A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Boy & Dog. In the Collection of his Grace the Duke of Norfolk.
B. Murillo Pinxit. Caroline Watson Sculpsit.
Publish'd Sep.r 1st 1781 by John Boydell Engraver in Cheapside London.
Stipple with very large margins. 230 x 180mm (9 x 7"). Uncut.
An oval portrait of a boy feeding his dog, after Spanish painter Bartolomé Esteban Murillo (1617-82). The engraver, Caroline Watson (1760-1814), was the daughter of James Watson: she was one of the few female print engravers and publishers of the period.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 36468] £130.00 (£156.00 incl.VAT)
B. Murillo Pinxit. Caroline Watson Sculpsit.
Publish'd Sep.r 1st 1781 by John Boydell Engraver in Cheapside London.
Stipple with very large margins. 230 x 180mm (9 x 7"). Uncut.
An oval portrait of a boy feeding his dog, after Spanish painter Bartolomé Esteban Murillo (1617-82). The engraver, Caroline Watson (1760-1814), was the daughter of James Watson: she was one of the few female print engravers and publishers of the period.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 36468] £130.00 (£156.00 incl.VAT)
Boy and Birds Nest. In the Collection of his Grace the Duke of Norfolk.
B. Murillo Pinxit. Caroline Watson Sculpsit.
Publish'd Sep.r 1st 1781 by John Boydell Engraver in Cheapside London.
Stipple. 225 x 180mm (8¾ x 7"), on wove paper with very large margins.
A boy stroking a bird in a nest, after Bartolomé Esteban Murillo (1618-82).
[Ref: 55604] £130.00 (£156.00 incl.VAT)
B. Murillo Pinxit. Caroline Watson Sculpsit.
Publish'd Sep.r 1st 1781 by John Boydell Engraver in Cheapside London.
Stipple. 225 x 180mm (8¾ x 7"), on wove paper with very large margins.
A boy stroking a bird in a nest, after Bartolomé Esteban Murillo (1618-82).
[Ref: 55604] £130.00 (£156.00 incl.VAT)
Boy & Dog. In the Collection of his Grace the Duke of Norfolk. Size of the Picture F.1. 1.6 ½ by F.1 2.1 high.
B. Marillo Pinxit. Caroline Watson Sculpsit.
Publish'd Sep.r 1.st 1781 by John Boydell Engraver in Cheapside London.
Stipple, printed in sanguine. Plate: 230 x 180mm (9 x 7"), with very good margins.
A scene showing a young boy feeding his small dog.
[Ref: 47271] £120.00 (£144.00 incl.VAT)
B. Marillo Pinxit. Caroline Watson Sculpsit.
Publish'd Sep.r 1.st 1781 by John Boydell Engraver in Cheapside London.
Stipple, printed in sanguine. Plate: 230 x 180mm (9 x 7"), with very good margins.
A scene showing a young boy feeding his small dog.
[Ref: 47271] £120.00 (£144.00 incl.VAT)
Hugh Boyd, Esq.r
Engraved by Caroline Watson from a crayon drawing In the possession of Mrs. Boyd.
[n.d. c.1780.]
Stipple. 132 x 95mm. 5¼ x 3¾". Small paper damage into upper edge. Trimmed.
Hugh Boyd (1746-1794) was educated at Trinity College Dublin and went on to become editor for the political paper, the Freeholder in Dublin, before moving to London where he joing the club attended by Johnson, Goldsmith and Burke. He accompanied Lord Macartney to India as his secretary and was captured and imprisoned by the French. He became Master-Attendant in Madras where he edited the Madras Courier and other Anglo-Indian journals. His miscellaneous works were published between 1798 and 1800, and there were many who believed him,(rather than Sir Philip Francis), to be the author of the 'Junius Letters', which had appeared in the Public Advertiser, London, from 1769 to 1772, attacking George III and his ministers.
[Ref: 17884] £90.00 (£108.00 incl.VAT)
Engraved by Caroline Watson from a crayon drawing In the possession of Mrs. Boyd.
[n.d. c.1780.]
Stipple. 132 x 95mm. 5¼ x 3¾". Small paper damage into upper edge. Trimmed.
