A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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The Resentment of Queen Catherine. The Queen was sitting at work with her Maidens, when the Cardinals Wolsey & Campeggio...
Will.m Hamilton R.A. pinx. J. Thane ex. John Ogborne sculp.
London, Publish'd Apr. 1. 1790, by J. Thane, Rupert Street, Hay Market.
Stipple. Plate: 400 x 340mm (16 x 9½''). Small margins.
A historical scene showing Catherine of Aragon in heated discussion with Cardinal Wolsey.
[Ref: 48098] £260.00 (£312.00 incl.VAT)
Will.m Hamilton R.A. pinx. J. Thane ex. John Ogborne sculp.
London, Publish'd Apr. 1. 1790, by J. Thane, Rupert Street, Hay Market.
Stipple. Plate: 400 x 340mm (16 x 9½''). Small margins.
A historical scene showing Catherine of Aragon in heated discussion with Cardinal Wolsey.
[Ref: 48098] £260.00 (£312.00 incl.VAT)
Sir William Chambers.
March 17. 1793. Engraved by J. Ogborne. Geo. Dance.
Stipple with soft ground etching, image 255 x 195mm 10 x 7¾"). Trimmed to plate.
Sir William Chambers (1722 - 1796), architect. Born in Gothenburg, Sweden, Chambers worked initially for the Swedish East India Company, travelling to China where he studied Chinese architecture and decoration. Returning to Europe, he studied architecture in Paris and Italy before moving to London in 1755. Chambers is best remembered for designing and building Somerset House, a project he worked on from 1775 to 1795. This Neoclassical development housed many government offices and provided accommodation for various learned societies, including the Royal Academy, the Royal Society, and the Society of Antiquaries. He was a founder member of the Royal Academy and was its first Professor of Architecture. After George Dance (1741 - 1825).
Not in BM or NPG. From the collection of Cecil Bisshopp Harmsworth, 1st Baron Harmsworth.
[Ref: 9639] £160.00 (£192.00 incl.VAT)
March 17. 1793. Engraved by J. Ogborne. Geo. Dance.
Stipple with soft ground etching, image 255 x 195mm 10 x 7¾"). Trimmed to plate.
Sir William Chambers (1722 - 1796), architect. Born in Gothenburg, Sweden, Chambers worked initially for the Swedish East India Company, travelling to China where he studied Chinese architecture and decoration. Returning to Europe, he studied architecture in Paris and Italy before moving to London in 1755. Chambers is best remembered for designing and building Somerset House, a project he worked on from 1775 to 1795. This Neoclassical development housed many government offices and provided accommodation for various learned societies, including the Royal Academy, the Royal Society, and the Society of Antiquaries. He was a founder member of the Royal Academy and was its first Professor of Architecture. After George Dance (1741 - 1825).
Not in BM or NPG. From the collection of Cecil Bisshopp Harmsworth, 1st Baron Harmsworth.
[Ref: 9639] £160.00 (£192.00 incl.VAT)
Marchande de Cupidons.
F. Bartolozzi pinx. J. Ogbourne sculp.
Pub. May 1 1783 by J. Thane, Rupoert Street, Hay Market.
Oval stipple, printed in dark sanguine. 200 x 225mm (8 x 9"). Top left corner restored. Slight damage below image.
A woman in classical dress holds a winged cherub on her lap as a another looks admiringly over her shoulder. A third woman grasps another cherub by the base of his wings to lift him out of a basket in which a third cherub sits.
[Ref: 54755] £280.00 (£336.00 incl.VAT)
F. Bartolozzi pinx. J. Ogbourne sculp.
Pub. May 1 1783 by J. Thane, Rupoert Street, Hay Market.
Oval stipple, printed in dark sanguine. 200 x 225mm (8 x 9"). Top left corner restored. Slight damage below image.
A woman in classical dress holds a winged cherub on her lap as a another looks admiringly over her shoulder. A third woman grasps another cherub by the base of his wings to lift him out of a basket in which a third cherub sits.
