A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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![Studies of Heads of Don Quixote_and_Sancho Panza, by C.R. Leslie R.A. [facsimile signature.] (in the Possession of the Engraver) Proof.](jpegs/34640.jpg)
Studies of Heads of Don Quixote_and_Sancho Panza, by C.R. Leslie R.A. [facsimile signature.] (in the Possession of the Engraver) Proof. "I will content myself with any Squire, since Sancho deigns not to attend me." "I do deign, said Sancho, (all tender) and the Tears standing in his eyes." Don Quixote Part 2. Chap 7.
Plate 3 of Lithographic Imitations of Sketches by Modern Artists, by Rich.d J Lane.
Printed by C. Hullmandel. London 1827. Published by J. Dickinson.
Lithograph on chine colle, rare. Printed area 202 x 252mm (8 x 10").
Plate 3: two bust-length portraits of characters from Miguel de Cervantes's "Don Quixote", the protagonist to the left; Sancho Panza to the right. Don Quixote, published in two volumes in 1605 and 1615; Quixote sets out to revive chivalry, recruiting a simple farmer, Sancho Panza, as his squire.
[Ref: 34640] £120.00 (£144.00 incl.VAT)
Plate 3 of Lithographic Imitations of Sketches by Modern Artists, by Rich.d J Lane.
Printed by C. Hullmandel. London 1827. Published by J. Dickinson.
Lithograph on chine colle, rare. Printed area 202 x 252mm (8 x 10").
Plate 3: two bust-length portraits of characters from Miguel de Cervantes's "Don Quixote", the protagonist to the left; Sancho Panza to the right. Don Quixote, published in two volumes in 1605 and 1615; Quixote sets out to revive chivalry, recruiting a simple farmer, Sancho Panza, as his squire.
[Ref: 34640] £120.00 (£144.00 incl.VAT)
Canning. 1818. Wollaston. 1827. Scott. 1820. Crabbe. 1826. From Sketches made in the years above named, by F. Chantry, Sculptor in testimony of his esteem.
Plate 16 of Lithographic Imitations of Sketches by Modern Artists by R.J. Lane A.R.A.
Printed by Hullmandel. London. 1832. Published by Dickinson.
Lithograph on chine collé. 325 x 280mm. 12¾ x 11". Small tear into the margin.
Portrait heads of four men, Canning at top left in profile to right, Wollaston at top right in profile to left, Scott at lower left in profile to right and Crabbe at lower right with head bowed in three-quarter profile to left. George Canning (1770-1827) Prime Minister; William Hyde Wollaston (1766-1828) scientist, known for his preparation of malleable platinum; Sir Walter Scott (1771-1832) poet and novelist; and George Crabbe (1754-1832), poet.
[Ref: 24823] £95.00 (£114.00 incl.VAT)
Plate 16 of Lithographic Imitations of Sketches by Modern Artists by R.J. Lane A.R.A.
Printed by Hullmandel. London. 1832. Published by Dickinson.
Lithograph on chine collé. 325 x 280mm. 12¾ x 11". Small tear into the margin.
Portrait heads of four men, Canning at top left in profile to right, Wollaston at top right in profile to left, Scott at lower left in profile to right and Crabbe at lower right with head bowed in three-quarter profile to left. George Canning (1770-1827) Prime Minister; William Hyde Wollaston (1766-1828) scientist, known for his preparation of malleable platinum; Sir Walter Scott (1771-1832) poet and novelist; and George Crabbe (1754-1832), poet.
[Ref: 24823] £95.00 (£114.00 incl.VAT)
___"Behold him kneeling, there, By the Child's side, in humble prayer; And hymns of joy proclaim through Heaven The triumph of a soul forgiven.......Joy, Joy for ever! my task is done; The gates are passed, and Heaven is won". (Lalla Rookh).
From a Sketch By TPhillips R.A. [facsimile] (in the Possession of T. Phillips, Esq.re) Proof. Plate 9, of Lithographic Imitations of Sketches by Moder Artists by Rich.d J. Lane, A.R.A.
Printed by Engelmann & Co. London 1828. Published by J. Dickinson.
