A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
The Woman taken in Adultery, brought before Christ. They say unto him, Master, this woman was taken in adultery, in the very act. John c8, v4. / From an original Painting in His Majesty's Collection, at Hampton Court Palace
Sebastianus Ricci, pinxt. J.M. Loitard, sculpt.
London, Published by Freeman & Co No. 95, corner of Beaufort Buildings, Strand, Ap.l 1 1792
Rare engraving, sheet 530 x 425mm (21 x 16¾"). Trimmed to platemark.
Reissue of a plate first published c.1735-43, as part of a set of eight engraving after Sebastiano Ricci (1659-1734) in the collection of Joseph Smith., English collector and patron based in Venice who also had a long association with Canaletto. By the time this plate was published in 1792 the painting was already in the Royal Collection, where it remains to this day (although it currently hangs at Osterley). One of few prints after Ricci, an itinerant Italian artist whose career took him all over Europe, including time spent in England.
[Ref: 38591] £230.00 (£276.00 incl.VAT)
Sebastianus Ricci, pinxt. J.M. Loitard, sculpt.
London, Published by Freeman & Co No. 95, corner of Beaufort Buildings, Strand, Ap.l 1 1792
Rare engraving, sheet 530 x 425mm (21 x 16¾"). Trimmed to platemark.
Reissue of a plate first published c.1735-43, as part of a set of eight engraving after Sebastiano Ricci (1659-1734) in the collection of Joseph Smith., English collector and patron based in Venice who also had a long association with Canaletto. By the time this plate was published in 1792 the painting was already in the Royal Collection, where it remains to this day (although it currently hangs at Osterley). One of few prints after Ricci, an itinerant Italian artist whose career took him all over Europe, including time spent in England.
[Ref: 38591] £230.00 (£276.00 incl.VAT)
Christ healing the Impotent Man at the Pool of Bethesda Now there is at Jerusalem by the Sheep market a pool, which is called in the Hebrew tongue, Bethesda, having five porches. John c5, v2.
Sebastianus Ricci, pinxt. J.M. Liotard, sculpt.
London, Published by Freeman & Co No. 95, corner of Beaufort Buildings, Strand, Ap.l 1 1792
Rare engraving, sheet 530 x 425mm (21 x 16¾"). Trimmed to platemark.
Reissue of a plate first published c.1735-43, as part of a set of eight engraving after Sebastiano Ricci (1659-1734) in the collection of Joseph Smith., English collector and patron based in Venice who also had a long association with Canaletto. By the time this plate was published in 1792 the painting was already in the Royal Collection, where it remains to this day (although it currently hangs at Osterley). One of few prints after Ricci, an itinerant Italian artist whose career took him all over Europe, including time spent in England.
[Ref: 38592] £200.00 (£240.00 incl.VAT)
Sebastianus Ricci, pinxt. J.M. Liotard, sculpt.
London, Published by Freeman & Co No. 95, corner of Beaufort Buildings, Strand, Ap.l 1 1792
Rare engraving, sheet 530 x 425mm (21 x 16¾"). Trimmed to platemark.
Reissue of a plate first published c.1735-43, as part of a set of eight engraving after Sebastiano Ricci (1659-1734) in the collection of Joseph Smith., English collector and patron based in Venice who also had a long association with Canaletto. By the time this plate was published in 1792 the painting was already in the Royal Collection, where it remains to this day (although it currently hangs at Osterley). One of few prints after Ricci, an itinerant Italian artist whose career took him all over Europe, including time spent in England.
[Ref: 38592] £200.00 (£240.00 incl.VAT)
Veneris Triumphus. Illa quidem totum dignissima temperat orbem. Illa tenet nullo regna minora Deo. Ovid: Fast: Lib: IV.V: 91.
C. Cignani inv: et. del: J.M. Liotard sculpsit.
[n.d., 1743.]
A rare & fine engraving. Sheet 500 x 865mm (19¾ x 34") Trimmed within plate.
A scene representing Love's triumph over learning, glory and the arts, one of seven cartoons drawn by Carlo Cignani (1628-1719) for the fresco decorations on the walls of a room in the Palazzo del Giardino at Parma. Venus sits holding Cupid in her arms as her triumphal chariot (drawn by two young satyrs and two putti with their hands tied behind their backs) crushes a book, an eagle standard, a sword, a pair of compasses, a laurel-wreath and a palette. The procession is headed by a winged youth playing a harp and includes the Three Graces. Cignani's frescoes were begun in about 1678 and survive today, although they suffered damage in the Second World War. The cartoons came into the possession of Joseph Smith (1682-1770, the British consul at Venice, 1744-60, and patron of Canaletto) in the 1730s, where Jean Michel Liotard saw them and engraved them for his 'Monochromata Septem Caroli Cignanti Bononiensis', as this print. The cartoons were bought by George III in 1762 and are now in the Royal Collection at Hampton Court.
[Ref: 46261] £480.00
C. Cignani inv: et. del: J.M. Liotard sculpsit.
[n.d., 1743.]
A rare & fine engraving. Sheet 500 x 865mm (19¾ x 34") Trimmed within plate.
A scene representing Love's triumph over learning, glory and the arts, one of seven cartoons drawn by Carlo Cignani (1628-1719) for the fresco decorations on the walls of a room in the Palazzo del Giardino at Parma. Venus sits holding Cupid in her arms as her triumphal chariot (drawn by two young satyrs and two putti with their hands tied behind their backs) crushes a book, an eagle standard, a sword, a pair of compasses, a laurel-wreath and a palette. The procession is headed by a winged youth playing a harp and includes the Three Graces. Cignani's frescoes were begun in about 1678 and survive today, although they suffered damage in the Second World War. The cartoons came into the possession of Joseph Smith (1682-1770, the British consul at Venice, 1744-60, and patron of Canaletto) in the 1730s, where Jean Michel Liotard saw them and engraved them for his 'Monochromata Septem Caroli Cignanti Bononiensis', as this print. The cartoons were bought by George III in 1762 and are now in the Royal Collection at Hampton Court.
[Ref: 46261] £480.00