A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
The Botanist.
[probably G. Spratt del.] Printed by G.E. Madeley, Wellington St. Stran[d].
Published by C. Tilt. Fleet Street [c.1830]
Hand coloured lithograph. Sheet 190 x 145mm (7½ x 6"). Trimmed, affecting inscriptions, creased, laid on album paper.
An assemblage portrait, with a woman's face and a body created from flowers, with a tulip forming her skirt, one of a series of professions. George Spratt, an English artist, and George E. Madeley, an English engraver and printmaker, produced a series of lithographed satirical designs of tradesmen composed of the objects of their profession. They were published by Charles Tilt, a London book and print seller.
[Ref: 57619] £230.00 (£276.00 incl.VAT)
[probably G. Spratt del.] Printed by G.E. Madeley, Wellington St. Stran[d].
Published by C. Tilt. Fleet Street [c.1830]
Hand coloured lithograph. Sheet 190 x 145mm (7½ x 6"). Trimmed, affecting inscriptions, creased, laid on album paper.
An assemblage portrait, with a woman's face and a body created from flowers, with a tulip forming her skirt, one of a series of professions. George Spratt, an English artist, and George E. Madeley, an English engraver and printmaker, produced a series of lithographed satirical designs of tradesmen composed of the objects of their profession. They were published by Charles Tilt, a London book and print seller.
[Ref: 57619] £230.00 (£276.00 incl.VAT)
![Sacred to the Memory of Isaac Hawkins Browne Esq.r of this Parish D.C.L. & F.R.S. who was born Dec.r 7 1745 & died May 30 1818 [...].](jpegs/53891.jpg)
Sacred to the Memory of Isaac Hawkins Browne Esq.r of this Parish D.C.L. & F.R.S. who was born Dec.r 7 1745 & died May 30 1818 [...]. This Representation of the Monument in the Church of Badger, in Shropshire, to the memory of Isaac Hawkins Browne, Esquire, executed by Francis Chantrey [...].
G.E. Madeley. lith. Wellington St. Strand.
[n.d. c. 1820]
Lithograph with 1pp lithographic facsimile handwritten text. 450 x 285mm (17¼ x 11¼"). Slight toning around the edges and bottom right corner is folded.
Lithograph print of the funerary monument to Isaac Hawkins Browne Junior (1745-1818) by Sir Francis Chantrey (1781-1841). Browne was a Tory politician, industrialist, essayist and a lord of the manor of Badger, Shropshire. His funerary monument is still in St. Giles's Church in Badger.
[Ref: 53891] £130.00 (£156.00 incl.VAT) view all images for this item
G.E. Madeley. lith. Wellington St. Strand.
[n.d. c. 1820]
Lithograph with 1pp lithographic facsimile handwritten text. 450 x 285mm (17¼ x 11¼"). Slight toning around the edges and bottom right corner is folded.
Lithograph print of the funerary monument to Isaac Hawkins Browne Junior (1745-1818) by Sir Francis Chantrey (1781-1841). Browne was a Tory politician, industrialist, essayist and a lord of the manor of Badger, Shropshire. His funerary monument is still in St. Giles's Church in Badger.
[Ref: 53891] £130.00 (£156.00 incl.VAT) view all images for this item
Lodge Gate at Eastdene, Bonchurch.
Drawn & Lithographed by G.E. Madeley. 3, Wellington St.
[n.d. c.1850.]
Lithograph. 279 x 375mm. 11 x 14¾". Large margins with folds.
Lodge Gate, a country house in East Dene, Bonchurch, the small village to the East of Ventnor on the Isle of Wight.
[Ref: 24998] £95.00 (£114.00 incl.VAT)
Drawn & Lithographed by G.E. Madeley. 3, Wellington St.
[n.d. c.1850.]
Lithograph. 279 x 375mm. 11 x 14¾". Large margins with folds.
Lodge Gate, a country house in East Dene, Bonchurch, the small village to the East of Ventnor on the Isle of Wight.
[Ref: 24998] £95.00 (£114.00 incl.VAT)
Eastdene near Bonchurch.
Drawn from Nature & Lithographed by G.E. Madeley. 3, Wellington St. Strand.
[n.d. c.1850.]
Lithograph, with large margins. 279 x 375mm. 11 x 14¾".
A country house in East Dene, Bonchurch, the small village to the East of Ventnor on the Isle of Wight.
[Ref: 24999] £95.00 (£114.00 incl.VAT)
Drawn from Nature & Lithographed by G.E. Madeley. 3, Wellington St. Strand.
[n.d. c.1850.]
Lithograph, with large margins. 279 x 375mm. 11 x 14¾".
A country house in East Dene, Bonchurch, the small village to the East of Ventnor on the Isle of Wight.
[Ref: 24999] £95.00 (£114.00 incl.VAT)
![[Giuseppe Marco Fieschi and his 'infernal machine'] Fieschi.](jpegs/62109.jpg)
[Giuseppe Marco Fieschi and his 'infernal machine'] Fieschi.
Madeley lith, from an original Drawing.
[n.d. c.1840.]
Rare lithograph. Sheet 220 x 190mm (8¾ x 7½"). Tear just entering image on right. Creasing.