Lithograph on chine collé. 406 x 272mm. 16 x 10¾". Slight foxing.
An illustration to 'Lalla Rookh', an Oriental romance by Thomas Moore. A man kneels on the floor praying with a child to his side, also praying, looking up to the winged angel flying overhead.
[Ref: 24896] £60.00 (£72.00 incl.VAT)
From a Sketch By TPhillips R.A. [facsimile] (in the Possession of T. Phillips, Esq.re) Proof. Plate 9, of Lithographic Imitations of Sketches by Moder Artists by Rich.d J. Lane, A.R.A.
Printed by Engelmann & Co. London 1828. Published by J. Dickinson.
Lithograph on chine collé. 406 x 272mm. 16 x 10¾". Slight foxing.
An illustration to 'Lalla Rookh', an Oriental romance by Thomas Moore. A man kneels on the floor praying with a child to his side, also praying, looking up to the winged angel flying overhead.
[Ref: 24896] £60.00 (£72.00 incl.VAT)
Love, Jealousy, Revenge & Despair.
by F.P.Stephanoff [facsimile]. (in the Possession of the Engraver) Proof. Plate 5, of Lithographic Imitations of Sketched by Modern Artists by Rich.d J. Lane.
Printed by C Hullmandel. London 1827. Published by J. Dickinson.
Lithograph on chine collé, rare with large margins. 406 x 272mm. 16 x 10¾". Some foxing.
Four images [from top left, clockwise]: Love, two women picking flowers at the edge of a forest, watched by a man behind the trees to the right; Jealousy, a man inviting a woman to dance, in a clearing of the forest, from another man by the bench on left, other dancers in the background; Despair, a man standing on the edge of a cliff about to jump; Revenge, a couple sitting on a veranda, watched by another man behind a pillar to the left. After Francis Philip Stephanoff (1788-1860), painter and architectural designer. Best known for Nayler's Coronation of… George IV series of costume portraits which record details of elaborate ceremonial costume and are richly coloured, elegant, and highly finished. George IV attempted to rival the coronation of Napoleon when he was crowned emperor. He gave visual expression to intense contemporary interest in antiquarian and historical subjects brought about by the arrival in Britain of the Elgin marbles, by the novels of Sir Walter Scott and his arrangements for the visit of George IV to Edinburgh in 1822. Their richly coloured work illustrates a romantic view of history that found its fullest expression during the Regency period.
[Ref: 24892] £75.00 (£90.00 incl.VAT)
by F.P.Stephanoff [facsimile]. (in the Possession of the Engraver) Proof. Plate 5, of Lithographic Imitations of Sketched by Modern Artists by Rich.d J. Lane.
Printed by C Hullmandel. London 1827. Published by J. Dickinson.
Lithograph on chine collé, rare with large margins. 406 x 272mm. 16 x 10¾". Some foxing.
Four images [from top left, clockwise]: Love, two women picking flowers at the edge of a forest, watched by a man behind the trees to the right; Jealousy, a man inviting a woman to dance, in a clearing of the forest, from another man by the bench on left, other dancers in the background; Despair, a man standing on the edge of a cliff about to jump; Revenge, a couple sitting on a veranda, watched by another man behind a pillar to the left. After Francis Philip Stephanoff (1788-1860), painter and architectural designer. Best known for Nayler's Coronation of… George IV series of costume portraits which record details of elaborate ceremonial costume and are richly coloured, elegant, and highly finished. George IV attempted to rival the coronation of Napoleon when he was crowned emperor. He gave visual expression to intense contemporary interest in antiquarian and historical subjects brought about by the arrival in Britain of the Elgin marbles, by the novels of Sir Walter Scott and his arrangements for the visit of George IV to Edinburgh in 1822. Their richly coloured work illustrates a romantic view of history that found its fullest expression during the Regency period.
[Ref: 24892] £75.00 (£90.00 incl.VAT)
The Origin of a Painter.
From a Sketch By Wm. Mulready R.A. [facsimile] (in the Possession of W. Mulready Esq.re) Proof. Plate 10, of Lithographic Imitations of Sketches by Modern Artists by Rich.d J. Lane A.R.A.
