.Reynolds.]
[n.d., c.1840.]
Very rare unfinished proof mezzotint. 505 x 350mm (20 x 13¾"). Upper margin taped into mount.
Portrait of a seated man, he is directed to the right but looks to the front. He wears a wide fur cap and both hands hold a stick to his right side.
W: 432. Charrington 151. Ex: Collection of The Hon. Christopher Lennox-Boyd & Reuss Collection.
[Ref: 66015] £320.00
The Kennel. "of the right Honourable Adolphus v.d. Luhe Great Master of the huntsmen in the Service of the Duke of Mecklenburg Suerin." [Letterpress added below title at a later date.]
Design'd by G.Morland. Engrav'd by S.W.Reynolds.
London. Published April 20th 1796 by S.W.Reynolds, No.6. Rolls Buildings, Fetter Lane.
Mezzotint, printed in colours. Fine colour printing. Signed in the plate "G. Morland Del." 325 x 375mm. Very fine, unexamined out of frame.
Samuel William Reynolds [1774 - 1835] Produced his first mezzotints in 1794 as a pupil of C. H. Hodges and also John Raphael Smith where he more than likely met George Morland and had the opportunity to engrave the 'Kennel' in 1796. Being among the earliest works by this engraver it is regarded as one of his finest plates.
Whitman:401a. This impression has added letterpress suggesting the dogs belong to the Friedrich Franz Duke of Mecklenburg-Schwerin. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4296] £650.00
Design'd by G.Morland. Engrav'd by S.W.Reynolds.
London. Published April 20th 1796 by S.W.Reynolds, No.6. Rolls Buildings, Fetter Lane.
Mezzotint, printed in colours. Fine colour printing. Signed in the plate "G. Morland Del." 325 x 375mm. Very fine, unexamined out of frame.
Samuel William Reynolds [1774 - 1835] Produced his first mezzotints in 1794 as a pupil of C. H. Hodges and also John Raphael Smith where he more than likely met George Morland and had the opportunity to engrave the 'Kennel' in 1796. Being among the earliest works by this engraver it is regarded as one of his finest plates.
Whitman:401a. This impression has added letterpress suggesting the dogs belong to the Friedrich Franz Duke of Mecklenburg-Schwerin. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4296] £650.00
Key to Mr Walker's Engraving of the Passing of the Reform Bill.
[after S.W.Reynolds.]
London June 1836; Published by Mr Walker, 64 Margaret Street, & 22 London Street, Edinburgh.
Steel engraving, sheet 305 x 375mm (12 x 14¾"). Creases; stains; repaired tears. Damaged.
The key plate to Samuel William Reynolds's 'The Reform Bill Receiving the King's Assent by Royal Commission, 7 June 1832', identifying seventy-six figures represented including Grey, Durham, Holland, Brougham, Lansdowne, and Wellesley. The passing of the Great Reform Bill was one of the major legislative landmarks of the nineteenth century
Ex: Collection of the Late Hon. C. Lennox-Boyd.
[Ref: 37229] £95.00 (£114.00 incl.VAT)
[after S.W.Reynolds.]
London June 1836; Published by Mr Walker, 64 Margaret Street, & 22 London Street, Edinburgh.
Steel engraving, sheet 305 x 375mm (12 x 14¾"). Creases; stains; repaired tears. Damaged.
The key plate to Samuel William Reynolds's 'The Reform Bill Receiving the King's Assent by Royal Commission, 7 June 1832', identifying seventy-six figures represented including Grey, Durham, Holland, Brougham, Lansdowne, and Wellesley. The passing of the Great Reform Bill was one of the major legislative landmarks of the nineteenth century
Ex: Collection of the Late Hon. C. Lennox-Boyd.
[Ref: 37229] £95.00 (£114.00 incl.VAT)
Key to Mr Walker's Engraving of the Passing of the Reform Bill.
[after S.W.Reynolds.]
London June 1836; Published by Mr Walker, 64 Margaret Street, & 22 London Street, Edinburgh.
Rare steel engraving. Sheet 290 x 330mm. Edges chipped and stained; tears into image and publication line.
The key plate to Samuel William Reynold's 'The Reform Bill Receiving the King's Assent by Royal Commission, 7 June 1832'.
From the Reference Library of the Parker Gallery.
[Ref: 56076] £190.00 (£228.00 incl.VAT)
[after S.W.Reynolds.]
London June 1836; Published by Mr Walker, 64 Margaret Street, & 22 London Street, Edinburgh.
Rare steel engraving. Sheet 290 x 330mm. Edges chipped and stained; tears into image and publication line.
The key plate to Samuel William Reynold's 'The Reform Bill Receiving the King's Assent by Royal Commission, 7 June 1832'.
From the Reference Library of the Parker Gallery.
[Ref: 56076] £190.00 (£228.00 incl.VAT)
John George Lambton, Esq. M.P. for the County Durham. From the original Picture in the possession of Earl Grey.
Painted by T. Phillips, Esq. R.A. Engraved by S.W. Reynolds. Engraver to the King.
