Grosvenor Prints

Waterloo Bridge. S.t. Martins. Adelphi. S.t. Paul's Covent Garden. Savoy. Covent Garden Theatre. Lancaster Place. Drury Lane Theatre.
[T.M. Baynes. Charles Hullmandel.]
[Published by Ackermann, 1825.]
Coloured lithograph. Sheet: 650 x 280mm (25½ x 11"), with large margins.
Section showing St. Martins to Waterloo Bridge, from 'View of the North Bank of the Thames from Westminster Bridge, to London Bridge. Shewing that Part of the Improvements Suggested by Lt.-Col. Trench, which is Intended to Carry into Execution.' Imagined view along River Thames looking from the site of Charing Cross Station on left to Waterloo Bridge on right. Colonel (later General Sir Frederick) Trench originated the idea of the Thames Embankment, for which a bill was (unsuccessfully) presented to Parliament in 1825. Revived, work on the Embankment started in 1864, although to a different design than is shown here, this would have been one of nine lithographic sheets.
see R.Hyde, 'Panoramania!' (1988); See Abbey Life: 496.2.
[Ref: 39952] £320.00

Allington Castle.
Drawn from Nature & on Stone by C. Hullmandel.
Printed by C. Hullmandel. [n.d., c1850.]
Lithograph. Sheet: 410 x 340mm, (16 x 13¼"); large margins. Some marking.
A view of Allington Castle in Kent. The castle, first built in the 12th century fell into ruin after the owner Thomas Wyatt forfeited the property in 1584 following an unsucessful rebellion against Queen Mary. The castle was eventually restored in the twentieth century and is once again a private residence.
[Ref: 40759] £180.00 (£216.00 incl.VAT)

Ancient Vessel Discovered in the Channel of the Rother in the Beginning of July, 1822. This Vessel which is supposed to be one of the Fleet abandoned by the Danes after their defeat in the reign of Alfred the Great... This most interesting and extraordinary remnant of antiquity is in so high a state of preservation that it is the intention of the proprietor, if possible, to float and bring her round to the Capital.
Drawn from Nature, Augt. 3d. & Stone by J.D. Harding. Printed by C: Hullmandel.
London. Pub by Rodwell and Martin, New Bond St. Augt.8.1822.
A very scarce lithograph. Sheet 412 x 513mm. 16¼ x 20¼".
A vessel discovered off the River Rother in Kent. It is believed to be one of the fleet abandoned by the Danes.
[Ref: 15300] £260.00 (£312.00 incl.VAT)

[Columns of a ruined temple, Athens.]
[by and after Mrs F. Cunningham?]
[n.d., c.1830.]
Lithograph, image 170 x 225mm (6¾ x 9").
A very rare early lithograph, similar in style to 'Nine views taken on the continent drawn on stone by Mrs. F. Cunningham'. Cunningham, a talented amateur artist, was born Richenda Gurney, in a prominent Quaker banking family) and was sister to Elizabeth Fry.
[Ref: 35542] £220.00 (£264.00 incl.VAT)

A View Of The Auction Department At The Horse Bazaar.
Printed by C. Hullmandel.
London. Published Decr. 1824, by J. Watson, No 7, Vere Street. and John Beckensall.
Lithograph, image 305 x 435mm. Light foxing, on fine paper laid to card.
A view inside the saleroom at Aldridge's Horse and Carriage Repository on St. Martin's Lane in London's West End. The prospective buyers are semi-caricatured. It was especially known for middle class and tradesmen's horses, a trade which ended in 1926, when motor car sales took over.
[Ref: 7902] £350.00

Barnes Terrace.
Drawn by W. Westall ARA. Printed by C. Hullmandel.
London: Pub: by Rodwell and Martin: New Bond St.t Jan: 1. 1823.
Coloured lithograph on india paper, rare. India 210 x 325mm (8¼ x 12¾"). Some surface soiling.
Before the building of Barnes Bridge, with cows wandering along the road. A plate from 'Thirty five Views on the Thames, at Richmond, Eton, Windsor and Oxford', published December 1823. William Westall (1781 - 1850) was a British topographical draughtsman and engraver. He became an Associate Member of the Royal Academy in 1812. He was the younger brother of the painter and illustrator Richard Westall.
[Ref: 39007] £260.00 (£312.00 incl.VAT)

