A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Beppo. More than the rest one person seemed to stare. / With pertinacity that's rather rare. / It was a Turk the color of Mahogany.
William Locke Jun.r del. Lith. de Villain. V. de Villeneuve lith.
[n.d., c.1830.]
Lithograph. Printed area 205 x 140mm (8 x 9½"). Crease.
A scene from Lord Byron's 'Beppo: A Venetian Story'. A Venetian lady, Laura, off to attend the Venetian Carnival with her lover, is stalked by her long-lost husband, who had been captured by Barbary pirates. Revealing himself, Beppo accepts his wife's actions and befriends the lover. Byron's poem argues that the English attitude to adultery is hypocritical compared to the custom of the 'Cavalier Servente; in Italy.
[Ref: 41745] £70.00 (£84.00 incl.VAT)
William Locke Jun.r del. Lith. de Villain. V. de Villeneuve lith.
[n.d., c.1830.]
Lithograph. Printed area 205 x 140mm (8 x 9½"). Crease.
A scene from Lord Byron's 'Beppo: A Venetian Story'. A Venetian lady, Laura, off to attend the Venetian Carnival with her lover, is stalked by her long-lost husband, who had been captured by Barbary pirates. Revealing himself, Beppo accepts his wife's actions and befriends the lover. Byron's poem argues that the English attitude to adultery is hypocritical compared to the custom of the 'Cavalier Servente; in Italy.
[Ref: 41745] £70.00 (£84.00 incl.VAT)
Boby ou la Folle par Amour Ecossaise.
S. Julien pinx. L. Julien sculp.
A Paris chez l'Auteur, rue de Bouley No 49 et chez Chereau et Joubert aux deux Piliers d'Or rue des Maturins. [n.d., c.1785.]
Stipple, scarce & rare. 375 x 260mm (14½ x 10¼"). Trimmed to plate on left.
'The Scotswoman mad through love'; a forlorn woman seated in garden, one foot resting on sheet with letterpress.
[Ref: 45345] £260.00 (£312.00 incl.VAT)
S. Julien pinx. L. Julien sculp.
A Paris chez l'Auteur, rue de Bouley No 49 et chez Chereau et Joubert aux deux Piliers d'Or rue des Maturins. [n.d., c.1785.]
Stipple, scarce & rare. 375 x 260mm (14½ x 10¼"). Trimmed to plate on left.
'The Scotswoman mad through love'; a forlorn woman seated in garden, one foot resting on sheet with letterpress.
[Ref: 45345] £260.00 (£312.00 incl.VAT)
Hungerford Suspension Bridge. 16.
P. Hosmer Shepherd pinx. Jacottet lith.
Imp. Lemercier, Paris. London._Published 1.th August 1854 by E. Gambart & Co. 25 Berners St. Oxf. St.
Hand-coloured lithograph. 228 x 303mm. Small tear into upper edge.
A view of Hungerford Suspension Bridge and boats on the River Thames.
Collage: p5415585.
[Ref: 19289] £95.00 (£114.00 incl.VAT)
P. Hosmer Shepherd pinx. Jacottet lith.
Imp. Lemercier, Paris. London._Published 1.th August 1854 by E. Gambart & Co. 25 Berners St. Oxf. St.
Hand-coloured lithograph. 228 x 303mm. Small tear into upper edge.
A view of Hungerford Suspension Bridge and boats on the River Thames.
Collage: p5415585.
[Ref: 19289] £95.00 (£114.00 incl.VAT)
![Lugano. Vue prise du lieu appelé le Paradis pries Fontana. [/] Veduta presa dal Paradiso presso Fontana.](jpegs/33332.jpg)
Lugano. Vue prise du lieu appelé le Paradis pries Fontana. [/] Veduta presa dal Paradiso presso Fontana.
Dessiné d'apres nature par Ph. Benoist. Lith par J. Jacottet. Fig par Bayot.
Imp par Lemercier a Paris. Paris. Bulla et Delarue, 10, rue JJ Rousseau. et. Bulla édituer, 18 rue Tiquetonne. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15").
A picturesque view of Lake Lugano on the border between south east Switzerland and Italy, with the surrounding city in the distance. The lake, named after the city of Lugano, is situated between Lake Como and Lake Maggiore. After Philipe Benoist (1813-1880), with titles in French and Italian.
[Ref: 33332] £260.00 (£312.00 incl.VAT)
Dessiné d'apres nature par Ph. Benoist. Lith par J. Jacottet. Fig par Bayot.
