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A selection of stock we have recently added to our website.
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For the Benefit of the Families of the killed in the Allied Fleet on the Coast of Syria. To the Hon.ble Sir R. Stopford G.C.B. G.C.M.G. Admiral of the Red, Rear-Admiral of Great Britain and Commander in Chief of the Allied Fleet, This Plate of the Bombardement amd Capture of S.t Jean d'Acre, is by permission respectfully dedicated by his obliged and obed.t Servant The Author.
Lieu.t J.F. Warre R.N. del.t. R.G. & A.W. Reeve sculp.
London, Published June 23, 1841 by Colnaghi & Puckle, Printsellers to her Majesty, 23, Cockspur Street, Charing Cross.
Pair of coloured aquatints (identically titled). Each 475 x 700mm, 18¾ x 27½". Repairs along platemark and to small holes within the engraved area.
The bombardment of Acre (now modern Israel), during the 'Oriental Crisis' of 1840. When Egypt under Muhammad Ali Pasha tried to break away from the Ottoman Empire, Britain joined the Ottomans, Russians, Austrians and Prussians to crush his rebellion. After shelling Sidon and Beirut in September 1840 the Allied fleet moved to Acre: opening fire on the city on the 3rd November they hit the defender's magazine, blowing up sixty thousand square yards of buildings and killing 1,200. They continued firing until dusk, taking possession of the city the following day. Muhammad Ali finally accepted terms on the 27th.
Parker: Naval Battles, 252.
[Ref: 21775] £1,250.00 view all images for this item
Lieu.t J.F. Warre R.N. del.t. R.G. & A.W. Reeve sculp.
London, Published June 23, 1841 by Colnaghi & Puckle, Printsellers to her Majesty, 23, Cockspur Street, Charing Cross.
Pair of coloured aquatints (identically titled). Each 475 x 700mm, 18¾ x 27½". Repairs along platemark and to small holes within the engraved area.
The bombardment of Acre (now modern Israel), during the 'Oriental Crisis' of 1840. When Egypt under Muhammad Ali Pasha tried to break away from the Ottoman Empire, Britain joined the Ottomans, Russians, Austrians and Prussians to crush his rebellion. After shelling Sidon and Beirut in September 1840 the Allied fleet moved to Acre: opening fire on the city on the 3rd November they hit the defender's magazine, blowing up sixty thousand square yards of buildings and killing 1,200. They continued firing until dusk, taking possession of the city the following day. Muhammad Ali finally accepted terms on the 27th.
Parker: Naval Battles, 252.
[Ref: 21775] £1,250.00 view all images for this item
![[Cambridge Senate House] To His Most Gracious Majesty William IVth King of Great Britain and Ireland ~](jpegs/46263.jpg)
[Cambridge Senate House] To His Most Gracious Majesty William IVth King of Great Britain and Ireland ~ This Print of The Interior of the Senate-House, Cambridge, during the Ceremony of the Installation of the Marquis Camden, as Chancellor of the University, is with permission humbly dedicated, by His Majesty's most devoted Subject & Servant, Thomas Dighton. Proof.
Drawn and Etched by Thomas Dighton. Aquatinted by R.G. Reeve. Printed by S.H. Hawkins.
[n.d., c.1834.]
Fine etching and aquatint on chine collé. 560 x 635mm (22 x 25"), with very large margins.
A packed Senate House for the installation of John Jeffreys Pratt (1759-1840), 1st Marquess Camden, MP for Bath, Lord Lieutenant of Ireland 1795-98 (resigning because of the rebellion of 1798, Secretary of State for War and the Colonies 1804-5. He was Chancellor of Cambridge University 1834-40.
[Ref: 46263] £520.00
Drawn and Etched by Thomas Dighton. Aquatinted by R.G. Reeve. Printed by S.H. Hawkins.
[n.d., c.1834.]
Fine etching and aquatint on chine collé. 560 x 635mm (22 x 25"), with very large margins.
A packed Senate House for the installation of John Jeffreys Pratt (1759-1840), 1st Marquess Camden, MP for Bath, Lord Lieutenant of Ireland 1795-98 (resigning because of the rebellion of 1798, Secretary of State for War and the Colonies 1804-5. He was Chancellor of Cambridge University 1834-40.
[Ref: 46263] £520.00
![[Cambridge] St John's College, from the Gardens.](jpegs/59255.jpg)
[Cambridge] St John's College, from the Gardens.
F. Mackenzie del.t. R. Reeve sculp.t.
London, Pub.d Aug.t 1. 1814, at 101 Strand, for R. Ackermann's History of Cambridge.
Aquatint with very fine hand colour. 260 x 300mm (10¼ x 11¾") very large margins.
A view of Kitchen Bridge (known as Wren Bridge as it was based on a design by Christopher Wren), the original bridge linking the First and Third Courts of St John's College. The Bridge of Sighs was not built until 1831.
Abbey Scenery 79.
[Ref: 59255] £230.00 (£276.00 incl.VAT)
F. Mackenzie del.t. R. Reeve sculp.t.
London, Pub.d Aug.t 1. 1814, at 101 Strand, for R. Ackermann's History of Cambridge.
Aquatint with very fine hand colour. 260 x 300mm (10¼ x 11¾") very large margins.
A view of Kitchen Bridge (known as Wren Bridge as it was based on a design by Christopher Wren), the original bridge linking the First and Third Courts of St John's College. The Bridge of Sighs was not built until 1831.
Abbey Scenery 79.
[Ref: 59255] £230.00 (£276.00 incl.VAT)
The Colonel, The Winner of the Great St. Leger Stakes at Doncaster, 1828, 80 Subscribers_ 19 started. By Whisker out of My Lady's dam by Delpnini Grandam Tipple Cider by King Fergus, The Property of the Hon.ble E. Petre, To whom this Print by Permission is most respectfully dedicated by the Publishers. J.F. Herring and S. & J. Fuller.
Painted by F.J. Herring, Doncaster. Engraved by R.G. Reeve.
London, Published Jan.y 15. 1829 by S. & J. Fuller, at their Sporting Gallery, 34 Rathbone Place, and at J.F. Herring, Doncaster.
Fine aquatint, printed in colours and hand-finished, with minerva stamp. 350 x 410mm (13¾ x 16"). Framed. Unexamined out of frame.
