A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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![[The Battle of Alexandria, on the 21st of March 1801.]](jpegs/21582.jpg)
[The Battle of Alexandria, on the 21st of March 1801.]
Painted by P.I. de Loutherbourg R.A. Etch'd by Anth.y Cardon.
London Pub.d 1803 by Anth.y Cardon No 31 Clipstone Street Fitzroy Square.
Stipple, scratched-letter working proof, framed. 620 x 820mm, 24½ x 32¼". Slight spotting. Unexamined out of frame.
The Battle of Alexandria, in which the British army under General Ralph Abercromby fought the French on the way to lay siege to the city of Alexandria. It shows Abercromby in discomfort from the spent bullet that hit him, causing his death a week later. The finshed print was published in 1804, with a dedication to the Abercromby's memory and a remarque of the trophies of war. From 'de Loutherbourg's Campaigns in Egypt and Italy'.
Government Art Collection: 1537. Ogilby 568: 2. See 60056 for keyplate.
[Ref: 21582] £490.00
Painted by P.I. de Loutherbourg R.A. Etch'd by Anth.y Cardon.
London Pub.d 1803 by Anth.y Cardon No 31 Clipstone Street Fitzroy Square.
Stipple, scratched-letter working proof, framed. 620 x 820mm, 24½ x 32¼". Slight spotting. Unexamined out of frame.
The Battle of Alexandria, in which the British army under General Ralph Abercromby fought the French on the way to lay siege to the city of Alexandria. It shows Abercromby in discomfort from the spent bullet that hit him, causing his death a week later. The finshed print was published in 1804, with a dedication to the Abercromby's memory and a remarque of the trophies of war. From 'de Loutherbourg's Campaigns in Egypt and Italy'.
Government Art Collection: 1537. Ogilby 568: 2. See 60056 for keyplate.
[Ref: 21582] £490.00
![[France] Andreossy.](jpegs/18705.jpg)
[France] Andreossy. Déposé à la Bibliothèque Nationale le 15 Prairial, an onze an 9 de la Répl.que Fran.se
Drawn by J. Guerin and engraved by Anth.y Cardon.
à Paris, chez A.A. Renouard Rue Andrés des Arcs. No.42. [n.d. c.1800.]
Stipple. 330 x 242mm (13 x 9½"). Trimmed to the platemark.
Antonie-François Andreossy (1761-1828) was a French general and diplomat of noble and Italian descent. He served under Napoleon during the French Revolutionary Wars and accelerated through the ranks until in 1800 he was made Général de Division after assisting Napoleon during the 18 Brumaire Coup. After various artillery appointments he was made Ambassador to Britain, the Austrian Empire and the Ottoman Empire until in 1809 he was created a count of the First French Empire. On the fall of Napoleon he was called back to France and held high military administrative offices after the Bourbon Restoration, being elected to the Chamber of Deputies in 1827.
Ex Norman Blackburn Collection.
[Ref: 18705] £110.00 (£132.00 incl.VAT)
Drawn by J. Guerin and engraved by Anth.y Cardon.
à Paris, chez A.A. Renouard Rue Andrés des Arcs. No.42. [n.d. c.1800.]
Stipple. 330 x 242mm (13 x 9½"). Trimmed to the platemark.
Antonie-François Andreossy (1761-1828) was a French general and diplomat of noble and Italian descent. He served under Napoleon during the French Revolutionary Wars and accelerated through the ranks until in 1800 he was made Général de Division after assisting Napoleon during the 18 Brumaire Coup. After various artillery appointments he was made Ambassador to Britain, the Austrian Empire and the Ottoman Empire until in 1809 he was created a count of the First French Empire. On the fall of Napoleon he was called back to France and held high military administrative offices after the Bourbon Restoration, being elected to the Chamber of Deputies in 1827.
Ex Norman Blackburn Collection.
[Ref: 18705] £110.00 (£132.00 incl.VAT)
Major General Sir David Baird K.C.
Drawn by A.J. Oliver. Engraved by A. Cardon
London Pub. 1805 & Sold by Ant. Cardon 31 Clipstone Street Fitzroy Square.
Fine stipple. 250 x 200mm (10 x 8"). Small margins.
Sir David Baird, first baronet (1757-1829), army officer. Baird served in India (1780-1801). In the Siege of Seringapatam in 1799, Baird (who twenty years earlier had been held captive by the Indians for nearly four years) led the British troops in their assault. In the palace Baird discovered the body of Tipu Sultan (an event commemorated by Sir David Wilkie's painting 'General Sir David Baird discovering the body of the Sultaun Tippoo Sahib' (National Gallery of Scotland). Baird also served in Egypt before heading a British attack on Cape Colony in 1806, culminating in the Battle of Blauberg near Cape Town. He then served in Spain before relinquishing his command for executive office in later years.
For the Storming of Seringapatam see ref. 20809; for the Battle of Blauberg see ref. 31422.
[Ref: 35838] £110.00 (£132.00 incl.VAT)
Drawn by A.J. Oliver. Engraved by A. Cardon
London Pub. 1805 & Sold by Ant. Cardon 31 Clipstone Street Fitzroy Square.
Fine stipple. 250 x 200mm (10 x 8"). Small margins.
Sir David Baird, first baronet (1757-1829), army officer. Baird served in India (1780-1801). In the Siege of Seringapatam in 1799, Baird (who twenty years earlier had been held captive by the Indians for nearly four years) led the British troops in their assault. In the palace Baird discovered the body of Tipu Sultan (an event commemorated by Sir David Wilkie's painting 'General Sir David Baird discovering the body of the Sultaun Tippoo Sahib' (National Gallery of Scotland). Baird also served in Egypt before heading a British attack on Cape Colony in 1806, culminating in the Battle of Blauberg near Cape Town. He then served in Spain before relinquishing his command for executive office in later years.
For the Storming of Seringapatam see ref. 20809; for the Battle of Blauberg see ref. 31422.
[Ref: 35838] £110.00 (£132.00 incl.VAT)
The Right Hon: Sir Joseph Banks, Bart. K.B. President of the Royal Society. From an original Picture by T. Lawrence, Esq. R.A. in the Possession of Samuel Lysons, Esq.
Drawn by W. Evans. Engraved by A. Cardon.
Published Jan. 1 1810, by T. Cadell & W. Davies, Strand, London.
Stipple. 395 x 305mm (15½ x 12"). Trimmed to plate.
A portrait of Sir Joseph Banks (1743-1820) after Sir Thomas Lawrence (1769-1830), seated with left arm resting on a volume labelled 'Royal Society', to which he was elected in 1766. Banks, a botanist, naturalist and patron of the natural sciences, took part in Captain James Cook's first Circumnavigation (1768-71). He was the leading founder of the African Association, the British organization dedicated to the exploration of Africa, and a member of the Society of Dilettanti, which helped to establish the Royal Academy.
NLA 2183997.
[Ref: 53620] £220.00 (£264.00 incl.VAT)
Drawn by W. Evans. Engraved by A. Cardon.
Published Jan. 1 1810, by T. Cadell & W. Davies, Strand, London.
Stipple. 395 x 305mm (15½ x 12"). Trimmed to plate.
A portrait of Sir Joseph Banks (1743-1820) after Sir Thomas Lawrence (1769-1830), seated with left arm resting on a volume labelled 'Royal Society', to which he was elected in 1766. Banks, a botanist, naturalist and patron of the natural sciences, took part in Captain James Cook's first Circumnavigation (1768-71). He was the leading founder of the African Association, the British organization dedicated to the exploration of Africa, and a member of the Society of Dilettanti, which helped to establish the Royal Academy.
NLA 2183997.
[Ref: 53620] £220.00 (£264.00 incl.VAT)
The Right Hon: Sir Joseph Banks, Bart, K.B. President of the Royal Society. From an original Picture by T. Lawrence, Esq. R.A. in the Possession of Samuel Lysons, Esq.
From an original Picture by T. Lawrence, Esq, R.A. in the Possession of Samuel Lysons Esq. Drawn by W. Evans, Engraved by A. Cardon.
