A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![The Pharos of Ptolemy King of Egypt was built AM 3670 at the entrance of Port Alexandria, [...]](jpegs/60656.jpg)
The Pharos of Ptolemy King of Egypt was built AM 3670 at the entrance of Port Alexandria, [...] G.
R. White Sculp.
Printed for John Bowles at the Black Horse in Cornhill [n.d., c.1741].
Engraving. 165 x 245mm (6½ x 9¾"), with large margins.
A reconstruction of the famous lighthouse. From a series of classical views.
[Ref: 60656] £130.00 (£156.00 incl.VAT)
R. White Sculp.
Printed for John Bowles at the Black Horse in Cornhill [n.d., c.1741].
Engraving. 165 x 245mm (6½ x 9¾"), with large margins.
A reconstruction of the famous lighthouse. From a series of classical views.
[Ref: 60656] £130.00 (£156.00 incl.VAT)
Amusement.
Emma Crewe Delint. C. W. White Sculpt.
Published as the Act Directs, by C. W. White No. 2 Queen St. Chelsea. Feb. y. 1st. 1781.
Stipple with printed colour. Round within plate mark. 125 x 150mm 4¾ x 6". Trimmed to plate and taken from album, time stained.
Emma Crewe (active 1787 - 1818) was a 'gifted amateur artist' who, along with Diana Beauclerk (1734-1808) and Elizabeth Templetown (1747-1823), contributed designs in 'Romantic style' to Josiah Wedgewood for reproduction in his studio in Rome.
[Ref: 12158] £120.00 (£144.00 incl.VAT)
Emma Crewe Delint. C. W. White Sculpt.
Published as the Act Directs, by C. W. White No. 2 Queen St. Chelsea. Feb. y. 1st. 1781.
Stipple with printed colour. Round within plate mark. 125 x 150mm 4¾ x 6". Trimmed to plate and taken from album, time stained.
Emma Crewe (active 1787 - 1818) was a 'gifted amateur artist' who, along with Diana Beauclerk (1734-1808) and Elizabeth Templetown (1747-1823), contributed designs in 'Romantic style' to Josiah Wedgewood for reproduction in his studio in Rome.
[Ref: 12158] £120.00 (£144.00 incl.VAT)
Whaley Armitage, Esq.
Painted by G.R. Lewis. Engraved by J. Posselwhite.
Private plate. [n.d. c.1840.]
Stipple. Plate 503 x 407mm. 19¾ x 16". Some foxing. Small tears into the right-hand side.
Whaley Armitage (1767-1855). He was a barrister and Receiver of the Herefordshire estates of Guy's Hospital, London.
[Ref: 17109] £140.00 (£168.00 incl.VAT)
Painted by G.R. Lewis. Engraved by J. Posselwhite.
Private plate. [n.d. c.1840.]
Stipple. Plate 503 x 407mm. 19¾ x 16". Some foxing. Small tears into the right-hand side.
Whaley Armitage (1767-1855). He was a barrister and Receiver of the Herefordshire estates of Guy's Hospital, London.
[Ref: 17109] £140.00 (£168.00 incl.VAT)
Johannes Ayres Pennae Arithmezzticae, ac Artis Rationariae Professor apud Londinates, Juxta Divi Pauli.
R. White Sculp.
[n.d. c.1780.]
Engraving. Plate 210 x 153mm. 8¼ x 6". Later impression.
John Ayres (active 1680-1700) was a writing master.
see NPG: D18621.
[Ref: 16084] £95.00 (£114.00 incl.VAT)
R. White Sculp.
[n.d. c.1780.]
Engraving. Plate 210 x 153mm. 8¼ x 6". Later impression.
John Ayres (active 1680-1700) was a writing master.
see NPG: D18621.
[Ref: 16084] £95.00 (£114.00 incl.VAT)
Johannes Ayres...
R. White sculp.
[Originally c.1700, a later impression on wove.]
Engraving, frontispiece to one of the sitter's works?, 210 x 155mm. 8¼ x 6".
John Ayres (fl.1680 - 1700), writing master, in oval frame. By Robert White (1645 - 1703).
NPG: D18621.
[Ref: 15858] £95.00 (£114.00 incl.VAT)
R. White sculp.
[Originally c.1700, a later impression on wove.]
Engraving, frontispiece to one of the sitter's works?, 210 x 155mm. 8¼ x 6".
John Ayres (fl.1680 - 1700), writing master, in oval frame. By Robert White (1645 - 1703).
NPG: D18621.
[Ref: 15858] £95.00 (£114.00 incl.VAT)
![[Portrait of Joshua Barnes]](jpegs/34871.jpg)
[Portrait of Joshua Barnes] Vera Effigies Joshuae Barnes S.T.B. [...]
R. White ad vivum fecit [1694]
Line engraving, small margins on 3 sides; platemark 295 x 190mm (11½ x 7½"). Glued at corners to backing sheet.
Joshua Barnes (1654-1712), Greek scholar and antiquary. In 1679 his 'History of Esther' rendered the Book of Esther in Homeric hexameters, complete with commentary in Greek. He later turned to English history with a book on Edward III
[Ref: 34871] £95.00 (£114.00 incl.VAT)
R. White ad vivum fecit [1694]
Line engraving, small margins on 3 sides; platemark 295 x 190mm (11½ x 7½"). Glued at corners to backing sheet.
Joshua Barnes (1654-1712), Greek scholar and antiquary. In 1679 his 'History of Esther' rendered the Book of Esther in Homeric hexameters, complete with commentary in Greek. He later turned to English history with a book on Edward III
[Ref: 34871] £95.00 (£114.00 incl.VAT)
The Reverend & Learned William Bates D.D. Obijt 14. Iuly 1699. Aetat 74.
G. Kneller Eques pinx. R. White sculpsit 1700.
Engraving, with small margins. Plate 292 x 186mm. 11½ x 7¼".
Portrait of William Bates, half length in an ornamental oval frame on a pedestal, long hair, wearing skull-cap, bands and gown; coat of arms below; frontispiece to his 'Works' (1700). William Bates (1625-1699) was an English Presbyterian minister. In 1660 he acted as one of the commissioners of the Savoy Conference, which sought for reconciliaition within the Church of England. As a nonconformist he was urged to accept the deanery of Lichfield and Coventry, but like Thomas Manton and many others, he declined office. On the accession of William III and Mary, he delivered two speeches to their majesties on behalf of the dissenters, and in his last two years he was pastor of the presbyterian church in Hackney.
Ex Collection: R. Hobson of Hove.
[Ref: 25394] £80.00 (£96.00 incl.VAT)
G. Kneller Eques pinx. R. White sculpsit 1700.
Engraving, with small margins. Plate 292 x 186mm. 11½ x 7¼".
Portrait of William Bates, half length in an ornamental oval frame on a pedestal, long hair, wearing skull-cap, bands and gown; coat of arms below; frontispiece to his 'Works' (1700). William Bates (1625-1699) was an English Presbyterian minister. In 1660 he acted as one of the commissioners of the Savoy Conference, which sought for reconciliaition within the Church of England. As a nonconformist he was urged to accept the deanery of Lichfield and Coventry, but like Thomas Manton and many others, he declined office. On the accession of William III and Mary, he delivered two speeches to their majesties on behalf of the dissenters, and in his last two years he was pastor of the presbyterian church in Hackney.
Ex Collection: R. Hobson of Hove.
[Ref: 25394] £80.00 (£96.00 incl.VAT)
![[Bedlam] Hospitium Mente-Captorum Londinense.](jpegs/61364.jpg)
[Bedlam] Hospitium Mente-Captorum Londinense.
R. White Sculpsit.
[Printed, Coloured and Sold By John Garrett at his Shop next ye Exchange Stairs in Cornhill] [n.d., 1694.]
