A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Femme de Cadix. Espagne. Costes. Etrangers.
d’après Rodriguez 1790. H. Pauquet.
Pauquet freres, editeurs. Impe. Prieur, Rue Mouffetard, 73. 12me. Liv. No.23. Bureaux des modes et costumes historiques Rue d'Enfer, 119 et Rue Richelieu, 65.
Hand-coloured engraving and stipple. 292 x 222mm. 11½ x 8¾".
[Ref: 15657] £70.00 (£84.00 incl.VAT)
d’après Rodriguez 1790. H. Pauquet.
Pauquet freres, editeurs. Impe. Prieur, Rue Mouffetard, 73. 12me. Liv. No.23. Bureaux des modes et costumes historiques Rue d'Enfer, 119 et Rue Richelieu, 65.
Hand-coloured engraving and stipple. 292 x 222mm. 11½ x 8¾".
[Ref: 15657] £70.00 (£84.00 incl.VAT)
Femme de Kalouga Russie. Costes. Etrangers.
d’après nature. 1860. Poldor. Pauquet.
Pauquet freres, editeurs. Impe. Prieur, Rue des Gobelins, 3. 18me. Liv. No.35. Bureaux des modes et costumes historiques Rue d'Enfer, 83 et Rue Richelieu, 65.
Hand-coloured engraving and stipple. 292 x 222mm. 11½ x 8¾".
[Ref: 15659] £90.00 (£108.00 incl.VAT)
d’après nature. 1860. Poldor. Pauquet.
Pauquet freres, editeurs. Impe. Prieur, Rue des Gobelins, 3. 18me. Liv. No.35. Bureaux des modes et costumes historiques Rue d'Enfer, 83 et Rue Richelieu, 65.
Hand-coloured engraving and stipple. 292 x 222mm. 11½ x 8¾".
[Ref: 15659] £90.00 (£108.00 incl.VAT)
Femme de Vialka Russie. Costes. Etrangers.
d’après nature. 1860. Hipte Pauquet.
Pauquet freres, editeurs. Impe. Prieur, Rue des Gobelins, 3. 18me. Liv. No.36. Bureaux des modes et costumes historiques Rue d'Enfer, 83 et Rue Richelieu, 65.
Hand-coloured engraving and stipple. 292 x 222mm. 11½ x 8¾".
[Ref: 15664] £90.00 (£108.00 incl.VAT)
d’après nature. 1860. Hipte Pauquet.
Pauquet freres, editeurs. Impe. Prieur, Rue des Gobelins, 3. 18me. Liv. No.36. Bureaux des modes et costumes historiques Rue d'Enfer, 83 et Rue Richelieu, 65.
Hand-coloured engraving and stipple. 292 x 222mm. 11½ x 8¾".
[Ref: 15664] £90.00 (£108.00 incl.VAT)
![[The First Mug] La Première Chope.](jpegs/53900.jpg)
[The First Mug] La Première Chope.
Peint par Schloesser. Lithog par Durand. Imp. Lemercier, r. de Seine 57, Paris.
Publié par Goupil et C.e le 1.r Octobre 1864. Paris, Londres, La Haye, Bruxelles. Berlin _ Verlag von Goopil & Co. New York, Published by M. Knœdler.
Rare tinted lithograph. Printed area 335 x 390mm (13¼ x 15¼"), with large margins, publisher's blind stamp.
A small boy being given his first mug of beer, in a large rustic room. One side is a basket of vegetables, the other a gun and shooting bag. Engraved by André Durand (1837-67) after Carl Schloesser (1832-1914).
[Ref: 53900] £280.00 (£336.00 incl.VAT)
Peint par Schloesser. Lithog par Durand. Imp. Lemercier, r. de Seine 57, Paris.
Publié par Goupil et C.e le 1.r Octobre 1864. Paris, Londres, La Haye, Bruxelles. Berlin _ Verlag von Goopil & Co. New York, Published by M. Knœdler.
Rare tinted lithograph. Printed area 335 x 390mm (13¼ x 15¼"), with large margins, publisher's blind stamp.
A small boy being given his first mug of beer, in a large rustic room. One side is a basket of vegetables, the other a gun and shooting bag. Engraved by André Durand (1837-67) after Carl Schloesser (1832-1914).
[Ref: 53900] £280.00 (£336.00 incl.VAT)
His Royal Highness Frederick Prince of Wales.
J. Richardson Pinx.t. A. Miller fecit 1738.
Sold by Andrew Miller at the Coffin the upper end of Wytch street near y.e New Church in the Strand.
Rare mezzotint, fine impression, print 350 x 250mm (13¾ x 10"). Trimmed to plate and glued to album sheet.
Three-quarter length portrait of Frederick, Prince of Wales (1707-1751), he has his left hand on his hip, right on a book on a table beside him next to his plumed hat. He wears Garter robes with the collar and badge, sword, sash, lace cravat and long fair wig.
CS 17.
[Ref: 58879] £260.00 (£312.00 incl.VAT)
J. Richardson Pinx.t. A. Miller fecit 1738.
Sold by Andrew Miller at the Coffin the upper end of Wytch street near y.e New Church in the Strand.
Rare mezzotint, fine impression, print 350 x 250mm (13¾ x 10"). Trimmed to plate and glued to album sheet.
Three-quarter length portrait of Frederick, Prince of Wales (1707-1751), he has his left hand on his hip, right on a book on a table beside him next to his plumed hat. He wears Garter robes with the collar and badge, sword, sash, lace cravat and long fair wig.
CS 17.
[Ref: 58879] £260.00 (£312.00 incl.VAT)
Réunion d'Artistes. Dédiée aux Amateurs des Arts.
Peint par Boilly en 1800. Gravé par A. Clement. Imprimé par Bassand.
à Paris chez l'Auteur, Cloitre des Bernadines d.ion des Plantes No.136 & à l'entrepôt de Thé, rue des fossés Montmartre, No.6'.
Stipple. 550 x 430mm (21¾ x 17"), very large margins on 3 sides Trimmed within plate on left, year entering plate taped, slight spotting. Some loss on left in margin
A group portrait of twenty-nine French artists, all seen head and shoulders, grouped together amidst clouds, in an oval. They include Boilly, Redouté, Isabay, Bourgeois, Demarne, Vernet and Gérard.
See BM 1882,0311.1242 for the original key of persons.
[Ref: 54913] £980.00
Peint par Boilly en 1800. Gravé par A. Clement. Imprimé par Bassand.
à Paris chez l'Auteur, Cloitre des Bernadines d.ion des Plantes No.136 & à l'entrepôt de Thé, rue des fossés Montmartre, No.6'.
Stipple. 550 x 430mm (21¾ x 17"), very large margins on 3 sides Trimmed within plate on left, year entering plate taped, slight spotting. Some loss on left in margin
A group portrait of twenty-nine French artists, all seen head and shoulders, grouped together amidst clouds, in an oval. They include Boilly, Redouté, Isabay, Bourgeois, Demarne, Vernet and Gérard.
See BM 1882,0311.1242 for the original key of persons.
[Ref: 54913] £980.00
![[Portrait of an old woman]](jpegs/36804.jpg)
[Portrait of an old woman]
[Andrew Geddes after Jacques Jordaens]
Etching with very large margins, platemark 145 x 125mm (5¾ x 5").
Portrait of an old woman inspecting a ring, after the Flemish painter and contemporary of Rembrandt Jacques Jordaens (1593-1678). Etched by the Scottish painter and etcher Andrew Geddes (1783-1844). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching’'. This plate was one of ten published by Geddes in 1826.
CD 37.iii; Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36804] £95.00 (£114.00 incl.VAT)
[Andrew Geddes after Jacques Jordaens]
Etching with very large margins, platemark 145 x 125mm (5¾ x 5").