The Colonel, winner of the St. Leger stakes in 1828. The oldest of the British five classic races, the St. Leger stakes were first held in 1776. Born in 1795, John Frederick Herring spent the first eighteen years of his life in London, before moving to Doncaster. In Yorkshire, he married and began to earn his living as a humble painter of inn signs and coach insignia. Sketching equestrian subjects in his spare time, Herring’s talent was quickly noticed and he soon found himself painting hunters and racehorses for local patrons. He lived for a time in Newmarket, and then in London, where he may have been tutored by a well-known artist of the time, Abraham Cooper.
Siltzer 146
[Ref: 52948] £1,250.00
Painted by F.J. Herring, Doncaster. Engraved by R.G. Reeve.
London, Published Jan.y 15. 1829 by S. & J. Fuller, at their Sporting Gallery, 34 Rathbone Place, and at J.F. Herring, Doncaster.
Fine aquatint, printed in colours and hand-finished, with minerva stamp. 350 x 410mm (13¾ x 16"). Framed. Unexamined out of frame.
The Colonel, winner of the St. Leger stakes in 1828. The oldest of the British five classic races, the St. Leger stakes were first held in 1776. Born in 1795, John Frederick Herring spent the first eighteen years of his life in London, before moving to Doncaster. In Yorkshire, he married and began to earn his living as a humble painter of inn signs and coach insignia. Sketching equestrian subjects in his spare time, Herring’s talent was quickly noticed and he soon found himself painting hunters and racehorses for local patrons. He lived for a time in Newmarket, and then in London, where he may have been tutored by a well-known artist of the time, Abraham Cooper.
Siltzer 146
[Ref: 52948] £1,250.00
Country Evenings. The returne from the Tythe Feast. There are only Three in the Village that are worth a __. / ''We'll n'er go home till morning. / Till day light doth appear.''
H.y Alken Del't. R.G. Reeve Sculp.t.
Published by Tho's McLean, 26 Haymarket, 1929.
Aquatint with fine hand colour. Sheet 280 x 190mm (11 x 7½"). Trimmed within plate.
Three drunken revellers walking through a wood by lamplight,
[Ref: 42011] £160.00 (£192.00 incl.VAT)
H.y Alken Del't. R.G. Reeve Sculp.t.
Published by Tho's McLean, 26 Haymarket, 1929.
Aquatint with fine hand colour. Sheet 280 x 190mm (11 x 7½"). Trimmed within plate.
Three drunken revellers walking through a wood by lamplight,
[Ref: 42011] £160.00 (£192.00 incl.VAT)
![[Coursing set of four] Plate 1 [-4].](jpegs/49020.jpg)
[Coursing set of four] Plate 1 [-4].
Painted by Wolstenholme. Engraved by Reeve.
Published by Rich.d Reeve, 7 Vere Street, Bond Street, May 25th 1807.
Set of four aquatints, printed in colour and hand-finished. Each c. 490 x 580mm (19¼ x 23"). Trimmed to the platemark.
[Ref: 49020] £690.00 view all images for this item
Painted by Wolstenholme. Engraved by Reeve.
Published by Rich.d Reeve, 7 Vere Street, Bond Street, May 25th 1807.
Set of four aquatints, printed in colour and hand-finished. Each c. 490 x 580mm (19¼ x 23"). Trimmed to the platemark.
[Ref: 49020] £690.00 view all images for this item
Hermitage at Kurrungalle, in Ceylon. From a drawing by Cap.t Cha.s Auber of the Quarter Mast.r Gen.l's Depart. Ceylon.
Drawn by William Westall, A.R.A. Engraved by R.G. Reeve.
[London: Smith, Elder & Co., 1830.]
Aquatint printed in colours and hand-finished, sheet 305 x 415mm (12 x 16¼"); large margins left & right. Cut to platemark at bottom.
Caves at Dambulla, near Kurrungalle, Ceylon (Sri Lanka), which was the principal British station in the district. Plate from Robert Grindlay's (1786-1877) 'Scenery, costumes and architecture, chiefly on the western side of India,' 1826-30. Grindlay, founder of the ANZ Grindlays Bank, came to India in 1803, aged only 17, and worked with the East India Company, serving with the Seventh Bombay Native Infantry from 1804-1820. Engraved after a drawing by William Westall (1781-1850), who spent three and a half months in India in 1804, producing some of the most successful paintings of his career there.
Abbey Travel 442.16.
[Ref: 41713] £320.00
Drawn by William Westall, A.R.A. Engraved by R.G. Reeve.
[London: Smith, Elder & Co., 1830.]
Aquatint printed in colours and hand-finished, sheet 305 x 415mm (12 x 16¼"); large margins left & right. Cut to platemark at bottom.
Caves at Dambulla, near Kurrungalle, Ceylon (Sri Lanka), which was the principal British station in the district. Plate from Robert Grindlay's (1786-1877) 'Scenery, costumes and architecture, chiefly on the western side of India,' 1826-30. Grindlay, founder of the ANZ Grindlays Bank, came to India in 1803, aged only 17, and worked with the East India Company, serving with the Seventh Bombay Native Infantry from 1804-1820. Engraved after a drawing by William Westall (1781-1850), who spent three and a half months in India in 1804, producing some of the most successful paintings of his career there.
Abbey Travel 442.16.
[Ref: 41713] £320.00
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Portraits of Two well known Characters in the East Riding of Yorkshire, Robert Darling And John Brown, Dedicated to the Gentry and Farmers of the Holderness Hunt, By their Obedient Servant, Wm. R. Goddard.
Painted By John Fernley, Jun.r. Engraved By R.G. & A.W. Reeve.
London, Published Nov. 15, 1839; by Thomas Mclean, 26, Haymarket, and W.m R. Goddard, 15, Silver Street, Hull.
Coloured aquatint. Sheet 485 x 610mm (19 x 24") Trimmed to platemark.
[Ref: 2479] £390.00
Painted By John Fernley, Jun.r. Engraved By R.G. & A.W. Reeve.
London, Published Nov. 15, 1839; by Thomas Mclean, 26, Haymarket, and W.m R. Goddard, 15, Silver Street, Hull.