Engraving on three sheets conjoined, total 570 x 1200mm (22½ x 47"). Some restoration as usual with these large prints, remains of erased publication line visible.
The frontage of Robert Hooke's New Bethlem Hospital, engraved by Robert White for Hooke in 1677. According to Griffiths, the plates were later purchased by John Garrett, ''who entered the view on the Term Catalogue for 1694'', after which ''they passed to W. Herbert at the Golden Globe on London Bridge''.
Griffiths: The Print in Stuart Britain, Cat. 186.
[Ref: 61364] £950.00
R. White Sculpsit.
[Printed, Coloured and Sold By John Garrett at his Shop next ye Exchange Stairs in Cornhill] [n.d., 1694.]
Engraving on three sheets conjoined, total 570 x 1200mm (22½ x 47"). Some restoration as usual with these large prints, remains of erased publication line visible.
The frontage of Robert Hooke's New Bethlem Hospital, engraved by Robert White for Hooke in 1677. According to Griffiths, the plates were later purchased by John Garrett, ''who entered the view on the Term Catalogue for 1694'', after which ''they passed to W. Herbert at the Golden Globe on London Bridge''.
Griffiths: The Print in Stuart Britain, Cat. 186.
[Ref: 61364] £950.00
Hospitum Mente-Captorum Londinense. A Prospect Of the Hospitall called Bedlam for the releife of Persons distracted, w.ch by ye great care & incouragement of S.r William Turner Knight (Alderman sometime Lord Mayor of London) the most worthy President, Benjamin Ducane: Esq.r Treasurer, and ye other Governo.rs of the Hospitall was begun in Aprill, 1675 amd finished in July 1676.
R. White Sculpsit.
Sold by W. Herbert at the Golden Globe on London Bridge. [n.d., c.1750.]
Scarce engraving on three sheets conjoined, total 1190 x 580mm. Some restoration with mss. fill. Small margins.
An elevation of famous mental hospital Moorfields, designed by Sir Robert Hooke. The governors of the hospital funded the first publication (1677) of this exceptionally large view, paying Robert White £40 to engrave the three plates and having final approval of his work. After presentation copies of the print were run off (for the govenors, Charles II and James, Duke of York, and others), the printing plates were given as a reward for service to the Clerk of the Governors 'to make the best advantage hee can thereof'. By 1694 the plates were owned by John Garrett (whose partially erase imprint can be seen at the bottom centre), before becoming the property of William Herbert. Herbert's address was the Golden Globe on London Bridge, one of ten new buildings erected on the bridge in 1749. He was forced to move when the bridge was cleared of buildings in 1759.
BM 1977,U.824. Antony Griffiths, 'The Print in Stuart Britain', BM 1998, cat.186.
[Ref: 51455] £1,500.00
R. White Sculpsit.
Sold by W. Herbert at the Golden Globe on London Bridge. [n.d., c.1750.]
Scarce engraving on three sheets conjoined, total 1190 x 580mm. Some restoration with mss. fill. Small margins.
An elevation of famous mental hospital Moorfields, designed by Sir Robert Hooke. The governors of the hospital funded the first publication (1677) of this exceptionally large view, paying Robert White £40 to engrave the three plates and having final approval of his work. After presentation copies of the print were run off (for the govenors, Charles II and James, Duke of York, and others), the printing plates were given as a reward for service to the Clerk of the Governors 'to make the best advantage hee can thereof'. By 1694 the plates were owned by John Garrett (whose partially erase imprint can be seen at the bottom centre), before becoming the property of William Herbert. Herbert's address was the Golden Globe on London Bridge, one of ten new buildings erected on the bridge in 1749. He was forced to move when the bridge was cleared of buildings in 1759.
BM 1977,U.824. Antony Griffiths, 'The Print in Stuart Britain', BM 1998, cat.186.
[Ref: 51455] £1,500.00
![[Thomas Blood] Coll' Blood.](jpegs/62420.jpg)
[Thomas Blood] Coll' Blood.
[engraved by George White.]
[n.d. c.1750.] But later.
Mezzotint. Sheet 250 x 185mm (9¾ x 7¼"). Trimmed just within plate, laid on album paper.
Thomas Blood (1618-80) was an Irish-born Colonel who was famed for his attempt to steal the Crown Jewels of England from the Tower of London in 1671. He was also implicated in an attempted kidnapping and murder of the Duke of Ormonde. During the Wars of the Three Kingdoms he switched allegiances from Royalist to Roundhead but won the favour of the Court of King Charles II and succeeded in eventually dying of natural causes.
CS 5, state ii of ii, with inscriptions removed.
[Ref: 62420] £160.00 (£192.00 incl.VAT)
[engraved by George White.]
[n.d. c.1750.] But later.
Mezzotint. Sheet 250 x 185mm (9¾ x 7¼"). Trimmed just within plate, laid on album paper.
Thomas Blood (1618-80) was an Irish-born Colonel who was famed for his attempt to steal the Crown Jewels of England from the Tower of London in 1671. He was also implicated in an attempted kidnapping and murder of the Duke of Ormonde. During the Wars of the Three Kingdoms he switched allegiances from Royalist to Roundhead but won the favour of the Court of King Charles II and succeeded in eventually dying of natural causes.
CS 5, state ii of ii, with inscriptions removed.
[Ref: 62420] £160.00 (£192.00 incl.VAT)
Mr. Booth
G. White fecit
Sold by S. Sympson in ye Strand near Catherine Street [c.1725]
Rare mezzotint, platemark 250 x 180mm (9¾ x 7"), with large margins.
Barton Booth (1681-1733), actor highly regarded by his contemporaries.
CS 9 iii/iv.
[Ref: 43748] £240.00 (£288.00 incl.VAT)
G. White fecit
Sold by S. Sympson in ye Strand near Catherine Street [c.1725]
Rare mezzotint, platemark 250 x 180mm (9¾ x 7"), with large margins.
Barton Booth (1681-1733), actor highly regarded by his contemporaries.
CS 9 iii/iv.
[Ref: 43748] £240.00 (£288.00 incl.VAT)
Boy turn thy Laughter into Floods of Tears And Tune thy Instrument to mournful airs… E' Collectione Nath. Oldham Armig.
Fran. Hals pinx. G.White fecit 1732.
Sold by Sam.l Sympson at his Print Shop in Maiden Lane Cov.t Garden.
Mezzotint. 375 x 260mm (14¾ x 10¼") large margins. Faint mount burn.
A fine impression of this magnificent composition of a laughing boy playing the fiddle framed by an ivy-covered window.
CS: 59
[Ref: 47318] £480.00
Fran. Hals pinx. G.White fecit 1732.
Sold by Sam.l Sympson at his Print Shop in Maiden Lane Cov.t Garden.
Mezzotint. 375 x 260mm (14¾ x 10¼") large margins. Faint mount burn.
A fine impression of this magnificent composition of a laughing boy playing the fiddle framed by an ivy-covered window.
CS: 59
[Ref: 47318] £480.00
![[Mode of punishment by Branding, or burning of the Hand, at the New Sessions House.]](jpegs/62101.jpg)
[Mode of punishment by Branding, or burning of the Hand, at the New Sessions House.]
[Dodd delin. White sculp.]
[n.d., c.1780.]
Etching, proof before letters. Sheet 180 x 110mm (7 x 4¼"). Trimmed within plate. Foxing.
An illustration from the 'Malefactors Register, or, a Tyburn and Newgate Calendar'.
[Ref: 62101] £65.00 (£78.00 incl.VAT)
[Dodd delin. White sculp.]
[n.d., c.1780.]
Etching, proof before letters. Sheet 180 x 110mm (7 x 4¼"). Trimmed within plate. Foxing.