Portrait of an old woman inspecting a ring, after the Flemish painter and contemporary of Rembrandt Jacques Jordaens (1593-1678). Etched by the Scottish painter and etcher Andrew Geddes (1783-1844). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching’'. This plate was one of ten published by Geddes in 1826.
CD 37.iii; Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36804] £95.00 (£114.00 incl.VAT)
![[Old woman asleep] 24](jpegs/36806.jpg)
[Old woman asleep] 24
[Andrew Geddes after Rembrandt]
Etching with very large margins, platemark 80 x 60mm (2¾ x 2½").
Copy in reverse of a Rembrandt etching, by the Scottish painter and etcher Andrew Geddes (1783-1844). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching’'.
CD 39.ii
[Ref: 36806] £120.00 (£144.00 incl.VAT)
[Andrew Geddes after Rembrandt]
Etching with very large margins, platemark 80 x 60mm (2¾ x 2½").
Copy in reverse of a Rembrandt etching, by the Scottish painter and etcher Andrew Geddes (1783-1844). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching’'.
CD 39.ii
[Ref: 36806] £120.00 (£144.00 incl.VAT)
This Portrait of The Most Excellent The Prince Regent, is by permission dedicated To Her Most Gracious Majesty Queen Charlott of Great Britain, &c. &c. &c. On her Majesty's Auspicious Natal Day 1814. by her Majesty's most dutiful and obliged humble Servants, C. Rosenberg & Son.
Drawn by C. Rosenberg & Son. Engrav'd by Freschi.
Pubd. Jan 18 1814, for C. Rosenberg & Son, Bath, by Colnaghi & Co. Cockspur Street, London.
Stipple. Plate 330 x 255mm. 13 x 10". Uncut.
King George IV (1762-1830). George, Prince of Wales was given no official duties by his father King George III. Jockeying for power, he sought to undermine the King by siding with the Whig opposition led by Charles James Fox. When the King went temporarily insane in 1788 William Pitt, the Tory Prime Minister, proposed a restricted Regency to protect the King's interests. The King's recovery three months later ended the 'Regency Crisis'. Pitt's Regency Bill was revived during the King's final illness. George was sworn Regent in 1811, crowned King in 1820 and ruled until 1830.
[Ref: 20171] £160.00 (£192.00 incl.VAT)
Drawn by C. Rosenberg & Son. Engrav'd by Freschi.
Pubd. Jan 18 1814, for C. Rosenberg & Son, Bath, by Colnaghi & Co. Cockspur Street, London.
Stipple. Plate 330 x 255mm. 13 x 10". Uncut.
King George IV (1762-1830). George, Prince of Wales was given no official duties by his father King George III. Jockeying for power, he sought to undermine the King by siding with the Whig opposition led by Charles James Fox. When the King went temporarily insane in 1788 William Pitt, the Tory Prime Minister, proposed a restricted Regency to protect the King's interests. The King's recovery three months later ended the 'Regency Crisis'. Pitt's Regency Bill was revived during the King's final illness. George was sworn Regent in 1811, crowned King in 1820 and ruled until 1830.
[Ref: 20171] £160.00 (£192.00 incl.VAT)
![[Sir Edmund Berry Godfrey]](jpegs/42608.jpg)
[Sir Edmund Berry Godfrey] Veritas Ex Cineribus Reviviscit Aetatis Suae 57 [...]
P. Vandrebanc Sculp.
Are to be Sold at Thomas Cherets in James Street Covent Garden.
Engraving, sheet 340 x 235mm (13½ x 9¼"). Trimmed and glued to backing sheet at edges.
Sir Edmund Berry Godfrey (1621-78), magistrate, died in mysterious circumstances soon after becoming involved in the scandal of the Popish Plot in September 1678. He took depositions from Titus Oates, later to be revealed as having invented the 'plot' to kill Charles II and his brother James, duke of York, despite being uncertain whether he should have done so. Soon after, Godfrey's body was found lying in a ditch near Primrose Hill in London, with a sword run through him (strangulation marks were also found). A verdict of murder was brought in, and almost inevitably blame was laid on the Catholic community once the revelations about Oates' deposition emerged. This print, with its assertion Godfrey was 'Murthered by Papists', typifies this response, although in fact his murder was never satisfactorily solved.
[Ref: 42608] £230.00 (£276.00 incl.VAT)
P. Vandrebanc Sculp.
Are to be Sold at Thomas Cherets in James Street Covent Garden.
Engraving, sheet 340 x 235mm (13½ x 9¼"). Trimmed and glued to backing sheet at edges.
Sir Edmund Berry Godfrey (1621-78), magistrate, died in mysterious circumstances soon after becoming involved in the scandal of the Popish Plot in September 1678. He took depositions from Titus Oates, later to be revealed as having invented the 'plot' to kill Charles II and his brother James, duke of York, despite being uncertain whether he should have done so. Soon after, Godfrey's body was found lying in a ditch near Primrose Hill in London, with a sword run through him (strangulation marks were also found). A verdict of murder was brought in, and almost inevitably blame was laid on the Catholic community once the revelations about Oates' deposition emerged. This print, with its assertion Godfrey was 'Murthered by Papists', typifies this response, although in fact his murder was never satisfactorily solved.
[Ref: 42608] £230.00 (£276.00 incl.VAT)
Elizabeth Dutchess of Hamilton, Brandon, &c.
Fran.s Cotes Pinx.t. Miller fecit.
London, Printed for John Bowles at the Black Horse in Cornhill.
Mezzotint. 325 x 225mm (12¾ x 9"), with wide margins.
Elizabeth Gunning (1733-90) met James Hamilton, 6th Duke of Hamilton and Argyll, at a party in London. Robert Walpole reported that he insisted that they marry that night, and called for a local parson to perform the ceremony. However, without a license, calling of banns and a ring, the parson refused, so they married that night in Mayfair Chapel. Her sister Maria (1733-60) was also a beauty who married well, in her case George William Coventry, 6th Earl of Coventry. Andrew Miller (d.1763), was an engraver in Dublin. Challoner Smith notes 'Nearly all the prints by Miller are of very great rarity' (p.921).
CS: 21. Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34421] £240.00 (£288.00 incl.VAT)
Fran.s Cotes Pinx.t. Miller fecit.
London, Printed for John Bowles at the Black Horse in Cornhill.
Mezzotint. 325 x 225mm (12¾ x 9"), with wide margins.
Elizabeth Gunning (1733-90) met James Hamilton, 6th Duke of Hamilton and Argyll, at a party in London. Robert Walpole reported that he insisted that they marry that night, and called for a local parson to perform the ceremony. However, without a license, calling of banns and a ring, the parson refused, so they married that night in Mayfair Chapel. Her sister Maria (1733-60) was also a beauty who married well, in her case George William Coventry, 6th Earl of Coventry. Andrew Miller (d.1763), was an engraver in Dublin. Challoner Smith notes 'Nearly all the prints by Miller are of very great rarity' (p.921).
CS: 21. Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34421] £240.00 (£288.00 incl.VAT)
King Henry The VIII.th.
E. Lutterell delin. P. Vanderbanck sculp.
[n.d., c.1680.
Engraving, Sheet 255 x 170mm (10 x 6¾"). Trimmed, losing decorative border, laid on album paper.
Engraved by Peter Vandrebanc (1649-97) after Edward Lutteral. The BM biography of Vandrebanc describes him as 'the best engraver working in London in his time'.
[Ref: 52538] £140.00 (£168.00 incl.VAT)
E. Lutterell delin. P. Vanderbanck sculp.
[n.d., c.1680.
Engraving, Sheet 255 x 170mm (10 x 6¾"). Trimmed, losing decorative border, laid on album paper.
Engraved by Peter Vandrebanc (1649-97) after Edward Lutteral. The BM biography of Vandrebanc describes him as 'the best engraver working in London in his time'.
