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A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Ralph Bathurst. [In ink below image:] an Eminent Physician & Divine born in 1620. he studied Divinity in Trinity College Oxford._Lond.Encycl. p.662. He died 1704. age 84.
A. Walker sculp. e Tab. D.Loggan ad viv. fac.
[n.d. c.1761.]
Copper Engraving. Very fine impression, with large margins. Plate 178 x 120mm.
Dr Ralph Bathusrt (1620-1704) was an English theologian and physician. He was ordained in 1644 but his prospects were disrupted by the English Civil War and he turned to medicine. He was part of the original group of Oxford experimentalists attached to the Royal Society of London, and later crossed circles with physicians and was involved in the dissection of Ann Green. During the First Anglo-Dutch War of 1652, he worked in practical medicine alongside Daniel Whistle, who was in charge of wounded naval personnel. In 1660, with the English Restoration, he turned back to the Church, and in 1663 he was elected Fellow of the Royal Society, and a year later was made President of Trinity College. In 1670 he was Dean of Wells Cathedral and for three years, from 1673, he was Vice-Chancellor of the University of Oxford.
NPG: D29585. Not in W.
[Ref: 17961] £60.00 (£72.00 incl.VAT)
A. Walker sculp. e Tab. D.Loggan ad viv. fac.
[n.d. c.1761.]
Copper Engraving. Very fine impression, with large margins. Plate 178 x 120mm.
Dr Ralph Bathusrt (1620-1704) was an English theologian and physician. He was ordained in 1644 but his prospects were disrupted by the English Civil War and he turned to medicine. He was part of the original group of Oxford experimentalists attached to the Royal Society of London, and later crossed circles with physicians and was involved in the dissection of Ann Green. During the First Anglo-Dutch War of 1652, he worked in practical medicine alongside Daniel Whistle, who was in charge of wounded naval personnel. In 1660, with the English Restoration, he turned back to the Church, and in 1663 he was elected Fellow of the Royal Society, and a year later was made President of Trinity College. In 1670 he was Dean of Wells Cathedral and for three years, from 1673, he was Vice-Chancellor of the University of Oxford.
NPG: D29585. Not in W.
[Ref: 17961] £60.00 (£72.00 incl.VAT)
![[Allegorical scene with Britannia welcoming shipwrecked family]](jpegs/44793.jpg)
[Allegorical scene with Britannia welcoming shipwrecked family]
F. Hayman delin.t Ant. Walker Sculp.t et donavit
Engraving, platemark 220 x 175mm (8½ x 7"). Small margins.
Probably one of a series of engravings after designs by Francis Hayman for a planned history of Britain which was abandoned after the first part of its publication.
[Ref: 44793] £60.00 (£72.00 incl.VAT)
F. Hayman delin.t Ant. Walker Sculp.t et donavit
Engraving, platemark 220 x 175mm (8½ x 7"). Small margins.
Probably one of a series of engravings after designs by Francis Hayman for a planned history of Britain which was abandoned after the first part of its publication.
[Ref: 44793] £60.00 (£72.00 incl.VAT)
The Country Attorney and his Clients. From the Original Picture painted by Hand Holbein, in the Collection fo Robert Bragg M.D. To Whom this Plate is Dedicated; By his most Obliged humble Servant, J. Boydell. Size of the Picture, 3F:3¾I by 4F:3I in Length. No.8.
Hans Holbein Pinxt. Anty. Walker delint. et Sculpsit.
Published according to Act of Parliament, by J. Boydell, Engraver in Cheapside, London: March 1st. 1764.
Engraving. Plate 430 x 539mm (17 x 21¼"), with wide margins.
An interior with shelves full of bonds and little sacks, piled up and hanging from hooks, all labelled, where an attorney sits at a desk covered with papers, reading a deed held in his left hand, holding out the other to receive a coin from an elderly man, who stands to left, hat in hand, leaning forwards attentively, watched by a young man, while a woman and two other men crowd curiously behing them and young boy acts as a clerk, sitting on the right. BM suggest "after a painting wrongly attributed to Holbein".
