A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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The Rev.d Joseph Hallet Batten D.D. F.R.S. Late Principal of the East India College, and formerly Fellow of Trinity College Cambridge. Born 25th, Augst.1778. Died 11th.Octr.1837.
Painted & Engraved by John Linnell.
[n.d. c.1820]
Mezzotint, india laid. Plate 495 x 347mm. 19½ x 13¾". Scratch near the face.79
The Reverend Joseph Hallett Batten (died October 11, 1837) was principal of the East India Company College. John Linnel was an English painter who made a good living as a fashionable portraitist, but preferred to paint landscapes. He gave up portraiture in the 1840’s and moved to Redhill to devote his career to his landscapes. These paintings were highly desired and caused Linnel to amass a great deal of wealth. However, he was not favored among his colleagues and was denied membership to the Royal Academy.
[Ref: 19479] £160.00 (£192.00 incl.VAT)
Painted & Engraved by John Linnell.
[n.d. c.1820]
Mezzotint, india laid. Plate 495 x 347mm. 19½ x 13¾". Scratch near the face.79
The Reverend Joseph Hallett Batten (died October 11, 1837) was principal of the East India Company College. John Linnel was an English painter who made a good living as a fashionable portraitist, but preferred to paint landscapes. He gave up portraiture in the 1840’s and moved to Redhill to devote his career to his landscapes. These paintings were highly desired and caused Linnel to amass a great deal of wealth. However, he was not favored among his colleagues and was denied membership to the Royal Academy.
[Ref: 19479] £160.00 (£192.00 incl.VAT)
A. W. Callcott, Esq. R.A.
Painted and Engraved by J Linnell.
London Published March. 1st.1832 By J Linnell. Porchester Terrace Bayswater.
Mezzotint. Plate 407 x 278mm.
Sir Augustus Wall Callcott (1779-1844) Painter, student of John Hoppner although he focused on Landscapes. John Linnel was an English painter who made a good living as a fashionable portraitist, but preferred to paint landscapes. In 1837, he married the daughter of Samuel Palmer, one of his influences. He gave up portraiture in the 1840’s and moved to Redhill to devote his career to his landscapes. These paintings were highly desired and caused Linnel to amass a great deal of wealth. However, he was not favored among his colleagues and was denied membership to the Royal Academy.
[Ref: 3909] £280.00 (£336.00 incl.VAT)
Painted and Engraved by J Linnell.
London Published March. 1st.1832 By J Linnell. Porchester Terrace Bayswater.
Mezzotint. Plate 407 x 278mm.
Sir Augustus Wall Callcott (1779-1844) Painter, student of John Hoppner although he focused on Landscapes. John Linnel was an English painter who made a good living as a fashionable portraitist, but preferred to paint landscapes. In 1837, he married the daughter of Samuel Palmer, one of his influences. He gave up portraiture in the 1840’s and moved to Redhill to devote his career to his landscapes. These paintings were highly desired and caused Linnel to amass a great deal of wealth. However, he was not favored among his colleagues and was denied membership to the Royal Academy.
[Ref: 3909] £280.00 (£336.00 incl.VAT)
Robert Gooch, M.D.
Painted And Engraved By J. Linnell.
London. Published May 1st 1831, For J. Linnell, Porchester Terrace, Bayswater, By W.J. White, 14, Brownlow Street, Holborn.
Etching. Plate 385 x 279mm. 15¼ x 11".
Robert Gooch [1784 - 1830], Edinburgh gynaecologist. John Linnell [1792 - 1882] was one of the most highly regarded and successful artists of his day and formed an impressive network of connections through being very versatile and able to work in a number of mediums.. He was William Blake’s last patron and his daughter, Hannah, married Samuel Palmer.
Wellcome: 1162, published state.
[Ref: 3912] £260.00 (£312.00 incl.VAT)
Painted And Engraved By J. Linnell.
London. Published May 1st 1831, For J. Linnell, Porchester Terrace, Bayswater, By W.J. White, 14, Brownlow Street, Holborn.
Etching. Plate 385 x 279mm. 15¼ x 11".
