A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Georgius Baglivus Aetat.34.
Carolus Maratta inv:, delin:, et Autori amico D.D.D. Romae 1703. C. Duflos Sc. Parisiis.
Rare Etching. Plate 216 x 146mm. 8½ x 5¾". On verso medical staff library. Trimmed to the plate along the top and right edge. Some creasing.
Giorgio Baglivi (1668-1707) was an Armenian doctor, medical researcher, anatomist and early pathologist.
W: 141: i/ii.
[Ref: 18164] £120.00 (£144.00 incl.VAT)
Carolus Maratta inv:, delin:, et Autori amico D.D.D. Romae 1703. C. Duflos Sc. Parisiis.
Rare Etching. Plate 216 x 146mm. 8½ x 5¾". On verso medical staff library. Trimmed to the plate along the top and right edge. Some creasing.
Giorgio Baglivi (1668-1707) was an Armenian doctor, medical researcher, anatomist and early pathologist.
W: 141: i/ii.
[Ref: 18164] £120.00 (£144.00 incl.VAT)
Pope Clement The Ninth. From the Original Picture...In the Collection of his Grace the Duke of Devonshire, at Chiswick... Size of the Picture 3F,,4I by 4F,,2I in Height. No.35.
Carlo Maratti pinxit. John Hall sculpsit 1767.
Published by J. Boydell Engraver, in Cheapside, London; March 25th. 1767.
Engraving, 510 x 380mm. 20 x 15".
Portrait of Pope Clement IX (1600 – 1669), born Giulio Rospigliosi, was Pope from 1667 to 1669. After Carlo Maratti (1625 - 1713).
For proo impression see re. 27723
[Ref: 27372] £120.00 (£144.00 incl.VAT)
Carlo Maratti pinxit. John Hall sculpsit 1767.
Published by J. Boydell Engraver, in Cheapside, London; March 25th. 1767.
Engraving, 510 x 380mm. 20 x 15".
Portrait of Pope Clement IX (1600 – 1669), born Giulio Rospigliosi, was Pope from 1667 to 1669. After Carlo Maratti (1625 - 1713).
For proo impression see re. 27723
[Ref: 27372] £120.00 (£144.00 incl.VAT)
[Pope Clement The Ninth. From the Original Picture...In the Collection of his Grace the Duke of Devonshire, at Chiswick... Size of the Picture 3F,,4I by 4F,,2I in Height.] No.35.
Carlo Maratti pinxit. John Hall sculp.t: Londini 1767.
J. Boydell Excudit. [Published by J. Boydell Engraver, in Cheapside, London; March 25th. 1767.]
Engraving, scratch-letter proof before title. 510 x 380mm. 20 x 15".
Seated portrait of Pope Clement IX (Giulio Rospigliosi, 1600 – 1669), pope from 1667-9, after Carlo Maratti (1625 - 1713), with a remarque with armorial, stags & putti.
For a lettered impression see ref. 27372
[Ref: 27723] £120.00 (£144.00 incl.VAT)
Carlo Maratti pinxit. John Hall sculp.t: Londini 1767.
J. Boydell Excudit. [Published by J. Boydell Engraver, in Cheapside, London; March 25th. 1767.]
Engraving, scratch-letter proof before title. 510 x 380mm. 20 x 15".
Seated portrait of Pope Clement IX (Giulio Rospigliosi, 1600 – 1669), pope from 1667-9, after Carlo Maratti (1625 - 1713), with a remarque with armorial, stags & putti.
For a lettered impression see ref. 27372
[Ref: 27723] £120.00 (£144.00 incl.VAT)
Diogenes. Intuitus Puerum concaua bibentem manu...
Eques Carolus Maratti invent. Andreas Procacinus sculp.
Cum privil. Sum: Pont et regis Christ.mi. [n.d., c.1720.]
Engraving. Sheet: 380 x 235mm (15 x 9¼''). Trimmed, mounted into album sheet. Staining.
A scene showing Diogenese watching a young man drinking directly from a stream, causing him to cast aside his last possession, a cup which lies discarded on the ground.
[Ref: 49755] £70.00 (£84.00 incl.VAT)
Eques Carolus Maratti invent. Andreas Procacinus sculp.
Cum privil. Sum: Pont et regis Christ.mi. [n.d., c.1720.]
Engraving. Sheet: 380 x 235mm (15 x 9¼''). Trimmed, mounted into album sheet. Staining.
A scene showing Diogenese watching a young man drinking directly from a stream, causing him to cast aside his last possession, a cup which lies discarded on the ground.
[Ref: 49755] £70.00 (£84.00 incl.VAT)
Christo confixus sum Cruci vivo autem jam non ego: vivit vero in me Christus.
Car. Marrattus invent et del. Teod. Verkruys sculp.
Cum privil. Summi Pont et Regis Christ.mi. [n.d., c.1707.]
Engraving. Sheet: 445 x 235mm (17½ x 9''). Trimmed and staining in title.
A portrait of Francis of Assisi shown, on his knees holding a crucifix. Engraved by Theodor Vercruys (1680-1739).