Ex Collection Duke of Westminster.
[Ref: 38267] £360.00
Hans Holbein Pinxt. Anty. Walker delint. et Sculpsit.
Published according to Act of Parliament, by J. Boydell, Engraver in Cheapside, London: March 1st. 1764.
Engraving. Plate 430 x 539mm (17 x 21¼"), with wide margins.
An interior with shelves full of bonds and little sacks, piled up and hanging from hooks, all labelled, where an attorney sits at a desk covered with papers, reading a deed held in his left hand, holding out the other to receive a coin from an elderly man, who stands to left, hat in hand, leaning forwards attentively, watched by a young man, while a woman and two other men crowd curiously behing them and young boy acts as a clerk, sitting on the right. BM suggest "after a painting wrongly attributed to Holbein".
Ex Collection Duke of Westminster.
[Ref: 38267] £360.00
The Frontispiece.
Gravelot del. - A. Walker sculp.
[n.d. c.1750.]
Etching and engraving. 177 x 114mm (7 x 4½").
A poet standing on the left receives a lyre from Apollo and Diana; a chariot above; copy of frontispiece to Somerville's 'The Chace' (London: 1735.).
[Ref: 26524] £50.00 (£60.00 incl.VAT)
Gravelot del. - A. Walker sculp.
[n.d. c.1750.]
Etching and engraving. 177 x 114mm (7 x 4½").
A poet standing on the left receives a lyre from Apollo and Diana; a chariot above; copy of frontispiece to Somerville's 'The Chace' (London: 1735.).
[Ref: 26524] £50.00 (£60.00 incl.VAT)
Law. From the Original Picture of the same size, painted by Ostade, in the Collection of the Right Honourable William Beckford Esq. Lord Mayor of the City of London; to whom this plate is most respectfully inscribed, by his Lordship's most obliged, and most humble servant. J. Boydell
Anthony Walker sculpsit.
Mo. 4 under. Publish'd according to Act of Parliam.t by J. Boydell, Engraver in Cheapside; March 1st 1763
Copper engraving 286 x 392mm. 11¼ x 15½".
After Adriaen van Ostade, for "The Most Capital Paintings in England" series of engravings in five volumes, late 1760s-1786, the first three (1769 to 1773) originally published under the title Sculptura Britannica. These were a critical and financial success for the publisher John Boydell who promoted the interests of both artists, engravers and Patrons establishing a tradition in Britain for collecting prints. Pair to Physick ref: 14389.
[Ref: 14391] £280.00 (£336.00 incl.VAT)
Anthony Walker sculpsit.
Mo. 4 under. Publish'd according to Act of Parliam.t by J. Boydell, Engraver in Cheapside; March 1st 1763
Copper engraving 286 x 392mm. 11¼ x 15½".
After Adriaen van Ostade, for "The Most Capital Paintings in England" series of engravings in five volumes, late 1760s-1786, the first three (1769 to 1773) originally published under the title Sculptura Britannica. These were a critical and financial success for the publisher John Boydell who promoted the interests of both artists, engravers and Patrons establishing a tradition in Britain for collecting prints. Pair to Physick ref: 14389.
[Ref: 14391] £280.00 (£336.00 incl.VAT)
![[Physic.] [&] [Law.]](jpegs/4512.jpg)
[Physic.] [&] [Law.]
Ostade Pinx. [A Walker Sculpt. ]
[J. & J. Boydell, London.. 1775.]
Pair of engravings. 286 x 392mm.
Very fine pair of proof engravings after the paintings by Adriaen van Ostade in the Collection of Alderman Beckford.
[Ref: 4512] £580.00 view all images for this item
Ostade Pinx. [A Walker Sculpt. ]
[J. & J. Boydell, London.. 1775.]
Pair of engravings. 286 x 392mm.
