A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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![[The Aqueduct of Hadrian.]](jpegs/26794.jpg)
[The Aqueduct of Hadrian.]
Stuart del.t. Lerpiniere Sculp.t.
[London: Elizabeth Stuart, 1794.]
Engraving, with large margins. 330 x 500mm, 13 x 19½".
A view of the remains of the Aqueduct of Hadrian, on the slopes of Anchesmos, to the north east of the Acropolis in Athens, published in the 'Antiquities of Athens and Other Monuments of Greece' by James 'Athenian' Stuart & Nicholas Revett. Stuart (1713–88) and Revett (1720–1804) joined Gavin Hamillton and Matthew Brettingham on a Grand Tour of Italy, the Balkans & Greece between 1748-55. On their return they started work on the 'Antiquities', which was the first accurate survey of the surviving classical buildings of Athens, with the first volume published in 1762, the second 1789, third 1794, fourth 1816 and fifth 1830 (nearly 80 years after the first). The work was incredibly influential, fueling the Greek revivalist style in 18th-century English architecture. The attention to detail was such that it attracted the attention of Hogarth, who satirised the work with his 'Five Orders of Periwig'.
[Ref: 26794] £350.00
Stuart del.t. Lerpiniere Sculp.t.
[London: Elizabeth Stuart, 1794.]
Engraving, with large margins. 330 x 500mm, 13 x 19½".
A view of the remains of the Aqueduct of Hadrian, on the slopes of Anchesmos, to the north east of the Acropolis in Athens, published in the 'Antiquities of Athens and Other Monuments of Greece' by James 'Athenian' Stuart & Nicholas Revett. Stuart (1713–88) and Revett (1720–1804) joined Gavin Hamillton and Matthew Brettingham on a Grand Tour of Italy, the Balkans & Greece between 1748-55. On their return they started work on the 'Antiquities', which was the first accurate survey of the surviving classical buildings of Athens, with the first volume published in 1762, the second 1789, third 1794, fourth 1816 and fifth 1830 (nearly 80 years after the first). The work was incredibly influential, fueling the Greek revivalist style in 18th-century English architecture. The attention to detail was such that it attracted the attention of Hogarth, who satirised the work with his 'Five Orders of Periwig'.
[Ref: 26794] £350.00
![[The Arch of Hadrian.]](jpegs/26791.jpg)
[The Arch of Hadrian.]
Stuart del.t. Lerpiniere Sculp.t. [&] Stuart del.t. W. Lowry sculp[&] N. Revett del.t.
[London: Elizabeth Stuart, 1794.] [&] Published as the act direct. [&] Pub.d as the Act directs April 3 1792.
Three engravings with large margins. 330 x 455mm, 13 x 18"; 395 x 300mm, 15¼ x 12"; & 400 x 300mm, 15¾ x 11¾".
A view and elevations of the front and sides of the Arch of Hadrian, south east of the Acropolis in Athens, published in the 'Antiquities of Athens and Other Monuments of Greece' by James 'Athenian' Stuart & Nicholas Revett. The view shows the existing remains, with a family of shepherds; the elevations show it as it would have been complete, although not guessing what statuary would be used. Stuart (1713–88) and Revett (1720–1804) joined Gavin Hamillton and Matthew Brettingham on a Grand Tour of Italy, the Balkans & Greece between 1748-55. On their return they started work on the 'Antiquities', which was the first accurate survey of the surviving classical buildings of Athens, with the first volume published in 1762, the second 1789, third 1794, fourth 1816 and fifth 1830 (nearly 80 years after the first). The work was incredibly influential, fueling the Greek revivalist style in 18th-century English architecture. The attention to detail was such that it attracted the attention of Hogarth, who satirised the work with his 'Five Orders of Periwig'.
Stuart's gouache of the Arch is in the Victoria and Albert Museum, RIBA Library Drawings Collection, SD145/9.
[Ref: 26791] £390.00 view all images for this item
Stuart del.t. Lerpiniere Sculp.t. [&] Stuart del.t. W. Lowry sculp[&] N. Revett del.t.
[London: Elizabeth Stuart, 1794.] [&] Published as the act direct. [&] Pub.d as the Act directs April 3 1792.
Three engravings with large margins. 330 x 455mm, 13 x 18"; 395 x 300mm, 15¼ x 12"; & 400 x 300mm, 15¾ x 11¾".
