A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Comes Franciscus Roncalli Parolinus.
F.cc Zucchi sculp.
[n.d. c.1770.]
Engraving. Plate 355 x 241mm. 14 x 9½". Tear into lower edge, printer's crease top right..
Francesco Roncalli Parolini (c.1692-1763) was an Italian doctor and botanist. Plate to his 'Historiae Morborum', 1741.
Wellcome: 2532-1.
[Ref: 24676] £110.00 (£132.00 incl.VAT)
F.cc Zucchi sculp.
[n.d. c.1770.]
Engraving. Plate 355 x 241mm. 14 x 9½". Tear into lower edge, printer's crease top right..
Francesco Roncalli Parolini (c.1692-1763) was an Italian doctor and botanist. Plate to his 'Historiae Morborum', 1741.
Wellcome: 2532-1.
[Ref: 24676] £110.00 (£132.00 incl.VAT)
Appartamento d'una Regina Questa scena fu eseguita pel Ballo eroico, Il Conte d'Essex, inventato, e posto sulle scene dell'I.R. Teatro alla Scala dal Sig:Gaetano Gioja
A. Sanquirico inv e dip. C. Zucchi inc.
Nell'Autuno dell'Anno 1818
Aquatint with very fine hand-colouring, platemark 335 x 395mm (13¼ x 15½"), with large margins. Repaired tear through title area in title.
Stage design from the 'Raccolta di varie decorazione sceniche inventate ed eseguite per il r. Teatro alla Scala di Milano da Alessandro Sanquirico'. Sanquirico (1777-1849) was a scenery designer who worked primarily for the theatre of La Scala in Milan.
[Ref: 39677] £320.00
A. Sanquirico inv e dip. C. Zucchi inc.
Nell'Autuno dell'Anno 1818
Aquatint with very fine hand-colouring, platemark 335 x 395mm (13¼ x 15½"), with large margins. Repaired tear through title area in title.
Stage design from the 'Raccolta di varie decorazione sceniche inventate ed eseguite per il r. Teatro alla Scala di Milano da Alessandro Sanquirico'. Sanquirico (1777-1849) was a scenery designer who worked primarily for the theatre of La Scala in Milan.
[Ref: 39677] £320.00
![[Presentation of the Virgin]](jpegs/38584.jpg)
[Presentation of the Virgin] Presentazione de Maria al Tempio Opera di Tiziano nd Albergo della Scuola della Carita in Venezia
Silvestro Manaigo delineo / Andrea Zucchi Sc
Appo T. Viero Venezia [c.1750]
Engraving, platemark 350 x 560mm (13¾ x 22"). Very large margins. Uncut.
Engraving after Titian's huge 'Presentation of the Virgin' (finished by 1538) for the Scuola della Carita in Venice (it is now in Venice's Galleria dell'Accademia). Architecturally elaborate and in a procession format, the picture includes portraits of members of the Scuola. Plate from 'Il gran Teatro di Venezia', a large series of famous paintings in Venice and views of the city. First published by Domenico Louisa c.1720, this impression is from a later publication by Teodoro Viero.
[Ref: 38584] £180.00 (£216.00 incl.VAT)
Silvestro Manaigo delineo / Andrea Zucchi Sc
Appo T. Viero Venezia [c.1750]
Engraving, platemark 350 x 560mm (13¾ x 22"). Very large margins. Uncut.
Engraving after Titian's huge 'Presentation of the Virgin' (finished by 1538) for the Scuola della Carita in Venice (it is now in Venice's Galleria dell'Accademia). Architecturally elaborate and in a procession format, the picture includes portraits of members of the Scuola. Plate from 'Il gran Teatro di Venezia', a large series of famous paintings in Venice and views of the city. First published by Domenico Louisa c.1720, this impression is from a later publication by Teodoro Viero.
[Ref: 38584] £180.00 (£216.00 incl.VAT)
Donna che rompe un giogo, et altre figure, che portano il Pileo insegna della libertà Opera del Tintoretto nella sala delle quattro porte in Venetia.