An illustration from the 'Malefactors Register, or, a Tyburn and Newgate Calendar'.
[Ref: 62101] £65.00 (£78.00 incl.VAT)
Joannes Brown Norvicencis Chirurgis. Aetatis suae 35 Ano Dom: 1677.
H Morland delin. R White sculp.
[n.d. c.1677
Rare engraving. Plate 159 x 108mm (6¼ x 4¼"). Trimmed to the platemark on 2 sides. Small margins on left & right.
Portrait of the surgeon John Browne; half length, to the right, looking at viewer; wearing long wig, gown, and lace cravat; in oval frame on pedestal; frontispiece to his A Compleat Treatise of Preternatural Tumours' (1678). John Browne (1642-c.1700); surgeon to Charles II and William III
[Ref: 52511] £140.00 (£168.00 incl.VAT)
H Morland delin. R White sculp.
[n.d. c.1677
Rare engraving. Plate 159 x 108mm (6¼ x 4¼"). Trimmed to the platemark on 2 sides. Small margins on left & right.
Portrait of the surgeon John Browne; half length, to the right, looking at viewer; wearing long wig, gown, and lace cravat; in oval frame on pedestal; frontispiece to his A Compleat Treatise of Preternatural Tumours' (1678). John Browne (1642-c.1700); surgeon to Charles II and William III
[Ref: 52511] £140.00 (£168.00 incl.VAT)
Gulielmus Burkit A.M.
R. White Sculp 1703.
Engraving. Plate 250 x 159mm. 9¾ x 6¼".
Portrait of William Burkit, half length in an oval frame on a pedestal, wearing wig, bands and gown; coat of arms below; frontispiece to his 'Expository notes on the New Testament' (1703). William Burkit (1650-1703) was a biblical expositor, Anglican clergyman and author.
Ex Collection: R. Hobson of Hove.
[Ref: 25397] £50.00 (£60.00 incl.VAT)
R. White Sculp 1703.
Engraving. Plate 250 x 159mm. 9¾ x 6¼".
Portrait of William Burkit, half length in an oval frame on a pedestal, wearing wig, bands and gown; coat of arms below; frontispiece to his 'Expository notes on the New Testament' (1703). William Burkit (1650-1703) was a biblical expositor, Anglican clergyman and author.
Ex Collection: R. Hobson of Hove.
[Ref: 25397] £50.00 (£60.00 incl.VAT)
Richardus Busby S.T.P. Wellensis Ecclesiae Thesaurarius: Westmonasteriensis, Collegii Praebendarius; Scholae per anos 58 Archididascalus Notissimius Ob.5.Apr.Anno Aetat.suae 89. Christi 1695.
R. White Sculp. [H. Tilson.]
[Publish'd by John King. c.1696.]
Line engraving. Plate 368 x 262mm. 14½ x 10¼". Some creasing.
Richard Busby (1606-1695), an English Anglican priest, and Headmaster of Westminster School, London.
[Ref: 14463] £130.00 (£156.00 incl.VAT)
R. White Sculp. [H. Tilson.]
[Publish'd by John King. c.1696.]
Line engraving. Plate 368 x 262mm. 14½ x 10¼". Some creasing.
Richard Busby (1606-1695), an English Anglican priest, and Headmaster of Westminster School, London.
[Ref: 14463] £130.00 (£156.00 incl.VAT)
Gulielmus Camdenus Clarentius. Aetatis LVIII. M. DC. IX.
R. White Sculp. [Marcus Gheeraerts the Younger pinx.]
[n.d., c.1695.]
Line engraving. 177 x 120mm. 7 x 4¾". Trimmed and stuck on separate sheet.
William Camden (1551-1623), English antiquarian, historian, and officer of arms. He wrote the first topographical survey of the islands of Great Britain and Ireland and the first detailed historical account of the reign of Elizabeth I of England. In 1566 he entered Oxford, transferring from Magdalen College, to Broadgates Hall, and finally to Christ Church. At Christ Church he encountered Philip Sidney, who encouraged Camden's thirst for antiquaries. In 1571 he returned to London without a degree, but soon took up post as Usher of Westminster School, giving him freedome to travel and pursue his antiquarian researches.
NPG D21094. Macdonnell Collection.
[Ref: 14467] £60.00 (£72.00 incl.VAT)
R. White Sculp. [Marcus Gheeraerts the Younger pinx.]
[n.d., c.1695.]
Line engraving. 177 x 120mm. 7 x 4¾". Trimmed and stuck on separate sheet.
William Camden (1551-1623), English antiquarian, historian, and officer of arms. He wrote the first topographical survey of the islands of Great Britain and Ireland and the first detailed historical account of the reign of Elizabeth I of England. In 1566 he entered Oxford, transferring from Magdalen College, to Broadgates Hall, and finally to Christ Church. At Christ Church he encountered Philip Sidney, who encouraged Camden's thirst for antiquaries. In 1571 he returned to London without a degree, but soon took up post as Usher of Westminster School, giving him freedome to travel and pursue his antiquarian researches.
NPG D21094. Macdonnell Collection.
[Ref: 14467] £60.00 (£72.00 incl.VAT)
William Camden Clarenceux. Obijt A.o D. 1623. Aetatis suae LXXIII.
R. White sculp. [Marcus Gheeraerts.]
[n.d. c.1695; but later.]
Copper engraving, later impression. Plate 296 x 203mm. 11¾ x 8". Trimmed close to plate, some creasing.
William Camden, head and shoulders in an oval, wearing a chain and cap; frontispiece to his 'Britannia', ed. by Gibson (1695). William Camden (1551-1623) was an British antiquary and historian. He wrote the first chorographical survey of the islands of Great Britain and Ireland and the first detailed historical account of the reign of Elizabeth I of England.
See NPG: D21096.
[Ref: 23199] £120.00 (£144.00 incl.VAT)
R. White sculp. [Marcus Gheeraerts.]
[n.d. c.1695; but later.]
Copper engraving, later impression. Plate 296 x 203mm. 11¾ x 8". Trimmed close to plate, some creasing.
William Camden, head and shoulders in an oval, wearing a chain and cap; frontispiece to his 'Britannia', ed. by Gibson (1695). William Camden (1551-1623) was an British antiquary and historian. He wrote the first chorographical survey of the islands of Great Britain and Ireland and the first detailed historical account of the reign of Elizabeth I of England.
See NPG: D21096.
[Ref: 23199] £120.00 (£144.00 incl.VAT)
A Camp Scene.
H.W. Bunbury Esq.r Del.t. G. White Sculp.t.
Publish.d June the 25th 1784 by C. White, Stafford Row Pimlico.
Stipple, printed in sepia. 315 x 400mm (12¼ x 15¾"). Trimmed to plate top and bottom. Small margins left & right. Foxing.
A scene in a military encampment. Three visitors (two men and a woman) watch with amusement as a soldier, dressed in full regimentals including a busby, shaves another despite having a spade and axe thrust through his belt.
BM Satires 6727.
[Ref: 54586] £230.00 (£276.00 incl.VAT)
H.W. Bunbury Esq.r Del.t. G. White Sculp.t.
Publish.d June the 25th 1784 by C. White, Stafford Row Pimlico.
Stipple, printed in sepia. 315 x 400mm (12¼ x 15¾"). Trimmed to plate top and bottom. Small margins left & right. Foxing.
A scene in a military encampment. Three visitors (two men and a woman) watch with amusement as a soldier, dressed in full regimentals including a busby, shaves another despite having a spade and axe thrust through his belt.
BM Satires 6727.
[Ref: 54586] £230.00 (£276.00 incl.VAT)
![John Douglas Edward Henry [Campbell]](jpegs/52845.jpg)
John Douglas Edward Henry [Campbell] Seventh Duke of Argyll.
