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Guilielmus Alabaster Anno Aetatis Suae Luxi Studii Arcanae Theologiae 33.
Guilielmus Alabaster Anno Aetatis Suae Luxi Studii Arcanae Theologiae 33.
Corn: Iohns: pinxit. Iohn Payne sculpsit:
[n.d. c.1633.]
Engraving. Collector's stamp of Alfred Morrison (1821-1897) on reverse. Sheet size: 170 x 115mm (6¾ x 4½"). Trimmed inside plate.
Portrait of William Alabaster, the divine; head and shoulders in an oval. Used as the frontispiece to his 'Ecce sponsus venit' of 1633. William Alabaster (1567-1640) was an English poet, playwright, and religious writer. He became a Roman Catholic convert in Spain when on a diplomatic mission as chaplain. His religious beliefs led him to be imprisoned several times; eventually he gave up Catholicism, and was favoured by James I. He received a prebend in St Paul's Cathedral, London.
Ex Collection: Alfred Morrison (1821-1897) NPG: D26774.
[Ref: 40024]   £120.00   (£144.00 incl.VAT)
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Aspicis effigiem tantum: par nulla figura Boltoni Genio, qui super astra manet. Doctior an melior fuit, haud scio. Dicere fas est, Secula vis referent, quem tulit una dies. EB.
Aspicis effigiem tantum: par nulla figura Boltoni Genio, qui super astra manet. Doctior an melior fuit, haud scio. Dicere fas est, Secula vis referent, quem tulit una dies. EB.
Io: Payne Fec: 1632.
Engraving. 178 x 122mm. 7 x 4¾". Cut.
Portrait of Robert Bolton, half length in an oval in architectural frame, full beard, wearing high collar and gown. Frontispiece to his 'Last and learned work of the four last things' (1632). Robert Bolton (1572-1631) was a Puritan divine; an English clergyman and academic, noted as a preacher. On James I's visit to Oxford University in 1605, he was appointed to hold a disputation in the royal presence on natural philosophy, and his majesty was loud and frank in laudation of Bolton. He was also appointed lecturer in logic and moral and natural philosophy.
Ex Collection: R. Hobson of Hove.
[Ref: 25345]   £60.00   (£72.00 incl.VAT)
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Prudens qui Patiens.
Prudens qui Patiens. Anno 1629. [In ink below image:] Sir Edward Coke.
I Payne fecit.
[n.d. c.1629.]
Engraving, printed on 17th century watermarked paper. verso in ink "Francis Raynorford 1712" Plate: 130 x 195mm (5 x 7¾") large margins.
Sir Edward Coke (1551-1634) was an English barrister, judge, writer and politician. He was considered to be the greatest jurist of the Elizabethan and Jacobean eras. His most famous work is his 'Institutes of the Lawes of England'.
NPG: D26081.
[Ref: 39927]   £140.00   (£168.00 incl.VAT)
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Vera Effigies Reverendi: Do.ni Iosephi Hall Exon Episcopi.
Vera Effigies Reverendi: Do.ni Iosephi Hall Exon Episcopi. How farre beyond a Picture is his worth Whome Pen, nor Pencill truly can sett forth! Behold his Reverend Face, his better Part Is left ungrav'd, this was beyond all Art. His holy Thoughts in sacred Meditations His ravisht Sovle w.th heavenly Contemplations Could not bee drawne. Heere onely are his Lookes The Pictures of the rest are in his Bookes.
I Sampson. IP fe.
Imprinted for Philemon Stephens & Christopher Meredith. 1628.
Engraving. Platemark: 197 x 132mm.(7¾ x 5¼"). Early manuscript, verso.
Portrait of Joseph Hall, half length in an oval, wearing a skull-cap, ruff, gown, and medallion depicting the Synod of Dort; holding a book; two shields in upper spandrils, the one on the right blank. Possibly frontispiece to his 'Works' (1628). Joseph Hall, Bishop of Norwich (1574-1656) was an English bishop, satirist and moralist.
[Ref: 30285]   £130.00   (£156.00 incl.VAT)
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Sir. Beniamin Rudyerd Surveyor of His Ma.tyes Court of Wardes and Liveryes. Ano. Dom. 1632. Aetatis 54. Ano.1627.
Sir. Beniamin Rudyerd Surveyor of His Ma.tyes Court of Wardes and Liveryes. Ano. Dom. 1632. Aetatis 54. Ano.1627. Could we, as heere his Figure, se his Mynd...As he doth lack a Foe even to forgive.
D: Mytens pinxit. Iohn Payne sculpsit.
[n.d. c.1632.] later impression.
Fine engraving. Plate 336 x 223mm. 13¼ x 8¾".
Sir Benjamin Rudyerd (1572-1658), Surveyor of the Court of Wards, politician and poet. Rudyerd was a minor poet and an influential member of Parliament. In 1618, as the lettering of the plate states, he was appointed to the lucrative sinecure of Surveyor of his Majesty's Court of Wards and Liveries. He was a close friend of the 3rd Earl of Pembroke, and the two conducted an exchange of poems that was edited by John Donne's son for publication in 1660. He retained his seat throughout the Civil War, and retired only in 1648. Mytens's portrait (now at Audley End) was painted in 1627, whereas this plate was engraved in 1632. Both dates are carefully specified on the print. The obvious explanation why this plate was made to such a large size and high standard is that it was a private plate, commissioned and owned by Rudyerd himself. If so, it must have been sold after his death to Peter Stent who reprinted it.
[Ref: 24646]   £160.00   (£192.00 incl.VAT)
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Effigies Georgii Witheri Poetae.
Effigies Georgii Witheri Poetae. What I Was, is passed by; What I Am, away doth flie; What I Shal Bee, none do see; Yet, in that, my Beauties bee.
[John Payne.]
[n.d. c.1635.]
Engraving with letterpress text on verso, rare. Sheet size: 205 x 165mm (8 x 6½"). Trimmed to image.
George Wither (1588-1667) was an English poet, pamphleteer and satirist. He was a prolific writer who adopted a deliberate plainness of style.
NPG: D27982.
[Ref: 40025]   £240.00   (£288.00 incl.VAT)
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