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A selection of stock we have recently added to our website.
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Antiope, Sleeping, Suprized by Jupiter in the Form of a Satyr. Jupiter sous la Forme d'un Satyre, Suprenant Antiope Endormie. To The Most Serene Highness Charles Theodore, Elector Palatine Reigning Duke of Bavaria, &c. &c. &c. This Plate Engraved by His Gracious Permission from the Original Picture in the Electoral Gallery in Dusseldorf, is dedicated by His Most Devoted and Obedient Humble Servants. Valentine Gree. Rupert Green.
Painted by Anthony Vandyke. Engraved by V. Green Mezzotinto Engraver to his Majesty, & to the Elector General.
In Mons.r. Pigage's Catalogue of the Dusseldorf Gallery this Subject is N.o.22. Published Jan.y. 2.d.1792, by V. & R. Green Newman Street, London.
Rare mezzotint. 510 x 610mm (20 x 24"), with wide margins. Some light foxing. Repaired damage in margins. Stain on right.
A sleeping Antiope, daughter of the river god Asopus, is approached by the god Zeus in the form of a satyr. Several cherubs play amongst the tree tops while an eagle, the symbol of Zeus, holds thunderbolts in its mouth behind the couple. No. 113 in Green's Catalogue of his Dusseldorf Gallery Exhibition.
Goodwin: 278
[Ref: 36537] £520.00
Painted by Anthony Vandyke. Engraved by V. Green Mezzotinto Engraver to his Majesty, & to the Elector General.
In Mons.r. Pigage's Catalogue of the Dusseldorf Gallery this Subject is N.o.22. Published Jan.y. 2.d.1792, by V. & R. Green Newman Street, London.
Rare mezzotint. 510 x 610mm (20 x 24"), with wide margins. Some light foxing. Repaired damage in margins. Stain on right.
A sleeping Antiope, daughter of the river god Asopus, is approached by the god Zeus in the form of a satyr. Several cherubs play amongst the tree tops while an eagle, the symbol of Zeus, holds thunderbolts in its mouth behind the couple. No. 113 in Green's Catalogue of his Dusseldorf Gallery Exhibition.
Goodwin: 278
[Ref: 36537] £520.00
![[Belgium] [Rubens Wife.]](jpegs/18195.jpg)
[Belgium] [Rubens Wife.]
[Reuben pinx. McArdell sculp.]
[Sold by E. Fisher at the Golden Head in Leicester Square and Ryland & Bryer at the Kings Arms in Cornhill London.]
Mezzotint, proof before all letters. 350 x 250mm, 13¾ x 9¾".
Helena Fourment (1614-1673), daughter of a wealthy silk and tapesty merchant in Antwerp, married Peter Paul Rubens in 1630, aged sixteen. Here she stands in a field, folding an ostrich feather.
Goodwin 120, i of v; CS 69, i of iii. With a collector's mark in the character of Jon's Heywood Hawkin (1800-80); as described in Lugt: 3022.
[Ref: 18195] £360.00
[Reuben pinx. McArdell sculp.]
[Sold by E. Fisher at the Golden Head in Leicester Square and Ryland & Bryer at the Kings Arms in Cornhill London.]
Mezzotint, proof before all letters. 350 x 250mm, 13¾ x 9¾".
Helena Fourment (1614-1673), daughter of a wealthy silk and tapesty merchant in Antwerp, married Peter Paul Rubens in 1630, aged sixteen. Here she stands in a field, folding an ostrich feather.
Goodwin 120, i of v; CS 69, i of iii. With a collector's mark in the character of Jon's Heywood Hawkin (1800-80); as described in Lugt: 3022.
[Ref: 18195] £360.00
Date Obolum Belisario Ex Vandyki ad humanam formam Tabula in Ædibus Præclarissimi Richard Boyle Comitis Burlingtoniæ &c Periscelidis Equitis Bonarum Artium in Patria Restauratoris.
Vandyke Pinxit. J. Goupy Delineavit. G. Scotin perfecit.
[n.d., c.1750.]
Engraving Sheet 545 x 585mm (21½ x 23"). Trimmed to plate, laid on old canvas.
''Give an obolus to Belisarius''. General Flavius Belisarius (505-565), hero of the Byzantine Roman Empire, blinded and left to beg on the streets of Rome The apocryphal story of how Emperor Justinian I, jealous of his most able general's popularity, had him accused of treason and blinded. When one of his veterans found Belisarius and gathered his former comrades around him, Justinian was forced to issue a pardon.
[Ref: 54050] £280.00
Vandyke Pinxit. J. Goupy Delineavit. G. Scotin perfecit.
[n.d., c.1750.]
Engraving Sheet 545 x 585mm (21½ x 23"). Trimmed to plate, laid on old canvas.
''Give an obolus to Belisarius''. General Flavius Belisarius (505-565), hero of the Byzantine Roman Empire, blinded and left to beg on the streets of Rome The apocryphal story of how Emperor Justinian I, jealous of his most able general's popularity, had him accused of treason and blinded. When one of his veterans found Belisarius and gathered his former comrades around him, Justinian was forced to issue a pardon.
[Ref: 54050] £280.00
Scelte A Bolswart. Calcographus Antverpiae.
Ant. van Dÿc inuentor. Adr. Lommelin sculpsit.
Gillis Hendricx exudit [n.d. c.1650].
Engraving, 17th century watermark; 200 x 285mm. (8 x 11¼"). Trimmed to plate at bottom, narrow margins elsewhere, mounted in album paper at sides.
Portrait of the engraver Schelte Adamsz Bolswert (1586–1659). He was born at Bolsward, and worked in Haarlem (1612-17) and Amsterdam early on in his career, before living in Brussels and Antwerp, where he died. He worked regularly with Rubens and Van Dyck (from whose portrait this engraving was made).
[Ref: 62194] £180.00 (£216.00 incl.VAT)
Ant. van Dÿc inuentor. Adr. Lommelin sculpsit.
Gillis Hendricx exudit [n.d. c.1650].
Engraving, 17th century watermark; 200 x 285mm. (8 x 11¼"). Trimmed to plate at bottom, narrow margins elsewhere, mounted in album paper at sides.
Portrait of the engraver Schelte Adamsz Bolswert (1586–1659). He was born at Bolsward, and worked in Haarlem (1612-17) and Amsterdam early on in his career, before living in Brussels and Antwerp, where he died. He worked regularly with Rubens and Van Dyck (from whose portrait this engraving was made).
[Ref: 62194] £180.00 (£216.00 incl.VAT)
Anthoinne de Bourbon Conte de Moret. Conseiller du Roy en ses conseil Abbe' de sainct estienne de Caen:
Antonius van dyck pinxit.
Moncornet excudit. [n.d. c.1700.]
Engraving. 160 x 115mm (6¼ x 4½").
Antoine de Bourbon-Bueil (1607-1632), Count of Moret, was the legitimised son of the French King Henry IV (1553-1610) and his mistress Jacqueline de Bueil (1558-1651). He conspired with Gaston d'Orleans against the policy for the establishment of a strong Royal Government, and took part in the rebellion led by himself and the Duke of Montmorency against King Louis XIII, which led to the Battle of Castelnaudary. He was wounded during the battle, but his body was never found, and legend had it that he survived and carried on the life of a hermit in Anjou.
[Ref: 26040] £50.00 (£60.00 incl.VAT)
Antonius van dyck pinxit.
Moncornet excudit. [n.d. c.1700.]
Engraving. 160 x 115mm (6¼ x 4½").
Antoine de Bourbon-Bueil (1607-1632), Count of Moret, was the legitimised son of the French King Henry IV (1553-1610) and his mistress Jacqueline de Bueil (1558-1651). He conspired with Gaston d'Orleans against the policy for the establishment of a strong Royal Government, and took part in the rebellion led by himself and the Duke of Montmorency against King Louis XIII, which led to the Battle of Castelnaudary. He was wounded during the battle, but his body was never found, and legend had it that he survived and carried on the life of a hermit in Anjou.
[Ref: 26040] £50.00 (£60.00 incl.VAT)
Anna. Comtissa de Bedford.
Antonius, Van Dyck Eques pinxit. P. Lombart Sculpsit.
Londini, avec Priv. du Roy et ex. parisis. [n.d. c.1660.]
Copper engraving. Plate 350 x 247mm. 13¾ x 9¾".
