A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Brésil. 74. St. Joan del Rey.
Vanderburch del. H. Lalaisse Sc.
[Paris Firmin Didot freres et Cie 1837.]
Engraving. 140 x 222mm. 5½ x 8¾".
São João del-Rei, Brazil, seen on the banks of the Lenheiro River, with the old Rosario Stone Bridge. From Ferdinand Denis's "L'Univers. Histoire et Description de Tous les Peuples. Bresil, ... Colombie et Guyanes".
[Ref: 26083] £70.00 (£84.00 incl.VAT)
Vanderburch del. H. Lalaisse Sc.
[Paris Firmin Didot freres et Cie 1837.]
Engraving. 140 x 222mm. 5½ x 8¾".
São João del-Rei, Brazil, seen on the banks of the Lenheiro River, with the old Rosario Stone Bridge. From Ferdinand Denis's "L'Univers. Histoire et Description de Tous les Peuples. Bresil, ... Colombie et Guyanes".
[Ref: 26083] £70.00 (£84.00 incl.VAT)
![[Taureau _ Bull _ Toro _ Stier.]](jpegs/43471.jpg)
[Taureau _ Bull _ Toro _ Stier.]
H. Lalaisse.
[London: Victor Delarue _ Berlin, S.P. Christmann. Monrocq frères. édit. imp. r. Suger, 3, Paris.] [n.d., c.1850.]
Lithograph, proof before letters. Sheet 255 x 340mm (10 x 13½").
A sketch portrait of a bull, published in the 'Grand Cours d'Animaux'.
[Ref: 43471] £70.00 (£84.00 incl.VAT)
H. Lalaisse.
[London: Victor Delarue _ Berlin, S.P. Christmann. Monrocq frères. édit. imp. r. Suger, 3, Paris.] [n.d., c.1850.]
Lithograph, proof before letters. Sheet 255 x 340mm (10 x 13½").
A sketch portrait of a bull, published in the 'Grand Cours d'Animaux'.
[Ref: 43471] £70.00 (£84.00 incl.VAT)
Taureau _ Bull _ Toro _ Stier.
H. Lalaisse.
London: Victor Delarue _ Berlin, S.P. Christmann. Monrocq frères. édit. imp. r. Suger, 3, Paris. [n.d., c.1850.]
Lithograph. Sheet 255 x 340mm (10 x 13½"). Trimmed.
A sketch portrait of a bull, published in the 'Grand Cours d'Animaux'.
[Ref: 43470] £70.00 (£84.00 incl.VAT)
H. Lalaisse.
London: Victor Delarue _ Berlin, S.P. Christmann. Monrocq frères. édit. imp. r. Suger, 3, Paris. [n.d., c.1850.]
Lithograph. Sheet 255 x 340mm (10 x 13½"). Trimmed.
A sketch portrait of a bull, published in the 'Grand Cours d'Animaux'.
[Ref: 43470] £70.00 (£84.00 incl.VAT)
Vache Normande _ Cow _ Vacca _ Kuh _ Vaca. Grand Cours d'Animaux (Autographie d'après nature).
H. Lalaisse.
London: Victor Delarue _ Berlin, S.P. Christmann. Monrocq fr. édit. imp. r. Suger, 3, Paris. [n.d., c.1850.]
Lithograph. Printed area 300 x 445mm (11¾ x 17½"). Surface soiling.
A sketch portrait of a cow, published in the 'Grand Cours d'Animaux'.
[Ref: 43469] £160.00 (£192.00 incl.VAT)
H. Lalaisse.
London: Victor Delarue _ Berlin, S.P. Christmann. Monrocq fr. édit. imp. r. Suger, 3, Paris. [n.d., c.1850.]
Lithograph. Printed area 300 x 445mm (11¾ x 17½"). Surface soiling.
A sketch portrait of a cow, published in the 'Grand Cours d'Animaux'.
[Ref: 43469] £160.00 (£192.00 incl.VAT)
Alderney.
['E-heart-D 81' monogram of Edwin Douglas] Painted by Edwin Douglas. Engraved by A.C. Alais.
London, Published Sept.r 17th 1883 by Henry Graves & C.º, the Propreietors, Publishers to H.M. the Queen and T.R.H. the Prince & Princess of Wales, 6 Pall Mall. Copywright Registered.
Mixed-method engraving on chine collé, 680 x 550mm (26¾ x 21¾"), with large margins. PSA blindstamp, 'YRO.' Tears in backing sheet.