Imp par Lemercier a Paris. Paris. Bulla et Delarue, 10, rue JJ Rousseau. et. Bulla édituer, 18 rue Tiquetonne. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15").
A picturesque view of Lake Lugano on the border between south east Switzerland and Italy, with the surrounding city in the distance. The lake, named after the city of Lugano, is situated between Lake Como and Lake Maggiore. After Philipe Benoist (1813-1880), with titles in French and Italian.
[Ref: 33332] £260.00 (£312.00 incl.VAT)
![Lac Majeur. Statue de st. Charles Borromiée. [/] Statua di San Carlo Borromeo.](jpegs/33330.jpg)
Lac Majeur. Statue de st. Charles Borromiée. [/] Statua di San Carlo Borromeo.
Dessiné d'apres nature par Ph. Benoist. Lith par J. Jacottet. Fig par Bayot.
Imp par Lemercier, a Pais. Paris_ Bulla et Delarue, rue JJ Rousseau. a. Bulla éditeur, 18 rue Tiquetonne. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15").
A fine view of the enormous statue of San Carlone, also known as Colossus of San Carlo Borromeo, erected between 1614 and 1698, near Arona, Italy. It is built on a hill overlooking Lake Maggiore, which can be seen in the background, near the ancestral castle of the Borromeo family. A series of chapels was planned documenting the life of the saint, (1538-1584) who was the cardinal archbishop of Milan from 1564 to 1584. Only three were eventually built. After Philipe Benoist (1813-1880), with titles in French and Italian.
[Ref: 33330] £220.00 (£264.00 incl.VAT)
Dessiné d'apres nature par Ph. Benoist. Lith par J. Jacottet. Fig par Bayot.
Imp par Lemercier, a Pais. Paris_ Bulla et Delarue, rue JJ Rousseau. a. Bulla éditeur, 18 rue Tiquetonne. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15").
A fine view of the enormous statue of San Carlone, also known as Colossus of San Carlo Borromeo, erected between 1614 and 1698, near Arona, Italy. It is built on a hill overlooking Lake Maggiore, which can be seen in the background, near the ancestral castle of the Borromeo family. A series of chapels was planned documenting the life of the saint, (1538-1584) who was the cardinal archbishop of Milan from 1564 to 1584. Only three were eventually built. After Philipe Benoist (1813-1880), with titles in French and Italian.
[Ref: 33330] £220.00 (£264.00 incl.VAT)
![Plaisance. Vue générale. [/] Veduta generale.](jpegs/33321.jpg)
Plaisance. Vue générale. [/] Veduta generale.
Dessiné d'apres nature par Ph. Benoist. Lith par J. Jacottet. Fig par Bayot.
Imp par Lemercier a Paris. Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15").
A panoramic view of the city of Piacenza, in the Emilia-Romagna region of northern Italy. The scene depicts a group of poorly dressed figures gathered in a clearing in the foreground, with a number of buildings in the distance and to the right. Piacenza is at the confluence of the major waterways of nothern Italy, the Trebbia, draining the northern Apennines, and the Po, draining to the east. This has always made the city vital to the interest of the political and militay powers looking to control the region. After Philipe Benoist (1813-1880), with titles in French and Italian.
[Ref: 33321] £260.00 (£312.00 incl.VAT)
Dessiné d'apres nature par Ph. Benoist. Lith par J. Jacottet. Fig par Bayot.
Imp par Lemercier a Paris. Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15").
A panoramic view of the city of Piacenza, in the Emilia-Romagna region of northern Italy. The scene depicts a group of poorly dressed figures gathered in a clearing in the foreground, with a number of buildings in the distance and to the right. Piacenza is at the confluence of the major waterways of nothern Italy, the Trebbia, draining the northern Apennines, and the Po, draining to the east. This has always made the city vital to the interest of the political and militay powers looking to control the region. After Philipe Benoist (1813-1880), with titles in French and Italian.
[Ref: 33321] £260.00 (£312.00 incl.VAT)
Romeria de S. Isidro del Camp en Madrid. Costumbres Espanolas. Fête de S. Isidro del Campo a Madrid. Mœurs Espagnoles.
G.P. de Villa-amil pinxit. Lith par Jacottet et Bayot. Imp. Lemercier, Benard et C.e à Paris.
A Paris, chez A. Hauser, boul des Italiens, 11. [n.d, c.1842.]
Tinted lithograph with large margins. Printed area 310 x 390mm (12 x 15¼"). Laid on album paper, partial publisher's blind stamp 'España artística y monumental' in inscription area.