Anne Carr, Countess of Bedford (1620-1684) was wife to William, Duke of Bedford and daughter or Robert Carr, Earl of Somerset and Frances Howard. According to Burke's Peerage, she was born in 1615 in the Tower of London, but other sources give 1620. Lombart's most famous work was the series of twelve portraits after van Dyck that he engraved around 1660, often known as the 'Countesses' from the Latin of their titles. Mariette in his entry on Lombart in his Abecedario stated that this set alone would suffice to place him 'au rang des premiers graveurs'. All twelve plates are the same size, and show three-quarter-length figures, ten women and two men, in 15mm wide borders that imitate frames of the period.
[Ref: 24656] £160.00 (£192.00 incl.VAT)
Antonius, Van Dyck Eques pinxit. P. Lombart Sculpsit.
Londini, avec Priv. du Roy et ex. parisis. [n.d. c.1660.]
Copper engraving. Plate 350 x 247mm. 13¾ x 9¾".
Anne Carr, Countess of Bedford (1620-1684) was wife to William, Duke of Bedford and daughter or Robert Carr, Earl of Somerset and Frances Howard. According to Burke's Peerage, she was born in 1615 in the Tower of London, but other sources give 1620. Lombart's most famous work was the series of twelve portraits after van Dyck that he engraved around 1660, often known as the 'Countesses' from the Latin of their titles. Mariette in his entry on Lombart in his Abecedario stated that this set alone would suffice to place him 'au rang des premiers graveurs'. All twelve plates are the same size, and show three-quarter-length figures, ten women and two men, in 15mm wide borders that imitate frames of the period.
[Ref: 24656] £160.00 (£192.00 incl.VAT)
Charles Prince of Wales, James Duke of York and Princes Mary Children of K. Charles the 1st.
Vandyke del. Purcell fecit.
Printed for Robert Sayer at the Golden Buck Fleet Street. [n.d., c.1750.]
Scarce mezzotint with contemporary hand colour. Sheet: 255 x 350mm (10 x 13¾"). Trimmed to image. Repaired tears.
The three eldest children of Charles I, standing with two spaniels. On the left is Mary (mother of William III) and on the right is Charles II, both dressed as adults. In the centre is James II, still in skirts as was fashion for infant boys. Van Dyck's first version of this painting (probably commission by their mother, Henrietta Maria) showed both boys in skirts, but Charles I thought his heir should be in more respectful adult clothing. In 1819 this version can be seen hanging in the Second Drawing Room at Buckingham Palace in 'Pyne's Royal Residences'; it is now in the Queen's Gallery, Windsor Castle.
CS: 15.
[Ref: 43080] £240.00 (£288.00 incl.VAT)
Vandyke del. Purcell fecit.
Printed for Robert Sayer at the Golden Buck Fleet Street. [n.d., c.1750.]
Scarce mezzotint with contemporary hand colour. Sheet: 255 x 350mm (10 x 13¾"). Trimmed to image. Repaired tears.
The three eldest children of Charles I, standing with two spaniels. On the left is Mary (mother of William III) and on the right is Charles II, both dressed as adults. In the centre is James II, still in skirts as was fashion for infant boys. Van Dyck's first version of this painting (probably commission by their mother, Henrietta Maria) showed both boys in skirts, but Charles I thought his heir should be in more respectful adult clothing. In 1819 this version can be seen hanging in the Second Drawing Room at Buckingham Palace in 'Pyne's Royal Residences'; it is now in the Queen's Gallery, Windsor Castle.
CS: 15.
[Ref: 43080] £240.00 (£288.00 incl.VAT)
Carolus Dei Gratia Magnae Britanniae Franciae Et Hibern.Rex.
Antonius Van Dÿck Pinxit. [J. Meyssens.] Excudit.
[n.d. c.1640].
Etching. Paper watermarked. Plate 242 x 190mm. 9½ x 7½". Late.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See Ref :19025 for earlier state; & Ref: 19026 for 17th century state.
[Ref: 18647] £160.00 (£192.00 incl.VAT)
Antonius Van Dÿck Pinxit. [J. Meyssens.] Excudit.
[n.d. c.1640].
Etching. Paper watermarked. Plate 242 x 190mm. 9½ x 7½". Late.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See Ref :19025 for earlier state; & Ref: 19026 for 17th century state.
[Ref: 18647] £160.00 (£192.00 incl.VAT)
![[Carolus I. dei Gratia Magnæ Britanniæ et Hiberniæ Rex.]](jpegs/42856.jpg)
[Carolus I. dei Gratia Magnæ Britanniæ et Hiberniæ Rex.]
[Wandeck Pinxit. P. Lombart Sculp.]
[n.d., c.1655.]
Engraving. Sheet 445 x 310mm (17½ x 12¼") Trimmed into image, losing title and frame-like border. Cut.
An equestrian portrait of Charles I in armour, battle scene behind, an impression from the famous 'headless horseman' plate. The king has a distinct 'halo' from obvious re-engraving. Although the picture is attributed to van Dyck, the original oil (one copy now in Buckingham Palace, the other in Petworth House) depicted Charles I. The earliest known impression of this plate shows Cromwell, although even that example had been re-engraved. The next state is also Cromwell, followed by one headless, two of Louis XIV, a Cromwell, a Charles I and finally Cromwell again.
BM: 1935,0413.52.
[Ref: 42856] £360.00
[Wandeck Pinxit. P. Lombart Sculp.]
[n.d., c.1655.]
Engraving. Sheet 445 x 310mm (17½ x 12¼") Trimmed into image, losing title and frame-like border. Cut.
An equestrian portrait of Charles I in armour, battle scene behind, an impression from the famous 'headless horseman' plate. The king has a distinct 'halo' from obvious re-engraving. Although the picture is attributed to van Dyck, the original oil (one copy now in Buckingham Palace, the other in Petworth House) depicted Charles I. The earliest known impression of this plate shows Cromwell, although even that example had been re-engraved. The next state is also Cromwell, followed by one headless, two of Louis XIV, a Cromwell, a Charles I and finally Cromwell again.
BM: 1935,0413.52.
[Ref: 42856] £360.00
Carolus I. dei Gratia Magnæ Britanniæ rt Hiberniæ Rex.
Wandeck Pinxit. P. Lombart Sculp.
[n.d., c.1655.]
Engraving. Sheet 540 x 350mm (21¼ x 13¾"). Trimmed into image, damaged, tears to folds bottom right.
An equestrian portrait of Charles I in armour, battle scene behind, an impression from the famous 'headless horseman' plate. The king has a distinct 'halo' from obvious re-engraving. Although the original oil (attributed to van Dyck, with one copy now in Buckingham Palace, the other in Petworth House) depicted Charles I, the earliest known impression of this plate shows Cromwell, although even that example had been re-engraved. The next state is also Cromwell, followed by one headless, two of Louis XIV, a Cromwell, a Charles I and finally Cromwell again.
BM: 1935,0413.52.
[Ref: 42855] £450.00
Wandeck Pinxit. P. Lombart Sculp.
[n.d., c.1655.]
Engraving. Sheet 540 x 350mm (21¼ x 13¾"). Trimmed into image, damaged, tears to folds bottom right.
An equestrian portrait of Charles I in armour, battle scene behind, an impression from the famous 'headless horseman' plate. The king has a distinct 'halo' from obvious re-engraving. Although the original oil (attributed to van Dyck, with one copy now in Buckingham Palace, the other in Petworth House) depicted Charles I, the earliest known impression of this plate shows Cromwell, although even that example had been re-engraved. The next state is also Cromwell, followed by one headless, two of Louis XIV, a Cromwell, a Charles I and finally Cromwell again.
BM: 1935,0413.52.
[Ref: 42855] £450.00
Charles par la grace de Dieu Roy d'Angleterre.
[after Anthony van Dyck.]
Balth Moncornet excu. [n.d., c.1660.]
Engraving. 155 x 115mm (6 x 4½") very large margins.
A half-length portrait of Charles I in armour, one of a series of portraits after Anthony van Dyck, via engravings by Pieter de Jode II and others. First state, before decorations in the borders.
[Ref: 56410] £130.00 (£156.00 incl.VAT)
[after Anthony van Dyck.]
Balth Moncornet excu. [n.d., c.1660.]
Engraving. 155 x 115mm (6 x 4½") very large margins.
A half-length portrait of Charles I in armour, one of a series of portraits after Anthony van Dyck, via engravings by Pieter de Jode II and others. First state, before decorations in the borders.