[n.d., c.1820.]
Mezzotint. 380 x 270mm (15 x 10½"), with wide margins.
John George Lambton, 1st Earl of Durham (1792 - 1840), standing in front of a curtain, directed to front, facing towards the left. He holds a book upright on a table with his right hand, next to document. Following his father's death in 1797, Lambton inherited an immense fortune, derived largely from mining on lands surrounding Lambton Castle, the ancestral family home in County Durham. In 1821, he gained the nickname 'Jog Along Jack', after being asked what was an adequate income for an English gentleman, and replying, 'that a man might jog along comfortably enough on £40,000 a year', an equivalent of nearly two millions pounds at modern values. He was MP for County Durham for 16 years from 1813, and was appointed Lord Privy Seal in 1830 when his father-in-law, Lord Grey, became prime minister. Between 1835 and 1837 he served as Ambassador to Russia. The following year, Lambton became Governor-General of Canada, where he was known as 'Radical Jack', and subsequently lauded in English -Canadian history for his recommendation to introduce responsible government and recommending the union of Upper and Lower Canada.
Ex Collection: The Honourable Christopher Lennox-Boyd. W: 173 II of II.
[Ref: 35132] £420.00
Painted by T. Phillips, Esq. R.A. Engraved by S.W. Reynolds. Engraver to the King.
[n.d., c.1820.]
Mezzotint. 380 x 270mm (15 x 10½"), with wide margins.
John George Lambton, 1st Earl of Durham (1792 - 1840), standing in front of a curtain, directed to front, facing towards the left. He holds a book upright on a table with his right hand, next to document. Following his father's death in 1797, Lambton inherited an immense fortune, derived largely from mining on lands surrounding Lambton Castle, the ancestral family home in County Durham. In 1821, he gained the nickname 'Jog Along Jack', after being asked what was an adequate income for an English gentleman, and replying, 'that a man might jog along comfortably enough on £40,000 a year', an equivalent of nearly two millions pounds at modern values. He was MP for County Durham for 16 years from 1813, and was appointed Lord Privy Seal in 1830 when his father-in-law, Lord Grey, became prime minister. Between 1835 and 1837 he served as Ambassador to Russia. The following year, Lambton became Governor-General of Canada, where he was known as 'Radical Jack', and subsequently lauded in English -Canadian history for his recommendation to introduce responsible government and recommending the union of Upper and Lower Canada.
Ex Collection: The Honourable Christopher Lennox-Boyd. W: 173 II of II.
[Ref: 35132] £420.00
John George Lambton, Esq. M.P. for the County Durham. From the original Picture in the possession of Earl Grey.
Painted by T. Phillips, Esq. R.A. Engraved by S.W. Reynolds. Engraver to the King.
[n.d., c.1820.]
Mezzotint. 380 x 270mm (15 x 10½"), very large margins on 3 sides. Trimmed to plate at bottom.
John George Lambton, 1st Earl of Durham (1792 - 1840), standing in front of a curtain, directed to front, facing towards the left. He holds a book upright on a table with his right hand, next to document. Having inherited an immense fortune, he gained the nickname 'Jog Along Jack' when. after being asked what was an adequate income for an English gentleman, he replied 'that a man might jog along comfortably enough on £40,000 a year', an equivalent of nearly two millions pounds at modern values. He was MP for County Durham for 16 years from 1813, and was appointed Lord Privy Seal in 1830 when his father-in-law, Lord Grey, became prime minister. Between 1835 and 1837 he served as Ambassador to Russia. The following year, Lambton became Governor-General of Canada, where he was known as 'Radical Jack', and subsequently lauded in English -Canadian history for his recommendation to introduce responsible government and recommending the union of Upper and Lower Canada.
Ex Collection: The Honourable Christopher Lennox-Boyd. W: 173 ii of ii.
[Ref: 67156] £280.00 (£336.00 incl.VAT)
Painted by T. Phillips, Esq. R.A. Engraved by S.W. Reynolds. Engraver to the King.
[n.d., c.1820.]
Mezzotint. 380 x 270mm (15 x 10½"), very large margins on 3 sides. Trimmed to plate at bottom.
John George Lambton, 1st Earl of Durham (1792 - 1840), standing in front of a curtain, directed to front, facing towards the left. He holds a book upright on a table with his right hand, next to document. Having inherited an immense fortune, he gained the nickname 'Jog Along Jack' when. after being asked what was an adequate income for an English gentleman, he replied 'that a man might jog along comfortably enough on £40,000 a year', an equivalent of nearly two millions pounds at modern values. He was MP for County Durham for 16 years from 1813, and was appointed Lord Privy Seal in 1830 when his father-in-law, Lord Grey, became prime minister. Between 1835 and 1837 he served as Ambassador to Russia. The following year, Lambton became Governor-General of Canada, where he was known as 'Radical Jack', and subsequently lauded in English -Canadian history for his recommendation to introduce responsible government and recommending the union of Upper and Lower Canada.
Ex Collection: The Honourable Christopher Lennox-Boyd. W: 173 ii of ii.