Silverstero Manaigodelineo. Andrea Zucchi Sculp.
Per il Lovisa in Realto. [n.d., c.1720.]
Etching. Sheet 430 x 410mm (17 x 16"), with 18th century watermark. Trimmed within plate, some staining and creasing, laid on album paper.
A copy of Tintoretto's painting in the soffit of the Sala delle Quattro Porte in the Doge's Palace, Venice, showing a woman seated on clouds holding chains representing the protector of Venice's liberty. The etching was published in 'Il gran Teatro di Venezia' (The Great Theatre of Venice).
[Ref: 40496] £190.00 (£228.00 incl.VAT)
Silverstero Manaigodelineo. Andrea Zucchi Sculp.
Per il Lovisa in Realto. [n.d., c.1720.]
Etching. Sheet 430 x 410mm (17 x 16"), with 18th century watermark. Trimmed within plate, some staining and creasing, laid on album paper.
A copy of Tintoretto's painting in the soffit of the Sala delle Quattro Porte in the Doge's Palace, Venice, showing a woman seated on clouds holding chains representing the protector of Venice's liberty. The etching was published in 'Il gran Teatro di Venezia' (The Great Theatre of Venice).
[Ref: 40496] £190.00 (£228.00 incl.VAT)
![Je l'entens, je le crois, mais ce n'est qu'à demi, / Ce brillant Capitaine et tout son beau Langage [...]](jpegs/37107.jpg)
Je l'entens, je le crois, mais ce n'est qu'à demi, / Ce brillant Capitaine et tout son beau Langage [...]
C.P. Rottari pinx: L. Zucchi sc: [n.d., c.1750]
Engraving, sheet 235 x 170mm (9¼ x 6¾"). Trimmed to platemark.
Portrait of a woman, with verses below seeming to indicate the subject's uncertainty about romantic overtures made to her. After Pietro Rotari (1707-62), painter of portraits and religious subjects. Afte spending the first part of his career in Italy, in the 1750s Rotari moved north, working in Vienna, Dresden and finally St Petersburg.
[Ref: 37107] £140.00 (£168.00 incl.VAT)
C.P. Rottari pinx: L. Zucchi sc: [n.d., c.1750]
Engraving, sheet 235 x 170mm (9¼ x 6¾"). Trimmed to platemark.
Portrait of a woman, with verses below seeming to indicate the subject's uncertainty about romantic overtures made to her. After Pietro Rotari (1707-62), painter of portraits and religious subjects. Afte spending the first part of his career in Italy, in the 1750s Rotari moved north, working in Vienna, Dresden and finally St Petersburg.
[Ref: 37107] £140.00 (£168.00 incl.VAT)
In ischietto vestir Leggiadra restra / Tasso.
C.P. Rottari pinx: L. Zucchi sc: [n.d., c.1750]
Engraving, sheet 235 x 170mm (9¼ x 6¾"). Trimmed inside platemark.
Portrait of a woman with line from Torquato Tasso's 'La Gerusalemme liberata' ('Jerusalem Liberated'), a popular source in the 18th century. After Pietro Rotari (1707-62), painter of portraits and religious subjects. Afte spending the first part of his career in Italy, in the 1750s Rotari moved north, working in Vienna, Dresden and finally St Petersburg.
[Ref: 37106] £140.00 (£168.00 incl.VAT)
C.P. Rottari pinx: L. Zucchi sc: [n.d., c.1750]
Engraving, sheet 235 x 170mm (9¼ x 6¾"). Trimmed inside platemark.
Portrait of a woman with line from Torquato Tasso's 'La Gerusalemme liberata' ('Jerusalem Liberated'), a popular source in the 18th century. After Pietro Rotari (1707-62), painter of portraits and religious subjects. Afte spending the first part of his career in Italy, in the 1750s Rotari moved north, working in Vienna, Dresden and finally St Petersburg.
[Ref: 37106] £140.00 (£168.00 incl.VAT)