Hugh Boyd (1746-1794) was educated at Trinity College Dublin and went on to become editor for the political paper, the Freeholder in Dublin, before moving to London where he joing the club attended by Johnson, Goldsmith and Burke. He accompanied Lord Macartney to India as his secretary and was captured and imprisoned by the French. He became Master-Attendant in Madras where he edited the Madras Courier and other Anglo-Indian journals. His miscellaneous works were published between 1798 and 1800, and there were many who believed him,(rather than Sir Philip Francis), to be the author of the 'Junius Letters', which had appeared in the Public Advertiser, London, from 1769 to 1772, attacking George III and his ministers.
[Ref: 17884] £90.00 (£108.00 incl.VAT)
![[Lieutenant-General Sir Robert Boyd.]](jpegs/53056.jpg)
[Lieutenant-General Sir Robert Boyd.]
J. Smart pinxit. John Boydell, excudit, 1785. Caroline Watson sculpsit.
Publish'd May 1st. 1785, by John Boydell, Engraver, in Cheapside, London.
Stipple., proof before title 170 x 125mm (6¾ x 5"). Trimmed to plate, slight surface soiling.
Lieutenant General Sir Robert Boyd (c.1710-1794), army officer during the Seven Years' War, including the Siege of Minorca of 1756. He served as governor of Gibraltar three times (1776-7, 1790 and 1790-4) and was buried there.
[Ref: 53056] £70.00 (£84.00 incl.VAT)
J. Smart pinxit. John Boydell, excudit, 1785. Caroline Watson sculpsit.
Publish'd May 1st. 1785, by John Boydell, Engraver, in Cheapside, London.
Stipple., proof before title 170 x 125mm (6¾ x 5"). Trimmed to plate, slight surface soiling.
Lieutenant General Sir Robert Boyd (c.1710-1794), army officer during the Seven Years' War, including the Siege of Minorca of 1756. He served as governor of Gibraltar three times (1776-7, 1790 and 1790-4) and was buried there.
[Ref: 53056] £70.00 (£84.00 incl.VAT)
George Campbell D.D.
J. Bogle pinx.t Caroline Watson engraver to her Majesty sculpt.
London, Published Novr 25. 1798, by J. Johnson, St. Paul's Churchyard.
Stipple, sheet 165 x 130mm (6¾ x 5¼"). Light staining.
A bust-length portrait of professor of divinity at Marischal College, Aberdeen, George Campbell (1719-96), shown in an oval frame, slightly turned to the left. He is dressed in an academic gown with bands at his neck and wears a powdered bobwig on his head.
[Ref: 65196] £65.00 (£78.00 incl.VAT)
J. Bogle pinx.t Caroline Watson engraver to her Majesty sculpt.
London, Published Novr 25. 1798, by J. Johnson, St. Paul's Churchyard.
Stipple, sheet 165 x 130mm (6¾ x 5¼"). Light staining.
A bust-length portrait of professor of divinity at Marischal College, Aberdeen, George Campbell (1719-96), shown in an oval frame, slightly turned to the left. He is dressed in an academic gown with bands at his neck and wears a powdered bobwig on his head.
[Ref: 65196] £65.00 (£78.00 incl.VAT)
Charles Chauncy M.D. F.R.S. Obiit 25.to Dec.ri 1777 Aetatis 68.
Francis Coates pinx.t 1750. Caroline Watson sculp.t Engraver to her Majesty.
[n.d. c.1780.]
Mixed method engraving. 202 x 157mm. 8 x 6¼".
Dr Charles Chauncy (1709-1777) was a physician and antiquary. He formed a valuable collection of books, nearly all in choice condition and in handsome bindings. He was one of the earliest bibliophiles to pay attention to literary manuscripts or presentation copies.
Not in Wellcome.
[Ref: 20031] £120.00 (£144.00 incl.VAT)
Francis Coates pinx.t 1750. Caroline Watson sculp.t Engraver to her Majesty.
[n.d. c.1780.]
Mixed method engraving. 202 x 157mm. 8 x 6¼".
Dr Charles Chauncy (1709-1777) was a physician and antiquary. He formed a valuable collection of books, nearly all in choice condition and in handsome bindings. He was one of the earliest bibliophiles to pay attention to literary manuscripts or presentation copies.
Not in Wellcome.
[Ref: 20031] £120.00 (£144.00 incl.VAT)
The Most Noble Richard Cowley Wellesley Marquis Wellesley.