[Ref: 67156] £280.00 (£336.00 incl.VAT)
![[Mary Langton.]](jpegs/10006.jpg)
[Mary Langton.]
Painted by C.F. de Breda, R.A. of Stockholm & Painter to the King of Sweden. Engraved by S.W. Reynolds.
London: Published March 1st. 1796, by S.W. Reynolds, No.6 Rolls Buildings Fetter Lane.
Mezzotint, proof before title, 355 x 250mm. 14 x 9¾". Wide margins folded back.
Mary Langton, Daughter of Bennet Langton (1737 - 1801), friend of Dr. Johnson. After Carl Fredrick von Breda (1759 - 1818)
NPG: D3535. Whitman: 316, sitter unidentified. Ex: Collection The Hon. Christopher Lennox-Boyd.
[Ref: 10006] £260.00 (£312.00 incl.VAT)
Painted by C.F. de Breda, R.A. of Stockholm & Painter to the King of Sweden. Engraved by S.W. Reynolds.
London: Published March 1st. 1796, by S.W. Reynolds, No.6 Rolls Buildings Fetter Lane.
Mezzotint, proof before title, 355 x 250mm. 14 x 9¾". Wide margins folded back.
Mary Langton, Daughter of Bennet Langton (1737 - 1801), friend of Dr. Johnson. After Carl Fredrick von Breda (1759 - 1818)
NPG: D3535. Whitman: 316, sitter unidentified. Ex: Collection The Hon. Christopher Lennox-Boyd.
[Ref: 10006] £260.00 (£312.00 incl.VAT)
Henry Earl of Harewood, Viscount Lascelles & Baron Harewood. Lord Lieutenant of the West Riding of the County of York.
Painted by John Jackson Esq.r R.A. Engraved by S.W. Reynolds Engraver to the King.
Pub.d by the Engraver Bayswater June 1820.
Mezzotint. 430 x 330mm (17 x 13"), with very large margins. A little wear to edges of margins.
A three-quarter length portrait of Henry Lascelles (1767-1841), published the year he became the 2nd Earl of Harewood. He had been MP for Yorkshire (1796-1806 & 1812-18), Westbury (1807-12), Pontefract (1812) and Northallerton (1818-20). He also served as Lord Lieutenant of the West Riding of Yorkshire (1819-41). After the Slavery Abolition Act of 1833, Lascelles received a £26,307 (now worth £2.5 million) in compensation for the 1277 slaves he owned in Barbados and Jamaica.
Whitman 131.
[Ref: 55228] £260.00 (£312.00 incl.VAT)
Painted by John Jackson Esq.r R.A. Engraved by S.W. Reynolds Engraver to the King.
Pub.d by the Engraver Bayswater June 1820.
Mezzotint. 430 x 330mm (17 x 13"), with very large margins. A little wear to edges of margins.
A three-quarter length portrait of Henry Lascelles (1767-1841), published the year he became the 2nd Earl of Harewood. He had been MP for Yorkshire (1796-1806 & 1812-18), Westbury (1807-12), Pontefract (1812) and Northallerton (1818-20). He also served as Lord Lieutenant of the West Riding of Yorkshire (1819-41). After the Slavery Abolition Act of 1833, Lascelles received a £26,307 (now worth £2.5 million) in compensation for the 1277 slaves he owned in Barbados and Jamaica.
Whitman 131.
[Ref: 55228] £260.00 (£312.00 incl.VAT)
![[Austen Henry Layard Esq. D.C.L. Discoverer of the Ruins of Ancient Nineveh.]](jpegs/67787.jpg)
[Austen Henry Layard Esq. D.C.L. Discoverer of the Ruins of Ancient Nineveh.]
[Painted by W.H. Phillips. Engraved by S. W. Reynolds junior.]
[Published March 23rd 1850 by Paul & Dominic Colnaghi & Co 13 & 14 Pall Mall East, Publishers to Her Majesty.]
Mezzotint, rare proof before letters, printed on chine collé. 505 x 380mm (19¾ x 15"), with Printsellers' Association blindstamp. Trimmed to plate, some toning of paper.
A three-quarter portrait of Orientalist Sir Austen Henry Layard (1817-94), in Oriental dress, holding a string of beads. He excavated the Assyrian sites of Nimrud and of Nineveh, where he uncovered the famed library of Ashurbanipal.
Whitman 505, i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67787] £380.00
[Painted by W.H. Phillips. Engraved by S. W. Reynolds junior.]
[Published March 23rd 1850 by Paul & Dominic Colnaghi & Co 13 & 14 Pall Mall East, Publishers to Her Majesty.]
Mezzotint, rare proof before letters, printed on chine collé. 505 x 380mm (19¾ x 15"), with Printsellers' Association blindstamp. Trimmed to plate, some toning of paper.
A three-quarter portrait of Orientalist Sir Austen Henry Layard (1817-94), in Oriental dress, holding a string of beads. He excavated the Assyrian sites of Nimrud and of Nineveh, where he uncovered the famed library of Ashurbanipal.
