A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Alkou and The Lake of Shahee.
James Morier del.t T. Fielding sculp.t
Published by Longman, Hurst, Rees, Orme & Brown, London March 31.st 1818.
Aquatint. 185 x 227mm (7¼ x 9"). Some scuffing and small creases. Cut inside platemark.
A view in Persia. From Morier's "A Second Journey through Persia, Armenia, and Asia Minor, to Constantinople, between the years 1810 and 1816".
Abbey Travel: 358.9.
[Ref: 29644] £95.00 (£114.00 incl.VAT)
James Morier del.t T. Fielding sculp.t
Published by Longman, Hurst, Rees, Orme & Brown, London March 31.st 1818.
Aquatint. 185 x 227mm (7¼ x 9"). Some scuffing and small creases. Cut inside platemark.
A view in Persia. From Morier's "A Second Journey through Persia, Armenia, and Asia Minor, to Constantinople, between the years 1810 and 1816".
Abbey Travel: 358.9.
[Ref: 29644] £95.00 (£114.00 incl.VAT)
![Brighton Pavilion. The Steyne Front. [Old ink mss.]](jpegs/21549.jpg)
Brighton Pavilion. The Steyne Front. [Old ink mss.] [Geometrical view of the Steine Front.]
[Augs. Pugin Del.t. T.Fielding Sculp.t.]
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, July, 1824.]
Aquatint printed in colours and hand finished, trimmed and mounted on brown card, as issued, again laid on later board. Image 185 x 300mm, 7¼ x 12". Pinholes in card corners, soiling of card edges, number label bottom right.
Elevation of the front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 435.
[Ref: 21549] £280.00 (£336.00 incl.VAT)
[Augs. Pugin Del.t. T.Fielding Sculp.t.]
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, July, 1824.]
Aquatint printed in colours and hand finished, trimmed and mounted on brown card, as issued, again laid on later board. Image 185 x 300mm, 7¼ x 12". Pinholes in card corners, soiling of card edges, number label bottom right.
Elevation of the front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 435.
[Ref: 21549] £280.00 (£336.00 incl.VAT)
The Temple of Quong Ying.
Engraved by T. Fielding.
[London: Longman & Co., 1818 or 1819.]
Sepia aquatint, image 160 x 125mm. 6¼ x 5". Trimmed to plate.
A Chinese temple inside an aquatic cave; a boat in foreground. From 'Narrative of a Journey in the Interior of China, and of a voyage to and from that country, in the years 1816 and 1817' by Clarke Abel (1780 - 1826). Abel was Naturalist to Lord Amherst's Embassy. The Alceste left Spithead on February 8, 1816 and first visited Madeira. From there she sailed to Table Bay, South Africa, then onwards to Java, from there to China, and then back to England via South Africa once more. On their return journey the ship was wrecked, but all passengers were rescued and they continued their voyage aboard the Termate.
Abbey Travel 537, 8. See BL: 981.f.17.
[Ref: 25039] £120.00 (£144.00 incl.VAT)
Engraved by T. Fielding.
[London: Longman & Co., 1818 or 1819.]
Sepia aquatint, image 160 x 125mm. 6¼ x 5". Trimmed to plate.
A Chinese temple inside an aquatic cave; a boat in foreground. From 'Narrative of a Journey in the Interior of China, and of a voyage to and from that country, in the years 1816 and 1817' by Clarke Abel (1780 - 1826). Abel was Naturalist to Lord Amherst's Embassy. The Alceste left Spithead on February 8, 1816 and first visited Madeira. From there she sailed to Table Bay, South Africa, then onwards to Java, from there to China, and then back to England via South Africa once more. On their return journey the ship was wrecked, but all passengers were rescued and they continued their voyage aboard the Termate.
Abbey Travel 537, 8. See BL: 981.f.17.
[Ref: 25039] £120.00 (£144.00 incl.VAT)
View of the Landing Place at Pulo Leat.
Drawn from a Sketch by H. Raper Esqr. T. Fielding Sculpt.
[London: Longman & Co., 1818 or 1819.]
Hand-coloured aquatint, image 105 x 165mm. 4½ x 6½". Trimmed to plate. Faint offsetting.