A festival in fields outside Madrid, a bridge in the background, from 'España artística y monumental' by Jenaro Pérez Villaamil (1807-54), regarded as one of the foremost painters of the of the Galician Romantic Movement. Most of his paintings are exhibited at Museo del Prado in Madrid.
From a scrapbook compiled by Rev. Willaim Bradford (1780-1857), Chaplain and war artist during the Peninsula Wars.
[Ref: 33365] £260.00 (£312.00 incl.VAT)
G.P. de Villa-amil pinxit. Lith par Jacottet et Bayot. Imp. Lemercier, Benard et C.e à Paris.
A Paris, chez A. Hauser, boul des Italiens, 11. [n.d, c.1842.]
Tinted lithograph with large margins. Printed area 310 x 390mm (12 x 15¼"). Laid on album paper, partial publisher's blind stamp 'España artística y monumental' in inscription area.
A festival in fields outside Madrid, a bridge in the background, from 'España artística y monumental' by Jenaro Pérez Villaamil (1807-54), regarded as one of the foremost painters of the of the Galician Romantic Movement. Most of his paintings are exhibited at Museo del Prado in Madrid.
From a scrapbook compiled by Rev. Willaim Bradford (1780-1857), Chaplain and war artist during the Peninsula Wars.
[Ref: 33365] £260.00 (£312.00 incl.VAT)
![Luques. Saint Michel. [/] Lucca. San Michele.](jpegs/33317.jpg)
Luques. Saint Michel. [/] Lucca. San Michele.
Dessiné d'apres nature par Ph. Benoist. Lith par J. Jacottet. Fig par Bayot.
Imp par Lemercier. Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15"). Small wormhole in left margin.
A highly detailed view of the front of the San Michele Roman Catholic basilica church in Lucca, Tuscany, central Italy, built over the ancient Roman forum. Until 1370 it was the seat of the Consiglio Maggiore (Major Council), the commune's most important assembly. It is dedicated to the Archangel Michael, and at the summit, flanked by two other angels, is a 4m tall statue of St. Michael. In addition, on the lower right corner of the façade is a statue (1480) of the Madonna salutis portus, sculpted by Matteo Civitali to celebrate the end of the 1476 plague. After Philipe Benoist (1813-1880), with titles in French and Italian.
[Ref: 33317] £220.00 (£264.00 incl.VAT)
Dessiné d'apres nature par Ph. Benoist. Lith par J. Jacottet. Fig par Bayot.
Imp par Lemercier. Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15"). Small wormhole in left margin.
A highly detailed view of the front of the San Michele Roman Catholic basilica church in Lucca, Tuscany, central Italy, built over the ancient Roman forum. Until 1370 it was the seat of the Consiglio Maggiore (Major Council), the commune's most important assembly. It is dedicated to the Archangel Michael, and at the summit, flanked by two other angels, is a 4m tall statue of St. Michael. In addition, on the lower right corner of the façade is a statue (1480) of the Madonna salutis portus, sculpted by Matteo Civitali to celebrate the end of the 1476 plague. After Philipe Benoist (1813-1880), with titles in French and Italian.
[Ref: 33317] £220.00 (£264.00 incl.VAT)
![Pise. La Cathédrale, le tour melineé, le Baptisere, et le Campo Santo. [/] Pisa. Il Duomo, il Battistero, e il Campo Santo.](jpegs/33318.jpg)
Pise. La Cathédrale, le tour melineé, le Baptisere, et le Campo Santo. [/] Pisa. Il Duomo, il Battistero, e il Campo Santo.
Dessiné d'apres nature par Ph. Benoist. Lith par J. Jacottet. Fig par Bayot.
Imp par Lemercier. Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15").
The Campo Santo, also known as Camposanto Monumentale (monumental cemetery) or Camposanto Vecchio (old cemetery), is a historical edifice at the northern edge of the Cathedral Square in Pisa, Italy. 'Campo Santo' can be literally translated as 'holy field', because it is said to have been built around a shipload of sacred soil from Golgotha, brought back to Pisa from the Fourth Crusade by the archbishop of Pisa in the 12th century. This view shows some construction taking place on the main dome, to the left, with a number of figures, and a horse drawn cart, on the path in the foreground. After Philipe Benoist (1813-1880), with titles in French and Italian. For coloured impression, see item ref: 33386.
[Ref: 33318] £220.00 (£264.00 incl.VAT)
Dessiné d'apres nature par Ph. Benoist. Lith par J. Jacottet. Fig par Bayot.