Painted by Sir W.m Ross RA 1843. Engraved by Ja.s Posselwhite,
London, Published by Thomas McLean, 26, Haymarket, April 20th 1847.
Stipple. Sheet 250 x 180mm (9¾ x 7"). Trimmed within plate, mounted in album paper.
John Campbell (1777-1847), with kilt, sporran and claymore.
[Ref: 52845] £70.00 (£84.00 incl.VAT)
Painted by Sir W.m Ross RA 1843. Engraved by Ja.s Posselwhite,
London, Published by Thomas McLean, 26, Haymarket, April 20th 1847.
Stipple. Sheet 250 x 180mm (9¾ x 7"). Trimmed within plate, mounted in album paper.
John Campbell (1777-1847), with kilt, sporran and claymore.
[Ref: 52845] £70.00 (£84.00 incl.VAT)
Viri vere Reverendi Josephi Caryl Vera Effigies.
R. White sculpsit.
[n.d. c.1676.]
Engraving. 292 x 190mm. 11½ x 7½". Trimmed.
Joseph Caryl (1602-1673) was an English nonconformist divine who frequently preached before Long Parliament, and was a member of the Westminster Assembly in 1643. In 1650 he was sent to accompany Cromwell to Scotland, however in 1662, following the Restoration, he was ejected from the Church of St Magnus near London Bridge. Portrait of Joseph Caryl, bust in an ornamental oval frame on a pedestal, long hair, wearing skull-cap and bands; curtain in the background with bookshelves to the right. Frontispiece to his 'Commentary on Job' (1676).
Ex Collection: R. Hobson of Hove.
[Ref: 25395] £75.00 (£90.00 incl.VAT)
R. White sculpsit.
[n.d. c.1676.]
Engraving. 292 x 190mm. 11½ x 7½". Trimmed.
Joseph Caryl (1602-1673) was an English nonconformist divine who frequently preached before Long Parliament, and was a member of the Westminster Assembly in 1643. In 1650 he was sent to accompany Cromwell to Scotland, however in 1662, following the Restoration, he was ejected from the Church of St Magnus near London Bridge. Portrait of Joseph Caryl, bust in an ornamental oval frame on a pedestal, long hair, wearing skull-cap and bands; curtain in the background with bookshelves to the right. Frontispiece to his 'Commentary on Job' (1676).
Ex Collection: R. Hobson of Hove.
[Ref: 25395] £75.00 (£90.00 incl.VAT)
Viri verè Reverendi Josephi Caryl Vera Effigies.
R. White sculpsit.
[n.d., c.1676.]
Engraving, frontispiece to the sitter's 'Commentary on the Book of Job'. Sheet 295 x 185mm, 11½ x 7¼". Closed tear through lower right corner.
Joseph Caryl (1602 – 1673), nonconformist divine and commentator. A rare portrait. Engraved by Robert White (1645 - 1703).
[Ref: 13706] £90.00 (£108.00 incl.VAT)
R. White sculpsit.
[n.d., c.1676.]
Engraving, frontispiece to the sitter's 'Commentary on the Book of Job'. Sheet 295 x 185mm, 11½ x 7¼". Closed tear through lower right corner.
Joseph Caryl (1602 – 1673), nonconformist divine and commentator. A rare portrait. Engraved by Robert White (1645 - 1703).
[Ref: 13706] £90.00 (£108.00 incl.VAT)
![[Charles I] Carolus, D.G. Angliæ, Scotiæ, Fran: et Hiber:P. Rex; Fidei Defensor etc.](jpegs/62480.jpg)
[Charles I] Carolus, D.G. Angliæ, Scotiæ, Fran: et Hiber:P. Rex; Fidei Defensor etc.
Ant. van Dÿck Eques pinxit. R. White Sculpsit.
Sold by R. White in Bloomsbury Market, near the Golden Heart 1685.
Fine engraving. Sheet 470 x 360mm (18½ x 14¼"). Trimmed to plate, small nick in top edge.
A large and fine medallion portrait of Charles I, wearing a lace collar, in a wreath supported by cherubs. After Anthony van Dyck.
[Ref: 62480] £450.00
Ant. van Dÿck Eques pinxit. R. White Sculpsit.
Sold by R. White in Bloomsbury Market, near the Golden Heart 1685.
Fine engraving. Sheet 470 x 360mm (18½ x 14¼"). Trimmed to plate, small nick in top edge.
A large and fine medallion portrait of Charles I, wearing a lace collar, in a wreath supported by cherubs. After Anthony van Dyck.
[Ref: 62480] £450.00
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Carolus II. D. G. Mag: Brit: Fran: & Hiber: Rex &c.
R. White Sculpsit.
Sold by Moses Pitt at the Angel in St. Pauls Churchyard. [n.d. c.1680]
Engraving. Sheets: 475 x 280mm (18¾ x 11"). Slight distortion to paper.
A full-length portrait of Charles II (1630-1685).
Griffiths Print in Stuart Britain No 100. For Pair see Ref: 42416.
[Ref: 56184] £290.00 (£348.00 incl.VAT)
R. White Sculpsit.
Sold by Moses Pitt at the Angel in St. Pauls Churchyard. [n.d. c.1680]
Engraving. Sheets: 475 x 280mm (18¾ x 11"). Slight distortion to paper.
A full-length portrait of Charles II (1630-1685).
Griffiths Print in Stuart Britain No 100. For Pair see Ref: 42416.
[Ref: 56184] £290.00 (£348.00 incl.VAT)
![Carolus II. D. G. Mag: Brit: Fran: & Hiber: Rex &c. [&] Serenissima Catherina Mag: Brit: Fran: & Hiber Regina &c.](jpegs/42416.jpg)
Carolus II. D. G. Mag: Brit: Fran: & Hiber: Rex &c. [&] Serenissima Catherina Mag: Brit: Fran: & Hiber Regina &c.
R. White Sculpsit. [&] Iohn Baptist Caspers Pinxit. Ed. Davis Sculpsit.
Sold by Moses Pitt at the Angel in St. Pauls Churchyard. [n.d. c.1680]
Pair of engravings. Sheets: 280 x 475mm (11 x 18¾"). Trimmed. Diagonal crease at bottom Carolus II
A pair of full-length portraits of Charles II (1630-1685) and his wife Catherine of Braganza (1638-1705).
Griffiths Print in Stuart Britain No 100.
[Ref: 42416] £480.00
R. White Sculpsit. [&] Iohn Baptist Caspers Pinxit. Ed. Davis Sculpsit.
Sold by Moses Pitt at the Angel in St. Pauls Churchyard. [n.d. c.1680]
Pair of engravings. Sheets: 280 x 475mm (11 x 18¾"). Trimmed. Diagonal crease at bottom Carolus II
A pair of full-length portraits of Charles II (1630-1685) and his wife Catherine of Braganza (1638-1705).
Griffiths Print in Stuart Britain No 100.
[Ref: 42416] £480.00
The Effigies Of the late Learned Divine Stephen Charnock. B.D.
R. White Sculp.
Sold by Tho. Cockerill att the 3 Leggs in ye Poultry. [n.d. c.1690.]
Engraving. Plate 292 x 184mm. 11½ x 7¼". Trimmed.
Portrait of Stephen Charnock, bust in an ornamental oval frame on a pedestal, long hair, wearing bands and gown; frontispiece to his 'Discourses' (1684). Stephen Charnock (1628-1680) was a Puritan divine, and English Puritan Presbytarian clergyman and theologian. In 1656 he left Southwark, where he served as a minister of the faith, converting individuals to Christianity, to Ireland, where he became a chaplain to Henry Cromwell. At the Restoration of Charles II in 1660, Charnock was legally prevented from practicing public ministry. He retuned to England where hs continued to study and minister in non-public ways.