European sailors on the rocky island of Pulo Leat (Pulau Liat) in the Gaspar Strait that separates Belitung and Bangka islands in Indonesia. It connects the Java Sea to the South China Sea. The men, some in rowing boats, observe what appears to be a ship in flames, sending up a cloud of smoke on the horizon. From 'Narrative of a Journey in the Interior of China, and of a voyage to and from that country, in the years 1816 and 1817' by Clarke Abel (1780 - 1826). Abel was Naturalist to Lord Amherst's Embassy. The Alceste left Spithead on February 8, 1816 and first visited Madeira. From there she sailed to Table Bay, South Africa, then onwards to Java, from there to China, and then back to England via South Africa once more. On their return journey the ship was wrecked, but all passengers were rescued and they continued their voyage aboard the Termate.
Abbey Travel 537, 4. See BL: 981.f.17.
[Ref: 25038] £140.00 (£168.00 incl.VAT)
Drawn from a Sketch by H. Raper Esqr. T. Fielding Sculpt.
[London: Longman & Co., 1818 or 1819.]
Hand-coloured aquatint, image 105 x 165mm. 4½ x 6½". Trimmed to plate. Faint offsetting.
European sailors on the rocky island of Pulo Leat (Pulau Liat) in the Gaspar Strait that separates Belitung and Bangka islands in Indonesia. It connects the Java Sea to the South China Sea. The men, some in rowing boats, observe what appears to be a ship in flames, sending up a cloud of smoke on the horizon. From 'Narrative of a Journey in the Interior of China, and of a voyage to and from that country, in the years 1816 and 1817' by Clarke Abel (1780 - 1826). Abel was Naturalist to Lord Amherst's Embassy. The Alceste left Spithead on February 8, 1816 and first visited Madeira. From there she sailed to Table Bay, South Africa, then onwards to Java, from there to China, and then back to England via South Africa once more. On their return journey the ship was wrecked, but all passengers were rescued and they continued their voyage aboard the Termate.
Abbey Travel 537, 4. See BL: 981.f.17.
[Ref: 25038] £140.00 (£168.00 incl.VAT)
Nan Wang Hoo.
Drawn from a Sketch by Lieut. I. Cooke, R.M. Engraved by T. Fielding.
[London: Longman & Co., 1818 or 1819.]
Hand-coloured aquatint, image 105 x 165mm. 4½ x 6½". Trimmed to plate. Trace of crease through upper left.
A watery landscape in East Asia; small boats on the lake or flooded plain to foreground, a mountain in the distance. From 'Narrative of a Journey in the Interior of China, and of a voyage to and from that country, in the years 1816 and 1817' by Clarke Abel (1780 - 1826). Abel was Naturalist to Lord Amherst's Embassy. The Alceste left Spithead on February 8, 1816 and first visited Madeira. From there she sailed to Table Bay, South Africa, then onwards to Java, from there to China, and then back to England via South Africa once more. On their return journey the ship was wrecked, but all passengers were rescued and they continued their voyage aboard the Termate.
Abbey Travel 537, 3. See BL: 981.f.17.
[Ref: 25037] £160.00 (£192.00 incl.VAT)
Drawn from a Sketch by Lieut. I. Cooke, R.M. Engraved by T. Fielding.
[London: Longman & Co., 1818 or 1819.]
Hand-coloured aquatint, image 105 x 165mm. 4½ x 6½". Trimmed to plate. Trace of crease through upper left.
A watery landscape in East Asia; small boats on the lake or flooded plain to foreground, a mountain in the distance. From 'Narrative of a Journey in the Interior of China, and of a voyage to and from that country, in the years 1816 and 1817' by Clarke Abel (1780 - 1826). Abel was Naturalist to Lord Amherst's Embassy. The Alceste left Spithead on February 8, 1816 and first visited Madeira. From there she sailed to Table Bay, South Africa, then onwards to Java, from there to China, and then back to England via South Africa once more. On their return journey the ship was wrecked, but all passengers were rescued and they continued their voyage aboard the Termate.
Abbey Travel 537, 3. See BL: 981.f.17.
[Ref: 25037] £160.00 (£192.00 incl.VAT)
Harfleur.
Peint par Francia d'apres l'esquisse de Noel. Grave par Thales Fielding.
Imprime par Sauniee fils [n.d., c.1825.]
Aquatint with etching, sheet 295 x 430mm. 11½ x 17". Trimmed to plate at top and bottom.