Whitman 505, i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67787] £380.00
![[Amelia Long] M.rs Charles Long.](jpegs/67150.jpg)
[Amelia Long] M.rs Charles Long.
H. Edridge Pinx.t. S.W. Reynolds Scu.l.
[n.d., c.1820.]
Mezzotint. 325 x 255mm (12¾ x 10"), large margins.
A three-quarter seated portrait of amateur artist Amelia Long (née Hume, 1772-1837). She was Girtin's favourite pupil, and her work was widely admired by professional artists and drawing masters. Her husband was created Baron Farnborough in 1826.
Whitman 182, iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67150] £230.00 (£276.00 incl.VAT)
H. Edridge Pinx.t. S.W. Reynolds Scu.l.
[n.d., c.1820.]
Mezzotint. 325 x 255mm (12¾ x 10"), large margins.
A three-quarter seated portrait of amateur artist Amelia Long (née Hume, 1772-1837). She was Girtin's favourite pupil, and her work was widely admired by professional artists and drawing masters. Her husband was created Baron Farnborough in 1826.
Whitman 182, iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67150] £230.00 (£276.00 incl.VAT)
![[Amelia Long] M.rs Charles Long.](jpegs/67151.jpg)
[Amelia Long] M.rs Charles Long.
H. Edridge Pinx.t. S.W. Reynolds Scu.l.
[n.d., c.1820.]
Mezzotint. 325 x 255mm (12¾ x 10"), large margins.
A three-quarter seated portrait of amateur artist Amelia Long (née Hume, 1772-1837). She was Girtin's favourite pupil, and her work was widely admired by professional artists and drawing masters. Her husband was created Baron Farnborough in 1826.
Whitman 182, iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67151] £260.00 (£312.00 incl.VAT)
H. Edridge Pinx.t. S.W. Reynolds Scu.l.
[n.d., c.1820.]
Mezzotint. 325 x 255mm (12¾ x 10"), large margins.
A three-quarter seated portrait of amateur artist Amelia Long (née Hume, 1772-1837). She was Girtin's favourite pupil, and her work was widely admired by professional artists and drawing masters. Her husband was created Baron Farnborough in 1826.
Whitman 182, iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67151] £260.00 (£312.00 incl.VAT)
The lovely babe was born with every grace; / Such was his form, as painters, when they show / Their utmost art, on naked loves bestow. _ Dryden.
Painte by W. Owen, Esq.r R.A. Engraved by S.W. Reynolds, Engraver to the King.
London Published June 1st 1833 by Paul & Dominic Colnaghi & Co. Printsellers to the Royal Family. Pall Mall East.
Mezzotint. Mount sight size 330 x 370mm, 13 x 14½". Framed with Christies's auction description pasted on verso. Faint spotting, unexamined out of frame.
Cupid on a cloud, quiver over his shoulder, arrow in hand.
Provenence: Heathcote Heirlloms, Bighton Wood, Alresford, Hants. Whitman: 423, iii of iii.
[Ref: 27836] £260.00 (£312.00 incl.VAT)
Painte by W. Owen, Esq.r R.A. Engraved by S.W. Reynolds, Engraver to the King.
London Published June 1st 1833 by Paul & Dominic Colnaghi & Co. Printsellers to the Royal Family. Pall Mall East.
Mezzotint. Mount sight size 330 x 370mm, 13 x 14½". Framed with Christies's auction description pasted on verso. Faint spotting, unexamined out of frame.
Cupid on a cloud, quiver over his shoulder, arrow in hand.
Provenence: Heathcote Heirlloms, Bighton Wood, Alresford, Hants. Whitman: 423, iii of iii.
[Ref: 27836] £260.00 (£312.00 incl.VAT)
William Lynch Esq.r
Engraved by S. W. Reynolds from a Picture painted by Gainsborough.
Mezzotint. 350 x 255mm (13¾ x 10"). Trimmed within plate on lower edge.
William Lynch (1726—1797), steward of Ipswich Races. He attended St. Johns, Cambridge and by the 1750s he was a Captain in the Suffolk Militia under Colonel Francis Vernon, nephew of the famous Admiral Vernon. Both he and Vernon fell out with Philip Thicknesse, the Lieutenant Governor of Landguard Fort, where the regiment of the Suffolk militia was stationed. On one occasion Lynch slipped off to Ipswich for a few days rest and recreation: incensed, Thicknesse demanded his return, which he cheerfully ignored. Thicknesse had Lynch thrown in jail for twenty-four hours to reflect on his lack of discipline and threatened to report him to the Secretary of War. Lynch demanded a court martial, where, despite admitting to all charges, he was found not guilty. The dispute was only resolved by moving the regiment from the fort. The Suffolk Militia was disbanded in 1762; however in 1794 Lynch signed up as Captain for an Ipswich Regiment of Volunteers formed to meet the threat of French invasion, aged 68. Gainsborough painted this portrait (now in the Muskegon Museum of Art in Michigan) as one of a series of young officers c.1756. However, a decade later, Lynch had Gainsborough rework the portrait to excise the military theme, removing his hat and covering up much of his coa
Whitman: 184. Horne: 45. ii of ii.