Published Jan. 1. 1810 by T. Cadell & W. Davies, Strand London.
Stipple. 380 x 300mm (15 x 12"). Some foxing.
Half-length portrait of Joseph Banks (1743-1820) the famed naturalist and botanist, who found fame after an expedition to Labrador and Newfoundland and after accompanying James Cook on his first voyage around the Pacific. Banks held the position of President of The Royal Society for 41 and advised on the Royal Botanic Gardens at Kew. Banks is depicted wearing his star of the Order of the Bath, his hand resting on a book titled 'The Royal Society'.
[Ref: 35718] £220.00 (£264.00 incl.VAT)
From an original Picture by T. Lawrence, Esq, R.A. in the Possession of Samuel Lysons Esq. Drawn by W. Evans, Engraved by A. Cardon.
Published Jan. 1. 1810 by T. Cadell & W. Davies, Strand London.
Stipple. 380 x 300mm (15 x 12"). Some foxing.
Half-length portrait of Joseph Banks (1743-1820) the famed naturalist and botanist, who found fame after an expedition to Labrador and Newfoundland and after accompanying James Cook on his first voyage around the Pacific. Banks held the position of President of The Royal Society for 41 and advised on the Royal Botanic Gardens at Kew. Banks is depicted wearing his star of the Order of the Bath, his hand resting on a book titled 'The Royal Society'.
[Ref: 35718] £220.00 (£264.00 incl.VAT)
The Infant Toilet.
F.Bartolozzi R.A. inv.t. A Cardon sculp.t
London, Publish'd by Colnaghi, Sala & Co. late Torre, 132 Pall Mall.
Stipple, printed in brown. 200 x 220mm.
[Ref: 533] £240.00 (£288.00 incl.VAT)
F.Bartolozzi R.A. inv.t. A Cardon sculp.t
London, Publish'd by Colnaghi, Sala & Co. late Torre, 132 Pall Mall.
Stipple, printed in brown. 200 x 220mm.
[Ref: 533] £240.00 (£288.00 incl.VAT)
Charlotte Sophia, Duchess of Beaufort, Wife of Henry Charles, Sixth Duke of Beaufort _ And Daughter of Granville first Marquis of Stafford...
Painted by Anne Mee. Engraved by A. Cardon.
Pubd. Feby. 1, 1812 by Anne Mee, 66, Upper Berkley Street.
Stipple on india paper, signed in ink lower right by the artist. Plate: 440 x 340mm. 17¼ x 13½", large margins.
Portrait of Charlotte Sophia (Leveson-Gower), Duchess of Beaufort (1771-1854); three-quarter length, draped in ermine cloak and seated in large ornate chair. After miniature painter Anne Mee (née Foldsone) (c. 1770-1851).
NPG D31583.
[Ref: 39935] £160.00 (£192.00 incl.VAT)
Painted by Anne Mee. Engraved by A. Cardon.
Pubd. Feby. 1, 1812 by Anne Mee, 66, Upper Berkley Street.
Stipple on india paper, signed in ink lower right by the artist. Plate: 440 x 340mm. 17¼ x 13½", large margins.
Portrait of Charlotte Sophia (Leveson-Gower), Duchess of Beaufort (1771-1854); three-quarter length, draped in ermine cloak and seated in large ornate chair. After miniature painter Anne Mee (née Foldsone) (c. 1770-1851).
NPG D31583.
[Ref: 39935] £160.00 (£192.00 incl.VAT)
Charlotte Sophia, Duchess of Beaufort, Wife of Henry Charles, Sixth Duke of Beaufort _ And Daughter of Granville first Marquis of Stafford...
Painted by Anne Mee. Engraved by A. Cardon.
[London: A. Mee, 1812.]
Stipple in engraved frame on india paper, artist's proof (lacking publisher's imprint). Boldly signed in reddish ink lower right by Mee. India 435 x 335mm. 17¼ x 13¼". Lacking margins, with some light foxing. Remains of tissue guard leaf attached to upper margin.
Portrait of Charlotte Sophia (Leveson-Gower), Duchess of Beaufort (1771-1854); three-quarter length, draped in ermine cloak and seated in large ornate chair. After miniature painter Anne Mee (née Foldsone) (c. 1770-1851).
See NPG D31583.
[Ref: 27217] £130.00 (£156.00 incl.VAT)
Painted by Anne Mee. Engraved by A. Cardon.
[London: A. Mee, 1812.]
Stipple in engraved frame on india paper, artist's proof (lacking publisher's imprint). Boldly signed in reddish ink lower right by Mee. India 435 x 335mm. 17¼ x 13¼". Lacking margins, with some light foxing. Remains of tissue guard leaf attached to upper margin.
Portrait of Charlotte Sophia (Leveson-Gower), Duchess of Beaufort (1771-1854); three-quarter length, draped in ermine cloak and seated in large ornate chair. After miniature painter Anne Mee (née Foldsone) (c. 1770-1851).
See NPG D31583.
[Ref: 27217] £130.00 (£156.00 incl.VAT)
Les Bergers Ecossais.
A. Westall pinx.t A.e Cardon sculp.t
Publié à Paris en Juin 1807. Chez Bance ainé, rue St. Denis.
Coloured stipple, partly printed in colour, rare. Plate 387 x 431mm (15¼ x 17"). Trimmed to plate.
Scottish shepherds in the fields; a man sat playing bagpipes with two children by his side, another man stood with his staff next to a young maiden. Two sheep seen behind, and a dog lying in the foreground; a barn to the left and ruins in the distance. The given artist's name of 'A. Westall' may mean the print is after Richard Westall, or could be incorrect.
[Ref: 28916] £260.00 (£312.00 incl.VAT)
A. Westall pinx.t A.e Cardon sculp.t
Publié à Paris en Juin 1807. Chez Bance ainé, rue St. Denis.
Coloured stipple, partly printed in colour, rare. Plate 387 x 431mm (15¼ x 17"). Trimmed to plate.
Scottish shepherds in the fields; a man sat playing bagpipes with two children by his side, another man stood with his staff next to a young maiden. Two sheep seen behind, and a dog lying in the foreground; a barn to the left and ruins in the distance. The given artist's name of 'A. Westall' may mean the print is after Richard Westall, or could be incorrect.
[Ref: 28916] £260.00 (£312.00 incl.VAT)
M.rs. Billington in the character of S.t. Cecilia, Engraved by M.r. Cardon from the original Picture by Sir Joshua Reynolds.
Published by John Bull, Southampton Street, Strand, May 1.st. 1812.
Stipple. Sheet: 135 x 210mm, (5¼ x 8¼"). Trimmed within plate.
Half portrait of Elizabeth Billington (1765-1818), a British opera singer. After a painting by Johsua Reynolds on which Hayden is reported to have stated, 'You have made her listening to the angels; you should have made the angels listening to her.'
[Ref: 35524] £45.00 (£54.00 incl.VAT)
Published by John Bull, Southampton Street, Strand, May 1.st. 1812.
Stipple. Sheet: 135 x 210mm, (5¼ x 8¼"). Trimmed within plate.
Half portrait of Elizabeth Billington (1765-1818), a British opera singer. After a painting by Johsua Reynolds on which Hayden is reported to have stated, 'You have made her listening to the angels; you should have made the angels listening to her.'
[Ref: 35524] £45.00 (£54.00 incl.VAT)
'Bread give me Bread' _ Pa. 20 Pratt's Poem of the 'Poor' or Cottage Pictures.
P.J. De Loutherbourg inv. et del. Anth.y Cardon sculp.t.
Published by the Author, Feb.y 1. 1803.
Stipple with etching, rare with very large margins; 180 x 115mm (7 x 4½").
Two beggar children with the allegorical figure of Charity giving comfort, playing a lyre.
Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34178] £130.00 (£156.00 incl.VAT)
P.J. De Loutherbourg inv. et del. Anth.y Cardon sculp.t.
Published by the Author, Feb.y 1. 1803.
Stipple with etching, rare with very large margins; 180 x 115mm (7 x 4½").
Two beggar children with the allegorical figure of Charity giving comfort, playing a lyre.
Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34178] £130.00 (£156.00 incl.VAT)
Rev.d Edward Burn.
Drawn by Hancock. Engraved by A. Cardon.
London Pub June 4, 1807 by C. Richards 349 Strand. Proof.
Stipple, rare with large margins. Plate 229 x 178mm. 9 x 7". Slight foxing.
Edward Burn (1762-1837) was a polemical writer who opposed Joseph Priestley.
[Ref: 24774] £95.00 (£114.00 incl.VAT)
Drawn by Hancock. Engraved by A. Cardon.
London Pub June 4, 1807 by C. Richards 349 Strand. Proof.
Stipple, rare with large margins. Plate 229 x 178mm. 9 x 7". Slight foxing.
Edward Burn (1762-1837) was a polemical writer who opposed Joseph Priestley.
[Ref: 24774] £95.00 (£114.00 incl.VAT)
His Royal Highness The Arch-Duke Charles Commander in Chief of the Imperial Armies in Germany &c. &c. &c. Dedicated by Permission to his Excellency the Count Starhemberg, His Imperial Majesty's Envoy Extraordinary to his Britannic Majesty, By his obliged humble Serv.t H. Johns.
Painted by H. Johns Portrait Painter to his R.H. the Arch Duke Charles. Engraved by Anth.y Cardon.
Published Oct.r 25. 1796, by Anth.y Cardon, & Sold by Mess.rs Colnaghi, Sala & Co. No. 192, Pall Mall, London.
Engraving. Plate: 230 x 180mm (9 x 7'') very large margins. Tipped into album sheet.
A portrait of Archduke Charles of Austria, Duke of Teschen (1771-1847) brother of Holy Roman Emperor Francis II.
[Ref: 48258] £140.00 (£168.00 incl.VAT)
Painted by H. Johns Portrait Painter to his R.H. the Arch Duke Charles. Engraved by Anth.y Cardon.
Published Oct.r 25. 1796, by Anth.y Cardon, & Sold by Mess.rs Colnaghi, Sala & Co. No. 192, Pall Mall, London.
Engraving. Plate: 230 x 180mm (9 x 7'') very large margins. Tipped into album sheet.
A portrait of Archduke Charles of Austria, Duke of Teschen (1771-1847) brother of Holy Roman Emperor Francis II.
[Ref: 48258] £140.00 (£168.00 incl.VAT)
La Signature du Contrat de la Noce de Village. Dédié à S:A:. Mg. le Duc D'Aremberg Chevalier de la Toison d'Or, Grand-Croix de l'Ordre Royal et Milit. de Marie Thérése...
Ant.e Watteau pinxit. Ant.e Cardon Sculp.t.
[n.d., c.1780.]
Engraving. Sheet 565 x 740mm (22¼ x 29"). Trimmed to plate.
An outdoor celebration of the signing of a wedding contract in a village. A pair with 'La Mariée de village' (the Village Bride).
[Ref: 48456] £380.00
Ant.e Watteau pinxit. Ant.e Cardon Sculp.t.
[n.d., c.1780.]
Engraving. Sheet 565 x 740mm (22¼ x 29"). Trimmed to plate.
An outdoor celebration of the signing of a wedding contract in a village. A pair with 'La Mariée de village' (the Village Bride).
[Ref: 48456] £380.00
Round & Sound Five Pence a Pound Duke Cherries. Cerises douces, Cerises, â la douce Cerise. Cries of London. Plate 8th.
Painted by F. Wheatly R.A. Directed by L. Schiavonetti. Engraved by A. Cardon
London Pub.d as the Act Directs. June 25th. 1795 by Colnaghi & Co. No. 132 Pall Mall.
Stipple, printed in colours and hand finished. 405 x 299mm. 16 x 11¾". Trimmed to the plate.
A cherry seller gives a bunch to two small boys, while a young drayman stands nearby. This is one of thirteen plates in Wheatley’s ‘Cries of London’, the most famous version of a popular theme in English printmaking. The shouts and songs of the street traders advertising their wares were a part of city life and inspired a number of artists of different styles, from these idealised scenes to the more raucous caricatures drawn by Rowlandson. Francis Wheatley (1747-1801) exhibited fourteen painted ‘Cries’ at the Royal Academy between 1792-5, with enough success for Colnaghi to commission some of the best engravers in England, including brothers Luigi and Niccolo Schiavonetti, Giovanni Vendramini & Thomas Gaugain to reproduce thirteen of the series in stipple. These were available as separate prints or as a set and were a great success (even abroad, as denoted by the French version of the titles), and have remained popular to this day.
[Ref: 22771] £320.00
Painted by F. Wheatly R.A. Directed by L. Schiavonetti. Engraved by A. Cardon
London Pub.d as the Act Directs. June 25th. 1795 by Colnaghi & Co. No. 132 Pall Mall.
Stipple, printed in colours and hand finished. 405 x 299mm. 16 x 11¾". Trimmed to the plate.
A cherry seller gives a bunch to two small boys, while a young drayman stands nearby. This is one of thirteen plates in Wheatley’s ‘Cries of London’, the most famous version of a popular theme in English printmaking. The shouts and songs of the street traders advertising their wares were a part of city life and inspired a number of artists of different styles, from these idealised scenes to the more raucous caricatures drawn by Rowlandson. Francis Wheatley (1747-1801) exhibited fourteen painted ‘Cries’ at the Royal Academy between 1792-5, with enough success for Colnaghi to commission some of the best engravers in England, including brothers Luigi and Niccolo Schiavonetti, Giovanni Vendramini & Thomas Gaugain to reproduce thirteen of the series in stipple. These were available as separate prints or as a set and were a great success (even abroad, as denoted by the French version of the titles), and have remained popular to this day.
[Ref: 22771] £320.00
Round & Sound Five Pence a Pound Duke Cherries. Cerises douces, Cerises, â la douce Cerise. Cries of London. Plate 8th.
Painted by F. Wheatly R.A. Directed by L. Schiavonetti. Engraved by A. Cardon
London Pub.d as the Act directs. June 25th. 1795 by Colnaghi & Co. No. 132 Pall Mall.
Stipple, printed in sepia, with very large margins. 415 x 320mm (16¼ x 12½").
A cherry seller gives a bunch to two small boys, while a young drayman stands nearby.
[Ref: 28150] £320.00
Painted by F. Wheatly R.A. Directed by L. Schiavonetti. Engraved by A. Cardon
London Pub.d as the Act directs. June 25th. 1795 by Colnaghi & Co. No. 132 Pall Mall.
Stipple, printed in sepia, with very large margins. 415 x 320mm (16¼ x 12½").
A cherry seller gives a bunch to two small boys, while a young drayman stands nearby.
[Ref: 28150] £320.00
Do you want any Matches? Marchande d'Allumettes, achetè mes bonnes allumettes. Cries of London Plate 4th.
Painted by F. Wheatly R.A. Engraved by A. Cardon.
London Pub as the Act Directs July 1794 by Colnaghi & Co, no. 132 Pall Mall.
Stipple, printed in sepia. Sheet 410 x 320mm (16 x 12½"). Trimmed to plate, repaired tear top left.
A young woman holding matches in her hand, with a small boy, who also carries matches, standing in the street; carriage in the background. This is one of thirteen plates in Wheatley’s ‘Cries of London’, the most famous version of a popular theme in English printmaking. The shouts and songs of the street traders advertising their wares were a part of city life and inspired a number of artists of different styles, from these idealised scenes to the more raucous caricatures drawn by Rowlandson. Francis Wheatley (1747-1801) exhibited fourteen painted ‘Cries’ at the Royal Academy between 1792-5, with enough success for Colnaghi to commission some of the best engravers in England, including brothers Luigi and Niccolo Schiavonetti, Giovanni Vendramini & Thomas Gaugain to reproduce thirteen of the series in stipple. These were available as separate prints or as a set and were a great success (even abroad, as denoted by the French version of the titles), and have remained popular to this day.
[Ref: 28144] £260.00 (£312.00 incl.VAT)
Painted by F. Wheatly R.A. Engraved by A. Cardon.