A view and elevations of the front and sides of the Arch of Hadrian, south east of the Acropolis in Athens, published in the 'Antiquities of Athens and Other Monuments of Greece' by James 'Athenian' Stuart & Nicholas Revett. The view shows the existing remains, with a family of shepherds; the elevations show it as it would have been complete, although not guessing what statuary would be used. Stuart (1713–88) and Revett (1720–1804) joined Gavin Hamillton and Matthew Brettingham on a Grand Tour of Italy, the Balkans & Greece between 1748-55. On their return they started work on the 'Antiquities', which was the first accurate survey of the surviving classical buildings of Athens, with the first volume published in 1762, the second 1789, third 1794, fourth 1816 and fifth 1830 (nearly 80 years after the first). The work was incredibly influential, fueling the Greek revivalist style in 18th-century English architecture. The attention to detail was such that it attracted the attention of Hogarth, who satirised the work with his 'Five Orders of Periwig'.
Stuart's gouache of the Arch is in the Victoria and Albert Museum, RIBA Library Drawings Collection, SD145/9.
[Ref: 26791] £390.00 view all images for this item
![[View of the Temple of Apollo at Corinth.]](jpegs/26792.jpg)
[View of the Temple of Apollo at Corinth.]
J. Steuart, delin.t. Lerpiniere Sculp.t.
[London: Elizabeth Stuart, 1794.]
Engraving. 360 x 510mm, 14 x 20". Trimmed to plate at top, large margins on 3 sides..
A view of the exterior of the Temple of Apollo, Corinth, published in the 'Antiquities of Athens and Other Monuments of Greece' by James 'Athenian' Stuart & Nicholas Revett. Stuart (1713–88) and Revett (1720–1804) joined Gavin Hamillton and Matthew Brettingham on a Grand Tour of Italy, the Balkans & Greece between 1748-55. On their return they started work on the 'Antiquities', which was the first accurate survey of the surviving classical buildings of Athens, with the first volume published in 1762, the second 1789, third 1794, fourth 1816 and fifth 1830 (nearly 80 years after the first). The work was incredibly influential, fueling the Greek revivalist style in 18th-century English architecture. The attention to detail was such that it attracted the attention of Hogarth, who satirised the work with his 'Five Orders of Periwig'.
Stuart's gouache of the temple is in the Victoria and Albert Museum, RIBA Library Drawings Collection, SD146/2.
[Ref: 26792] £330.00
J. Steuart, delin.t. Lerpiniere Sculp.t.
[London: Elizabeth Stuart, 1794.]
Engraving. 360 x 510mm, 14 x 20". Trimmed to plate at top, large margins on 3 sides..
A view of the exterior of the Temple of Apollo, Corinth, published in the 'Antiquities of Athens and Other Monuments of Greece' by James 'Athenian' Stuart & Nicholas Revett. Stuart (1713–88) and Revett (1720–1804) joined Gavin Hamillton and Matthew Brettingham on a Grand Tour of Italy, the Balkans & Greece between 1748-55. On their return they started work on the 'Antiquities', which was the first accurate survey of the surviving classical buildings of Athens, with the first volume published in 1762, the second 1789, third 1794, fourth 1816 and fifth 1830 (nearly 80 years after the first). The work was incredibly influential, fueling the Greek revivalist style in 18th-century English architecture. The attention to detail was such that it attracted the attention of Hogarth, who satirised the work with his 'Five Orders of Periwig'.
Stuart's gouache of the temple is in the Victoria and Albert Museum, RIBA Library Drawings Collection, SD146/2.
[Ref: 26792] £330.00
Portraits of Dogs. From the Original Picture In the Collection of Briggs Price Fountain, Esq.e at Narford in the County of Norfolk.
Jean Fyt Pinxit. Daniel Lerperniere Sculpsit.
Publish'd Sep.r 25.th 1799 by John & Josiah Boydell, No.90 Cheapside London.
Engraving with fine hand-colour. Plate: 510 x 600mm (20 x 23¾"). Framed, size 755 x 850mm (29¾ x 33½"). Unexamined out of frame.
A portrait of ten dogs in a landscape: in the foregroud are several spaniels, a greyhound and a pair of bloodhounds. In a fine decorative frame.
[Ref: 47108] £990.00
Jean Fyt Pinxit. Daniel Lerperniere Sculpsit.
Publish'd Sep.r 25.th 1799 by John & Josiah Boydell, No.90 Cheapside London.
Engraving with fine hand-colour. Plate: 510 x 600mm (20 x 23¾"). Framed, size 755 x 850mm (29¾ x 33½"). Unexamined out of frame.