Between Barnes and Chiswick.
Drawn by W. Westall ARA. Printed by C. Hullmandel.
London: Pub: by Rodwell and Martin: New Bond St.t. Jan: 1823.
Coloured lithograph printed on chine collé. 230 x 325mm (9 x 12¾").
A view of the Thames riverside. A plate from 'Thirty five Views on the Thames, at Richmond, Eton, Windsor and Oxford', published December 1823.
[Ref: 6551] £260.00 (£312.00 incl.VAT)

Partis' College, Near Bath, An Institution for the Residence and Support of Thirty Gentlewomen in reduced Circumstances Founded and Endowed by Mrs Ann Partis of Bath in the Year 1824. Sam.l Flood Page, & Philip Flood Page, Architects, Gower Street London.
Drawn of Stone by J.D. Harding. Printed by C. Hullmandel.
[n.d., c.1825.]
Lithograph with large margins, rare. Printed area 195 x 385mm, 7¾ x 15¼". Vertical crease at centre, repaired tear in margin, wear to edges.
On his retirement in 1820 as a lawyer and conveyancer, Fletcher Partis and his wife Ann planned to open a home for distressed gentlewomen. Only six weeks after buying a property Fletcher died, leaving Ann to become Founder and Benefactor of the college in 1825. It consists of thirty terraced houses set around three sides of a quadrangle, with a chapel in the centre of the middle block, redesigned by Gilbert Scott in 1862. It continues its work today.
[Ref: 27775] £220.00 (£264.00 incl.VAT)

St. Michael's Church, From Broad Street, Bath. [&] St. Michael's Church, from Green Street, Bath.
From Nature & on Stone by H. Worsley. Printed by C. Hullmandel.
Published by E. Collings, Sanlly Row, Bath. [n.d. c.1837.]
Pair of lithographs. Sheet 315 x 227mm. 12½ x 8¾".
St. Michael's Church was originally designed by the city architect C.P. Manners in the Early English Gothic style. Construction began for the current site, due to structural defects, in 1835 and the church was consecrated in 1837.
[Ref: 15917] £140.00 (£168.00 incl.VAT) view all images for this item

An Enraged and Badly Wounded Bear Shot by The Author.
Drawn on Stone, by T.M. Baynes. Printed by C. Hullmandel.
[London: H. Colburn and R. Bentley, 1831.]
Lithograph on india laid paper, sheet 140 x 220mm. 5½ x 8¾". Light marginal staining.
Plate to Volume II of 'Field Sports of the North of Europe; comprised in a personal narrative of a residence in Sweden and Norway, in the years 1827-28. With numerous engravings' by Llewellyn Lloyd, in 2 vols.
British Library: 014817285. Not in Abbey.
[Ref: 11412] £80.00 (£96.00 incl.VAT)

The Author In Personal Conflict With A Bear.
Drawn on Stone by T.M. Baynes. Printed by C. Hullmandel.
[London: H. Colburn and R. Bentley, 1831.]
Lithograph on india laid paper, sheet 140 x 220mm. 5½ x 8¾". Light marginal staining.
Plate to Volume II of 'Field Sports of the North of Europe; comprised in a personal narrative of a residence in Sweden and Norway, in the years 1827-28. With numerous engravings' by Llewellyn Lloyd, in 2 vols.
British Library: 014817285. Not in Abbey.
[Ref: 11411] £80.00 (£96.00 incl.VAT)

at Rotterdam. 1837 [to plate lower left.]
T.M.R. Junr. [in plate.] C. Hullmandel's lithography.
[London, 1837.]
Sepia tinted lithograph heightened in white, image 255 x 365mm. 10 x 14¼".
Attractive view of buildings, shipping and figures in Rotterdam, Netherlands. From the folio 'Sketches on the Continent' by Thomas Miles Richardson II (1813 - 1890).
Abbey Travel: 30, 20. Provenance Sitwell family, Renishaw Hall, Sheffield, Derbyhire
[Ref: 13698] £140.00 (£168.00 incl.VAT)