[Ref: 54755] £280.00 (£336.00 incl.VAT)
Children at Their Mothers Grave. Advance sweet innocents, and view that grave! [/] Beneath that rising dust your mother lies; [/] A clay cold silent corps! Pale as the shroud [/] Which now she wears. Dedicated to Noel Desenfans Esq.r, Consul General of Poland in Great Britain, &c. By his most obedient humble Servant John Ogbourne.
Sir Francis Bourgeois pinxit. R.A. John Ogborne sculpsit.
London, published Jan.y 2 1797, by J. Ogborne, No.58 Great Portland Street, & Testolini, No. 73, Cornhill.
Stipple engraving with very large margins. Platemark: 590 x 465mm. (23¼ x 18¼").
A family mourning their mother, two grave-diggers on left. Lines of verse by Joseph Strutt below image. The print is dedicated to Noel Desenfans, who was employed by King Stanislaw of Poland to assemble a collection of paintings (and was appointed Polish Consul General in London). After Stanislaw was forced to abdicate, the paintings eventually formed the basis of th Dulwich Picture Gallery.
From the Oettingen-Wallerstein Collection.
[Ref: 28428] £350.00
Sir Francis Bourgeois pinxit. R.A. John Ogborne sculpsit.
London, published Jan.y 2 1797, by J. Ogborne, No.58 Great Portland Street, & Testolini, No. 73, Cornhill.
Stipple engraving with very large margins. Platemark: 590 x 465mm. (23¼ x 18¼").
A family mourning their mother, two grave-diggers on left. Lines of verse by Joseph Strutt below image. The print is dedicated to Noel Desenfans, who was employed by King Stanislaw of Poland to assemble a collection of paintings (and was appointed Polish Consul General in London). After Stanislaw was forced to abdicate, the paintings eventually formed the basis of th Dulwich Picture Gallery.
From the Oettingen-Wallerstein Collection.
[Ref: 28428] £350.00
Marquis Cornwallis.
H. Walton pinxt. J. Ogborne sculpt.
Published as the Act directs July 1 1795. No.5, Curzon Street.
Stipple engraving with soft-ground etching, with small margins. 317 x 250mm.
Fine portrait of Charles Cornwallis, 1st Marquess Cornwallis [1738 - 1805]. Governor-General of India (1786-1793), Charles Cornwallis became famous for his reforming administration. He established the Cornwallis (or Bengal) code for stamping out corruption and pioneered a more professional, salaried civil service. His improvements had valuable long-term consequences for the effective government of India.
[Ref: 6426] £190.00 (£228.00 incl.VAT)
H. Walton pinxt. J. Ogborne sculpt.
Published as the Act directs July 1 1795. No.5, Curzon Street.
Stipple engraving with soft-ground etching, with small margins. 317 x 250mm.
Fine portrait of Charles Cornwallis, 1st Marquess Cornwallis [1738 - 1805]. Governor-General of India (1786-1793), Charles Cornwallis became famous for his reforming administration. He established the Cornwallis (or Bengal) code for stamping out corruption and pioneered a more professional, salaried civil service. His improvements had valuable long-term consequences for the effective government of India.
[Ref: 6426] £190.00 (£228.00 incl.VAT)
An Exact Perspective View of Dunmow, late the Priory, in the County of Essex. With a Representation of the Ceremony, & Procession in that Mannor, on Thursday the 20th of June 1751. When Thomas Shakeshaft of the Parish of Weathersfield, in the County aforesaid Weaver, & Ann his Wife came to Demand & did Actually receive a Gammon of Bacon, Oath, pursuant to the Antient Custom, in Manner & form prescribed as aforesaid. N.B. Before the Dissolution of Monasteries, It does not appear by searching the most Antient Records to have been demanded above three times, & including this just as often since.