[Ref: 19255] £240.00 (£288.00 incl.VAT)
Engraved by S. W. Reynolds from a Picture painted by Gainsborough.
Mezzotint. 350 x 255mm (13¾ x 10"). Trimmed within plate on lower edge.
William Lynch (1726—1797), steward of Ipswich Races. He attended St. Johns, Cambridge and by the 1750s he was a Captain in the Suffolk Militia under Colonel Francis Vernon, nephew of the famous Admiral Vernon. Both he and Vernon fell out with Philip Thicknesse, the Lieutenant Governor of Landguard Fort, where the regiment of the Suffolk militia was stationed. On one occasion Lynch slipped off to Ipswich for a few days rest and recreation: incensed, Thicknesse demanded his return, which he cheerfully ignored. Thicknesse had Lynch thrown in jail for twenty-four hours to reflect on his lack of discipline and threatened to report him to the Secretary of War. Lynch demanded a court martial, where, despite admitting to all charges, he was found not guilty. The dispute was only resolved by moving the regiment from the fort. The Suffolk Militia was disbanded in 1762; however in 1794 Lynch signed up as Captain for an Ipswich Regiment of Volunteers formed to meet the threat of French invasion, aged 68. Gainsborough painted this portrait (now in the Muskegon Museum of Art in Michigan) as one of a series of young officers c.1756. However, a decade later, Lynch had Gainsborough rework the portrait to excise the military theme, removing his hat and covering up much of his coa
Whitman: 184. Horne: 45. ii of ii.
[Ref: 19255] £240.00 (£288.00 incl.VAT)
Samuel Lysons Esq.r F.R.S. & F.A.S. Keeper of the Records of the Tower.
Painted by T. Lawrence Esq.r R.A. Engraved by S.W. Reynolds.
London, Published by S.W. Reynolds, June 1, 1804.
Mezzotint, 310 x 250mm (12¼ x 9¾"), with large margins Repaired tears in margins.
A half-length portrait in oval of Samuel Lysons (1763-1819), engraver, antiquarian and archaeologist who specialised in Roman mosaics. He was director of the Society of Antiquaries of London (1798-1809), vice-president and treasurer of the Royal Society (1810-9), briefly antiquary professor in the Royal Academy, and Keeper of the Records in the Tower of London, forerunner of the National Archives, from 1803 until his death.
Whitman 187, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66985] £260.00 (£312.00 incl.VAT)
Painted by T. Lawrence Esq.r R.A. Engraved by S.W. Reynolds.
London, Published by S.W. Reynolds, June 1, 1804.
Mezzotint, 310 x 250mm (12¼ x 9¾"), with large margins Repaired tears in margins.
A half-length portrait in oval of Samuel Lysons (1763-1819), engraver, antiquarian and archaeologist who specialised in Roman mosaics. He was director of the Society of Antiquaries of London (1798-1809), vice-president and treasurer of the Royal Society (1810-9), briefly antiquary professor in the Royal Academy, and Keeper of the Records in the Tower of London, forerunner of the National Archives, from 1803 until his death.
Whitman 187, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66985] £260.00 (£312.00 incl.VAT)
Samuel Lysons Esq.r F.R.S. & F.A.S. Keeper of the Records of the Tower.
Painted by T. Lawrence Esq.r R.A. Engraved by S.W. Reynolds.
London, Published by S.W. Reynolds, June 1, 1804.
Mezzotint. 310 x 250mm (12¼ x 9¾"), with large margins, Lawrence's blind stamp in inscription area.
A half-length portrait in oval of Samuel Lysons (1763-1819), engraver, antiquarian and archaeologist who specialised in Roman mosaics. He was director of the Society of Antiquaries of London (1798-1809), vice-president and treasurer of the Royal Society (1810-9), briefly antiquary professor in the Royal Academy, and Keeper of the Records in the Tower of London, forerunner of the National Archives, from 1803 until his death.
Whitman 187, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd & Sir Th. Lawrence.
[Ref: 66986] £290.00 (£348.00 incl.VAT)
Painted by T. Lawrence Esq.r R.A. Engraved by S.W. Reynolds.
London, Published by S.W. Reynolds, June 1, 1804.
Mezzotint. 310 x 250mm (12¼ x 9¾"), with large margins, Lawrence's blind stamp in inscription area.
A half-length portrait in oval of Samuel Lysons (1763-1819), engraver, antiquarian and archaeologist who specialised in Roman mosaics. He was director of the Society of Antiquaries of London (1798-1809), vice-president and treasurer of the Royal Society (1810-9), briefly antiquary professor in the Royal Academy, and Keeper of the Records in the Tower of London, forerunner of the National Archives, from 1803 until his death.
Whitman 187, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd & Sir Th. Lawrence.
[Ref: 66986] £290.00 (£348.00 incl.VAT)
Macbeth.
