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The Landing of Columbus.
The Landing of Columbus.
Turner R.A. Goodall.
London, Published 1833, by Moon, Boys, & Graves, Pall Mall.
Engraving. Sheet size: 290 x 220mm (11¾ x 8¾"). Very large margins. Trimmed inside plate at upper edge. Slight foxing.
A coastal view with a line of figures landing on the shore on the right, with a boat and ships in the bay on the left, and the sun settingon the horizon behind. After JMW Turner. Avignette to poem 'The Voyage of Columbus' in 'Poems' by Samuel Rogers.
Rawlinson: 402: III.
[Ref: 37293]   £70.00   (£84.00 incl.VAT)
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Columbus setting sail.
Columbus setting sail.
Turner R.A. Goodall.
London, Published 1833, by Moon, Boys, & Graves, Pall Mall.
Engraving. Sheet size: 290 x 220mm (11¾ x 8¾"). Very large margins. Trimmed inside plate at upper edge. Slight foxing.
A view of a busy harbour in Genoa, with a crowd on the quay in the left foreground waving hands towards leaving ships in the bay on the right. A church and other buildingscan be seen on higher ground in the left background. After JMW Turner. Avignette to poem 'The Voyage of Columbus' in 'Poems' by Samuel Rogers.
Rawlinson: 399: III.
[Ref: 37294]   £95.00   (£114.00 incl.VAT)
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Deal.
Deal.
J.M.W. Turner, R.A. Delt. W. Radclyffe, Sculpt.
London, Virtue & Co. Limited. [n.d., c.1840.]
Steel engraving, 216 x 272mm. 8½ x 10¾".
A stormy seafront at Deal, Kent; figures and fishing boats on the beach, lightning piercing the dark clouds. After Joseph Mallord William Turner (1775 - 1851).
[Ref: 21990]   £65.00   (£78.00 incl.VAT)
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Straits of Dover.
Straits of Dover.
J.M.W. Turner R.A. J.T. Willmore, A.R.A. 1851.
London, Published Nov.r 1 1851, by E. Gambart & Co. 35 Berniers Street, Oxford Street.
A large chine collé steel engraving. 515 x 675mm (20¼ x 26½"), with wide margins. India slightly cracked at top border.
Small boats trying to enter the harbour in choppy seas, the White Cliffs and Dover Castle in the background.
Rawlinson: 666 iv.
[Ref: 54051]   £320.00  
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St. Catherine's Hill near Guildford
St. Catherine's Hill near Guildford
Drawn & Etched by J.M.W. Turner Esqr. R.A. Engraved by J.C. Easling.
[Published June 1811 by, J.M.W. Turner, Queen Ann Street West..]
Mezzotint with etching. Sheet 200 x 265mm (8 x 10½"). Trimmed to image on three sides, losing publication line at bottom.
A view looking up a track to a hill with a ruined chapel. Turner also etched this plate before it was completed with mezzotint by Charles Turner (no relation). It was published in the 'Liber Studiorum', a series of engravings cataloguing Turner's works.
Rawlinson 33.
[Ref: 53690]   £120.00   (£144.00 incl.VAT)
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The Vale of Heathfield.
The Vale of Heathfield.
Drawn by I.M.W. Turner, R.A. Engraved by W.B. Cooke.
London: Published March 1. 1819, by John Murray, Albermarle Street, and W.B. Cooke, 13 Judd Place East, New Road. Proof.
Engraving. Plate 254 x 325mm. 10 x 12¾". Very large margins.
The Vale of Heathfield, near Brighton; a large mansion seen in the distance, with a church behind; a turret to the right, and two rabbits in the near foreground. From the series 'Views in Sussex', which was commissioned by the wealthy Sussex MP and landowner John (or ‘Jack’) Fuller.
Rawlinson: 133, after second state, denoted as later states.
[Ref: 23906]   £95.00   (£114.00 incl.VAT)
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[Long-Ships Light House, Lands End.]
[Long-Ships Light House, Lands End.]
Drawn by J.M.W. Turner R.A. Engraved by W.R. Smith.
[n.d., 1826.]
Engraving on steel, proof printed on chine collé. 1st published state before title etc; 245 x 300mm (9¾ x 11¾''). Creasing, tear in border.
A seascape in a storm, with wreckage in the water crashing against the rocks. A view from 'Picturesque Views in England and Wales' (1827-1838)
W. 288.
[Ref: 53167]   £130.00   (£156.00 incl.VAT)
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[More Park, near Watford, on the River Colne.]
[More Park, near Watford, on the River Colne.]
