A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Christ's College, Cambridge.]](jpegs/19360.jpg)
[Christ's College, Cambridge.] Christ Coll. [pencil, lower left.]
Fred Millar sc et Imp. [pencil signature.]
Fred Millar Sc. 1931 Copyright [in plate.]
Etching printed in colours, 235 x 185mm. 9¼ x 7¼".
Two gardeners mowing the lawn in foreground. Fine Art Trade Guild blindstamp lower left. Fred Millar (exh. 1915 - 1923).
[Ref: 19360] £70.00 (£84.00 incl.VAT)
Fred Millar sc et Imp. [pencil signature.]
Fred Millar Sc. 1931 Copyright [in plate.]
Etching printed in colours, 235 x 185mm. 9¼ x 7¼".
Two gardeners mowing the lawn in foreground. Fine Art Trade Guild blindstamp lower left. Fred Millar (exh. 1915 - 1923).
[Ref: 19360] £70.00 (£84.00 incl.VAT)
![Lorna Doone [in pencil to left.]](jpegs/23389.jpg)
Lorna Doone [in pencil to left.]
[in penccil:] after picture by W. Wontner. Engravers proof. Mezzotinted by Fred Millar.
Exhibited in NW Gallery 1891.
Mezzotint on india, rare. Plate 444 x 355mm. 17½ x 14".
Lorna Doone was a fictional character from the novel 'Lorna Doone: A Romance of Exmoor' by Richard Doddridge Blackmore. It is a romance based on a group of historical characters and set in the late 17th century in Devon and Somerset, particularly around the East Lyn Valley area of Exmoor.
[Ref: 23389] £260.00 (£312.00 incl.VAT)
[in penccil:] after picture by W. Wontner. Engravers proof. Mezzotinted by Fred Millar.
Exhibited in NW Gallery 1891.
Mezzotint on india, rare. Plate 444 x 355mm. 17½ x 14".
Lorna Doone was a fictional character from the novel 'Lorna Doone: A Romance of Exmoor' by Richard Doddridge Blackmore. It is a romance based on a group of historical characters and set in the late 17th century in Devon and Somerset, particularly around the East Lyn Valley area of Exmoor.
[Ref: 23389] £260.00 (£312.00 incl.VAT)
![[Philippe Le Roy.]](jpegs/19365.jpg)
[Philippe Le Roy.]
Engraved & printed in colour by Fred Millar [pencil inscription and signature.]
[n.d., c.1908.]
Mezzotint printed in colours, signed india proof from a limited (first?) edition. 405 x 230mm, 16 x 9". Inscribed 'Limited to 220' in pencil lower left.
Philippe Le Roy (1596 - 1679) represented the Spanish Netherlands in the negotiations of the Peace of Westphalia in 1648. One hand on sword, the other stroking a large hound. This engraving by Fred Millar (exh. 1915 - 1923) is after the painting hanging in the Wallace Collection London with its companion portrait of 1631 "Marie de Raet" as the 16 year old wife of this very much self made man. Anthony Van Dyck (1599-1641) was the leading Flemish painter of the first half of the 17th century, after Rubens. He produced history paintings, tapestry designs, etchings and landscape drawings, although it is chiefly as a portrait painter that he is remembered. He was appointed as court painter to Archduchess Isabella of the Spanish Netherlands and later Charles I of England, who had him buried in St Paul's Cathedral and erected a lavish monument in his honour on his death in 1641.
[Ref: 19365] £80.00 (£96.00 incl.VAT)
Engraved & printed in colour by Fred Millar [pencil inscription and signature.]
[n.d., c.1908.]
Mezzotint printed in colours, signed india proof from a limited (first?) edition. 405 x 230mm, 16 x 9". Inscribed 'Limited to 220' in pencil lower left.
Philippe Le Roy (1596 - 1679) represented the Spanish Netherlands in the negotiations of the Peace of Westphalia in 1648. One hand on sword, the other stroking a large hound. This engraving by Fred Millar (exh. 1915 - 1923) is after the painting hanging in the Wallace Collection London with its companion portrait of 1631 "Marie de Raet" as the 16 year old wife of this very much self made man. Anthony Van Dyck (1599-1641) was the leading Flemish painter of the first half of the 17th century, after Rubens. He produced history paintings, tapestry designs, etchings and landscape drawings, although it is chiefly as a portrait painter that he is remembered. He was appointed as court painter to Archduchess Isabella of the Spanish Netherlands and later Charles I of England, who had him buried in St Paul's Cathedral and erected a lavish monument in his honour on his death in 1641.
[Ref: 19365] £80.00 (£96.00 incl.VAT)
![[Philippe Le Roy.]](jpegs/19367.jpg)
[Philippe Le Roy.]
Engraved and printed in colour in one printing by Fred Millar [pencil inscription and signature.]
Fred Millar Sc 1908, 1911 [in plate.]
Mezzotint printed in colours on india laid paper for a limited edition from the original plate (see item 19365) for . 405 x 230mm, 16 x 9". Numbered 'No75' in pencil lower left.