A scene of Giuseppe Marco Fieschi (1790-1836) about to fire his 'infernal machine' at King Louis Philippe, 28th July 1835. Fieschi was a disaffected Corsican Republican who fought with Joachim Murat in his attempt to regain the Napoleonic kingdom of of Naples. Back in Corsica in 1816, he was condemned to ten years imprisonment for theft and forgery, but he eluded the police and escaped to Paris. After continuing a life of crime, he became involved in a plot to kill the king, building a 25-barrel volley gun and installing it at a house in Boulevard du Temple. As the king's entourage passed, the machine was fired, grazing the King's forehead and killing Marshal Mortier and seventeen other people. Fieschi was arrested, condemned to death and guillotined on February 19, 1836.
[Ref: 62109] £130.00 (£156.00 incl.VAT)
Madeley lith, from an original Drawing.
[n.d. c.1840.]
Rare lithograph. Sheet 220 x 190mm (8¾ x 7½"). Tear just entering image on right. Creasing.
A scene of Giuseppe Marco Fieschi (1790-1836) about to fire his 'infernal machine' at King Louis Philippe, 28th July 1835. Fieschi was a disaffected Corsican Republican who fought with Joachim Murat in his attempt to regain the Napoleonic kingdom of of Naples. Back in Corsica in 1816, he was condemned to ten years imprisonment for theft and forgery, but he eluded the police and escaped to Paris. After continuing a life of crime, he became involved in a plot to kill the king, building a 25-barrel volley gun and installing it at a house in Boulevard du Temple. As the king's entourage passed, the machine was fired, grazing the King's forehead and killing Marshal Mortier and seventeen other people. Fieschi was arrested, condemned to death and guillotined on February 19, 1836.
[Ref: 62109] £130.00 (£156.00 incl.VAT)
The Flight of Intellect. Portrait of Mr. Golightly experimenting on Mess.rs Quick of Speed's new patent high pressure steam Riding Pocket.
C.E. Madeley, Lith, 5 Wellington St. Strand.
Pub. by C. Tilt [n.d. c.1830].
Lithograph. Sheet 265 x 335mm (10½ x 13¼"). Central fold
Print satirising steam-powered travel, showing a man sitting astride a rocket, causing his hat to blow off and his cape to trail behind him. A label on the cylinder reads 'Warranted not to burst!'.
See Science Museum: 10410938.
[Ref: 68955] £390.00
C.E. Madeley, Lith, 5 Wellington St. Strand.
Pub. by C. Tilt [n.d. c.1830].
Lithograph. Sheet 265 x 335mm (10½ x 13¼"). Central fold
Print satirising steam-powered travel, showing a man sitting astride a rocket, causing his hat to blow off and his cape to trail behind him. A label on the cylinder reads 'Warranted not to burst!'.
See Science Museum: 10410938.
[Ref: 68955] £390.00
The Celebrated Minstrel Family, Mr. Frost, his Son, and Three Daughters.
Madeley, lith. 3, Wellington St. Strand.
[n.d. c.1840.]
A very scarce lithograph. 215 x 286mm. 8½ x 11¼". Large margins, extremities bit tatty.
A man sitting at a harpsichord, his children behind him preparing to sing. Advertised as 'The Minstral Family', the Frosts toured England in 1835-9, giving concerts of sacred and more poplar music, including Handel and Mozart.
[Ref: 22966] £220.00 (£264.00 incl.VAT)
Madeley, lith. 3, Wellington St. Strand.
[n.d. c.1840.]
A very scarce lithograph. 215 x 286mm. 8½ x 11¼". Large margins, extremities bit tatty.
A man sitting at a harpsichord, his children behind him preparing to sing. Advertised as 'The Minstral Family', the Frosts toured England in 1835-9, giving concerts of sacred and more poplar music, including Handel and Mozart.
[Ref: 22966] £220.00 (£264.00 incl.VAT)
Gnat Bites N.º 6. Oh Fredric! that nasty things has spunted all over Julian's sunday's!. _ what will be the consequence? / Vy cold, with running at the nose.
[signed in plate]
London Published by W. Soffe 380 Strand. Madeley Printer [n.d., c.1848.]
Coloured lithograph. Sheet 340 x 245mm (13¼ x 9½"). Nicks in edges.
An elephant in an enclosure sprays water from its trunk.
[Ref: 68064] £160.00 (£192.00 incl.VAT)
[signed in plate]
London Published by W. Soffe 380 Strand. Madeley Printer [n.d., c.1848.]
Coloured lithograph. Sheet 340 x 245mm (13¼ x 9½"). Nicks in edges.
An elephant in an enclosure sprays water from its trunk.
[Ref: 68064] £160.00 (£192.00 incl.VAT)
Mrs. Honey, (As Psyche)
Lithographed, Printed, & Published by G.E. Madeley, 3 Wellington St. Strand. [n.d., 1830.]
Hand coloured lithograph on india laid paper, sheet 360 x 265mm. 14¼ x 10½". Slightly soiled.
Laura Honey (1816? - 1843), actress and vocalist, with butterfly on head and lamp in left hand; as Psyche in the burlesque 'Cupid'. By George Edward Madeley.
Harvard Theatre Collection: pg.249, 21.
[Ref: 13318] £130.00 (£156.00 incl.VAT)
Lithographed, Printed, & Published by G.E. Madeley, 3 Wellington St. Strand. [n.d., 1830.]
Hand coloured lithograph on india laid paper, sheet 360 x 265mm. 14¼ x 10½". Slightly soiled.
Laura Honey (1816? - 1843), actress and vocalist, with butterfly on head and lamp in left hand; as Psyche in the burlesque 'Cupid'. By George Edward Madeley.