Coloured aquatint. Sheet 485 x 610mm (19 x 24") Trimmed to platemark.
[Ref: 2479] £390.00
The Dracæna Draco, or Celebrated Dragon Tree, at Ortava in the Island of Tenerife. Proof.
Drawn on the Spot by J.J. Williams. R.G. Reeve, sc.
[n.d., c.1819.]
Scarce aquatint. Sheet 585 x 380mm (23 x 15"). Trimmed within plate, several tears taped. Slightly time stained.
An old dragon tree with a door in its trunk leading to a chapel. A gash in its stem releases its ''dragon's blood'' resin (used in varnishes and photo-engraving). The tree was believed to be several thousand years old, already in decline when the Venetian explorer Alvise Cadamosto saw it in 1455. A storm in July 1819 caused the horizontal split (the date on the sign); the tree fell in 1867.
Wellcome 21027i.
[Ref: 59684] £480.00
Drawn on the Spot by J.J. Williams. R.G. Reeve, sc.
[n.d., c.1819.]
Scarce aquatint. Sheet 585 x 380mm (23 x 15"). Trimmed within plate, several tears taped. Slightly time stained.
An old dragon tree with a door in its trunk leading to a chapel. A gash in its stem releases its ''dragon's blood'' resin (used in varnishes and photo-engraving). The tree was believed to be several thousand years old, already in decline when the Venetian explorer Alvise Cadamosto saw it in 1455. A storm in July 1819 caused the horizontal split (the date on the sign); the tree fell in 1867.
Wellcome 21027i.
[Ref: 59684] £480.00
To Joseph Goodall, D.D. Provost, and the Reverend the Fellows, This View of Eton College, is by Permission, most humbly dedicated, by their much obliged and devoted Servant, John Buckler.
Drawn & Etched by J. Buckler, F.S.A. Engraved by R. Reeve.
Published May 1814, by J. Buckler, Bermondsey, Surrey.
A very fine etching and aquatint. Plate 478 x 649mm. 18¾ x 25½". Toning and staining. Small tears into the margins. Very large margins, uncut.
A gateway with a large bay window made up of smaller windows, between angular towers with little cupolas, with castellated walls extending to either side, a square tower on the right, the nave of a separate chapel at right angles to the wall and people in the court between them, including small boys playing and two women looking at a statue surrounded by iron railings. One of a series of engraved views, begun in 1800 with the encouragement of Martin Routh, President of Magdalene College, Oxford. The first was an engraving of Lincoln Cathedral; by 1814 the series included all the English cathedrals and many major collegiate and parish churches. From around 1810, John Buckler's son, John Chessell Buckler (1793-1894) assisted his father in producing a vast number of drawings; J C Buckler's son George (1811-1886) later became involved in the enterprise also and in 1822, J C Buckler published the 'Views of the Cathedral Churches of England and Wales', for which he wrote a text and in which he incorporated his father's engravings.
[Ref: 23367] £650.00
Drawn & Etched by J. Buckler, F.S.A. Engraved by R. Reeve.
Published May 1814, by J. Buckler, Bermondsey, Surrey.
A very fine etching and aquatint. Plate 478 x 649mm. 18¾ x 25½". Toning and staining. Small tears into the margins. Very large margins, uncut.
A gateway with a large bay window made up of smaller windows, between angular towers with little cupolas, with castellated walls extending to either side, a square tower on the right, the nave of a separate chapel at right angles to the wall and people in the court between them, including small boys playing and two women looking at a statue surrounded by iron railings. One of a series of engraved views, begun in 1800 with the encouragement of Martin Routh, President of Magdalene College, Oxford. The first was an engraving of Lincoln Cathedral; by 1814 the series included all the English cathedrals and many major collegiate and parish churches. From around 1810, John Buckler's son, John Chessell Buckler (1793-1894) assisted his father in producing a vast number of drawings; J C Buckler's son George (1811-1886) later became involved in the enterprise also and in 1822, J C Buckler published the 'Views of the Cathedral Churches of England and Wales', for which he wrote a text and in which he incorporated his father's engravings.
[Ref: 23367] £650.00
The Royal Mails Starting from The General Post Office.
Painted by James Pollard. Engraved by R.G. Reeve.
London, Published by Tho.s McLean 26 Haymarket April 19th 1830.
Aquatint with etching, printed in blue and brown and hand finished. 490 x 690mm (19¼ x 27¼"). Small tear to right.
Robert Smirke's new General Post Office, completed 1829. Mail coaches queue in a court enclosed by iron railings to left, St Paul's Cathedral seen in the background on the right.
[Ref: 24836] £650.00
Painted by James Pollard. Engraved by R.G. Reeve.
London, Published by Tho.s McLean 26 Haymarket April 19th 1830.
Aquatint with etching, printed in blue and brown and hand finished. 490 x 690mm (19¼ x 27¼"). Small tear to right.
Robert Smirke's new General Post Office, completed 1829. Mail coaches queue in a court enclosed by iron railings to left, St Paul's Cathedral seen in the background on the right.
[Ref: 24836] £650.00
The Royal Mails Starting from The General Post Offce.
Painted by James Pollard. Engraved by R.G. Reeve.
London, Published by Tho.s McLean 26 Haymarket April 19th 1830.
Aquatint with etching, printed in blue and brown and hand finished. Sheet 490 x 660mm (19¼ x 26"). Trimmed within plate, a few small repairs, some surface wear, laid on paper. Bit messy.
Mail coaches queue in a court enclosed by iron railings, waiting to leave Robert Smirke's new General Post Office, completed 1829. St Paul's Cathedral, printed blue like the sky, appears like a shadow in the background.
[Ref: 60970] £650.00
Painted by James Pollard. Engraved by R.G. Reeve.
London, Published by Tho.s McLean 26 Haymarket April 19th 1830.
Aquatint with etching, printed in blue and brown and hand finished. Sheet 490 x 660mm (19¼ x 26"). Trimmed within plate, a few small repairs, some surface wear, laid on paper. Bit messy.
Mail coaches queue in a court enclosed by iron railings, waiting to leave Robert Smirke's new General Post Office, completed 1829. St Paul's Cathedral, printed blue like the sky, appears like a shadow in the background.
[Ref: 60970] £650.00
Hackney School.