London Pub as the Act Directs July 1794 by Colnaghi & Co, no. 132 Pall Mall.
Stipple, printed in sepia. Sheet 410 x 320mm (16 x 12½"). Trimmed to plate, repaired tear top left.
A young woman holding matches in her hand, with a small boy, who also carries matches, standing in the street; carriage in the background. This is one of thirteen plates in Wheatley’s ‘Cries of London’, the most famous version of a popular theme in English printmaking. The shouts and songs of the street traders advertising their wares were a part of city life and inspired a number of artists of different styles, from these idealised scenes to the more raucous caricatures drawn by Rowlandson. Francis Wheatley (1747-1801) exhibited fourteen painted ‘Cries’ at the Royal Academy between 1792-5, with enough success for Colnaghi to commission some of the best engravers in England, including brothers Luigi and Niccolo Schiavonetti, Giovanni Vendramini & Thomas Gaugain to reproduce thirteen of the series in stipple. These were available as separate prints or as a set and were a great success (even abroad, as denoted by the French version of the titles), and have remained popular to this day.
[Ref: 28144] £260.00 (£312.00 incl.VAT)
E. Edwards, Associate and Teacher of Perspective in the Royal Academy.
Ipse pinxit. Cardon sculpsit.
Published for the Proprietor as the Act directs, 20, April 1808.
Stipple. 260 x 195mm (10¼ x 7¾"), large margins.
Edward Edwards A.RA. (1738-1806), painter was elected an Associate Academician in 1773 and appointed Teacher of Perspective at the Royal Academy in 1788. This self portrait is the frontispiece to his volume entitled 'Anecdotes of Painters', intended as a supplement to Walpole's work.
Ex Norman Blackburn Trade Collection.
[Ref: 55935] £120.00 (£144.00 incl.VAT)
Ipse pinxit. Cardon sculpsit.
Published for the Proprietor as the Act directs, 20, April 1808.
Stipple. 260 x 195mm (10¼ x 7¾"), large margins.
Edward Edwards A.RA. (1738-1806), painter was elected an Associate Academician in 1773 and appointed Teacher of Perspective at the Royal Academy in 1788. This self portrait is the frontispiece to his volume entitled 'Anecdotes of Painters', intended as a supplement to Walpole's work.
Ex Norman Blackburn Trade Collection.
[Ref: 55935] £120.00 (£144.00 incl.VAT)
E. Edwards, Associate and Teacher of Perspective in the Royal Academy.
Ipse pinxit. Cardon sculpsit.
Published for the Proprietor as the Act directs, 20, April 1808.
Stipple. Sheet 228 x 152mm (9 x 6"). Trimmed within plate
Edward Edwards A.RA. (1738-1806), painter was elected an Associate Academician in 1773 and appointed Teacher of Perspective at the Royal Acadmey in 1788. This self portrait is the frontispiece to his volume entitled 'Anecdotes of Painters', intended as a supplement to Walpole's work.
[Ref: 18943] £110.00 (£132.00 incl.VAT)
Ipse pinxit. Cardon sculpsit.
Published for the Proprietor as the Act directs, 20, April 1808.
Stipple. Sheet 228 x 152mm (9 x 6"). Trimmed within plate
Edward Edwards A.RA. (1738-1806), painter was elected an Associate Academician in 1773 and appointed Teacher of Perspective at the Royal Acadmey in 1788. This self portrait is the frontispiece to his volume entitled 'Anecdotes of Painters', intended as a supplement to Walpole's work.
[Ref: 18943] £110.00 (£132.00 incl.VAT)
[Garrick, Between Tragedy & Comedy. Engraved by Anthony Cardon from a Picture by Sir Joshua Reynolds, in the Collection of John Julius Angerstein, Esq. To John Philip Kemble Esq. who from a laudable regard to Historical propriety & to the merits of our great national Dramatist, has revived many of his admirable Plays, in a style honourable to himself and to the character of the British Stage, with the annexed Essay, are inscribed by J. Britton.]
[Class I. Painting for the Fine Arts of the English School. London: Pub'd Decr. 1. 1811 by Longman & Co. Paternoster Row, J. Taylor, High Holborn, & Wm. Bond, Newman Street.]
Stipple and etching, proof before all letters. 290 x 315mm (11½ x 12¼"). Ink mss. in margin and inscription area.
David Garrick standing between Comedy and Tragedy, smiling towards the latter, but allowing the former to tug him towards her. Illustration to "The Fine Arts of the English School" [ed. John Britton, London: 1811.]
[Ref: 41251] £95.00 (£114.00 incl.VAT)
[Class I. Painting for the Fine Arts of the English School. London: Pub'd Decr. 1. 1811 by Longman & Co. Paternoster Row, J. Taylor, High Holborn, & Wm. Bond, Newman Street.]
Stipple and etching, proof before all letters. 290 x 315mm (11½ x 12¼"). Ink mss. in margin and inscription area.
David Garrick standing between Comedy and Tragedy, smiling towards the latter, but allowing the former to tug him towards her. Illustration to "The Fine Arts of the English School" [ed. John Britton, London: 1811.]
[Ref: 41251] £95.00 (£114.00 incl.VAT)
![Garrick [Between Tragedy & Comedy],](jpegs/21001.jpg)
Garrick [Between Tragedy & Comedy],
Engraved by Cardon, from the Original Picture by Sir Joshua Reynolds.
E. Evans, pub. Book & Print Seller, No.1, Great Queen Str.
Stipple with etching, india laid paper, image 180 x 220mm. 7 x 8¾". Trimmed to plate.
Allegorical image of the great actor David Garrick standing between Comedy and Tragedy, smiling towards the latter, but allowing the former to tug him towards her. Five lines of quotation from The Brothers below title. One of several engravings after the famous painting by Sir Joshua Reynolds.
Not in Hamilton.
[Ref: 21001] £120.00 (£144.00 incl.VAT)
Engraved by Cardon, from the Original Picture by Sir Joshua Reynolds.
E. Evans, pub. Book & Print Seller, No.1, Great Queen Str.
Stipple with etching, india laid paper, image 180 x 220mm. 7 x 8¾". Trimmed to plate.
Allegorical image of the great actor David Garrick standing between Comedy and Tragedy, smiling towards the latter, but allowing the former to tug him towards her. Five lines of quotation from The Brothers below title. One of several engravings after the famous painting by Sir Joshua Reynolds.
Not in Hamilton.
[Ref: 21001] £120.00 (£144.00 incl.VAT)
L'Abbé Gaultier. I always thought that learning might be [/] made a play and recreation to Children. [/] Lock on Education.
Painted by H. Johns. Engraved by Anth.y. Cardon.
London, Published Jan.y.2.1797 by. A.C. de Poggi, 91 Bond Street.
Stipple. Sheet: 210 x 150mm, (8¼ x 6"). Trimmed within plate. Slight stain around title.
Portrait of Abbé Aloisius Gaultier (1745-1818) a French priest who, after escaping the French Revolution, set up a school in London for the children of refugees which focussed on learning through play, and which was commended by the universities of Oxford and Cambridge.
For example printed in sepia see ref: 35717.
[Ref: 36925] £65.00 (£78.00 incl.VAT)
Painted by H. Johns. Engraved by Anth.y. Cardon.
London, Published Jan.y.2.1797 by. A.C. de Poggi, 91 Bond Street.
Stipple. Sheet: 210 x 150mm, (8¼ x 6"). Trimmed within plate. Slight stain around title.
Portrait of Abbé Aloisius Gaultier (1745-1818) a French priest who, after escaping the French Revolution, set up a school in London for the children of refugees which focussed on learning through play, and which was commended by the universities of Oxford and Cambridge.
For example printed in sepia see ref: 35717.
[Ref: 36925] £65.00 (£78.00 incl.VAT)
L'Abbé Gaultier. I always thought that learning might be [/] made a play and recreation to Children. [/] Lock on Education.
Painted by H. Johns. Engraved by Anth.y. Cordon.
London, Published Jan.y.2.1797 by. A.C. de Poggi, 91 Bond Street.