A Perspective Sketch of the North and East Fronts of Wilton Terrace Belgrave Square.
H.B. delt. Printed by C. Hullmandel.
[n.d. c.1830.]
A very scarce lithograph. 147 x 222mm. 5¾" x 8¾". Slight staining.
A view of Wilton Terrace on Belgrave Square.
[Ref: 8998] £75.00 (£90.00 incl.VAT)

Birmingham Town Hall. now erecting by Hansom & Welch Archts. The Exterior of this Building is of Anglesey White Marble. It is intended to celebrate the next Musical Festival in this Building, in October 1833. The Hall for the purposes of Town's Meetings will contain upwards of 8000 persons.
Drawn On Stone By Henry Harris. Printed By C. Hullmandel.
Published March, 1832, by the Artist, Hagley Row, Edgbaston, Birmingham.
Lithograph on india laid paper, 355 x 470mm. 14 x 18½".
A handsome view of Birmingham Town Hall in Victoria Square, Birmingham. Joseph Hansom and Edward Welch were chosen as the architects. Construction began on April 27, 1832 with an expected completion date of 1833. However, Hansom went bankrupt during construction, having tendered too low. The contractors were also losing money. Three guarantors donated money for the building; W. P. Lloyd, John Welch and Edward Tench. With the injection of this money, the building was successfully opened for the delayed Birmingham Triennial Musical Festival on October 7, 1834, despite the building still being unfinished. During construction, on January 26, 1833, two workers were killed when a 70 foot crane constructed to install the roof trusses broke and the pulley block failed. Architect Charles Edge was commissioned in 1835 to repair weaknesses to the design of the building. He was also commissioned for the extension of the building in 1837 and again in 1850.
[Ref: 9465] £220.00 (£264.00 incl.VAT)

Birmingham Town Hall. now erecting by Hansom & Welch Arch.ts. The Exterior of this Building is of Anglesey White Marble. It is intended to celebrate the next Musical Festival in this Building, in October 1833. The Hall for the purposes of Town's Meetings will contain upwards of 8000 persons.
Drawn On Stone By Henry Harris. Printed By C. Hullmandel.
Published March, 1832, by the Artist, Hagley Row, Edgbaston, Birmingham.
Lithograph on chine collé. 355 x 470mm (14 x 18½"), with large margins. Repaired tears in margins.
A handsome view of Birmingham Town Hall in Victoria Square, Birmingham. Joseph Hansom and Edward Welch were chosen as the architects. Construction began on April 27, 1832 with an expected completion date of 1833. However, Hansom went bankrupt during construction, having tendered too low. The contractors were also losing money. Three guarantors donated money for the building; W. P. Lloyd, John Welch and Edward Tench. With the injection of this money, the building was successfully opened for the delayed Birmingham Triennial Musical Festival on October 7, 1834, despite the building still being unfinished. During construction, on January 26, 1833, two workers were killed when a 70 foot crane constructed to install the roof trusses broke and the pulley block failed. Architect Charles Edge was commissioned in 1835 to repair weaknesses to the design of the building. He was also commissioned for the extension of the building in 1837 and again in 1850.
[Ref: 59617] £360.00

Blackfriars Bridge. Gardens. Grand Junction Wharf. White Friars Dock. S.t. Brides Church. City Gas Works.
[T.M. Baynes. Charles Hullmandel.]
[Published by Ackermann, 1825.]
Coloured lithograph. Sheet: 645 x 275mm (25½ x 11"), with large margins.
Section showing Blackfriars Bridge, from 'View of the North Bank of the Thames from Westminster Bridge, to London Bridge. Shewing that Part of the Improvements Suggested by Lt.-Col. Trench, which is Intended to Carry into Execution.' Colonel (later General Sir Frederick) Trench originated the idea of the Thames Embankment, for which a bill was (unsuccessfully) presented to Parliament in 1825. Revived, work on the Embankment started in 1864, although to a different design than is shown here. Drawn by Thomas Mann Baynes, the panorama shows the riverside as it appeared in 1825, from Westminster to London Bridge, with Trench's proposed embankment running from Whitehall to Blackfriars Bridge, with the skyline of London shown correclty above; this would have been one of nine lithographic sheets.
Collage: p749801x; R.Hyde, 'Panoramania!' (1988). See Abbey Life: 496.2.
[Ref: 39951] £330.00

