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Bees Worth Hiving. Registered.
Designed, Lithographed, & Printed, by C.J. Culliford, Fulwood House, Gray's Inn, London, W.C.
London. Published August 16th. 1870, for the Proprietor, by C.J. Culliford, Fulwood House, Gray's Inn.
Rare coloured lithograph. 265 x 342mm (10½ x 13½"). Repaired tear on left
Inscribed on hive: 'Patient, prayerful, modest, mild; / Wise as a Solon, meek as a child; / Studious, thoughtful, loving, kind; Sure to make matter subservient to mind...'.
[Ref: 52384] £260.00
(£312.00 incl.VAT)
The Assassin, John Wilkes Booth.
C.J. Culliford, lith, 22, Southampton St, Strand.
A.M. Bailey's American agency, 3, Northumberland Court, Charing Cross, London. [n.d., c.1865.]
Lithograph, very rare with large margins. Printed area 190 x 120mm, 7½ x 4¾".
Head and shoulders portrait of Booth, the American stage actor who assassinated President Abraham Lincoln in April 1865. When he shot the President Booth reportedly cried out 'sic semper tyrannis' ('thus always to tyrants'), and as he had recently been performing in Shakespeare's 'Julius Caesar', these words were understood as an allusion to the death of Caesar. This slogan had been fixed on the Great Seal of Virginia in 1796. Glen Bowerstock, 'Assassins' play' in Times Literary Supplement, 21 & 28 December 2012
[Ref: 27770] £280.00
(£336.00 incl.VAT)
Chapel and Church Architecture With Designs for Parsonages.
By Rev. George Bowler, Roxbury, Mass.
Boston John P.Jewett and Company. Cleveland, Ohio. Jewett, Proctor & Worthington. New York Sheldon, Blakeman & Company. 1856.
Folio, original half morocco gilt, spine very distressed; pp. 15, chromolithographic frontis., 32 tinted lithograph plates, 15 lithographic plans & diagrams, total 47 plates, with 18pp. explanatory text.
Elevations and floorplans for non-conformist churches in the Gothic revival style.
[Ref: 751] £850.00
It's no use Tiney, we must go to the gate.
Lithographed by C.J. Culliford, 22, Southampton S.t Strand.
Published Nov.r 11.th by Mess.rs Fielding & C.o. 5, Melton Street, Euston Squ.e. London. [n.d. c.1858.]
Coloured lithograph, 380 x 285mm (15 x 11¼").
A satire on the mid 19th century fashion for crinolines. A woman walking her small dog is blocked by her crinoline dress going through a small passage in a fence.
[Ref: 60113] £140.00
(£168.00 incl.VAT)
A Wedding Present Of Crinoline Service.
Lithographed by C.J. Culliford.
London, W. H. J. Carter, printseller, Bookseller, &c. 12, Regent Street, Pall Mall. [n.d. c.1850]
Very scarce lithograph, sheet 300 x 230mm (11¾ x 9"). Repaired tears.
A highly decorative satire on crinoline fashion, featuring 8 women in absolutely enormous skirts surrounded by an oval leaf border. W.H.J. Carter made a number of satires on crinoline publishing them annually. See also references 15161, 15159, 15153, 15154, 13109, 15160, 15165, 36835, 36836, 15352, 15353, 15354, 16831 & 42021.
[Ref: 61509] £180.00
(£216.00 incl.VAT)
Crinoline in the Ball Room. Valse Ala Mode. My dear Tiney is Fretting exceedingly at being kept Solitary so long.
C.J. Culliford, lith. Southampton S.t. Strand.
W.H.J. Carter, Bookseller & Printseller, 12 Regent S.t. Pall Mall.
Lithograph. Sheet: 280 x 380mm, (11 x 15"). Damage to top right corner. Repaired tear in left edge. Some marks.
A scene in a ballroom depicting a young woman in an extremely large crinoline dancing with a young man, behind them are two other couples.
[Ref: 36835] £140.00
(£168.00 incl.VAT)
Questions Unanswered. Little Sister Fanny, (Loquitur) "Clara, are these the Hoops the Ethiopians call Hoop de dooden do."_Why do you make yourself look so like a Ballon?_Why does pa say I shall never wear Crinoline?. and why do you never take Tiney in the Carriage now.