Robert Gooch [1784 - 1830], Edinburgh gynaecologist. John Linnell [1792 - 1882] was one of the most highly regarded and successful artists of his day and formed an impressive network of connections through being very versatile and able to work in a number of mediums.. He was William Blake’s last patron and his daughter, Hannah, married Samuel Palmer.
Wellcome: 1162, published state.
[Ref: 3912] £260.00 (£312.00 incl.VAT)
The Revd. John Leifchild.
Painted & Engraved By John Linnell.
London.Published Novr.10 1836.by I.R.Leifchild, 13.Piccadilly.
Proof mezzotint. Plate 507 x 411mm. Slightly in background, trimmed on plate mark to left.
Leifchild, John 1780-1862, independent minister, John Linnel was an English painter who made a good living as a fashionable portraitist, but preferred to paint landscapes. In 1837, he married the daughter of Samuel Palmer, one of his influences. He gave up portraiture in the 1840’s and moved to Redhill to devote his career to his landscapes. These paintings were highly desired and caused Linnel to amass a great deal of wealth. However, he was not favored among his colleagues and was denied membership to the Royal Academy.
[Ref: 3913] £360.00
Painted & Engraved By John Linnell.
London.Published Novr.10 1836.by I.R.Leifchild, 13.Piccadilly.
Proof mezzotint. Plate 507 x 411mm. Slightly in background, trimmed on plate mark to left.
Leifchild, John 1780-1862, independent minister, John Linnel was an English painter who made a good living as a fashionable portraitist, but preferred to paint landscapes. In 1837, he married the daughter of Samuel Palmer, one of his influences. He gave up portraiture in the 1840’s and moved to Redhill to devote his career to his landscapes. These paintings were highly desired and caused Linnel to amass a great deal of wealth. However, he was not favored among his colleagues and was denied membership to the Royal Academy.
[Ref: 3913] £360.00
A Ravine near Vosse-Vangen
Drawn from Nature by Edwd Price. Engraved by John Linnell [c.1839].
Etching before mezzotint, platemark 120 x 180mm (4¾ x 7"). Old ink mss. additions. Trimmed to platemark.
Norwegian landscape after Edward Price, published as an illustration to Price's 'Norway, Views of Wild Scenery' (1839). Etching by John Linnell (1792 - 1882), painter and printmaker who was William Blake’s last patron and a good friend of Samuel Palmer (who married Linnell's daughter Hannah). After specializing in portraiture during his early career, Linnell turned towards rural landscapes in later years, which sold for high prices. Linnell's reputation deteriorated after his death but his early, visionary landscapes have recently been the subject of renewed interest.
[Ref: 44192] £120.00 (£144.00 incl.VAT)
Drawn from Nature by Edwd Price. Engraved by John Linnell [c.1839].
Etching before mezzotint, platemark 120 x 180mm (4¾ x 7"). Old ink mss. additions. Trimmed to platemark.
Norwegian landscape after Edward Price, published as an illustration to Price's 'Norway, Views of Wild Scenery' (1839). Etching by John Linnell (1792 - 1882), painter and printmaker who was William Blake’s last patron and a good friend of Samuel Palmer (who married Linnell's daughter Hannah). After specializing in portraiture during his early career, Linnell turned towards rural landscapes in later years, which sold for high prices. Linnell's reputation deteriorated after his death but his early, visionary landscapes have recently been the subject of renewed interest.
[Ref: 44192] £120.00 (£144.00 incl.VAT)
![[The Rt. Honble. Thos. Spring Rice, Chancellor of the Exchequer &c.]](jpegs/3918.jpg)
[The Rt. Honble. Thos. Spring Rice, Chancellor of the Exchequer &c.]
Painted and Engraved by John Linnell.
London Published March 15. 1836 by Frs.Graves & Co late Colnaghi & Co 23 Cockspur St Charing cross & by Mr.J Linnell 38 Porchester Terrace Bayswater.
Mezzotint. 692 x 556mm. proof before letters. Water stain in left margin.
Thomas Spring Rice, 1st Baron Monteagle (1790-7 February 1866), English statesman. John Linnel was an English painter who made a good living as a fashionable portraitist, but preferred to paint landscapes. In 1837, he married the daughter of Samuel Palmer, one of his influences. He gave up portraiture in the 1840's and moved to Redhill to devote his career to his landscapes. These paintings were highly desired and caused Linnel to amass a great deal of wealth. However, he was not favored among his colleagues and was denied membership to the Royal Academy.