Sir Joshua Reynolds Pinxt. S.W. Reynolds Sculpt.
[n.d., c.1825.]
Mixed media, 230 x 260mm. 9 x 10¼".
William Shakespeare's Macbeth, seen from the back, faces the witches and the apparitions. By his feet, inside a coiled snake, stand a small bloody child and a child wearing a crown and holding a tree. Behind them are the kings, one holding a mirror, and a large figure of a soldier, pointing; the witches sit on the far right, Hecate in the middle, with her forefinger pointing upwards. For Samuel William Reynold's (1774 - 1835) 'Engravings from the Works of Sir Joshua Reynolds'.
Whitman: Appendix, pg. 149, 56.
[Ref: 9567] £140.00 (£168.00 incl.VAT)
Sir Joshua Reynolds Pinxt. S.W. Reynolds Sculpt.
[n.d., c.1825.]
Mixed media, 230 x 260mm. 9 x 10¼".
William Shakespeare's Macbeth, seen from the back, faces the witches and the apparitions. By his feet, inside a coiled snake, stand a small bloody child and a child wearing a crown and holding a tree. Behind them are the kings, one holding a mirror, and a large figure of a soldier, pointing; the witches sit on the far right, Hecate in the middle, with her forefinger pointing upwards. For Samuel William Reynold's (1774 - 1835) 'Engravings from the Works of Sir Joshua Reynolds'.
Whitman: Appendix, pg. 149, 56.
[Ref: 9567] £140.00 (£168.00 incl.VAT)
Macbeth. Proof.
Sir Joshua Reynolds Pinx.t S.W. Reynolds Sculp.t.
Stipple and etching. Plate 228 x 253mm (9 x 10"). Trimmed inside left platemark.
Macbeth in the foreground to left, seen from the back, faces the witches and the apparitions; by his feet, inside a coiled snake, stand a small bloody child and a child wearing a crown and holding a tree, behind them are the kings, one holding a mirror, and a large figure of a soldier, pointing; the witches sit on the far, Hecate in the middle, with her forefinger pointing upwards.
Whitman: p.149 (Appendix): 56*. For a later state see ref. 9567.
[Ref: 21501] £120.00 (£144.00 incl.VAT)
Sir Joshua Reynolds Pinx.t S.W. Reynolds Sculp.t.
Stipple and etching. Plate 228 x 253mm (9 x 10"). Trimmed inside left platemark.
Macbeth in the foreground to left, seen from the back, faces the witches and the apparitions; by his feet, inside a coiled snake, stand a small bloody child and a child wearing a crown and holding a tree, behind them are the kings, one holding a mirror, and a large figure of a soldier, pointing; the witches sit on the far, Hecate in the middle, with her forefinger pointing upwards.
Whitman: p.149 (Appendix): 56*. For a later state see ref. 9567.
[Ref: 21501] £120.00 (£144.00 incl.VAT)
Masquerade, Bayswater, Jan.y 1818. No. 162 Admit Mr. Renton[?], Bayswater Jan.y 20 1820 / Masquerade Ticket / Not Transferable.
Johnson Esq delin.
Etching and aquatint with ms., scarce; sheet 105 x 145mm (4 x 5¾"). Ink marks at top; box with user's name has been cut out, with a new piece of paper stuck behind.
Ticket for a masquerade with a scene showing revellers at the masquerade two years earlier, many of whom are dressed up in costumes of Native Americans, Wizards etc. The British Museum suggest the print was made by S.W. Reynolds, although we have found no further confirmation of this.
see BM 1867,0309.1798
[Ref: 32276] £230.00 (£276.00 incl.VAT)
Johnson Esq delin.
Etching and aquatint with ms., scarce; sheet 105 x 145mm (4 x 5¾"). Ink marks at top; box with user's name has been cut out, with a new piece of paper stuck behind.
Ticket for a masquerade with a scene showing revellers at the masquerade two years earlier, many of whom are dressed up in costumes of Native Americans, Wizards etc. The British Museum suggest the print was made by S.W. Reynolds, although we have found no further confirmation of this.
see BM 1867,0309.1798
[Ref: 32276] £230.00 (£276.00 incl.VAT)
![[Mazzeppa.][In mss.]](jpegs/40705.jpg)
[Mazzeppa.][In mss.]
[H. Vernet. S.W. Reynolds.][In pencil.]
[n.d., c.1830.]
Mezzotint; extremely rare proof before letters. Sheet: 820 x 610mm (32 x 24"). Trimmed within plate.
A dramatic illustration to Lord Byron's poem 'Mazeppa' published in 1819. The poem tells the story of Ivan Stepanovych Mazeppa (1640-1709) who, having been found having an affair with his count's wife, is strapped naked to the back of a horse which rides through the wilds of Eastern Europe. This scene shows Mazeppa lying on the ground, his horse having fallen to the ground, surrounded by wild horses. After 'Mazeppa and the Horses' by Horace Vernet who painted a pair of oils on the subject in 1825.
Ex: The Collection of Hon. Christopher Lennox-Boyd.