Very fine pair of proof engravings after the paintings by Adriaen van Ostade in the Collection of Alderman Beckford.
[Ref: 4512] £580.00 view all images for this item
![[An allegory of learning and scientific enquiry.]](jpegs/27237.jpg)
[An allegory of learning and scientific enquiry.]
A. Walker Inv. Del. et Sculp.
Engrav'd for the General Magazine of Arts & Sciences for W. Owen at Temple Bar 1756.
Etching, frontispiece(?), image 170 x 105mm. 6¾ x 4¼". One small tear to upper margin.
The composition includes scholars pouring over a globe, one with a compass, also an orrery, boys with writing tablets and books in a library in the background. For Benjamin Martin's 'General magazine of arts and sciences' (W. Owen, 1755-1757). Following initial issue as monthly parts, directions were provided for binding annual volumes.
See Wellcome Library 35600/B.
[Ref: 27237] £65.00 (£78.00 incl.VAT)
A. Walker Inv. Del. et Sculp.
Engrav'd for the General Magazine of Arts & Sciences for W. Owen at Temple Bar 1756.
Etching, frontispiece(?), image 170 x 105mm. 6¾ x 4¼". One small tear to upper margin.
The composition includes scholars pouring over a globe, one with a compass, also an orrery, boys with writing tablets and books in a library in the background. For Benjamin Martin's 'General magazine of arts and sciences' (W. Owen, 1755-1757). Following initial issue as monthly parts, directions were provided for binding annual volumes.
See Wellcome Library 35600/B.
[Ref: 27237] £65.00 (£78.00 incl.VAT)
A View of London Bridge with the Ruins of ye Temporary Bridge, Drawn the Day after the Dreadful Fire April the 11.th 1758, by A. Walker.
A. Walker delin et Sculp.
Publish'd according to Act of Parliament June 28. 1758. London Printed for John Ryall at Hogarth's Head in Fleet Street.
Rare coloured etching. Sheet 245 x 385mm (9½ x 15¼"). Trimmed within plate on all sides.
A view of Old London Bridge from upstream, showing the ruins of the bridge after a fire broke out during renovations that including the demolition of the houses on the bridge. It was believed that the fire was deliberate and a reward of £200 was offered for the capture of the arsonists.
[Ref: 62804] £280.00 (£336.00 incl.VAT)
A. Walker delin et Sculp.
Publish'd according to Act of Parliament June 28. 1758. London Printed for John Ryall at Hogarth's Head in Fleet Street.
Rare coloured etching. Sheet 245 x 385mm (9½ x 15¼"). Trimmed within plate on all sides.
A view of Old London Bridge from upstream, showing the ruins of the bridge after a fire broke out during renovations that including the demolition of the houses on the bridge. It was believed that the fire was deliberate and a reward of £200 was offered for the capture of the arsonists.
[Ref: 62804] £280.00 (£336.00 incl.VAT)
A View of London Bridge with the Ruins of ye Temporary Bridge, Drawn the Day after the Dreadfull Fire April 11th 1758 by A. Walker.
A. Walker delin et Sculp.
Publish'd according to Act of Parliament, June 28, 1758, by R. Wilkinson, 58, Cornhill. [but c.1800.]
Coloured engraving. 260 x 400mm (10¼ x 15¾"). '7' in m.s. top right.
While work to strengthen London Bridge, including the clearing of all buildings on the bridge, a fire broke out that destroyed the central drawbridge. Because the fire began on both sides of the bridge it is believed that it was arson. A temporary bridge was open to carriages less than a month later.
[Ref: 26410] £250.00 (£300.00 incl.VAT)
A. Walker delin et Sculp.
Publish'd according to Act of Parliament, June 28, 1758, by R. Wilkinson, 58, Cornhill. [but c.1800.]
Coloured engraving. 260 x 400mm (10¼ x 15¾"). '7' in m.s. top right.