View of Harfleur, Normandy, France. A river running through the town to the sea beyond, the pleasing composition dominated by the spire of Saint Martin's Church at centre.
[Ref: 10312] £120.00 (£144.00 incl.VAT)
Peint par Francia d'apres l'esquisse de Noel. Grave par Thales Fielding.
Imprime par Sauniee fils [n.d., c.1825.]
Aquatint with etching, sheet 295 x 430mm. 11½ x 17". Trimmed to plate at top and bottom.
View of Harfleur, Normandy, France. A river running through the town to the sea beyond, the pleasing composition dominated by the spire of Saint Martin's Church at centre.
[Ref: 10312] £120.00 (£144.00 incl.VAT)
Harfleur.
Peint par Francia d'apres l'esquisse de Noel. Grave par Thales Fielding.
Imprime par Sauniee fils [n.d., c.1825.]
Hand coloured aquatint with etching, sheet 300 x 370mm. 11¾ x 14½".
View of Harfleur, Normandy, France. A river running through the town to the sea beyond, the pleasing composition dominated by the spire of Saint Martin's Church at centre. In fine colour, on Whatman paper watermarked 1823.
[Ref: 10313] £260.00 (£312.00 incl.VAT)
Peint par Francia d'apres l'esquisse de Noel. Grave par Thales Fielding.
Imprime par Sauniee fils [n.d., c.1825.]
Hand coloured aquatint with etching, sheet 300 x 370mm. 11¾ x 14½".
View of Harfleur, Normandy, France. A river running through the town to the sea beyond, the pleasing composition dominated by the spire of Saint Martin's Church at centre. In fine colour, on Whatman paper watermarked 1823.
[Ref: 10313] £260.00 (£312.00 incl.VAT)
![Royal Artillery Barracks, Woolwich. [&] Royal Military Cadets Academy, Woolwich.](jpegs/13377.jpg)
Royal Artillery Barracks, Woolwich. [&] Royal Military Cadets Academy, Woolwich.
Drawn by G. Robson. Engraved by T. Fielding.
London, Published by T. Fielding, 26 Newman Street, March 15th. 1820. [&] London, Published by T. Fielding, 26 Newman Street, April 20th 1820.
A pair of hand coloured aquatints, each 290 x 450mm. 11½ x 17¾". Very fine and rare pair.
The Royal Artillery Barracks at Woolwich in South East London is the "home" of the Royal Artillery. It is famous for having the longest continuous building facade in the UK as well as for having the largest parade square of any UK barracks. The Barracks were built between 1776 and 1802 on a site overlooking Woolwich Common. Their use by the RA ended with the departure of 16 Regiment, Royal Artillery in July 2007. The Royal Military Academy (RMA) at Woolwich, in south-east London, was a British Army military academy for the training of commissioned officers of the Royal Artillery and Royal Engineers. It later also trained officers of the Royal Corps of Signals and other technical corps. The RMA was founded in 1741. It was intended to provide an education and produce "good officers of Artillery and perfect Engineers". An attractive pair of views after George Fennel Robson (1788 - 1833).
[Ref: 13377] £950.00 view all images for this item
Drawn by G. Robson. Engraved by T. Fielding.
London, Published by T. Fielding, 26 Newman Street, March 15th. 1820. [&] London, Published by T. Fielding, 26 Newman Street, April 20th 1820.
A pair of hand coloured aquatints, each 290 x 450mm. 11½ x 17¾". Very fine and rare pair.
The Royal Artillery Barracks at Woolwich in South East London is the "home" of the Royal Artillery. It is famous for having the longest continuous building facade in the UK as well as for having the largest parade square of any UK barracks. The Barracks were built between 1776 and 1802 on a site overlooking Woolwich Common. Their use by the RA ended with the departure of 16 Regiment, Royal Artillery in July 2007. The Royal Military Academy (RMA) at Woolwich, in south-east London, was a British Army military academy for the training of commissioned officers of the Royal Artillery and Royal Engineers. It later also trained officers of the Royal Corps of Signals and other technical corps. The RMA was founded in 1741. It was intended to provide an education and produce "good officers of Artillery and perfect Engineers". An attractive pair of views after George Fennel Robson (1788 - 1833).
[Ref: 13377] £950.00 view all images for this item