[J.M.W. Turner. C. Turner.]
[London: W. B. Cooke, 1824.]
Mezzotint on india paper, engraver's proof before all letters; image 155 x 220mm. 6 x 8¾". Trimmed to india; left margin chipped, damaged.
A lock with a boy and girl fishing to left; the landscape of the Moor Park estate, near Watford, Hertfordshire, beyond. Plate 4 to 'The Rivers of England'; only seven parts were ever produced in this scarce series which was planned to run to twelve. After Joseph Mallord William Turner (1775 - 1851).
Rawlinson 754.
[Ref: 22138]   £120.00   (£144.00 incl.VAT)
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[The Death of Nelson.]
[The Death of Nelson.]
John Cother Webb [after J.M.W. Turner.].
[Published by the Museum Galleries n.d., c.1925.]
Mezzotint on india, printed in colours and signed by the artist. 405 x 525mm (16 x 20¾"). With publisher's label with typed details. With collector's blind stamp in lower margin.
View of HMS Victory, with Nelson slumped on the deck, having been shot by a marksman on the mizzen fighting top of the French ship Redoutable.
[Ref: 28604]   £160.00   (£192.00 incl.VAT)
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[Okehampton Castle on the River Okement.]
[Okehampton Castle on the River Okement.]
[J.M.W. Turner. C. Turner.]
[London: W. B. Cooke, 1825.]
Mezzotint, scarce proof before all letters. 190 x 255mm (7½ x 10"), very large margins. Dusty.
Spectacular view of the remains of the largest castle in Devon, in an outstandingly picturesque setting on a wooded spur above the rushing River Okement, at the northern edge of Dartmoor. Plate 10 to Turner's 'The Rivers of England'; only seven parts were ever produced in this scarce series which was planned to run to twelve.
Rawlinson 758, G of G. W 891 ii of V; Ex Collection of Hon. Christopher Lennox-Boyd.
[Ref: 44344]   £280.00   (£336.00 incl.VAT)
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View of Oxford from the South Side of Heddington Hill.
View of Oxford from the South Side of Heddington Hill.
J.M.W. Turner R.A. del. Engraved by James Basire.
[1808.]
Engraving, published state. Sheet 370 x 480mm (14½ x 19"). Trimmed, laid on card.
A distant view of the city.
Rawlinson, 45, 'an extremely clever piece of engraving'.
[Ref: 51177]   £240.00  
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[Rain, Steam and Speed - The Great Western Railway.]
[Rain, Steam and Speed - The Great Western Railway.]
[Engraved by Robert Brandard after J.M.W. Turner.]
[London: James S. Virtue, 1859-61.]
Steel engraving on steel, proof before letters, printed on chine collé. 310 x 435mm (12 x 17") very large margins. Slight marking on india paper at top.
A ‘Firefly’ class locomotive crossing the Maidenhead Railway Bridge towards the west, the landscape obscured by rain and steam. A hare runs ahead of the approaching train. ''According to the artist George Leslie, who as a boy had watched Turner putting the final touches to the painting the day before it went on public exhibition in 1844, the hare, not the train, was meant to represent speed'' (National Gallery). From the First Edition of 'The Turner Gallery', which contained sixty plates, mostly taken from Turner's paintings in the National Gallery. Turner had died a decade earlier, but most of the engravers of this series had worked with the artist before.
See National Gallery NG538 for the painting with an extensive description. Rawlingson 748.
[Ref: 53007]   £260.00   (£312.00 incl.VAT)
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[Richmond Castle.]
[Richmond Castle.]
Drawn by J.M.W. Turner R.A. Engraved by W.R. Smith.
[n.d., c.1827.]
Engraving, printed on chine collé. Plate: 245 x 300mm (9¾ x 11¾''), with very large margins. Uncut.
A view of the town of Richmond in Yorkshire with the River Swale running diagonally through to the bottom right corner. A view from 'Picturesque Views in England and Wales' (1827-1838)
[Ref: 50889]   £220.00   (£264.00 incl.VAT)
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Rievaulx Abbey. Yorkshire.
Rievaulx Abbey. Yorkshire.
Drawn by J.M.W Turner, R.A. Engraved by E. Goodall.
Published March 1. 1827 for the Proprietor by Robert Jennings, Poultry. Printed by Mc.Queen.
Engraving, printed on chine collé. Plate: 245 x 310mm (9 x 12''), with large margins.
A view of the ruined Cistercian abbey in the North Yorkshire moors.
[Ref: 50652]   £130.00   (£156.00 incl.VAT)
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Ville de Thun; Switzerland.