R. P. Bonington.
Drawn on Stone by J. D. Harding from a Picture by Margaret Carpenter.
Published, Aug. 1st, 1829, by J. Carpenter & Son, Old Bond Street. Printed by C. Hullmandel.
Fine & rare lithograph on india. 280 x 215mm (11 x 8½"). Laid on album paper at edges.
Portrait of Richard Parkes Bonington (1802 - 1828), English Romantic landscape painter. His bust to front, with short dark hair, dark jacket over white shirt; after Carpenter; frontispiece to the series; finished state. Lettered below image with facsimile of sitter's autograph.
[Ref: 63201] £230.00 (£276.00 incl.VAT)

The Royal Arch. Erected in Honor of Their Most Gracious Majesties Arrival at Brighton. Aug.t 30th 1830. At the Expence of Mess.rs Ranger, Fabian & Lambert
Printed by C.Hullmandel.
Published by C.I. Scott, No 25, West Street, Brighton.
Lithograph with original hand colour highlighted with gum arabic, rare. Printed area 330 x 230mm, 13 x 9". Some toning on paper.
A triumphal arch erected in Marlborough Place to celebrate the arrival of William IV and Queen Adelaide in Brighton. Fifty feet high and fifty wide, it was covered with foliage and flowers; at night it was illuminated by 4000 lamps.
See Ref: 27686. Ford: Images of Brighton, 648.
[Ref: 21567] £260.00 (£312.00 incl.VAT)

A Butterfly of the Summer Season 1829. at Home. In Flight. Crysalis.
W. Sharp del.t. Printed by C. Hullmandel.
London, Pub.d by J. Dickinson, 114. New Bond Street.
Hand-coloured lithograph. Sheet: 210 x 250mm (8¼ x 10"). Marking and stains.
Three portraits of a woman, the woman on the left is shown as she would dress at home, the middle is dressed for going out while the third is dressed for bed.
[Ref: 43795] £85.00 (£102.00 incl.VAT)

David Campbell. M.D. Aet. 83.
Drawn on Stone by G. Jackson. Printed by C. Hullmandel.
[n.d. c.1840.]
A very rare lithograph. 311 x 240mm. 12¼ x 9½". Trimmed at top. Laid on separate sheet.
Probably David Campbell, M.D. Leyden 1771. He was the last Leiden graduate to become a Fellow of the College. Leiden was the first university in the Netherlands where freedom of belief and religion was practised.
Not in Wellcome.
[Ref: 14718] £130.00 (£156.00 incl.VAT)

Cartmel Priory. Founded A.D. 1188.
On Stone by Isaac Shaw from a Sketch by C.J. Greenwood. Printed by C. Hullmandel.
London Published by I. Shaw, 81, G.t Portland St. Portland Place. [n.d., c.1845.]
Sepia tinted lithograph, sheet 280 x 380mm (11 x 19"). A few stain spots.
Cartmel Priory, at Cartmel (originally Lancashire, now Cumbria), is a priory founded in 1190 by William Marshal, later 1st Earl of Pembroke for the Augustinian Canons and dedicated to Saint Mary the Virgin and Saint Michael. It was first colonised by a Prior and twelve monks from Bradenstoke Priory in Wiltshire.
[Ref: 12287] £75.00 (£90.00 incl.VAT)