Engraved by R. Reeve.
[n.d., c.1820.]
Aquatint, 330 x 480mm. 13 x 18¾". Small scrape to image.
School Buildings with children playing ball games, including cricket.
Guildhall Library Record: 8429.
[Ref: 11950] £320.00
Engraved by R. Reeve.
[n.d., c.1820.]
Aquatint, 330 x 480mm. 13 x 18¾". Small scrape to image.
School Buildings with children playing ball games, including cricket.
Guildhall Library Record: 8429.
[Ref: 11950] £320.00
Hackney School.
Engraved by R. Reeve.
[n.d., c1820]
Hand coloured aquatint; J. Whatman watermark. Plate: 475 x 325mm, (18¾ x 12¾"). Staining and damage in thread margins.
A view of a large school building in Hackney, in which several boys play ball games in the grounds.
[Ref: 40206] £480.00
Engraved by R. Reeve.
[n.d., c1820]
Hand coloured aquatint; J. Whatman watermark. Plate: 475 x 325mm, (18¾ x 12¾"). Staining and damage in thread margins.
A view of a large school building in Hackney, in which several boys play ball games in the grounds.
[Ref: 40206] £480.00
Hampton Court Palace.
W. Westall A.R.A. delt. R. Reeve sculpt.
Pub. July 1, 1819, by A.Dry, 36 Upper Charlotte Street, Fitzroy Sqr.
Aquatint, printed in colours and hand-finished. 255 x 315mm (10 x 12½").
The East Front of Hampton Court Palace, as built by Christopher Wren for William and Mary. From W.H. Pyne's 'History of the Royal Residences'.
Abbey 396.
[Ref: 53206] £230.00 (£276.00 incl.VAT)
W. Westall A.R.A. delt. R. Reeve sculpt.
Pub. July 1, 1819, by A.Dry, 36 Upper Charlotte Street, Fitzroy Sqr.
Aquatint, printed in colours and hand-finished. 255 x 315mm (10 x 12½").
The East Front of Hampton Court Palace, as built by Christopher Wren for William and Mary. From W.H. Pyne's 'History of the Royal Residences'.
Abbey 396.
[Ref: 53206] £230.00 (£276.00 incl.VAT)
Hampton House, The Seat of Thomas Carr, Esqre.
W. Westall. A.R.A. delt. R.G. Reeve sculpt.
Published 1828, by R.:Ackermanm, 96 Strand, London.
Hand coloured aquatint, 285 x 345mm. 11¼ x 13½". Old mount residue.
Hampton House on the Thames at Hampton, Middlesex, formerly the residence of David Garrick. Capability Brown advised on the layout of the gardens. After Garrick died in 1779, his wife Eva continued to live in the villa until her death at the age of 98 in 1822. She had difficulty in keeping the house in repair. After Mrs Garrick died in 1823 a sale of pictures and some of the furniture took place. Many of Garrick's books also went to the British Museum to form an important part of the British Library's collection of early plays. Mrs Garrick's solicitor, Thomas Carr, bought the estate and tried to keep everything as it had been in Garrick's time. He and his wife showed visitors round and even installed a replica statue in the Temple in the grounds (to left). From 'Picturesque tour of the River Thames illustrated by twenty-four coloured views, a map and vignettes, from original drawings ... by William Westall and Samuel Owen'.
Abbey Scenery: 435, 10.
[Ref: 13344] £120.00 (£144.00 incl.VAT)
W. Westall. A.R.A. delt. R.G. Reeve sculpt.
Published 1828, by R.:Ackermanm, 96 Strand, London.
Hand coloured aquatint, 285 x 345mm. 11¼ x 13½". Old mount residue.
Hampton House on the Thames at Hampton, Middlesex, formerly the residence of David Garrick. Capability Brown advised on the layout of the gardens. After Garrick died in 1779, his wife Eva continued to live in the villa until her death at the age of 98 in 1822. She had difficulty in keeping the house in repair. After Mrs Garrick died in 1823 a sale of pictures and some of the furniture took place. Many of Garrick's books also went to the British Museum to form an important part of the British Library's collection of early plays. Mrs Garrick's solicitor, Thomas Carr, bought the estate and tried to keep everything as it had been in Garrick's time. He and his wife showed visitors round and even installed a replica statue in the Temple in the grounds (to left). From 'Picturesque tour of the River Thames illustrated by twenty-four coloured views, a map and vignettes, from original drawings ... by William Westall and Samuel Owen'.
Abbey Scenery: 435, 10.
[Ref: 13344] £120.00 (£144.00 incl.VAT)
Harvest Scene. 60
D. Cox Del.t. R. Reecve sculp.t.
London, Published June 1823 by S. & J. Fuller, 34, Rathbone Place.
Aquatint, printed in colours and hand finished. Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate.
A still life of a picnic basket, a keg, a cup and a jacket, under a fence with foxglove growing in the verge.
[Ref: 57502] £95.00 (£114.00 incl.VAT)
D. Cox Del.t. R. Reecve sculp.t.
London, Published June 1823 by S. & J. Fuller, 34, Rathbone Place.
Aquatint, printed in colours and hand finished. Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate.
A still life of a picnic basket, a keg, a cup and a jacket, under a fence with foxglove growing in the verge.
[Ref: 57502] £95.00 (£114.00 incl.VAT)
London Fire Engines. The Nobel Protectors of Lives & Property. Dedicated to the Insurance Offices, by their Obedient Servant, Thos. McLean.
James Pollard Pinx.t. R. G. Reeve Sculp.t.
Published by Thos. McLean, 26 Haymarket. [n.d., c.1830].
Hand coloured aquatint with etching. Printed area: 520 x 750mm (20¼ x 29½"). Unexamined out of frame. Slightly time stained.
A night scene in London, showing three horse-drawn fire engines racing down a street towards a burning building on the far left, where a group of firemen are spraying a hose into the upper window. Many figures on the street are watching and running towards the scene, with several more watching from the windows above shops; 'Corn Dealer and Hay Salesman', 'Haberdasher and Silk Mercer' and 'Cabinet Maker, Upholster and Undertaker'. The fire engines are inscribed, from left to right, 'County Fire Office, [Reg]ent Street', 'Westminster Fire Office, Established 1717, King Street Covent Garden', and 'Phoenix Fire Office, Lombard Street & Charing Cross'.