[Ref: 52538] £140.00 (£168.00 incl.VAT)
![Irishman [in pencil].](jpegs/52930.jpg)
Irishman [in pencil].
H.A. Freeth [in pencil].
[n.d., 1936.]
Rare etching, signed by the artist. 150 x 125mm (6 x 5") very large margins.
A seated man with neckerchief, hands in pockets. This print was never issued as a formal edition, as usual with Freeth's work. Hubert Andrew Freeth RA (1912-1986) served in the Middle East as an official war artist to the Royal Air Force.
[Ref: 52930] £380.00
H.A. Freeth [in pencil].
[n.d., 1936.]
Rare etching, signed by the artist. 150 x 125mm (6 x 5") very large margins.
A seated man with neckerchief, hands in pockets. This print was never issued as a formal edition, as usual with Freeth's work. Hubert Andrew Freeth RA (1912-1986) served in the Middle East as an official war artist to the Royal Air Force.
[Ref: 52930] £380.00
![[Isabella Clara Eugenia in the habit of the Order of St Clare]](jpegs/36801.jpg)
[Isabella Clara Eugenia in the habit of the Order of St Clare]
[Etched by Andrew Geddes after Anthony van Dyck]
Etching with very large margins, platemark 225 x 150mm (8¾ x 6"). 'Printed by E Lumsden' in pencil lower right.
Isabella, daughter of Philip II and ruler of the Spanish Netherlands (1566-1633) with her husband Albert. After Albert's death she became a nun, in which habit she is shown here. Etched by the Scottish painter and etcher Andrew Geddes (1783-1844) after a portrait by van Dyck (Turin, Galleria Sabauda). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching’'. This impression was printed by the printmaker and author Ernest Lumsden, who must have acquired the plate.
CD 46; Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36801] £95.00 (£114.00 incl.VAT)
[Etched by Andrew Geddes after Anthony van Dyck]
Etching with very large margins, platemark 225 x 150mm (8¾ x 6"). 'Printed by E Lumsden' in pencil lower right.
Isabella, daughter of Philip II and ruler of the Spanish Netherlands (1566-1633) with her husband Albert. After Albert's death she became a nun, in which habit she is shown here. Etched by the Scottish painter and etcher Andrew Geddes (1783-1844) after a portrait by van Dyck (Turin, Galleria Sabauda). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching’'. This impression was printed by the printmaker and author Ernest Lumsden, who must have acquired the plate.
CD 46; Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36801] £95.00 (£114.00 incl.VAT)
![[James II when duke of York, and Mary of Modena]](jpegs/43030.jpg)
[James II when duke of York, and Mary of Modena] Serenissimus Princeps Jacobus Dux Eboracensis [&] Serenissima Princeps Maria [...]
D. Loggan sculp [James] P. Vandrebanc sculp [Mary]
Sold by Moses Pitt at ye Angel in St Pauls Churchyard [c.1673]
Pair of engravings, each sheet approx. 445 x 260mm (17½ x 10¼"). Trimmed. False margins on left of James.
James II (1633-1701) when duke of York and his second wife Maria Beatrice Eleanor Anne Margaret Isabella d'Este (Mary of Modena, 1658-1718). James was the second son of Charles I. He married Anne Hyde, by whom he was the father of Mary II and Queen Anne. He remarried in 1673 to Mary, by whom he was the father of James Francis Edward, the 'Old Pretender'. James reigned from 1685, following the death of his brother Charles II, until 1688, when the invasion of William of Orange caused James to flee to the continent, where he established a court in exile at Saint Germain-en-Laye. Pair of full-length portraits after Sir Peter Lely, engraved by Peter Vanderbank (Vandrebanc) and David Loggan.
For portrait of Mary of Modena sold separately see ref. 34227.
[Ref: 43030] £320.00
D. Loggan sculp [James] P. Vandrebanc sculp [Mary]
Sold by Moses Pitt at ye Angel in St Pauls Churchyard [c.1673]
Pair of engravings, each sheet approx. 445 x 260mm (17½ x 10¼"). Trimmed. False margins on left of James.
James II (1633-1701) when duke of York and his second wife Maria Beatrice Eleanor Anne Margaret Isabella d'Este (Mary of Modena, 1658-1718). James was the second son of Charles I. He married Anne Hyde, by whom he was the father of Mary II and Queen Anne. He remarried in 1673 to Mary, by whom he was the father of James Francis Edward, the 'Old Pretender'. James reigned from 1685, following the death of his brother Charles II, until 1688, when the invasion of William of Orange caused James to flee to the continent, where he established a court in exile at Saint Germain-en-Laye. Pair of full-length portraits after Sir Peter Lely, engraved by Peter Vanderbank (Vandrebanc) and David Loggan.
For portrait of Mary of Modena sold separately see ref. 34227.
[Ref: 43030] £320.00
Officier Japonais. Costume de Ville, Province de Yedo. Costes. Etrangers.
extrait de la Collection de Mr. Jubin. 1868. Hipte Pauquet.
Pauquet freres, editeurs. Imp. Prieur Rue de Lourcine, 96. 27me. Liv. No.54. Bureaux des modes et costumes historiques Rue d'Enfer, 83 et Rue de Beaune 14.
Hand-coloured engraving and stipple. 292 x 222mm. 11½ x 8¾".
[Ref: 15675] £80.00 (£96.00 incl.VAT)
extrait de la Collection de Mr. Jubin. 1868. Hipte Pauquet.
Pauquet freres, editeurs. Imp. Prieur Rue de Lourcine, 96. 27me. Liv. No.54. Bureaux des modes et costumes historiques Rue d'Enfer, 83 et Rue de Beaune 14.
Hand-coloured engraving and stipple. 292 x 222mm. 11½ x 8¾".
[Ref: 15675] £80.00 (£96.00 incl.VAT)
Jeune Fille de Majorque. Espagne. Costes. Etrangers.
d’après Rodriguez 1790. Poldor. Pauquet.
Pauquet freres, editeurs. Impe. Prieur, Rue de l'Ourcine 94. 22me. Liv. No.44. Bureaux des modes et costumes historiques Rue d'Enfer, 83 et Rue Richelieu, 65.
Hand-coloured engraving and stipple. 292 x 222mm. 11½ x 8¾".
[Ref: 15658] £85.00 (£102.00 incl.VAT)
d’après Rodriguez 1790. Poldor. Pauquet.
Pauquet freres, editeurs. Impe. Prieur, Rue de l'Ourcine 94. 22me. Liv. No.44. Bureaux des modes et costumes historiques Rue d'Enfer, 83 et Rue Richelieu, 65.
Hand-coloured engraving and stipple. 292 x 222mm. 11½ x 8¾".
[Ref: 15658] £85.00 (£102.00 incl.VAT)
Khatchadour D'hohannes Officier du Prince Royal de Perse. Costes. Etrangers.
d’après de Lecluse. 1816. Hte. Pauquet.
Pauquet freres, editeurs. Impe. Fosset, Fbg. St. Jacques, 19. 5me. Liv. No.9. Bureaux des modes et costumes historiques Rue d'Enfer, 119 et Rue Richelieu, 78.
Hand-coloured engraving and stipple. 292 x 222mm. 11½ x 8¾".
[Ref: 15660] £65.00 (£78.00 incl.VAT)
d’après de Lecluse. 1816. Hte. Pauquet.
Pauquet freres, editeurs. Impe. Fosset, Fbg. St. Jacques, 19. 5me. Liv. No.9. Bureaux des modes et costumes historiques Rue d'Enfer, 119 et Rue Richelieu, 78.
Hand-coloured engraving and stipple. 292 x 222mm. 11½ x 8¾".