[Nine Catholic martyrs.] Pro Lege Dei Certaverunt Usque Ad Mortem.
C. Carbonnier del: Printed by C. Hullmandel.
London Pubd. 15. Sepr. 1823 by Keating & Brown 38 Duke Stt. Grosvenor Sqr and 9, Ivy Lane Pater noster Row.
Lithograph on india laid paper, sheet 275 x 215mm. 10¾ x 8½". Margins trimmed.
The bust portraits of nine Catholic martyrs of England, who were all executed in 1679. Their heads are surrounded by clouds and are identified below the image. Catholic Emancipation was a live political issue at the time of publication. A rare print.
[Ref: 14710] £160.00 (£192.00 incl.VAT)

Cheltenham. From Prestbury Hill.
J.F. delt. Printed by C. Hullmandel.
[n.d. c.1830]
Lithograph. 185 x 273mm. 7¼" x 10¾". Cut and laid on paper. Some spotting.
View looking towards Cheltenham.
[Ref: 8760] £80.00 (£96.00 incl.VAT)

Chiswick.
Drawn from Nature & on stone by W. Westall ARA. Printed by C. Hullmandel.
London. Pub: by Rodwell and Martin: New Bond St. Dec.r 1823.
Hand coloured lithograph, on india paper. Printed area: 195 x 320mm (7¾ x 12½") Marking in lower left corner.
A plate from William Westall's 'Views on the Thames', published in 1823. A view of Chiswick along the river Thames, London. The river can be seen on the left, with barge landed on beach in the middle distance. Figures are walking on the bank to the right, along which is a row of houses. Two pigs are below the trees in the right foreground.
[Ref: 34483] £180.00 (£216.00 incl.VAT)

Chuck! Chuck! Chuck!
W. Riviere del.t. Printed by C. Hullmandel.
[n.d., c.1830.]
Scarce lithograph. Sheet 340 x 265mm (13½ x 10½"). Laid on card.
A boy with a hen and chicks in a wicker cage, watched by a woman with an infant in her arms.
[Ref: 58513] £140.00 (£168.00 incl.VAT)

[Section showing St. Mary Somerset to Southwark Bridge, from 'View of the North Bank of the Thames from Westminster Bridge, to London Bridge. Shewing that Part of the Improvements Suggested by Lt.-Col. Trench, which is Intended to Carry into Execution.']
[T.M. Baynes. Charles Hullmandel.]
[published by Ackermann, 1825.]
Coloured lithograph, printed area 205 x 670mm. 10¾ x 26½".
Imagined view along River Thames showing the area between the site now occupied by the Millennium Bridge (on the left), and Southwark Bridge on the right. Landmarks annotated along bottom are 'Steel Yard', the Wren church of St Mary Somerset, Bow Church, Queenhithe Stairs, St James Garlick Hill (also designed by Wren), the British Copper Company, St Antholia on Watling Street (a church now destroyed but considered one of Wren's finest buildings), and St Michael College Hill. Colonel (later General Sir Frederick) Trench originated the idea of the Thames Embankment, for which a bill was (unsuccessfully) presented to Parliament in 1825. Revived, work on the Embankment started in 1864, although to a different design than is shown here. Drawn by Thomas Mann Baynes, the panorama shows the riverside as it appeared in 1825, from Westminster to London Bridge, with Trench's proposed embankment running from Whitehall to Blackfriars Bridge, with the skyline of London shown correctly above; this would have been one of nine lithographic sheets.
see R.Hyde, 'Panoramania!' (1988), see Abbey Life: 496
[Ref: 27503] £260.00 (£312.00 incl.VAT)

View Of The N.E. End Of Clapham Common.
Drawn from Nature & on Stone by J. Powell. Printed by C. Hullmandel.
London Pubd. Jany. 31st, 1825 by J. Powell; 14, Allsops Builds. New Road, Marylebone.
Lithograph, sheet 305 x 430mm. 12 x 17".
A view on Clapham Common, south west London. Plate 5 from the folio 'Six Views on Clapham Common' by Joseph Powell (1780 - 1834).
Abbey Scenery: 224, 5. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 10835] £290.00 (£348.00 incl.VAT)