A young woman with clogs, holding a bunch of greens on her shoulder, walking across a meadow with foxgloves, between a cow and a calf. One of four paintings in the ‘Channel Island Series’, featuring young women and Jersey cows by Scottish artist Edwin James Douglas (1848-1914). Douglas first exhibited at the Scottish Royal Academy in 1865, aged 17, and at the Royal Academy four years later. His patrons included Sir Charles Tennant and Queen Victoria, who purchased a picture of setters as a birthday present for Edward, Prince of Wales.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68113] £360.00
['E-heart-D 81' monogram of Edwin Douglas] Painted by Edwin Douglas. Engraved by A.C. Alais.
London, Published Sept.r 17th 1883 by Henry Graves & C.º, the Propreietors, Publishers to H.M. the Queen and T.R.H. the Prince & Princess of Wales, 6 Pall Mall. Copywright Registered.
Mixed-method engraving on chine collé, 680 x 550mm (26¾ x 21¾"), with large margins. PSA blindstamp, 'YRO.' Tears in backing sheet.
A young woman with clogs, holding a bunch of greens on her shoulder, walking across a meadow with foxgloves, between a cow and a calf. One of four paintings in the ‘Channel Island Series’, featuring young women and Jersey cows by Scottish artist Edwin James Douglas (1848-1914). Douglas first exhibited at the Scottish Royal Academy in 1865, aged 17, and at the Royal Academy four years later. His patrons included Sir Charles Tennant and Queen Victoria, who purchased a picture of setters as a birthday present for Edward, Prince of Wales.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68113] £360.00
Jersey.
['E-heart-D 78' monogram of Edwin Douglas] Painted by Edwin Douglas. Engraved by A.C. Alais.
London, Published Sept.r 17th 1883 by Henry Graves & C.º, the Propreietors, Publishers to H.M. the Queen and T.R.H. the Prince & Princess of Wales, 6 Pall Mall. Copywright Registered.
Mixed-method engraving on chine collé, 680 x 550mm (26¾ x 21¾"), with large margins. PSA blindstamp, 'XDU.' Edges of large margins soiled.
A young milking-girl carrying a pitcher and leading two Jersey cows, through a field full of daisies, with a wood in the background One of four paintings in the ‘Channel Island Series’, featuring young women and Jersey cows by Scottish artist Edwin James Douglas (1848-1914). Douglas first exhibited at the Scottish Royal Academy in 1865, aged 17, and at the Royal Academy four years later. His patrons included Sir Charles Tennant and Queen Victoria, who purchased a picture of setters as a birthday present for Edward, Prince of Wales.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68114] £360.00
['E-heart-D 78' monogram of Edwin Douglas] Painted by Edwin Douglas. Engraved by A.C. Alais.
London, Published Sept.r 17th 1883 by Henry Graves & C.º, the Propreietors, Publishers to H.M. the Queen and T.R.H. the Prince & Princess of Wales, 6 Pall Mall. Copywright Registered.
Mixed-method engraving on chine collé, 680 x 550mm (26¾ x 21¾"), with large margins. PSA blindstamp, 'XDU.' Edges of large margins soiled.
A young milking-girl carrying a pitcher and leading two Jersey cows, through a field full of daisies, with a wood in the background One of four paintings in the ‘Channel Island Series’, featuring young women and Jersey cows by Scottish artist Edwin James Douglas (1848-1914). Douglas first exhibited at the Scottish Royal Academy in 1865, aged 17, and at the Royal Academy four years later. His patrons included Sir Charles Tennant and Queen Victoria, who purchased a picture of setters as a birthday present for Edward, Prince of Wales.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68114] £360.00
![[Sark.]](jpegs/68112.jpg)
[Sark.]
['E-heart-D' monogram of Edwin Douglas] [Pencil signatures of Edwin Douglas and Alfred Clarence Alais.]
London, Published July 17th 1883 by Henry Graves & C.º, the Propreietors, Publishers to H.M. the Queen and T.R.H. the Prince & Princess of Wales, 6 Pall Mall. Copywright Registered. Entered according to Act of Congress in the Year 1883 by M. Knoedler & C.º in the Office of the Librarian of Congress, Washington.
Mixed-method engraving on chine collé, 850 x 680mm (33½ x 26¾"), with large margins. PSA blindstamp, 'LRK'. Tears in backing sheet.