While work to strengthen London Bridge, including the clearing of all buildings on the bridge, a fire broke out that destroyed the central drawbridge. Because the fire began on both sides of the bridge it is believed that it was arson. A temporary bridge was open to carriages less than a month later.
[Ref: 26410] £250.00 (£300.00 incl.VAT)
St. Luke.
A. Walker Sculp. [c.1790]
Engraving, platemark 200 x 150mm (8 x 6") very large margins.
St. Luke writing at his desk with a cow looking on.
[Ref: 47989] £80.00 (£96.00 incl.VAT)
A. Walker Sculp. [c.1790]
Engraving, platemark 200 x 150mm (8 x 6") very large margins.
St. Luke writing at his desk with a cow looking on.
[Ref: 47989] £80.00 (£96.00 incl.VAT)
Marcus Curius Dentatus rejecting the Bribes of the Samnites. From the Original Picture if the same Size, painted by Pietro da Cortona, in the Collection of his Grace the Duke of Devonshire; To Whom this Plate is most humbly inscribed, By his Grace's most Obliged, and mopst devoted Servant. J. Boydell. N.o. 1.
J. Mortimer delin.t. Anth.y. Walker Sculpsit.
Publish'd according to Act of Parliament 1.st. of March 1763, by J. Boydell Engraver, in Cheapside, London.
Engraving. 530 x 430mm (21 x 17"), with wide margins. Foxing. Damage in plate.
An interior scene in which two men wearing armour, carrying armfuls of princely gifts approach a seated man roasting vegetables in the fire. From Ancient Roman history Marcus Curius Dentatus (d.270), a plebian hero of the Roman republic famously refused bribes from the Samnites stating that he preferred to rule the possessors of gold rather than possessing it himself.
Ex Collection Duke of Westminster.
[Ref: 38328] £160.00 (£192.00 incl.VAT)
J. Mortimer delin.t. Anth.y. Walker Sculpsit.
Publish'd according to Act of Parliament 1.st. of March 1763, by J. Boydell Engraver, in Cheapside, London.
Engraving. 530 x 430mm (21 x 17"), with wide margins. Foxing. Damage in plate.
An interior scene in which two men wearing armour, carrying armfuls of princely gifts approach a seated man roasting vegetables in the fire. From Ancient Roman history Marcus Curius Dentatus (d.270), a plebian hero of the Roman republic famously refused bribes from the Samnites stating that he preferred to rule the possessors of gold rather than possessing it himself.
Ex Collection Duke of Westminster.
[Ref: 38328] £160.00 (£192.00 incl.VAT)
Marcus Curius Dentatus rejecting the Bribes of the Samnites. From the Original Picture of the same Size, painted by Pietro da Cortona, in the Collection of his Grace the Duke of Devonshire, to Whom this Plate is most humnbly inscribed, By His Graces most Obliged and most devoted Servant. J.Boydell.
J. Mortimer delin.t. Anth,y Walker Sculpsit.
Publish'd according to Act of Parliament 1st. of March 1763, by J. Boydell Engraver, in Cheapside, London.
Engraving. 535 x 430mm (21 x 17"), uncut sheet. Tear to left just outside image area.
An interior scene, with Samnite ambassadors entering to find Manius Curius Dentatus, (d. 270 BC), sitting by the hearth roasting turnips. When offered their armfuls of treasure Denatus, a Plebian famous for being incorruptible, refused, stating that he preferred to rule the possessors of gold rather than possessing it himself. As consul in 290BC Danatus ended the Samnite War, celebrating with a triumph. This is one of three plates from drawings by John Hamilton Mortimer (1740-79) after 17th century paintings in the collection of the Duke of Devonshire, the others being Cignani's 'Charity' and Poussin's 'The Shepherds in Arcadia'. They were published in John Boydell's ''The Most Capital Paintings in England'', a five-volume series published between 1769 and 1786. The series was a critical and financial success, establishing a tradition in Britain for collecting prints.