Stipple. Sheet: 135 x 200mm, (5¼ x 8"). Trimmed within plate.
Portrait of Abbé Aloisius Gaultier (1745-1818) a French priest who, after escaping the French Revolution, set up a school in England for the children of refugees which focussed on learning through play.
For example printed in sepia see ref: 35717.
[Ref: 35675] £130.00 (£156.00 incl.VAT)
Painted by H. Johns. Engraved by Anth.y. Cordon.
London, Published Jan.y.2.1797 by. A.C. de Poggi, 91 Bond Street.
Stipple. Sheet: 135 x 200mm, (5¼ x 8"). Trimmed within plate.
Portrait of Abbé Aloisius Gaultier (1745-1818) a French priest who, after escaping the French Revolution, set up a school in England for the children of refugees which focussed on learning through play.
For example printed in sepia see ref: 35717.
[Ref: 35675] £130.00 (£156.00 incl.VAT)
L'Abbé Gaultier. I always thought that learning might be [/] made a play and recreation to Children. [/] Lock on Education.
Painted by H. Johns. Engraved by Anth.y. Cordon.
London, Published Jan.y.2.1797 by. A.C. de Poggi, 91 Bond Street.
Stipple. Printed in sepia. Sheet: 120 x 180mm, (4¾ x 7"). Trimmed.
Portrait of Abbé Aloisius Gaultier (1745-1818) a French priest who, after escaping the French Revolution, set up a school in England for the children of refugees which focused on learning through play.
For example printed in black in see ref: 35675
[Ref: 35717] £130.00 (£156.00 incl.VAT)
Painted by H. Johns. Engraved by Anth.y. Cordon.
London, Published Jan.y.2.1797 by. A.C. de Poggi, 91 Bond Street.
Stipple. Printed in sepia. Sheet: 120 x 180mm, (4¾ x 7"). Trimmed.
Portrait of Abbé Aloisius Gaultier (1745-1818) a French priest who, after escaping the French Revolution, set up a school in England for the children of refugees which focused on learning through play.
For example printed in black in see ref: 35675
[Ref: 35717] £130.00 (£156.00 incl.VAT)
His Majesty King George III. From an original Picture by Sir William Beechey, R.A. in his own Possession. Drawn by W. Evans, Engraved by A. Cardon.
Published March 1. 1809, by T. Cadell & W. Davies, Strand, London.
Hand-coloured stipple and etching. 369 x 299mm. 14½ x 11¾". Creased.
George III (1738-1820), King of Great Britain and King of Ireland, until the union of the two countries at the start of 1801. He was also Duke and Prince-Elector of Brunswick-Luneburg in the Holy Roman Empire until in 1814 he was promoted to King of Hanover.
[Ref: 28166] £75.00 (£90.00 incl.VAT)
Published March 1. 1809, by T. Cadell & W. Davies, Strand, London.
Hand-coloured stipple and etching. 369 x 299mm. 14½ x 11¾". Creased.
George III (1738-1820), King of Great Britain and King of Ireland, until the union of the two countries at the start of 1801. He was also Duke and Prince-Elector of Brunswick-Luneburg in the Holy Roman Empire until in 1814 he was promoted to King of Hanover.
[Ref: 28166] £75.00 (£90.00 incl.VAT)
To H.R.H. Princess Elizabeth this portrait of His Sacred Majesty King George III. Is (by permission) most respectfully dedicated by H.R.H. most obedient humble Servant, W. Hopkins.
Drawn by W. Hopkins, from the original of Sir W. Beechey R.A. Engraved by Anth.y Cardon.
Published Jan.y 1st 1812, by W. Hopkins, Windsor.
Stipple, with very large margins. Plate 305 x 152mm. 12 x 6".
George III (1738-1820), King of Great Britain and King of Ireland, until the union of the two countries at the start of 1801. He was also Duke and Prince-Elector of Brunswick-Luneburg in the Holy Roman Empire until in 1814 he was promoted to King of Hanover.
Ex Collection: R. Hobson of Hove.
[Ref: 25451] £120.00 (£144.00 incl.VAT)
Drawn by W. Hopkins, from the original of Sir W. Beechey R.A. Engraved by Anth.y Cardon.
Published Jan.y 1st 1812, by W. Hopkins, Windsor.
Stipple, with very large margins. Plate 305 x 152mm. 12 x 6".
George III (1738-1820), King of Great Britain and King of Ireland, until the union of the two countries at the start of 1801. He was also Duke and Prince-Elector of Brunswick-Luneburg in the Holy Roman Empire until in 1814 he was promoted to King of Hanover.
Ex Collection: R. Hobson of Hove.
[Ref: 25451] £120.00 (£144.00 incl.VAT)
His Most Gracious Majesty George the Third. To the Queen's most excellent Majesty This Print, From the original Drawing In her Majesty's Possession, is (by Permission) most respectfully Dedicated, by her Majesty's Most dutiful, and obedient Servant Henry Edridge.
Drawn by H. Edridge, Jan.y 1803. Engraved by Anth.y Cardon.
London, Pub.d March 1812 by H. Edridge, Margaret Str. Cavendish Squ. & Colnaghi & Co Cockspur Str.
Fine stipple and engraving. 430 x 310mm (17 x 12¼"), with large margins, paper with 'Bates' watermark.
A full-length portrait of George III standing before Windsor Castle, wearing star and garter, walking cane and hat in right hand.
[Ref: 56487] £320.00
Drawn by H. Edridge, Jan.y 1803. Engraved by Anth.y Cardon.
London, Pub.d March 1812 by H. Edridge, Margaret Str. Cavendish Squ. & Colnaghi & Co Cockspur Str.
Fine stipple and engraving. 430 x 310mm (17 x 12¼"), with large margins, paper with 'Bates' watermark.
A full-length portrait of George III standing before Windsor Castle, wearing star and garter, walking cane and hat in right hand.
[Ref: 56487] £320.00
Frederick Earl of Carlisle Knight of the Garter, &c &c &c.
R. Cosway R.A. delin.t. Anth.y Cardon sculp.t.
[n.d., c.1800.]
Stipple. Sheet: 275 x 205mm (10¾ x 8''). Trimmed within plate.
A portrait of poltician Frederick Howard, 5th Earl of Carlisle (1748-1825) who was sent by Lord North to attempt a reconciliation with the 13 colonies during the American War of Independence, though the commission was not successful Howard was praised for his role and entrusted with the viceroyalty of Ireland in 1780.
[Ref: 50113] £180.00 (£216.00 incl.VAT)
R. Cosway R.A. delin.t. Anth.y Cardon sculp.t.
[n.d., c.1800.]
Stipple. Sheet: 275 x 205mm (10¾ x 8''). Trimmed within plate.
A portrait of poltician Frederick Howard, 5th Earl of Carlisle (1748-1825) who was sent by Lord North to attempt a reconciliation with the 13 colonies during the American War of Independence, though the commission was not successful Howard was praised for his role and entrusted with the viceroyalty of Ireland in 1780.
[Ref: 50113] £180.00 (£216.00 incl.VAT)
A Son of M.r Jekyll.
W.m Lodder del. Anth.y Cardon sculp.
London, Published June 4. 1808 by John P. Thompson, Grea Newport Street.
Rare stipple, printed in colours. Sheet 315 x 205mm (12½ x 8"). Trimmed within plate.
A boy dressed in the girlish dress of the period, sitting on an upturned wheelbarrow outside a cottage with a Dutch door (or half door). His dog looks around to watch a cat coming outside. The family is unidentified. In a proof state in the BM (1872,0511.205) the title was 'The Mother's Pride'; the title was changed for this state published by Cardon in 1805.
[Ref: 54203] £260.00 (£312.00 incl.VAT)
W.m Lodder del. Anth.y Cardon sculp.
London, Published June 4. 1808 by John P. Thompson, Grea Newport Street.
Rare stipple, printed in colours. Sheet 315 x 205mm (12½ x 8"). Trimmed within plate.
