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The 14th February.
The 14th February.
G. B. O'Neill.
[n.d, c.1872].
Etching with very large margins. Laid, on India. Plate: 150 x 205mm (6 x 8"). Some foxing around the edges.
Scene in a country cottage in which two girls reach up to a post man, waiting to see if they have received any valentines. A young boy reaches into the postman's satchel and an older woman reads her valentine behind a door. From 'Etchings for the Art Union of London by the Etching Club' 1782.
[Ref: 35111]   £140.00   (£168.00 incl.VAT)
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[The Barber]
[The Barber]
G.B. O'Neill 30 [c.1880]
Etching on india, platemark 80 x 85 (3¼ x 3¼"), with large margins.
Etching by George Bernard O'Neill (1828-1917),
[Ref: 47660]   £60.00   (£72.00 incl.VAT)
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Nestling.
Nestling. 19.
G.B. O'Neill.
[London, 1872.]
Etching on india. Plate 140 x 185mm. 5½ x 7¼".
Children outside the farmhouse playing in the hay, two girls nestled in a pile, a boy hiding in the hay by the girl to the left, another boy adding hay to the pile; workers in the background piling hay onto a laden horse-drawn cart. Plate 19 from "Etchings for The Art-Union of London By The Etching Club, 1872".
The original oil in the Wolverhampton Art Gallery.
[Ref: 19913]   £60.00   (£72.00 incl.VAT)
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The 14th. of February.
The 14th. of February. 5.
G.B. O'Neill. [With monogram etched in plate.]
[Art Union of London, 1872.]
Etching on india paper, 200 x 150mm. 8 x 6".
The postman is mobbed at the door by children looking for valentine cards. By George Bernard O'Neill (1828-1917), published in 'Etchings for the Art Union of London by the Etching Club', plate 5. Sentimental paintings of children were extremely popular with Victorian audiences. Critics often dismissed such pictures as intellectually undemanding, yet some of the most important artists of the day took up the subject. The emotion of these pictures centre on a new, 19th century conception of childhood as an innocent, separate state to be shielded and prolonged.
[Ref: 27544]   £75.00   (£90.00 incl.VAT)
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