[Ref: 56410] £130.00 (£156.00 incl.VAT)
Charles I.st King of Great Britain &c. 80.
[After Anthony Van Dyck][After Sir Peter Lely]
London, Printed for Robert Sayer, N.o 53, Fleet Street. [n.d. c.1760.]
Mezzotint, plate 350 x 250mm (13¾ x 9¾"). Slightly scuffed. Small margins.
Three-quarter length portrait of Charles I, King of England (1600-1649). Right hand resting on the brim of his tall hat on a table in front of him; left hand, with ring on little finger, holding gloves; wearing a satin doublet and velvet cloak over the left shoulder, with a large star on the sleeve and pointed lace at the cuffs and wide collar. After Lely's copy after Van Dyck.
CS 75.III. See Ref: 34267 for duplicate.
[Ref: 59385] £260.00 (£312.00 incl.VAT)
[After Anthony Van Dyck][After Sir Peter Lely]
London, Printed for Robert Sayer, N.o 53, Fleet Street. [n.d. c.1760.]
Mezzotint, plate 350 x 250mm (13¾ x 9¾"). Slightly scuffed. Small margins.
Three-quarter length portrait of Charles I, King of England (1600-1649). Right hand resting on the brim of his tall hat on a table in front of him; left hand, with ring on little finger, holding gloves; wearing a satin doublet and velvet cloak over the left shoulder, with a large star on the sleeve and pointed lace at the cuffs and wide collar. After Lely's copy after Van Dyck.
CS 75.III. See Ref: 34267 for duplicate.
[Ref: 59385] £260.00 (£312.00 incl.VAT)
Carolus Primus Dei Gratia Angliæ Scotiæ & Hiberniæ Rex Fidei Defensor &ct.
Ant: Van Dyck Eques Pinxit. [Engraved by Alexander Browne.]
Sold by Th: Taylor at the Golden Lion in Fleet Stree[t]. Printed & Sold by Taylor & Jordan at ye Golden Lion In Fleetstreet [n.d., c.1729].
Scarce mezzotint. 480 x 295mm (19 x 11½"). Repair in bottom right corner with slight loss of inscription.
A full-length seated portrait of Charles I with Prince Charles, wearing infant cap and gown, standing at his knee. Behind is a table with crown, orb and sceptre on it, with buildings in the background. The plate was engraved and published by Alexander Browne c.1680, with later states published by Edward Cooper, Thomas Taylor, this state published by Thomas Bakewell and Timothy Jordan on the death of Taylor in 1729, and W. Scott.
CS: Browne 2, state v of vii. (See also CS: Browne 3 for the same image in reverse.) Turner B4, V of IX.
[Ref: 59081] £480.00
Ant: Van Dyck Eques Pinxit. [Engraved by Alexander Browne.]
Sold by Th: Taylor at the Golden Lion in Fleet Stree[t]. Printed & Sold by Taylor & Jordan at ye Golden Lion In Fleetstreet [n.d., c.1729].
Scarce mezzotint. 480 x 295mm (19 x 11½"). Repair in bottom right corner with slight loss of inscription.
A full-length seated portrait of Charles I with Prince Charles, wearing infant cap and gown, standing at his knee. Behind is a table with crown, orb and sceptre on it, with buildings in the background. The plate was engraved and published by Alexander Browne c.1680, with later states published by Edward Cooper, Thomas Taylor, this state published by Thomas Bakewell and Timothy Jordan on the death of Taylor in 1729, and W. Scott.
CS: Browne 2, state v of vii. (See also CS: Browne 3 for the same image in reverse.) Turner B4, V of IX.
[Ref: 59081] £480.00
Carolus Dei Gratia Magnae Britanniae Franciae Et Hibern.Rex.
Antonius Van Dÿck Pinxit. [Pencilled: Meyssens.] Excudit. [1640.]
[n.d. c.1730.]
Ethcing. Plate 242 x 190mm. 9½ x 7½". Trimmed to the plate.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See Ref :18647 for later impression; & Ref: 19026 for 17th century state.
[Ref: 19025] £120.00 (£144.00 incl.VAT)
Antonius Van Dÿck Pinxit. [Pencilled: Meyssens.] Excudit. [1640.]
[n.d. c.1730.]
Ethcing. Plate 242 x 190mm. 9½ x 7½". Trimmed to the plate.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See Ref :18647 for later impression; & Ref: 19026 for 17th century state.
[Ref: 19025] £120.00 (£144.00 incl.VAT)
Carolus Dei Gratia Magnae Britanniae Franciae Et Hibern.Rex.
Antonius Van Dÿck Pinxit. Ioan Meyssens [excudit.]
[n.d. c.1640.]
Ethcing. Plate 242 x 190mm. 9½ x 7½". Trimmed to the plate; damage and paper loss lower right.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See Ref :18647 & 19025 for later impressions. Ex Collection Norman Blackburn.
[Ref: 19026] £110.00 (£132.00 incl.VAT)
Antonius Van Dÿck Pinxit. Ioan Meyssens [excudit.]
[n.d. c.1640.]
Ethcing. Plate 242 x 190mm. 9½ x 7½". Trimmed to the plate; damage and paper loss lower right.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See Ref :18647 & 19025 for later impressions. Ex Collection Norman Blackburn.
[Ref: 19026] £110.00 (£132.00 incl.VAT)
Carolus Dei Gratia Magnae Britanniae Franciae Et Hibern.Rex.
Antonius Van Dÿck Pinxit. [J. Meyssens.] Excudit.
[n.d. c.1640].
Etching with very large margins, platemark 242 x 190mm (9½ x 7½"). Later impression; crease lower left.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See ref 19025 for earlier state.
[Ref: 34254] £95.00 (£114.00 incl.VAT)
Antonius Van Dÿck Pinxit. [J. Meyssens.] Excudit.
[n.d. c.1640].
Etching with very large margins, platemark 242 x 190mm (9½ x 7½"). Later impression; crease lower left.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See ref 19025 for earlier state.
[Ref: 34254] £95.00 (£114.00 incl.VAT)
King Charles the First. In the Drawing Room at Houghton. Size of the Picture. 4F, 3I by 7F, 3I high.
Van Dyke Pinxit. Josiah_Boydell delt. & Sculpsit.
Published March 2d. 1778 by John Boydell, Engraver in Cheapside London.
Mezzotint. Plate 227 x 356mm. 9 x 14". Tear into margin lower left-hand corner.
King Charles I (1600-1649), King of England, Scotland and Ireland; executed in 1649.
Ex Collection: Norman Blackburn. CS: 1.
[Ref: 19798] £260.00 (£312.00 incl.VAT)
Van Dyke Pinxit. Josiah_Boydell delt. & Sculpsit.
Published March 2d. 1778 by John Boydell, Engraver in Cheapside London.
Mezzotint. Plate 227 x 356mm. 9 x 14". Tear into margin lower left-hand corner.
King Charles I (1600-1649), King of England, Scotland and Ireland; executed in 1649.
Ex Collection: Norman Blackburn. CS: 1.
[Ref: 19798] £260.00 (£312.00 incl.VAT)
Carolus Magna Britannia, Francia, Scotiae et Hibernia Rex Serenissimus.
Ant. Van Dÿck Pinxit. P. Soutman Effigiavit. I Suÿderhoef Sculpsit cum Privil. Sa. Cae. M.
[Haarlem, n.d. c. 1650.]
Engraving and etching. 410 x 280mm (16 x 11"). Trimmed. Faint creases.
A bust portrait of Charles I (1600-1649) in an oval garland surrounded by flowers and fruit. It was engraved by Jonas Suyderhoef after Pieter Claesz. Soutman's drawing of van Dyck's painting.
D 16. i/ii.
[Ref: 57442] £420.00 (£504.00 incl.VAT)
Ant. Van Dÿck Pinxit. P. Soutman Effigiavit. I Suÿderhoef Sculpsit cum Privil. Sa. Cae. M.
[Haarlem, n.d. c. 1650.]
Engraving and etching. 410 x 280mm (16 x 11"). Trimmed. Faint creases.
A bust portrait of Charles I (1600-1649) in an oval garland surrounded by flowers and fruit. It was engraved by Jonas Suyderhoef after Pieter Claesz. Soutman's drawing of van Dyck's painting.
D 16. i/ii.
[Ref: 57442] £420.00 (£504.00 incl.VAT)
The High & mighty Monarch Charles by the grace of God King of Great Brittaine France & Ireland Defender of ye Faith. Per Ecclesiam Petor.