C. Mosely Sculp.t. Engraved from an Original Painting taken on the Spot by David Ogborne.
Publish'd according to Act of Parliament Jan.ry 1752. Republish'd Oct.r 26th 1806 by R. Cribb, 288 Holborn.
Engraving. Sheet 370 x 550mm (14½ x 21½"). Trimmed within plate, some restoration, laid on archival paper. Damaged.
An interesting view showing a ceremonial procession in Dunmow in Kent. A married couple are carried aloft in a sedan chair as others ride in carts and carriages and march One man carries aloft a gammon of bacon on a pole. The couple have taken an oath, printed in full lower right, stating that they have never regretted a day of marriage. In return for taking the oath the couple receive the flitch of gammon.
[Ref: 55695] £280.00 (£336.00 incl.VAT)
C. Mosely Sculp.t. Engraved from an Original Painting taken on the Spot by David Ogborne.
Publish'd according to Act of Parliament Jan.ry 1752. Republish'd Oct.r 26th 1806 by R. Cribb, 288 Holborn.
Engraving. Sheet 370 x 550mm (14½ x 21½"). Trimmed within plate, some restoration, laid on archival paper. Damaged.
An interesting view showing a ceremonial procession in Dunmow in Kent. A married couple are carried aloft in a sedan chair as others ride in carts and carriages and march One man carries aloft a gammon of bacon on a pole. The couple have taken an oath, printed in full lower right, stating that they have never regretted a day of marriage. In return for taking the oath the couple receive the flitch of gammon.
[Ref: 55695] £280.00 (£336.00 incl.VAT)
An Exact Perspective View of Dunmow, late the Priory, in the County of Essex. With a Representation of the Ceremony, & Procession in that Mannor, on Thursday the 20th of June 1751. When Thomas Shakeshaft of the Parish of Weathersfield, in the County aforesaid Weaver, & Ann his Wife came to Demand & did Actually receive a Gammon of Bacon, Oath, pursuant to the Antient Custom, in Manner & form prescribed as aforesaid. N.B. Before the Dissolution of Monasteries, It does not appear by searching the most Antient Records to have been demanded above three times, & including this just as often since.
C. Mosely Sculp.t. Engraved from an Original Painting taken on the Spot by David Ogborne.
Publish'd according to Act of Parliament Jan.ry 1752 (but later).
Engraving and book. Plate: 375 x 560mm (14¾ x 22''). Book: 220 x 140mm (8½ x 5½''). Tears in right edge. Tear in centre.
A view showing a ceremonial procession in Dunmow in Kent. A married couple are carried aloft in a sedan chair as others ride in carts and carriages and march One man carries aloft a gammon of bacon on a pole. The couple have taken an oath, printed in full lower right, stating that they have never regretted a day of marriage. In return for taking the oath the couple receive the flitch of gammon. Sold with 'The History of the Dunmow Flitch Ceremony' by Francis W. Steer. Printed by J. H. Clarke & Co., Ltd., Chelmsford 1951.
[Ref: 48271] £290.00 (£348.00 incl.VAT)
C. Mosely Sculp.t. Engraved from an Original Painting taken on the Spot by David Ogborne.
Publish'd according to Act of Parliament Jan.ry 1752 (but later).
Engraving and book. Plate: 375 x 560mm (14¾ x 22''). Book: 220 x 140mm (8½ x 5½''). Tears in right edge. Tear in centre.
A view showing a ceremonial procession in Dunmow in Kent. A married couple are carried aloft in a sedan chair as others ride in carts and carriages and march One man carries aloft a gammon of bacon on a pole. The couple have taken an oath, printed in full lower right, stating that they have never regretted a day of marriage. In return for taking the oath the couple receive the flitch of gammon. Sold with 'The History of the Dunmow Flitch Ceremony' by Francis W. Steer. Printed by J. H. Clarke & Co., Ltd., Chelmsford 1951.
[Ref: 48271] £290.00 (£348.00 incl.VAT)
Elysium or Cupid Punish'd. ... Vide Parnell's Poems.