Engraved by Caroline Watson (engraver to her Majesty) from the original picture painted by S: Andrews, 1802.
Published 14th June 1804 by Mary Parr 52 Pall Mall.
Stipple and etching, small margins. Platemark: 190 x 165mm (7½ x 6½").
Richard Colley, Marquess Wellesley (1760 - 1842), was the Duke of Wellington's eldest brother. He was Governor-general of Bengal (1797 - 1805), and Lord Lieutenant of Ireland in 1821-28 and 1833-34. His executors transferred to the BM his official papers (now in the British Library). Engraved by Caroline Watson (1760 - 1814).
[Ref: 33133] £130.00 (£156.00 incl.VAT)
Engraved by Caroline Watson (engraver to her Majesty) from the original picture painted by S: Andrews, 1802.
Published 14th June 1804 by Mary Parr 52 Pall Mall.
Stipple and etching, small margins. Platemark: 190 x 165mm (7½ x 6½").
Richard Colley, Marquess Wellesley (1760 - 1842), was the Duke of Wellington's eldest brother. He was Governor-general of Bengal (1797 - 1805), and Lord Lieutenant of Ireland in 1821-28 and 1833-34. His executors transferred to the BM his official papers (now in the British Library). Engraved by Caroline Watson (1760 - 1814).
[Ref: 33133] £130.00 (£156.00 incl.VAT)
Madame de Genlis.
Engraved by Caroline Watson (engraver to Her Majesty) from the original Picture.
Published April 14.th 1809, by Thomas Payne, Pall Mall.
Stipple with very large margins and collector's mark. Plate 281 x 222mm (11 x 8¾"). Uncut.
Stéphanie Félicité du Crest de Saint-Aubin, Comtesse de Genlis (1746-1830), known as Madame de Genlis, the French writer, harpist and educator. From Hayley's Life of Romney 1809.
Ex Collection: Earl of Bute. Horne: 32.
[Ref: 29134] £65.00 (£78.00 incl.VAT)
Engraved by Caroline Watson (engraver to Her Majesty) from the original Picture.
Published April 14.th 1809, by Thomas Payne, Pall Mall.
Stipple with very large margins and collector's mark. Plate 281 x 222mm (11 x 8¾"). Uncut.
Stéphanie Félicité du Crest de Saint-Aubin, Comtesse de Genlis (1746-1830), known as Madame de Genlis, the French writer, harpist and educator. From Hayley's Life of Romney 1809.
Ex Collection: Earl of Bute. Horne: 32.
[Ref: 29134] £65.00 (£78.00 incl.VAT)
Lady Elizabeth Foster.
Engraved by Miss Caroline Watson, Engraver to Her Majesty after an original drawing made by Mr Downman for the Scenery at Richmond House Theatre.
London. Pub.d by R. Cribb, 288, Holborn, Jan.y 1 1797.
Stipple, very fine impression. 290 x 205mm (11½ x 8"), with very large margins.
Lady Elizabeth Foster (1757-1824), novelist and friend of Georgina Cavendish who lived with her and the Duke of Devonshire in a ménage à trois for 25 years, becoming duchess when Georgina died in 1806. Downman executed a series of portraits of women who had acted in the Richmond House Theatre, the 3rd Duke of Richmond's private theatre in Richmond House, Whitehall. Regarded as one of the grandest houses of the period, it burned down in 1791, after which the Duke concentrated on his country estate, Goodwood. First published by M. Lawson in 1788.
[Ref: 51313] £330.00
Engraved by Miss Caroline Watson, Engraver to Her Majesty after an original drawing made by Mr Downman for the Scenery at Richmond House Theatre.
London. Pub.d by R. Cribb, 288, Holborn, Jan.y 1 1797.
Stipple, very fine impression. 290 x 205mm (11½ x 8"), with very large margins.
Lady Elizabeth Foster (1757-1824), novelist and friend of Georgina Cavendish who lived with her and the Duke of Devonshire in a ménage à trois for 25 years, becoming duchess when Georgina died in 1806. Downman executed a series of portraits of women who had acted in the Richmond House Theatre, the 3rd Duke of Richmond's private theatre in Richmond House, Whitehall. Regarded as one of the grandest houses of the period, it burned down in 1791, after which the Duke concentrated on his country estate, Goodwood. First published by M. Lawson in 1788.