Ex Collection: R. Hobson of Hove.
[Ref: 25393] £60.00 (£72.00 incl.VAT)
R. White Sculp.
Sold by Tho. Cockerill att the 3 Leggs in ye Poultry. [n.d. c.1690.]
Engraving. Plate 292 x 184mm. 11½ x 7¼". Trimmed.
Portrait of Stephen Charnock, bust in an ornamental oval frame on a pedestal, long hair, wearing bands and gown; frontispiece to his 'Discourses' (1684). Stephen Charnock (1628-1680) was a Puritan divine, and English Puritan Presbytarian clergyman and theologian. In 1656 he left Southwark, where he served as a minister of the faith, converting individuals to Christianity, to Ireland, where he became a chaplain to Henry Cromwell. At the Restoration of Charles II in 1660, Charnock was legally prevented from practicing public ministry. He retuned to England where hs continued to study and minister in non-public ways.
Ex Collection: R. Hobson of Hove.
[Ref: 25393] £60.00 (£72.00 incl.VAT)
![A View of the River Thames from Chelsea [two variants after Jean Baptiste Chatelain (1710? - 1771).] [With] [A drawing of the Thames at Chelsea.] (3)](jpegs/25697.jpg)
A View of the River Thames from Chelsea [two variants after Jean Baptiste Chatelain (1710? - 1771).] [With] [A drawing of the Thames at Chelsea.] (3)
[British, c. 1790s.]
Two etchings tipped into a single folio album leaf. Together with fragment strip from a panorama of Chelsea pasted between, pen & ink with bluish-grey wash. Sheet 485 x 330mm, 19 x 13". Drawing soiled and stained; the two prints lacking margins.
The printed compositions are almost identical, with changes to the figures in the foreground: above, a couple with their backs to the viewer looking out over the water; in the image below in their place a woman guides a child along the top of a wall. Also a pedlar approaches from right, his wares in a tray strapped to his front. This etching is signed 'Chas. White Sct' and is numbered 'No.3' upper right, for 'Six Views of the Thames', Laurie & Whittle. The drawing is in the manner of Joseph Farington (1747 - 1821).
Guildhall Library Record: 6832. Longford Images of Chelsea: 201.
[Ref: 25697] £240.00 (£288.00 incl.VAT)
[British, c. 1790s.]
Two etchings tipped into a single folio album leaf. Together with fragment strip from a panorama of Chelsea pasted between, pen & ink with bluish-grey wash. Sheet 485 x 330mm, 19 x 13". Drawing soiled and stained; the two prints lacking margins.
The printed compositions are almost identical, with changes to the figures in the foreground: above, a couple with their backs to the viewer looking out over the water; in the image below in their place a woman guides a child along the top of a wall. Also a pedlar approaches from right, his wares in a tray strapped to his front. This etching is signed 'Chas. White Sct' and is numbered 'No.3' upper right, for 'Six Views of the Thames', Laurie & Whittle. The drawing is in the manner of Joseph Farington (1747 - 1821).
Guildhall Library Record: 6832. Longford Images of Chelsea: 201.
[Ref: 25697] £240.00 (£288.00 incl.VAT)
![[A View of Chelsea.]](jpegs/25700.jpg)
[A View of Chelsea.]
Vivares fecit.
[British, n.d., c. 1740s.]
Large etching, proof on watermarked laid paper, printmaker's name in scratched letters (twice). sheet 330 x 485mm, 13 x 19". Centrefold crease, cut.
Attractive view of the Thames at Chelsea with figures including ferryman on the bank in left foreground, beside a fisherman; another carrying a net over his shoulder to right, boats on the water and upmarket residences on the opposite side of the river. First published by Bowles in 1744, this print is listed in the 1753 Bowles catalogue, p.44, under the title 'Perspective Views in and about London', and is number 13. After John Maurer (fl.1713 - c.1761).
Longford Images of Chelsea: 250.
[Ref: 25700] £260.00 (£312.00 incl.VAT)
Vivares fecit.
[British, n.d., c. 1740s.]
Large etching, proof on watermarked laid paper, printmaker's name in scratched letters (twice). sheet 330 x 485mm, 13 x 19". Centrefold crease, cut.
Attractive view of the Thames at Chelsea with figures including ferryman on the bank in left foreground, beside a fisherman; another carrying a net over his shoulder to right, boats on the water and upmarket residences on the opposite side of the river. First published by Bowles in 1744, this print is listed in the 1753 Bowles catalogue, p.44, under the title 'Perspective Views in and about London', and is number 13. After John Maurer (fl.1713 - c.1761).
Longford Images of Chelsea: 250.
[Ref: 25700] £260.00 (£312.00 incl.VAT)
Another View of the River from Chelsea. No.2
Chas. White Sc.t
[n.d. c.1794.]
Copper engraving. Plate 120 x 172mm. 4¾ x 6¾". Crease through centre, not visible from front.
View of River Thames from Chelsea. To the right of the tree a young couple with a girl, other figures walking along the sidewalk and rowing in the river. From 'Six Views of the Thames, 1794'.
Longford: 199.
[Ref: 20071] £95.00 (£114.00 incl.VAT)
Chas. White Sc.t
[n.d. c.1794.]
Copper engraving. Plate 120 x 172mm. 4¾ x 6¾". Crease through centre, not visible from front.
View of River Thames from Chelsea. To the right of the tree a young couple with a girl, other figures walking along the sidewalk and rowing in the river. From 'Six Views of the Thames, 1794'.
Longford: 199.
[Ref: 20071] £95.00 (£114.00 incl.VAT)
A View of the River Thames from Chelsea.
Chas. White, Sct.
[London, n.d., c.1794.]
Rare etching. 120 x 170mm (4¾ x 6¾). Two small stitching marks in the left margin.
A charming view; in the foreground a woman guides a child along the top of a wall. A pedlar approaches from right, his wares in a tray strapped to his front. Numbered 'No.3' upper right, for 'Six Views of the Thames', Laurie & Whittle. After Jean Baptiste Chatelain (1710? - 1771).
Guildhall Library Record: 6832. Longford Images of Chelsea: 201. For an uncut sheet of 'Six Views of the Thames' see ref. 4028.
[Ref: 53573] £120.00 (£144.00 incl.VAT)
Chas. White, Sct.
[London, n.d., c.1794.]
Rare etching. 120 x 170mm (4¾ x 6¾). Two small stitching marks in the left margin.
A charming view; in the foreground a woman guides a child along the top of a wall. A pedlar approaches from right, his wares in a tray strapped to his front. Numbered 'No.3' upper right, for 'Six Views of the Thames', Laurie & Whittle. After Jean Baptiste Chatelain (1710? - 1771).
Guildhall Library Record: 6832. Longford Images of Chelsea: 201. For an uncut sheet of 'Six Views of the Thames' see ref. 4028.
[Ref: 53573] £120.00 (£144.00 incl.VAT)
Children at Play. It Often Ends in Sorrow.
C. le White Sculp.
Published Janu.y the 25th 1782 by C. White Stafford Row Pimlico.
Stipple, part printed in colours. 185 x 160mm (7¼ x 6") very large margins.
A small and tearful boy turns from his two female playmates.
[Ref: 53933] £140.00 (£168.00 incl.VAT)
C. le White Sculp.
Published Janu.y the 25th 1782 by C. White Stafford Row Pimlico.
Stipple, part printed in colours. 185 x 160mm (7¼ x 6") very large margins.
A small and tearful boy turns from his two female playmates.
[Ref: 53933] £140.00 (£168.00 incl.VAT)
The Right Honourable Sr. John Coke K.t Secretary of State to King Charles the first.
G. White fec. 1724
Mezzotint, sheet 345 x 235mm (13½ x 9¼"). Trimmed; tipped into album sheet. Loss at top right & left.