[Ref: 14355] £230.00 (£276.00 incl.VAT)
J. Mortimer delin.t. Anth,y Walker Sculpsit.
Publish'd according to Act of Parliament 1st. of March 1763, by J. Boydell Engraver, in Cheapside, London.
Engraving. 535 x 430mm (21 x 17"), uncut sheet. Tear to left just outside image area.
An interior scene, with Samnite ambassadors entering to find Manius Curius Dentatus, (d. 270 BC), sitting by the hearth roasting turnips. When offered their armfuls of treasure Denatus, a Plebian famous for being incorruptible, refused, stating that he preferred to rule the possessors of gold rather than possessing it himself. As consul in 290BC Danatus ended the Samnite War, celebrating with a triumph. This is one of three plates from drawings by John Hamilton Mortimer (1740-79) after 17th century paintings in the collection of the Duke of Devonshire, the others being Cignani's 'Charity' and Poussin's 'The Shepherds in Arcadia'. They were published in John Boydell's ''The Most Capital Paintings in England'', a five-volume series published between 1769 and 1786. The series was a critical and financial success, establishing a tradition in Britain for collecting prints.
[Ref: 14355] £230.00 (£276.00 incl.VAT)
Marcus Curius Dentatus rejecting the Bribes of the Samnites. From the Original Picture of the same Size, painted by Pietro da Cortona, in the Collection of his Grace the Duke of Devonshire,..[to whom the plate is dedicated by the publisher.]
J. Mortimer delin.t. Anth.y. Walker Sculpsit.
Publish'd according to Act of Parliament 1st. of March 1763, by J. Boydell Engraver, in Cheapside, London.
Engraving. 430 x 540mm (17 x 21¼").
An interior scene, with Samnite ambassadors entering to find Manius Curius Dentatus, (d. 270 BC), sitting by the hearth roasting turnips. When offered their armfuls of treasure Denatus, a Plebian famous for being incorruptible, refused, stating that he preferred to rule the possessors of gold rather than possessing it himself. As consul in 290BC Danatus ended the Samnite War, celebrating with a triumph. This is one of three plates from drawings by John Hamilton Mortimer (1740-79) after 17th century paintings in the collection of the Duke of Devonshire, the others being Cignani's 'Charity' and Poussin's 'The Shepherds in Arcadia'. They were published in John Boydell's ''The Most Capital Paintings in England'', a five-volume series published between 1769 and 1786. The series was a critical and financial success, establishing a tradition in Britain for collecting prints. One of a set of three plates from drawings by John Hamilton Mortimer (1740 - 1779) after 17th century paintings in the collection of the Duke of Devonshire: the others were engraved by J F Ravenet, being 'Charity' by Carlo Cignani and 'The Shepherds in Arcadia' by Poussin (see nos. 1162 & 1163).
[Ref: 11764] £240.00 (£288.00 incl.VAT)
J. Mortimer delin.t. Anth.y. Walker Sculpsit.
Publish'd according to Act of Parliament 1st. of March 1763, by J. Boydell Engraver, in Cheapside, London.
Engraving. 430 x 540mm (17 x 21¼").
An interior scene, with Samnite ambassadors entering to find Manius Curius Dentatus, (d. 270 BC), sitting by the hearth roasting turnips. When offered their armfuls of treasure Denatus, a Plebian famous for being incorruptible, refused, stating that he preferred to rule the possessors of gold rather than possessing it himself. As consul in 290BC Danatus ended the Samnite War, celebrating with a triumph. This is one of three plates from drawings by John Hamilton Mortimer (1740-79) after 17th century paintings in the collection of the Duke of Devonshire, the others being Cignani's 'Charity' and Poussin's 'The Shepherds in Arcadia'. They were published in John Boydell's ''The Most Capital Paintings in England'', a five-volume series published between 1769 and 1786. The series was a critical and financial success, establishing a tradition in Britain for collecting prints. One of a set of three plates from drawings by John Hamilton Mortimer (1740 - 1779) after 17th century paintings in the collection of the Duke of Devonshire: the others were engraved by J F Ravenet, being 'Charity' by Carlo Cignani and 'The Shepherds in Arcadia' by Poussin (see nos. 1162 & 1163).