[Ref: 51313] £330.00
Sarah Countess of Kinnoull. From a painting in miniature of the same size by Sam. Shelly_ Engraved by Caroline Watson engraver to her Majesty. [1798]
Stipple, early impression, platemark 285 x 210mm (11¼ x 8¼"), very large margins.
Sarah Harley (1760-1837), daughter of Sir Thomas Harley; she married Robert Hay-Drummond, later 10th Earl of Kinnoul, in 1781.
[Ref: 42483] £140.00 (£168.00 incl.VAT)
Stipple, early impression, platemark 285 x 210mm (11¼ x 8¼"), very large margins.
Sarah Harley (1760-1837), daughter of Sir Thomas Harley; she married Robert Hay-Drummond, later 10th Earl of Kinnoul, in 1781.
[Ref: 42483] £140.00 (£168.00 incl.VAT)
Frontispiece to the Second Volume of Hayley's Memoirs. Vide page 233.
Engraved by Caroline Watson, From a painting by Romney.
London Published by Henry Colburn & Co. and Simpkin & Marshall April, 10, 1823.
Stipple engraving 257 x 315mm. 10 x 12 inches. Collectors mark for Madam Anderson Weston.
William Hayley (1745-1820), an English writer best known as the friend and biographer of William Cowper.
Horne: 65b.
[Ref: 13720] £140.00 (£168.00 incl.VAT)
Engraved by Caroline Watson, From a painting by Romney.
London Published by Henry Colburn & Co. and Simpkin & Marshall April, 10, 1823.
Stipple engraving 257 x 315mm. 10 x 12 inches. Collectors mark for Madam Anderson Weston.
William Hayley (1745-1820), an English writer best known as the friend and biographer of William Cowper.
Horne: 65b.
[Ref: 13720] £140.00 (£168.00 incl.VAT)
Ann Holme Aet suae 77.
J. Smith pinx 1782 P. M Morland delin 1799 Caroline Watson engraver to her Majesty sculp
Stipple, platemark 240 x 200mm (9½ x 8"). Small margins.
Portrait engraved by Caroline Watson (1760/1-1814), printmaker specializing in the stipple technique, and daughter of the Irish mezzotinter James Watson. Watson was made engraver to the queen in 1785, and was also patronized by the Bute family. While she did not exhibit in public exhibitions, Watson was one of few women who maintained an independent printmaking practice, signing her name rather than working unacknowledged, and seemingly operating a successful business judging from her wealth at the time of her death.
[Ref: 43523] £75.00 (£90.00 incl.VAT)
J. Smith pinx 1782 P. M Morland delin 1799 Caroline Watson engraver to her Majesty sculp
Stipple, platemark 240 x 200mm (9½ x 8"). Small margins.
Portrait engraved by Caroline Watson (1760/1-1814), printmaker specializing in the stipple technique, and daughter of the Irish mezzotinter James Watson. Watson was made engraver to the queen in 1785, and was also patronized by the Bute family. While she did not exhibit in public exhibitions, Watson was one of few women who maintained an independent printmaking practice, signing her name rather than working unacknowledged, and seemingly operating a successful business judging from her wealth at the time of her death.
[Ref: 43523] £75.00 (£90.00 incl.VAT)
![[Robert Lilburne, Heir of the ancient Family of Lilburne of Thickley Puncherdon in the Bishoprick of Durham...]](jpegs/56660.jpg)
[Robert Lilburne, Heir of the ancient Family of Lilburne of Thickley Puncherdon in the Bishoprick of Durham...]
[S. Cooper pinx.t. C. Watson sculp.]
[London, Published 1st May 1807 by R.t Wilkinson, No. 58 Cornhill.]
[Stipple and etching, proof before all letters. Sheet 265 x 210mm (10½ x 8¼"). A little surface soiling.
Colonel Robert Lilburne (1613-65), a signatory to the death warrant of King Charles I in 1649 and forty-seventh of the fifty nine Commissioners. After the restoration he was found guilty of high treason: his sentence of being hung, drawn and quartered was commuted to life in prison. His younger brother was John Lilburne, the well known Leveller. According to Alexander this print was published to meet the demand from extra-illustrators, particularly those who wanted to enlarge Clarendon's 'History of the Great Rebellion'.
Alexander 89.