Stothard Pinx.t. Ogborne sculp.t.
London, publish'd Aug.t 1 1787, by T Macklin No. 19 Fleet Street.
Fine stipple, printed in colours. 270 x 305mm (10¾ x 12"). Narrow margins, repair in unprinted area top right.
Cupid tied to a tree by a group of nymphs.
[Ref: 54743] £280.00 (£336.00 incl.VAT)
Stothard Pinx.t. Ogborne sculp.t.
London, publish'd Aug.t 1 1787, by T Macklin No. 19 Fleet Street.
Fine stipple, printed in colours. 270 x 305mm (10¾ x 12"). Narrow margins, repair in unprinted area top right.
Cupid tied to a tree by a group of nymphs.
[Ref: 54743] £280.00 (£336.00 incl.VAT)
Girl and Pigs.
Drawn by R. Westall R.A. Engraved by Ogborne & Gaugain.
Pub. May 1. 1802 by J. & J. Boydell, No. 90 Cheapside, & at the Shakespeare Gallery, Pall Mall, London.
Stipple engraving printed in colour. Image size 425 x 490mm (17 x 19¼"), with large margins.
A girl pouring water into a trough from which two pigs are drinking. After Richard Westall RA (1765-1836), a versatile artist who became a full RA in 1794, and in the 1790s worked for both Boydell's Shakespeare Gallery and Fuseli's Milton Gallery. He later illustrated the works of Milton, Byron, Walter Scott and many other leading writers. The high point of Westall's career came in 1814 when he exhibited 312 of his pictures in a successful exhibition in Pall Mall, but from 1815 his fortunes declined and he died in penury.
Richard J. Westall, 'Richard Westall' in the Oxford Dictionary of National Biography.
[Ref: 14457] £280.00 (£336.00 incl.VAT)
Drawn by R. Westall R.A. Engraved by Ogborne & Gaugain.
Pub. May 1. 1802 by J. & J. Boydell, No. 90 Cheapside, & at the Shakespeare Gallery, Pall Mall, London.
Stipple engraving printed in colour. Image size 425 x 490mm (17 x 19¼"), with large margins.
A girl pouring water into a trough from which two pigs are drinking. After Richard Westall RA (1765-1836), a versatile artist who became a full RA in 1794, and in the 1790s worked for both Boydell's Shakespeare Gallery and Fuseli's Milton Gallery. He later illustrated the works of Milton, Byron, Walter Scott and many other leading writers. The high point of Westall's career came in 1814 when he exhibited 312 of his pictures in a successful exhibition in Pall Mall, but from 1815 his fortunes declined and he died in penury.
Richard J. Westall, 'Richard Westall' in the Oxford Dictionary of National Biography.
[Ref: 14457] £280.00 (£336.00 incl.VAT)
Going to Market.
Pub. by J. Ogborne No. 5 Great Portland St. [n.d., c.1780.]
Stipple with large margins. Platemark: 215 x 250mm (8½ x 9¾") Fine impression.
An exterior scene in which a farmer is leading a horse along a road to the right, upon the back of which two lambs have been strapped. A cottage can be seen behind to the left. After a drawing by Thomas Gainsborough (1727 - 1788).
[Ref: 35411] £160.00 (£192.00 incl.VAT)
Pub. by J. Ogborne No. 5 Great Portland St. [n.d., c.1780.]
Stipple with large margins. Platemark: 215 x 250mm (8½ x 9¾") Fine impression.
An exterior scene in which a farmer is leading a horse along a road to the right, upon the back of which two lambs have been strapped. A cottage can be seen behind to the left. After a drawing by Thomas Gainsborough (1727 - 1788).
[Ref: 35411] £160.00 (£192.00 incl.VAT)
Going to Market.
T: Gainsborough. I: Ogborne Sculp.
Pub: by I: Ogborne No 58 Great Portland St. [n.d. c.1785.]