A boy dressed in the girlish dress of the period, sitting on an upturned wheelbarrow outside a cottage with a Dutch door (or half door). His dog looks around to watch a cat coming outside. The family is unidentified. In a proof state in the BM (1872,0511.205) the title was 'The Mother's Pride'; the title was changed for this state published by Cardon in 1805.
[Ref: 54203] £260.00 (£312.00 incl.VAT)
Master M. M. I. R. Lacy, The Celebrated Young Spaniard. Born in Bilboa, July 19.1795.
Painted by J. Smart Esq.r. Engraved by Anth.y. Cardon.
London: Pub, May 1.1807.
Stipple. Sheet: 140 x 200mm, (5½ x 8"). Trimmed within plate.
A half-potrait in an oval of Michael Rophino Lacy (1795-1867), an irish musician, composer and child prodigy. At the age of 6 he started to perform under the name 'The Young Spaniard', he continued to perform and compose throughout his life.
[Ref: 35730] £80.00 (£96.00 incl.VAT)
Painted by J. Smart Esq.r. Engraved by Anth.y. Cardon.
London: Pub, May 1.1807.
Stipple. Sheet: 140 x 200mm, (5½ x 8"). Trimmed within plate.
A half-potrait in an oval of Michael Rophino Lacy (1795-1867), an irish musician, composer and child prodigy. At the age of 6 he started to perform under the name 'The Young Spaniard', he continued to perform and compose throughout his life.
[Ref: 35730] £80.00 (£96.00 incl.VAT)
![[Elizabeth Merry.]](jpegs/20932.jpg)
[Elizabeth Merry.]
R. Cosway R.A. del. Anth.y Cardon sculp.t
[n.d. c.1790.]
A fine proof stipple with etching. Plate 330 x 223mm. 13 x 8¾". Trimmed to the plate.
Elizabeth Merry (née Death) (active 1824.) Wife of Anthony Merry the diplomat (1756-1835).
Daniell: 105.
[Ref: 20932] £140.00 (£168.00 incl.VAT)
R. Cosway R.A. del. Anth.y Cardon sculp.t
[n.d. c.1790.]
A fine proof stipple with etching. Plate 330 x 223mm. 13 x 8¾". Trimmed to the plate.
Elizabeth Merry (née Death) (active 1824.) Wife of Anthony Merry the diplomat (1756-1835).
Daniell: 105.
[Ref: 20932] £140.00 (£168.00 incl.VAT)
Mother Goose of Oxford. Aged 73.
HL. [Unidentified] delin. A. Cardon sculp.t.
London published June 25th 1811, by Molteno, Pall Mall.
Stipple engraving with large margins, platemark: 365 x 250mm. (14¼ x 9¾").
Portrait of Rebecca Howse (née Wildgoose), a one-time procuress who took to selling flowers after going blind.
[Ref: 28344] £70.00 (£84.00 incl.VAT)
HL. [Unidentified] delin. A. Cardon sculp.t.
London published June 25th 1811, by Molteno, Pall Mall.
Stipple engraving with large margins, platemark: 365 x 250mm. (14¼ x 9¾").
Portrait of Rebecca Howse (née Wildgoose), a one-time procuress who took to selling flowers after going blind.
[Ref: 28344] £70.00 (£84.00 incl.VAT)
The Mother's Pride.
W. Ledder del. Ant.y Cardon sculp.
[n.d., c.1810.]
Colour-printed stipple. Sheet: 260 x 165mm (10¼ x 6½''). Trimmed, paper tone.
A genre scene showing a disheveled child sitting on an upturned barrow.
[Ref: 48173] £250.00 (£300.00 incl.VAT)
W. Ledder del. Ant.y Cardon sculp.
[n.d., c.1810.]
Colour-printed stipple. Sheet: 260 x 165mm (10¼ x 6½''). Trimmed, paper tone.
A genre scene showing a disheveled child sitting on an upturned barrow.
[Ref: 48173] £250.00 (£300.00 incl.VAT)
The Universal Power of Love. Motto.
Kirke pinx. Ant. Cardon sculp.
Tomkins scrip. Cooper sculp. [n.d., c.1813.]
Scarce stipple. 365 x 290mm (14¼ x 11½"), with large margins.
A portrait of the figure of love shown holding a torch and bow and arrow, with verse by Erasmus Darwin.
[Ref: 47505] £290.00 (£348.00 incl.VAT)
Kirke pinx. Ant. Cardon sculp.
Tomkins scrip. Cooper sculp. [n.d., c.1813.]
Scarce stipple. 365 x 290mm (14¼ x 11½"), with large margins.
A portrait of the figure of love shown holding a torch and bow and arrow, with verse by Erasmus Darwin.
[Ref: 47505] £290.00 (£348.00 incl.VAT)
![[Spencer Perceval.]](jpegs/35827.jpg)
[Spencer Perceval.]
[engraved by Anthony Cardon after Miles.]
[Published by Colnaghi, 1812.]
Stipple on india, sheet 165 x 120mm (6½ x 4¾"). Proof before letters; trimmed inside platemark.
Spencer Perceval (1762-1812), the only prime minister to be assassinated, from a miniature showing him aged thirty when he first entered politics. A lawyer initially, after becoming Chancellor of the Exchequer in 1807, he was made Prime Minister in 1809 after the death of the duke of Portland, governing during the upheavals of the Industrial Revolution and the Napoleonic Wars. He was shot dead in the lobby of the House of Commons by John Bellingham, a merchant who had incurred debt in Russia and had been refused compensation by the government.
O'D 6.
[Ref: 35827] £90.00 (£108.00 incl.VAT)
[engraved by Anthony Cardon after Miles.]
[Published by Colnaghi, 1812.]
Stipple on india, sheet 165 x 120mm (6½ x 4¾"). Proof before letters; trimmed inside platemark.
Spencer Perceval (1762-1812), the only prime minister to be assassinated, from a miniature showing him aged thirty when he first entered politics. A lawyer initially, after becoming Chancellor of the Exchequer in 1807, he was made Prime Minister in 1809 after the death of the duke of Portland, governing during the upheavals of the Industrial Revolution and the Napoleonic Wars. He was shot dead in the lobby of the House of Commons by John Bellingham, a merchant who had incurred debt in Russia and had been refused compensation by the government.
O'D 6.
[Ref: 35827] £90.00 (£108.00 incl.VAT)
![[Spencer Perceval.]](jpegs/35826.jpg)
[Spencer Perceval.]
[engraved by Anthony Cardon after Miles.]
[Published by Colnaghi, 1812]
Stipple on india with very large margins, platemark 180 x 130mm (7 x 5"). Proof before letters. Slight crease near bottom.
Spencer Perceval (1762-1812), the only prime minister to be assassinated, from a miniature showing him aged thirty when he first entered politics. A lawyer initially, after becoming Chancellor of the Exchequer in 1807, he was made Prime Minister in 1809 after the death of the duke of Portland, governing during the upheavals of the Industrial Revolution and the Napoleonic Wars. He was shot dead in the lobby of the House of Commons by John Bellingham, a merchant who had incurred debt in Russia and had been refused compensation by the government.
O'D 6.
[Ref: 35826] £130.00 (£156.00 incl.VAT)
[engraved by Anthony Cardon after Miles.]
[Published by Colnaghi, 1812]
Stipple on india with very large margins, platemark 180 x 130mm (7 x 5"). Proof before letters. Slight crease near bottom.
Spencer Perceval (1762-1812), the only prime minister to be assassinated, from a miniature showing him aged thirty when he first entered politics. A lawyer initially, after becoming Chancellor of the Exchequer in 1807, he was made Prime Minister in 1809 after the death of the duke of Portland, governing during the upheavals of the Industrial Revolution and the Napoleonic Wars. He was shot dead in the lobby of the House of Commons by John Bellingham, a merchant who had incurred debt in Russia and had been refused compensation by the government.
O'D 6.
[Ref: 35826] £130.00 (£156.00 incl.VAT)
The Right Hon.ble Will.m Pitt.
Drawn by H. Edridge. 1801. Engraved by Antb.y Cardon.