[Ref: 49732] £90.00 (£108.00 incl.VAT)
Car. Marrattus invent et del. Teod. Verkruys sculp.
Cum privil. Summi Pont et Regis Christ.mi. [n.d., c.1707.]
Engraving. Sheet: 445 x 235mm (17½ x 9''). Trimmed and staining in title.
A portrait of Francis of Assisi shown, on his knees holding a crucifix. Engraved by Theodor Vercruys (1680-1739).
[Ref: 49732] £90.00 (£108.00 incl.VAT)
![[The Nativity]](jpegs/38356.jpg)
[The Nativity]
Carolus Maratus in et fecit Romae con licentia de supr [c.1660]
Etching, platemark 175 x 130mm (7 x 5"). Thread margins; glued to backing sheet at corners, on verso of which 'C. Maratti fc 1660' in old hand.
The newly-born Christ adored by the Virgin and angels. Original etching by Carlo Maratta or Maratti (1625 - 1713), Italian painter, active mostly in Rome, known principally for his classicizing paintings executed in a Late Baroque Classical manner. The leading Roman painter of his day, Maratti was the last exponent of the great classical tradition of Roman painting that had originated with Raphael (1483-1520) and was continued into the seventeenth century by Annibale Carracci (1560-1609) and Maratti's teacher Andrea Sacchi. This is one of Maratti's few original prints (he usually worked with professional engravers to make prints from his paintings).
[Ref: 38356] £240.00 (£288.00 incl.VAT)
Carolus Maratus in et fecit Romae con licentia de supr [c.1660]
Etching, platemark 175 x 130mm (7 x 5"). Thread margins; glued to backing sheet at corners, on verso of which 'C. Maratti fc 1660' in old hand.
The newly-born Christ adored by the Virgin and angels. Original etching by Carlo Maratta or Maratti (1625 - 1713), Italian painter, active mostly in Rome, known principally for his classicizing paintings executed in a Late Baroque Classical manner. The leading Roman painter of his day, Maratti was the last exponent of the great classical tradition of Roman painting that had originated with Raphael (1483-1520) and was continued into the seventeenth century by Annibale Carracci (1560-1609) and Maratti's teacher Andrea Sacchi. This is one of Maratti's few original prints (he usually worked with professional engravers to make prints from his paintings).
[Ref: 38356] £240.00 (£288.00 incl.VAT)
![[Virgin and Child]](jpegs/19709.jpg)
[Virgin and Child] Flores mei fructus honoris [...]
Carolus Marrattus pinx. R.V. Auden Aerd sculp.
Cum privil Summi Pont, et Regis Shrist.mi Rome Apud Iacobum Frey [n.d., c.1725]
Fine copper engraving, large margins, 660 x 390mm (26 x 15¼") to platemark. Central fold as issued.
Engraving by Robert van Audenaerde after Carlo Maratti. Audenaerde worked for some time in the studio of Maratti, engraving his paintings, but onleaving Rome for Ghent in 1723 his stock of plates passed to Jakob Frey, who became Maratti's preferred engraver. This print dates from that period.
[Ref: 19709] £260.00 (£312.00 incl.VAT)
Carolus Marrattus pinx. R.V. Auden Aerd sculp.
Cum privil Summi Pont, et Regis Shrist.mi Rome Apud Iacobum Frey [n.d., c.1725]
Fine copper engraving, large margins, 660 x 390mm (26 x 15¼") to platemark. Central fold as issued.
Engraving by Robert van Audenaerde after Carlo Maratti. Audenaerde worked for some time in the studio of Maratti, engraving his paintings, but onleaving Rome for Ghent in 1723 his stock of plates passed to Jakob Frey, who became Maratti's preferred engraver. This print dates from that period.
[Ref: 19709] £260.00 (£312.00 incl.VAT)
![[Man with retroussé nose]](jpegs/21321.jpg)
[Man with retroussé nose] In the Collection of Tho. Sadler Esqr.
Carlo Maratti del. AP. [monogram.]
[n.d. c.1740.]
Crayon-manner, printed in brown ink, rare. 212 x 160mm. 8¼ x 6¼". Uncut.
Arthur Pond (1701-1758) was a British painter, engraver, print-seller, dealer and collector. He studied with John Vanderbank before entering St Martin's Lane Academy in 1720. He visited Italy in 1725-7 with George Knapton, John Dyer and Daniel Wray. This print, one of three produced by Pond from caricatures by Maratti, derives from a drawing by sold through Christies in 1988. The British Museum have drawings by Hugh Howard, who studied in Italy with Maratti (1697-1700) which may have been the basis for Pond's prints.
Hake: 89. See British Museum no. 1874,0808.119 for Howard's drawing.
[Ref: 21321] £180.00 (£216.00 incl.VAT)
Carlo Maratti del. AP. [monogram.]
[n.d. c.1740.]
Crayon-manner, printed in brown ink, rare. 212 x 160mm. 8¼ x 6¼". Uncut.