Stipple and etching. Plate 209 x 254mm. 8¼ x 10". Slight foxing.
A famer leads his horse to market passing along the road and a thatched cottage behind; on the back of the horse are two lambs. After a drawing by Gainsborough now part of the collection in the Victoria & Albert Museum.
[Ref: 21676] £95.00 (£114.00 incl.VAT)
T: Gainsborough. I: Ogborne Sculp.
Pub: by I: Ogborne No 58 Great Portland St. [n.d. c.1785.]
Stipple and etching. Plate 209 x 254mm. 8¼ x 10". Slight foxing.
A famer leads his horse to market passing along the road and a thatched cottage behind; on the back of the horse are two lambs. After a drawing by Gainsborough now part of the collection in the Victoria & Albert Museum.
[Ref: 21676] £95.00 (£114.00 incl.VAT)
The Guardian Angel.
R. Cosway R.A. del. J. Ogborne sculp.
Pub Jan.y 1.st 1794 by J Ogborne No. 58 Great Portland St.
Stipple and etching, printed in colours. Sheet 260 x 195mm (10¼ x 7¾"). Trimmed within plate.
An angel kneeling, cradling a sleeping baby in his arms.
Daniell: 180.
[Ref: 57983] £160.00 (£192.00 incl.VAT)
R. Cosway R.A. del. J. Ogborne sculp.
Pub Jan.y 1.st 1794 by J Ogborne No. 58 Great Portland St.
Stipple and etching, printed in colours. Sheet 260 x 195mm (10¼ x 7¾"). Trimmed within plate.
An angel kneeling, cradling a sleeping baby in his arms.
Daniell: 180.
[Ref: 57983] £160.00 (£192.00 incl.VAT)
Eleanor Gwynn. From an Original Picture in the Possession of Mr. Thane.
Sr. P. Lely pinx.t. John Ogborne Sculp.t.
Published May 1, 1779 for the Proprietor at No. 159 Strand.
Stipple. 250 x 195mm (9¾ x 7¾"), with wide margins. Bit messy in margins.
The famous portrait of Nell Gwyn (1650-87), bare-breasted with a lamb. Once an orange-seller at the Theatre Royal, she became a member of Killigrew's company, making her debut there in 1665. Her charm and vivacity in comic roles endeared her to the public, as did her witty renditions of prologues and epilogues. She became the mistress of Charles II (1669) and bore him two sons, one of whom was created the duke of St. Albans.
[Ref: 45033] £260.00 (£312.00 incl.VAT)
Sr. P. Lely pinx.t. John Ogborne Sculp.t.
Published May 1, 1779 for the Proprietor at No. 159 Strand.
Stipple. 250 x 195mm (9¾ x 7¾"), with wide margins. Bit messy in margins.
The famous portrait of Nell Gwyn (1650-87), bare-breasted with a lamb. Once an orange-seller at the Theatre Royal, she became a member of Killigrew's company, making her debut there in 1665. Her charm and vivacity in comic roles endeared her to the public, as did her witty renditions of prologues and epilogues. She became the mistress of Charles II (1669) and bore him two sons, one of whom was created the duke of St. Albans.
[Ref: 45033] £260.00 (£312.00 incl.VAT)
Shakespeare. Third part of King Henry 6th. Act II. Scene V. A field of battle, near Towton in Yorkshire. King Henry. Son that had killed his Father._Father that had kill'd his Son. Queen, Princes of Wales, & Exeters, in the distance. Fath. But let me see: - Is this out foeman's face? An, no, no, no, it is mine only son! Son._Oh God: it is my father's face. Whom in this conflict I unawares have kill'd.
Painted by J.h Boydell. Engrav'd by J. Ogborne.
Publish'd June 4. 1794, by John & Josiah Boydell, Shakspeare Gallery Pall Mall, & No.90, Cheapside.