[Ref: 56660] £95.00 (£114.00 incl.VAT)
[S. Cooper pinx.t. C. Watson sculp.]
[London, Published 1st May 1807 by R.t Wilkinson, No. 58 Cornhill.]
[Stipple and etching, proof before all letters. Sheet 265 x 210mm (10½ x 8¼"). A little surface soiling.
Colonel Robert Lilburne (1613-65), a signatory to the death warrant of King Charles I in 1649 and forty-seventh of the fifty nine Commissioners. After the restoration he was found guilty of high treason: his sentence of being hung, drawn and quartered was commuted to life in prison. His younger brother was John Lilburne, the well known Leveller. According to Alexander this print was published to meet the demand from extra-illustrators, particularly those who wanted to enlarge Clarendon's 'History of the Great Rebellion'.
Alexander 89.
[Ref: 56660] £95.00 (£114.00 incl.VAT)
Lady Mary Pierrepont. 1710. No.1
Engraved by Caroline Watson (engraver to her Majesty) from a Miniature in the collection of the Marquis of Bute.
Published June 1.1803, by Richard Phillips, No.71, St Paul's Church Yard London.
Stipple with some etching, with large margins, Plate 190 x 120mm. 7½ x 4¾".
Lady Mary Wortley Montagu (1689-1762) was an English aristocrat and writer. She is remembered for her letters from Turkey, as wife to the ambassador, which have been described by Billie Melman as 'the very first example of a secular work by a woman about the Muslim Orient'. Portrait after a miniature; three-quarters length standing with her right arm resting on a tree branch, her cheek against her hand, her left hand at her side, wearing a simple gown with her hair dressed half up; in an oval; number 1 of a set.
[Ref: 24238] £130.00 (£156.00 incl.VAT)
Engraved by Caroline Watson (engraver to her Majesty) from a Miniature in the collection of the Marquis of Bute.
Published June 1.1803, by Richard Phillips, No.71, St Paul's Church Yard London.
Stipple with some etching, with large margins, Plate 190 x 120mm. 7½ x 4¾".
Lady Mary Wortley Montagu (1689-1762) was an English aristocrat and writer. She is remembered for her letters from Turkey, as wife to the ambassador, which have been described by Billie Melman as 'the very first example of a secular work by a woman about the Muslim Orient'. Portrait after a miniature; three-quarters length standing with her right arm resting on a tree branch, her cheek against her hand, her left hand at her side, wearing a simple gown with her hair dressed half up; in an oval; number 1 of a set.
[Ref: 24238] £130.00 (£156.00 incl.VAT)
![[Sergius, Prince and Princess Gagarin, with their child.]](jpegs/53567.jpg)
[Sergius, Prince and Princess Gagarin, with their child.]
Sir Joshua Reynolds pinxt. Caroline Watson sculpsit, Engraver to her Majesty.
Published according to the Act of Parliament, Aug.t 2, 1785; by Caroline Watson, Fitzroy Street.
Stipple. Plate 240 x 175mm (13½ x 7"). Crease running horizontally through the centre of the plate.
Prince and Princess Gagarin or the Rurik Dynasty in Russia.
Hamilton: p.63. i of ii.
[Ref: 53567] £180.00 (£216.00 incl.VAT)
Sir Joshua Reynolds pinxt. Caroline Watson sculpsit, Engraver to her Majesty.
Published according to the Act of Parliament, Aug.t 2, 1785; by Caroline Watson, Fitzroy Street.
Stipple. Plate 240 x 175mm (13½ x 7"). Crease running horizontally through the centre of the plate.
Prince and Princess Gagarin or the Rurik Dynasty in Russia.
Hamilton: p.63. i of ii.
[Ref: 53567] £180.00 (£216.00 incl.VAT)
![[Elizabeth Stanhope.]](jpegs/24736.jpg)
[Elizabeth Stanhope.]
Painted by Sir Joshua Reynolds. Engraved by Car.e Watson. Engraver to Her Majesty.
[n.d. c.1790.]
Stipple with mezzotint; mixed method. Proof before title. 324 x 272mm. 12¾ x 10¾". Slight damage in title area lower right trimmed to plate mark.
Elizabeth Falconer (fl.1782), wife to Henry Fitzroy Stanhope,.
Hamilton: p.135, ii/iv.
[Ref: 24736] £140.00 (£168.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engraved by Car.e Watson. Engraver to Her Majesty.