London, Published Dec.r 26. 1804 by H. Edridge No.64 Margaret Street, Cavendish Square, and by Colnaghi & Co. Cockspur Street, Charing Cross.
Stipple. Plate: 425 x 305mm (16¾ x 12"), with large margins. Worm holes in margins.
A portrait of British, Tory statesman William Pitt the Younger (1759-1806) who became the youngest Prime Minister in 1783 at age 24.
[Ref: 47011] £220.00 (£264.00 incl.VAT)
Drawn by H. Edridge. 1801. Engraved by Antb.y Cardon.
London, Published Dec.r 26. 1804 by H. Edridge No.64 Margaret Street, Cavendish Square, and by Colnaghi & Co. Cockspur Street, Charing Cross.
Stipple. Plate: 425 x 305mm (16¾ x 12"), with large margins. Worm holes in margins.
A portrait of British, Tory statesman William Pitt the Younger (1759-1806) who became the youngest Prime Minister in 1783 at age 24.
[Ref: 47011] £220.00 (£264.00 incl.VAT)
Sir Home Popham, R.M. & F.R.S.
Painted by Mather Brown. Engraved by Anthy. Cardon.
London: Published 1807, by Anthy. Cardon, 37 London Street, Fitzroy Square.
A rare and fine stipple engraving. 455 x 365mm (18 x 14¼"). Cut to the platemark.
Sir Home Riggs Popham (1762-1820), who served in the Royal Navy at the Battle of Copenhagen, Trafalgar and the British invasion of the Río de la Plata in 1806. He wrote the signal flag code the Navy adopted in 1803, most famously used by Nelson to send the signal "England expects that every man will do his duty". He retired with the rank of Rear-Admiral.
Not in Parker. From the Collection of Viscount Hood.
[Ref: 12391] £280.00 (£336.00 incl.VAT)
Painted by Mather Brown. Engraved by Anthy. Cardon.
London: Published 1807, by Anthy. Cardon, 37 London Street, Fitzroy Square.
A rare and fine stipple engraving. 455 x 365mm (18 x 14¼"). Cut to the platemark.
Sir Home Riggs Popham (1762-1820), who served in the Royal Navy at the Battle of Copenhagen, Trafalgar and the British invasion of the Río de la Plata in 1806. He wrote the signal flag code the Navy adopted in 1803, most famously used by Nelson to send the signal "England expects that every man will do his duty". He retired with the rank of Rear-Admiral.
Not in Parker. From the Collection of Viscount Hood.
[Ref: 12391] £280.00 (£336.00 incl.VAT)
Sir Home Popham, R.M. & F.R.S.
Painted by Mather Brown. Engraved by Anthy. Cardon.
London: Published 1807, by Anthy. Cardon, 37 London Street, Fitzroy Square.
A rare and fine stipple engraving. 455 x 365mm (18 x 14¼"), with large margins. Margins messy.
Sir Home Riggs Popham (1762-1820), who served in the Royal Navy at the Battle of Copenhagen, Trafalgar and the British invasion of the Río de la Plata in 1806. He wrote the signal flag code the Navy adopted in 1803, most famously used by Nelson to send the signal "England expects that every man will do his duty". He retired with the rank of Rear-Admiral.
[Ref: 52682] £260.00 (£312.00 incl.VAT)
Painted by Mather Brown. Engraved by Anthy. Cardon.
London: Published 1807, by Anthy. Cardon, 37 London Street, Fitzroy Square.
A rare and fine stipple engraving. 455 x 365mm (18 x 14¼"), with large margins. Margins messy.
Sir Home Riggs Popham (1762-1820), who served in the Royal Navy at the Battle of Copenhagen, Trafalgar and the British invasion of the Río de la Plata in 1806. He wrote the signal flag code the Navy adopted in 1803, most famously used by Nelson to send the signal "England expects that every man will do his duty". He retired with the rank of Rear-Admiral.
[Ref: 52682] £260.00 (£312.00 incl.VAT)
![[Major James Rennell F.R.S.]](jpegs/57015.jpg)
[Major James Rennell F.R.S.]
[Drawn by Scott. Engraved by A. Cardon.]
[London. Published as the Act directs, February 1799.]
Stipple, proof before letters. Sheet 205 x 115mm (8 x 6¼"). Trimmed to plate.
Major James Rennell (1742-1830), regarded as the Father of both Indian Cartography (for his survey of Bengal for the East India Company) and Oceanography (for his study of ocean currents). He compiled a map for the account of Mungo Park's first expedition to the Niger River that started the myth of the 'Mountains of Kong'.
[Ref: 57015] £160.00 (£192.00 incl.VAT)
[Drawn by Scott. Engraved by A. Cardon.]
[London. Published as the Act directs, February 1799.]
Stipple, proof before letters. Sheet 205 x 115mm (8 x 6¼"). Trimmed to plate.
Major James Rennell (1742-1830), regarded as the Father of both Indian Cartography (for his survey of Bengal for the East India Company) and Oceanography (for his study of ocean currents). He compiled a map for the account of Mungo Park's first expedition to the Niger River that started the myth of the 'Mountains of Kong'.
[Ref: 57015] £160.00 (£192.00 incl.VAT)
![[Major James Rennell F.R.S.]](jpegs/57014.jpg)
[Major James Rennell F.R.S.]
Drawn by Scott. Engraved by A. Cardon.
London. Published as the Act directs, February 1799.
Fine stipple, proof before title. 205 x 115mm (8 x 6¼"), with large margins.
Major James Rennell (1742-1830), regarded as the Father of both Indian Cartography (for his survey of Bengal for the East India Company) and Oceanography (for his study of ocean currents). He compiled a map for the account of Mungo Park's first expedition to the Niger River that started the myth of the 'Mountains of Kong'.
[Ref: 57014] £180.00 (£216.00 incl.VAT)
Drawn by Scott. Engraved by A. Cardon.
London. Published as the Act directs, February 1799.
Fine stipple, proof before title. 205 x 115mm (8 x 6¼"), with large margins.
Major James Rennell (1742-1830), regarded as the Father of both Indian Cartography (for his survey of Bengal for the East India Company) and Oceanography (for his study of ocean currents). He compiled a map for the account of Mungo Park's first expedition to the Niger River that started the myth of the 'Mountains of Kong'.
[Ref: 57014] £180.00 (£216.00 incl.VAT)
Lewis Schiavonetti, V. A. Born at Bassano April 1. 1765. Died at London June 7. 1810.
Drawn by Hy. Edridge and Engraved by Anthy. Cardon from the original Drawing in his Possession.
London: Pubd. Jany. 1 1811. by Anthy. Cardon 37, London Street. Fitzroy Square.
Stipple on india laid paper, open letter state, 285 x 240mm. 11¼ x 9½". A fine impression on laid paper, with full margins.
Luigi Schiavonetti (1765 - 1810), Italian-born stipple engraver who set up a publishing establishment at 12 Michaels Place, Brompton, London. Inscribed 'Dedicated to the Members of the Chalcographic Society, by Anthony Cardon' below border. After Henry Edridge (1769 - 1821).
[Ref: 13591] £160.00 (£192.00 incl.VAT)
Drawn by Hy. Edridge and Engraved by Anthy. Cardon from the original Drawing in his Possession.
London: Pubd. Jany. 1 1811. by Anthy. Cardon 37, London Street. Fitzroy Square.
Stipple on india laid paper, open letter state, 285 x 240mm. 11¼ x 9½". A fine impression on laid paper, with full margins.
Luigi Schiavonetti (1765 - 1810), Italian-born stipple engraver who set up a publishing establishment at 12 Michaels Place, Brompton, London. Inscribed 'Dedicated to the Members of the Chalcographic Society, by Anthony Cardon' below border. After Henry Edridge (1769 - 1821).
[Ref: 13591] £160.00 (£192.00 incl.VAT)
Sir William Sidney Smith. Seige Of Acre.
Painted by Robert Ker Porter. The Portrait Engraved by Anth.y Cardon__the Battle by Ja.s Mitan.
London, Published April 1804, by Anth.y Cardon, 31, Clipstone Street, Fitzroy Square.