[Ref: 15660] £65.00 (£78.00 incl.VAT)
Mr. Richard Leveridge. The Roast Beef of Old England &c.
F. Vander Mijn Pinx.t. A. Vander Mijn Fecit.
[n.d. c.1753.]
Mezzotint. Sheet 350 x 250mm (13¾ x 9¾"). Trimmed into image on three sides, to plate at bottom. Old ink signature in inscription area. Staining creasing at top.
Richard Leveridge (1670 - 1758), singer and composer. Associated with Henry Purcell, he composed over 150 songs, and is best known for the patriotic ballad 'The Roast Beef of Old England'. Very rare.
CS 2.
[Ref: 44367] £140.00 (£168.00 incl.VAT)
F. Vander Mijn Pinx.t. A. Vander Mijn Fecit.
[n.d. c.1753.]
Mezzotint. Sheet 350 x 250mm (13¾ x 9¾"). Trimmed into image on three sides, to plate at bottom. Old ink signature in inscription area. Staining creasing at top.
Richard Leveridge (1670 - 1758), singer and composer. Associated with Henry Purcell, he composed over 150 songs, and is best known for the patriotic ballad 'The Roast Beef of Old England'. Very rare.
CS 2.
[Ref: 44367] £140.00 (£168.00 incl.VAT)
[University College London}.
A.Watson Turnbull. [pencil]
[n.d. c.1935.]
Etching, signed by the artist. 250 x 380mm (9¾ x 15")
Andrew Watson Turnbull was a painter, etcher and stained glass artist who exhibited at the R.A. and elsewhere.
[Ref: 45947] £240.00 (£288.00 incl.VAT)
A.Watson Turnbull. [pencil]
[n.d. c.1935.]
Etching, signed by the artist. 250 x 380mm (9¾ x 15")
Andrew Watson Turnbull was a painter, etcher and stained glass artist who exhibited at the R.A. and elsewhere.
[Ref: 45947] £240.00 (£288.00 incl.VAT)
Charles Lucas A Free Citizen of the City of Dublin.
And.r Miller Fecit.
[n.d., c.1755.]
Mezzotint 510 x 355mm. Some surface wear.
Portrait of Charles Lucas (1713-71), politician and physician, holding the thesis about gangrene that he wrote for his doctor's degree, engraved by James McArdell, a prominent Irish mezzotinter working in London, after a painting by Joshua Reynolds now in the National Gallery of Ireland. Lucas began as an apothecary in Dublin; however he published a number of pamphlets decrying the corruption of Dublin's aldermen, for which he was threatened with prosecution for seditious publications. He moved to London before going to the continent to study medicine. Returning to Dublin in 1760, he was soon elected MP, a post he held until his death.
CS:32, state i of ii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4251] £650.00
And.r Miller Fecit.
[n.d., c.1755.]
Mezzotint 510 x 355mm. Some surface wear.
Portrait of Charles Lucas (1713-71), politician and physician, holding the thesis about gangrene that he wrote for his doctor's degree, engraved by James McArdell, a prominent Irish mezzotinter working in London, after a painting by Joshua Reynolds now in the National Gallery of Ireland. Lucas began as an apothecary in Dublin; however he published a number of pamphlets decrying the corruption of Dublin's aldermen, for which he was threatened with prosecution for seditious publications. He moved to London before going to the continent to study medicine. Returning to Dublin in 1760, he was soon elected MP, a post he held until his death.
CS:32, state i of ii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4251] £650.00
![[West Point of Sattarah.]](jpegs/35532.jpg)
[West Point of Sattarah.]
[Sketched by an Officer in the Indian Army. Drawn on Stone by A. Picken.]
[Printed and published by A. Friedel, 24, Greek Street, Soho, London.]
Lithograph on india, proof before letters, very scarce. Printed area 185 x 255mm (7¼ x 9").
The fort at Satara near Pune, a seat of Maratha power in the 17th and 18th centuries, used as a British cantonment in the 19th. From 'Eight Most Splendid Views of India, sketched by an Officer in the Indian Army', showing hill forts in forts situated in the Western Ghats of Maharashtra, western India. Although Baron Adam Friedel is sometimes quoted as the artist as well as the publisher, it is unlikely that he served as a soldier in India; he was already a successful publisher, particularly of portraits of the leaders of the Greek revolution.
[Ref: 35532] £190.00 (£228.00 incl.VAT)
[Sketched by an Officer in the Indian Army. Drawn on Stone by A. Picken.]
[Printed and published by A. Friedel, 24, Greek Street, Soho, London.]
Lithograph on india, proof before letters, very scarce. Printed area 185 x 255mm (7¼ x 9").
The fort at Satara near Pune, a seat of Maratha power in the 17th and 18th centuries, used as a British cantonment in the 19th. From 'Eight Most Splendid Views of India, sketched by an Officer in the Indian Army', showing hill forts in forts situated in the Western Ghats of Maharashtra, western India. Although Baron Adam Friedel is sometimes quoted as the artist as well as the publisher, it is unlikely that he served as a soldier in India; he was already a successful publisher, particularly of portraits of the leaders of the Greek revolution.
[Ref: 35532] £190.00 (£228.00 incl.VAT)
Ricardus Dominus Maitland Ser.smo Reg: Car. S.do Pro Regno Scotiae Justiciarius Clericus Capi-talis & a Secretioribus Consilys Caroli Come-tis de Lauderdale Filius natu maximus Anno & mo: 1683 Aetat.31. Patientia Victrix. Dux Lauderdale.
G. Kneller pinxit. P. Vandrebanc Sculp:
[n.d. c.1690.]
Copper engraving. 398 x 286mm. 15¾ x 11¼". Repair to bottom left-hand corner.
Richard Maitland, 4th Earl of Lauderdale (1653-1695). He was sworn Privy Councillor in 1678 and appointed joint General of the Mint with his father. In 1680 he was Lord Justice Clerk, but this title was removed after alleged suspicions of communication with his father-in-law, Argyll, who had escaped to Holland. He fought for the King at the Battle of Boyne, after which he retired and went to the exiled court of James II.
[Ref: 17617] £160.00 (£192.00 incl.VAT)
G. Kneller pinxit. P. Vandrebanc Sculp:
[n.d. c.1690.]
Copper engraving. 398 x 286mm. 15¾ x 11¼". Repair to bottom left-hand corner.
Richard Maitland, 4th Earl of Lauderdale (1653-1695). He was sworn Privy Councillor in 1678 and appointed joint General of the Mint with his father. In 1680 he was Lord Justice Clerk, but this title was removed after alleged suspicions of communication with his father-in-law, Argyll, who had escaped to Holland. He fought for the King at the Battle of Boyne, after which he retired and went to the exiled court of James II.
[Ref: 17617] £160.00 (£192.00 incl.VAT)
Serenissima Princeps Maria Beatrix Ducissa Eboracensis &.ct.
P. Vandrebanc Sculp.
Sold by Moses Pitt at ye Angel in S.t Pauls Churchyard. [n.d., c.1675.]
Copper engraving, 475 x 280mm, 18¾ x 11". Contemporary red ruling. Crease.
Maria Beatrice Eleanor Anne Margaret Isabella d'Este (1658-1718), daughter of Alfonso d'Este III, duke of Modena, shown shortly after her marriage to James, Duke of York, in 1673. His conversion to Catholicism, accession to the throne as James II wiith the possibility of a Catholic succession resulted in the Glorious Revolution of 1688. Engraved by Peter Vanderbank (Vandrebanc) (1649-1697) after a portrait by Sir Peter Lely. Vanderbank moved to London in 1674.
NPG: D29318.
[Ref: 24236] £240.00 (£288.00 incl.VAT)
P. Vandrebanc Sculp.
Sold by Moses Pitt at ye Angel in S.t Pauls Churchyard. [n.d., c.1675.]