Stipple. Plate 495 x 630mm. 19½ x 24¾". Fine impression
The Battle of Towton as dramatised in Shakespeare's Henry VI. The Battle, fought on March 29, 1461 near Towton in Yorkshire during the Wars of the Roses, resulted in a decisive Yorkist victory. It has been described as the 'largest and bloodiest battle ever fought on English soil'. This particular battle between the Houses of York and Lancaster brought about a monarchical change in England, whereby Edward IV displaced Henry VI as King of England, driving the Lancastrians and his key supporters out of the country. In 1929, the Towton Cross was erected on the battlefield to commemorate the event. Various archaeological remains and mass graves related to the battle were found in the area centuries after the engagement. The King on a battle field, sitting beside his horses, contemplating the senselessness of war and gesturing sadly towards a father who holds the dead body of the son he has just killed on his knee, while to the right a son weeps over his father who he has killed, and on the far left, the queen rides up, looking back towards the battle.
[Ref: 25285] £260.00 (£312.00 incl.VAT)
Painted by J.h Boydell. Engrav'd by J. Ogborne.
Publish'd June 4. 1794, by John & Josiah Boydell, Shakspeare Gallery Pall Mall, & No.90, Cheapside.
Stipple. Plate 495 x 630mm. 19½ x 24¾". Fine impression
The Battle of Towton as dramatised in Shakespeare's Henry VI. The Battle, fought on March 29, 1461 near Towton in Yorkshire during the Wars of the Roses, resulted in a decisive Yorkist victory. It has been described as the 'largest and bloodiest battle ever fought on English soil'. This particular battle between the Houses of York and Lancaster brought about a monarchical change in England, whereby Edward IV displaced Henry VI as King of England, driving the Lancastrians and his key supporters out of the country. In 1929, the Towton Cross was erected on the battlefield to commemorate the event. Various archaeological remains and mass graves related to the battle were found in the area centuries after the engagement. The King on a battle field, sitting beside his horses, contemplating the senselessness of war and gesturing sadly towards a father who holds the dead body of the son he has just killed on his knee, while to the right a son weeps over his father who he has killed, and on the far left, the queen rides up, looking back towards the battle.
[Ref: 25285] £260.00 (£312.00 incl.VAT)
History.
Macklin excud.t. John Ogborne Sculp.t.
London, Pub.d July 14, 1779 by Tho.s. Macklin, No 1 Lincolns Inn Fields.
Stipple, printed in sepia. 250 x 290mm.
[Ref: 3992] £220.00 (£264.00 incl.VAT)
Macklin excud.t. John Ogborne Sculp.t.
London, Pub.d July 14, 1779 by Tho.s. Macklin, No 1 Lincolns Inn Fields.
Stipple, printed in sepia. 250 x 290mm.
[Ref: 3992] £220.00 (£264.00 incl.VAT)
![Paradise Lost. B. 11. L 652. [The Archangel Michael sets before Adam a vision.]](jpegs/24655.jpg)
Paradise Lost. B. 11. L 652. [The Archangel Michael sets before Adam a vision.]
R. Westall R.A. del. J. Ogborne sculp.
Publish'd June 4 1795, by J.&J. Boydell & G. Nicol Shakspeare Gallery, Pall Mall, & No 90, Cheapside.
Stipple, with very large margins, sheet 415 x 315mm. 16¼ x 12½". Slightly tatty and chipped extremities.
Adam looks down in horror upon a raging battle from a cliff top; the angel gesturing towards the bloody scene while he wrings his hands. Illustration of the eleventh book of John Milton's great epic poem 'Paradise Lost'. From 'The Poetical Works of John Milton' published by John and Josiah Boydell in three volumes between 1794 and 1797. It contained four engraved portraits and 28 plates after Richard Westall (1765 - 1836) by among others R. Earlom, T. Kirk, J. Ogborne, B. Smith, as well as J.P. Simon. Westall was an accomplished artist in watercolour who illustrated a number of books, including Boydells' 'Shakespeare', and contributed 5 large scale paintings for the 'Shakespeare Gallery'.