Harvard Theatre Collection: pg.249, 21.
[Ref: 13318] £130.00 (£156.00 incl.VAT)
![[Laura Honey] Mrs Honey (as Psyche).](jpegs/60659.jpg)
[Laura Honey] Mrs Honey (as Psyche).
Lithographed, Printed & Pub.d by G.E. Madeley, 3, Wellington S.t, Strand [n.d., c.1835].
Coloured lithograph on chine collé, with printed backing paper. Sheet 260 x 210mm (10¼ x 8¼"). Edges soiled, crease. Bit messy.
Laura Honey (1816-43) as Psyché in the burlesque Cupid, performed at the Theatre Royal, Adelphi, in 1832.
[Ref: 60659] £70.00 (£84.00 incl.VAT)
Lithographed, Printed & Pub.d by G.E. Madeley, 3, Wellington S.t, Strand [n.d., c.1835].
Coloured lithograph on chine collé, with printed backing paper. Sheet 260 x 210mm (10¼ x 8¼"). Edges soiled, crease. Bit messy.
Laura Honey (1816-43) as Psyché in the burlesque Cupid, performed at the Theatre Royal, Adelphi, in 1832.
[Ref: 60659] £70.00 (£84.00 incl.VAT)
![George Jones [facsimile signature]. Hamlet "What would your gracious figure?"](jpegs/34629.jpg)
George Jones [facsimile signature]. Hamlet "What would your gracious figure?" George Jones [facsimile signature]. (The American Tragedian) In the Character of Hamlet As successfully performed at the Theatre Royal, Drury Lane upon the occasion of his Complimentary Benefit from the Friends of Literature and the Drama JUne 4.th 1836.
From a Painting in the Royal Academy (1836) by C. Martin. Madeley, lith. 3. Wellington St. Strand.
Published by Ackerman & Co. 96 Strand.
Lithograph, rare. In pencil underneath "To Richard Potten Esq. with respectful compl. GJ". 392 x 274mm (15½ x 10¾").
George Jones (1810-1879), the English-American actor, author, journalist and litigator best known for his eccentric behaviour later in life.
[Ref: 34629] £260.00 (£312.00 incl.VAT)
From a Painting in the Royal Academy (1836) by C. Martin. Madeley, lith. 3. Wellington St. Strand.
Published by Ackerman & Co. 96 Strand.
Lithograph, rare. In pencil underneath "To Richard Potten Esq. with respectful compl. GJ". 392 x 274mm (15½ x 10¾").
George Jones (1810-1879), the English-American actor, author, journalist and litigator best known for his eccentric behaviour later in life.
[Ref: 34629] £260.00 (£312.00 incl.VAT)
This Portrait of John Kay, of Bury, (Inventor of the Fly Shuttle &c), was saved, during the Earthquake that occurred on the Island of Juan Fernandes, and is dedicated to The Right Hon.ble Sir Rob.t Peel Bart. M. by his obedient, humble Servant, Tho.s Sutcliffe.
Proof. (Ent. Sta. Hall.) Madeley lith, 3 Wellington St. Strand.
Baines History of the County Palatine of Lancaster.
Lithograph, printed on india. Sheet: 380 x 280mm (15 x 11").
A bust portrait of John Kay (1704-1779) who invented the flying shuttle which was one of the most important inventions of the Industrial Revolution.
[Ref: 46313] £190.00 (£228.00 incl.VAT)
Proof. (Ent. Sta. Hall.) Madeley lith, 3 Wellington St. Strand.
Baines History of the County Palatine of Lancaster.
Lithograph, printed on india. Sheet: 380 x 280mm (15 x 11").
A bust portrait of John Kay (1704-1779) who invented the flying shuttle which was one of the most important inventions of the Industrial Revolution.
[Ref: 46313] £190.00 (£228.00 incl.VAT)
![[Harriette Deborah Lacy] Miss Taylor as Nell Gwynne.](jpegs/60658.jpg)
[Harriette Deborah Lacy] Miss Taylor as Nell Gwynne.
Lithographed, Printed & Pub.d by G.E. Madeley, 3, Wellington S.t, Strand [n.d., c.1830].
Coloured lithograph on chine collé, with printed backing paper. Sheet 260 x 210mm (10¼ x 8¼"). Edges soiled. Bit messy
Harriette Deborah Lacy (1807-74), the daughter of a London tradesman named Taylor, as Nell Gwynne in Jerrold's play of that name, singing the once well-known song, ‘Buy my Oranges’. She retired from the stage in 1848.
[Ref: 60658] £95.00 (£114.00 incl.VAT)
Lithographed, Printed & Pub.d by G.E. Madeley, 3, Wellington S.t, Strand [n.d., c.1830].
Coloured lithograph on chine collé, with printed backing paper. Sheet 260 x 210mm (10¼ x 8¼"). Edges soiled. Bit messy
Harriette Deborah Lacy (1807-74), the daughter of a London tradesman named Taylor, as Nell Gwynne in Jerrold's play of that name, singing the once well-known song, ‘Buy my Oranges’. She retired from the stage in 1848.
[Ref: 60658] £95.00 (£114.00 incl.VAT)
![[John Liston] M.r Liston, as Tristram Sappy, in ''Deaf as a Post''.](jpegs/63918.jpg)
[John Liston] M.r Liston, as Tristram Sappy, in ''Deaf as a Post''. ''Let me see, what was I going to say?"