Ville de Thun; Switzerland.
Drawn and Etched by J.M.W. Turner R.A. Engraved by Tho.s Hodgetts.
Published Jan.y 1 1816, by M.r Turner, Queen Ann Street West.
Mezzotint with etching. 205 x 290mm (8 x 11½"), with margins. Small areas of surface abrasion on right.
A view from the riverside, looking up yowards a tower. Plate 59 of Turner's 'Liber Studiorum', part XII. This first state has two small diagonal strokes in the lower left margin. Turner etched the outlnes of the image before handing the plate to Hodgetts to add the mezzotint tone.
Rawlinson 59.
[Ref: 54149]   £260.00   (£312.00 incl.VAT)
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Bedford. [in pencil.]
Bedford. [in pencil.]
[After J.M.W. Turner.] J.T. Willmore.
[n.d., c.1831.]
Engraving, printed on chine collé. Plate: 240 x 300mm (9½ x 11¾''), with very large margins. Small tears in extreme edge of margins. Uncut.
A view of Bedford from the River Ouse. A view from 'Picturesque Views in England and Wales' (1827-1838).
[Ref: 50890]   £180.00   (£216.00 incl.VAT)
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Near Blair Athol Scotland.
Near Blair Athol Scotland.
Drawn & Etched by J.M.W. Turner Esq.r R.A. Engraved by W. Say Engraver to H.R.H. the Duke of Gloucester
Published June 1 1811, by J.M.W. Turner Queen Ann Street West.
Etching and mezzotint. 210 x 295mm (8¼ x 11½"), Whatman paper dated 1810, with very large margins.
A kilted Scot fishing in a stream under a waterfall. Rawlinson notes that 'anglers will appreciate the accurate pose of the fisherman'. A plate from J.M.W. Turner's 'Liber Studiorum', which was published between 1807 and 1819, lettered 'M' above the image.
Finberg: 30, first published state of iii.
[Ref: 50869]   £520.00  
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[Dumbarton Rock.]
[Dumbarton Rock.]
[Engraved by Thomas Lupton after J.M.W. Turner.
[Published by Turner c.1810.]
Unpublished etching and mezzotint, printed in sepia. 220 x 290mm (8¾ x 11½"), with very large margins.
A plate prepared for the 'Liber Studiorum' but never published. The world's last surviving Victorian tea clipper was constructed in the town of Dumbarton and launched from the William Denny yard on November 22, 1869.
Finberg: 75.
[Ref: 50870]   £380.00  
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Dumblain Abbey, Scotland.
Dumblain Abbey, Scotland.
Drawn & Etched by J.M.W. Turner, R.A. Engrav'd by T.Lupton.
Publish'd Jan.y 1 1816 by J.M.W. Turner Queen Ann Street West.
Mezzotint with etching. 210 x 295mm (8¼ x 11¾"), with very large margins.
Washerwomen by the Allan Water, Dunblane, below the ruined abbey. Plate 56, issued in Part XI of Turner's 'Liber Studiorum', 1807-1819.
Finberg: 56, state iii of iv.
[Ref: 50884]   £350.00  
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Holy Island Cathedral.
Holy Island Cathedral.
Drawn & Etched by J.M.W. Turner Esq.r R.A.P.P. Engraved by Cha.s Turner.
London, Published Feb.y 20 1808 by C. Turner, N.o50, Warren Street, Fitzroy Square.
Mezzotint with etching. Plate: 210 x 290mm (8¼ x 11½''). Foxing.
A view of the ruins of Lindisfarne off the coast of Northumberland. From Turner's 'Liber Studiorum'. The Liber Studiorum was published in several parts between 1807 and 1819, by which time Turner's position as the pre-eminent British landscape painter of his day was assured. In this series, exceptional amongst Turner prints for the extent of the artist's involvement (he both etched and published this plate, leaving only the mezzotinting to his namesake Charles Turner), he sought to emulate the 17th century French artist Claude Lorraine. Claude's 'Libro di Verita', a book of drawings sold to the Duke of Devonshire, had been engraved by Richard Earlom to much acclaim some thirty years earlier.
Finberg State IV.
[Ref: 51018]   £380.00  
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Juvenile Tricks.
Juvenile Tricks.
Drawn & Etched by J.M.W. Turner Esq. R.A. Engraved by W. Say Engraver to H.R.H. the Duke of Gloucester
Published Jan.y 1 1811, by Mr. Turner, Queen Ann Street West
Etching and mezzotint, with large margins, platemark 210 x 290mm (8¼ x 11½"). Stamp of art dealer C.W. Dowdeswell verso.