[Ref: 33617] £650.00
James Pollard Pinx.t. R. G. Reeve Sculp.t.
Published by Thos. McLean, 26 Haymarket. [n.d., c.1830].
Hand coloured aquatint with etching. Printed area: 520 x 750mm (20¼ x 29½"). Unexamined out of frame. Slightly time stained.
A night scene in London, showing three horse-drawn fire engines racing down a street towards a burning building on the far left, where a group of firemen are spraying a hose into the upper window. Many figures on the street are watching and running towards the scene, with several more watching from the windows above shops; 'Corn Dealer and Hay Salesman', 'Haberdasher and Silk Mercer' and 'Cabinet Maker, Upholster and Undertaker'. The fire engines are inscribed, from left to right, 'County Fire Office, [Reg]ent Street', 'Westminster Fire Office, Established 1717, King Street Covent Garden', and 'Phoenix Fire Office, Lombard Street & Charing Cross'.
[Ref: 33617] £650.00
Mackerel.
D. Cox Del.t. R. Reecve sculp.t.
London, Published June 1823 by S. & J. Fuller, 34, Rathbone Place.
Aquatint, printed in colours and hand finished. Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate, affecting publication line.
A still life of three fish, a basket and a pot on a table.
[Ref: 57501] £140.00 (£168.00 incl.VAT)
D. Cox Del.t. R. Reecve sculp.t.
London, Published June 1823 by S. & J. Fuller, 34, Rathbone Place.
Aquatint, printed in colours and hand finished. Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate, affecting publication line.
A still life of three fish, a basket and a pot on a table.
[Ref: 57501] £140.00 (£168.00 incl.VAT)
Rainbow Effect, View on the Thames.
D. Cox del. R. Reeve sc.
London, Published Jany. 1. 1814, by S & J Fuller. Temple of Fancy, 34, Rathbone Place.
Coloured aquatint with fine colour, paper watermarked: Ruse & Turners 1813. Plate 266 x 370mm. 10½ x 14½". Slight tear top right.
A view on the River Thames with Westminster Abbey in the background and Battersea Marsh; rainbow overhead. From Cox's "Treatise on Landscape Painting and Effect in Watercolour".
[Ref: 26091] £160.00 (£192.00 incl.VAT)
D. Cox del. R. Reeve sc.
London, Published Jany. 1. 1814, by S & J Fuller. Temple of Fancy, 34, Rathbone Place.
Coloured aquatint with fine colour, paper watermarked: Ruse & Turners 1813. Plate 266 x 370mm. 10½ x 14½". Slight tear top right.
A view on the River Thames with Westminster Abbey in the background and Battersea Marsh; rainbow overhead. From Cox's "Treatise on Landscape Painting and Effect in Watercolour".
[Ref: 26091] £160.00 (£192.00 incl.VAT)
The Rector of Valehead. _''I must now soon expect my summons...
Drawn by W. Purser. Engraved by R.G. Reeve.
Published by Smith Elder & Co. 65 Cornhill. [n.d., c.1835.]
Aquatint. Sheet: 140 x 90mm (5½ x 3½''). Trimmed.
An illustration to 'The Rectory of Valehead' by Robert Wilson Evans (1789-1866), an English cleric and Archdeacon of Westmoreland from 1856 until his death.
[Ref: 48229] £40.00 (£48.00 incl.VAT)
Drawn by W. Purser. Engraved by R.G. Reeve.
Published by Smith Elder & Co. 65 Cornhill. [n.d., c.1835.]
Aquatint. Sheet: 140 x 90mm (5½ x 3½''). Trimmed.
An illustration to 'The Rectory of Valehead' by Robert Wilson Evans (1789-1866), an English cleric and Archdeacon of Westmoreland from 1856 until his death.
[Ref: 48229] £40.00 (£48.00 incl.VAT)
Richmond.
W. Westall. A.R.A. del.t. R.G. Reeve sculp.t.
Published 1828, by R. Ackermanm, 96 Strand, London.
Aquatint with superb hand colour. 280 x 350mm (11 x 13¾"), watermarked 'J Whatman 1827', large margins.
A view looking along the Thames from near Argyll House towards Richmond Bridge. From Westall & Owen's Picturesque Tour of the River Thames.
Abbey Scenery 435; Gascoigne 90. See 61665 for black and white version.
[Ref: 61666] £360.00
W. Westall. A.R.A. del.t. R.G. Reeve sculp.t.
Published 1828, by R. Ackermanm, 96 Strand, London.
Aquatint with superb hand colour. 280 x 350mm (11 x 13¾"), watermarked 'J Whatman 1827', large margins.
A view looking along the Thames from near Argyll House towards Richmond Bridge. From Westall & Owen's Picturesque Tour of the River Thames.
Abbey Scenery 435; Gascoigne 90. See 61665 for black and white version.
[Ref: 61666] £360.00
Richmond.
W. Westall. A.R.A. del.t. R.G. Reeve sculp.t.
Published 1828, by R. Ackermanm, 96 Strand, London.
Aquatint on chine collé. 280 x 350mm (11 x 13¾") large margins.
A view looking along the Thames from near Argyll House towards Richmond Bridge. From Westall & Owen's Picturesque Tour of the River Thames.
Abbey Scenery 435; Gascoigne 90. See 61666 for coloured version.
[Ref: 61665] £240.00 (£288.00 incl.VAT)
W. Westall. A.R.A. del.t. R.G. Reeve sculp.t.
Published 1828, by R. Ackermanm, 96 Strand, London.
Aquatint on chine collé. 280 x 350mm (11 x 13¾") large margins.
A view looking along the Thames from near Argyll House towards Richmond Bridge. From Westall & Owen's Picturesque Tour of the River Thames.
Abbey Scenery 435; Gascoigne 90. See 61666 for coloured version.
[Ref: 61665] £240.00 (£288.00 incl.VAT)
View from Richmond Hill.
W. Westall. A.R.A. del.t. R.G. Reeve sculp.t.
Published 1828, by R. Ackermanm, 96 Strand, London.
Aquatint on chine collé. 220 x 280mm (8¾ x 11") Small margins.