[Possibly after Van Dyck?]
[n.d. c.1700.]
Engraving. Plate 190 x 134mm. 7½ x 5¼".
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland. Frontis to "Sports and Hunting of Church and State in Scotland".
Ex Norman Blackburn Collection.
[Ref: 18714] £145.00 (£174.00 incl.VAT)
[Possibly after Van Dyck?]
[n.d. c.1700.]
Engraving. Plate 190 x 134mm. 7½ x 5¼".
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland. Frontis to "Sports and Hunting of Church and State in Scotland".
Ex Norman Blackburn Collection.
[Ref: 18714] £145.00 (£174.00 incl.VAT)
Charles the First, King of Great Britain. Ex Museo Sereniss. Domini de Wharton.
A.v. Dyk pinx. 1638. P.v. Gunst Sculps. et exc. Amstelod.
[n.d. c.1713.]
Very fine engraving. 515 x 330mm (20¼ x 13"), with large margins. Paper toned, tears in edges.
Portrait of Charles I (1600-1649), whole length, standing, wearing armour, holding baton; helmet and crown on table to right. From Gunst's series of ten plates after van Dyck, made 1713-15, from the Cracherode bequest.
[Ref: 53130] £180.00 (£216.00 incl.VAT)
A.v. Dyk pinx. 1638. P.v. Gunst Sculps. et exc. Amstelod.
[n.d. c.1713.]
Very fine engraving. 515 x 330mm (20¼ x 13"), with large margins. Paper toned, tears in edges.
Portrait of Charles I (1600-1649), whole length, standing, wearing armour, holding baton; helmet and crown on table to right. From Gunst's series of ten plates after van Dyck, made 1713-15, from the Cracherode bequest.
[Ref: 53130] £180.00 (£216.00 incl.VAT)
King Charles the First. In the Drawing Room at Houghton. Size of the Picture. 4F, 3I by 7F, 3I high.
Van Dyke Pinxit. Josiah_Boydell delt. & Sculpsit.
Published March 2d. 1778 by John Boydell, Engraver in Cheapside London.
Mezzotint., platemark 227 x 356mm (9 x 14"). Later impression. Slightly foxed.
King Charles I (1600-1649), King of England, Scotland and Ireland; executed in 1649. This portrait was in the collection formed by Robert Walpole at Houghton in Norfolk. John Boydell published a large collection of engravings from pictures in the collection at around the time the collection was bought by Catherine the Great. Most of the pictures can still be seen at the Hermitage in St. Petersburg.
CS: 1.
[Ref: 31970] £260.00 (£312.00 incl.VAT)
Van Dyke Pinxit. Josiah_Boydell delt. & Sculpsit.
Published March 2d. 1778 by John Boydell, Engraver in Cheapside London.
Mezzotint., platemark 227 x 356mm (9 x 14"). Later impression. Slightly foxed.
King Charles I (1600-1649), King of England, Scotland and Ireland; executed in 1649. This portrait was in the collection formed by Robert Walpole at Houghton in Norfolk. John Boydell published a large collection of engravings from pictures in the collection at around the time the collection was bought by Catherine the Great. Most of the pictures can still be seen at the Hermitage in St. Petersburg.
CS: 1.
[Ref: 31970] £260.00 (£312.00 incl.VAT)
Charles the First, King of Great Britain.
A. v. Dyck pinx. 1638. P. v. Gunst sculps. et exc. Amstelod.
Ex Museo Sereniss. Domini de Wharton. [n.d. c.1715.]
Framed engraving. Plate 520 x 330mm (20½ x 13"), with large margins.
Portrait of Charles I (1600-1649), whole length, standing, wearing armour, holding baton; helmet and crown on table to right.
[Ref: 21536] £260.00 (£312.00 incl.VAT)
A. v. Dyck pinx. 1638. P. v. Gunst sculps. et exc. Amstelod.
Ex Museo Sereniss. Domini de Wharton. [n.d. c.1715.]
Framed engraving. Plate 520 x 330mm (20½ x 13"), with large margins.
Portrait of Charles I (1600-1649), whole length, standing, wearing armour, holding baton; helmet and crown on table to right.
[Ref: 21536] £260.00 (£312.00 incl.VAT)
Serenissimus Potenissimusq Princeps Carolus DEI gratia Magna Britannia et Hibern. Rex.
Anton. van Dyck pinxit. Petrus de Iode fecit.
[n.d., c.1641.]
Engraving. Plate: 170 x 120mm (6¾ x 4¾'') very large margins.
A portrait of Charles I (1600-1649) after a painting by Anthony van Dyck.
[Ref: 48650] £120.00 (£144.00 incl.VAT)
Anton. van Dyck pinxit. Petrus de Iode fecit.
[n.d., c.1641.]
Engraving. Plate: 170 x 120mm (6¾ x 4¾'') very large margins.
A portrait of Charles I (1600-1649) after a painting by Anthony van Dyck.
[Ref: 48650] £120.00 (£144.00 incl.VAT)
Carolus Stuart, Koningk van Engelandt, Schotlandt, En Irlandt, Gebooren Ao.1600. Binnen Londen onthast, Ao. 1649. in't 24, Iaer zyner Regeeringe.
Ant: van Dyck pinxit. S. Savery fecit.
Joost Hartgers excud [n.d. c.1649].
Etching. Sheet 150 x 195mm (6 x 7¾). Trimmed to plate, mounted in album paper at edges.
A portrait of Charles I (1600-49), wearing a broad rimmed black hat, with Westminster and St James's Palace in the background.
[Ref: 62082] £220.00 (£264.00 incl.VAT)
Ant: van Dyck pinxit. S. Savery fecit.
Joost Hartgers excud [n.d. c.1649].
Etching. Sheet 150 x 195mm (6 x 7¾). Trimmed to plate, mounted in album paper at edges.
A portrait of Charles I (1600-49), wearing a broad rimmed black hat, with Westminster and St James's Palace in the background.
[Ref: 62082] £220.00 (£264.00 incl.VAT)
![[Charles I] Carolus, D.G. Angliæ, Scotiæ, Fran: et Hiber:P. Rex; Fidei Defensor etc.](jpegs/62480.jpg)
[Charles I] Carolus, D.G. Angliæ, Scotiæ, Fran: et Hiber:P. Rex; Fidei Defensor etc.
Ant. van Dÿck Eques pinxit. R. White Sculpsit.
Sold by R. White in Bloomsbury Market, near the Golden Heart 1685.
Fine engraving. Sheet 470 x 360mm (18½ x 14¼"). Trimmed to plate, small nick in top edge.
A large and fine medallion portrait of Charles I, wearing a lace collar, in a wreath supported by cherubs. After Anthony van Dyck.
[Ref: 62480] £450.00
Ant. van Dÿck Eques pinxit. R. White Sculpsit.
Sold by R. White in Bloomsbury Market, near the Golden Heart 1685.
Fine engraving. Sheet 470 x 360mm (18½ x 14¼"). Trimmed to plate, small nick in top edge.
A large and fine medallion portrait of Charles I, wearing a lace collar, in a wreath supported by cherubs. After Anthony van Dyck.
[Ref: 62480] £450.00
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Carlo I. D'Inghilterra E Enrichetta di Francia.
A. Van Dyck dip. A Muzzi dis. G Barni inc.
[n.d.]
Engraving, with large margins. Plate 205 x 235mm. 8 x 9¼".
Charles I of England, Scotland and Ireland (1600-1649) and his queen, Henrietta Maria of France (1609-1669). The original painting by Anthony van Dyck is held in the Galleria Palatina, Florence.
[Ref: 24968] £75.00 (£90.00 incl.VAT)
A. Van Dyck dip. A Muzzi dis. G Barni inc.
[n.d.]
Engraving, with large margins. Plate 205 x 235mm. 8 x 9¼".
Charles I of England, Scotland and Ireland (1600-1649) and his queen, Henrietta Maria of France (1609-1669). The original painting by Anthony van Dyck is held in the Galleria Palatina, Florence.
[Ref: 24968] £75.00 (£90.00 incl.VAT)
Carolo I.mo Magnæ Britanniæ Regi, &c. Jacobus Hamiltonius, Marchio ab Hamilton Sacri Stabuli Comes, adstat. E Tabula Antonii Vandiick Equitis, 8 pedes et 9 digitos alta, 6 pedes et 10 digitos lata, in Pinacotheca Regis Christianissimi conservata. [&] Henrietta Maria Magnæ Britanniæ Regina. Comitantibus Carolo Principe Walliæ, et Jacobo Ebaraci Duce.