A portrait of ten dogs in a landscape: in the foregroud are several spaniels, a greyhound and a pair of bloodhounds. In a fine decorative frame.
[Ref: 47108] £990.00
A View in the Island of Jamaica, of the Bridge crossing the River Cobre near Spanish Town. Dedicated to William Beckford Esq.r of Somerley in Suffolk, by his most Obliged Servant, John Boydell. No. 6.
Drawn on the Spot & Painted by George Robertson. Engraved by Daniel Lerpiniere.
Published March 25th, 1778 by John Boydell Engraver in Cheapside London.
Mixed-method engraving. 405 x 560mm (16 x 22"). Trimmed to platemark, dedication and publisher's inscription weakly inked. Crease at bottom of image. Right hand corner in border made up.
Plate 8 of six views of Jamaica by George Robertson, of which three were his patron William Beckford's sugar plantations in Jamaica. The illegitimate nephew of Alderman Beckford, William inherited four such estates but squandered his wealth (for example employing Mozart as his son's piano teacher) and lost his holdings. He returned to London in 1776 and seems to have sold the paintings to Boydell for publishing. The John Carter Brown Library's exhibition, 'Aestheticizing the Landscape of Sugar', describes the engravings as 'the most aesthetically ambitious views of Jamaica published in the eighteenth century'.
[Ref: 52919] £320.00
Drawn on the Spot & Painted by George Robertson. Engraved by Daniel Lerpiniere.
Published March 25th, 1778 by John Boydell Engraver in Cheapside London.
Mixed-method engraving. 405 x 560mm (16 x 22"). Trimmed to platemark, dedication and publisher's inscription weakly inked. Crease at bottom of image. Right hand corner in border made up.
Plate 8 of six views of Jamaica by George Robertson, of which three were his patron William Beckford's sugar plantations in Jamaica. The illegitimate nephew of Alderman Beckford, William inherited four such estates but squandered his wealth (for example employing Mozart as his son's piano teacher) and lost his holdings. He returned to London in 1776 and seems to have sold the paintings to Boydell for publishing. The John Carter Brown Library's exhibition, 'Aestheticizing the Landscape of Sugar', describes the engravings as 'the most aesthetically ambitious views of Jamaica published in the eighteenth century'.
[Ref: 52919] £320.00
A South View of the Cities of London and Westminster, taken from Denmark Hill near Camberwell. From the Original Picture in the Possession of Mr. Smart.
George Robertson pinxit. John Boydell excudit 1779. Daniel Lerpiniere Sculpsit.
Published May 1.st 1779 by John Boydell, Engraver in Cheapside London.
Engraving. Plate: 610 x 485mm, (24 x 19") large margins. Some small repairs.
A view across to London from the South, in the foreground a stagecoach laden with passengers hurtles down the road to London passing by a young couple walking arm in arm. St Pauls Cathedral and Westminster Abbey tower above the buildings around them and the Tower of London is just visible at the extreme right of the image.
[Ref: 40827] £1,250.00
George Robertson pinxit. John Boydell excudit 1779. Daniel Lerpiniere Sculpsit.
Published May 1.st 1779 by John Boydell, Engraver in Cheapside London.
Engraving. Plate: 610 x 485mm, (24 x 19") large margins. Some small repairs.
A view across to London from the South, in the foreground a stagecoach laden with passengers hurtles down the road to London passing by a young couple walking arm in arm. St Pauls Cathedral and Westminster Abbey tower above the buildings around them and the Tower of London is just visible at the extreme right of the image.
[Ref: 40827] £1,250.00
![[Kauai] A Morai, in Atooi](jpegs/51215.jpg)
[Kauai] A Morai, in Atooi
J. Webber del. Lerpiniere sc.
[London: Nicol & Cadell, n.d., c.1785.]
Engraving. Sheet 270 x 410mm (10½ x 16"). Trimmed to the plate on three sides.
A burial place on Kauai, Hawaii. Engraved by Daniel Lerpiniere after John Webber for 'A Voyage to the Pacific Ocean' (1784), the official account of Captain Cook's Third and final voyage.
[Ref: 51215] £140.00 (£168.00 incl.VAT)
J. Webber del. Lerpiniere sc.
[London: Nicol & Cadell, n.d., c.1785.]
Engraving. Sheet 270 x 410mm (10½ x 16"). Trimmed to the plate on three sides.
A burial place on Kauai, Hawaii. Engraved by Daniel Lerpiniere after John Webber for 'A Voyage to the Pacific Ocean' (1784), the official account of Captain Cook's Third and final voyage.