A view from Richmond Hill looking up the Thames towards Twickenham. From Westall & Owen's Picturesque Tour of the River Thames.
Abbey Scenery 435; Gascoigne 89.
[Ref: 61663] £240.00 (£288.00 incl.VAT)
W. Westall. A.R.A. del.t. R.G. Reeve sculp.t.
Published 1828, by R. Ackermanm, 96 Strand, London.
Aquatint on chine collé. 220 x 280mm (8¾ x 11") Small margins.
A view from Richmond Hill looking up the Thames towards Twickenham. From Westall & Owen's Picturesque Tour of the River Thames.
Abbey Scenery 435; Gascoigne 89.
[Ref: 61663] £240.00 (£288.00 incl.VAT)
View from Richmond Hill.
W. Westall. A.R.A. del.t. R.G. Reeve sculp.t.
Published 1828, by R. Ackermanm, 96 Strand, London.
Aquatint with superb hand colour. 220 x 280mm (8¾ x 11"), watermarked 'J Whatman 1827', large margins.
A view from Richmond Hill looking up the Thames towards Twickenham. From Westall & Owen's Picturesque Tour of the River Thames.
Abbey Scenery 435; Gascoigne 89.
[Ref: 61664] £320.00
W. Westall. A.R.A. del.t. R.G. Reeve sculp.t.
Published 1828, by R. Ackermanm, 96 Strand, London.
Aquatint with superb hand colour. 220 x 280mm (8¾ x 11"), watermarked 'J Whatman 1827', large margins.
A view from Richmond Hill looking up the Thames towards Twickenham. From Westall & Owen's Picturesque Tour of the River Thames.
Abbey Scenery 435; Gascoigne 89.
[Ref: 61664] £320.00
Sheep Shearing a View in Surry.
Drawn by D. Cox. Engraved by R. Revee [Reeve].
London Publish'd Aug. 1st 1813, by S. & J. Fuller, Temple of Fancy, 34, Rathbone Place.
Coloured aquatint. 290 x 430mm (11½ x 17"). Small margins.
A flock of sheep in a paddock surrounded by trees. From David Cox's 'A Treatise on Landscape Painting and Effect in Water Colours'.
Abbey: 115 (mis-titled).
[Ref: 43477] £150.00 (£180.00 incl.VAT)
Drawn by D. Cox. Engraved by R. Revee [Reeve].
London Publish'd Aug. 1st 1813, by S. & J. Fuller, Temple of Fancy, 34, Rathbone Place.
Coloured aquatint. 290 x 430mm (11½ x 17"). Small margins.
A flock of sheep in a paddock surrounded by trees. From David Cox's 'A Treatise on Landscape Painting and Effect in Water Colours'.
Abbey: 115 (mis-titled).
[Ref: 43477] £150.00 (£180.00 incl.VAT)
Carlton House, South Front.
W. Westall A.R.A. del.t. R. Reeve sculp.t.
Pub. April 1.1819, by W.H. Pyne, 36 Upper Charlotte Street, Fitzroy Square.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼".
A view of the south face of Carlton House, facing St James's Park, with peacocks on the lawn. It was one of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27471] £140.00 (£168.00 incl.VAT)
W. Westall A.R.A. del.t. R. Reeve sculp.t.
Pub. April 1.1819, by W.H. Pyne, 36 Upper Charlotte Street, Fitzroy Square.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼".
A view of the south face of Carlton House, facing St James's Park, with peacocks on the lawn. It was one of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27471] £140.00 (£168.00 incl.VAT)
Carlton House, North Front.
W. Westall A.R.A. del.t. R. Reeve sculp.t.
Pub. April 1.1819, by W.H. Pyne, 36 Upper Charlotte Street, Fitzroy Square.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼". Margins soiled.
A view of the portico of Carlton House. It was one of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27472] £140.00 (£168.00 incl.VAT)
W. Westall A.R.A. del.t. R. Reeve sculp.t.
Pub. April 1.1819, by W.H. Pyne, 36 Upper Charlotte Street, Fitzroy Square.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼". Margins soiled.
A view of the portico of Carlton House. It was one of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27472] £140.00 (£168.00 incl.VAT)
St. James's Palace.
C. Wild del.t. R. Reeve sculp.t
Pub. July 1.1819, by A. Dry, 36 Upper Charlotte Str.t Fitzroy Sq.e
Hand-coloured aquatint 250 x 310mm (10 x 12¼").
View of St. James's Palace from Pall Mall, published in Pyne's 'History of the Royal Residences'.
Adams (London) 132; Abbey: Scenery 396.
[Ref: 28722] £220.00 (£264.00 incl.VAT)
C. Wild del.t. R. Reeve sculp.t
Pub. July 1.1819, by A. Dry, 36 Upper Charlotte Str.t Fitzroy Sq.e
Hand-coloured aquatint 250 x 310mm (10 x 12¼").
View of St. James's Palace from Pall Mall, published in Pyne's 'History of the Royal Residences'.
Adams (London) 132; Abbey: Scenery 396.
[Ref: 28722] £220.00 (£264.00 incl.VAT)
St. James's Palace.
C. Wild del.t R. Reeve sculp.
Pub, July 1, 1819, by A, Dry, 36 Upper Charlotte Street, Fitzroy Square.
Coloured etching and aquatint, very fine colour, framed. Plate area (visible) 242 x 300mm. 9½ x 11¾".
View on the street looking towards Cleveland, the palace gateway on the left, a few figures in the street. Illustration to Pyne's 'History of the Royal Residences' 1819.
Abbey Scenery: 397.
[Ref: 25789] £290.00 (£348.00 incl.VAT)
C. Wild del.t R. Reeve sculp.
Pub, July 1, 1819, by A, Dry, 36 Upper Charlotte Street, Fitzroy Square.
Coloured etching and aquatint, very fine colour, framed. Plate area (visible) 242 x 300mm. 9½ x 11¾".
View on the street looking towards Cleveland, the palace gateway on the left, a few figures in the street. Illustration to Pyne's 'History of the Royal Residences' 1819.
Abbey Scenery: 397.
[Ref: 25789] £290.00 (£348.00 incl.VAT)
St. James's Palace.