[Ref: 11764] £240.00 (£288.00 incl.VAT)
Marcus Curius Dentatus rejecting the Bribes of the Samnites. From the Original Picture if the same Size, painted by Pietro da Cortona, in the Collection of his Grace the Duke of Devonshire; To Whom this Plate is most humbly inscribed, By his Grace's most Obliged, and most devoted Servant. J. Boydell.
J. Mortimer delin.t. Anth.y Walker sculpsit.
Publish'd according to act of parliament 1st of March 1763, by J. Boydell. Engraver, in Cheapside, London.
Engraving. 535 x 430mm. (21 x 17"), with large margins.
An interior scene, with Samnite ambassadors entering to find Manius Curius Dentatus, (d. 270 BC), sitting by the hearth roasting turnips. When offered their armfuls of treasure Denatus, a Plebian famous for being incorruptible, refused, stating that he preferred to rule the possessors of gold rather than possessing it himself. As consul in 290BC Danatus ended the Samnite War, celebrating with a triumph. This is one of three plates from drawings by John Hamilton Mortimer (1740-79) after 17th century paintings in the collection of the Duke of Devonshire, the others being Cignani's 'Charity' and Poussin's 'The Shepherds in Arcadia'. They were published in John Boydell's ''The Most Capital Paintings in England'', a five-volume series published between 1769 and 1786. The series was a critical and financial success, establishing a tradition in Britain for collecting prints.
From the Oettingen-Wallerstein Collection.
[Ref: 28418] £320.00
J. Mortimer delin.t. Anth.y Walker sculpsit.
Publish'd according to act of parliament 1st of March 1763, by J. Boydell. Engraver, in Cheapside, London.
Engraving. 535 x 430mm. (21 x 17"), with large margins.
An interior scene, with Samnite ambassadors entering to find Manius Curius Dentatus, (d. 270 BC), sitting by the hearth roasting turnips. When offered their armfuls of treasure Denatus, a Plebian famous for being incorruptible, refused, stating that he preferred to rule the possessors of gold rather than possessing it himself. As consul in 290BC Danatus ended the Samnite War, celebrating with a triumph. This is one of three plates from drawings by John Hamilton Mortimer (1740-79) after 17th century paintings in the collection of the Duke of Devonshire, the others being Cignani's 'Charity' and Poussin's 'The Shepherds in Arcadia'. They were published in John Boydell's ''The Most Capital Paintings in England'', a five-volume series published between 1769 and 1786. The series was a critical and financial success, establishing a tradition in Britain for collecting prints.
From the Oettingen-Wallerstein Collection.
[Ref: 28418] £320.00
[Marcus Curius Dentatus rejecting the Bribes of the Samnites From the Original Picture of the same Size, painted by Pietro da Cortona, in the Collection of his Grace the Duke of Devonshire, to Whom this Plate is most humnbly inscribed, By His Graces most Obliged and most devoted Servant. J.Boydell.]
P. da Cortona p. A Walker sc [ms]
[Vide Valer,,s Mar,,s Lib/ 4,, Cap 3-95 and Plutarch,, in Apophth No 1. under.Publish'd according to Act of Parliament 1st. of March 1763, by J. Boydell Engraver, in Cheapside, London.]
Engraving. 430 x 535mm (17 x 21"). Proof impression; title in early ms lower margin. Very large margins; uncut; tear in margins centre top.
An interior scene, with Samnite ambassadors entering to find Manius Curius Dentatus, (d. 270 BC), sitting by the hearth roasting turnips. When offered their armfuls of treasure Denatus, a Plebian famous for being incorruptible, refused, stating that he preferred to rule the possessors of gold rather than possessing it himself. As consul in 290BC Danatus ended the Samnite War, celebrating with a triumph. This is one of three plates from drawings by John Hamilton Mortimer (1740-79) after 17th century paintings in the collection of the Duke of Devonshire, the others being Cignani's 'Charity' and Poussin's 'The Shepherds in Arcadia'. They were published in John Boydell's ''The Most Capital Paintings in England'', a five-volume series published between 1769 and 1786. The series was a critical and financial success, establishing a tradition in Britain for collecting prints.