Antonius Vandück Pinxit. Robertus Strange delin.t atque sculpsit Londini A.D. 1782 [& 1784.]
Imprimè par Robbe [1790.]
Pair of copper engravings; both folded in centre as issued. Each c. 625 x 470mm (24½ x 18½"). Some creasing in centrefold on 'Henrietta Maria'.
A pair of fine portraits: Charles I, pictured with James, Duke of Hamilton (1606-49, Charles's chief advisor in Scotland, executed by Parliament after being captured at the Battle of Preston), from Van Dyck's painting 'Charles I, King of England, at the Hunt' ; and his queen, Henrietta Maria with their eldest children, Charles (later Charles II) and Mary (mother of William III), Windsor Castle in the background. The portrait of Henrietta Maria originally included King Charles, but he has been removed to make this pair of engravings. Mary is mis-identified as James in the title. From a collected edition of the engravings by Sir Robert Strange (1721-92) after famous paintings.
[Ref: 46538] £580.00 view all images for this item
Antonius Vandück Pinxit. Robertus Strange delin.t atque sculpsit Londini A.D. 1782 [& 1784.]
Imprimè par Robbe [1790.]
Pair of copper engravings; both folded in centre as issued. Each c. 625 x 470mm (24½ x 18½"). Some creasing in centrefold on 'Henrietta Maria'.
A pair of fine portraits: Charles I, pictured with James, Duke of Hamilton (1606-49, Charles's chief advisor in Scotland, executed by Parliament after being captured at the Battle of Preston), from Van Dyck's painting 'Charles I, King of England, at the Hunt' ; and his queen, Henrietta Maria with their eldest children, Charles (later Charles II) and Mary (mother of William III), Windsor Castle in the background. The portrait of Henrietta Maria originally included King Charles, but he has been removed to make this pair of engravings. Mary is mis-identified as James in the title. From a collected edition of the engravings by Sir Robert Strange (1721-92) after famous paintings.
[Ref: 46538] £580.00 view all images for this item
Carolus II. Teghenwoordighen Coninck van Enghelandt etc.
A. Lommelin Sculp.
[n.d. c.1670].
Engraving. 190 x 270mm.
Charles II [1630-1685], reigned 1660 - 1685. Probably published in Antwerp, after painting by Van Dyck.
Collection of the Royal House of Savoy and Italy.
[Ref: 3945] £130.00 (£156.00 incl.VAT)
A. Lommelin Sculp.
[n.d. c.1670].
Engraving. 190 x 270mm.
Charles II [1630-1685], reigned 1660 - 1685. Probably published in Antwerp, after painting by Van Dyck.
Collection of the Royal House of Savoy and Italy.
[Ref: 3945] £130.00 (£156.00 incl.VAT)
Carolus II. Teghenwoordighen Coninck van Enghelandt etc.
A. Lommelin Sculp.
[n.d. c.1720.]
Engraving. Paper watermarked. 272 x 190mm. 10¾ x 7½". Trimmed to the plate. Crease through centre; ink loss to top right-hand corner.
Charles II [1630-1685], reigned 1660 - 1685. Probably published in Antwerp, after painting by Van Dyck.
See Ref: 3945 & 19030 for different impressions.
[Ref: 19029] £160.00 (£192.00 incl.VAT)
A. Lommelin Sculp.
[n.d. c.1720.]
Engraving. Paper watermarked. 272 x 190mm. 10¾ x 7½". Trimmed to the plate. Crease through centre; ink loss to top right-hand corner.
Charles II [1630-1685], reigned 1660 - 1685. Probably published in Antwerp, after painting by Van Dyck.
See Ref: 3945 & 19030 for different impressions.
[Ref: 19029] £160.00 (£192.00 incl.VAT)
![[Charles II]](jpegs/42219.jpg)
[Charles II] Carolus II D.G. Magnae Britanniae Fra.ciae et Hiberniae Rex etc natus Ao 1630 [...]
Ant van Dycke pinxit. W. Hollar fecit
Etching, 17th century watermark; sheet 250 x 180mm (9¾ x 7"). Trimmed; hole lower right; tipped into album sheet
Charles II (1630-85), king of England, Scotland and Ireland. Charles was king of Scotland from 1649 until his deposition in 1651, after which he was exiled before becoming king at the restoration of the monarchy in 1660. Portrait published at the time he became king of Scotland, after van Dyck, by Wenceslaus Hollar (1607-77), Bohemian printmaker who spent most of his career working in England after meeting Thomas Howard, second earl of Arundel, in Cologne in 1636.
Pennington 1442 vi /vii
[Ref: 42219] £260.00 (£312.00 incl.VAT)
Ant van Dycke pinxit. W. Hollar fecit
Etching, 17th century watermark; sheet 250 x 180mm (9¾ x 7"). Trimmed; hole lower right; tipped into album sheet
Charles II (1630-85), king of England, Scotland and Ireland. Charles was king of Scotland from 1649 until his deposition in 1651, after which he was exiled before becoming king at the restoration of the monarchy in 1660. Portrait published at the time he became king of Scotland, after van Dyck, by Wenceslaus Hollar (1607-77), Bohemian printmaker who spent most of his career working in England after meeting Thomas Howard, second earl of Arundel, in Cologne in 1636.
Pennington 1442 vi /vii
[Ref: 42219] £260.00 (£312.00 incl.VAT)
Carolus Magnæ Britanniæ Princeps, Caroli Regis filius, Dux Cornubiæ et Rothsalæ & Natus anno, Christi MDCXXXI.
P. de Iode excud. Anton. van Dyck Pinxit.
[n.d., c.1641.]
Engraving. Plate: 170 x 120mm (6¾ x 4¾'').
A portrait of Charles II (1630-1685) while he was Prince of Wales, after a painting by Anthony van Dyck.
[Ref: 48651] £140.00 (£168.00 incl.VAT)
P. de Iode excud. Anton. van Dyck Pinxit.
[n.d., c.1641.]
Engraving. Plate: 170 x 120mm (6¾ x 4¾'').
A portrait of Charles II (1630-1685) while he was Prince of Wales, after a painting by Anthony van Dyck.
[Ref: 48651] £140.00 (£168.00 incl.VAT)
The Mocking our Blessed Lord and Saviour Jesus Christ. And when they had platted a Crown of Thorns, they put it upon his head, and a Reed in his right hand [...]
Published 16 June 1795 by Haines & Son, 19 Rolls Buildings, Fetter Lane, London
Mezzotint, rare, platemark 350 x 250mm (13¾ x 9¾").
Christ taunted by soldiers placing crown of thorns on his head and offering him a reed. Mezzotint droll after the painting by Anthony van Dyck formerly in the Kaiser-Friedrich-Museum (but destroyed); another version with a dog is in the Museo del Prado, Madrid. William Faithorne also engraved two plates after the composition.
[Ref: 43152] £160.00 (£192.00 incl.VAT)
Published 16 June 1795 by Haines & Son, 19 Rolls Buildings, Fetter Lane, London
Mezzotint, rare, platemark 350 x 250mm (13¾ x 9¾").
Christ taunted by soldiers placing crown of thorns on his head and offering him a reed. Mezzotint droll after the painting by Anthony van Dyck formerly in the Kaiser-Friedrich-Museum (but destroyed); another version with a dog is in the Museo del Prado, Madrid. William Faithorne also engraved two plates after the composition.
[Ref: 43152] £160.00 (£192.00 incl.VAT)
Serenissimus Ac Potentissimus Princeps Olivarius Cromwel Reipubl: Angliæ Scotiæ et Hiberniæ Protector.
[n.d., c.1660.]
Engraving; extremely scarce. Sheet 500 x 370mm (19¾ x 14½") Trimmed to plate, some wear, folded onto album sheet; very damaged.
An equestrian portrait of Oliver Cromwell in armour, based on Lombart's famous 'headless horseman' plate, with a page carrying Cromwell's helmet to the right. However in this version the figure of Fame, one cherub holding a wreath above Cromwell's head and two more holding his armorial fill the sky. This portrait is rare: the only example we have traced was in the 1908 sale of 'The Unequalled Collection of Engraved Portraits Belonging to Hon. James T. Mitchell, Chief Justice Of Pennsylvania', by Davis & Harvey, Auctioneers of Philadelphia.