Philippe Le Roy (1596 - 1679) represented the Spanish Netherlands in the negotiations of the Peace of Westphalia in 1648. One hand on sword, the other stroking a large hound. This engraving by Fred Millar (exh. 1915 - 1923) is after the painting hanging in the Wallace Collection London with its companion portrait of 1631 "Marie de Raet" as the 16 year old wife of this very much self made man. Anthony Van Dyck (1599-1641) was the leading Flemish painter of the first half of the 17th century, after Rubens. He produced history paintings, tapestry designs, etchings and landscape drawings, although it is chiefly as a portrait painter that he is remembered. He was appointed as court painter to Archduchess Isabella of the Spanish Netherlands and later Charles I of England, who had him buried in St Paul's Cathedral and erected a lavish monument in his honour on his death in 1641.
[Ref: 19367] £80.00 (£96.00 incl.VAT)
Engraved and printed in colour in one printing by Fred Millar [pencil inscription and signature.]
Fred Millar Sc 1908, 1911 [in plate.]
Mezzotint printed in colours on india laid paper for a limited edition from the original plate (see item 19365) for . 405 x 230mm, 16 x 9". Numbered 'No75' in pencil lower left.
Philippe Le Roy (1596 - 1679) represented the Spanish Netherlands in the negotiations of the Peace of Westphalia in 1648. One hand on sword, the other stroking a large hound. This engraving by Fred Millar (exh. 1915 - 1923) is after the painting hanging in the Wallace Collection London with its companion portrait of 1631 "Marie de Raet" as the 16 year old wife of this very much self made man. Anthony Van Dyck (1599-1641) was the leading Flemish painter of the first half of the 17th century, after Rubens. He produced history paintings, tapestry designs, etchings and landscape drawings, although it is chiefly as a portrait painter that he is remembered. He was appointed as court painter to Archduchess Isabella of the Spanish Netherlands and later Charles I of England, who had him buried in St Paul's Cathedral and erected a lavish monument in his honour on his death in 1641.
[Ref: 19367] £80.00 (£96.00 incl.VAT)
![Ypres after Terrick Williams, ARA [pencil, lower left.]](jpegs/19355.jpg)
Ypres after Terrick Williams, ARA [pencil, lower left.]
Terrick Williams etching in plate lower right. Fred Millar sc et Imp [pencil signature.]
Fred Millar Sc. 1918 Copyright [in plate.]
Mezzotint printed in colours, 290 x 340mm. 11½ x 13½".
The market place in the Belgian town of Ypres, "Ypres after Terrick Williams A.R.A." insctribed by Millar lower left. Fine Art Trade Guild blindstamp lower left. John Terrick Williams (1860 - 1936) was better known as Terrick Williams. He was a British painter who was a member of the Royal Academy. During his lifetime, Williams became one of the most successful painters in London. Fred Millar (exh. 1915 - 1923) was well recognised in the late 19th and early 20th century for his decorative mezzotints inspired by other artists and sold in limited etitions through galleries in London and New York.
[Ref: 19355] £80.00 (£96.00 incl.VAT)
Terrick Williams etching in plate lower right. Fred Millar sc et Imp [pencil signature.]
Fred Millar Sc. 1918 Copyright [in plate.]
Mezzotint printed in colours, 290 x 340mm. 11½ x 13½".
The market place in the Belgian town of Ypres, "Ypres after Terrick Williams A.R.A." insctribed by Millar lower left. Fine Art Trade Guild blindstamp lower left. John Terrick Williams (1860 - 1936) was better known as Terrick Williams. He was a British painter who was a member of the Royal Academy. During his lifetime, Williams became one of the most successful painters in London. Fred Millar (exh. 1915 - 1923) was well recognised in the late 19th and early 20th century for his decorative mezzotints inspired by other artists and sold in limited etitions through galleries in London and New York.
[Ref: 19355] £80.00 (£96.00 incl.VAT)
![[Ypres.]](jpegs/19357.jpg)
[Ypres.]
Terrick Williams in plate. Fred Millar sc et Imp. [pencil signature.]
Fred Millar Sc. 1918 Copyright [in plate.]
Etching printed in colours, 290 x 340mm. 11½ x 13½".
The market place in the Belgian town of Ypres, after Terrick Williams A.R.A. (1860 - 1936). Fine Art Trade Guild blindstamp lower left. Fred Millar (exh. 1915 - 1923). See ref:19355 for same subject with engraver's inscription.
[Ref: 19357] £80.00 (£96.00 incl.VAT)
Terrick Williams in plate. Fred Millar sc et Imp. [pencil signature.]
Fred Millar Sc. 1918 Copyright [in plate.]
Etching printed in colours, 290 x 340mm. 11½ x 13½".
The market place in the Belgian town of Ypres, after Terrick Williams A.R.A. (1860 - 1936). Fine Art Trade Guild blindstamp lower left. Fred Millar (exh. 1915 - 1923). See ref:19355 for same subject with engraver's inscription.
[Ref: 19357] £80.00 (£96.00 incl.VAT)