GEM [George Edward Madeley].
[Pub.d at the Lithographic Office 310 Strand May 1st 1824.]
Coloured lithograph. Sheet 350 x 155mm (13¾ x 6"). Trimmed, affecting monogram, losing publication line, tear taped.
A portrait of the comic actor John Liston (1776-1846) in character in John Poole's one-act farce.
[Ref: 63918] £60.00 (£72.00 incl.VAT)
GEM [George Edward Madeley].
[Pub.d at the Lithographic Office 310 Strand May 1st 1824.]
Coloured lithograph. Sheet 350 x 155mm (13¾ x 6"). Trimmed, affecting monogram, losing publication line, tear taped.
A portrait of the comic actor John Liston (1776-1846) in character in John Poole's one-act farce.
[Ref: 63918] £60.00 (£72.00 incl.VAT)
![[John Liston] M.r Liston as Sam Swipes, (in ''Exchange no Robbery'').](jpegs/68057.jpg)
[John Liston] M.r Liston as Sam Swipes, (in ''Exchange no Robbery''). ''No_am I a Gentleman!_ upon your soul tho' Mother?''. N.º 7.
Pub.d by Ingrey & Madeley, Lithog.c Office, 310 Strand, London. Jan.y 1826.
Fine coloured lithograph. Sheet 345 x 240mm (13½ x 9½"), paper watermarked 'J Whatman 1825'.
A caricature portrait of comedian John Liston (c.1776-1846) in character as cockney pot boy Sam Swipes, hands in his pockets, wearing a green jacket, white apron, brown breeches and striped leggings Theodore Hook's play 'Exchange no Robbery' was first produced at the Haymarket Theatre in 1820 and revived at Drury Lane in 1826.
[Ref: 68057] £130.00 (£156.00 incl.VAT)
Pub.d by Ingrey & Madeley, Lithog.c Office, 310 Strand, London. Jan.y 1826.
Fine coloured lithograph. Sheet 345 x 240mm (13½ x 9½"), paper watermarked 'J Whatman 1825'.
A caricature portrait of comedian John Liston (c.1776-1846) in character as cockney pot boy Sam Swipes, hands in his pockets, wearing a green jacket, white apron, brown breeches and striped leggings Theodore Hook's play 'Exchange no Robbery' was first produced at the Haymarket Theatre in 1820 and revived at Drury Lane in 1826.
[Ref: 68057] £130.00 (£156.00 incl.VAT)
![[John Liston] M.r Liston, as "Billy Lackaday" in "Sweethearts & Wives''.](jpegs/63919.jpg)
[John Liston] M.r Liston, as "Billy Lackaday" in "Sweethearts & Wives''.
GEM [George Edward Madeley].
[Printed and Pub.d at the Lithographic Office 310 Strand. [n.d., c.1824.]
Coloured lithograph. Sheet 280 x 205mm (11 x 8"). Trimmed, losing publication line.
A portrait of the comic actor John Liston (1776-1846) in character in James Kenney's most popular play, produced at the Haymarket Theatre in 1823 and revived several times.
[Ref: 63919] £75.00 (£90.00 incl.VAT)
GEM [George Edward Madeley].
[Printed and Pub.d at the Lithographic Office 310 Strand. [n.d., c.1824.]
Coloured lithograph. Sheet 280 x 205mm (11 x 8"). Trimmed, losing publication line.
A portrait of the comic actor John Liston (1776-1846) in character in James Kenney's most popular play, produced at the Haymarket Theatre in 1823 and revived several times.
[Ref: 63919] £75.00 (£90.00 incl.VAT)
![[John Liston] The Celebrated Preacher (M.r Liston as Maw-worm, in the Hypocrite.)](jpegs/68055.jpg)
[John Liston] The Celebrated Preacher (M.r Liston as Maw-worm, in the Hypocrite.) Encored in his Sermon by His Majesty.
Pub.d by Ingrey & Madeley, Lithographic Office, 310 Strand, 1825.
Coloured lithograph. Sheet 260 x 200mm (10¼ x 8"). Glue stains at corners.
A caricature portrait of comedian John Liston (c.1776-1846), standing above a screen with pictures of him in other roles: Van Dunder, Paul Pry, Tristram Sappy and Billy Lackaday. 'The Hypocrite' was a play by Isaac Bickerstaffe.
[Ref: 68055] £60.00 (£72.00 incl.VAT)
Pub.d by Ingrey & Madeley, Lithographic Office, 310 Strand, 1825.
Coloured lithograph. Sheet 260 x 200mm (10¼ x 8"). Glue stains at corners.
A caricature portrait of comedian John Liston (c.1776-1846), standing above a screen with pictures of him in other roles: Van Dunder, Paul Pry, Tristram Sappy and Billy Lackaday. 'The Hypocrite' was a play by Isaac Bickerstaffe.
[Ref: 68055] £60.00 (£72.00 incl.VAT)
Western Entrance, Oundle Church.
Drawn from Nature & on Stone by B. Rudge, Bedford. Madeley, lith, 3 Wellington St. Strand.
Published by Richard Todd, Bookseller, Oundle. [n.d. c.1841.]
Rare lithograph. Sheet 275 x 365mm (10¾ x 14½") very large margins.
A view of the churchyard, cemetery and western entrance to St Peter's parish church. From a collection of "Lithographic views of Oundle and Fotheringhay".