[n.d. c.1790.]
Stipple with mezzotint; mixed method. Proof before title. 324 x 272mm. 12¾ x 10¾". Slight damage in title area lower right trimmed to plate mark.
Elizabeth Falconer (fl.1782), wife to Henry Fitzroy Stanhope,.
Hamilton: p.135, ii/iv.
[Ref: 24736] £140.00 (£168.00 incl.VAT)
![[Elizabeth Stanhope] Contemplation.](jpegs/52000.jpg)
[Elizabeth Stanhope] Contemplation.
Painted by Sir Joshua Reynolds. Engrav'd by Car.e Watson. Engraver to her Majesty.
Publish'd Jan. 1st. 1790, by John & Josiah Boydell, Cheapside, & at the Shakespeare Gallery, Pall Mall London.
Stipple and mezzotint. 355 x 290mm (14 x 7½"), with large margins. Uncut.
Portrait of Elizabeth Stanhope, daughter of Charles FitzRoy, 2nd Duke of Grafton, and wife of William Stanhope, 2nd Earl of Harrington.
Hamilton: Pg 135 III of IV.
[Ref: 52000] £380.00
Painted by Sir Joshua Reynolds. Engrav'd by Car.e Watson. Engraver to her Majesty.
Publish'd Jan. 1st. 1790, by John & Josiah Boydell, Cheapside, & at the Shakespeare Gallery, Pall Mall London.
Stipple and mezzotint. 355 x 290mm (14 x 7½"), with large margins. Uncut.
Portrait of Elizabeth Stanhope, daughter of Charles FitzRoy, 2nd Duke of Grafton, and wife of William Stanhope, 2nd Earl of Harrington.
Hamilton: Pg 135 III of IV.
[Ref: 52000] £380.00
![[Mary Tighe.]](jpegs/24360.jpg)
[Mary Tighe.]
Comerford after Romney pinx.t Caroline Watson Engraver to her Majesty sculp.t
Published as the act directs May 10. 1811, by Longman & Co: Paternoster Row.
Stipple. 292 x 217mm. 11½ x 8½".
Mary Tighe (1772-1810) was an Anglo-Irish poet. In 1805 she published 'Psyche', a six-canto allegorical poem in Spenserian stanzas, which was admired by many and praised by Thomas Moore. She suffered a serious attack of tuberculosis in 1805 and survived another five years.
Ex Collection: Earl of Bute.
[Ref: 24360] £75.00 (£90.00 incl.VAT)
Comerford after Romney pinx.t Caroline Watson Engraver to her Majesty sculp.t
Published as the act directs May 10. 1811, by Longman & Co: Paternoster Row.
Stipple. 292 x 217mm. 11½ x 8½".
Mary Tighe (1772-1810) was an Anglo-Irish poet. In 1805 she published 'Psyche', a six-canto allegorical poem in Spenserian stanzas, which was admired by many and praised by Thomas Moore. She suffered a serious attack of tuberculosis in 1805 and survived another five years.
Ex Collection: Earl of Bute.
[Ref: 24360] £75.00 (£90.00 incl.VAT)
![[Mary Tighe]](jpegs/65193.jpg)
[Mary Tighe]
Commerford after Romney pinx.t. Caroline Watson Engraver to her Majesty sculp.t.
[Published as the act directs May 10. 1811, by Longman & Co: Paternoster Row]
Stipple proof before title. Sheet 175 x 110mm (7 x 4½").
Bust portrait of Anglo-Irish poet, Mary Tighe (1772 - 1810). Her long hair flows loosely over her shoulders, and she wears a headband. This image is based on a miniature by Comerford, which was inspired by a painting by Romney In 1805 Tighe published 'Psyche', a six-canto allegorical poem in Spenserian stanzas, which was admired by many and praised by Thomas Moore. Frontispiece to 'Psyche'.
[Ref: 65193] £75.00 (£90.00 incl.VAT)
Commerford after Romney pinx.t. Caroline Watson Engraver to her Majesty sculp.t.
[Published as the act directs May 10. 1811, by Longman & Co: Paternoster Row]
Stipple proof before title. Sheet 175 x 110mm (7 x 4½").