A milkmaid carrying a pitcher on her hip, with a posy of daisies under her chin, in a meadow at the edge of a copse, a cow with a bell hanging round its neck beside her. One of four paintings in the ‘Channel Island Series’, featuring young women and Jersey cows by Scottish artist Edwin James Douglas (1848-1914). Douglas first exhibited at the Scottish Royal Academy in 1865, aged 17, and at the Royal Academy four years later. His patrons included Sir Charles Tennant and Queen Victoria, who purchased a picture of setters as a birthday present for Edward, Prince of Wales. A pair to 'Jersey'.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68112] £360.00
['E-heart-D' monogram of Edwin Douglas] [Pencil signatures of Edwin Douglas and Alfred Clarence Alais.]
London, Published July 17th 1883 by Henry Graves & C.º, the Propreietors, Publishers to H.M. the Queen and T.R.H. the Prince & Princess of Wales, 6 Pall Mall. Copywright Registered. Entered according to Act of Congress in the Year 1883 by M. Knoedler & C.º in the Office of the Librarian of Congress, Washington.
Mixed-method engraving on chine collé, 850 x 680mm (33½ x 26¾"), with large margins. PSA blindstamp, 'LRK'. Tears in backing sheet.
A milkmaid carrying a pitcher on her hip, with a posy of daisies under her chin, in a meadow at the edge of a copse, a cow with a bell hanging round its neck beside her. One of four paintings in the ‘Channel Island Series’, featuring young women and Jersey cows by Scottish artist Edwin James Douglas (1848-1914). Douglas first exhibited at the Scottish Royal Academy in 1865, aged 17, and at the Royal Academy four years later. His patrons included Sir Charles Tennant and Queen Victoria, who purchased a picture of setters as a birthday present for Edward, Prince of Wales. A pair to 'Jersey'.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68112] £360.00
Chivied.
Painted by Samuel J. Carter. Engraved by A.C. Alais. Printed by A. Holdgate.
London. Published July 17th 1886, by Henry Graves & Co. Proprietors Publishers to HM the Prince & Princess of Wales, 6 Pall Mall. Copyright Registered.
Mezzotint with engraving. Platemark: 695 x 550mm (27¼ x 21½"). Damage to edges of sheet. Staining in margins. Very large margins.
Two kittens look down at three puppies, who have chased them up into a tree. A later issue of this print was published with the title, 'Baffled'. After reputed animal painter Samuel John Carter (1835-1892).
[Ref: 39244] £130.00 (£156.00 incl.VAT)
Painted by Samuel J. Carter. Engraved by A.C. Alais. Printed by A. Holdgate.
London. Published July 17th 1886, by Henry Graves & Co. Proprietors Publishers to HM the Prince & Princess of Wales, 6 Pall Mall. Copyright Registered.
Mezzotint with engraving. Platemark: 695 x 550mm (27¼ x 21½"). Damage to edges of sheet. Staining in margins. Very large margins.
Two kittens look down at three puppies, who have chased them up into a tree. A later issue of this print was published with the title, 'Baffled'. After reputed animal painter Samuel John Carter (1835-1892).
[Ref: 39244] £130.00 (£156.00 incl.VAT)
Edmund Spenser. From the Original Picture at Bretby Park. To the Countess of Chesterfield I dedicate this Engraving of the 'Poet of Poets' very respectfully and gratefully Alexander B. Grosart. Private Plate engraved for Rev. A.B. Grosart. Blackburn. No. of Impressions: 18 Artists Proofs 32 Lettered 50 Prints.
Engraved by W.J. Alais.
Printed by McQueen [n.d. c.1830].
Mixed method engraving. 365 x 295mm (14¼ x 11½").
A bust portrait in oval of poet Edmund Spenser (1552? - 1599).
[Ref: 40] £160.00 (£192.00 incl.VAT)
Engraved by W.J. Alais.
Printed by McQueen [n.d. c.1830].
Mixed method engraving. 365 x 295mm (14¼ x 11½").
A bust portrait in oval of poet Edmund Spenser (1552? - 1599).
[Ref: 40] £160.00 (£192.00 incl.VAT)
Edmund Spenser. From the Original Picture at Bretby Park. To the County of Chesterfield I dedicate this Engraving of the ''Poet of Poets'' very respectfully and gratefully Alexander B. Grosart.
Engraved by W. J. Alais. Printed by McQueen.
Private Plate engraved for Rev. A. B. Grosart Blackburn. No. of Impressions. 18 Artist's Proofs. 32 Lettered Pr. 50 Prints. [n.d., c.1830.]
Mezzotint. Plate: 370 x 295mm (14½ x 11½'). Small margins.