[Ref: 51670] £130.00 (£156.00 incl.VAT)
Drawn from Nature & on Stone by B. Rudge, Bedford. Madeley, lith, 3 Wellington St. Strand.
Published by Richard Todd, Bookseller, Oundle. [n.d. c.1841.]
Rare lithograph. Sheet 275 x 365mm (10¾ x 14½") very large margins.
A view of the churchyard, cemetery and western entrance to St Peter's parish church. From a collection of "Lithographic views of Oundle and Fotheringhay".
[Ref: 51670] £130.00 (£156.00 incl.VAT)
The Royal Elephant Preserving the true Prince (Mr. Hemmings) from the Conspirators. Now performing with distinguished success at the Theatre Royal, Adelphi.
R.J.H. [in image.]
Pub.d by W. Kenneth, corner Bow Street, Covent Garden, London. G.E. Madeley, Lithog. Wellington St. Strand. [n.d. c.1829.]
Rare lithograph. 197 x 282mm (7¼ x 10½").
A depiction of the elephant from 'The Elephant of Siam and the Fire Fiend!', first produced at the Adelphi on Thursday 3 December 1829. The mid-Victorian period marked the height of the British public's fascination with Britain's colonies; hence, the introduction of elephants across the capital. Three elephants were brought to England in East India Company ships between 1809 and 1811.
[Ref: 52455] £230.00 (£276.00 incl.VAT)
R.J.H. [in image.]
Pub.d by W. Kenneth, corner Bow Street, Covent Garden, London. G.E. Madeley, Lithog. Wellington St. Strand. [n.d. c.1829.]
Rare lithograph. 197 x 282mm (7¼ x 10½").
A depiction of the elephant from 'The Elephant of Siam and the Fire Fiend!', first produced at the Adelphi on Thursday 3 December 1829. The mid-Victorian period marked the height of the British public's fascination with Britain's colonies; hence, the introduction of elephants across the capital. Three elephants were brought to England in East India Company ships between 1809 and 1811.
[Ref: 52455] £230.00 (£276.00 incl.VAT)
The Royal Elephant at Dinner Now performing with distinguised success, at the Theatre Royal, Adelphi.
R.J. Hamerton [in image.]
Pub.d by W. Kenneth, corner Bow Street, Covent Garden, London. G.E. Madeley, Lithog. Wellington St. Strand. [n.d. c.1829.]
Rare lithograph. 214 x 280mm (8 x 10½"). Some creasing.
Three elephants were brought to England in East India Company ships between 1809 and 1811. The elephants were either exhibited at the Covent Garden Theatre or bought by circus owner Stephani Polito, where they joined his menagerie at Exeter Exchange on the Strand in London. The mid-Victorian period marked the height of the British public's fascination with Britain's colonies; hence, the introduction of elephants across the capital.
[Ref: 52456] £230.00 (£276.00 incl.VAT)
R.J. Hamerton [in image.]
Pub.d by W. Kenneth, corner Bow Street, Covent Garden, London. G.E. Madeley, Lithog. Wellington St. Strand. [n.d. c.1829.]
Rare lithograph. 214 x 280mm (8 x 10½"). Some creasing.
Three elephants were brought to England in East India Company ships between 1809 and 1811. The elephants were either exhibited at the Covent Garden Theatre or bought by circus owner Stephani Polito, where they joined his menagerie at Exeter Exchange on the Strand in London. The mid-Victorian period marked the height of the British public's fascination with Britain's colonies; hence, the introduction of elephants across the capital.
[Ref: 52456] £230.00 (£276.00 incl.VAT)
![[Shooting] Now Jack, hit him hard. but mind me!](jpegs/57794.jpg)
[Shooting] Now Jack, hit him hard. but mind me!
Madeley lith. 3 Wellington St. Strand.
[n.d., c.1830.]
Coloured lithograph. Sheet 175 x 150mm (7 x 6"). Trimmed, corners snipped, laid on album paper.
A man cowering behind a tree shouts instructions to a man aiming a blunderbuss at a cockeral on a fence.
[Ref: 57794] £65.00 (£78.00 incl.VAT)
Madeley lith. 3 Wellington St. Strand.
[n.d., c.1830.]
Coloured lithograph. Sheet 175 x 150mm (7 x 6"). Trimmed, corners snipped, laid on album paper.
A man cowering behind a tree shouts instructions to a man aiming a blunderbuss at a cockeral on a fence.
[Ref: 57794] £65.00 (£78.00 incl.VAT)
Plan of the Proposed Alterations in St James's Park.
G.E.M [George Edward Madeley] del.
Printed and Published by Ingrey & Madeley, Lithographic Office 310 Strand [n.d., c1827].
Lithographic map with hand colour. Printed border 230 x 430mm (9 x 17"). Laid on album paper with two other lithographs.
John Nash's planned redevelopment of the area around St James's Park, including the buuildings of Pall Mall. The two matching lithographs show the St James's Canal before and after it was redesigned to look more natural.
[Ref: 64139] £190.00
G.E.M [George Edward Madeley] del.
Printed and Published by Ingrey & Madeley, Lithographic Office 310 Strand [n.d., c1827].
Lithographic map with hand colour. Printed border 230 x 430mm (9 x 17"). Laid on album paper with two other lithographs.
John Nash's planned redevelopment of the area around St James's Park, including the buuildings of Pall Mall. The two matching lithographs show the St James's Canal before and after it was redesigned to look more natural.