C. Wild delt. R. Reeve sculpt.
Pub. July 1, 1819, by A. Dry, 39 Upper Charlotte Street, Fitzroy Square.
Aquatint with fine hand colour. 240 x 300mm (9½ x 11¾"), with large margins. A few stains to upper margin.
Built largely between 1531 and 1536, St. James's Palace was a residence of kings and queens of England for over 300 years. It remains the official residence of the Sovereign, although, since the accession of Queen Victoria in 1837, the Sovereign has lived at Buckingham Palace. Published in William Henry Pyne's 'History of the Royal Residences'. After Charles Wild (1781-1835).
Abbey Scenery 396.
[Ref: 27479] £230.00 (£276.00 incl.VAT)
C. Wild delt. R. Reeve sculpt.
Pub. July 1, 1819, by A. Dry, 39 Upper Charlotte Street, Fitzroy Square.
Aquatint with fine hand colour. 240 x 300mm (9½ x 11¾"), with large margins. A few stains to upper margin.
Built largely between 1531 and 1536, St. James's Palace was a residence of kings and queens of England for over 300 years. It remains the official residence of the Sovereign, although, since the accession of Queen Victoria in 1837, the Sovereign has lived at Buckingham Palace. Published in William Henry Pyne's 'History of the Royal Residences'. After Charles Wild (1781-1835).
Abbey Scenery 396.
[Ref: 27479] £230.00 (£276.00 incl.VAT)
Guard Chamber, St James's.
C. Wild del.t R. Reeve sculp.t
Pub. June 1. 1818 by W.H. Pyne, 9 Nassau Street, Soho.
Hand-coloured aquatint, fine with large margins; Plate 252 x 317mm. 10 x 12½". Soiling to extremities.
Interior of the chamber; three guards sit at table next to fireplace on the left; the walls decorated with arms such as swords and daggers. After Charles Wild, illustration to Volume III of William Henry Pyne's 'The History of the Royal Residences', published in three volumes.
Adams (London) 132:70; Abbey: Scenery 396.
[Ref: 27453] £120.00 (£144.00 incl.VAT)
C. Wild del.t R. Reeve sculp.t
Pub. June 1. 1818 by W.H. Pyne, 9 Nassau Street, Soho.
Hand-coloured aquatint, fine with large margins; Plate 252 x 317mm. 10 x 12½". Soiling to extremities.
Interior of the chamber; three guards sit at table next to fireplace on the left; the walls decorated with arms such as swords and daggers. After Charles Wild, illustration to Volume III of William Henry Pyne's 'The History of the Royal Residences', published in three volumes.
Adams (London) 132:70; Abbey: Scenery 396.
[Ref: 27453] £120.00 (£144.00 incl.VAT)
The Queens Library. St. James's.
C, Wild delt. R. Reeve sculpt.
Pub. June 1, 1819, by W.H. Pyne, 39 Upper Charlotte Street, Fitzroy Sqe.
Aquatint with fine hand colour, and large margins; 240 x 300mm. (9½ x 11¾").
The Queen's Library in St James's Palace, the primary residence of British monarchs until 1837, when Victoria moved to Buckingham Palace. Published in William Henry Pyne's 'History of the Royal Residences'. After Charles Wild (1781-1835).
Abbey Scenery 396.
[Ref: 31321] £220.00 (£264.00 incl.VAT)
C, Wild delt. R. Reeve sculpt.
Pub. June 1, 1819, by W.H. Pyne, 39 Upper Charlotte Street, Fitzroy Sqe.
Aquatint with fine hand colour, and large margins; 240 x 300mm. (9½ x 11¾").
The Queen's Library in St James's Palace, the primary residence of British monarchs until 1837, when Victoria moved to Buckingham Palace. Published in William Henry Pyne's 'History of the Royal Residences'. After Charles Wild (1781-1835).
Abbey Scenery 396.
[Ref: 31321] £220.00 (£264.00 incl.VAT)
![Morning. [&] Midday. Cottage near Birmingham. [&] Twilight. Snowden seen from across Traeth-Mawr, N. Wales.](jpegs/57505.jpg)
Morning. [&] Midday. Cottage near Birmingham. [&] Twilight. Snowden seen from across Traeth-Mawr, N. Wales.
D. Cox Del.t. R. Reeve Sculp.t.
[London, c.1822 by S. & J. Fuller, 34, Rathbone Place.]
Three fine aquatints, printed in colours and hand finished. Morning has J. Whatman 1822 watermark, Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate, losing publication line.
The times of day.
[Ref: 57505] £240.00 (£288.00 incl.VAT) view all images for this item
D. Cox Del.t. R. Reeve Sculp.t.
[London, c.1822 by S. & J. Fuller, 34, Rathbone Place.]
Three fine aquatints, printed in colours and hand finished. Morning has J. Whatman 1822 watermark, Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate, losing publication line.
The times of day.
[Ref: 57505] £240.00 (£288.00 incl.VAT) view all images for this item
Twickenham.
W.Westall. A.R.A. del.t. R.G.Reeve sculp.t.
Published 1828, by R.Ackermanm, 96 Strand, London.
Coloured aquatint. 220 x 280mm.
ABBEY: Scenery 435.
[Ref: 6546] £220.00
W.Westall. A.R.A. del.t. R.G.Reeve sculp.t.
Published 1828, by R.Ackermanm, 96 Strand, London.
Coloured aquatint. 220 x 280mm.
ABBEY: Scenery 435.
[Ref: 6546] £220.00
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B. Waterhouse. M.D. Professor of the Theory and Practice of Medicine.
R. Reeve. sc.
[n.d., c. 1805].
Engraving with large margins. Platemark: 150 x 95mm. (6 x 3¾").
A portrait, in oval, of Benjamin Waterhouse (1754 - 1846). Waterhouse was a physician, co-founder and professor of Harvard Medical School. He is most well known for being the first doctor to test the smallpox vaccine in the United States, which he carried out on his own family.
Wellcome: 3119
[Ref: 31685] £65.00 (£78.00 incl.VAT)
R. Reeve. sc.
[n.d., c. 1805].
Engraving with large margins. Platemark: 150 x 95mm. (6 x 3¾").