Imp par Lemercier. Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15").
The Campo Santo, also known as Camposanto Monumentale (monumental cemetery) or Camposanto Vecchio (old cemetery), is a historical edifice at the northern edge of the Cathedral Square in Pisa, Italy. 'Campo Santo' can be literally translated as 'holy field', because it is said to have been built around a shipload of sacred soil from Golgotha, brought back to Pisa from the Fourth Crusade by the archbishop of Pisa in the 12th century. This view shows some construction taking place on the main dome, to the left, with a number of figures, and a horse drawn cart, on the path in the foreground. After Philipe Benoist (1813-1880), with titles in French and Italian. For coloured impression, see item ref: 33386.
[Ref: 33318] £220.00 (£264.00 incl.VAT)
P.G. Van-Spaendonck. Peintre de fleurs, Membre de l'Institut.
Julien.
Galerie Universell. Publice par Blaisot. Place Vendome No.24. Lith. de Ducarme, r. des foses St. G.in l'Aux.ois No.24. a Paris. No.257.
Lithograph. 184 x 127mm (7¼ x 5").
Gerard van Spaendonck (1746-1822), the Dutch painter. In 1769 he moved to Paris, where in 1774 he was appointed miniature painter in the court of Louis XVI. In 1780 he succeeded Madeleine Francoise Basseport (1701-1780) as professor of floral painting at the Jardin des Plants, and was then elected a member of the Academie des Beaux-Arts. In 1788 he was appointed adviser to the Académie, and in 1795 became a founding member of the Institut de France. In 1804 he received the Légion d'honneur and soon afterwards was ennobled by Napoleon Bonaparte.
In the Institut National d'Histoire de l'Art.
[Ref: 31234] £45.00 (£54.00 incl.VAT)
Julien.
Galerie Universell. Publice par Blaisot. Place Vendome No.24. Lith. de Ducarme, r. des foses St. G.in l'Aux.ois No.24. a Paris. No.257.
Lithograph. 184 x 127mm (7¼ x 5").
Gerard van Spaendonck (1746-1822), the Dutch painter. In 1769 he moved to Paris, where in 1774 he was appointed miniature painter in the court of Louis XVI. In 1780 he succeeded Madeleine Francoise Basseport (1701-1780) as professor of floral painting at the Jardin des Plants, and was then elected a member of the Academie des Beaux-Arts. In 1788 he was appointed adviser to the Académie, and in 1795 became a founding member of the Institut de France. In 1804 he received the Légion d'honneur and soon afterwards was ennobled by Napoleon Bonaparte.
In the Institut National d'Histoire de l'Art.
[Ref: 31234] £45.00 (£54.00 incl.VAT)
Institut Royal de France. Acad.ie des Beaux-Arts. (Peintre). Van Spaendonck, (Gérard) Membre de la légion d'honneur, Professeur, et un des administrateurs du Muséum royal d'histoire naturelle. Né a Tilburg, le 23 mars 1746. Elu en 1795.
Jul Boilly.
[n.d. c.1821.]
Lithograph, large margins. 344 x 235mm (13½ x 9¼").
Gerard van Spaendonck (1746-1822), the Dutch painter. In 1769 he moved to Paris, where in 1774 he was appointed miniature painter in the court of Louis XVI. In 1780 he succeeded Madeleine Francoise Basseport (1701-1780) as professor of floral painting at the Jardin des Plants, and was then elected a member of the Academie des Beaux-Arts. In 1788 he was appointed adviser to the Académie, and in 1795 became a founding member of the Institut de France. In 1804 he received the Légion d'honneur and soon afterwards was ennobled by Napoleon Bonaparte.
[Ref: 31235] £65.00 (£78.00 incl.VAT)
Jul Boilly.
[n.d. c.1821.]
Lithograph, large margins. 344 x 235mm (13½ x 9¼").
Gerard van Spaendonck (1746-1822), the Dutch painter. In 1769 he moved to Paris, where in 1774 he was appointed miniature painter in the court of Louis XVI. In 1780 he succeeded Madeleine Francoise Basseport (1701-1780) as professor of floral painting at the Jardin des Plants, and was then elected a member of the Academie des Beaux-Arts. In 1788 he was appointed adviser to the Académie, and in 1795 became a founding member of the Institut de France. In 1804 he received the Légion d'honneur and soon afterwards was ennobled by Napoleon Bonaparte.
[Ref: 31235] £65.00 (£78.00 incl.VAT)