[Ref: 64139] £190.00
![[Sutherland Highlanders] To Lieu.t Colonel M.cGregor and the Officers of the 93rd Highlanders,](jpegs/57649.jpg)
[Sutherland Highlanders] To Lieu.t Colonel M.cGregor and the Officers of the 93rd Highlanders, This Print, reprsenting the ceremony of presenting new Colours to their Regiment at Canterbury, on Tuesday, October 7th, 1834, by Field Marshal , his Grace the Duke of Wellington, is most respectfully inscribed by their very humble servant, Henry Ward.
Drawn on the Spot by H. Martens. Ackermann & Co Execu.t. Printed by G.E. Madeley, 3 Wellington S.t. Strand.
Published by Henry Ward, Canterbury, Nov.r 1834.
Scarce coloured lithograph. Sheet 430 x 585mm (17 x 23"), large margins on 3 sides. Repaired tears.
A parade of the Sutherland Highlanders in Canterbury, when the Duke of Wellington presented them with new Colours following their return from their posting to Antigua and Saint Kitts, 1826-34. The towers of Canterbury Cathedral can be seen behind.
[Ref: 57649] £350.00
Drawn on the Spot by H. Martens. Ackermann & Co Execu.t. Printed by G.E. Madeley, 3 Wellington S.t. Strand.
Published by Henry Ward, Canterbury, Nov.r 1834.
Scarce coloured lithograph. Sheet 430 x 585mm (17 x 23"), large margins on 3 sides. Repaired tears.
A parade of the Sutherland Highlanders in Canterbury, when the Duke of Wellington presented them with new Colours following their return from their posting to Antigua and Saint Kitts, 1826-34. The towers of Canterbury Cathedral can be seen behind.
[Ref: 57649] £350.00
![[Louis Philippe instructing his children at Orleans House.]](jpegs/23472.jpg)
[Louis Philippe instructing his children at Orleans House.]
Lithographed & Printed by G.E. Madeley, 3, Wellington Stt. Strand.
Presented with the Atlas Newspaper of August 29th. 1830 [on stone].
Lithograph, supplement to the 'Atlas' periodical. Image 175 x 265mm. 7 x 10½".
An interior scene of domesticity at Orleans House, Twickenham, featuring at its centre the house's most famous resident Louis Philippe, Duc d'Orleans (1773 - 1850). Forced into exile from France in the period leading up to Napoleon's defeat at Waterloo, Louis Philippe made this house his home in London between 1815 and 1817. Attracted to the tranquillity of the area he wrote to a friend: 'I bless heaven, noon and night that I am in my peaceful house in old Twick'. In 1844 he returned to England as King of the French, and visited his former residence accompanied by Queen Victoria. The pupils are portraits of his children.
For other lithographs of the same scene, see refs. 7988 and 8065.
[Ref: 23472] £130.00 (£156.00 incl.VAT)
Lithographed & Printed by G.E. Madeley, 3, Wellington Stt. Strand.
Presented with the Atlas Newspaper of August 29th. 1830 [on stone].
Lithograph, supplement to the 'Atlas' periodical. Image 175 x 265mm. 7 x 10½".
An interior scene of domesticity at Orleans House, Twickenham, featuring at its centre the house's most famous resident Louis Philippe, Duc d'Orleans (1773 - 1850). Forced into exile from France in the period leading up to Napoleon's defeat at Waterloo, Louis Philippe made this house his home in London between 1815 and 1817. Attracted to the tranquillity of the area he wrote to a friend: 'I bless heaven, noon and night that I am in my peaceful house in old Twick'. In 1844 he returned to England as King of the French, and visited his former residence accompanied by Queen Victoria. The pupils are portraits of his children.
For other lithographs of the same scene, see refs. 7988 and 8065.
[Ref: 23472] £130.00 (£156.00 incl.VAT)
![[Issac van Amburgh with his big cats.]](jpegs/55480.jpg)
[Issac van Amburgh with his big cats.]
Madeley, lith.
[n.d., c.1840.]
Lithograph. Sheet 175 x 250mm (7 x 9¾"). Timmed losing Madeley's address, indelible pencil in bottom corner.
Isaac van Amburgh (1808-65), American animal trainer, wearing Roman dress on stage with a lion, tiger and three leopards. Van Amburgh arrived in London in 1838, performing first at Astleys then at Drury Lane. In 1839 Queen Victoria saw van Amburgh's show six times, and later commissioned Landseer to paint a portrait of him and and his cats. By George Edward Madeley.
[Ref: 55480] £180.00 (£216.00 incl.VAT)
Madeley, lith.
[n.d., c.1840.]
Lithograph. Sheet 175 x 250mm (7 x 9¾"). Timmed losing Madeley's address, indelible pencil in bottom corner.
Isaac van Amburgh (1808-65), American animal trainer, wearing Roman dress on stage with a lion, tiger and three leopards. Van Amburgh arrived in London in 1838, performing first at Astleys then at Drury Lane. In 1839 Queen Victoria saw van Amburgh's show six times, and later commissioned Landseer to paint a portrait of him and and his cats. By George Edward Madeley.
[Ref: 55480] £180.00 (£216.00 incl.VAT)
![[Issac van Amburgh with his big cats.]](jpegs/55483.jpg)
[Issac van Amburgh with his big cats.]
Madeley, lith.
[n.d., c.1840.]