Bust portrait of Anglo-Irish poet, Mary Tighe (1772 - 1810). Her long hair flows loosely over her shoulders, and she wears a headband. This image is based on a miniature by Comerford, which was inspired by a painting by Romney In 1805 Tighe published 'Psyche', a six-canto allegorical poem in Spenserian stanzas, which was admired by many and praised by Thomas Moore. Frontispiece to 'Psyche'.
[Ref: 65193] £75.00 (£90.00 incl.VAT)
![[Troilus and Cressida] Cassandra.](jpegs/13696.jpg)
[Troilus and Cressida] Cassandra.
Engraved by Caroline Watson (engraver to Her Majesty,) from the original Picture.
Published April 14th. 1809, by Thomas Payne, Pall Mall.
Stipple. 330 x 265mm (13 x 10½"). Uncut sheet.
Roundel portrait of the seer Cassandra, a detail from a scene from William Shakespeare's 'Troilus and Cressida'.
Provenance Drax Family, Charborough Park, Wareham, Dorset.
[Ref: 13696] £130.00 (£156.00 incl.VAT)
Engraved by Caroline Watson (engraver to Her Majesty,) from the original Picture.
Published April 14th. 1809, by Thomas Payne, Pall Mall.
Stipple. 330 x 265mm (13 x 10½"). Uncut sheet.
Roundel portrait of the seer Cassandra, a detail from a scene from William Shakespeare's 'Troilus and Cressida'.
Provenance Drax Family, Charborough Park, Wareham, Dorset.
[Ref: 13696] £130.00 (£156.00 incl.VAT)
Viola. [She never told her Love, / But let Concealment, like a Worm i'th'Bud / Feed on her Damask Cheek: / Shakespear's Twelfth Night.] From the Miniature in the Collection of Nathaniel Chauncy Esq.r.
Painted by S. Shelley & Engrav'd by Caroline Watson. Engraver to her Majesty.
Publish'd according to Act of Parliament Oct. 1 1788 by Caroline Watson Fitzroy Street.
Stipple, state before before quotation. 255 x 190mm (10 x 7½"), with large margins.
Viola from Shakespeare's 'Twelfth Night', engraved and published by Caroline Watson (c.1760-1814), one of the most significant and prolific female printmakers of her day.
[Ref: 53329] £160.00 (£192.00 incl.VAT)
Painted by S. Shelley & Engrav'd by Caroline Watson. Engraver to her Majesty.
Publish'd according to Act of Parliament Oct. 1 1788 by Caroline Watson Fitzroy Street.
Stipple, state before before quotation. 255 x 190mm (10 x 7½"), with large margins.
Viola from Shakespeare's 'Twelfth Night', engraved and published by Caroline Watson (c.1760-1814), one of the most significant and prolific female printmakers of her day.
[Ref: 53329] £160.00 (£192.00 incl.VAT)
John Wilkes Esq.r.
Engraved by Caroline Watson after a Picture by Pine about the Year 1763.
[n.d, c.1804.]
Stipple. Sheet: 155 x 110mm (6 x 4¼"). Trimmed within plate.
A portrait of English radical, journalist and politician John Wilkes (1725-1797).
[Ref: 46327] £75.00 (£90.00 incl.VAT)
Engraved by Caroline Watson after a Picture by Pine about the Year 1763.
[n.d, c.1804.]
Stipple. Sheet: 155 x 110mm (6 x 4¼"). Trimmed within plate.
A portrait of English radical, journalist and politician John Wilkes (1725-1797).
[Ref: 46327] £75.00 (£90.00 incl.VAT)
John Wilkes Esq.r.
Engraved by Caroline Watson after a Picture by Pine about the Year 1763.
Publish'd Nov. 10 1804 by Richard Philips 11 S.t Paul's Churchyard.
Stipple sheet: 175 x 110mm (7x 4¼"). Trimmed within plate.
A portrait of English radical, journalist and politician John Wilkes (1725-1797).
[Ref: 65194] £65.00 (£78.00 incl.VAT)
Engraved by Caroline Watson after a Picture by Pine about the Year 1763.
Publish'd Nov. 10 1804 by Richard Philips 11 S.t Paul's Churchyard.
Stipple sheet: 175 x 110mm (7x 4¼"). Trimmed within plate.
A portrait of English radical, journalist and politician John Wilkes (1725-1797).
[Ref: 65194] £65.00 (£78.00 incl.VAT)