Six Views on Clapham Common, Drawn from Nature & on Stone by J.Powell, 14 Allsop's Buildings, New Road, Marylebone.
[London Pub.d Jan.y 31st, 1825 by J. Powell; 14, Allsops Build.s New Road, Marylebone.]
Oblong folio; card wrappers with illustrated title label; 6 lithographed views. Some damp staining.
Six views of Clapham Common, printed by Hullmandel, extremely rare with the original title label on the wrapper. The views are: View from the Mount Pond, on Clapham Common, Looking N.E.; View of the N.E. End of Clapham Common; View from the S.E. Corner of Clapham Common; View of the S.E. End of Clapham Common; View from the Mount Pond, on Clapham Common, Looking S.E.; View from the Nine Elms, on Clapham Common, Looking S.W. Joseph Powell (1780-1834) started as a landscape artist and etcher who embraced all forms of printmaking, an honourary exhibitor at the Royal Academy until 1833 and first president of the New Society of Painters in Water Colours (founded 1831). The drawings were made between 1818-1823 when Joseph Powell was working there. These views show the architecture of Clapham around the common and bordering Wandsworth at the beginning of the 19th Century when livestock is being grazed on the common in front of Holy Trinity Church. It was at this time that William Wilberforce and other member of the "Clapham Sect" lived around the common and worshipped at Holy Trinity. Most of the houses that the Clapham Sect lived in are gone but their names live on in some of the newer roads in the area.
Abbey Scenery: 224.
[Ref: 23608] £1,250.00 view all images for this item

Gateway of Clifton Suspension Bridge. Proposed to be erected by the Trustees appointed under the Act according to the Design and under the Directions of I. Brunel Jun.r Civil Engineer F.R.S.
Published by O.C. Lane Clifton. Printed by C. Hullmandel del.
[n.d., c.1840.]
Lithograph on india, rare. Sheet: 350 x 450mm (13¾ x 17¾''). Creasing, repaired tears. Damaged. Small margins.
A view of the proposed entrance to the Clifton Suspension Bridge. The final design was drawn up by William Henry Barlow and John Hawkshaw and was based on an earlier design by I.K. Brunel.
[Ref: 48104] £230.00 (£276.00 incl.VAT)

The Suspension Bridge, Intended to be erected over the River Avon at St Vincent's Rock, Clifton near Bristol. Reduced from Mr Brunel's Plan as approved by the Bridge Committee, to whom
Drawn by J.D. Harding, from a sketch by S. Jackson
& Published by J. Rees, Book and Print Seller, 53 Wine Street, 1831.
Lithograph. 285 x 330mm (11¼ x 13"). Repaired tear entering image, creasing. Damaged.
A view using Isambard Kingdom Brunel's original design, with the Egyptian-style pylons topped with spinxes that were not used in the completed bridge. After an 1829 competition to design the bridge was annulled when Thomas Telford tried to declare himself the winner, the second competition (1830) was won by the 24-year-old Isambard Kingdom Brunel. The foundation stone was laid in 1831, but work was stopped almost immediately by the Bristol Riots. Restarted in 1836 the project continued to be dogged with political and financial difficulties and by 1843, with only the towers completed, the project was abandoned. Brunel died prematurely aged 53 years in 1859 but the Bridge was completed as his memorial and finally opened in 1864.
[Ref: 47555] £180.00 (£216.00 incl.VAT)

[John Singleton Copley.] A Sketch. Taken in the House of Lords.
Printed by C. Hullmandel.
Published by J. Dickinson, 114, New Bond Street. [n.d., c.1840.]
Tinted lithograph on chine. 235 x 140mm (9¼ x 5½").
A full-length portrait of John Singleton Copley (1772-1863), 1st Baron Lyndhurst, in his Lord Chancellor's wig and gown. He was born in Boston, Massachusetts, the son of the American painter of the same name.
[Ref: 35320] £65.00 (£78.00 incl.VAT)