For published state see ref. 14355.
[Ref: 38583] £260.00 (£312.00 incl.VAT)
P. da Cortona p. A Walker sc [ms]
[Vide Valer,,s Mar,,s Lib/ 4,, Cap 3-95 and Plutarch,, in Apophth No 1. under.Publish'd according to Act of Parliament 1st. of March 1763, by J. Boydell Engraver, in Cheapside, London.]
Engraving. 430 x 535mm (17 x 21"). Proof impression; title in early ms lower margin. Very large margins; uncut; tear in margins centre top.
An interior scene, with Samnite ambassadors entering to find Manius Curius Dentatus, (d. 270 BC), sitting by the hearth roasting turnips. When offered their armfuls of treasure Denatus, a Plebian famous for being incorruptible, refused, stating that he preferred to rule the possessors of gold rather than possessing it himself. As consul in 290BC Danatus ended the Samnite War, celebrating with a triumph. This is one of three plates from drawings by John Hamilton Mortimer (1740-79) after 17th century paintings in the collection of the Duke of Devonshire, the others being Cignani's 'Charity' and Poussin's 'The Shepherds in Arcadia'. They were published in John Boydell's ''The Most Capital Paintings in England'', a five-volume series published between 1769 and 1786. The series was a critical and financial success, establishing a tradition in Britain for collecting prints.
For published state see ref. 14355.
[Ref: 38583] £260.00 (£312.00 incl.VAT)
[Marcus Curius Dentatus rejecting the Bribes of the Samnites. From the Original Picture of the same Size, painted by Pietro da Cortona, in the Collection of his Grace the Duke of Devonshire, to whom this plate is most humbly inscribed, By his Grace's most obliged, and most devoted Servant, J. Boydell.]
[J. Mortimer delin.t. Anth.y Walker sculpsit.]
[Publish'd according to Act of Parliament 1st. of March 1763, by J. Boydell Engraver, in Cheapside, London.]
Engraving, proof before letters, 18th century watermark. 430 x 540mm (17 x 21¼"). Tears in margins taped.
An interior scene, with Samnite ambassadors entering to find Manius Curius Dentatus, (d. 270 BC), sitting by the hearth roasting turnips. When offered their armfuls of treasure Denatus, a Plebian famous for being incorruptible, refused, stating that he preferred to rule the possessors of gold rather than possessing it himself. As consul in 290BC Danatus ended the Samnite War, celebrating with a triumph. This is one of three plates from drawings by John Hamilton Mortimer (1740-79) after 17th century paintings in the collection of the Duke of Devonshire, the others being Cignani's 'Charity' and Poussin's 'The Shepherds in Arcadia'. They were published in John Boydell's ''The Most Capital Paintings in England'', a five-volume series published between 1769 and 1786. The series was a critical and financial success, establishing a tradition in Britain for collecting prints.
[Ref: 54060] £290.00 (£348.00 incl.VAT)
[J. Mortimer delin.t. Anth.y Walker sculpsit.]
[Publish'd according to Act of Parliament 1st. of March 1763, by J. Boydell Engraver, in Cheapside, London.]
Engraving, proof before letters, 18th century watermark. 430 x 540mm (17 x 21¼"). Tears in margins taped.