Lithographed & Printed by C.J. Calliford, 22, Southampton S.t., Strand.
London, Published by W.H.J. Carter, Book & Printseller, 12, Regent S.t. Pall Mall.
Lithograph. Sheet: 285 x 380mm, (11¼ x 15"). Some slight damage to corners and edges.
Scene in a bedroom in which a young girl questions her older sister, who stands looking at herself in a dressing mirror, about her crinoline.
[Ref: 36836] £140.00
(£168.00 incl.VAT)
Evening. Young and old come out to play, / 'Till the live-long day light fail _
J. Forfd sculp.t. Engraved for the Sentimental & Masonic Magazine.
[Dublin, n.d., c. 1794.]
Stipple, printed in sepia. 170 x 125mm (6¾ x 5"). Trimmed into plate at sides,
A rustic pair dance to music played by a piper in a tree. 'The Sentimental and Masonic Magazine' in published in Dublin between 1792-95.
[Ref: 45120] £95.00
(£114.00 incl.VAT)
Dr. Oliver Goldsmith.
Sir Joshua Reynolds pinx.t. J: Ford Sculp.
[n.d., c. 1830].
Stipple with very large margins. Platemark: 340 x 245mm. (13¾ x 9½"). Very light crease across centre. Watermarked paper, 'D & F H'.
A portrait of Oliver Goldsmith (1728 - 1774), half-length, wearing a fur-lined cloak, his right hand holding a book to his chest with forefinger in between the pages. Goldsmith was an author and poet born in Ireland. He was a close friend of Joshua Reynolds and Samuel Johnson. Not in Hamilton.
[Ref: 31673] £320.00
Japanese Girls, Before and After the First Importation of Crinoline. [Some rubbed pencil detail.]
F. Stocks del. Lithographed & Printed by C.J. Culliford, 22, Southampton St. Strand.
London, W.H.J. Carter, Printseller, Bookseller & c. 12, Regent Street, Pall Mall. [n.d. c.1850.]
Hand-coloured lithograph. 254 x 356mm. 10 x 14". Trimmed. Some scuffing around the edges.
Crinoline did not appear in the England until c.1830, but by 1850 it had come to mean a stiffened petticoat or a rigid skirt-shaped structure of steel designed to support the skirts of a woman's dress into the required shape. It was around this time, the mid 19th century, that Japan began to emulate Western fashion, and to slowly present the many styles and fashions to Japanese society.
[Ref: 16831] £130.00
(£156.00 incl.VAT)
Social Sketches No 2. The Muddled Husband. Why my dear, (hic.) but why do you sit up and get the tooth-ache? you know as chairman of the Jolly Buffers I have (hic.) a missionm an intel-lel-lec-tual mission, &c at the call of (hic.) in-tel-lec-ec-tuality you know...
Lithographed and printed by C.J. Culliford, 22, Southampton St, Strand.
London, W.H.J. Carter, Printseller, Bookseller &c. 12, Regent Street, Pall Mall.
Tinted lithograph with hand finishing. Printed area 325 x 235mm (12¾ x 9¼"); large margins. Top right corner of margin cracked.
A drunk man returns at 2.30am to find his wife waiting. On the back of the sheet is a list of the Crinoline satires published by Carter.
[Ref: 42021] £160.00
(£192.00 incl.VAT)
Hunter's Ottawa Scenery, in the vicinity of Ottowa City, Canada.
Lithographed by J.H. Burford Boston. [Plates drawn on Winslow Homer and John Perry Newell after drawings by William Stuart Hunter.]
Published by W.m S. Hunter Jr. Ottowa City Canada West, 1855. Entered according to act of Congress in the year 1855 by W.S. Hunter Jr. in the Clerks office of the district court of Mass.
Book. First edition. 14 lithograph plates, with folding map. Small folio, cloth binding, 260 x 345mm (10¼ x 13½"). Front board loose. Paper toning and foxing. Boards rubbed.
A series of fourteen plates depicting views around Ottawa with explanatory text and a folding map of the are. The plates include views of Rideau Falls, Views from Barrack Hill, Chaudiere Falls etc. Some plates such as 'View of Locks' drawn on stone by well-known American artist Winslow Homer (1836-1910), his work in this series was his earliest illustration work.
[Ref: 42430] £1,300.00
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