[Ref: 24655] £120.00 (£144.00 incl.VAT)
R. Westall R.A. del. J. Ogborne sculp.
Publish'd June 4 1795, by J.&J. Boydell & G. Nicol Shakspeare Gallery, Pall Mall, & No 90, Cheapside.
Stipple, with very large margins, sheet 415 x 315mm. 16¼ x 12½". Slightly tatty and chipped extremities.
Adam looks down in horror upon a raging battle from a cliff top; the angel gesturing towards the bloody scene while he wrings his hands. Illustration of the eleventh book of John Milton's great epic poem 'Paradise Lost'. From 'The Poetical Works of John Milton' published by John and Josiah Boydell in three volumes between 1794 and 1797. It contained four engraved portraits and 28 plates after Richard Westall (1765 - 1836) by among others R. Earlom, T. Kirk, J. Ogborne, B. Smith, as well as J.P. Simon. Westall was an accomplished artist in watercolour who illustrated a number of books, including Boydells' 'Shakespeare', and contributed 5 large scale paintings for the 'Shakespeare Gallery'.
[Ref: 24655] £120.00 (£144.00 incl.VAT)
![[Poetie.]](jpegs/3993.jpg)
[Poetie.]
Macklin excud.t. John Ogborne Sculp.t.
London, Pub.d Oct.r 30, 1779 by Tho.s. Macklin, No 1 Lincolns Inn Fields.
Stipple, printed in sepia. 250 x 290mm.
'Poetie' written in pencil.
[Ref: 3993] £220.00 (£264.00 incl.VAT)
Macklin excud.t. John Ogborne Sculp.t.
London, Pub.d Oct.r 30, 1779 by Tho.s. Macklin, No 1 Lincolns Inn Fields.
Stipple, printed in sepia. 250 x 290mm.
'Poetie' written in pencil.
[Ref: 3993] £220.00 (£264.00 incl.VAT)
Tho. Seymour Lord Sudley, L.d Ad. of England, brother of the Protector Somerset [...] The Original Picture is in the Possession of the Marquis of Buckingham. This from a fine Miniature after it by Lady Lucan which is at Strawberry Hill.
H. Holbein Pinx. J. Ogborne Sculp.
Pub. Feb. 15 1786 by J. Thane Rupert Street Haymarket
Stipple with very large margins, rare; platemark 155 x 115mm (6 x 4½").
Thomas Seymour, Baron Seymour of Sudeley (c.1509-49), nobleman. At the start of Edward VI's reign, Seymour was appointed lord high admiral but was incensed that his brother Edward, duke of Somerset, was both lord protector and governor, believing that he should have one of these positions. Seymour's ambition led him to begin a series of intrigues which cost him his position and eventually his life. He defied Somerset by marrying Henry VIII's widow Catherine Parr in secret and tried to recruit several noblemen to his cause. He was believed to be plotting to kidnap Edward and Elizabeth, to marry the princess, and have himself made lord protector in place of his brother, but was arrested in 1549 and beheaded on Tower Hill soon after. It is believed that he tried to achieve too much too quickly, and might have had more success had he delayed his plots until the autumn of 1549.
[Ref: 35315] £90.00 (£108.00 incl.VAT)
H. Holbein Pinx. J. Ogborne Sculp.
Pub. Feb. 15 1786 by J. Thane Rupert Street Haymarket
Stipple with very large margins, rare; platemark 155 x 115mm (6 x 4½").