Arthur Pond (1701-1758) was a British painter, engraver, print-seller, dealer and collector. He studied with John Vanderbank before entering St Martin's Lane Academy in 1720. He visited Italy in 1725-7 with George Knapton, John Dyer and Daniel Wray. This print, one of three produced by Pond from caricatures by Maratti, derives from a drawing by sold through Christies in 1988. The British Museum have drawings by Hugh Howard, who studied in Italy with Maratti (1697-1700) which may have been the basis for Pond's prints.
Hake: 89. See British Museum no. 1874,0808.119 for Howard's drawing.
[Ref: 21321] £180.00 (£216.00 incl.VAT)
Carolus Eques Maratti.
Eques Carol. Marattus delin. Io. Iacob Frey Incidit.
Cum Privil. Sum. Pont. et Regis Christianissimi.
Engraving, 400 x 280mm. 15¾ x 11". Faint horizontal crease.
Self-portrait, Carlo Maratta or Maratti (1625 – 1713) holding a drawing against a book, and turning towards the viewer gesturing with his right hand. Maratti was an Italian painter, active mostly in Rome, known principally for his classicizing paintings executed in a Late Baroque Classical manner. Engraved by Jacob Frey (1681 - 1752).
[Ref: 13588] £180.00 (£216.00 incl.VAT)
Eques Carol. Marattus delin. Io. Iacob Frey Incidit.
Cum Privil. Sum. Pont. et Regis Christianissimi.
Engraving, 400 x 280mm. 15¾ x 11". Faint horizontal crease.
Self-portrait, Carlo Maratta or Maratti (1625 – 1713) holding a drawing against a book, and turning towards the viewer gesturing with his right hand. Maratti was an Italian painter, active mostly in Rome, known principally for his classicizing paintings executed in a Late Baroque Classical manner. Engraved by Jacob Frey (1681 - 1752).
[Ref: 13588] £180.00 (£216.00 incl.VAT)
![[Caricature, head of a monk.]](jpegs/39813.jpg)
[Caricature, head of a monk.]
Carlo Maratti del. AP. 1742.
Etching. Plate: 170 x 220mm (6¾ x 8¾"), with large margins..
A caricature of a monk laughing. Arthur Pond (1701-1758) was a British painter, engraver, print-seller, dealer and collector. He studied with John Vanderbank before entering St Martin's Lane Academy in 1720. He visited Italy in 1725-7 with George Knapton, John Dyer and Daniel Wray.
Hake: 91.
[Ref: 39813] £130.00 (£156.00 incl.VAT)
Carlo Maratti del. AP. 1742.
Etching. Plate: 170 x 220mm (6¾ x 8¾"), with large margins..
A caricature of a monk laughing. Arthur Pond (1701-1758) was a British painter, engraver, print-seller, dealer and collector. He studied with John Vanderbank before entering St Martin's Lane Academy in 1720. He visited Italy in 1725-7 with George Knapton, John Dyer and Daniel Wray.
Hake: 91.
[Ref: 39813] £130.00 (£156.00 incl.VAT)
Te Deum Laudamus. From the painting of Carlo Maratt, 2 feet 4 inches high, by 1 foot 11 inches wide, in the Collection of the Right Honble,, the Earl of Orford
Carolus Maratt pinxit. Robs. Strange delint. et sculpsit Londini.
In french and English underneath. engraving 418 x 309mm. Very large margins. Uncut
The Virgin holding in her hand a prayerbook, attended by angels.
[Ref: 11334] £260.00 (£312.00 incl.VAT)
Carolus Maratt pinxit. Robs. Strange delint. et sculpsit Londini.
In french and English underneath. engraving 418 x 309mm. Very large margins. Uncut
The Virgin holding in her hand a prayerbook, attended by angels.
[Ref: 11334] £260.00 (£312.00 incl.VAT)
Vera Effigies Sancti Thomae a Villanova. Ordinis Eremit S. Augustini Archiepiscopi Valentini Patris Pauperum appellati & ab Alexandro VII. Pont. Max. Anno 1658. Prima Novemb. Sanctorum Catalogo adscripti, cuius Festum celebratur die 18. Septembris...
Carol. Marattis delin. G. Castell. Sculp Romae Superiorum permissu.
Arnoldo Van Westerhout formis. [n.d., c.1660.]
Engraving. Sheet: 370 x 250mm (14½ x 9¾''). Trimmed, staining in edges. Central crease.
A portrait of St. Thomas of Villanueva (1488-1555) who had been Archibishop of Valencia and reknowned for his charity. He was cannonised in 1658. The saint is shown handing coins to young children while their thankful parents look on.
[Ref: 49676] £130.00 (£156.00 incl.VAT)
Carol. Marattis delin. G. Castell. Sculp Romae Superiorum permissu.
Arnoldo Van Westerhout formis. [n.d., c.1660.]
Engraving. Sheet: 370 x 250mm (14½ x 9¾''). Trimmed, staining in edges. Central crease.
A portrait of St. Thomas of Villanueva (1488-1555) who had been Archibishop of Valencia and reknowned for his charity. He was cannonised in 1658. The saint is shown handing coins to young children while their thankful parents look on.
[Ref: 49676] £130.00 (£156.00 incl.VAT)