[Ref: 3918] £220.00 (£264.00 incl.VAT)
Painted and Engraved by John Linnell.
London Published March 15. 1836 by Frs.Graves & Co late Colnaghi & Co 23 Cockspur St Charing cross & by Mr.J Linnell 38 Porchester Terrace Bayswater.
Mezzotint. 692 x 556mm. proof before letters. Water stain in left margin.
Thomas Spring Rice, 1st Baron Monteagle (1790-7 February 1866), English statesman. John Linnel was an English painter who made a good living as a fashionable portraitist, but preferred to paint landscapes. In 1837, he married the daughter of Samuel Palmer, one of his influences. He gave up portraiture in the 1840's and moved to Redhill to devote his career to his landscapes. These paintings were highly desired and caused Linnel to amass a great deal of wealth. However, he was not favored among his colleagues and was denied membership to the Royal Academy.
[Ref: 3918] £220.00 (£264.00 incl.VAT)
[Saul. The Beauty of Israel is Slain on the High Places. How are the Mighty fallen.]
I. Varley Pinx. I Linnell Sculp 1831 [on slab in plate].
Mezzotint, proof before letters. Sheet 480 x 630mm (19 x 24¾"). Trimmed to plate, slight surface scuffing, laid on board.
A funeral procession, with a shrouded body being carried into a walled city, with Saul's crown preceding him. This very rare mezzotint was engraved by John Linnell after John Varley's oil of twelve years earlier, on which Linnell painting the figures. Linnell, a close friend of William Blake (as was Varley), started etching in 1813, but turned to mezzotint, with this plate being one of his first in that medium and one of the rarest.
[Ref: 6295] £1,350.00
I. Varley Pinx. I Linnell Sculp 1831 [on slab in plate].
Mezzotint, proof before letters. Sheet 480 x 630mm (19 x 24¾"). Trimmed to plate, slight surface scuffing, laid on board.
A funeral procession, with a shrouded body being carried into a walled city, with Saul's crown preceding him. This very rare mezzotint was engraved by John Linnell after John Varley's oil of twelve years earlier, on which Linnell painting the figures. Linnell, a close friend of William Blake (as was Varley), started etching in 1813, but turned to mezzotint, with this plate being one of his first in that medium and one of the rarest.
[Ref: 6295] £1,350.00
Saul. The Beauty of Israel is Slain on the High Places. How are the Mighty fallen.
J. Varley Pinx.t. J. Linnell Sculp.t.
Published by Albert Varley, 47, Edgware Road, John Varley, 3, Elkins Row, Bayswater & R. Ackermann, 101 Strand, London 1832.
Mezzotint. Sheet 455 x 580mm. Trimmed into plate, repaired tears, one affecting title and publication line.
A funeral procession, with a shrouded body being carried into a walled city, with Saul's crown preceding him. This very rare mezzotint was engraved by John Linnell after John Varley's oil of twelve years earlier, on which Linnell painting the figures. Linnell, a close friend of William Blake (as was Varley), started etching in 1813, but turned to mezzotint, with this plate being one of his first in that medium and one of the rarest.
See Ref 6295 for proof.
[Ref: 58745] £280.00 (£336.00 incl.VAT)
J. Varley Pinx.t. J. Linnell Sculp.t.
Published by Albert Varley, 47, Edgware Road, John Varley, 3, Elkins Row, Bayswater & R. Ackermann, 101 Strand, London 1832.
Mezzotint. Sheet 455 x 580mm. Trimmed into plate, repaired tears, one affecting title and publication line.
A funeral procession, with a shrouded body being carried into a walled city, with Saul's crown preceding him. This very rare mezzotint was engraved by John Linnell after John Varley's oil of twelve years earlier, on which Linnell painting the figures. Linnell, a close friend of William Blake (as was Varley), started etching in 1813, but turned to mezzotint, with this plate being one of his first in that medium and one of the rarest.
See Ref 6295 for proof.
[Ref: 58745] £280.00 (£336.00 incl.VAT)