A portrait of Elisabethan poet Edmund Spenser (1553-1599), best known for his allegory of Elizabeth I's rule 'The Faerie Queene'.
[Ref: 48777] £220.00 (£264.00 incl.VAT)
Engraved by W. J. Alais. Printed by McQueen.
Private Plate engraved for Rev. A. B. Grosart Blackburn. No. of Impressions. 18 Artist's Proofs. 32 Lettered Pr. 50 Prints. [n.d., c.1830.]
Mezzotint. Plate: 370 x 295mm (14½ x 11½'). Small margins.
A portrait of Elisabethan poet Edmund Spenser (1553-1599), best known for his allegory of Elizabeth I's rule 'The Faerie Queene'.
[Ref: 48777] £220.00 (£264.00 incl.VAT)
[Edmund Spenser. From the Original Picture at Bretby Park. To the County of Chesterfield I dedicate this Engraving of the ''Poet of Poets'' very respectfully and gratefully Alexander B. Grosart.]
[Engraved by W. J. Alais. Printed by McQueen.]
[Private Plate engraved for Rev. A. B. Grosart Blackburn. No. of Impressions. 18 Artist's Proofs. 32 Lettered Pr. 50 Prints.] [n.d., c.1830.]
Mezzotint, proof before letter, printed on chine collé. 370 x 295mm (14½ x 11½'), with large margins. Spotting in edges of margins.
A portrait of Elisabethan poet Edmund Spenser (1553-1599), best known for his allegory of Elizabeth I's rule 'The Faerie Queene'.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65900] £260.00 (£312.00 incl.VAT)
[Engraved by W. J. Alais. Printed by McQueen.]
[Private Plate engraved for Rev. A. B. Grosart Blackburn. No. of Impressions. 18 Artist's Proofs. 32 Lettered Pr. 50 Prints.] [n.d., c.1830.]
Mezzotint, proof before letter, printed on chine collé. 370 x 295mm (14½ x 11½'), with large margins. Spotting in edges of margins.
A portrait of Elisabethan poet Edmund Spenser (1553-1599), best known for his allegory of Elizabeth I's rule 'The Faerie Queene'.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65900] £260.00 (£312.00 incl.VAT)
A Plan Of Campaign.
W.H. Trood. 1887 [signed and dated in plate.] Painted by W.H. Trood. Engraved by C.A. Alais.
Published by Frost & Reed, 12, Clare St. Bristol, October 18th. 1888.
Mixed method engraving in colour, on india laid paper, sheet 520 x 410mm. 20½ x 16". Slight stain at top right.
Various terriers surround a barrel, looking up at a crow perched on top. After William Henry Hamilton Trood (1860 - 1899).
[Ref: 13298] £260.00 (£312.00 incl.VAT)
W.H. Trood. 1887 [signed and dated in plate.] Painted by W.H. Trood. Engraved by C.A. Alais.
Published by Frost & Reed, 12, Clare St. Bristol, October 18th. 1888.
Mixed method engraving in colour, on india laid paper, sheet 520 x 410mm. 20½ x 16". Slight stain at top right.
Various terriers surround a barrel, looking up at a crow perched on top. After William Henry Hamilton Trood (1860 - 1899).
[Ref: 13298] £260.00 (£312.00 incl.VAT)
Group of Waltzers.
J.H.A. Randell delin. J. Alais sculp.
Engraved for La Belle Assemblee N.º 93. Published Feb.y 1. 1817.
Coloured stipple. 140 x 235mm (5½ x 8¾"). Trimmed into plate top and bottom.
The interior of a salon, with two couples and a group of three women dancing to a band of harp, cello and violin. One woman stands en pointe. 'La Belle Assemblée or Bell's Court and Fashionable Magazine' was one of the most important women's magazines. Founded by John Bell (1745-1831) in 1806, it remained in print until 1832.
[Ref: 65140] £65.00 (£78.00 incl.VAT)
J.H.A. Randell delin. J. Alais sculp.
Engraved for La Belle Assemblee N.º 93. Published Feb.y 1. 1817.
Coloured stipple. 140 x 235mm (5½ x 8¾"). Trimmed into plate top and bottom.
The interior of a salon, with two couples and a group of three women dancing to a band of harp, cello and violin. One woman stands en pointe. 'La Belle Assemblée or Bell's Court and Fashionable Magazine' was one of the most important women's magazines. Founded by John Bell (1745-1831) in 1806, it remained in print until 1832.
[Ref: 65140] £65.00 (£78.00 incl.VAT)