Six Views of the Ancient Gates of Coventry. Drawn on Stone by Miss Eld, and Printed by C. Hullmandel. Price One Guinea. Gosford Gate, Coventry. Taken down about 1760. [&] Mill Lane Gate, Coventry. [&] Spon Gate, Coventry. Taken down 1770. [&] Grey Friars Gate, Coventry. Taken down 1781. [&] Stanswell Gate, Coventry. [&] Cook Street Gate, Coventry.
S.E. del.t / S.E. del et lithog. Printed by C. Hullmandel.
Coventry. Published for the Proprietor by C.A.N. Rollason, January 1840.
Six tinted lithographs in wrapper. Rare. Sheet 500 x 354mm. 19¾ x 14".
Not in Abbey.
[Ref: 19694] £380.00 view all images for this item

[Cow, sheep, and a woman (a drover?) riding a donkey.]
T. Sidney Cooper 1838.
[London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.]
Lithograph. 368 x 546mm. 14½ x 21½".
Cows and sheep being lead across a stream; a woman on a donkey herding at the rear. A plate from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22736] £150.00 (£180.00 incl.VAT)

[Cow and Calf.] 15 [numbered top right-hand corner.]
T S Cooper 1838.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½". Publication slightly rubbed.
A cow standing by her calf seated on the ground. Plate 15 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22743] £170.00 (£204.00 incl.VAT)

[Cow.] 5. [numbered top right-hand corner.]
T. Sidney Cooper from Nature 1839.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½".
A horned cow sat in a field with its back to the viewer; further horned cows standing and seated in the field in the background. Plate 5 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22735] £170.00 (£204.00 incl.VAT)

[Group of Cattle.] 4. [numbered top right-hand corner.]
T. Sidney Cooper 1838.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½".
A group of long-horned cattle; two seated at the front, one standing in the centre, and a further two, one seated and one standing, in the background. Plate 4 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22733] £170.00 (£204.00 incl.VAT)

[Cow and Sheep.] 9 [numbered top right-hand corner.]
T Sidney Cooper. Cumberland 1835.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½".
A cow seated on the ground with its back to the viewer; two horned sheep stand behind. Plate 9 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22739] £160.00 (£192.00 incl.VAT)

[Group of Cattle.] 10 [numbered top right-hand corner.]
T S Cooper 1838.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½".
A group of horned cattle sat by a lake, with three further cows drinking in the distance. Plate 10 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22740] £160.00 (£192.00 incl.VAT)

[Cows and Sheep.] 12 [numbered top right-hand corner.]
1838 T Sidney Cooper.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½".
Cows and sheep seated and standing, one cow eating from a tree over five seated sheep in the shade. Plate 12 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22741] £220.00 (£264.00 incl.VAT)

[Group of Cows.] 14 [numbered top right-hand corner.]
T Sidney Cooper 1838.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½". Small tears to right-hand edge.
Four cows resting, one standing, by a lake with a village church and sailing boats in the background. Plate 14 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22742] £220.00 (£264.00 incl.VAT)

[Group of Calves.] 17 [numbered top right-hand corner.]
T S Cooper 1838.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½".
A group of calves under a tree; three seated resting, a fourth standing making noise to the left, and a fifth standing at the back scratching its head with its left back hoof. Plate 17 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22744] £220.00 (£264.00 incl.VAT)

[Group of Cattle, Barnet Fair.] 24 [numbered top right-hand corner.]
TS Cooper. Sketch at Barnet Fair 1839.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½".
A large group of cattle at Barnet Fair. Barnet Fair was founded in 1588 when Queen Elizabeth I granted a charter to the Lord of the manor of Barnet to hold a fair twice yearly. In 1834, 'The Times' newspaper reported that Barnet Fair was England's largest cattle market, with up to 40,000 animals on display. Plate 24 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22749] £220.00 (£264.00 incl.VAT)

[Cows, Calf and Sheep in a Barn.] 25 [numbered top right-hand corner.]
T Sidney Cooper 1836.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½".
Two cows standing in a barn, one facing forward and the other turned away eating hay. A calf stands to the right next to a wheelbarrow, spade and broom, and two sheep are seated to the left. Plate 25 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22750] £160.00 (£192.00 incl.VAT)