Copper engraving, 475 x 280mm, 18¾ x 11". Contemporary red ruling. Crease.
Maria Beatrice Eleanor Anne Margaret Isabella d'Este (1658-1718), daughter of Alfonso d'Este III, duke of Modena, shown shortly after her marriage to James, Duke of York, in 1673. His conversion to Catholicism, accession to the throne as James II wiith the possibility of a Catholic succession resulted in the Glorious Revolution of 1688. Engraved by Peter Vanderbank (Vandrebanc) (1649-1697) after a portrait by Sir Peter Lely. Vanderbank moved to London in 1674.
NPG: D29318.
[Ref: 24236] £240.00 (£288.00 incl.VAT)
Serenissima Princeps Maria Beatrix Ducissa Eboracensis &ct.
P. Vandrebanc Sculp.
Sold by Moses Pitt at ye Angel in S.t Pauls Churchyard. [n.d., c.1675.]
Copper engraving with large margins, 475 x 280mm (18¾ x 11").
Maria Beatrice Eleanor Anne Margaret Isabella d'Este (1658-1718), daughter of Alfonso d'Este III, duke of Modena, shown shortly after her marriage to James, Duke of York, in 1673. His conversion to Catholicism, accession to the throne as James II wiith the possibility of a Catholic succession resulted in the Glorious Revolution of 1688. Engraved by Peter Vanderbank (Vandrebanc) (1649-1697) after a portrait by Sir Peter Lely. Vanderbank moved to London in 1674.
NPG: D29318.
[Ref: 34227] £240.00 (£288.00 incl.VAT)
P. Vandrebanc Sculp.
Sold by Moses Pitt at ye Angel in S.t Pauls Churchyard. [n.d., c.1675.]
Copper engraving with large margins, 475 x 280mm (18¾ x 11").
Maria Beatrice Eleanor Anne Margaret Isabella d'Este (1658-1718), daughter of Alfonso d'Este III, duke of Modena, shown shortly after her marriage to James, Duke of York, in 1673. His conversion to Catholicism, accession to the throne as James II wiith the possibility of a Catholic succession resulted in the Glorious Revolution of 1688. Engraved by Peter Vanderbank (Vandrebanc) (1649-1697) after a portrait by Sir Peter Lely. Vanderbank moved to London in 1674.
NPG: D29318.
[Ref: 34227] £240.00 (£288.00 incl.VAT)
![[Cardinal]](jpegs/41407.jpg)
[Cardinal] Imp. Caesari divi Stephani F. Divo P. Fausto Januario Sanctis Aug. Pio. Fel. Hostico [....]
A. Magliar Sclp.
P. Fr. Hilarion a S. Petro Sacri Reg. ac Milit Ord. B. Mariae de Mercede [...]
Engraving, 17th century watermark; platemark 310 x 210mm (12¼ x 8¼"). Small margins.
Plate from an unidentified Italian volume of martyrs.
[Ref: 41407] £95.00 (£114.00 incl.VAT)
A. Magliar Sclp.
P. Fr. Hilarion a S. Petro Sacri Reg. ac Milit Ord. B. Mariae de Mercede [...]
Engraving, 17th century watermark; platemark 310 x 210mm (12¼ x 8¼"). Small margins.
Plate from an unidentified Italian volume of martyrs.
[Ref: 41407] £95.00 (£114.00 incl.VAT)
![[Beheading of a cardinal]](jpegs/41408.jpg)
[Beheading of a cardinal] Em.mo et Reu.mo Dom Fr. Vincentio Mariae Ursino e Familia P.P. Praedicatorum [...]
P. Fr. Hilarion a S. Petro Sacri Reg. ac Milit Ord. B. Mariae de Mercede [...]
Engraving, 17th century watermark; platemark 310 x 210mm (12¼ x 8¼"). Small margins.
Plate from an unidentified Italian volume of martyrs.
[Ref: 41408] £95.00 (£114.00 incl.VAT)
P. Fr. Hilarion a S. Petro Sacri Reg. ac Milit Ord. B. Mariae de Mercede [...]
Engraving, 17th century watermark; platemark 310 x 210mm (12¼ x 8¼"). Small margins.
Plate from an unidentified Italian volume of martyrs.
[Ref: 41408] £95.00 (£114.00 incl.VAT)
J.B.P. Moliere.
Noël Coypel pinxit. Sixdéniers sculp.
Paris, Publié par Rittner & Goupil, Boulevard Montmartre 15. London, by M.s Hodgson & Graves, 6 Pall Mall. [n.d. c.1840.]
Mezzotint, plate 350 x 260mm (13¾ x 10¼"). Trimmed to plate on left edge, slightly foxed at edges. Thread margins.
Bust-length portrait of Jean Baptiste Poqelin (1622-1673), better known as Molière, widely regarded as one of the greatest writers in the French language and universal literature. Turned to right and looking towards the viewer, wearing a long curled wig, lace cravat and gown with floral pattern.
[Ref: 59533] £180.00 (£216.00 incl.VAT)
Noël Coypel pinxit. Sixdéniers sculp.
Paris, Publié par Rittner & Goupil, Boulevard Montmartre 15. London, by M.s Hodgson & Graves, 6 Pall Mall. [n.d. c.1840.]
Mezzotint, plate 350 x 260mm (13¾ x 10¼"). Trimmed to plate on left edge, slightly foxed at edges. Thread margins.
Bust-length portrait of Jean Baptiste Poqelin (1622-1673), better known as Molière, widely regarded as one of the greatest writers in the French language and universal literature. Turned to right and looking towards the viewer, wearing a long curled wig, lace cravat and gown with floral pattern.
[Ref: 59533] £180.00 (£216.00 incl.VAT)
Musical Instruments.
A. Freschi sculpsit.
[London: John Stockdale, 1812.]
Stipple and line engraving, with original hand colour. Sheet 100 x 175mm (4 x 7"). Trimmed, laid on album paper.
Musical instruments including a fish drum, from Jean Baptiste Joseph Breton De La Martinière's four-volume ''China: Its Costume, Arts, Manufactures, &c. Edited Principally from the Originals in the Cabinet of the late M. Bertin: With Observations Explanatory, Historical, and Literary''.
Abbey Travel 536.
[Ref: 53250] £45.00 (£54.00 incl.VAT)
A. Freschi sculpsit.
[London: John Stockdale, 1812.]
Stipple and line engraving, with original hand colour. Sheet 100 x 175mm (4 x 7"). Trimmed, laid on album paper.
Musical instruments including a fish drum, from Jean Baptiste Joseph Breton De La Martinière's four-volume ''China: Its Costume, Arts, Manufactures, &c. Edited Principally from the Originals in the Cabinet of the late M. Bertin: With Observations Explanatory, Historical, and Literary''.
Abbey Travel 536.
[Ref: 53250] £45.00 (£54.00 incl.VAT)
Musical Instruments.
A. Freschi sculpsit.
[London: John Stockdale, 1812.]
Stipple and line engraving, with original hand colour. Sheet 100 x 175mm (4 x 7"). Trimmed, laid on album paper, old ink mss. plate number at side.
Including drums and stringed instruments. From Jean Baptiste Joseph Breton De La Martinière's four-volume ''China: Its Costume, Arts, Manufactures, &c. Edited Principally from the Originals in the Cabinet of the late M. Bertin: With Observations Explanatory, Historical, and Literary''.
Abbey Travel 536.
[Ref: 53242] £50.00 (£60.00 incl.VAT)
A. Freschi sculpsit.
[London: John Stockdale, 1812.]
Stipple and line engraving, with original hand colour. Sheet 100 x 175mm (4 x 7"). Trimmed, laid on album paper, old ink mss. plate number at side.