[Ref: 40705] £460.00
[H. Vernet. S.W. Reynolds.][In pencil.]
[n.d., c.1830.]
Mezzotint; extremely rare proof before letters. Sheet: 820 x 610mm (32 x 24"). Trimmed within plate.
A dramatic illustration to Lord Byron's poem 'Mazeppa' published in 1819. The poem tells the story of Ivan Stepanovych Mazeppa (1640-1709) who, having been found having an affair with his count's wife, is strapped naked to the back of a horse which rides through the wilds of Eastern Europe. This scene shows Mazeppa lying on the ground, his horse having fallen to the ground, surrounded by wild horses. After 'Mazeppa and the Horses' by Horace Vernet who painted a pair of oils on the subject in 1825.
Ex: The Collection of Hon. Christopher Lennox-Boyd.
[Ref: 40705] £460.00
Mrs. Frederic Milbank. Proof.
Painted by F. Grant Esq.re A.R.A. Engraved by S.W. Reynolds.
London: Published June 24th. 1850, by Paul & Dominic Colnaghi & Co. 13 & 14 Pall Mall East.__Publishers to Her Majesty.
Stipple on india. Plate 369 x 279mm. 14½ x 11".
Probably Lady Milbank, Alexina Harriet Elizabeth Don (c.1826-1919). The wife of Sir Frederick Acclom Milbank, 1st Bt.
Whitman: 508.
[Ref: 17923] £95.00 (£114.00 incl.VAT)
Painted by F. Grant Esq.re A.R.A. Engraved by S.W. Reynolds.
London: Published June 24th. 1850, by Paul & Dominic Colnaghi & Co. 13 & 14 Pall Mall East.__Publishers to Her Majesty.
Stipple on india. Plate 369 x 279mm. 14½ x 11".
Probably Lady Milbank, Alexina Harriet Elizabeth Don (c.1826-1919). The wife of Sir Frederick Acclom Milbank, 1st Bt.
Whitman: 508.
[Ref: 17923] £95.00 (£114.00 incl.VAT)
![James Morier [facsimile signature].](jpegs/66843.jpg)
James Morier [facsimile signature].
[Painted by William Boxall Esq.re. Engraved by S.W. Reynolds]
[London Published 1 July 1850 by Paul and Dominic Colnaghi & C.º, 13 & 14 Pall Mall East _ Publishers to Her Majesty.]
Mezzotint, proof before title, printed on chine collé. x 280mm (15 x 11"), very large margins. Ink smear on upper edge.
Half-length seated portrait of James Justinian Morier (1782-1849), diplomat to Persia and Mexico. He also wrote several novels based on his knowledge of Persia, including 'The Adventures of Hajji Baba of Ispahan' (1824) which was filmed in 1954.
[Ref: 66843] £180.00 (£216.00 incl.VAT)
[Painted by William Boxall Esq.re. Engraved by S.W. Reynolds]
[London Published 1 July 1850 by Paul and Dominic Colnaghi & C.º, 13 & 14 Pall Mall East _ Publishers to Her Majesty.]
Mezzotint, proof before title, printed on chine collé. x 280mm (15 x 11"), very large margins. Ink smear on upper edge.
Half-length seated portrait of James Justinian Morier (1782-1849), diplomat to Persia and Mexico. He also wrote several novels based on his knowledge of Persia, including 'The Adventures of Hajji Baba of Ispahan' (1824) which was filmed in 1954.
[Ref: 66843] £180.00 (£216.00 incl.VAT)
[Morning. From a picture in the possession of Frederick Perkins Esq. Gems of Art _ Plate 22]
[Painted by Richard Wilson, R.A. Engraved by S.W. Reynolds, Engraver to the King.]
[London. Published Dec 1. 1823: by W.B. Cooke, 9 Soho Square.]
Mezzotints on steel, printed on chine collé. 210 x 275mm (8¼ x 10¾), with very large margins.
A Romanesque landscapes from 'Gems of Art: Forming a Choice Collection Engraved from Pictures of Acknowledged Excellence, Beauty, & Variety, Painted by Esteemed Masters of All Ages and Countries'.
Whitman 463.
[Ref: 56421] £190.00 (£228.00 incl.VAT)
[Painted by Richard Wilson, R.A. Engraved by S.W. Reynolds, Engraver to the King.]
[London. Published Dec 1. 1823: by W.B. Cooke, 9 Soho Square.]
Mezzotints on steel, printed on chine collé. 210 x 275mm (8¼ x 10¾), with very large margins.
A Romanesque landscapes from 'Gems of Art: Forming a Choice Collection Engraved from Pictures of Acknowledged Excellence, Beauty, & Variety, Painted by Esteemed Masters of All Ages and Countries'.
Whitman 463.
[Ref: 56421] £190.00 (£228.00 incl.VAT)
![Morning. [&] Evening.](jpegs/46350.jpg)
Morning. [&] Evening. From a picture in the possession of Frederick Perkins Esq. Gems of Art _ Plate 22 [& 22]..