A portrait, in oval, of Benjamin Waterhouse (1754 - 1846). Waterhouse was a physician, co-founder and professor of Harvard Medical School. He is most well known for being the first doctor to test the smallpox vaccine in the United States, which he carried out on his own family.
Wellcome: 3119
[Ref: 31685] £65.00 (£78.00 incl.VAT)
The Battle of Waterloo June 18th. 1815. Dedicated with permission to Lieu.t General the Most Noble Henry William Paget, Marquis of Anglesey & Earl of Uxbridge G:C:B: K.M.T. & K.S.G. [By Lieu.t R.P. Read.]
Drawn & Etched by W. Heath. Aquatinted by R. Reeve.
[London. Publish'd, June 4th 1816. for the Porprietor: by J. & M. Rippin No.21 Theobald's Road.]
Coloured aquatint. Sheet 395 x 545mm (15½ x 21½") Trimmed within image on three sides, losing end of the dedication and publication line at bottom; some surface abrasion, colour faded.
An intense battle scene, with British infantry closing in on the French cavalry from both sides. A mortar explodes in the foreground and cannon balls streak across the sky.
[Ref: 36817] £450.00
Drawn & Etched by W. Heath. Aquatinted by R. Reeve.
[London. Publish'd, June 4th 1816. for the Porprietor: by J. & M. Rippin No.21 Theobald's Road.]
Coloured aquatint. Sheet 395 x 545mm (15½ x 21½") Trimmed within image on three sides, losing end of the dedication and publication line at bottom; some surface abrasion, colour faded.
An intense battle scene, with British infantry closing in on the French cavalry from both sides. A mortar explodes in the foreground and cannon balls streak across the sky.
[Ref: 36817] £450.00
![[Waterloo] A near View of the Observatory.](jpegs/55744.jpg)
[Waterloo] A near View of the Observatory.
Engrav'd by R. Reeve from a Drawing by Mr S. Wharton.
[n.d., 1816.]
Sepia aquatint. Sheet 385 x 280mm (15¼ x 11"). Trimmed within plate.
A view of a 60 ft. wooden trigonometrical observatory erected by Dutch engineers for a survey of the surrounding countryside, south of Hougoumont and east of the Mon Plaisir farm. Built only six weeks before Waterloo, Napoleon used it to reconnoitre the ground in the early morning of the battle. By 1817 the observatory had fallen down. From 'Twelve Views of Waterloo, la Belle Alliance, Chateau Gomont, and la Haye Sainte, the scene of the Battle of the 18th of June 1815". The Prince Regent ordered a set of porcelain plates decorated with the scenes from Chamberlain & Co of London in 1816, which are still in the Royal Collection.
[Ref: 55744] £160.00 (£192.00 incl.VAT)
Engrav'd by R. Reeve from a Drawing by Mr S. Wharton.
[n.d., 1816.]
Sepia aquatint. Sheet 385 x 280mm (15¼ x 11"). Trimmed within plate.
A view of a 60 ft. wooden trigonometrical observatory erected by Dutch engineers for a survey of the surrounding countryside, south of Hougoumont and east of the Mon Plaisir farm. Built only six weeks before Waterloo, Napoleon used it to reconnoitre the ground in the early morning of the battle. By 1817 the observatory had fallen down. From 'Twelve Views of Waterloo, la Belle Alliance, Chateau Gomont, and la Haye Sainte, the scene of the Battle of the 18th of June 1815". The Prince Regent ordered a set of porcelain plates decorated with the scenes from Chamberlain & Co of London in 1816, which are still in the Royal Collection.
[Ref: 55744] £160.00 (£192.00 incl.VAT)
![[Westminster Abbey] To the Reverend The Dean and Chapter of Westminster;](jpegs/53096.jpg)
[Westminster Abbey] To the Reverend The Dean and Chapter of Westminster; This North East View of the Abbey Church of Saint Peter, Westminster, and Henry the Seventh's Chapel, is by Permission, most humbly dedicated by their much obliged and devoted Servant John Buckler.
Drawn & Etched by J. Buckler. Engraved by R. Reeve.
Published November. 1809, by J. Buckler, Bermondsey, Surrey.
Aquatint. 505mm x 670mm (19¾ x 26½"), paper watermarked 'J Whatman 1809', with large margins. Tears in edges.
Westminster Abbey showing the rose window and pointed, arched doorway in the north porch, the two gothic towers of the west end and the elaborate, decorative chapel at the east end. In 1800 John Buckler (1770-1851), an estate manager and bailiff for Magdalene College, Oxford, began working on a series of engravings of all the cathedrals in the country.
[Ref: 53096] £380.00
Drawn & Etched by J. Buckler. Engraved by R. Reeve.
Published November. 1809, by J. Buckler, Bermondsey, Surrey.
Aquatint. 505mm x 670mm (19¾ x 26½"), paper watermarked 'J Whatman 1809', with large margins. Tears in edges.
Westminster Abbey showing the rose window and pointed, arched doorway in the north porch, the two gothic towers of the west end and the elaborate, decorative chapel at the east end. In 1800 John Buckler (1770-1851), an estate manager and bailiff for Magdalene College, Oxford, began working on a series of engravings of all the cathedrals in the country.
[Ref: 53096] £380.00
Whitby Abbey in Yorkshire. To Mrs Cholmley, of Whitby and of Howsham, the Proprietor; This View of that celebrated Manastic Structure, is by Permission most humbly dedicated, by her much obliged and devoted Servantm John Buckler.
Drawn & Etched by J. Buckler F.S.A. Engraved by R. Reeve.
Published March 1812 by J. Buckler, Bermondsey, Surrey.
Aquatint. Sheet 505 x 645mm (20 x 25½"), on Whatman paper. Trimmed within plate, repaired tears bottom left, surface abrasions.
A detailed view of the ruins of Whitby Abbey.
[Ref: 52073] £190.00 (£228.00 incl.VAT)
Drawn & Etched by J. Buckler F.S.A. Engraved by R. Reeve.
Published March 1812 by J. Buckler, Bermondsey, Surrey.
Aquatint. Sheet 505 x 645mm (20 x 25½"), on Whatman paper. Trimmed within plate, repaired tears bottom left, surface abrasions.
A detailed view of the ruins of Whitby Abbey.
[Ref: 52073] £190.00 (£228.00 incl.VAT)