[Ref: 42857] £650.00
[n.d., c.1660.]
Engraving; extremely scarce. Sheet 500 x 370mm (19¾ x 14½") Trimmed to plate, some wear, folded onto album sheet; very damaged.
An equestrian portrait of Oliver Cromwell in armour, based on Lombart's famous 'headless horseman' plate, with a page carrying Cromwell's helmet to the right. However in this version the figure of Fame, one cherub holding a wreath above Cromwell's head and two more holding his armorial fill the sky. This portrait is rare: the only example we have traced was in the 1908 sale of 'The Unequalled Collection of Engraved Portraits Belonging to Hon. James T. Mitchell, Chief Justice Of Pennsylvania', by Davis & Harvey, Auctioneers of Philadelphia.
[Ref: 42857] £650.00
Time clipping Cupid's Wings.
London [n.d. c.1790]
Mezzotint, fine impression. 340 x 250mm (13½ x 9¾"). Trimmed to plate and each edge lined with paper mount. Some markings along the top edge.
A scene depicting Time, an old winged man, taking clippers to the young Cupid's wings, who tries to struggle out of his grasp. The personified image of Time has its roots in the Greek association of time ('chronos') with Cronos, their god of agriculture, which is why he is often depicted with a scythe, as here. It is possible that Van Dyck's arresting characterisation of Time derives from Brozino's depiction of Time in 'Venus, Cupid, Folly, and Time', who somewhat sinisterly gazes upon the ambiguous scene of Cupid and Venus. Possibly Van Dyck's scene asserts with more force that time is fleeting to the detriment of love. In a mezzotint portrait of James McAdell by Richard Earlom (after a drawing by McArdell), McArdell holds a scraper in his hand over a copper plate before him of 'Time clipping Cupid's Wings' (1771).
[Ref: 54097] £240.00 (£288.00 incl.VAT)
London [n.d. c.1790]
Mezzotint, fine impression. 340 x 250mm (13½ x 9¾"). Trimmed to plate and each edge lined with paper mount. Some markings along the top edge.
A scene depicting Time, an old winged man, taking clippers to the young Cupid's wings, who tries to struggle out of his grasp. The personified image of Time has its roots in the Greek association of time ('chronos') with Cronos, their god of agriculture, which is why he is often depicted with a scythe, as here. It is possible that Van Dyck's arresting characterisation of Time derives from Brozino's depiction of Time in 'Venus, Cupid, Folly, and Time', who somewhat sinisterly gazes upon the ambiguous scene of Cupid and Venus. Possibly Van Dyck's scene asserts with more force that time is fleeting to the detriment of love. In a mezzotint portrait of James McAdell by Richard Earlom (after a drawing by McArdell), McArdell holds a scraper in his hand over a copper plate before him of 'Time clipping Cupid's Wings' (1771).
[Ref: 54097] £240.00 (£288.00 incl.VAT)
Anna de Morton Comitissa.
Antonius Van Dyck Eques pinxit. P. Lombart Sculpsit.
Londini, avec Privileige du Roy et ex. parisis. [n.d. c.1660.]
Copper engraving with large margins. Collector's mark on verso. Plate 355 x 260mm. 14 x 10¼". Tears into plate lower left.
Anna Dalkeith, Countess of Morton (d.1654), was daughter or Sir Edward Villiers and wife to Robert Douglas, Earl of Morton. Lombart's most famous work was the series of twelve portraits after van Dyck that he engraved around 1660, often known as the 'Countesses' from the Latin of their titles. Mariette in his entry on Lombart in his Abecedario stated that this set alone would suffice to place him 'au rang des premiers graveurs'. All twelve plates are the same size, and show three-quarter-length figures, ten women and two men, in 15mm wide borders that imitate frames of the period.
Ex Collection: Cabinet Brentano, Johann Melchior von Birckenstock (1738-1809), Vienna and Frankfurt. Lugt: 345.
[Ref: 24657] £160.00 (£192.00 incl.VAT)
Antonius Van Dyck Eques pinxit. P. Lombart Sculpsit.
Londini, avec Privileige du Roy et ex. parisis. [n.d. c.1660.]
Copper engraving with large margins. Collector's mark on verso. Plate 355 x 260mm. 14 x 10¼". Tears into plate lower left.
Anna Dalkeith, Countess of Morton (d.1654), was daughter or Sir Edward Villiers and wife to Robert Douglas, Earl of Morton. Lombart's most famous work was the series of twelve portraits after van Dyck that he engraved around 1660, often known as the 'Countesses' from the Latin of their titles. Mariette in his entry on Lombart in his Abecedario stated that this set alone would suffice to place him 'au rang des premiers graveurs'. All twelve plates are the same size, and show three-quarter-length figures, ten women and two men, in 15mm wide borders that imitate frames of the period.
Ex Collection: Cabinet Brentano, Johann Melchior von Birckenstock (1738-1809), Vienna and Frankfurt. Lugt: 345.
[Ref: 24657] £160.00 (£192.00 incl.VAT)
A Dance of Boy Angels. In the Salon at Houghton.
Van Dyke Pinxit. S.G. & J.G. Facius Sculp.t.
Published Jan.y 1st 1788, by John & Josiah Boydell, No. 90, Cheapside London.
Fine stipple with engraving. 330 x 390mm (13 x 15¼") very large margins
The Holy Family watching eight infant angels dancing, weaving in and out between each other. Plate 64 of Volume two of the 'Houghton Gallery'.
[Ref: 58610] £280.00 (£336.00 incl.VAT)
Van Dyke Pinxit. S.G. & J.G. Facius Sculp.t.
Published Jan.y 1st 1788, by John & Josiah Boydell, No. 90, Cheapside London.
Fine stipple with engraving. 330 x 390mm (13 x 15¼") very large margins
The Holy Family watching eight infant angels dancing, weaving in and out between each other. Plate 64 of Volume two of the 'Houghton Gallery'.
[Ref: 58610] £280.00 (£336.00 incl.VAT)
R.P. Ionnes Carolus Della Faille. Antverpiensis e societate Iesu in Academia madritensi collegy imperialis matheseo professor: Philippi IV hispaniarum indiarumnqs regis consiliarius ac cosmographus indiarum consily primarius Serenissimi principis Joannus Austriaci gubernatoris belgy quondam praeceptor nec non in expeditionibus neapolitanus, portus longoni barcinonae in rebus bellicis serenitati suae a consilys etc.
Ant: v. Dyck pinxit. A. Lommelin Sculp.
Jacobus de Man, exc.
Copper engraving. Plate 292 x 222mm. 11½ x 8¾".
Jean-Charles de la Faille (1597-1652) was a Flemish Jesuit mathematician. After being appointed to the Imperial College in Madrid, he went on to advise Philip IV on military questions, specially fortifications, and taught mathematics as well. Engraved for the 'Iconographia' series of portraits after van Dyck.
W: 1651. Hollstein: 47; Wibiral 107.ii
[Ref: 15757] £90.00 (£108.00 incl.VAT)
Ant: v. Dyck pinxit. A. Lommelin Sculp.
Jacobus de Man, exc.
Copper engraving. Plate 292 x 222mm. 11½ x 8¾".
Jean-Charles de la Faille (1597-1652) was a Flemish Jesuit mathematician. After being appointed to the Imperial College in Madrid, he went on to advise Philip IV on military questions, specially fortifications, and taught mathematics as well. Engraved for the 'Iconographia' series of portraits after van Dyck.
W: 1651. Hollstein: 47; Wibiral 107.ii
[Ref: 15757] £90.00 (£108.00 incl.VAT)
![[Portrait of François du Quesnoy]](jpegs/36373.jpg)
[Portrait of François du Quesnoy] Hic ille est quondam Fratri vix dispar in arle, felix! [...]
Tabulae per A: Van Dyck ad vivum depictae R. Brookshaw fc.t
Bruxellis Annon Salutis 1779
Mezzotint, sheet 205 x 160mm (8 x 6¼"). Trimmed inside platemark; false margins added. Rare.
François du Quesnoy (1597-1643), sculptor and draughtsman, gesturing towards a small bust. Du Quesnoy moved to Rome in 1618 (he was a friend and housemate of Nicholas Poussin) and spent the rest of his life in Italy (earning the sobriquet 'il Fiammingo'- 'the Flemish'). Apparently after a portrait by Van Dyck, and published by the British engraver Richard Brookshaw when he was briefly resident in du Quesnoy's hometown of Brussels.