Including drums and stringed instruments. From Jean Baptiste Joseph Breton De La Martinière's four-volume ''China: Its Costume, Arts, Manufactures, &c. Edited Principally from the Originals in the Cabinet of the late M. Bertin: With Observations Explanatory, Historical, and Literary''.
Abbey Travel 536.
[Ref: 53242] £50.00 (£60.00 incl.VAT)
![[Mussoorie] The Snowy Range, from Mussori.](jpegs/52333.jpg)
[Mussoorie] The Snowy Range, from Mussori.
Lieut. Bacon del. A. Picken Lith.
Day & Haghe Lith.rs to the King. [n.d., c.1835.]
Lithograph. Sheet 135 x 220mm (5¼ x 8¾"). Browned edges.
The Garhwal Himalayan range, from a hill station in Uttarakhand.
[Ref: 52333] £70.00 (£84.00 incl.VAT)
Lieut. Bacon del. A. Picken Lith.
Day & Haghe Lith.rs to the King. [n.d., c.1835.]
Lithograph. Sheet 135 x 220mm (5¼ x 8¾"). Browned edges.
The Garhwal Himalayan range, from a hill station in Uttarakhand.
[Ref: 52333] £70.00 (£84.00 incl.VAT)
Napoleon Crossing the Alps.
A. Picken.
[n.d., c. 1840.]
Lithograph. Sheet 145 x 190mm (5¾ x 7½").
A version of Jacques-Louis David's famous painting of Napoleon on a rearing Marengo.
[Ref: 62338] £130.00 (£156.00 incl.VAT)
A. Picken.
[n.d., c. 1840.]
Lithograph. Sheet 145 x 190mm (5¾ x 7½").
A version of Jacques-Louis David's famous painting of Napoleon on a rearing Marengo.
[Ref: 62338] £130.00 (£156.00 incl.VAT)
Oak Hill School, Conducted ny J.H. Garvin, A.M.
On Stone by A. Picken. Day & Haghe Lith.rs to the King.
[n.d., 1836.]
Lithograph. Sheet 110 x 170mm (4 x 6¾").
View of Oak Hill School, Isle of Man, with a game of cricket being played. An advert puts the charges as 21 guineas for under 11s, 25 for 11-14, and 30 for above 14. ''The above terms include not only instruction in the practical mathematics and all the branches necessary to qualify either for the Military or Naval Colleges, the Universities or Public Offices, but also washing and extras, stationary excepted. Separate beds are provided.'' The school did not last long: Garvin had left the island by 1840. Rare cricket item. From 'Six Days' Tour through the Isle of Man', believed to have been written by the architect John Welch.
[Ref: 53080] £130.00 (£156.00 incl.VAT)
On Stone by A. Picken. Day & Haghe Lith.rs to the King.
[n.d., 1836.]
Lithograph. Sheet 110 x 170mm (4 x 6¾").
View of Oak Hill School, Isle of Man, with a game of cricket being played. An advert puts the charges as 21 guineas for under 11s, 25 for 11-14, and 30 for above 14. ''The above terms include not only instruction in the practical mathematics and all the branches necessary to qualify either for the Military or Naval Colleges, the Universities or Public Offices, but also washing and extras, stationary excepted. Separate beds are provided.'' The school did not last long: Garvin had left the island by 1840. Rare cricket item. From 'Six Days' Tour through the Isle of Man', believed to have been written by the architect John Welch.
[Ref: 53080] £130.00 (£156.00 incl.VAT)
Burning of the Ocean Monarch, Emigrant Ship.
From a Sketch by the Prince de Joinville. Lithographed by A. Miller, 4 Harrington St, L'pool.
Published by W. Ellis, 21, Castle St.
Rare tinted lithograph. Sheet 285 x 400mm (11¼ x 15¾"). A little creasing.
Ocean Monarch, an American emigration barque built by Donald McKay in East Boston in 1847, left Liverpool for Boston on the morning of 24 August 1848. Just outside harbour the ship caught fire, driving the passengers to the ship's bowsprit, from which many jumped into the sea. 178 lives were recorded lost. The scene was sketched by François d'Orléans, Prince of Joinville (1818-1900) was the third son of Louis Philippe, King of the French. Leaving France in the aftermath of the 1848 Revolution, he was aboard the Brazilian frigate 'Affonso' (seen here flying the Brazilian flag).
[Ref: 56511] £280.00 (£336.00 incl.VAT)
From a Sketch by the Prince de Joinville. Lithographed by A. Miller, 4 Harrington St, L'pool.
Published by W. Ellis, 21, Castle St.
Rare tinted lithograph. Sheet 285 x 400mm (11¼ x 15¾"). A little creasing.
Ocean Monarch, an American emigration barque built by Donald McKay in East Boston in 1847, left Liverpool for Boston on the morning of 24 August 1848. Just outside harbour the ship caught fire, driving the passengers to the ship's bowsprit, from which many jumped into the sea. 178 lives were recorded lost. The scene was sketched by François d'Orléans, Prince of Joinville (1818-1900) was the third son of Louis Philippe, King of the French. Leaving France in the aftermath of the 1848 Revolution, he was aboard the Brazilian frigate 'Affonso' (seen here flying the Brazilian flag).
[Ref: 56511] £280.00 (£336.00 incl.VAT)
![[Peddlar and man with walking stick]](jpegs/38360.jpg)
[Peddlar and man with walking stick]
[probably by J.A.B. Nothnagel, c.1770]
Etching, platemark 95 x 65mm (3¾ x 2½). Foxing. Small margins.
Rembrandtesque etching believed to be by J.A.B. Nothnagel (1729-1804), painter and engraver, whose etchings were either after of 'in the style of'' the Dutchman.
[Ref: 38360] £140.00 (£168.00 incl.VAT)
[probably by J.A.B. Nothnagel, c.1770]
Etching, platemark 95 x 65mm (3¾ x 2½). Foxing. Small margins.
Rembrandtesque etching believed to be by J.A.B. Nothnagel (1729-1804), painter and engraver, whose etchings were either after of 'in the style of'' the Dutchman.
[Ref: 38360] £140.00 (£168.00 incl.VAT)
Petit Waux-Hall.
Dessiné et Gravé par P.A.Wille Fils 1780.
à Paris ches l'Auteur, rue de la Comedie Françoise Cour du Commerce F.S.G.
Etching. 380 x 535mm (15 x 21"). Trimmed into platemark at bottom.
A pretty young woman, dressed in the height of fashion and carrying a fan, strolls in a pleasure garden with her chaperone, ogled by much older men, one using a looking glass.
[Ref: 6618] £680.00
Dessiné et Gravé par P.A.Wille Fils 1780.
à Paris ches l'Auteur, rue de la Comedie Françoise Cour du Commerce F.S.G.
Etching. 380 x 535mm (15 x 21"). Trimmed into platemark at bottom.
A pretty young woman, dressed in the height of fashion and carrying a fan, strolls in a pleasure garden with her chaperone, ogled by much older men, one using a looking glass.
[Ref: 6618] £680.00
The Late Lord Petre.
G. Romney Esq.r R.A. pinx. A. Freschi sculp.
Published & Sold May 1. 1803, by Edw.d Orme, Printseller to His Majesty, 59, New Bond Street, London.
Stipple with very large margins. Plate 531 x 410mm (21 x 16¼"). Some creasing and small tears.
Robert Edward Petre, 9th Baron Petre (1742-1801), the British peer. He was a member of the English Roman Catholic nobility, a philanthropist and responsible for employing James Paine to design a new Thorndon Hall and a house in Mayfair. Finger points to plan of Thorndon.
Horne: 94 (b). NPG: D40175.
[Ref: 29168] £220.00 (£264.00 incl.VAT)
G. Romney Esq.r R.A. pinx. A. Freschi sculp.
Published & Sold May 1. 1803, by Edw.d Orme, Printseller to His Majesty, 59, New Bond Street, London.