Painted by Richard Wilson, R.A. Engraved by S.W. Reynolds, Engraver to the King.
[London. Published Dec 1. 1823: by W.B. Cooke, 9 Soho Square.]
Pair of mezzotints on steel. Each 210 x 275mm (8¼ x 10¾), with very large margins. Some spotting.
A pair of Romanesque landscapes from 'Gems of Art: Forming a Choice Collection Engraved from Pictures of Acknowledged Excellence, Beauty, & Variety, Painted by Esteemed Masters of All Ages and Countries'.
Whitman 463 & 464, but this state, with different plate numbers and lacking the publication line, not listed.
[Ref: 46350] £65.00 (£78.00 incl.VAT) view all images for this item
Painted by Richard Wilson, R.A. Engraved by S.W. Reynolds, Engraver to the King.
[London. Published Dec 1. 1823: by W.B. Cooke, 9 Soho Square.]
Pair of mezzotints on steel. Each 210 x 275mm (8¼ x 10¾), with very large margins. Some spotting.
A pair of Romanesque landscapes from 'Gems of Art: Forming a Choice Collection Engraved from Pictures of Acknowledged Excellence, Beauty, & Variety, Painted by Esteemed Masters of All Ages and Countries'.
Whitman 463 & 464, but this state, with different plate numbers and lacking the publication line, not listed.
[Ref: 46350] £65.00 (£78.00 incl.VAT) view all images for this item
John Mudge. M.D. F.R.S. Proof.
Sir Joshua Reybolds Pinx.t. S.W. Reynolds Sculp.t.
Mezzotint. 230 x 165mm (9 x 6½"), with large margins.
A half-length portrait of Plymouth physician John Mudge (1720-93), in gown and cap, his right hand turning the pages of a book. An amateur telescope-maker, he won the Copley medal for his 'Copley medal for his 'Directions for making the best Composition for the Metals for reflecting Telescopes; together with a Description of the Process for Grinding, Polishing, and giving the great Speculum the true Parabolic Curve'.
[Ref: 67769] £160.00 (£192.00 incl.VAT)
Sir Joshua Reybolds Pinx.t. S.W. Reynolds Sculp.t.
Mezzotint. 230 x 165mm (9 x 6½"), with large margins.
A half-length portrait of Plymouth physician John Mudge (1720-93), in gown and cap, his right hand turning the pages of a book. An amateur telescope-maker, he won the Copley medal for his 'Copley medal for his 'Directions for making the best Composition for the Metals for reflecting Telescopes; together with a Description of the Process for Grinding, Polishing, and giving the great Speculum the true Parabolic Curve'.
[Ref: 67769] £160.00 (£192.00 incl.VAT)
John Mudge. M.D. and F.R.S. From an Original Picture by Northcote in the possession of the Revd. James Yonge of Pustinch. Price 10s 6d.
Engraved by S.W. Reynolds and Publish'd Aug. 14th 1795.
Mezzotint engraving, scratched letter proof. Image 278 x 224mm. Trimmed through title and glued to album page, the remainder of title area glued below. Some staining and foxing.
John Mudge [1720 - 1793], physician at Plymouth. After a painting by J. Northcote.
W: 2084-3.
[Ref: 4865] £360.00
Engraved by S.W. Reynolds and Publish'd Aug. 14th 1795.
Mezzotint engraving, scratched letter proof. Image 278 x 224mm. Trimmed through title and glued to album page, the remainder of title area glued below. Some staining and foxing.
John Mudge [1720 - 1793], physician at Plymouth. After a painting by J. Northcote.
W: 2084-3.
[Ref: 4865] £360.00
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To the British Navy, This Print representing The Battle of Navarino, is respectfully dedicated by the Publisher.
Peint par C. Langlois. Commencé par S.W. Reynolds et Terminé par Sixdeniers.
London, Published by W.Spooner 259 Regent Street. à Paris chez Schroth, Editeur rué St Honoré Nos 363 bis. New York published by Bailly Ward & Co. Jeune.[n.d. c.1830.]
Mezzotint with stipple and etching. 610 x 800mm (24 x 31½"). Repaired tears.
A scene of the Battle of Navarino (20 October 1827), with the wreck of a ship in the foreground, with turkish sailors clinging to the wreckage, one in the centre stepping up onto the side over a gun-port, looking to the left.
Whitman 397.
[Ref: 54273] £1,500.00
Peint par C. Langlois. Commencé par S.W. Reynolds et Terminé par Sixdeniers.
London, Published by W.Spooner 259 Regent Street. à Paris chez Schroth, Editeur rué St Honoré Nos 363 bis. New York published by Bailly Ward & Co. Jeune.[n.d. c.1830.]
Mezzotint with stipple and etching. 610 x 800mm (24 x 31½"). Repaired tears.
A scene of the Battle of Navarino (20 October 1827), with the wreck of a ship in the foreground, with turkish sailors clinging to the wreckage, one in the centre stepping up onto the side over a gun-port, looking to the left.
Whitman 397.
[Ref: 54273] £1,500.00