Sir John Coke (1563-1644), politician. Coke played a major role in Charles I's ministry who has been criticized as 'humdrum' and servile, but his work was a function of his conservative nature and his need for survival at court.
[Ref: 43033] £180.00 (£216.00 incl.VAT)
G. White fec. 1724
Mezzotint, sheet 345 x 235mm (13½ x 9¼"). Trimmed; tipped into album sheet. Loss at top right & left.
Sir John Coke (1563-1644), politician. Coke played a major role in Charles I's ministry who has been criticized as 'humdrum' and servile, but his work was a function of his conservative nature and his need for survival at court.
[Ref: 43033] £180.00 (£216.00 incl.VAT)
Henry Coley Philomat. etc.
R. White delin et Sculp.
[n.d., c.1699.]
Engraving, rare. Sheet size: 125 x 85mm (5 x 3½"). Trimmed to image. Glued to album sheet at corners.
A portrait of English mathematician and astrologer Henry Coley (1633–1695?), aged 57. Bust length in a decorative oval, wearing long wig and cravat. Coley was the adopted son of the astrologer, William Lilly, who constantly makes reference in his works to Coley's merit as a man and as a professor of mathematics and occult science. He is best known by his celebrated work, 'Clavis Astrologiæ Elimata; or a Key to the whole Art of Astrology, new filed and polished,' which was first published in 1669. He corrected and enlarged Joseph Moxon's 'Mathematics made easy' (London, 1692), and also Forster's 'Arithmetic, or that useful art made easie' (London, 1686).
[Ref: 33844] £180.00 (£216.00 incl.VAT)
R. White delin et Sculp.
[n.d., c.1699.]
Engraving, rare. Sheet size: 125 x 85mm (5 x 3½"). Trimmed to image. Glued to album sheet at corners.
A portrait of English mathematician and astrologer Henry Coley (1633–1695?), aged 57. Bust length in a decorative oval, wearing long wig and cravat. Coley was the adopted son of the astrologer, William Lilly, who constantly makes reference in his works to Coley's merit as a man and as a professor of mathematics and occult science. He is best known by his celebrated work, 'Clavis Astrologiæ Elimata; or a Key to the whole Art of Astrology, new filed and polished,' which was first published in 1669. He corrected and enlarged Joseph Moxon's 'Mathematics made easy' (London, 1692), and also Forster's 'Arithmetic, or that useful art made easie' (London, 1686).
[Ref: 33844] £180.00 (£216.00 incl.VAT)
Daniel Colwal Armiger, Musaei Regalis Societatis Fundator.
R. White delin. et Sculp. 1681.
Engraving. Plate: 245 x 160mm (9¾ x 6¼'') very large margins.
A portrait of merchant and philanthropist Daniel Colwal who was a Fellow of the Royal Society and governor to Christ's Hospital.
Wellcome: 653 not in.
[Ref: 48644] £160.00 (£192.00 incl.VAT)
R. White delin. et Sculp. 1681.
Engraving. Plate: 245 x 160mm (9¾ x 6¼'') very large margins.
A portrait of merchant and philanthropist Daniel Colwal who was a Fellow of the Royal Society and governor to Christ's Hospital.
Wellcome: 653 not in.
[Ref: 48644] £160.00 (£192.00 incl.VAT)
Vera Effigies Jacobi Cooke Medici, ac Chirurgi peritissimi, qui, quae indefesso studio et multorum annorum Experientia comperit usui fore, ad presentem sanitatem tuendam amissamque recuperandam, non invidet humano generi. Aetatis suae 71.
R.W. [Robert White]
[n.d. c.1680.]
Engraving. Plate 153 x 102mm. 6 x 4".
James Cooke (1614-1688) was a physician and surgeon at Warwick.
See NPG: D30086. W: 665-2.
[Ref: 24583] £70.00 (£84.00 incl.VAT)
R.W. [Robert White]
[n.d. c.1680.]
Engraving. Plate 153 x 102mm. 6 x 4".
James Cooke (1614-1688) was a physician and surgeon at Warwick.
See NPG: D30086. W: 665-2.
[Ref: 24583] £70.00 (£84.00 incl.VAT)
![The Right Hon:ble Anthony Earle of Shaftesbury, Baron Ashley of Winbourne, St. Giles, Ld. Cooper of Pawlet And Ld. President of his Ma:ties most Hon:ble Privy Council. Ano. Do.1679. [Ink:] Sometime Lord High Chancellor of England.](jpegs/28898.jpg)
The Right Hon:ble Anthony Earle of Shaftesbury, Baron Ashley of Winbourne, St. Giles, Ld. Cooper of Pawlet And Ld. President of his Ma:ties most Hon:ble Privy Council. Ano. Do.1679. [Ink:] Sometime Lord High Chancellor of England.
R. White delin et Sculpsit 1680.
Sold by R White in Bloomsbury Market.
Engraving. Plate 381 x 268mm (15 x 10½"). Some creasing and paper-thinning hole left in reef frame around portrait; faint ms in old hand below title 'Sometime Lord High Chancellor of England'
Anthony Ashley Cooper, first Earl of Shaftesbury (1621-1683), who fought first for Charles I in the Civil War and then for Parliament, but at the Restoration Charles II pardoned him, and he became and influential politician. A member of the Cabal ministry, he was created Earl of Shaftesbury and appointed Lord Chancellor in 1672. He favoured the claim of the Duke of Monmouth to the throne in the place of the Catholic James, Duke of York, and gained political ground briefly in the wake of the 'Popish Plot' (1679-81), but fell from favour so dramatically that he was forced to flee to the Netherlands in 1682.
Later state. NPG: D19280.
[Ref: 28898] £180.00 (£216.00 incl.VAT)
R. White delin et Sculpsit 1680.
Sold by R White in Bloomsbury Market.
Engraving. Plate 381 x 268mm (15 x 10½"). Some creasing and paper-thinning hole left in reef frame around portrait; faint ms in old hand below title 'Sometime Lord High Chancellor of England'
Anthony Ashley Cooper, first Earl of Shaftesbury (1621-1683), who fought first for Charles I in the Civil War and then for Parliament, but at the Restoration Charles II pardoned him, and he became and influential politician. A member of the Cabal ministry, he was created Earl of Shaftesbury and appointed Lord Chancellor in 1672. He favoured the claim of the Duke of Monmouth to the throne in the place of the Catholic James, Duke of York, and gained political ground briefly in the wake of the 'Popish Plot' (1679-81), but fell from favour so dramatically that he was forced to flee to the Netherlands in 1682.
Later state. NPG: D19280.
[Ref: 28898] £180.00 (£216.00 incl.VAT)
![[Cupid Burning Armour.]](jpegs/18830.jpg)
[Cupid Burning Armour.]
[London: J. Boydell, 1782.]
Fine stipple, proof before title, image 130 x 160mm. 5 x 6¼". Trimmed within lower platemark; a strong impression.
Cupid holding a torch and burning a helmet; bow, quiver and books scattered to right. Coat of arms to lower margin. After Elisabetta Sirani (1638 - 1665). From 'The Houghton Gallery', a set of 162 prints reproducing paintings from the collection of Sir Robert Walpole at Houghton. The project was initiated by John Boydell after it had become increasingly likely that the collection would have to be sold (the paintings were eventually sold to Catherine of Russia in 1778 and are now part of the Hermitage Museum's collections). The plates were published from 1774 to 1788 in two volumes.
[Ref: 18830] £90.00 (£108.00 incl.VAT)
[London: J. Boydell, 1782.]
Fine stipple, proof before title, image 130 x 160mm. 5 x 6¼". Trimmed within lower platemark; a strong impression.