Stipple with very large margins. Plate 531 x 410mm (21 x 16¼"). Some creasing and small tears.
Robert Edward Petre, 9th Baron Petre (1742-1801), the British peer. He was a member of the English Roman Catholic nobility, a philanthropist and responsible for employing James Paine to design a new Thorndon Hall and a house in Mayfair. Finger points to plan of Thorndon.
Horne: 94 (b). NPG: D40175.
[Ref: 29168] £220.00 (£264.00 incl.VAT)
![[Philip IV of Spain]](jpegs/36802.jpg)
[Philip IV of Spain]
Vandyke. Geddes fc.
Etching with very large margins, platemark 230 x 155mm (8¾ x 6"). 'Printed by E Lumsden' in pencil lower right.
Portrait of Philip IV (1605-1665), king of Spain and Portgual. He is remembered for his patronage of the arts, including such artists as Diego Velazquez, and his rule over Spain during the challenging period of the Thirty Years War (1618-48). Etched after a portrait by van Dyck, by the Scottish painter and etcher Andrew Geddes (1783-1844). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching’'. This plate was one of ten published by Geddes in 1826.
CD 47.vii; Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36802] £120.00 (£144.00 incl.VAT)
Vandyke. Geddes fc.
Etching with very large margins, platemark 230 x 155mm (8¾ x 6"). 'Printed by E Lumsden' in pencil lower right.
Portrait of Philip IV (1605-1665), king of Spain and Portgual. He is remembered for his patronage of the arts, including such artists as Diego Velazquez, and his rule over Spain during the challenging period of the Thirty Years War (1618-48). Etched after a portrait by van Dyck, by the Scottish painter and etcher Andrew Geddes (1783-1844). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching’'. This plate was one of ten published by Geddes in 1826.
CD 47.vii; Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36802] £120.00 (£144.00 incl.VAT)
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![[Two mounted polo players in conversation.]](jpegs/11004.jpg)
[Two mounted polo players in conversation.]
Andre Mare [signed in pencil lower right.]
Epreuve d'artiste 15/15 [in pencil lower left.] [n.d., c.1940s.]
Lithograph, signed artist's proof from an edition limited to 15. Image 290 x 340mm, 11½ x 13½". A fine proof impression with full margins.
By André Mare (1885 - 1932), French painter and printmaker.
[Ref: 11004] £480.00
Andre Mare [signed in pencil lower right.]
Epreuve d'artiste 15/15 [in pencil lower left.] [n.d., c.1940s.]
Lithograph, signed artist's proof from an edition limited to 15. Image 290 x 340mm, 11½ x 13½". A fine proof impression with full margins.
By André Mare (1885 - 1932), French painter and printmaker.
[Ref: 11004] £480.00
Protection. To the Hon.ble Mrs Frederick West, this Engraving is respectfully inscribed by her obedient Servant Edw.d Orme.
W.P.J. Lodder delin. Freschi sculp.
Published & Sold Aug.t 4 1803 by Edw.d Orme, Printseller &c to the King & Royal Family, 59 New Bond Street, London.
Stipple with some colour printing, small margins. 335 x 260mm (13¼ x 10¼"). Trimmed just into plate on left, repaired tears, edges worn.
A small girl holding her bird to her chest, a cage to the side, as a cat readies itself to pounce from a cottage window. A very pretty image.
[Ref: 33821] £230.00 (£276.00 incl.VAT)
W.P.J. Lodder delin. Freschi sculp.
Published & Sold Aug.t 4 1803 by Edw.d Orme, Printseller &c to the King & Royal Family, 59 New Bond Street, London.
Stipple with some colour printing, small margins. 335 x 260mm (13¼ x 10¼"). Trimmed just into plate on left, repaired tears, edges worn.
A small girl holding her bird to her chest, a cage to the side, as a cat readies itself to pounce from a cottage window. A very pretty image.
[Ref: 33821] £230.00 (£276.00 incl.VAT)
H. Redouté.
Dutertre.
[n.d. c.1811.]
Engraving and etching, rare. Plate 115 x 102mm (4½ x 4").
Henri Joseph Redouté (1766-1852) the painter who was a member of the Committee on Science and the Arts during Napoleon's Egyptian Campaign (1798-1799). From a series of prints portraying the members of Napoleon's campaign in Egypt.
[Ref: 31237] £90.00 (£108.00 incl.VAT)
Dutertre.
[n.d. c.1811.]
Engraving and etching, rare. Plate 115 x 102mm (4½ x 4").
Henri Joseph Redouté (1766-1852) the painter who was a member of the Committee on Science and the Arts during Napoleon's Egyptian Campaign (1798-1799). From a series of prints portraying the members of Napoleon's campaign in Egypt.
[Ref: 31237] £90.00 (£108.00 incl.VAT)
Le Rêveuse. Gravée d'aprés le Tableau original. Peint par Wateau de la même grandeur.
Wateau pinx. P. Aveline sculp.
A Paris chez Gersaint pont. N.D. et chez Surugue rue des Noyers avec privil du Roi. [n.d., c.1729.]
Engraving. 280 x 200mm, 11 x 8". Framed. Slight paper toning. Unexamined out of fine frame.
'The Dreamer', a portrait of woman in a landscape, engraved by Pierre Alexandre Aveline (1702-60) after Jean-Antoine Watteau (1684-1721). Edme Francois Gersaint (1694 - 1750), the publisher, was a friend and patron of Watteau.
[Ref: 26601] £280.00 (£336.00 incl.VAT)
Wateau pinx. P. Aveline sculp.
A Paris chez Gersaint pont. N.D. et chez Surugue rue des Noyers avec privil du Roi. [n.d., c.1729.]
Engraving. 280 x 200mm, 11 x 8". Framed. Slight paper toning. Unexamined out of fine frame.
'The Dreamer', a portrait of woman in a landscape, engraved by Pierre Alexandre Aveline (1702-60) after Jean-Antoine Watteau (1684-1721). Edme Francois Gersaint (1694 - 1750), the publisher, was a friend and patron of Watteau.
[Ref: 26601] £280.00 (£336.00 incl.VAT)
Rhinoceros Bicornis. Unicornis. Plate CCCCXXXVIII.
A. Bell Prin. Wal. Sculptor fecit.
[n.d., c.1790's.]
Engraving, 1789 watermark; Plate: 210 x 165mm (8¼ x 6½").
Two portraits of rhinoceros, the top being a Sumatran rhino and the lower an Indian rhino. An illustration from the 3rd edition of Andrew Bell's 'Encyclopaedia Britannica' published in 1797. Together with Colin Macfarquhar, Andrew Bell (1726-1809) founded the Encyclopaedia Britannica in Edinburgh.
[Ref: 46428] £60.00 (£72.00 incl.VAT)
A. Bell Prin. Wal. Sculptor fecit.
[n.d., c.1790's.]
Engraving, 1789 watermark; Plate: 210 x 165mm (8¼ x 6½").
Two portraits of rhinoceros, the top being a Sumatran rhino and the lower an Indian rhino. An illustration from the 3rd edition of Andrew Bell's 'Encyclopaedia Britannica' published in 1797. Together with Colin Macfarquhar, Andrew Bell (1726-1809) founded the Encyclopaedia Britannica in Edinburgh.
[Ref: 46428] £60.00 (£72.00 incl.VAT)
Femme de Salamanque. Espagne. Costes. Etrangers.
d’après J.G. de S. Sauveur 1798. Hipte. Pauquet
Pauquet freres, editeurs. Impe. Fosset, Fbg. St. Jacques, 19. 11me. Liv. No.22. Bureaux des modes et costumes historiques Rue d'Enfer, 119 et Rue Richelieu, 78.
Hand-coloured engraving and stipple. 292 x 222mm. 11½ x 8¾".