Portrait, stipple with etching, and engraved battle scene from one plate. Plate 439 x 266mm. 17¼ x 10½". Large margins. Bit dusty.
Sir William Sidney Smith KCB (1764-1840), the admiral of whom Napoleon Bonaparte said 'That man made me miss my destiny', having aided the Turks in their resistance to Napoleon in Egypt and the Levant. The Siege of Acre of 1799 was an unsuccessful French siege of the Ottoman-defended, walled city of Acre (now Akko in modern Israel) and was the turning point of Napoleon's invasion of Egypt and Syria. A Royal Navy flotilla under Commodore William Sidney Smith helped to reinforce the Turkish defences and supplied the city with additional cannon manned by sailors and marines. The seige was eventually raised and Napoleon withdrew to Egypt.
[Ref: 21291] £110.00 (£132.00 incl.VAT)
Painted by Robert Ker Porter. The Portrait Engraved by Anth.y Cardon__the Battle by Ja.s Mitan.
London, Published April 1804, by Anth.y Cardon, 31, Clipstone Street, Fitzroy Square.
Portrait, stipple with etching, and engraved battle scene from one plate. Plate 439 x 266mm. 17¼ x 10½". Large margins. Bit dusty.
Sir William Sidney Smith KCB (1764-1840), the admiral of whom Napoleon Bonaparte said 'That man made me miss my destiny', having aided the Turks in their resistance to Napoleon in Egypt and the Levant. The Siege of Acre of 1799 was an unsuccessful French siege of the Ottoman-defended, walled city of Acre (now Akko in modern Israel) and was the turning point of Napoleon's invasion of Egypt and Syria. A Royal Navy flotilla under Commodore William Sidney Smith helped to reinforce the Turkish defences and supplied the city with additional cannon manned by sailors and marines. The seige was eventually raised and Napoleon withdrew to Egypt.
[Ref: 21291] £110.00 (£132.00 incl.VAT)
The Rt. Hon.ble Lady Anna Maria Stanhope.
R.Cosway R.A. delin. Anthy.Cardon Sculp.
London, Published April 1, 1801, by Anthy. Cardon, 31 Clipstone Stret, Fitzroy Square.
Stipple in frame. Plate 360 x 248mm.
Lady Anna Maria Stanhope daughter of Charles Stanhope, 3rd Earl of Harrington. [1783 - 1857] married Francis Russell 7th Duke of Bedford in London in in 1808. Tea in the afternoon served with other foods as a snack or meal is believed to have originated from the Duchess of Bedford who experienced a 'sinking feeling' in the late afternoon. With tea figuring as England's favorite drink, it was the most likely choice as the beverage for this new meal. Given that Anna's brother Viscount Petersham was a great tea aficionado coffee and chocolate didn't stand a chance. Anna, the Duchess of Bedford, invited friends to join her for an additional afternoon meal at five o'clock in her rooms at Woburn Abbey. The menu consisted of small cakes, bread and butter sandwiches, assorted sweets, and, of course, tea. The Duchess continued this summer practice when she returned to London, sending invitations to her friends asking them to join her for 'tea and a walking the fields.' (At that time, large open meadows were still to be found in Mayfair.) Other social hostesses soon began to invite friends to afternoon tea.
D: 139
[Ref: 1399] £140.00 (£168.00 incl.VAT)
R.Cosway R.A. delin. Anthy.Cardon Sculp.
London, Published April 1, 1801, by Anthy. Cardon, 31 Clipstone Stret, Fitzroy Square.
Stipple in frame. Plate 360 x 248mm.
Lady Anna Maria Stanhope daughter of Charles Stanhope, 3rd Earl of Harrington. [1783 - 1857] married Francis Russell 7th Duke of Bedford in London in in 1808. Tea in the afternoon served with other foods as a snack or meal is believed to have originated from the Duchess of Bedford who experienced a 'sinking feeling' in the late afternoon. With tea figuring as England's favorite drink, it was the most likely choice as the beverage for this new meal. Given that Anna's brother Viscount Petersham was a great tea aficionado coffee and chocolate didn't stand a chance. Anna, the Duchess of Bedford, invited friends to join her for an additional afternoon meal at five o'clock in her rooms at Woburn Abbey. The menu consisted of small cakes, bread and butter sandwiches, assorted sweets, and, of course, tea. The Duchess continued this summer practice when she returned to London, sending invitations to her friends asking them to join her for 'tea and a walking the fields.' (At that time, large open meadows were still to be found in Mayfair.) Other social hostesses soon began to invite friends to afternoon tea.
D: 139
[Ref: 1399] £140.00 (£168.00 incl.VAT)
James Trail Esq.r. From an Original Drawing in the Possession of Lord Glenbervie.
H. Edridge Del.t 1794. Anth.y Cardon sculp.t.
[c.1794.]
Fine & rare stipple on chine collé. 260 x 195mm (10¼ x 7¾"), with large margins. Very slight creasing, uncut.
Seated, reading a letter. Probably James Trail (1745-1808), lawyer and Tory M.P. for Orford between 1802 and 1806.
[Ref: 58141] £160.00 (£192.00 incl.VAT)
H. Edridge Del.t 1794. Anth.y Cardon sculp.t.
[c.1794.]
Fine & rare stipple on chine collé. 260 x 195mm (10¼ x 7¾"), with large margins. Very slight creasing, uncut.
Seated, reading a letter. Probably James Trail (1745-1808), lawyer and Tory M.P. for Orford between 1802 and 1806.
[Ref: 58141] £160.00 (£192.00 incl.VAT)
Welsh Peasants.
Painted by R. Westall R.A. Engraved by Ant.y Cardon.
Published Oct.r 1799 by I.B. Smith Engraver in Mezzotinto to his R.H. the Prince of Wales No. 31 King Street Covent Garden London.
Coloured stipple, rare. 387 x 420mm (15¼ x 16½").
A family and goats sitting outside a cottage, a young woman looking and gesturing to left, towards a young man, who walks away, downhill to left, carrying a bundle on a stick over his shoulder and covering his face with his hands, while another woman stands beside the first, looking down and an elderly couple sit behind them, watching, the man with his hand on the woman's knee to console her;
[Ref: 29033] £280.00 (£336.00 incl.VAT)
Painted by R. Westall R.A. Engraved by Ant.y Cardon.
Published Oct.r 1799 by I.B. Smith Engraver in Mezzotinto to his R.H. the Prince of Wales No. 31 King Street Covent Garden London.
Coloured stipple, rare. 387 x 420mm (15¼ x 16½").
A family and goats sitting outside a cottage, a young woman looking and gesturing to left, towards a young man, who walks away, downhill to left, carrying a bundle on a stick over his shoulder and covering his face with his hands, while another woman stands beside the first, looking down and an elderly couple sit behind them, watching, the man with his hand on the woman's knee to console her;
[Ref: 29033] £280.00 (£336.00 incl.VAT)
![La Séparation douloureuse. [&] La Visite du Pasteur.](jpegs/30041.jpg)
La Séparation douloureuse. [&] La Visite du Pasteur.
A. Westall pinx.t A.e Cardon sculp.t
Publié à Paris en Juin 1807. Chez Bance ainé, rue St. Denis.
A pair of stipples printed in colour with small margins. Plate 387 x 427mm (15¼ x 16¾"). Some repairs.
Women weeping and upset as the young and older man set off on their travels; three goats in the foreground. [&] A visit from the pastor: three women with children outside a cottage are greeted by the minister; a church seen in the background, and a young man seen hiding inside the cottage.
[Ref: 30041] £420.00 view all images for this item
A. Westall pinx.t A.e Cardon sculp.t
Publié à Paris en Juin 1807. Chez Bance ainé, rue St. Denis.
A pair of stipples printed in colour with small margins. Plate 387 x 427mm (15¼ x 16¾"). Some repairs.
Women weeping and upset as the young and older man set off on their travels; three goats in the foreground. [&] A visit from the pastor: three women with children outside a cottage are greeted by the minister; a church seen in the background, and a young man seen hiding inside the cottage.
[Ref: 30041] £420.00 view all images for this item