Lithograph. Sheet 175 x 250mm (7 x 9¾"). Timmed losing Madeley's address, indelible pencil in bottom corner.
Isaac van Amburgh (1808-65), American animal trainer, wearing Roman dress on stage, resting on a lion, while a tiger licks his face. Van Amburgh arrived in London in 1838, performing first at Astleys then at Drury Lane. In 1839 Queen Victoria saw van Amburgh's show six times, and later commissioned Landseer to paint a portrait of him and and his cats. By George Edward Madeley.
[Ref: 55483] £180.00 (£216.00 incl.VAT)
Madeley, lith.
[n.d., c.1840.]
Lithograph. Sheet 175 x 250mm (7 x 9¾"). Timmed losing Madeley's address, indelible pencil in bottom corner.
Isaac van Amburgh (1808-65), American animal trainer, wearing Roman dress on stage, resting on a lion, while a tiger licks his face. Van Amburgh arrived in London in 1838, performing first at Astleys then at Drury Lane. In 1839 Queen Victoria saw van Amburgh's show six times, and later commissioned Landseer to paint a portrait of him and and his cats. By George Edward Madeley.
[Ref: 55483] £180.00 (£216.00 incl.VAT)
Madame Vestris, as Venus, in the Paphian Bower. (No.2."Fair Favorites.")
London_.Lithographed, Printed & Pubd.by G.E. Madeley 3, Wellington St. Strand. [n.d. c.1835.]
A rare lithograph. 381 x 285mm. 15 x 11¼". Tear to right hand side.
Lucia Elizabeth Vestris (1797-1856), actress whose contralto voice and attractive appearance helped her obtain many successful roles.
[Ref: 15714] £260.00 (£312.00 incl.VAT)
London_.Lithographed, Printed & Pubd.by G.E. Madeley 3, Wellington St. Strand. [n.d. c.1835.]
A rare lithograph. 381 x 285mm. 15 x 11¼". Tear to right hand side.
Lucia Elizabeth Vestris (1797-1856), actress whose contralto voice and attractive appearance helped her obtain many successful roles.
[Ref: 15714] £260.00 (£312.00 incl.VAT)
This Print represents the Attempted Assassination of Her Most Gracious Majesty Queen Victoria and H.R.H. Prince Albert, at Constitution Hill by Edward Oxford, on the Evening of Wednesday June 10th 1840.
Madeley, lith, 5, Wellington St, Strand.
[n.d., c.1840.]
Lithograph with hand-colouring, sheet 240 x 335mm (9½ x 13¼"). Creasing through centre and upper left.
The first attempt on Queen Victoria's life, showing the pregnant monarch and her husband travelling on Constitution Hill in a phæton, the Wellington Arch in the background, and Edward Oxford with his pistol raised. After firing two shots he was seized by onlookers. He was charged with treason, but, as no bullets could be found at the scene, it could not be proved his pistols had more than powder in them. He was found 'not guilty by reason of insanity' and sent to Bethlem asylum, where he was a model prisoner for nearly quarter of a century. In 1864 he was transferred to Broadmoor, still a model prisoner, and in 1867 it was decided to release him on the proviso he left the country and never returned. He left for Australia, where he changed his name to John Freeman, married, served as a churchwarden in Melbourne and published a book called Lights and Shadows of Melbourne Life in 1888. He died in 1900. Australian interest.
[Ref: 37659] £160.00 (£192.00 incl.VAT)
Madeley, lith, 5, Wellington St, Strand.
[n.d., c.1840.]
Lithograph with hand-colouring, sheet 240 x 335mm (9½ x 13¼"). Creasing through centre and upper left.
The first attempt on Queen Victoria's life, showing the pregnant monarch and her husband travelling on Constitution Hill in a phæton, the Wellington Arch in the background, and Edward Oxford with his pistol raised. After firing two shots he was seized by onlookers. He was charged with treason, but, as no bullets could be found at the scene, it could not be proved his pistols had more than powder in them. He was found 'not guilty by reason of insanity' and sent to Bethlem asylum, where he was a model prisoner for nearly quarter of a century. In 1864 he was transferred to Broadmoor, still a model prisoner, and in 1867 it was decided to release him on the proviso he left the country and never returned. He left for Australia, where he changed his name to John Freeman, married, served as a churchwarden in Melbourne and published a book called Lights and Shadows of Melbourne Life in 1888. He died in 1900. Australian interest.
[Ref: 37659] £160.00 (£192.00 incl.VAT)
This Print represents the Attempted Assassination of Her Most Gracious Majesty Queen Victoria and H.R.H. Prince Albert, at Constitution Hill by Edward Oxford, on the Evening of Wednesday June 10th 1840.
Madeley, lith, 5, Wellington St, Strand.
[n.d., c.1840.]
Lithograph, rare. Sheet 260 x 355mm (10¼ x 14").
The scene of the first attempt on Queen Victoria's life, showing the pregnant monarch and her husband travelling on Constitution Hill in a phæton, the Wellington Arch in the background, and Edward Oxford with his pistol raised. After firing two shots he was seized by onlookers. He was charged with treason, but, as no bullets could be found at the scene, it could not be proved his pistols had more than powder in them. He was found 'not guilty by reason of insanity' and sent to Bethlem asylum, where he was a model prisoner for nearly quarter of a century. In 1864 he was transferred to Broadmoor, still a model prisoner, and in 1867 it was decided to release him on the proviso he left the country and never returned. He left for Australia, where he changed his name to John Freeman, married, served as a churchwarden in Melbourne and published a book called Lights and Shadows of Melbourne Life in 1888. He died in 1900.