Printed by Engelmann & Co. London 1828. Publishd by J. Dickinson.
Lithograph on chine collé, rare with large margins. 406 x 266mm. 16 x 10½". Foxing around edges of chine collé.
Plate 10; interior scene with a boy tracing on the wall at right around the shadow of his father who sleeps in a chair in the centre, his mother and another child watching with merriment at left.
[Ref: 24890] £60.00 (£72.00 incl.VAT)
From a Sketch By Wm. Mulready R.A. [facsimile] (in the Possession of W. Mulready Esq.re) Proof. Plate 10, of Lithographic Imitations of Sketches by Modern Artists by Rich.d J. Lane A.R.A.
Printed by Engelmann & Co. London 1828. Publishd by J. Dickinson.
Lithograph on chine collé, rare with large margins. 406 x 266mm. 16 x 10½". Foxing around edges of chine collé.
Plate 10; interior scene with a boy tracing on the wall at right around the shadow of his father who sleeps in a chair in the centre, his mother and another child watching with merriment at left.
[Ref: 24890] £60.00 (£72.00 incl.VAT)
Study for A Principal Figure in the Picture of "The Parish Beadle".
By David Wilkie R.A. [facsimile.] (in the Possession of Col: Berkeley) Proof. Plate 2, of Lithographic Imitations of Sketches by Modern Artists by Rich.d J. Lane A.R.A.
Printed by C. Hullmandel. London 1827. Published by J. Dickinson.
Lithograph on chine collé with large margins. 406 x 272mm. 16 x 10¾". Foxing and crease in margins
Plate 2: characters from Charles Dickens' "Oliver Twist", a whole-length monkey in the centre, sitting on shoulder of Oliver Twist with hat on the left. The painting 'The Parish Beadle' (1822) by David Wilkie is now in the Tate Gallery.
[Ref: 24895] £85.00 (£102.00 incl.VAT)
By David Wilkie R.A. [facsimile.] (in the Possession of Col: Berkeley) Proof. Plate 2, of Lithographic Imitations of Sketches by Modern Artists by Rich.d J. Lane A.R.A.
Printed by C. Hullmandel. London 1827. Published by J. Dickinson.
Lithograph on chine collé with large margins. 406 x 272mm. 16 x 10¾". Foxing and crease in margins
Plate 2: characters from Charles Dickens' "Oliver Twist", a whole-length monkey in the centre, sitting on shoulder of Oliver Twist with hat on the left. The painting 'The Parish Beadle' (1822) by David Wilkie is now in the Tate Gallery.
[Ref: 24895] £85.00 (£102.00 incl.VAT)
Study for A Principal Figure in the Picture of "The Parish Beadle".
By David Wilkie R.A. [facsimile.] (in the Possession of Col: Berkeley) Proof. Plate 2, of Lithographic Imitations of Sketches by Modern Artists by Rich.d J. Lane A.R.A.
Printed by C. Hullmandel. London 1827. Published by J. Dickinson.
Lithograph, printed on india. Printed area: 230 x 160mm (9 x 6¼"), with very large margins.
Plate 2: characters from Charles Dickens' "Oliver Twist", a whole-length monkey in the centre, sitting on shoulder of Oliver Twist with hat on the left. The painting 'The Parish Beadle' (1822) by David Wilkie is now in the Tate Gallery.
Provenance: Edge Hill, Cheshire
[Ref: 46798] £180.00 (£216.00 incl.VAT)
By David Wilkie R.A. [facsimile.] (in the Possession of Col: Berkeley) Proof. Plate 2, of Lithographic Imitations of Sketches by Modern Artists by Rich.d J. Lane A.R.A.
Printed by C. Hullmandel. London 1827. Published by J. Dickinson.
Lithograph, printed on india. Printed area: 230 x 160mm (9 x 6¼"), with very large margins.
Plate 2: characters from Charles Dickens' "Oliver Twist", a whole-length monkey in the centre, sitting on shoulder of Oliver Twist with hat on the left. The painting 'The Parish Beadle' (1822) by David Wilkie is now in the Tate Gallery.