Cupid holding a torch and burning a helmet; bow, quiver and books scattered to right. Coat of arms to lower margin. After Elisabetta Sirani (1638 - 1665). From 'The Houghton Gallery', a set of 162 prints reproducing paintings from the collection of Sir Robert Walpole at Houghton. The project was initiated by John Boydell after it had become increasingly likely that the collection would have to be sold (the paintings were eventually sold to Catherine of Russia in 1778 and are now part of the Hermitage Museum's collections). The plates were published from 1774 to 1788 in two volumes.
[Ref: 18830] £90.00 (£108.00 incl.VAT)
![[Ornamental design; a woman and child with flying bird.]](jpegs/20224.jpg)
[Ornamental design; a woman and child with flying bird.]
White Sc.
De la Cour exc: Accordg. to Act of Parlt. in Katherine Street in ye Strand. 1748.
Etching on laid paper, 220 x 170mm. 8¾ x 6¾".
Vaguely chinoiserie in style; numbered '1' upper right. From a pattern book published by William Delacour (fl.1740 - 1767), portrait, decorative and scene painter; presumably French origins; d. Edinburgh 1767. He published eight books of ornament between 1741 and 1747, engraved by himself, Vivares or Robert White. He is first documented as a scene painter for London theatres.
[Ref: 20224] £220.00 (£264.00 incl.VAT)
White Sc.
De la Cour exc: Accordg. to Act of Parlt. in Katherine Street in ye Strand. 1748.
Etching on laid paper, 220 x 170mm. 8¾ x 6¾".
Vaguely chinoiserie in style; numbered '1' upper right. From a pattern book published by William Delacour (fl.1740 - 1767), portrait, decorative and scene painter; presumably French origins; d. Edinburgh 1767. He published eight books of ornament between 1741 and 1747, engraved by himself, Vivares or Robert White. He is first documented as a scene painter for London theatres.
[Ref: 20224] £220.00 (£264.00 incl.VAT)
Dollond. From an original Picture in the Royal Observatory, Greewich.
Engraved by J. Posselwhite.
London, Published by Charles Knight & C.o. Ludgate Street. [n.d., c.1835.]
Stipple with very large margins. Plate: 200 x 285mm (8 x 11¼"). Some slight foxing. Tears in right hand side to plate.
Half portrait of John Dollond (1706-1761) a British optician noted for his experiments with lenses and optics. Dollond is dipicted sitting at a table, holding reading lens, his hand resting on a book labelled 'Opticks'. Published in the ''The Gallery of Portraits: With Memoirs'', 1833-7.
[Ref: 35545] £60.00 (£72.00 incl.VAT)
Engraved by J. Posselwhite.
London, Published by Charles Knight & C.o. Ludgate Street. [n.d., c.1835.]
Stipple with very large margins. Plate: 200 x 285mm (8 x 11¼"). Some slight foxing. Tears in right hand side to plate.
Half portrait of John Dollond (1706-1761) a British optician noted for his experiments with lenses and optics. Dollond is dipicted sitting at a table, holding reading lens, his hand resting on a book labelled 'Opticks'. Published in the ''The Gallery of Portraits: With Memoirs'', 1833-7.
[Ref: 35545] £60.00 (£72.00 incl.VAT)
![[John Dolland.]](jpegs/35546.jpg)
[John Dolland.]
[n.d., c.1835]
Stipple with very large margins. On india. Proof before letters; signed in pencil bottom right John Dolland C.K., the publisher; Plate: 200 x 290mm (8 x 11½"). Tears in right margin. Foxing in margins.
Half portrait of John Dollond (1706-1761) a British optician noted for his experiments with lenses and optics. Dollond is dipicted sitting at a table, holding reading lens, his hand resting on a book labelled 'Opticks'.
[Ref: 35546] £140.00 (£168.00 incl.VAT)
[n.d., c.1835]
Stipple with very large margins. On india. Proof before letters; signed in pencil bottom right John Dolland C.K., the publisher; Plate: 200 x 290mm (8 x 11½"). Tears in right margin. Foxing in margins.
Half portrait of John Dollond (1706-1761) a British optician noted for his experiments with lenses and optics. Dollond is dipicted sitting at a table, holding reading lens, his hand resting on a book labelled 'Opticks'.
[Ref: 35546] £140.00 (£168.00 incl.VAT)
Thomas Doolittle. Aetatis suae 51. Dust drawne to th'life! yet dull and shortly dead. Shall live. Death's slaine by death, Christ in my stead Did dye, Deare Lord! Love flames my flesh & mind; In thee do hope eternall life to find. My flesh, my soul, my all I owe to thee, Thy Wounds are health, thy stripes are balm to mee. T.D. [In ink:] Thos. Doolittle born at Kidderminster.
R. White Sculp.
[n.d. c.1700.]
Engraving. 122 x 76mm. 4¾ x 3". Cut.
Thomas Doolittle (1630-1707) was a nonconformist clergyman. Doolittle learnt his preaching methods from Richard Baxter, who later encouraged him to enter the ministry, leaving his occupation as assistant to a county lawyer. In 1653 Doolittle received Presbyterian ordination but committed himself to a Church of England congregation where he served until he was eventually ejected for nonconformity in 1662. He was however eminently successful at that ministry.
BM: 1925,1615.70.
[Ref: 16758] £65.00 (£78.00 incl.VAT)
R. White Sculp.
[n.d. c.1700.]
Engraving. 122 x 76mm. 4¾ x 3". Cut.
Thomas Doolittle (1630-1707) was a nonconformist clergyman. Doolittle learnt his preaching methods from Richard Baxter, who later encouraged him to enter the ministry, leaving his occupation as assistant to a county lawyer. In 1653 Doolittle received Presbyterian ordination but committed himself to a Church of England congregation where he served until he was eventually ejected for nonconformity in 1662. He was however eminently successful at that ministry.
BM: 1925,1615.70.
[Ref: 16758] £65.00 (£78.00 incl.VAT)
S.r Francis Drake. This Picture was taken from an Original Painting, communicated by the Hon.ble S.r Phillip Sydenham Bar.t Kn.t opf ye shire for Somerset, To whom this Place is dedicated by the Publishers.
R. White sculpsit.
[London, c.1705.]
Engraving. Sheet 300 x 185mm (11¾ x 7¼"). Trimmed within plate.
Portrait of Sir Francis Drake (1540?-96), in embroidered jacket with lace collar, within an oval on a plinth. From Harrison's 'A Compleat Collection of Voyages and Travels'. The National Portrait Gallery describes this as 'Unknown man engraved as Sir Francis Drake'.
NPG D13560.
[Ref: 60793] £160.00 (£192.00 incl.VAT)
R. White sculpsit.
[London, c.1705.]
Engraving. Sheet 300 x 185mm (11¾ x 7¼"). Trimmed within plate.
Portrait of Sir Francis Drake (1540?-96), in embroidered jacket with lace collar, within an oval on a plinth. From Harrison's 'A Compleat Collection of Voyages and Travels'. The National Portrait Gallery describes this as 'Unknown man engraved as Sir Francis Drake'.
NPG D13560.
[Ref: 60793] £160.00 (£192.00 incl.VAT)
M.r John Dryden.
G. Kneller Baron.t pinx. G. White fecit.
Sold by Thomas Bowles Printseller in S.t Pauls Church Yard, London. [n.d. c.1731.]
Mezzotint, 18th century watermark; sheet 325 x 240mm (12¾ x 9½"). Trimmed to plate, glued on album sheet at edges. Slightly scuffed.
Half-length portrait of the English poet John Dryden (1631-1700), in an oval. Looking towards the viewer over left shoulder, wearing gown and loose collar, with wreath in his right hand. Dryden was a dominating figure in the literary life of Restoration England.
CS 17.II of III.