[Ref: 51215] £140.00 (£168.00 incl.VAT)
![[View of the Incantada or Propylaea of the Hippodrome, Salonica.]](jpegs/26793.jpg)
[View of the Incantada or Propylaea of the Hippodrome, Salonica.]
J. Steuart, delin.t. Lerpiniere Sculp.t.
[London: Elizabeth Stuart, 1794.]
Engraving. 360 x 500mm, 14 x 19¾". Trimmed to plate at top, with large margins on 3 sides..
A view of the prophylaea (gateway) of the Hippodrome, Thessaloniki, with a private house built through it, published in the 'Antiquities of Athens and Other Monuments of Greece' by James 'Athenian' Stuart & Nicholas Revett. Stuart (1713-88) and Revett (1720-1804) joined Gavin Hamillton and Matthew Brettingham on a Grand Tour of Italy, the Balkans & Greece between 1748-55. On their return they started work on the 'Antiquities', which was the first accurate survey of the surviving classical buildings of Athens, with the first volume published in 1762, the second 1789, third 1794, fourth 1816 and fifth 1830 (nearly 80 years after the first). The work was incredibly influential, fueling the Greek revivalist style in 18th-century English architecture. The attention to detail was such that it attracted the attention of Hogarth, who satirised the work with his 'Five Orders of Periwig'.
Stuart's gouache of the building is in the Victoria and Albert Museum, RIBA Library Drawings Collection, SD146/3.
[Ref: 26793] £290.00 (£348.00 incl.VAT)
J. Steuart, delin.t. Lerpiniere Sculp.t.
[London: Elizabeth Stuart, 1794.]
Engraving. 360 x 500mm, 14 x 19¾". Trimmed to plate at top, with large margins on 3 sides..
A view of the prophylaea (gateway) of the Hippodrome, Thessaloniki, with a private house built through it, published in the 'Antiquities of Athens and Other Monuments of Greece' by James 'Athenian' Stuart & Nicholas Revett. Stuart (1713-88) and Revett (1720-1804) joined Gavin Hamillton and Matthew Brettingham on a Grand Tour of Italy, the Balkans & Greece between 1748-55. On their return they started work on the 'Antiquities', which was the first accurate survey of the surviving classical buildings of Athens, with the first volume published in 1762, the second 1789, third 1794, fourth 1816 and fifth 1830 (nearly 80 years after the first). The work was incredibly influential, fueling the Greek revivalist style in 18th-century English architecture. The attention to detail was such that it attracted the attention of Hogarth, who satirised the work with his 'Five Orders of Periwig'.
Stuart's gouache of the building is in the Victoria and Albert Museum, RIBA Library Drawings Collection, SD146/3.
[Ref: 26793] £290.00 (£348.00 incl.VAT)
The Tschuktschi, and their Habitations.
J. Webber del. Lerpiniere sc.
[London: Nicol & Cadell, n.d., c.1785.]
Engraving. On watermarked paper. Platemark: 255 x 400mm (10 x 15¾"). Uncut with very large margins. Slight repair below title.
A plate from 'Cook's Voyage to the Pacific'. A view of with large tents of animal skins laid over a framework of poles, with figures and dogs, including a man to right with his back to the viewer, wearing a quiver and carrying a bow. Two others standing, talking in the left foreground, with quivers and bows, one also carrying a spear, attached to a ring in his coat. Moutains can be seen in the background. John Webber (1751-93) travelled with Captain Cook on the Third Voyage (1776-80) as the Official Artist of the expedition, recording the explorer's death at the hand of Hawaiian natives.
[Ref: 34213] £260.00 (£312.00 incl.VAT)
J. Webber del. Lerpiniere sc.
[London: Nicol & Cadell, n.d., c.1785.]
Engraving. On watermarked paper. Platemark: 255 x 400mm (10 x 15¾"). Uncut with very large margins. Slight repair below title.
A plate from 'Cook's Voyage to the Pacific'. A view of with large tents of animal skins laid over a framework of poles, with figures and dogs, including a man to right with his back to the viewer, wearing a quiver and carrying a bow. Two others standing, talking in the left foreground, with quivers and bows, one also carrying a spear, attached to a ring in his coat. Moutains can be seen in the background. John Webber (1751-93) travelled with Captain Cook on the Third Voyage (1776-80) as the Official Artist of the expedition, recording the explorer's death at the hand of Hawaiian natives.
[Ref: 34213] £260.00 (£312.00 incl.VAT)