Provenance: Edge Hill, Cheshire
[Ref: 46798] £180.00 (£216.00 incl.VAT)
From a Portrait of Lord Cosmo Russell, Son of His Grace the Duke of Bedford.
By Edwin Landseer A.R.A. [facsimile]. (in the Possession of His Grace the Duke of Bedford).
Plate 11, of Lithographic Imitations of Sketches by Modern Artists by Rich.d J. Lane, A.R.A. Printed by Engelmann & Co. London 1828. Published by J. Dickinson.
Lithograph on chine collé. 386 x 278mm. 15¼ x 11".
Lord Cosmo George Russell (1817-1875), ninth son of the 6th Duke of Bedford.
NPG: D22410.
[Ref: 25003] £130.00 (£156.00 incl.VAT)
By Edwin Landseer A.R.A. [facsimile]. (in the Possession of His Grace the Duke of Bedford).
Plate 11, of Lithographic Imitations of Sketches by Modern Artists by Rich.d J. Lane, A.R.A. Printed by Engelmann & Co. London 1828. Published by J. Dickinson.
Lithograph on chine collé. 386 x 278mm. 15¼ x 11".
Lord Cosmo George Russell (1817-1875), ninth son of the 6th Duke of Bedford.
NPG: D22410.
[Ref: 25003] £130.00 (£156.00 incl.VAT)
![[Ink signature:] all yours [?] EA Turnbull.](jpegs/24826.jpg)
[Ink signature:] all yours [?] EA Turnbull.
[by Richard James Lane, after Frederick Tatham.]
[n.d. c.1850.]
Lithograph on chine collé, signed on a slip pasted below image. 430 x 310mm. 17 x 12¼". Stain at top.
Mrs Turnbull (active 1850) doing needlework.
See NPG: D40495.
[Ref: 24826] £220.00 (£264.00 incl.VAT)
[by Richard James Lane, after Frederick Tatham.]
[n.d. c.1850.]
Lithograph on chine collé, signed on a slip pasted below image. 430 x 310mm. 17 x 12¼". Stain at top.
Mrs Turnbull (active 1850) doing needlework.
See NPG: D40495.
[Ref: 24826] £220.00 (£264.00 incl.VAT)
![Sir David Wilkie R.A. [facsimile signature.] &c. &c. &c.](jpegs/24071.jpg)
Sir David Wilkie R.A. [facsimile signature.] &c. &c. &c.
From a Drawing by Madame Munier, made at Geneva, 1827 ____ Drawn on Stone by R.J. Lane A.R.A.
London Published October, 28, 1836, by F.G. Moon. Printseller to the King, 20 Threadneedle St. Printed by J. Graf.
Rare lithograph on india, with very large margins. Sheet 532 x 355mm. 21 x 14".
Sir David Wilkie (1785-1841) was a Scottish painter. He was a pioneering genre painter and an original portraitist, and his scenes of Scottish peasant life won him much attention when he moved from Edinburgh to London in 1805. He was the friend of B.R. Haydon with whom he visited France in 1814. He was patronised by the Prince Regent and was made painter to King William IV, who later knighted him in 1836. His death on his return from India in 1841 was commemorated by Turner's painting, Burial at Sea.
See NPG: D22521.
[Ref: 24071] £140.00 (£168.00 incl.VAT)
From a Drawing by Madame Munier, made at Geneva, 1827 ____ Drawn on Stone by R.J. Lane A.R.A.
London Published October, 28, 1836, by F.G. Moon. Printseller to the King, 20 Threadneedle St. Printed by J. Graf.
Rare lithograph on india, with very large margins. Sheet 532 x 355mm. 21 x 14".
Sir David Wilkie (1785-1841) was a Scottish painter. He was a pioneering genre painter and an original portraitist, and his scenes of Scottish peasant life won him much attention when he moved from Edinburgh to London in 1805. He was the friend of B.R. Haydon with whom he visited France in 1814. He was patronised by the Prince Regent and was made painter to King William IV, who later knighted him in 1836. His death on his return from India in 1841 was commemorated by Turner's painting, Burial at Sea.
See NPG: D22521.
[Ref: 24071] £140.00 (£168.00 incl.VAT)