[Ref: 59380] £260.00 (£312.00 incl.VAT)
G. Kneller Baron.t pinx. G. White fecit.
Sold by Thomas Bowles Printseller in S.t Pauls Church Yard, London. [n.d. c.1731.]
Mezzotint, 18th century watermark; sheet 325 x 240mm (12¾ x 9½"). Trimmed to plate, glued on album sheet at edges. Slightly scuffed.
Half-length portrait of the English poet John Dryden (1631-1700), in an oval. Looking towards the viewer over left shoulder, wearing gown and loose collar, with wreath in his right hand. Dryden was a dominating figure in the literary life of Restoration England.
CS 17.II of III.
[Ref: 59380] £260.00 (£312.00 incl.VAT)
Mr. Stephen Dugdale. Discoverer of the horrid Plott.
R. White delin. et sculp [1681]
Etching, sheet 230 x 150mm (9 x 6"). Trimmed. Glued to album sheet at edges.
Stephen Dugdale (d.1683), informer. Imprisoned for debt in 1678, Dugdale turned informer, claiming to have knowledge of the 'Popish Plot' to assassinate Charles II. He confirmed the evidence of the plot's chief fabricator Titus Oates, and created a minor sub-plot of his own, based in Staffordshire. At the Popish Plot trials of 1679, however, Dugdale was unpersuasive in his testimony and his respectability ebbed away under bouts of venereal disease and drunkenness. He continued to earn well as an informant until his death, however.
[Ref: 42811] £190.00 (£228.00 incl.VAT)
R. White delin. et sculp [1681]
Etching, sheet 230 x 150mm (9 x 6"). Trimmed. Glued to album sheet at edges.
Stephen Dugdale (d.1683), informer. Imprisoned for debt in 1678, Dugdale turned informer, claiming to have knowledge of the 'Popish Plot' to assassinate Charles II. He confirmed the evidence of the plot's chief fabricator Titus Oates, and created a minor sub-plot of his own, based in Staffordshire. At the Popish Plot trials of 1679, however, Dugdale was unpersuasive in his testimony and his respectability ebbed away under bouts of venereal disease and drunkenness. He continued to earn well as an informant until his death, however.
[Ref: 42811] £190.00 (£228.00 incl.VAT)
Edwardus Sextus Angliae Galliae & Hiberniae Rex. Natus 12 Octob 1537. Regnare cepit, 28. January 1547. Obijt 6.to July 1553.
R. White Sculp:
[Richard Chiswell.] [n.d. c.1681.]
Engraving, paper watermarked. 235 x 152mm (9¼ x 6"). Small tear into upper edge, trimmed.
Edward VI (1537-1553), the son of Henry VIII and Jane Seymour. He lived a very short life, and on his death bed he and his council drew up a "Devise for the Succession", attempting to prevent the country being returned to Catholicism. In light of this, Edward named his cousin Lady Jane Grey as his heir. This was however disputed following his death and Jane was deposed by Mary within 13 days, who reversed Edward's Protestant reforms. Illustration to Gilbert Burnet's 'History of the Reformation'.
[Ref: 30347] £70.00 (£84.00 incl.VAT)
R. White Sculp:
[Richard Chiswell.] [n.d. c.1681.]
Engraving, paper watermarked. 235 x 152mm (9¼ x 6"). Small tear into upper edge, trimmed.
Edward VI (1537-1553), the son of Henry VIII and Jane Seymour. He lived a very short life, and on his death bed he and his council drew up a "Devise for the Succession", attempting to prevent the country being returned to Catholicism. In light of this, Edward named his cousin Lady Jane Grey as his heir. This was however disputed following his death and Jane was deposed by Mary within 13 days, who reversed Edward's Protestant reforms. Illustration to Gilbert Burnet's 'History of the Reformation'.
[Ref: 30347] £70.00 (£84.00 incl.VAT)
Effigies Elizabethæ Reginæ Angliæ etc.
R. White sculp:
[Printed for Richard Chiswell at the Rose and Crowne in St. Pauls Church yard.] [n.d., c.1700.]
Engraving, part 1820 watermark, sheet 235 x 150mm (9¼ x 6"). Trimmed to plate.
From Gilbert Burnet's 'History of the Reformation', first published 1681. Portrait of Queen Elizabeth I (1533 - 1603), in inscribed oval frame on pedestal, wearing crown and holding orb and sceptre; royal arms and Latin lettering below.
O'Donoghue: 42.
[Ref: 55262] £130.00 (£156.00 incl.VAT)
R. White sculp:
[Printed for Richard Chiswell at the Rose and Crowne in St. Pauls Church yard.] [n.d., c.1700.]
Engraving, part 1820 watermark, sheet 235 x 150mm (9¼ x 6"). Trimmed to plate.
From Gilbert Burnet's 'History of the Reformation', first published 1681. Portrait of Queen Elizabeth I (1533 - 1603), in inscribed oval frame on pedestal, wearing crown and holding orb and sceptre; royal arms and Latin lettering below.
O'Donoghue: 42.
[Ref: 55262] £130.00 (£156.00 incl.VAT)
The Flower Girl.
N.M. Delin.t C. White Sc.t [after Miss Langham].
Pub.d Jan.y 1785 by C. White Stafford Row Pimlico.
Stipple and etching, with very large margins. Plate 240 x 177mm. 9½ x 7". Very fine & rare;
A young woman standing at right in a park, handing a flower from her basket to a boy at left.
[Ref: 28165] £240.00 (£288.00 incl.VAT)
N.M. Delin.t C. White Sc.t [after Miss Langham].
Pub.d Jan.y 1785 by C. White Stafford Row Pimlico.
Stipple and etching, with very large margins. Plate 240 x 177mm. 9½ x 7". Very fine & rare;
A young woman standing at right in a park, handing a flower from her basket to a boy at left.
[Ref: 28165] £240.00 (£288.00 incl.VAT)
![[Saturday Afternoon.]](jpegs/48488.jpg)
[Saturday Afternoon.]
[Kathleen White.]
[n.d., c.1930.]
Woodcut on india paper. Sheet: 270 x 210mm (10½ x 8¼''). Creases.
A scene showing three boys wearing strip kicking a football around a field.
[Ref: 48488] £220.00 (£264.00 incl.VAT)
[Kathleen White.]
[n.d., c.1930.]
Woodcut on india paper. Sheet: 270 x 210mm (10½ x 8¼''). Creases.
A scene showing three boys wearing strip kicking a football around a field.
[Ref: 48488] £220.00 (£264.00 incl.VAT)
![[Football Match.]](jpegs/48489.jpg)
[Football Match.]
[Kathleen White.]
[n.d., c.1930.]
Woodcut on india paper. Sheet: 270 x 210mm (10½ x 8¼''). Creases.
A scene showing a group of footballers running for the ball during a football match; the stands are filled with the faces of the spectators.
[Ref: 48489] £220.00 (£264.00 incl.VAT)
[Kathleen White.]
[n.d., c.1930.]
Woodcut on india paper. Sheet: 270 x 210mm (10½ x 8¼''). Creases.
A scene showing a group of footballers running for the ball during a football match; the stands are filled with the faces of the spectators.
[Ref: 48489] £220.00 (£264.00 incl.VAT)
Saturday Afternoon.
Kathleen White. [Signed in pencil.]
[n.d., c.1930.]
Woodcut. Sheet: 270 x 210mm (10½ x 8¼''). Glued to sheet at corners.
A scene showing three boys wearing strip kicking a football around a field.
[Ref: 48080] £350.00
Kathleen White. [Signed in pencil.]
[n.d., c.1930.]
Woodcut. Sheet: 270 x 210mm (10½ x 8¼''). Glued to sheet at corners.
A scene showing three boys wearing strip kicking a football around a field.
[Ref: 48080] £350.00