An interior scene, with Samnite ambassadors entering to find Manius Curius Dentatus, (d. 270 BC), sitting by the hearth roasting turnips. When offered their armfuls of treasure Denatus, a Plebian famous for being incorruptible, refused, stating that he preferred to rule the possessors of gold rather than possessing it himself. As consul in 290BC Danatus ended the Samnite War, celebrating with a triumph. This is one of three plates from drawings by John Hamilton Mortimer (1740-79) after 17th century paintings in the collection of the Duke of Devonshire, the others being Cignani's 'Charity' and Poussin's 'The Shepherds in Arcadia'. They were published in John Boydell's ''The Most Capital Paintings in England'', a five-volume series published between 1769 and 1786. The series was a critical and financial success, establishing a tradition in Britain for collecting prints.
[Ref: 54060] £290.00 (£348.00 incl.VAT)
Physick. From the Original Picture of the same size, painted by Ostade, in the Collection of the Right Honourable William Beckford Esq. Lord Mayor of the City of London; to whom this plate is most respectfully inscribed, by his Lordship's most obliged, and most humble servant. J. Boydell
Anthony Walker sculpsit.
Mo. 4 under. Publish'd according to Act of Parliam.t by J. Boydell, Engraver in Cheapside; March 1st 1763
Copper engraving 286 x 392mm. 11¼ x 15½inches.
After Adriaen van Ostade, for "The Most Capital Paintings in England" series of engravings in five volumes, late 1760s-1786, the first three (1769 to 1773) originally published under the title Sculptura Britannica. These were a critical and financial success for the publisher John Boydell who promoted the interests of both artists, engravers and Patrons establishing a tradition in Britain for collecting prints. Pair to "Law" ref:14391.
[Ref: 14389] £320.00
Anthony Walker sculpsit.
Mo. 4 under. Publish'd according to Act of Parliam.t by J. Boydell, Engraver in Cheapside; March 1st 1763
Copper engraving 286 x 392mm. 11¼ x 15½inches.
After Adriaen van Ostade, for "The Most Capital Paintings in England" series of engravings in five volumes, late 1760s-1786, the first three (1769 to 1773) originally published under the title Sculptura Britannica. These were a critical and financial success for the publisher John Boydell who promoted the interests of both artists, engravers and Patrons establishing a tradition in Britain for collecting prints. Pair to "Law" ref:14391.
[Ref: 14389] £320.00
Nathanael Torriano M.D.
Highmore Filius Pinx. A. Walker Sculp.
[n.d. c.1780.]
Engraving. 153 x 89mm. 6 x 3½".
Nathaniel Torriano (c.1716-1761) was a physician before taking holy orders and becoming a vicar in the mid-18th century.
W: 2054. In the National Library of Medicine.
[Ref: 24618] £50.00 (£60.00 incl.VAT)
Highmore Filius Pinx. A. Walker Sculp.
[n.d. c.1780.]
Engraving. 153 x 89mm. 6 x 3½".
Nathaniel Torriano (c.1716-1761) was a physician before taking holy orders and becoming a vicar in the mid-18th century.
W: 2054. In the National Library of Medicine.
[Ref: 24618] £50.00 (£60.00 incl.VAT)
A View from the Summer House in Richmond Park down the River Thames. Taken by Permission of Her Royal Highness the Princess Amelia.
Chatelain Delin. A. Walker Sculp.
Printed for John Bowles, at No 13. Cornhill [n.d., c.1760].
Coloured engraving. 335 x 500mm (14 x 19¾"). Creasing and soiling.
A view looking down from a lost summer house near Richmond Gate, looking down Richmond Hill towards Twickenham Park. On the Thames to the right can be seen Richmond Ferry, replaced by Richmond Bridge in the mid-1770s.
[Ref: 39691] £180.00 (£216.00 incl.VAT)
Chatelain Delin. A. Walker Sculp.
Printed for John Bowles, at No 13. Cornhill [n.d., c.1760].
Coloured engraving. 335 x 500mm (14 x 19¾"). Creasing and soiling.
A view looking down from a lost summer house near Richmond Gate, looking down Richmond Hill towards Twickenham Park. On the Thames to the right can be seen Richmond Ferry, replaced by Richmond Bridge in the mid-1770s.
[Ref: 39691] £180.00 (£216.00 incl.VAT)