[Ref: 33868] £290.00 (£348.00 incl.VAT)
Madeley, lith, 5, Wellington St, Strand.
[n.d., c.1840.]
Lithograph, rare. Sheet 260 x 355mm (10¼ x 14").
The scene of the first attempt on Queen Victoria's life, showing the pregnant monarch and her husband travelling on Constitution Hill in a phæton, the Wellington Arch in the background, and Edward Oxford with his pistol raised. After firing two shots he was seized by onlookers. He was charged with treason, but, as no bullets could be found at the scene, it could not be proved his pistols had more than powder in them. He was found 'not guilty by reason of insanity' and sent to Bethlem asylum, where he was a model prisoner for nearly quarter of a century. In 1864 he was transferred to Broadmoor, still a model prisoner, and in 1867 it was decided to release him on the proviso he left the country and never returned. He left for Australia, where he changed his name to John Freeman, married, served as a churchwarden in Melbourne and published a book called Lights and Shadows of Melbourne Life in 1888. He died in 1900.
[Ref: 33868] £290.00 (£348.00 incl.VAT)
Mr. George Wild as Demosthenes Dodge Esq.re, in E.L. Blanchard's Original Farce entitled, "The Artful Dodge". [Facsimile autograph:] George Wild Royal Olympia.
Madeley Lith 3 Wellington St. Strand.
[n.d. c.1842.]
Rare coloured lithograph. 458 x 318mm. 18 x 12½". Cut, small tears in lower edge. Soiling.
George Wild (1805-1856) was an actor and manager. Edward L. Blanchard (1820-1889) was a drama critic and a playwright who specialised in pantomimes.
Not in Harvard.
[Ref: 19926] £130.00 (£156.00 incl.VAT)
Madeley Lith 3 Wellington St. Strand.
[n.d. c.1842.]
Rare coloured lithograph. 458 x 318mm. 18 x 12½". Cut, small tears in lower edge. Soiling.
George Wild (1805-1856) was an actor and manager. Edward L. Blanchard (1820-1889) was a drama critic and a playwright who specialised in pantomimes.
Not in Harvard.
[Ref: 19926] £130.00 (£156.00 incl.VAT)
N. Wiseman.
M.R.Giberne delt. 1846. G.E.Madeley, lith. 3, Wellington St. Strand.
Published by Hering & Remington: 157 Regent Street. 1st, Augt. 1846.
Lithograph. Sheet 380 x 280mm (15 x 11").
Nicholas Wiseman, Cardinal, first Archbishop of Westminster; b. at Seville, 2 Aug., 1802; d. in London, 15 Feb., 1865.
[Ref: 2683] £95.00 (£114.00 incl.VAT)
M.R.Giberne delt. 1846. G.E.Madeley, lith. 3, Wellington St. Strand.
Published by Hering & Remington: 157 Regent Street. 1st, Augt. 1846.
Lithograph. Sheet 380 x 280mm (15 x 11").
Nicholas Wiseman, Cardinal, first Archbishop of Westminster; b. at Seville, 2 Aug., 1802; d. in London, 15 Feb., 1865.
[Ref: 2683] £95.00 (£114.00 incl.VAT)
The Market House & High Street Woburn.
R.C. Stratfold del. G.E. Madeley Lithog. 3 Wellington St. Strand.
[n.d. c.1850.]
Very rare lithograph. 210 x 278mm (8¼ x 11").
A view along the High Street with the Town Hall to the right, in Woburn, Bedfordshire. Individual shop fronts and names are visible, making this a valuable record of the businesses operating in the area at the time.
[Ref: 28509] £70.00 (£84.00 incl.VAT)
R.C. Stratfold del. G.E. Madeley Lithog. 3 Wellington St. Strand.
[n.d. c.1850.]
Very rare lithograph. 210 x 278mm (8¼ x 11").
A view along the High Street with the Town Hall to the right, in Woburn, Bedfordshire. Individual shop fronts and names are visible, making this a valuable record of the businesses operating in the area at the time.
[Ref: 28509] £70.00 (£84.00 incl.VAT)
![Worlingworth Hall. The Property of the Hon.ble John Henniker. [&] View of Worlingwort Church, from Worlingworth Hall. Dedicated to the Right Hon.ble Lord Henniker, Patron.](jpegs/31074.jpg)
Worlingworth Hall. The Property of the Hon.ble John Henniker. [&] View of Worlingwort Church, from Worlingworth Hall. Dedicated to the Right Hon.ble Lord Henniker, Patron.
Lithographed by G.E. Madeley, 3, Wellington St. Strand.
[n.d. c.1850.]
Lithograph. Sheet 345 x 254mm (13½ x 10"). Rare.
A view of Worlingworth Hall, the former medieval manor house dating back to the 13th century; and a view of St Mary's Church; Suffolk.
[Ref: 31074] £70.00 (£84.00 incl.VAT)
Lithographed by G.E. Madeley, 3, Wellington St. Strand.
[n.d. c.1850.]
Lithograph. Sheet 345 x 254mm (13½ x 10"). Rare.
A view of Worlingworth Hall, the former medieval manor house dating back to the 13th century; and a view of St Mary's Church; Suffolk.
[Ref: 31074] £70.00 (£84.00 incl.VAT)