[Cattle and Sheep.] 23 [numbered top right-hand corner.]
T Sidney Cooper 1838.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½".
Two cows, one standing and seated, amongst resting horned sheep. Plate 23 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22748] £220.00 (£264.00 incl.VAT)

[Group of Cattle.] 19 [numbered top right-hand corner.]
T S Cooper 1838.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½".
Cattle in a field; some cooling off and drinking in a stream, others standing and seated on the banks; farmhouses in the background. Plate 19 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22745] £170.00 (£204.00 incl.VAT)

Infant's School Pictures No. II.
Printed by C. Hullmandel.
London Published by James Nisbet, 24, Berners Street, and Edmund Fry, 73, Houndsditch. [n.d., c.1845.]
Hand coloured lithograph, sheet 280 x 380mm. Holes to margin where pinned. Small tear from lower edge. Some soiling.
Desert animals captioned mainly of camels. From a set of educational lithographs for schools.
[Ref: 10913] £130.00 (£156.00 incl.VAT)

[Design for a frame (for a mirror?).]
C. Hullmandel's Lithography.
London. Published by R. Ackermann 101. Strand. [c.1823.]
Very scarce sepia tinted lithograph heightened in white, on J. Whatman paper watermarked 1823. Sheet 530 x 370mm, 20¾ x 14½". Tatty extremities.
An ornately-carved, probably gilt, frame, featuring grapes and vines and figures from classical mythology; two griffons above. Presumably from a Furniture makers pattern book.
See Ref: 20969
[Ref: 15698] £230.00 (£276.00 incl.VAT)

Sketches in the Neighbourhood of Dolgelly.
by Jno: Coleman. Printed by Hullmandel.
[n.d., c.1850.]
Eight lithographs on one sheet, total printed area 375 x 290mm, 14¾ x 11½". Glue stains from verso in corners. Old ink mss dates by each view.
The views are: 'Part of Dolmelynllyn Fall'; 'Vanner Abbey'; 'Summit of Cader Indris'; 'Cader Indris'; 'River Mawddach from Nannan'; 'Dolserrer Mill'; 'Crater of Cader Indris'; and 'Vale of Llanilltyd'. The manuscript appears to be the dates the artist visited each location, during September 1848. It is rare to see these prints uncut.
[Ref: 11606] £130.00 (£156.00 incl.VAT)

The English Farrier.
J. Gericault del. C. Hullmandel's Lithography.
London. Published by Rodwell & Martin New Bond St. May. 1821.
Lithograph, sheet 350 x 480mm (13¾ x 19"), large margins. Several creases, nicks and stains on top margin, slightly stained on publication line.
Scene in a forge with three horses, tethered to a wall-ring. A farrier hammers nails into the hoof of one of the horses, which attempts to bite another horse but it is fended off with a pair of tongs by a second farrier. After Jean Louis André Théodore Géricault (1791-1824). From the only edition of Rodwell and Martin's 'Various Subjects drawn from life on Stone', known as the 'English Series'. Despite its commercial failure at the time, Gericault's 'English Series' is now considered to have been of the greatest importance in the development of lithography as an art form during the first half of the nineteenth century. Due to the comparitively small number of impressions printed before the stones were effaced, exampes of Gericault's lithographs from this series are now exteremelty rare and have always been amongst the most sought after of his original printed works.
See Refs: 31254, 58709 & 58710
[Ref: 58910] £850.00

Eton. From Windsor Castle.
Drawn by W. Westall. A. R. A. Printed by C. Hullmandel.
London Published by Rodwell & Martin, 40 Argyll St. & 46 New Bond St. Dec. 1. 1821.
Fine coloured lithograph, on india paper. Sheet 415 x 290mm (16¼ x 11½"), very large margins.
View from Windsor Castle looking down towards Eton, in the background. People are sat on the bench, and standing on the grass in the foreground. Eton College Chapel stands tall in the centre.
[Ref: 63168] £160.00 (£192.00 incl.VAT)

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