Boys playing around a trough, with a row of houses in background- 'the scene is evidently in Hyde Park' (Rawlinson). Plate from J.M.W.'s 'Liber Studiorum', which was published between 1807 and 1819. By this time Turner's position of the pre-eminent British landscape painter of his day was assured, but with this series it was the French artist Claude Lorraine whom Turner was emulating. Claude's 'Libro di Verita', a book of drawings sold to the Duke of Devonshire in the eighteenth century, had been engraved by Richard Earlom around thirty years earlier to much acclaim, and in many ways Turner was publishing his work in a format which invited direct comparison with that of Claude.
Rawlinson: 18 (first published state)
[Ref: 27359]   £350.00  
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Marine Dabblers.
Marine Dabblers.
Drawn & Etched by J.M.W. Turner Esq. R.A. Engraved by W. Say Engraver to H.R.H. the Duke of Gloucester
Published June 1811 by J.M.W. Turner, Queen Ann Street West.
Etching and mezzotint. 210 x 290mm (8¼ x 11½"), with very large margins. Small tear top margin.
Group of children playing with miniature boats on a sandy shore, next to fishing boats. Plate 29, issued in Part VI of Turner's 'Liber Studiorum', 1807-1819.
Rawlinson 29; Finberg 29, state ii of ii.
[Ref: 50879]   £380.00  
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[The Castle Above the Meadows.] E.P.
[The Castle Above the Meadows.] E.P.
Drawn & Etch'd by J.M.W. Turner Esq.r R.A. P.P. Engraved by Cha.s Turner.
London. Published Feb.y 20, 1808 by C. Turner, 50 Warren Street, Fitzroy Square.
Mezzotint with etching. 210 x 290mm (8¼ x 11¼"), with very large margins. Ink stamp of the P. Hurlbutt Collection on reverse.
A distant view of Oakhampton Castle. Plate 8, issued in Part II of 'Turner's 'Liber Studiorum', which was published in several parts between 1807 and 1819.
Finberg: 8, state ii of iv.
[Ref: 50875]   £350.00  
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Procris and Cephalus.
Procris and Cephalus.
Drawn & Etched by J.M.W. Turner Esq.r R.A.P.P. Engraved by G. Clint.
London, Published Feb.y 14 1812 by J.M.W. Turner, Queen Ann Street West.
Mezzotint with etching. Plate: 210 x 290mm (8¼ x 11½'') with large margins.
A classical scene showing Cephalus cardling the dying Procris in a woodland. From Turner's 'Liber Studiorum'. The Liber Studiorum was published in several parts between 1807 and 1819, by which time Turner's position as the pre-eminent British landscape painter of his day was assured. In this series, exceptional amongst Turner prints for the extent of the artist's involvement (he both etched and published this plate, leaving only the mezzotinting to his namesake Charles Turner), he sought to emulate the 17th century French artist Claude Lorraine. Claude's 'Libro di Verita', a book of drawings sold to the Duke of Devonshire, had been engraved by Richard Earlom to much acclaim some thirty years earlier.
Finberg 41. II.
[Ref: 51017]   £320.00  
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[Venice] Bellini's Pictures being Conveyed to the Church of the Redentore.
[Venice] Bellini's Pictures being Conveyed to the Church of the Redentore.
Painted by J.N.W. Turner, R.A. Engraved by J.T. Willmore, A.R.A. Printed by M. Dunn.
Art Union of Londn - 1858.
Engraving in between 1st & 2nd Published State. Laid on India paper. Sheet size: 390 x 780mm (15¼ x 30¾"). Trimmed inside platemark at bottom edge of sheet. Damaged.
A scene after Joseph Mallord William Turner (1775 - 1851) depicting the transportation of Bellini's paintings on the canals in Venice. Giovanni Bellini (1430 - 1516) was an Italian Renaissance painter, considered to have revolutionized Venetian painting, moving it towards a more colouristic style.
Rawlinson: 677A
[Ref: 32612]   £480.00  
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Young Anglers.
Young Anglers.
Drawn & Etched by J.M.W. Turner. Engraved by R. Dunkarton.
Published June 1811 by J.M.W. Turner Queen Ann Street West.
Etching with mezzotint. Plate: 210 x 290mm (8¼ x 11½"), with large margins.
Three boys on the bank of a stream, with fishing tackle and a watering-can; on the opposite bank another angler beside a pollard-tree and a house in the distance. It is suggested the scene is Marylebone Fields, now part of Regent's Park.
[Ref: 47750]   £320.00  
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