A woman of Salamanca, from ''Costumes de Différent Pays'' by Jacques Grasset de Saint-Sauveur (1757-1810).
[Ref: 15655] £70.00 (£84.00 incl.VAT)
d’après J.G. de S. Sauveur 1798. Hipte. Pauquet
Pauquet freres, editeurs. Impe. Fosset, Fbg. St. Jacques, 19. 11me. Liv. No.22. Bureaux des modes et costumes historiques Rue d'Enfer, 119 et Rue Richelieu, 78.
Hand-coloured engraving and stipple. 292 x 222mm. 11½ x 8¾".
A woman of Salamanca, from ''Costumes de Différent Pays'' by Jacques Grasset de Saint-Sauveur (1757-1810).
[Ref: 15655] £70.00 (£84.00 incl.VAT)
The Shade of Napoleon Visiting his Tomb. In this Print May be traced a full-length Figure of Napoleon, a small head of Napoleon, Wellington and Murat, a Map of Europe, with Napoleon's principal Battles, &c. &c.
Designed & drawn on Stone by A. Picken.
Lithograph. Sheet 180 x 225mm (7 x 8¾"). Creased and soiled.
A puzzle print depicting Napoleon's tomb in the Valley of Willows of the Island of Saint Helena, with the Napoleon's shape created in between the trunks of two trees.
[Ref: 55745] £160.00 (£192.00 incl.VAT)
Designed & drawn on Stone by A. Picken.
Lithograph. Sheet 180 x 225mm (7 x 8¾"). Creased and soiled.
A puzzle print depicting Napoleon's tomb in the Valley of Willows of the Island of Saint Helena, with the Napoleon's shape created in between the trunks of two trees.
[Ref: 55745] £160.00 (£192.00 incl.VAT)
![[Album sheet] The Shade of Napoleon Visiting his Tomb.](jpegs/55746.jpg)
[Album sheet] The Shade of Napoleon Visiting his Tomb. [with two portraits of Napoleon II & a portrait of the horse 'Le Vizir'.]
[Various dates, c.1840.]
Three lithographs and an engraving on an album sheet. Largest 125 x 185mm (5 x 7¼"). Creased and soiled.
Four scraps on one sheet: a puzzle print depicting Napoleon's tomb in the Valley of Willows of the Island of Saint Helena, with the Napoleon's shape created in between the trunks of two trees; portraits of Napoleon II as a boy and a young man; and a portrait of 'Le Vizier', Napoleon's famous Arabian horse, at pasture. After its death in 1826 it was stuffed, smuggled to England in 1839, returned to France under Napeolon III and now preserved at the Musée de l'Armée.
[Ref: 55746] £260.00 (£312.00 incl.VAT)
[Various dates, c.1840.]
Three lithographs and an engraving on an album sheet. Largest 125 x 185mm (5 x 7¼"). Creased and soiled.
Four scraps on one sheet: a puzzle print depicting Napoleon's tomb in the Valley of Willows of the Island of Saint Helena, with the Napoleon's shape created in between the trunks of two trees; portraits of Napoleon II as a boy and a young man; and a portrait of 'Le Vizier', Napoleon's famous Arabian horse, at pasture. After its death in 1826 it was stuffed, smuggled to England in 1839, returned to France under Napeolon III and now preserved at the Musée de l'Armée.
[Ref: 55746] £260.00 (£312.00 incl.VAT)
![[Archibald Skirving.]](jpegs/22827.jpg)
[Archibald Skirving.]
[A. Geddes.]
[British, n.d., c.1820.]
Etching with drypoint, 225 x 160mm. 9 x 6¼".
Portrait of Scottish portrait painter Archibald Skirving (1749 - 1819). His most successful portraits were executed in crayon. The best known is his crayon portrait of Robert Burns, executed partly from Nasmyth's famous portrait. By Andrew Geddes (Scottish, 1783 - 1844), portrait painter and occasional etcher.
DNB. See Scot. Nat. Portrait Gallery PG 745 for the Burns portrait. C.D. 15 VI.
[Ref: 22827] £50.00 (£60.00 incl.VAT)
[A. Geddes.]
[British, n.d., c.1820.]
Etching with drypoint, 225 x 160mm. 9 x 6¼".
Portrait of Scottish portrait painter Archibald Skirving (1749 - 1819). His most successful portraits were executed in crayon. The best known is his crayon portrait of Robert Burns, executed partly from Nasmyth's famous portrait. By Andrew Geddes (Scottish, 1783 - 1844), portrait painter and occasional etcher.
DNB. See Scot. Nat. Portrait Gallery PG 745 for the Burns portrait. C.D. 15 VI.
[Ref: 22827] £50.00 (£60.00 incl.VAT)
Sleep. Hush! my dear, lie still & slumber, / Holy Angels guard thy bed! / Heav'nly blessings without number, / Gently fallin on thy Head. Watts.
Freschi sculp.t.
Published & Sold by Edw.d Orme London Nov.r 1 1808.
Rare stipple. Sheet 325 x 250mm (13¾ x 9¾"). Trimmed within plate, bit dusty.
A mother cradles her sleeping infant.
[Ref: 39830] £130.00 (£156.00 incl.VAT)
Freschi sculp.t.
Published & Sold by Edw.d Orme London Nov.r 1 1808.
Rare stipple. Sheet 325 x 250mm (13¾ x 9¾"). Trimmed within plate, bit dusty.
A mother cradles her sleeping infant.
[Ref: 39830] £130.00 (£156.00 incl.VAT)
Suecus.
Paul Decker del. Andreas Hoffer sculpsit
Cum Priv. Sac. Caes. Maj. / Martin Engelbrecht excudit Aug. Vind [c.1736]
Scarce engraving, sheet 360 x 405mm (14 x 16"). Trimmed inside platemark. Few fox marks bottom.
Allegory of Sweden; plate from 'Laconicum Europae Speculum' (1736), a series of designs allegorizing European countries, after designs by Paul Decker (1685-1742), whose volumes 'Fürstlicher Baumeister' (1711) and 'Architectura Theoretica-Practica' (1720) were influential expositions of baroque architectural and design principles.
[Ref: 38943] £360.00
Paul Decker del. Andreas Hoffer sculpsit
Cum Priv. Sac. Caes. Maj. / Martin Engelbrecht excudit Aug. Vind [c.1736]
Scarce engraving, sheet 360 x 405mm (14 x 16"). Trimmed inside platemark. Few fox marks bottom.
Allegory of Sweden; plate from 'Laconicum Europae Speculum' (1736), a series of designs allegorizing European countries, after designs by Paul Decker (1685-1742), whose volumes 'Fürstlicher Baumeister' (1711) and 'Architectura Theoretica-Practica' (1720) were influential expositions of baroque architectural and design principles.
[Ref: 38943] £360.00
![[Dull Reading: with portraits of Daniel and Elizabeth Terry]](jpegs/36800.jpg)
[Dull Reading: with portraits of Daniel and Elizabeth Terry]
A Geddes ft [upper centre of image]
Etching with very large margins, platemark 140 x 175mm (5½ x 7").
Portraits of the actor Daniel Terry and his artist wife Elizabeth, seated in a dark room. Etched by the Scottish painter and etcher Andrew Geddes (1783-1844). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching’'. This plate was one of ten he published himself in 1826.
CD 16.iii; Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36800] £120.00 (£144.00 incl.VAT)
A Geddes ft [upper centre of image]
Etching with very large margins, platemark 140 x 175mm (5½ x 7").
Portraits of the actor Daniel Terry and his artist wife Elizabeth, seated in a dark room. Etched by the Scottish painter and etcher Andrew Geddes (1783-1844). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching’'. This plate was one of ten he published himself in 1826.
CD 16.iii; Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36800] £120.00 (£144.00 incl.VAT)