CS p.99; Ex: collection of the Hon. C. Lennox-Boyd.
[Ref: 36373] £140.00 (£168.00 incl.VAT)
Tabulae per A: Van Dyck ad vivum depictae R. Brookshaw fc.t
Bruxellis Annon Salutis 1779
Mezzotint, sheet 205 x 160mm (8 x 6¼"). Trimmed inside platemark; false margins added. Rare.
François du Quesnoy (1597-1643), sculptor and draughtsman, gesturing towards a small bust. Du Quesnoy moved to Rome in 1618 (he was a friend and housemate of Nicholas Poussin) and spent the rest of his life in Italy (earning the sobriquet 'il Fiammingo'- 'the Flemish'). Apparently after a portrait by Van Dyck, and published by the British engraver Richard Brookshaw when he was briefly resident in du Quesnoy's hometown of Brussels.
CS p.99; Ex: collection of the Hon. C. Lennox-Boyd.
[Ref: 36373] £140.00 (£168.00 incl.VAT)
![[Hieronimi du Quenoy] Hic ille est quondam Fratri vix dispar in Arte, [...].](jpegs/55125.jpg)
[Hieronimi du Quenoy] Hic ille est quondam Fratri vix dispar in Arte, [...].
Sculptoris egregii ad imitationem Fabula per A. Van Dyck ad vivum depictae R. Brookshaw fe.t Bruxellis Anno Salutis 1779.
Brussles, 1779.
Rare mezzotint. 240 x 160mm (9½ x 6¼"). In mount. Trimmed to plate mark.
A portrait of Jerome Duquesnoy (II), or Hieronymus Duquesnoy, (1602-1654) a Flemish architect and sculptor.
Ex collection Soliman Lieutand.
[Ref: 55125] £450.00
Sculptoris egregii ad imitationem Fabula per A. Van Dyck ad vivum depictae R. Brookshaw fe.t Bruxellis Anno Salutis 1779.
Brussles, 1779.
Rare mezzotint. 240 x 160mm (9½ x 6¼"). In mount. Trimmed to plate mark.
A portrait of Jerome Duquesnoy (II), or Hieronymus Duquesnoy, (1602-1654) a Flemish architect and sculptor.
Ex collection Soliman Lieutand.
[Ref: 55125] £450.00
D Franciscus Vander Ee
Anton van Dyck pinxit [Joannes Meyssens] fecit et excud [c.1645]
Etching, 17th century watermark; platemark 230 x 170mm (9 x 6¾"), with large margins. Late impression
François van der Ee, Amman of Brussels (1608-45). First published in the 'Iconographia' series of etchings after portraits by van Dyck, some of which van Dyck etched himself. This is a late impression after the name of the printmaker and publisher Jan Meyssens was effaced from the plate.
[Ref: 48012] £75.00 (£90.00 incl.VAT)
Anton van Dyck pinxit [Joannes Meyssens] fecit et excud [c.1645]
Etching, 17th century watermark; platemark 230 x 170mm (9 x 6¾"), with large margins. Late impression
François van der Ee, Amman of Brussels (1608-45). First published in the 'Iconographia' series of etchings after portraits by van Dyck, some of which van Dyck etched himself. This is a late impression after the name of the printmaker and publisher Jan Meyssens was effaced from the plate.
[Ref: 48012] £75.00 (£90.00 incl.VAT)
Ernestina Princeps Ligneana et S. Imperii Comes Nassavia Etc.
Antonius van Dyck pinxit [...] Michelis Natalis sculpsit
[Joannes Meyssens] Antwerpiae [c.1640]
Etching, 17th century watermark; platemark 230 x 170mm (9 x 6¾"). Late impression.
Ernestina, countess of Nassau. First published in the 'Iconographia' series of etchings after portraits by van Dyck, some of which van Dyck etched himself. This is a late impression after the name of the printmaker and publisher Jan Meyssens was effaced from the plate.
Hendrick: 144
[Ref: 48014] £75.00 (£90.00 incl.VAT)
Antonius van Dyck pinxit [...] Michelis Natalis sculpsit
[Joannes Meyssens] Antwerpiae [c.1640]
Etching, 17th century watermark; platemark 230 x 170mm (9 x 6¾"). Late impression.
Ernestina, countess of Nassau. First published in the 'Iconographia' series of etchings after portraits by van Dyck, some of which van Dyck etched himself. This is a late impression after the name of the printmaker and publisher Jan Meyssens was effaced from the plate.
Hendrick: 144
[Ref: 48014] £75.00 (£90.00 incl.VAT)
Ferdinandus III. Dei Grat. Imperator Rom. Semp. August. Germ. Hung. Boh. Rex: Archidux Aust. Dux Burgund. Etc.
Ant. van Dyc pinxit. Corn. Galle Iunior sculpsit.
Io. Meÿssens excudit Antuerpiæ Ao. 164 [1649].
Engraving, 272 x 193mm.
Ferdinand III, Holy Roman Emperor (1608 – 1657), ruled 1637 – 1657. No related painting known. Engraved for the 'Iconographia' series of portraits after van Dyck.
Wibiral: 123.i
[Ref: 7776] £140.00 (£168.00 incl.VAT)
Ant. van Dyc pinxit. Corn. Galle Iunior sculpsit.
Io. Meÿssens excudit Antuerpiæ Ao. 164 [1649].
Engraving, 272 x 193mm.
Ferdinand III, Holy Roman Emperor (1608 – 1657), ruled 1637 – 1657. No related painting known. Engraved for the 'Iconographia' series of portraits after van Dyck.
Wibiral: 123.i
[Ref: 7776] £140.00 (£168.00 incl.VAT)
Ferdinandus III. Dei Grat. Imperator Rom. Sep. August. Germ. Hung. Boh. Rex: Archidux Aust. Dux Burgund. etc.
Ant. van Dyck pinxit. Corn. Galle Iunior sculpsit.
[?] excudit Antwerpiae A.o. 1649. [Later impression.]
Engraving, 18th century watermark. Plate: 275 x 195mm (10¾ x 7¾'') very large margins. Staining.
A portrait of Holy Roman Emperor Ferdinand III (1607-1657).
H.123 II of II
[Ref: 48567] £75.00 (£90.00 incl.VAT)
Ant. van Dyck pinxit. Corn. Galle Iunior sculpsit.
[?] excudit Antwerpiae A.o. 1649. [Later impression.]
Engraving, 18th century watermark. Plate: 275 x 195mm (10¾ x 7¾'') very large margins. Staining.
A portrait of Holy Roman Emperor Ferdinand III (1607-1657).
H.123 II of II
[Ref: 48567] £75.00 (£90.00 incl.VAT)
Ferdinandus, Philippi IV frater, Hispaniarum Infans Serebissimus, S. R. E. Cardinalis, Et Belgarum Gubernatur.
Ant. Van Dÿck Pinxit. P. Van Sompet Sculpsit.
P. Soutman Effigiawit et Excud. Cum Prvil. Sa. Cæ. M. [n.d., c.1650.]
Engraving, fine impression. Sheet: 410 x 280mm (16 x 11"). Trimmed.
A portrait of Cardinal-Infante Ferdinand of Austria (1610-1641), Governor of the Spanish Netherlands, Cardinal and brother of Philip IV of Spain (1605-1665). From a series of twenty-two engravings of portraits of european rulers and their wives, 'Ferdinandus II et III Imperatorum Domus Austriacæ Potentissimi'.
Bought at Sothebys 24/5/1928 Lot 92 For the Chaloner Smith Collection.
[Ref: 45942] £240.00 (£288.00 incl.VAT)
Ant. Van Dÿck Pinxit. P. Van Sompet Sculpsit.
P. Soutman Effigiawit et Excud. Cum Prvil. Sa. Cæ. M. [n.d., c.1650.]
Engraving, fine impression. Sheet: 410 x 280mm (16 x 11"). Trimmed.
A portrait of Cardinal-Infante Ferdinand of Austria (1610-1641), Governor of the Spanish Netherlands, Cardinal and brother of Philip IV of Spain (1605-1665). From a series of twenty-two engravings of portraits of european rulers and their wives, 'Ferdinandus II et III Imperatorum Domus Austriacæ Potentissimi'.
Bought at Sothebys 24/5/1928 Lot 92 For the Chaloner Smith Collection.