Thomas Seymour, Baron Seymour of Sudeley (c.1509-49), nobleman. At the start of Edward VI's reign, Seymour was appointed lord high admiral but was incensed that his brother Edward, duke of Somerset, was both lord protector and governor, believing that he should have one of these positions. Seymour's ambition led him to begin a series of intrigues which cost him his position and eventually his life. He defied Somerset by marrying Henry VIII's widow Catherine Parr in secret and tried to recruit several noblemen to his cause. He was believed to be plotting to kidnap Edward and Elizabeth, to marry the princess, and have himself made lord protector in place of his brother, but was arrested in 1549 and beheaded on Tower Hill soon after. It is believed that he tried to achieve too much too quickly, and might have had more success had he delayed his plots until the autumn of 1549.
[Ref: 35315] £90.00 (£108.00 incl.VAT)
A Sketch of Nature.
Barrett del. J. Ogborne sculp.
Pub Nov.r 12.th 1793 by J. Ogborne No.58 Gt Portland St.
Rare coloured stipple with etching. Plate 210 x 252mm (8¼ x 10"). Trimmed to the plate along lower edge.
Country view with two cows in the centre, walking towards a river on the left; trees and a fence on the right; a house in the left background behind trees.
[Ref: 52413] £130.00 (£156.00 incl.VAT)
Barrett del. J. Ogborne sculp.
Pub Nov.r 12.th 1793 by J. Ogborne No.58 Gt Portland St.
Rare coloured stipple with etching. Plate 210 x 252mm (8¼ x 10"). Trimmed to the plate along lower edge.
Country view with two cows in the centre, walking towards a river on the left; trees and a fence on the right; a house in the left background behind trees.
[Ref: 52413] £130.00 (£156.00 incl.VAT)
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![[George Spencer] His Grace The Duke of Marlborough.](jpegs/24425.jpg)
[George Spencer] His Grace The Duke of Marlborough.
F. Bartolozzi R.A. ad vivum del.
London, Pub.d Apr: 14. 1795, by J. Thane, Spur Street, Leicester Square.
Very fine etching with stipple and crayon-manner, printed in brown ink, with large margins. Plate 274 x 215mm. 10¾ x 8½".
Bust portrait of George Spencer, fourth Duke of Marlborough, body facing front, head turned and looking towards three-quarter to left, with his Order of Garter; in an oval. George Spencer, 4th Duke of Marlborough (1739-1817) was a British courtier and politician. He served as Lord Chamberlain between 1762 and 1763, and as Lord Privy Seal between 1763 and 1765.
NPG: D5214. Not in De Vesme.
[Ref: 24425] £220.00 (£264.00 incl.VAT)
F. Bartolozzi R.A. ad vivum del.
London, Pub.d Apr: 14. 1795, by J. Thane, Spur Street, Leicester Square.
Very fine etching with stipple and crayon-manner, printed in brown ink, with large margins. Plate 274 x 215mm. 10¾ x 8½".
Bust portrait of George Spencer, fourth Duke of Marlborough, body facing front, head turned and looking towards three-quarter to left, with his Order of Garter; in an oval. George Spencer, 4th Duke of Marlborough (1739-1817) was a British courtier and politician. He served as Lord Chamberlain between 1762 and 1763, and as Lord Privy Seal between 1763 and 1765.
NPG: D5214. Not in De Vesme.
[Ref: 24425] £220.00 (£264.00 incl.VAT)
The Venus of Toterdown-hill.
Harding Pinxt. Ogborne Sculpt.
London Pub.d January 2d 1783 by Thos. Macklin No 39 Fleet Street.
Stipple, printed in sanguine. 240 x 180mm. Paper lightly toned.
The 'n' of 'Venus' is reversed.
From the Oettingen-Wallerstein Collection, Sotheby's London 1997.
[Ref: 2990] £240.00 (£288.00 incl.VAT)
Harding Pinxt. Ogborne Sculpt.
London Pub.d January 2d 1783 by Thos. Macklin No 39 Fleet Street.
Stipple, printed in sanguine. 240 x 180mm. Paper lightly toned.
The 'n' of 'Venus' is reversed.
From the Oettingen-Wallerstein Collection, Sotheby's London 1997.
[Ref: 2990] £240.00 (£288.00 incl.VAT)