[Ref: 45942] £240.00 (£288.00 incl.VAT)
![[Tommaso Francesco, Prince of Savoy-Carignan.]](jpegs/34845.jpg)
[Tommaso Francesco, Prince of Savoy-Carignan.] Serenissimo Principi Francisco Thomae a Sabaudi a Principi Carigniani etc [...]
Ant. van Dyck pinxit. Paulus Pontius sculpsit
Gillis Hendricx excudit Antw. [c.1635]
Etching with small margins, platemark 390 x 295mm (15¼ x 11½"). Horizontal fold; glued at edge to backing sheet along left edge.
Tommaso Franesco di Savoia (1596-1656), Captain-general of Spanish troops in the Netherlands and briefly provisional regent following the death of Archduchess Isabella in 1633. In 1642 he changed sides and started fighting for the French against the Spaniards.
[Ref: 34845] £260.00 (£312.00 incl.VAT)
Ant. van Dyck pinxit. Paulus Pontius sculpsit
Gillis Hendricx excudit Antw. [c.1635]
Etching with small margins, platemark 390 x 295mm (15¼ x 11½"). Horizontal fold; glued at edge to backing sheet along left edge.
Tommaso Franesco di Savoia (1596-1656), Captain-general of Spanish troops in the Netherlands and briefly provisional regent following the death of Archduchess Isabella in 1633. In 1642 he changed sides and started fighting for the French against the Spaniards.
[Ref: 34845] £260.00 (£312.00 incl.VAT)
![[Portrait of a Young General.]](jpegs/61620.jpg)
[Portrait of a Young General.]
[Aet. 49. Cal 39. Anton: van Dyck Pinx. v. Prenner inc:][old ink mss.]
[n.d., c.1728.]
Etching, proof before letters, faint 18th century watermark. 220 x 165mm (8¾ x 6½"). Thread margins, mounted in album paper.
A half-length portrait of a young man in armour, sword on hip, from the series 'Theatrum Artis Pictoriae', 160 engravings of paintings in the Imperial Collection in Vienna, published 1728-33. Van Dyck's original oil is in the Kunsthistorisches Museum, Vienna, with the title above; Anton Joseph Prenner's preliminary sketch is in the Museum of Fine Arts, Budapest (Inventory No. 3444).
[Ref: 61620] £280.00 (£336.00 incl.VAT)
[Aet. 49. Cal 39. Anton: van Dyck Pinx. v. Prenner inc:][old ink mss.]
[n.d., c.1728.]
Etching, proof before letters, faint 18th century watermark. 220 x 165mm (8¾ x 6½"). Thread margins, mounted in album paper.
A half-length portrait of a young man in armour, sword on hip, from the series 'Theatrum Artis Pictoriae', 160 engravings of paintings in the Imperial Collection in Vienna, published 1728-33. Van Dyck's original oil is in the Kunsthistorisches Museum, Vienna, with the title above; Anton Joseph Prenner's preliminary sketch is in the Museum of Fine Arts, Budapest (Inventory No. 3444).
[Ref: 61620] £280.00 (£336.00 incl.VAT)
Arthur Goodwin. Father of Jane his sole Daughter and Hieress, second Lady of Philip Lord Wharton.
A. v. Dyck pinx. 1639 P. v. Gunst sculps. et exc. Amstelod.
Ex Museo Sereniss. Domini de Wharton. [n.d. c.1715.]
Framed engraving. Plate 520 x 330mm. 20½ x 13". Large margins.
Arthur Goodwin (c.1593-1643), full-length standing in a room in riding boots with a curtain behind him. He was an English member of parliament from Buckinghamshire who supported the Parliamentary cause during the English Civil War. His daughter Jane (1618-1658) married Philip Wharton in 1637.
[Ref: 21539] £190.00 (£228.00 incl.VAT)
A. v. Dyck pinx. 1639 P. v. Gunst sculps. et exc. Amstelod.
Ex Museo Sereniss. Domini de Wharton. [n.d. c.1715.]
Framed engraving. Plate 520 x 330mm. 20½ x 13". Large margins.
Arthur Goodwin (c.1593-1643), full-length standing in a room in riding boots with a curtain behind him. He was an English member of parliament from Buckinghamshire who supported the Parliamentary cause during the English Civil War. His daughter Jane (1618-1658) married Philip Wharton in 1637.
[Ref: 21539] £190.00 (£228.00 incl.VAT)
Jane, Daughter and Heiress of Arthur Goodwin of Winchendon in Com. Buck. Esq. Married Philip Lord Wharton, Father to the late Marquis of Wharton.
A. v. Dyck pinx. 1639 P. v. Gunst sculps. et exc. Amstelod.
Ex Museo Sereniss. Domini de Wharton. [n.d. c.1715.]
Framed engraving. Plate 520 x 330mm. 20½ x 13". Large margins.
Jane Goodwin, Lady Wharton, whole length, standing, plucking a rose from a tree in a large vase. Jane Goodwin (1618-1658) married Philip Wharton in 1637. She was daughter of the MP Arthur Goodwin (c.1593-1643).
[Ref: 21540] £280.00 (£336.00 incl.VAT)
A. v. Dyck pinx. 1639 P. v. Gunst sculps. et exc. Amstelod.
Ex Museo Sereniss. Domini de Wharton. [n.d. c.1715.]
Framed engraving. Plate 520 x 330mm. 20½ x 13". Large margins.
Jane Goodwin, Lady Wharton, whole length, standing, plucking a rose from a tree in a large vase. Jane Goodwin (1618-1658) married Philip Wharton in 1637. She was daughter of the MP Arthur Goodwin (c.1593-1643).
[Ref: 21540] £280.00 (£336.00 incl.VAT)
George Gordon Second Marquis of Huntly. From the Original Picture, in the Collection of his Grace the Duke of Montague.
Van Dyke Pinxit. Val. Green Engraver to his Majesty fecit.
Published April 15th 1775 by John Boydell Engraver in Cheapside London.
Mezzotint. 550 x 350mm (21¾ x 13¾"). Tear and scuffing in large margins, corner taped. Messy.
Full length portrait of George Gordon, Marquis of Huntly (1592-1649), Scottish Royalist. After the capture of Charles I he continued to resist and so was excepted from the general pardon of 1647. In 1649 he was captured, taken to Edinburgh and beheaded.
Whitman 51 ii; CS 72 ii.
[Ref: 54249] £230.00 (£276.00 incl.VAT)
Van Dyke Pinxit. Val. Green Engraver to his Majesty fecit.
Published April 15th 1775 by John Boydell Engraver in Cheapside London.
Mezzotint. 550 x 350mm (21¾ x 13¾"). Tear and scuffing in large margins, corner taped. Messy.
Full length portrait of George Gordon, Marquis of Huntly (1592-1649), Scottish Royalist. After the capture of Charles I he continued to resist and so was excepted from the general pardon of 1647. In 1649 he was captured, taken to Edinburgh and beheaded.
Whitman 51 ii; CS 72 ii.
[Ref: 54249] £230.00 (£276.00 incl.VAT)
Iacobus Hamiltonius, Marchio ab Hamilton, Comes Cambricensis et Aranensis, Baro Evenius et Aber=Brochius Magistro Equitum Suae Maiestatis Mage Brittanniae, et Eques Ordinis Gartery.
Ant. van Dyck pinxit. Pet. Lisebetius Sculp.
Jacobus de Man excudit.
Engraving. Plate 279 x 197mm. 11 x 7¾". Trimmed to plate along lower edge.
James Hamilton, 1st Duke of Hamilton (1606-1649) was a courtier and politician, and collector of paintings and sculpture. In politics he sided variously with King and Parliament during the Civil War, but was beheaded for treason after leading a Scotttish force against the parliamentary army in 1648. Engraved for the 'Iconographia' series of portraits after van Dyck.
Wibiral: 140.ii
[Ref: 24754] £80.00 (£96.00 incl.VAT)
Ant. van Dyck pinxit. Pet. Lisebetius Sculp.
Jacobus de Man excudit.
Engraving. Plate 279 x 197mm. 11 x 7¾". Trimmed to plate along lower edge.
James Hamilton, 1st Duke of Hamilton (1606-1649) was a courtier and politician, and collector of paintings and sculpture. In politics he sided variously with King and Parliament during the Civil War, but was beheaded for treason after leading a Scotttish force against the parliamentary army in 1648. Engraved for the 'Iconographia' series of portraits after van Dyck.
Wibiral: 140.ii
[Ref: 24754] £80.00 (£96.00 incl.VAT)